And Marano plays Celia with a pleasing acerbic spikiness that contrasts beautifully with Centineo's nice-guy chill.
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It's the gleeful abundance that matters, the counterpoints of salt and sugar, crunch and yield, spikiness and velvet.
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Keaton knows how to flash his own brand of sinister, sharpening the spikiness in his voice and conveying heat in his eyes.
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Dorothea is at once laid back and uptight, which Ms. Bening conveys with moments of shambling, gestural looseness and sudden emotional spikiness.
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But as they began to sing "People Will Say We're in Love," with Curly sitting on a table and Laurey leaning toward him, the spikiness shifted into longing.
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When you think of different marketing channels today outside of Black Friday through Cyber Monday, there can be a lot of variability in spikiness and traffic related to promotions.
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The spikiness of the record astounds anyway; from plinky synthesizer to buzzy synthesizer to crunchy synthesizer to scratchy drum machine to the choked strain of Dreijer's voice, everything's an irritant.
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Harper's spikiness is on a level with that of Mr. Garfield's Prior, and when they meet "on the threshold of revelation" in shared hallucinations, they are a wonderfully matched set.
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The connection is heightened by the presence in both plays of the invaluable Ms. Findlay, whose Hazel possesses a spikiness that can be dryly funny one minute, alarming the next.
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And though occasional bursts of spikiness suggest that Chomko has a more unexpected story to tell, the narrative beats of this one — even without its eye-rolling final shot — are audible well in advance of the end credits.
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Examples of geons include cones and spheres. A wide range of other shape representations have also been investigated. Shape features seem to boil down to three basic dimensions: segmentability, compactness, and spikiness. There is also clear evidence that shapes guide human attention.
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Atop the stem is the rounded to egg-shaped flower head, which looks superficially like that of a thistle, mainly due to its spikiness and lavender color. It is fringed with up to 17 spiny, toothed, pointed bracts, each up to about two centimeters long. Each flower head is packed full of small lavender flowers.
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NME said in June 1997 that the song had "robo-vocals" and "funk-spikiness". CMJ called it one of Album of the Year's "best pop songs" in July 1997.CMJ, July 1997. The linear notes for the 2003 compilation This Is It: The Best of Faith No More stated that the song took on "poetic grandeur" following the band's 1998 split.
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Sphagnum squarrosum, commonly known as the spiky bog-moss or spreading-leaved bog moss is a species of moss which grows in nutrient-rich, damp soil. Typical habitats include woodland, the banks of streams and ditches; it can even be found at high altitude in damp cirques. The species often grows near sedges (Carex), rushes (Juncus) or purple moor grass (Molinia caerulea). Sphagnum squarrosum plants are green, and have the appearance of spikiness.
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Its flowers have white to pale yellow ray florets with yellower centers. The narrowness of the leaf blades and the degree of spikiness of leaf lobes varies greatly by region. leaves senescing during flowering, a trait typical to this species It is cultivated (or rather, its growth is encouraged) as fodder for rabbits, pigs, poultry and even fish in Asia. Its young leaves can be, and are, consumed as a leaf vegetable in salads like other dandelions.
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But Schumer gives their raunchy rom-com enough of her signature spikiness to prevent it from ever feeling predictable." Jacob Hall of the New York Daily News gave the film four out of five stars, saying, "Schumer raises Apatow's game beautifully. Her biting, pitch-black wit and his penchant for character-driven comedy go together like gin and tonic." Peter Travers of Rolling Stone gave the film three-and-a-half stars out of four, saying "Sweet is not how Schumer wants Trainwreck to go down.
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Its title is a reference to the symbol of Swift's zodiac sun-sign, Sagittarius. Swift channels her insecurities, anxiety, and existential crisis in the song; some critics compared the song to "All Too Well", the fifth track in Swift's 2012 album Red. "I Think He Knows" is a sparse funk-inflected tune with the "spikiness" of post-punk and the "romantic zippiness" of Broadway musicals. It sees Swift examining the blossoming of a relationship, speculating how much the subject can surmise her feelings for him, mentioning Music Row.
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Brouwer's music has been noted for its use of imagery, memorable melodies, and accessible and engaging nature while making "no obvious concessions toward styles of the day." In the words of Sarah Bryan Miller of the St. Louis Post Dispatch, Brouwer is "accessible and engaging for a wide range of audiences... not afraid to be spiky when spikiness is indicated, but there’s never a sense in any of these works that she’s using atonality for its own sake.” Furthermore, Brouwer's music has been noted for having "a keen balance between contemporary and tonal language." Fanfare magazine described Brouwer's music as having "a sense of stylistic independence and an openness of spirit.
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