"It was squiggling on my finger," she told the outlet.
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A mother tugged a beanie over her squiggling son's ears, and girls ran down the block.
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Previously, she used to draw squiggling lines of paint to create an active ground, which helped her find a form.
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A jauntier section, with some wildly squiggling, jazzy wind solos, is eventually weighed down by a trudging undercurrent, a sense of funeral beneath the party.
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"I looked down and on my finger was a worm, and it was squiggling around for five seconds and it died," the woman, Abby Beckley, told KVAL Tuesday.
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The bodies emphatically twist and gesticulate, but they operate as a single, multi-limbed, Hydra-headed host, while the artist's looping, squiggling chalk lines reside firmly on the paper's surface.
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In between them, Mr. Andsnes played Jörg Widmann's "Idyll and Abyss" (2009), in which motifs and melodic fragments that evoke Schubert are folded into a modernist haze of clusters, harmonies and squiggling lines.
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I am a woman living on a planet that has noodle-shaped guys squiggling silently in the soil and four-legged mammal kings with hammer feet, or horns on their heads, or coats covered in spots and stripes.
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Even as the first squiggling chords of EasyFun's set reverberated into the cavernous hall, it felt like everyone in the audience knew that the show was not the real version of PC Music—or at least, not the only version.
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There, in a junked toilet lying on its side, he found in a small pool of rainwater the squiggling larvae of an Aedes aegypti mosquito, the type that is spreading the Zika virus and fear of grave birth defects throughout Latin America and the Caribbean.
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One gallery shows three such films: two are set to African drumming and one to the jazz notes of Tal Farlow; all send freeform marks streaking, pulsing, squiggling, and zigzagging across the screen in perfect tandem with their soundtracks, representing early forms of the five sculptures next door.
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Get Squiggling is a British children's television series created and produced by Jo Killingley at Dot To Dot Productions, directed by Adrian Hedley, and broadcast on CBeebies and BBC Two in the UK.
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Compared with traditional animation, Squigglevision is relatively fast and easy to produce. The non-stop motion of the "squiggling" outlines reduces the need for more complex animations in order to make a scene feel dynamic. Tom Snyder describes the result as "economy of motion". "There are almost no disadvantages," Snyder asserted.
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The architect Jan Izikowitz was inspired by the landscape and described his vision as "Something that makes your mind float over the squiggling landscape like the wings of a seagull." Feskekörka Feskekörka, or Fiskhallen, is an indoor fishmarket by the Rosenlundskanalen in central Gothenburg. Feskekörkan was opened on 1November 1874 and its name from the building's resemblance to a Gothic church. The Gothenburg city hall is in the Beaux-Arts architectural style.
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Phil Johnson of The Independent wrote "The astonishing 20-minute opening track might be called "Don Cherry's Electric Sonic Garden", but it's the wheedling tone and furious backbeat of the late Miles Davis that veteran free-jazz trumpeter Smith makes you think of most. Four electric guitarists among an ensemble of 14, with two laptop operatives squiggling away. You can argue that nothing on the double-CD quite equals it, or question the context of mystic spirituality, but Smith has made electric jazz sound dangerous again".
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It won a Peabody Award in 1998.58th Annual Peabody Awards, May 1999. The show was computer-animated in a crude, easily recognizable style produced with the software Squigglevision (a device Snyder had employed in his educational animation business) in which all persons and animate objects are colored and have constantly squiggling outlines, while most other inanimate objects are static and usually gray in color. The original challenge Popular Arts faced was how to repurpose recorded stand-up comedy material. To do so, they based Dr. Katz's patients on stand-up comics for the first several episodes, simply having them recite their stand- up acts.
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The Mocker's special power is signified by squiggling thin lines, various characters have an affinity for pinstripe suits or polka dots or have distinctive facial hair patterns that display the various skills Ditko had mastered in decades of comic work. The book was never published in magazine size, however, so the sixteen panels per page are slightly cramped. Much of the dialogue and especially contents of thought balloons is in sentence fragments. The basic concepts floating around in the characters' minds are tied together with commas, partly to display the characters' confused, unfocused, state, and quite possibly partly due to economy of space in the small panels.
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Given the low-key release of the single, "Until the End of Time" was only reviewed in the context of Raise the Pressure. In Mojo magazine Barney Hoskyns wrote: "The languorous melancholy of Sumner's best work with New Order [is] sorely missing here. Instead we're treated to the drab whiteboy electro-funk of 'Second Nature' and the squiggling acid house synths of 'Until the End of Time', with its collish mantra".Mojo, August 1996 In Q Tom Doyle stated: "There are other moments, such as in 'Until the End of Time', where a high energy backbeat collides with Johnson belting out a 'You’re driving me crazy... oh baby' refrain, and it really is unclear exactly what the duo are on, such is their purposeful labouring of the cliché".
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In his mock-judicious, mock-pompous setting of genteel debate ("...May, merely may, madame,..."), Stevens has fun with the idea of an objective moral order possessed of religious authority, the word "nave" suggesting "knave" as in "knaves will continue to proselyte fools"; the resulting heaven is "haunted". Just as a classical peristyle might be set in opposition to a Gothic nave, a pagan moral perspective might, "palm for palm", replace Palm-Sunday palms/psalms by squiggling-saxophone palms. The alternative to the haunted heaven is still simply a "projection", though of an allegorical masque rather than an architecture. The bawdy adherents of such an "opposing law" would not exhibit Christianity's ascetic virtues but instead—"equally"—with a "tink and tank and tunk-a-tunk-tunk", might just produce a jovial hullabaloo comparing favorably with history's construction of "haunted heaven".
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