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"spiv" Definitions
  1. a man who makes his money by being dishonest in business, especially one who dresses in a way that makes people believe he is rich and successfulTopics Businessc2

73 Sentences With "spiv"

How to use spiv in a sentence? Find typical usage patterns (collocations)/phrases/context for "spiv" and check conjugation/comparative form for "spiv". Mastering all the usages of "spiv" from sentence examples published by news publications.

Detailing the coordination between his "Spiv" unit and police killing squads, the officer said police forces seek to instill fear in restive communities by eliminating protest organizers and known opposition supporters.
Jun (stylized as JUN; born in Kobe, Hyōgo) is a Japanese visual kei rock musician and singer-songwriter who is currently the guitarist of GOTCHAROCKA. Previously he was in the bands Se'lavy, Mar'derayla and Phantasmagoria, Spiv States (stylized as SPIV STATES and previously as spiv states) and released solo material under the alias Attic (stylized as attic) and under his own name.
A series of British crime films produced between 1945 and 1950, during the time that rationing was still in effect, dealt with the black market and related underworld, and have been termed spiv movies or the spiv cycle by critics.S. Chibnall & R. Murphy (eds) (1999) British Crime Cinema Routledge Examples are Brighton Rock and Night and the City in which the spiv is a main character. Other crime films which have been cited as part of the spiv cycle – though not always featuring a spiv character, just criminal dealings – are They Made Me a Fugitive, It Always Rains on Sunday, Odd Man Out, No Way Back, The Third Man and Waterloo Road.
The 1949 British spiv film No Way Back is based on Burke's Beryl and the Croucher.
Stanley James Carroll Beck (21 February 1929 – 6 August 1973) was an English actor who played the role of Private Walker, a cockney spiv, in the BBC sitcom Dad's Army.
Noose was written by Richard Llewellyn, adapted from his own stage play of the same title. The film has been included as part of the cycle of spiv films produced between 1945–50 in Britain.
TBG is in favour of state-sponsored repatriation. Their Facebook page carried a post calling for the deportation of Doreen Lawrence (who Lauder-Frost has described as a "spiv") and "millions of others ... to their natural homelands".
Most of his career was spent in B films, as "the archetypal spiv, unreliable boyfriend, unscrupulous blackmailer, the smoothie ever ready to light a lady's cigarette".Steve Chibnall & Brian McFarlane, The British 'B' Film, Palgrave Macmillan, London, 2009, p. 178.
'Come Dancing' was an attempt to get back to roots, about my sisters' memories of dancing in the '50s." The song is a nostalgic look back at childhood memories of its writer: the Kinks' frontman Ray Davies, remembering his older sister going on dates to the local Palais dance hall where big bands would play. Davies later claimed that the song was about a spiv, saying, "it was about an East End spiv, sung in a London voice. If anybody had lost any faith in us being real people, that record ['Come Dancing'] would restore it.
Naval Slang/Surnames Marsh - Oakley, Royal Navy website accessed 11 January 2007 Saveen had 13 puppet characters aside from Daisy May, including "Andy the Spiv", "Sonny", and a dog who used to say "Drop Dead!" in a very droll posh voice whenever Saveen spoke to him.
The spiv had a characteristic look which has been described as "A duck's arse haircut, Clark Gable moustache, rakish trilby [hat], drape-shape jacket, and loud garish tie ... [which] all represented a deliberate snook cocked at wartime austerity."Savage, Jon. Teenage: The Creation of Youth Culture. New York: Viking, 2007.
A spiff, or spiv is slang for an immediate bonus for a sale. Typically, spiffs are paid, either by a manufacturer or employer, directly to a salesperson for selling a specific product. It is sometimes given as SPIF or SPIFF with invented words to fit the letters, but these are not the origin (see below).
Set in post-Second World War Britain, Noose is the story of black market racketeers who face attempts to bring them to justice by an American fashion journalist, her ex-army fiancé and a gang of honest toughs from a local gym. The normally gentlemanly and urbane Nigel Patrick is cast as a cockney spiv.
On Monday 23 January 2012, Jacques Santer was appointed to head the board of the Special Purpose Investment Vehicle (SPIV), which is designed to boost the firepower of the European Financial Stability Facility, the eurozone rescue fund. In May 2013, Santer became Honorary Member of SME Europe, the official pro-business organisation of the European People's Party.
The Chink and the Child was turned into the 1919 film Broken Blossoms directed by D.W. Griffith and its 1936 remake. Beryl and the Croucher was filmed in 1949 as No Way Back set in the contemporary East End as part of the Spiv cycle of films made in the years following the Second World War.
ANDREW ROBERTS salutes a neglected genre: [First Edition] Roberts, Andrew. The Independent; 6 Jan 2006: 13. Sight and Sound wrote "Ken Hughes' direction captures an existence of cheap dreams, 20-shillings-per-week lodging houses and harshly neon-lit streets; Tafler's "glycerine mouthed" spiv is far more charismatic than Ronald Howard's police inspector."Playing to the stalls Roberts, Andrew.
A BBC broadcaster travels to a small village for a feature on a bell ringing team, but becomes entangled in an attempt by a spiv to cheat an impoverished local landowner. Assisted by the loyal butler the landowner is eventually saved by a football pools win, even if the broadcast turns out to be a disaster.
During the Second World War, spiv Horace Pope is taken to court for street peddling. In mitigation he tells the judge he is only working in the black market while waiting to enlist in the war effort. On hearing this plea, the judge calls his bluff and forces him to sign up. Pope joins the RAF.
The duo would put on Norfolk accents and delivered Norfolk inspired humour. Their appearance was just like any other folk singers. Sid with slicked back hair, a smart suit and a kipper tie, the look of a spiv. And Henry (Nudds made to look like an old man) with a threadbare cardigan and string to hold up his trousers in place of a belt.
No Way Back was based on the short story Beryl and the Croucher by Thomas Burke, from his 1916 collection Limehouse Nights, who was known for his writings set in the East End of London. It is part of the cycle of Spiv films made between 1945 and 1950. The real-life boxer Tommy McGovern appears in the opening fight scene of the film as Thompson's opponent.
Martyn played the role of the lovable spiv Private Walker in the radio version of Dad's Army after the death of James Beck. His film roles included Carry On at Your Convenience, where he had a small part as the promenade rifle-range owner, and Carry On Behind, where he played an inept electrician who helps wire up the public address system at the caravan site the film was set in.
Odessa Opera House Ukrainian music incorporates a diversity of external cultural influences. It also has a very strong indigenous Slavic and Christian uniqueness whose elements were used among many neighboring nations. Ukrainian folk oral literature, poetry, and songs (such as the dumas) are among the most distinctive ethnocultural features of Ukrainians as a people. Religious music existed in Ukraine before the official adoption of Christianity, in the form of plainsong "obychnyi spiv" or "musica practica".
Slowly building rhythm and a whirlwind of vintage synths that rattle through the speakers like fireworks. The tones and textures here almost feel alive. Alasdair Spiv of So So Gay magazine gave the album four out of five and invited you into a 'Voyage' which takes you on a journey you won’t want to come back from. Spilling over with a sense of wide-eyed wonder, the album intentionally captures the spirit of childhood discovery.
The protagonist of the novel is Harry Fabian, a morally reprehensible spiv determined to become the top wrestling promoter in London. During the course of the novel Fabian is embroiled in various unscrupulous money-making ventures. All those around him are treated as a means to an end without exception. However, while his acts of pimping, blackmail, promoting professional wrestling, and deception are successful, the proceeds of crime soon slip from his hands.
He was conscripted as a Bevin Boy down a coal mine, but gave up after a day and was found by police; he then did his National Service in the Royal Air Force, while working as a switchboard operator and bandsman. A self-confessed spiv, he sold nylons and petrol coupons on the black market. His name change occurred when, at 22, he attempted a show business career as a mind-reader on Clacton pier.
In 1960 Bannister appeared on stage at the Cambridge Theatre in London in Billy Liar, which starred Albert Finney. He starred as Darkie Pilbeam, a wartime spiv, in the 1968 television series The War of Darkie Pilbeam, and from 1969 to 1970 he appeared as "Heavy Breathing" in Jack Rosenthal's sitcom, The Dustbinmen. Shortly afterwards, he was asked to play Mr. Lucas in a Comedy Playhouse pilot called Are You Being Served? and took the part in the series.
She calls her father to pick her up, but Carnaby pretends to have bad phone reception so he can stay at a bar. Annabelle is drafted to the hockey team when she hits her phone with her hockey stick, smashing a statue. The girls of St Trinian's are involved in business with spiv Flash Harry, who pays them to make cheap vodka. Flash is shown to be romantically interested in Kelly, who initially turns him down.
"I'm the Man" is a song written and performed by Joe Jackson, appearing on the album of the same name. Written for the album's "spiv rock" theme, the song is a new wave rock track with humorous lyrics. "I'm the Man" was released as the album's first single, failing to chart in the UK or US but reaching number 23 in Canada. The song has since seen positive critical reception and has appeared on multiple Jackson compilation albums.
A young man sets to work restoring a vintage car at the home of his aunt. The little girl who lives next door is intent on sabotaging his project at any cost, but when he wins her over with a smile, she ends up helping him to build it. He completes the project and wins the hand of the girl’s older sister, who has been dating a rude, mannerless spiv who tears around in a sports car.
The Badd Lads was a comic strip that ran in The Beezer for twenty years starring Fingers, Knuck and Boss who were inept criminals. They were always getting caught, escaping jail and then finding themselves incarcerated again. Fingers was your quintessential spiv with the pencil thin moustache, Knuck was the thick set, soft goon and Boss was the short but smart brains of the outfit. The Badd Ladds was illustrated by Malcolm Judge from January 1960 through to 1987.
The Russian police, loyal to Tretiak, arrest Simon and Emma. However, they manage to escape from the police van as they are being brought to Tretiak's mansion. As they flee through the suburbs, Simon and Emma are helped by a prostitute and her family who shelter them in a hidden room in their home. Later, they meet "Frankie" (Irina Apeksimova), a fence/black marketeer or Spiv who sells them the directions through an underground sewer system that lead to the U.S. embassy.
He appeared in many films from 1947 to 1977. He most commonly played spiv characters, one notable exception being the film Reach for the Sky (1956) in which he played the prosthetics expert to Douglas Bader. There again, he appeared briefly in a drily comic role as a uniformed policeman in the film The Cockleshell Heroes (also 1956). His film career ended with a role as the captain of the supertanker Liparus in the James Bond film The Spy Who Loved Me (1977).
The authorities decided upon high-rise blocks of flats as the answer to housing shortages. During the 1950s and 1960s the skyline of London altered dramatically as tower blocks were erected, although these later proved unpopular. In a bid to reduce the number of people living in overcrowded housing, a policy was introduced of encouraging people to move into newly built new towns surrounding London.Richard Quentin Donald Hornsey, The Spiv and the Architect: Unruly Life in Postwar London (U of Minnesota Press, 2010).
Quigley subsequently founded London scene glam rock band BellaDonna in 1987 who went on to perform with ex- drummer of Tokyo Blade, Andy 'A.D. Dynamite' Parsons (who later went on to play with former Iron Maiden vocalist Paul Di'Anno in Battlezone. Drummer Anthony 'Spiv' Smith was previously a member of Brute Force, and replaced D-beat pioneer Discharge drummer Garry Maloney in April 1984 shortly after the band's inception. Maloney subsequently rejoined Cal (born Kelvin Morris) in Discharge for their 'Grave New World' and 'Massacre Divine' albums.
And in a bid to impress Lady Elizabeth, Wally gets her tickets to see her favourite boy band, "MinstrelZone". Unfortunately the tickets are fake, having been obtained from Wally's spiv cousin (pre-EastEnders Shane Ritchie), but they still get into the concert. Knight School sent up the Spice Girls phenomenon in Series 2 by having Lady Elizabeth and Eunice kidnapped on the school holiday and forced to perform in a new girl band, "The Herb Girls". Series 1 of Knight School was shot with a filmic effect and had impressive production values.
Several of the films feature Mona Manning – a former Hollywood actress forced into making pornography due to her waning career and poor mental health. Carter is ordered to infiltrate the pornography ring and targets Paulus Werner – a West German national who recruits young women from the UK and Western Europe for the pornographers under the cover of a travelling theatrical troupe. Werner was last seen in London by the CIA agent who was subsequently murdered and mutilated. Carter goes to London and stakes out Soho posing as spiv Nathan Connors.
Kenneth Graham Sansom was born in Camberwell, London on 26 September 1958; the second youngest of five siblings. His father, George, was a spiv who left the family home shortly after the birth of his youngest child. His mother, Rose, was a cleaner, and moved the family to Tulse Hill in 1960. He considered himself a goalkeeper in his early years, but while playing for a youth team called Spring Park Wolves he replaced an injured teammate at left- back, and remained a full-back for the rest of his career.
They have a three-wheeled Reliant Regal van and trade under the name of Trotters Independent Traders, mainly on the black market. Initially, Del Boy, Rodney and Grandad were the only regulars, along with the occasional appearances of roadsweeper Trigger (Roger Lloyd-Pack) and pretentious used car salesman Boycie (John Challis). Over time, the cast expanded, mostly in the form of regulars at the local pub The Nag's Head. These included pub landlord Mike Fisher (Kenneth MacDonald), lorry driver Denzil (Paul Barber), youthful spiv Mickey Pearce (Patrick Murray) and Boycie's flirtatious wife Marlene (Sue Holderness).
The show is directed by Nikolai Foster, set and costumes by Ian Westbrook, lighting by Ben Cracknell, sound by Steve Jonas, musical staging/assistant director Drew McOnie, musical arranger/studio production Ian Wherry, musical supervisor Olly Ashmore, and magical creative consultants The Twins. The cast consisted of David Essex (Levi), Louise English (Rosa), David Burrows (Harvey), Rob Compton (Jack), Tim Newman (Jonny), Susan Hallam Wright (Mary), Tanya Robb (Alice), Barry Bloxham (Druid), Susan Hall (Sally), James Hill (Spiv), Gareth Leighton (Chris), Louise Lenihan (Rita), Luke Baker (Chris), and Edie Campbell (Laura).
Wright departed Pearl Harbor on 20 November, bound for Wake Island, arrived at that advanced base on the 28th, and landed Comdr. "Spiv" Winfield S. Cunningham, who took command of the naval activities on the vulnerable isle, Major James "Jimmy" Patrick Sinnot Deveraux, USMC and Lt. Col Walter L. J. Bayler, USMC. Other passengers who went ashore from the seaplane tender included asphalt technicians, other construction workers, and other Marine Corps officers. The ship also delivered 63,000 gallons of gasoline to Wake's storage tanks before setting course for Midway.
Ducks Deluxe also played this concert, but Whaley had already left. Beware of the Shadow was released in late 1972, but none of the first three albums sold well. The Helps appealed to a hippie audience such as fans of Grateful Dead and Quicksilver Messenger Service so they were moderately successful in the U.S. but never toured there. In 1973, the band proposed touring with Roger Ruskin Spear, the Flying Aces and Vivian "Spiv" Morris, in a vaudeville show called "Happy Days", which was to be held in a circus tent.
The show centres on a group of conscripts assigned to the Surplus Ordnance Department at Nether Hopping, Staffordshire. Billeted in Hut 29, the men are determined to work little and have fun. Geoffrey Sumner played Major 'Piggy' Upshot-Bagley, the commanding officer, with William Hartnell as Company Sgt Major (CSM) Percy Bullimore, the bane of Hut 29's army life. Michael Medwin was the spiv-like Cpl Springer in charge of Hut 29, with the original conscripts consisting of Bernard Bresslaw's IQ deficient Pte Popplewell, Alfie Bass's Pte 'Excused Boots' Bisley, Charles Hawtrey's Pte 'Professor' Hatchett and Norman Rossington's Pte 'Cupcake' Cook.
Joseph Theodore Leslie "Squizzy" Taylor (29 June 1888 – 27 October 1927) was an Australian gangster from Melbourne. He appeared repeatedly and sometimes prominently in Melbourne news media because of suspicions, formal accusations, and some convictions related to a 1919 violent gang war, to his absconding from bail and hiding from the police in 1921–22, and to his involvement in a robbery where a bank manager was murdered in 1923. Taylor enjoyed a fearsome reputation in 1920s Melbourne. A "spiv", described as the Australian equivalent of the 'American bootleggers', his crimes ranged from pickpocketing, assault and shopbreaking to armed robbery and murder.
Henry Cuthbert EdwardsThe Pure Hell of St Trinian's, film released in 1954 aka Flash Harry is a fictional character from the St. Trinian's series of films who first appears in the 1954 The Belles of St Trinian's and who may also be a spiv. The term refers to "an ostentatious, loudly-dressed, and usually ill- mannered man". Oxford English Dictionary The best-known portrayer is George Cole in the 1950s–1960s films. In the St Trinian's films, Harry is a long-term associate of the girl pupils, a Cockney involved in all sorts of shady dealings.
The novella featured an unspecified future incarnation of the Doctor who appears to be travelling without a companion, although it is hinted that Emily Blandish may have been travelling with him. The story focuses mostly on Honoré Lechasseur, an ex-GI turned spiv who is searching for the Doctor. Although the novella is now out of print, the characters of Emily and Honoré continued their adventures in the Telos Time Hunter series of novellas. The book was not written with a spinoff series in mind, but was created by Telos after their licence to publish Doctor Who came to an end.
Whaley left before Ducks Deluxe recorded anything. Although it has been stated that Whaley left Ducks Deluxe to rejoin Help Yourself, in December 1972 both bands performed at the Christmas at the Patti concert, but Whaley was in neither band. In 1973, Help Yourself proposed touring with Roger Ruskin Spear, the Flying Aces and Vivian "Spiv" Morris, in a vaudeville show called "Happy Days", which was to be held in a circus tent. They started recording material for this in January, but their bassist Paul Burton was unhappy with the proposed theatrical tour, so he left.
She also attempted an unsuccessful career in the US, absurdly miscast in MGM's Soldiers Three as a platinum blonde with made-up bosom, and went back to Britain afterwards. Her most famous films are the 1939 Bela Lugosi film The Dark Eyes of London as the tough heroine, heroic as an underground leader in Tomorrow We Live, touching as Jewish Elsie Silver in Mr. Emmanuel (1944), forceful as loyal wife proving her husband's innocence in the thriller Take My Life, a promiscuous murderess in Dear Murderer, both in 1947, and as a nightclub singer singing "The Shady Lady Spiv" in Easy Money (1948).
Field was unusual among comedy performers of the day, as his act was a multitude of characters and impersonations, at a time when most variety (vaudeville) acts were "one trick ponies". Despite this comedic and acting flair, it was not until he had spent decades touring provincial music halls that Field finally broke into the big time, appearing in London's West End as Slasher Green, the Cockney "wide boy" or "spiv". He became an "overnight" star. In Strike a New Note (1943), Strike it Again (1944) and Piccadilly Hayride (1946), he had his audiences roaring with laughter.
There's gold in them thar hills I tell you. During this time Cohen commissioned two short films from director Alan Parker who later wrote of Cohen: > Nat Cohen was an avuncular, vulgar man with a shifty, pencil thin moustache > who looked more like a Soho strip club spiv than a film mogul. His lowbrow > taste in film production had secured him a sizeable wallet and hence his > puffed–up position running EMI. No one could remember any films he’d made > except that they’d apparently made a ton of money — one of his racehorses > had even won the 1962 Grand National.
136–7 In the 1950s Hargrave earned a living as a cartoonist, working under the name of 'Spiv' or sometimes just 'H'. His work appeared in Cavalcade, The Sketch and Time and Tide.some of his cartoons are reproduced in Ross & Bennett, chapter 5 He was commissioned to write the entry on Paracelsus for the Encyclopædia Britannica (Hargrave had published The Life and Soul of Paracelsus in 1951). He submitted a stream of manuscripts, radio plays and film scripts to producers and publishers, always searching for opportunities to realise his ideas:His many unpublished manuscripts from the 1950s and 1960s are all held in the Hargrave Mss.
A young British woman, a former schoolteacher, inherits an estate in rural Italy. Soon after she arrives she offends the village she lives in by accidentally throwing away a sacred painting of the Madonna that they consider lucky and protector of the community. To redeem herself she goes out in search to try to recover it with the assistance of a British ex-army Captain. In Naples she is first cheated by a British Spiv and his gang of street boys, then receives their help to steal back the painting from a wealthy collector who has taken the Madonna to his villa on Capri.
Other influences included the work of comedians such as Will Hay, whose film Oh, Mr Porter! featured a pompous ass, an old man and a young man; together, this gave Perry the ideas for Mainwaring, Godfrey and Pike. Film historian Jeffrey Richards has cited Lancastrian comedian Robb Wilton as a key influence; he portrayed a work-shy husband who joined the Home Guard in numerous comic sketches during WW2. Perry wrote the first script and gave it to David Croft while working as a minor actor in the Croft-produced sitcom Hugh and I, originally intending the role of the spiv, later called Walker, to be his own.
Saveen (born Albert Edward Langford; 27 May 1914, Southwark, London, England – 14 April 1994, Worcester Park, Surrey, England) was a British ventriloquist who was the first to have a national radio series ("Midday with Daisy May") on the BBC Light Programme after the Second World War. Among his many puppet characters were the tiny schoolgirl dummy Daisy May, a cockney boy dummy "Andy the Spiv" and two dogs (one dummy and one real). He also made frequent appearances on television in the 1950s and 1960s. His character "Daisy May" is identified as the origin of Royal Navy slang "Daisy" for a sailor named May.
Set in 1949, the novella tells the story of Honoré Lechasseur, an ex-GI who is living and working in London as a spiv. He is hired by a woman claiming to be Emily Blandish to track down her husband, the Doctor, and soon becomes embroiled in the machinations of a Nazi named Walken and a mysterious woman named Mestizer. Both are looking for the Doctor and something called "The Cabinet of Light", which is connected to him somehow. Honoré is mistaken for the Doctor on more than one occasion because, as a time sensitive, his aura bears a passing similarity to the Time Lord's.
Private Joe Walker is a fictional black market spiv (or Wholesales Supplier, as he politely puts it) and Home Guard platoon member, portrayed by actor James Beck in the BBC television sitcom Dad's Army. Beck died suddenly in 1973. The character of Walker was one of the seven primary characters in the show. Following his character's departure (Walker was last mentioned in the episode "The Recruit", although he does not appear in this episode) the series attempted to replace him with a war reporter called Private Cheeseman (played by Talfryn Thomas), who had made a previous cameo appearance in the episode "My British Buddy".
The Stanley sisters called him "Spiv", because of his pencil-thin moustache, margarine-coated hair, and pork-pie hat, and the young Lennon called him "Twitchy" because of a physical tic/nervous cough. Julia's family and friends remembered that he also had a fiery temperament, which could result in his being violent when drunk. Lennon remembered seeing his mother during a visit to Mimi's, when her face was bleeding after being hit by Dykins. Paul McCartney later stated that Julia living in sin with Dykins while she was still married was a point of social ostracization for Lennon, as it was often used as a "cheap shot" against him.
Honoré was moved to a hospital in England in 1943, where he began to recover the use of his legs. During this period, he also began to develop an ability to see people's pasts and futures that he later learnt was called time sensitivity. Whilst in hospital, Honoré was treated by a small bearded Scots doctor (recalling the Seventh Doctor, although it is unclear whether the character is intended to actually be the Seventh Doctor in disguise) who helped him recover to a certain degree. Honoré then left the hospital and relocated to Shoreditch in London, where he began working as a black market spiv – although he preferred the term "fixer".
He played Harry Danvers in the clerical comedy Our Man at St Mark's (1965–66) opposite Donald Sinden and made several appearances on children's television during the 1970s, reading on Jackanory and hosting the series Get This and Going a Bundle with Kenny Lynch. He is also noted for having narrated Bob Godfrey Films' Great: Isambard Kingdom Brunel (1975), the first British cartoon to win an Academy Award. His familiar voice was regularly used for TV commercials. In 1975, Fowler took the part of Eric Lee Fung, described as "a Chinese cockney spiv", in The Melting Pot, a sitcom written by Spike Milligan and Neil Shand.
On a second, and this time solo audition with Vivian Van Damm, English became resident comedian at the Windmill Theatre at the same time compering a show for Bob Potter. English stayed at the Windmill as the principal comic until August 1950. His early professional career was as a stand-up comic in the persona of a stereotypical wartime "spiv", and he became known as "The Prince of the Wide Boys"– Denis Gifford – Obituary: Arthur English – The Independent – 23 October 2011 dressed in a trilby hat, a white jacket and padded shoulders with a pencil-thin moustache set off with a flamboyant kipper tie four feet wide.
Romany Jones is a British sitcom made by London Weekend Television, broadcast between 1972 and 1975, involving the comic misadventures of two layabout families living on a caravan site. The show was designed as a vehicle for James BeckJames Beck played the black market spiv Private Walker in the Dad's Army and also featured Arthur Mullard and Queenie Watts as Wally and Lily Briggs. Following Beck's death in August 1973 when he was only 44, Bert and Betty Jones were written out of the series, and Jonathan Cecil and Gay Soper took over the lead roles, playing new neighbours, Jeremy and Susan Crichton- Jones. The show's pilot episode had been made by Thames Television and broadcast in 1972.
The latter joined as musical instrument maker/sound sculptor for Weaver's Adventure Playground and Hayward Adventure Playground, contributing the Fibrephone design and future name of the group. Echo City has also performed as a band since 1985 and has made a number of recordings which it has released via its own Gramophone Records label, Line Music and Some Bizzare. Echo City's first recording was the album Gramophone, named because like all the other things the group produced with the "phone" suffix [their instruments in particular], the record was something that could be played. Gramophone was a collection of recordings, some of which were originally made for a documentary film for British TV station Channel 4 called "Welcome to the Spiv Economy".
Bigend is described by Times Union reviewer Michael Janairo as a "hyper-connected, ever curious, multigazillionaire", and by biopunk writer Paul Di Filippo as amoral and egocentric. Other appellations include "imperious" (SFGate), "enigmatic" (St. Louis Post-Dispatch), "pontifical Belgian ad mogul" (The Village Voice), "filthy-rich man-behind-the-curtain" (Seattle Times), "untrustworthy corporate spiv" (The Guardian), "accentless Machiavellian fixer with unnervingly white teeth" (New Statesman), and "information-sucking android-like advertising guru and godgame magus" (John Clute, Sci Fi Weekly). Academic Alex Wetmore identified a parallel between the relationships of Bigend and Cayce Pollard and that of Case, the protagonist of Gibson's Neuromancer (1984) and the entity which recruits him, characterizing both Bigend and Case's recruiter as "mysterious and potentially untrustworthy".
She is not aware that he has assembled a gang of hardened criminals for a sophisticated security van robbery at London King's Cross railway station: the gentlemanly and easily fooled con-man Major Claude Courtney; the comedic Cockney spiv Harry Robinson; the slow-witted and punch drunk ex-boxer 'One-Round' Lawson; and the murderous, cruel and vicious continental gangster Louis Harvey. As a cover, the "Professor" convinces the naive Mrs. Wilberforce that the group is an amateur string quintet using the rooms for rehearsal space. To maintain the deception, the gang members carry musical instruments and play recordings of Boccherini's Minuet (3rd movement) from String Quintet in E, Op. 11 No. 5 and Haydn's - Serenade for Strings Op. 3 No. 5 (the "Serenade," actually composed by Roman Hoffstetter) during their planning sessions.
After the war, Patrick appeared in Morning Departure (1946) on TV and Fools Rush In, Tomorrow's Child (1946) and Noose (1947) on stage. Patrick had film roles in Spring in Park Lane (1948), Uneasy Terms (1948) and notably Noose (1948) playing a spiv. Patrick had a good part in Silent Dust (1948) and was promoted to star for The Jack of Diamonds (1949), which he also co-wrote. He supported Patricia Roc in The Perfect Woman (1949), and had a key role in the film version of Morning Departure (1950) (a different part to the one he had played on TV). Patrick was one of several names in Trio (1950) based on stories by W. Somerset Maugham and appeared in the Hollywood-financed Pandora and the Flying Dutchman (1951).
The Stanley sisters called Dykins a "spiv", because of his pencil- thin moustache, margarine-coated hair, and pork-pie hat, but the young Lennon called him "Twitchy" because of a physical tic and nervous cough Dykins had. Although Julia never divorced Alfred Lennon, she was the common-law wife of Dykins, although Paul McCartney admitted to being sarcastic to Lennon about his mother living in sin while Julia was still married. Julia's sister, Mimi, called Julia and Dykins' home—at 1 Blomfield Road, Liverpool—"The House of Sin" and her own house (where Lennon lived) "The House of Correction". When Jackie was born prematurely on 26 October 1949, Julia went back to the hospital every day to see her, although she was often not allowed (by Mimi) to visit Lennon.
While there had been some affluent adoption—"an extravagant upper-class snub to the post- war Labour Government and its message of austerity"—it was predominantly suburban working class youth who adopted and adapted the look ('spiv' and cosh boy associations also hastened its middle class rejection) and, around 1952, what became the 'Teddy Boy' style began to emerge, gradually spreading across Britain. Although there had been youth groups with their own dress codes called scuttlers in 19th-century Liverpool and Manchester, Teddy Boys were the first youth group in Britain to differentiate themselves as teenagers, helping create a youth market. The US film Blackboard Jungle marked a watershed in the United Kingdom. When shown in an Elephant and Castle cinema, south London in 1956, the teenage Teddy boy audience began to riot, tearing up seats and dancing in the cinema's aisles.
What set the show apart was the innovative way in which Davies interwove musical gags and jabs at the BBC culture with material inspired by her day job, working in Listener Research to compile confidential reports on listeners' and viewers' reactions to programmes. One of her lyrics, teasingly sung by a 'listener', went: 'I'm not a prude/but I think the Third's rude', poking fun at the young cultural network, the Third Programme. Sir William Halley, Director-General of the BBC, who had devised the network, was in the audience, with Lord Simon, chairman of the BBC, and his fellow governors. The Third was not spared further attention – when a man turns up for a Third Programme interview he is, indicatively, bearded and in sandals; a spiv selling mouth organs seeks out the distinguished chief conductor of The Proms Sir Malcolm Sargent.
He was initially disappointed with the role, and turned it down but, after being persuaded to accept it by his agent, he embraced its possibilities. One of his lines, delivered in his clipped upper class voice, was "You're an absolute shower", which became a catchphrase for him. The Boulting brothers were so impressed with Terry-Thomas's performance that they signed him up to a five-film deal. The first of the five films was Brothers in Law, in which Terry-Thomas played the spiv Alfred Green, a performance which was based on Sid Field's characterisation in Piccadilly Hayride. Roy Boulting later recounted that one short scene with Terry-Thomas, Richard Attenborough and Ian Carmichael took 107 takes because of Terry-Thomas's unfamiliarity with filming techniques; he initially struggled to hit his marks, or give his line and move on, while still acting.
The boys resolve to raise the money between them to pay for the damage. To this end, Ted and Toppy sign the Peace of Otterbury temporarily ending hostilities between the gangs and they join together to launch Operation Glazier; over a bank holiday weekend they carry out a variety of money-making schemes such as busking (led by Charlie Muswell), shoe-shining (with some illicit spraying of dirty water via a flit gun to increase trade), window-cleaning (Kwik-Klean Co.), an acrobat troupe, and lightning sketches by Toppy's sister (Miss E Toppingham, R.A.) to raise the money. Operation Glazier exceeds its target, but the money mysteriously disappears whilst in the charge of Ted and his grown-up sister, Rose, who looks after him. Toppy initially accuses Ted – who is ostracised by all but George and the ever-loyal Nick Yates – but then realises the real culprits are the deeply unpleasant local spiv Johnny Sharp and his seedy accomplice known as "The Wart".
Backed by a strong supporting cast, the series follows the Trotters' highs and lows in life, in particular their attempts to get rich. After Lennard Pearce's death in 1984, the show introduced a new sidekick, Uncle Albert, the boys' great uncle, played by Buster Merryfield. From 1988 onwards, the show features regular characters in Del Boy and Rodney's love interests, Raquel (Tessa Peake-Jones) and Cassandra (Gwyneth Strong) respectively. Other recurring characters include haughty car dealer Boycie (John Challis), dim-witted road sweeper Trigger (Roger Lloyd- Pack), lorry driver Denzil (Paul Barber), obnoxious spiv Mickey Pearce (Patrick Murray) and bartender Mike (Kenneth MacDonald). The show was not an immediate hit with viewers and received little promotion early on, but later achieved consistently high ratings, and the 1996 episode "Time on Our Hands" (originally billed as the last ever episode) holds the record for the highest UK audience for a sitcom episode, attracting 24.3 million viewers.
Attenborough's acting career started on stage and he appeared in shows at Leicester's Little Theatre, Dover Street, prior to his going to RADA, where he remained Patron until his death. Attenborough's first major credited role was provided in Brian Desmond Hurst's The Hundred Pound Window (1944) playing Tommy Draper who helps rescue his accountant father who has taken a wrong turn in life. Attenborough's film career had begun in 1942, however, in an uncredited role as a sailor deserting his post under fire in the Noël Coward/David Lean production In Which We Serve (his name and character were omitted from the original release-print credits), a role that helped type-cast him for many years as a spiv in films like London Belongs to Me (1948), Morning Departure (1950) and his breakthrough role as Pinkie Brown in John Boulting's film adaptation of Graham Greene's novel Brighton Rock (1947), a role that he had previously played to great acclaim at the Garrick Theatre in 1942. In 1949, exhibitors voted him the sixth most popular British actor at the box office.
809 NAS re-formed on 15 January 1963 as the second frontline Blackburn Buccaneer S.1 squadron (after 801 NAS), using aircraft and crews from the recently disbanded 700Z NAS (the Buccaneer S.1 trials and training unit) under the command of 700Z's commanding officer, Commander 'Spiv' Leahy. The squadron was tasked with continuing 700Z's duties and became the Buccaneer Headquarters squadron. The aircraft at the time were painted in 'anti-flash' white with toned-down markings because of the Buccaneer's nuclear role, with the squadron badge of a Phoenix on the sides of the jet intakes. By 1965 the Buccaneer force had switched to the standard Fleet Air Arm finish of dark sea grey upper surfaces and white undersides, and the squadron badge was moved to the tail. In April 1965, 809 NAS disbanded again and its role was taken over by 736 NAS at RNAS Lossiemouth. 809 re-formed in 1966 under the command of Lt Cdr Lyn Middleton and was now equipped with the Rolls-Royce Spey-powered Buccaneer S.2.
Frequently on his canvases one comes across a mysterious white figure. This figure is typical of his expressionist explorations: "Postat i bili kaly" (The Figure and White Calla Lilies), "Ogolena v lisi" (The Nude in the Forest), "Bila postat" (The White Figure), "Snig u lisi" (Snow in the Woods)… These deformed female or sometimes androgynous figures can symbolize women, fate, Ukraine and even death. In 1995 he painted a series of works. "Kit i piven" (The Cat and the Rooster) as well as "Synia golova" (The Blue Head), "Naliakanyy kin" (The Scared Hoarse), a more expressionistic "Zhinochyi portret z babkoyu" (The Female Portrait with a Damselfly), "Ptashynyi spiv" (Bird Singing), "Portret iz zelenym lystkom" (Portrait with a Green Leave), "Tryvoga" (The Anxiety), "Zhinka, yaka yde po ozeru" (The Woman Walking the Lake), "Rozmova" (The Talk), "Mandruyuchi" (The Wandering), "Velyki hmary nad ozerom" (The Big Clouds over the Lake), "Metelyk na pliazhi" (The Butterfly on the Beach), "Piven" (The Rooster), "Divchyna z ptahom" (The Girl with a Bird) – these paintings speak of reality and mysticism, attempts to sink into the mystery of the ulterior world, bizarre life situations – a Ukrainian metaphysical world created by him.

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