"What you're actually seeing is a visual manifestation of a sound pattern," Alexander tells The Verge.
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One of them was modeled after a French sound pattern (-wan ending) that joined existing French elements like La- or Le- as a prefix and -ique or -iqua as a suffix.
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The FlyPods Pro have what Honor is calling "BoneID technology" which supposedly can use a combination of voice recognition and "bone sound pattern" recognition as biometric authentication to unlock your phone by voice.
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They created a speaker-packed pillow that uses adaptive algorithms to help minimize snoring sounds in the same way a pair of noise-cancelling headphones can help silence the random sounds of a crowded bus, but adjusted on the fly for a specific frequency and sound pattern.
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All vehicles must also be equipped with an audible warning system (siren) which meets specified standards for both sound pattern and volume.
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Berent's research has examined whether phonological patterns are governed by tacit linguistic rules that are inborn in humans (universal grammar).Chomsky, N. and M. Halle, The sound pattern of English. 1968, New York: Harper & Row. xiv, 470.
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Markedness entered generative linguistic theory through Noam Chomsky and Morris Halle's The Sound Pattern of English. For Chomsky and Halle, phonological features went beyond a universal phonetic vocabulary to encompass an 'evaluation metric', a means of selecting the most highly valued adequate grammar. In The Sound Pattern of English, the value of a grammar was the inverse of the number of features required in that grammar. However, Chomsky and Halle realized that their initial approach to phonological features made implausible rules and segment inventories as highly valued as natural ones.
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Pre-contact distribution of Plateau Penutian languages The phonology of Nez Perce includes vowel harmony (which was mentioned in Noam Chomsky & Morris Halle's The Sound Pattern of English), as well as a complex stress system described by Crook (1999).
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Features like grave/acute could be used to divide speech sounds into broad classes. For most phoneticians, the JF&H; features had been superseded by 1968 by the articulatory features set out in Chomsky and Halle’s Sound Pattern of English and by competing articulatory features, which devised by Ladefoged in such publications as Preliminaries to Linguistic Phonetics (1971).
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Trubetzkoy also developed the concept of the archiphoneme. Another important figure in the Prague school was Roman Jakobson, who was one of the most prominent linguists of the 20th century. In 1968 Noam Chomsky and Morris Halle published The Sound Pattern of English (SPE), the basis for generative phonology. In this view, phonological representations are sequences of segments made up of distinctive features.
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Spaltklang (literally: split sound) is a term in music theory. It is defined as an extremely clear and transparent sound pattern of an instrumental piece. It stands in opposition to the music of the Classical-Romantic period which favoured the merging of the individual instrumental voices to one complex sound. Examples of applied Spaltklang can be found in New Music such as Igor Stravinsky’s Histoire du soldat.
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A word sort is a developmental word study activity espoused by the Words Their Way curriculum as written by Donald R. Bear, Marcia Invernizzi, Shane Templeton, and Francine Johnston. The activity focuses students' attention on critical features of words, namely sound, pattern, and meaning.Bear, D., Invernizzi, M., Templeton, S., Johnston, F. Words Their Way: Word Study For Phonics, Vocabulary, and Spelling Instruction. 4th ed.
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Beat induction is the process in which a regular isochronous pulse is activated while one listens to music (i.e. the beat to which one would tap one's foot). It was thought that the cognitive mechanism that allows us to infer a beat from a sound pattern, and to synchronize or dance to it, was uniquely human. No primate tested so far—with exception of the human species—can dance or collaboratively clap to the beat of the music.
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32 He argued that haiku should be judged by the same yardstick that is used when measuring the value of other forms of literature — something that was contrary to views held by prior poets.Kato, p. 134 Shiki firmly placed haiku in the category of literature, and this was unique. Some modern haiku deviate from the traditional 5–7–5 sound pattern and dispensing with the kigo ("season word"); Shiki's haiku reform advocated neither break with tradition.
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It is not clear when Welsh became distinct.Koch, p. 1757. Kenneth H. Jackson suggested that the evolution in syllabic structure and sound pattern was complete by around 550, and labelled the period between then and about 800 "Primitive Welsh". This Primitive Welsh may have been spoken in both Wales and the Hen Ogledd ("Old North"), the Brythonic-speaking areas of what is now northern England and southern Scotland, and therefore been the ancestor of Cumbric as well as Welsh.
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The album was produced by a German DJ duo Blank & Jones and most of the songs were written or co-written by Jens Gad. The material incorporated 1980s style into songs, reproducing the sound pattern of Sandra's early albums, with the track "Kings & Queens" even sampling her 1985 hit "(I'll Never Be) Maria Magdalena". It was also the first album since 1988's Into a Secret Land to feature Hubert Kemmler as a songwriter and background vocalist. "Maybe Tonight" was released as the first single in May 2012 and charted only at no.
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An additional challenge is that she is localizing his call while listening to the many other frogs in the chorus, and to the noise of the stream and insects. The breeding pond is a very noisy place, and females must distinguish a male's calls from the other noise. How they recognize the sound pattern of the male they are pursuing from the surrounding noise is similar to how intelligent hearing aids help people hear certain sounds and cancel out others. The underlying neural mechanisms are fast neural oscillations, and synaptic inhibition to cancel out noise.
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Vibrato is often perceived to create a more emotional sound, and it is employed heavily in music of the Romantic era. The acoustic effect of vibrato has largely to do with adding interest and warmth to the sound, in the form of a shimmer created by the variations in projection of strongest sound. A well-made violin virtually points its sound pattern in different directions depending on slight variations in pitch. Violinists oscillate backwards, or lower in pitch from the actual note when using vibrato, since aural perception favors the highest pitch in a varying sound.
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Their collaboration culminated with the publication of The Sound Pattern of English in 1968. Robert Lees, a linguist of the traditional structuralist school, went to MIT in 1956 to work in the mechanical translation project at RLE, but became convinced by Chomsky's TGG approach and went on to publish, in 1960, probably the very first book of a linguistic analysis based on TGG entitled The Grammar of English Nominalizations. This work was preceded by Lees's doctoral thesis on the same topic, for which he was given a Ph.D. in electrical engineering. Lees was technically the first student of the new TGG paradigm.
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First edition (publ. Harper & Row) The Sound Pattern of English (frequently referred to as SPE) is a 1968 work on phonology (a branch of linguistics) by Noam Chomsky and Morris Halle. It presents a view of the phonology of English, and has been very influential in both the field of phonology and in the analysis of the English language. Chomsky and Halle present a view of phonology as a linguistic subsystem, separate from other components of the grammar, that transforms an underlying phonemic sequence according to rules and produces as its output the phonetic form that is uttered by a speaker.
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Morris Halle (; July 23, 1923 – April 2, 2018) was a Latvian-born Jewish American linguist who was an Institute Professor, and later professor emeritus, of linguistics at the Massachusetts Institute of Technology. The father of "modern phonology",Thus considered by Noam Chomsky, see Morris Halle (MIT): On the morpho-phonology of the Latin verb, introduced by Noam Chomsky. he was best known for his pioneering work in generative phonology, having written "On Accent and Juncture in English" in 1956 with Noam Chomsky and Fred Lukoff and The Sound Pattern of English in 1968 with Chomsky. He also co- authored (with Samuel Jay Keyser) the earliest theory of generative metrics.
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Some linguists draw dialect boundaries based upon phonological (sound-pattern) differences and others on lexical (word-usage) differences, leading to various views on how to classify dialects in Texas, often by dividing the state into an eastern versus a western dialect region.Underwood, Gary N. (1990), "Scholarly Responsibility and the Representation of Dialects: The Case of English in Texas", Journal of English Linguistics 23: 95-112. 20th-century lexical research delimited Texas into two "layers": a southern Texas layer along the Mexican border with several Spanish loanwords and a central Texas layer settled by speakers of German and other European languages amidst a dominant Anglo-American settlement.Walters, Keith. "Dialects".
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Things Fall Apart by Chinua Achebe is perhaps the most popular and renowned novel that deals with the Igbo and their traditional life. The Igbo language was used by John Goldsmith as an example to justify deviating from the classical linear model of phonology as laid out in The Sound Pattern of English. It is written in the Roman script as well as the Nsibidi formalized ideograms, which is used by the Ekpe society and Okonko fraternity, but is no longer widely used. Nsibidi ideography existed among the Igbo before the 16th century, but died out after it became popular among secret societies, who made Nsibidi a secret form of communication.
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Göran Malmqvist was elected to the Swedish Academy on 11 April 1985 and admitted on 20 December 1985. Malmqvist succeeded the literary historian Henry Olsson to Chair number 5. From the time after his election to the Swedish Academy, the over five-hundred page biography on his teacher Bernhard Karlgren was of particular note: Bernhard Karlgren – ett forskarporträtt in 1995; (Bernhard Karlgren – portrait of a scholar).Göran Malmqvist, Bernhard Karlgren : ett forskarporträtt, Stockholm : Norstedt, 1995, Malmqvist here follows Karlgren's path through the pioneering era of Sinology from his early dialectological fieldwork in China in 1910–1912, which aimed at reconstructing the sound pattern of ancient Chinese.
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Issue date: August 11, 1987. In 1989, Gunness developed an asymmetric horn with an output pattern shaped to suit a typical small-to-mid-sized rectangular auditorium with people sitting near the enclosure hearing sound that was not too loud and others sitting farther away hearing sound that was loud enough. In both cases, the sound pattern was to minimize sound energy bouncing off of walls; reflections creating unwanted multi-path cancellations. The horn featured a vertical diffraction slot that was narrower at the bottom which reduced the output for people sitting below the enclosure in the nearfield, and increased the output for those sitting farther away.
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So today, you have young people who are training to be linguists, and they work with a native speaker. They will find some piece of information, or they will find a sound pattern or a syntactic pattern and they will think this is brand new. It may be true, but it will probably come about as a part of incomplete learning on the part of young people because parents are not using the language in the home, and schools certainly don’t use it. We have been fortunate that some schools have used our stories to begin to teach the language, but it is really an uphill battle. By studying your language you learn something about who you are, especially at a university,” Schaefer and Egbokhare have worked together for over thirty years.
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Gardiner recorded a curious and eccentric classic called "Trains", which was regularly played on the 1950s British radio programme Children's Favourites. This record consisted of a tipsy-sounding Gardiner reciting a monologue, which he first introduced in the 1935 Broadway revue At Home Abroad, about steam railway engines (which he claimed were 'livid beasts') and impersonating both the engines themselves and the sound of trains running on the track. This latter he famously characterised as 'diddly-dee, diddly-dum' to mimic the sound pattern as the four pairs of bogie wheels ran over joins between the lengths of track – a sound no longer heard since welded rail joins were introduced. "Trains" was released as a 78 and a 45 by English Decca Records (F 5278) which remained on catalogue into the 1970s.
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Until the 1950s, many phonologists assumed that neutralizing rules generally applied before allophonic rules. Thus phonological analysis was split into two parts: a morphophonological part, where neutralizing rules were developed to derive phonemes from morphophonemes; and a purely phonological part, where phones were derived from the phonemes. Since the 1960s (in particular with the work of the generative school, such as Chomsky and Halle's The Sound Pattern of English) many linguists have moved away from making such a split, instead regarding the surface phones as being derived from the underlying morphophonemes (which may be referred to using various terminology) through a single system of (morpho)phonological rules. The purpose of both phonemic and morphophonemic analysis is to produce simpler underlying descriptions for what appear on the surface to be complicated patterns.
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The dialect of Dunquin on the Dingle Peninsula in Munster was described by . From 1944 to 1968 the Dublin Institute for Advanced Studies published a series of monographs, each describing the phonology of one local dialect: for West Muskerry in County Cork (Ballyvourney, Coolea and vicinity), (first published 1945) for Cois Fhairrge in County Galway (Barna, Spiddal, Inverin and vicinity), for An Rinn, County Waterford, for Tourmakeady in County Mayo, for Teelin, County Donegal, for Erris in County Mayo. More recent descriptive phonology has been published by for Rosguill in northern Donegal, for Tangaveane and Commeen (also near Glenties), for Iorras Aithneach in Connemara (Kilkieran and vicinity), and for the Dingle Peninsula in County Kerry. Research into the theoretical phonology of Irish began with , which follows the principles and practices of The Sound Pattern of English and which formed the basis of the phonology sections of .
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Sinopia (detail) (2014) by Steve Sabella The variation in formal rhythm and tone in many of Sabella's photo-collages, as well as the theme running throughout his work of divergent voices being placed in dialogue, has prompted Hubertus von Amelunxen to relate musical concepts to his oeuvre. In Steve Sabella - Photography 1997-2014, von Amelunxen draws connections to notions of counterpoint, and writes specifically on Sabella's work Sinopia, which collages photographs of the skyline of Manama, Bahrain, "The city, photographed at dawn and during the day, is reflected along the central axis, the sea and sky indistinguishable from one another and the skyline, appearing out of the mist of dawn, retracting and then rising up again, reverberates at different pitches. Through visual reiteration, shadowy high-rises, a sound pattern emerges…" Sabella has also collaborated with musicians. In 2014, he commissioned the jazz ensemble The Khoury Project to interpret the visual form of his Sinopia skyline collage as a waveform, and create an electroacoustic composition that also sampled audio from locations in Bahrain.
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