My mother, Tulu, emerged several minutes later, squirming and squalling.
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The squalling infants are at risk for seizures and hard to comfort.
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She sits in the glider with the squalling Grover and attempts to breastfeed once again.
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Her movie characters are brash loudmouths, squalling and swearing to fend off their loneliness and regret.
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But there's a hitch: there's a small, squalling person who also has a say in the matter.
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Savvas responded in kind and it sent the Thai crowd of knee-jerk cheerleaders into a wild and squalling din.
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A squalling baby must have been an eruption of anarchy in lives that were otherwise characterized by restraint and irony.
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Air travel regularly threatens you with squalling babies, overly talkative seatmates and actual physical violence, and you're complaining about smooth woodwinds?
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One wonders how they back away from and escape that heavy burden of darkness once they bring it to squalling, screaming life.
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The downcast Los Angeles synth duo Youth Code have a unique knack for turning EBM tropes and squalling electronics into something truly horrifying.
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We kneel beside our squalling sister—Gertrude sets down her parsnip gently—and wrap her in the warmed cloth with our four clumsy hands.
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From far away I saw my new baby girl, squalling and red and not five minutes old, and wondered, dreamily, whose baby it was.
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There are no squalling cars, no shrieking children playing in the street, no shops around the corner, no gurgle of water in open gutters.
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But it's still fascinating to see a genius at work At Hogwarts, the roots of the mandrakes are squalling babies whose cries can be fatal.
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Each track slowly spins more elements into its destructive path, its squalling static and distorted vocals suggesting that maybe soon the song will consume you too.
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In this version, there is no flight from the domestic — the journey has been taken to save a marriage, and the squalling children are in tow.
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In the fifth song, the poetic image "a robin will tune his bells" is captured with squalling brass effects, prickly high-pitched sounds and frenetic internal rumblings.
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What happens when the choice is between dirty queer sex that it's taken you decades to find and a squalling blob who can't wipe its own ass?
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There's a leisurely Passover Seder in the middle of the movie that's suffused with love and alive with squalling kids, bustling women and well-padded men chewing cigars.
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Take "The Curious Case of Benjamin Button," one of his best early stories: A man is born old, eventually becomes young and virile, then dwindles into a squalling infant.
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In Garrison's work, "social justice warriors" are pudgy, pink-haired, and squalling; mainstream media outlets are metaphorical trash cans and dinosaurs; Islam is a murderous wolf devouring politically correct sheep.
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Other figures occasionally drift into view: a squalling, infantile old woman in a wheelchair (Kristin Griffith) and a hunky intruder named Dan (David Pegram), who materializes like a custom-ordered Mephistopheles.
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A pantomimed one-minute charmer, it shows a young woman who, with a smile and a bosom wreathed in flowers, plucks squalling naked babies from a cabbage patch constructed out of wood.
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Most of us averted our eyes from that picture of unmitigated misery and admired instead the gemlike sky, the seabirds squalling over the creamy surf, the parasols propped like mushrooms along the shore.
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At the end of it all, your vagina — that place made for good times — turns itself inside out to release a greasy, squalling creature somehow leashed to your insides with a fleshy rope.
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Gregg Allman's vocals, by turns squalling and brooding, took their cue from the anguished emoting of down-home blues singers like Elmore James, as well as from more sophisticated ones like Bobby Bland.
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Squeaking sneakers, squalling kids, and a lot of people who would not otherwise be in the same building—this is what de facto integration sounds like in the third most-segregated city in America.
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The saxophonist had recently let go of his fixation on complex, layered harmonies, and he would soon pioneer a dry, squalling approach to group improvisation — nearly abandoning Western harmony altogether, and changing the course of jazz history.
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This is, strictly speaking, some floridly psychotic music—there is the league's familiar rum-dummy-dum gladiator-movie rhythm section, but there are also a half-dozen squalling solos being played over it concurrently at any given time.
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All of a sudden, a melody emerges from the squalling of horns and the cacophony of competing radio stations, the commuters leap from their cars, and a big, brazenly sincere movie-musical song-and-dance number is underway.
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But the series can never escape its own gravity, its suggestion that the CIA is an all-powerful force that's shaping the world in the shadows, and not a squalling, fractious body that's just trying to keep the lights on.
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But it's possible the idealized version of motherhood will always exist in some form, because you can't fully accept what it's like to care for an infant until you have one squalling in your arms in the middle of the night.
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Vermin Womb is a kind of Revenge-meets-Napalm Death-meets-Demilich hybrid that came squalling into being only two years prior to the release of its new full-length debut, Decline, and has already straight-up firebombed the current extreme metal landscape.
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" Hinting at the political firestorm that has sucked much of the oxygen away from the inspector general's report, Tuesday's hearing was briefly interrupted at the very beginning by a group of protesters — some of them mothers holding squalling babies — chanting, "Families belong together.
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With Jason Moran joining as a guest pianist and the rhythm section stoking a slinky rock beat, the band moves from a hopped-up and apprehensive melody to a scattered Moran solo to a squalling, double-saxophone improvisation at the end. RUSSONELLO
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Mr. Dudamel seemed intent on emphasizing elements of character in the music through exaggerated orchestral effects, like squalling brass during primordial episodes of the "Rite," or a tangle of frenetic lines during the crowd scenes in "Petrouchka," with a resulting lack of clarity and precision.
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Before you tell a stranger that her complaint about the nation falling into the hands of cartoon rich people who can't even forcefully denounce the Confederacy is really just the jealous squalling of a loser with a bad life, stop and think: Is this public?
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Working under the moniker Sad230 (her social media handle), she finds ample room for squalling guitar feedback, but a lot more use for drum programming and warbly synths — along with the occasional nod to demonology, as on an exasperated track called "Devil in U." Carpark. Nov. 225.
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And the sad truth is that, in less than a year and a half in office, Donald J. Trump and the squalling far-right movement he has dragged into the White House like a mischievous dog have already changed the parameters of the American presidency and the nation's politics beyond recognition.
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You climb the stairs to Max's (8) one night and find Bradly Field thumping on something with one stick and Gordon Stevenson emitting a two-note sine wave on his bass and in front is 16-year-old Lydia Lunch, producing circular-saw effects on some kind of junkyard guitar and squalling: Teenage Jesus and the Jerks.
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Often heard in close call and response with Waters's deep, declamatory vocals, Mr. Cotton's squalling harmonica animated dozens of recordings Waters made for the influential Chess label, including classics like "Got My Mojo Working" and "Rock Me." Curiously enough, though Mr. Cotton was hired in 1954, he did not begin to appear on Waters's recordings until late 1956.
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She was not a baby-farm after all, and the audition of these squalling nurslings vexed her.
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McFarlane specified that Turner was "adding his squalling guitar work to the band's unnerving, avant-garage rock noise." In October 1983, as a member of the Moodists, Turner relocated to London. They issued their debut studio album, Thirsty's Calling, in April 1984. The Moodists toured Europe and the United States before returning to Australia in November that year.
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In ancient Roman religion, Vagitanus or Vaticanus was one of a number of childbirth deities who influenced or guided some aspect of parturition, in this instance the newborn's crying.Beryl Rawson, Children and Childhood in Roman Italy (Oxford University Press, 2003), pp. 136–137 online. The name is related to the Latin noun vagitus, "crying, squalling, wailing," particularly by a baby or an animal, and the verb vagio, vagire.
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Love Lust & Lemonjuice (September 1992), their second EP, included the track, "Divan". According to Australian musicologist, Ian McFarlane, the two EPs demonstrated "rough-hewn yet sprightly power pop wrapped around witty lyrics, squalling, fuzzy guitars, urgent melodies and grungy production." They followed with a third EP, Superhero, in May 1993, which included covers of the Laverne & Shirley theme "Making Our Dreams Come True" and John Waite's "Missing You". Steve Bell of theMusic.com.
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The song received polarised reviews from music critics. In his review of the album for the New Yorker, Nick Hornby mentioned the song as "an unpleasant free-jazz workout, with a discordant horn section squalling over a studiedly crude bass line". Mark Beaumont, who disparaged Kid A in Melody Maker on its release, wrote ten years later that the "free-form jazz horns" of "The National Anthem" produced a "mingus-in-a-tumble-dryer racket". Lorraine Ali, writing for Newsweek, described the song as "annoying pileup of squawking instruments".
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"The National Anthem" has been covered by numerous artists, including: Japanese shamisen duo Yoshida Brothers, on their album Prism; Meshell Ndegeocello, for the tribute album Exit Music: Songs with Radio Heads; Mr Russia, for the tribute album Every Machine Makes a Mistake: A Tribute to Radiohead; and Vernon Reid, for the album Other True Self. Ayurveda and Umphrey's McGee covered the song on live performances. The Jazz Passengers did an instrumental version on their album Reunited. A "marvellously squalling version" by the University of Arizona marching band was praised in the Guardian.
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He begs for mercy and she agrees to be lenient, allowing him to take all the rapunzel he wants on condition that the baby be given to her when it's born.In some variants of the story, the request takes a more riddling form, e. g., the foster mother demands "that which is under your belt." In other variants, the mother, worn out by the squalling of the child, wishes for someone to take it away, whereupon the figure of the foster-mother appears to claim it. Cf. the Grimms' annotations to Rapunzel (Kinder- und Hausmärchen (1856), Vol.
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These locational calls are either a high-pitched series of one to three caw or hi sounds, or a series of longer caw sounds with a nasal aaa element to the call; the latter call may be used exclusively between mated pairs. Alarm calls are a rapid series of sharp caws. The birds also make a variety of squalling, guttural sounds, which may be done either quietly or excitedly. These sounds are typically accompanied by activities such as the ripping of leaves or the hammering of branches, and may serve as part of courtship or pair bonding.
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As winter ended, the party made a more concentrated effort to chart the coastline of Great Bear Lake. The most extensive of these explorations was conducted by Richardson and Kendall, lasting from 10 April–1 May. Franklin at this point grew displeased with the constant presence of the Dog-Rib Indians, claiming that they "continued hanging about the fort, and their daily drumming and singing over the sick, the squalling of the children, and bawling of the men and women, proved no small annoyance." With the beginning of June, Franklin began more intensely planning the party's voyage to the coast.
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"Blood for Poppies" has been described by Billboard as "a mix of crunchy and funky guitars during the verse" and an "infectious, sing-along chorus"; while KROQ's Nadia Noir claimed it was "a song which conjures up some of the shimmering distortion, guitar tremolo, and the sensual shoegaze" of My Bloody Valentine's "Only Shallow", "albeit with the funkier, harder edge and Manson's sultry contralto vocals that make Garbage wholly unique". Rick Martin, of NME, described the song as "some righteous noise and a proper poptastic chorus to boot," and remarked; "If only all seven-year itches came with as much squalling feedback and eardrum-bursting goodness".
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The song's sound has been described as "atmospheric", "cinematic", and "ethereal". The first half of the song is as a piano ballad with contemplative vocals by Keenan, with a slow and steady beat, while the latter half was described as evolving into something grander without losing its sense of melancholy, giving the song a sombre sounding intro, and a more hopeful sounding ending. The middle part of the song contains a minute long piano interlude. While the latter half of the song eventually adds Billy Howerdel's "squalling" and "defiant" guitar parts, and "rowdy" drum parts by Jeff Friedl, the piano part remains dominant throughout the track.
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The album was produced by Paul McKercher (You Am I, Spiderbait) with mixing by American producer- engineer, Ulrich Wild (Prong, Pantera, White Zombie, Grinspoon). Australian musicologist described the album as, "a heavy-duty mix of alterna-metal riff- rock, squalling sound effects, experimental electronic beats and samples, [the album] was certainly the most visceral album to chart in the Australian Top 10 since the likes of Nine Inch Nails and Marilyn Manson." The tracks received attention on national youth radio, Triple J, with "Turn that Shit Up" listed on Triple J Hottest 100, 1999 at No. 66. The band were dropped by their label, Sony, soon after the album was released.
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While the previous record had featured different musical styles for each song, You're Living All Over Me found the band's various disparate influences merging into each individual song. Although the hardcore punk influences were noticeably more muted than on Dinosaur, the overall sound was much more powerful, with the instruments often recorded very loud and with considerable distortion. While Mascis's guitar, alternating between Black Sabbath-like riffs, squalling solos, dissonant noise-rock and occasional quiet passages, was the main attraction, Barlow's bass, melodic, highly distorted and often playing thick two-note chords, competed for attention. Meanwhile, Murph played the Mascis-composed drum parts in a very heavy and powerful fashion, resulting in a version of the power trio format.
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Standing at the Sky's Edge is the sixth studio album from English musician Richard Hawley, released in the UK on 7 May 2012 and in the US on 28 August 2012. The album is markedly different from Hawley's previous efforts, often relinquishing softer instrumentation in favour of squalling guitars. As with all of Hawley's previous albums, the title obliquely refers to a location in his native city of Sheffield, in this case Skye Edge, a hillside area with views over the city centre and formerly known for its crime-ridden estates but largely redeveloped in the mid-2000s. On 12 September 2012 the album was nominated for the 2012 Mercury Prize, Hawley's second nomination after 2005's Coles Corner.
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The magazine called "Smokin'" "compact disco" and stated that "Mu-Tron" was an "ugly name for a beautiful song". "Ice Hockey Hair" was described as a combination of Queen, ELO, Wings, and "mad techno squalling" which sounds like "Elton John's glitter-coated grand piano" falling from the sky. AllMusic described the Ice Hockey Hair EP as "another fun, cool group of songs from a band that can seemingly do no wrong" which bridges the gap between the "spaced-out rock" of 1997's Radiator and the "pop/rock electronic experimentation" of 1999's Guerrilla. The website did take issue with the short length of the record however, suggesting that the Super Furry Animals' music works best "in large doses of pop/rock gem upon pop/rock gem".
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Ruth Davis' solos were also overpowering in their own way; her recordings of songs such as "Jesus Steps Right In" and "Too Close to Heaven" disclose the glory of her instrument, a huge,wide-ranging metallic contralto of great beauty and extraordinary power and force in squalling. The Davis Sisters attracted two great singers in their most fruitful periods to help fill out their sound: Imogene Green, who possessed a husky alto of great sensuous beauty and the phenomenal Jackie Verdell who replaced Green in 1955. She brought a mezzo-soprano of intense brightness and clarity to the group; few singers could match her in the mournful "gospel blues" genre; she would demolish churches with her renditions of "Lord Don't Leave Me" and "Following Him". The Davis Sisters also accompanied their singing with the rhythmic and sometimes spontaneous spirited choreography that other singers, such as Dorothy Love Coates and the Ward Singers later made famous; the Davis Sisters were heavily influenced at this time by Gertrude Ward, the organizing spirit behind the Ward Singers and a guiding light for gospel music in America.
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