88 Sentences With "song of praise" | Random Sentence Generator

But Boyd remains hopeful, and his song of praise emphasizes Detroiters' values of optimism and resolve.

"Crucified" is an incredibly dark, despairing and destroyed record, the polar opposite of Bobien's song of praise.

It's a long way from the Bowie of "The Jean Genie," his wide-eyed Brit-boy song of praise to the city that never sleeps.

A song of praise for her father, who she blindly calls a women's advocate and also says is a fair business man who proved that he supports women.

The First Baptist Dallas Choir sang a song of praise — equal parts hymn and political manifesto — called "Make America Great Again" (pastors can download lyrics and sheet music for worship services).

Gliding from color to black and white, from digital to analog, from grim realism to spiritual ecstasy, the film offers a song of praise to the island of Jamaica and a reckoning with its painful history and hard-pressed present.

No. Of course, all of those institutions are far less likely to play host to drug-related incidents—however messy the Song of Praise Big Sing gets—yet the point is that they are also considered valuable in terms far exceeding their annual turnover.

At the end of the opera, the choir repeats its song of praise for the new queen.

Gerald has been a consistent interpreter in the most coveted and only song of praise writing competition on national television – A Song of Praise at UNTV channel 37. This program is hosted by Richard Reynoso and Toni Rose Gayda and has been airing for 5 years now. Credits are given to Bro Eli Soriano of "Ang Dating Daan" and Mr. Public Service – Kuya Daniel S. Razon.

Aguilar also wrote, in Valencian a song of praise for the work of Onafre Bartomeu Ginard (1608), and a work to celebrate the beatification of Archbishop Tomas de Villanueva (1619).

A canticle (from the Latin canticulum, a diminutive of canticum, "song") is a hymn, psalm or other Christian song of praise with lyrics taken from biblical or holy texts other than the Psalms.

Ma'oz Tzur or Rock of ages lifts a song of praise to God's saving power, the tower that sheltered and arms that protected, against all enemies. The finale features repetition of the lines by four soloists in different vocal ranges.

Retrieved 2011-07-07. including a large scale Violin Sonata (1921–22). An anthem, A Song of Praise, followed in 1923. His last major work was the orchestral The Flowing Tide (1943), which has strong elements of Debussian Impressionism combined with Romanticism.

This movement is a choral song of praise to Nicolas, briefly recounting several different stories of his mercy, charity, and kindness. Most of this movement is written homophonically, with a brief canonic section towards the end. This movement is strongly tonal, in G major.

99, 100, 105. A subdivision is formed by poems that deal more with description and praise: the so-called Well song;Numbers 21:17 and following. the song of praise on the uniqueness of the god of Israel;Psalms 95, 97. and those on his eternity;90.

The public reception of For the Union Dead was generally positive. In the New York Times book review, G. S. Fraser wrote that, "the book seems to me the most powerful and direct volume of poems [Lowell] has yet published."Fraser, G.S. "Amid the Horror, A Song of Praise." The New York Times.

The same year it appeared also in Eyn Enchiridion in Erfurt, titled "Der Lobsanck / Mitten wir ym leben synd." (The song of praise /). Catherine Winkworth translated Luthers hymn to English in 1862, titled "In the Midst of Life". A translation titled "In the Very Midst of Life" appeared in 1941 in The Lutheran Hymnal.

Only men are allowed to participate. Each wrestler has an "encourager" called a zasuul. The zasuul sings a song of praise for the winning wrestler after rounds 3, 5, and 7. Winners of the 7th or 8th stage (depending on whether the competition features 512 or 1024 wrestlers) earn the title of zaan, "elephant".

The Cañada College Dedication Program was held on April 27, 1969. The first President, Bill Goss, welcomed dignitaries including Francis Pearson Jr. then president of the Board of Trustees. Carl Sitton, conductor of the college choir, opened the invocation with a song of praise. The total cost to build the campus was $12.2 million.

Dear Richwood High A song of praise we sing thee, Our hearts beat strong with Love and reverence too. The crimson hue and purest white Will guide us. Long may they live in hearts that Are so true, Long may our sons and daughters, Voices ring clear, We honor thee, OUR ALMA MATER DEAR.

The song itself was simple, when you're writing a > song you keep it simple of course. It wasn't like a Christian song of praise > it was just a simple song. I had to use Christianity because I had to use > something. But more important it wasn't the Jesus part, it was the spirit in > the sky.

Schuylkill Valley High School's Alma Mater was written by James Rieser. Although the Alma Mater is written on Page 2 of the standard student planner, it has not been mentioned or sung throughout the High School curriculum since the 1980s. > Let us all unite and sing, Our song of praise to thee, With honor, laud, and > glory. We will true and faithful be.

"'" (Now sing praise, you christendom) is a Christian hymn by Georg Thurmair, set to a 1653 melody by Johann Crüger. It is a song of praise, focused on unity within the church. The hymn in five stanzas of for lines each was written in 1964, revised in 1967. It is part of the current Catholic hymnal Gotteslob as GL 487, in the section "Kirche – Ökumene" (Church - Ecumene).

Kirtan Sohila is a night prayer in Sikhism. Its name means 'Song of Praise'. It is composed of five hymns or shabad, the first three by Guru Nanak Dev, the fourth by Guru Ram Das and the fifth by Guru Arjan Dev. This hymn is usually recited at the conclusion of evening ceremonies at the Gurdwara and also recited as part of Sikh funeral services.

The two solo violins return from the first movement, accompanying with the other strings the tenor in the second aria, an expression of thanks and praise, "" (Our mouths and the tones of strings). The song of praise is intensified by a dance-like motion, called a "graceful minuet pulse" by the Bach scholar Klaus Hofmann. The voice has to master coloraturas on the repeated word "Gesang" (singing).

The first 10 verses of 1 Samuel 2 record her song of praise to the Lord for answering her petition. The attribution of this song to Hannah distinguishes her among biblical personages. Her song is essentially a hymn of praise to God for good fortune, and includes many themes of Israel’s national culture. Fertility and childbirth are thus included as equal in importance to other motifs and worthy of Israel’s singers.

's Man Singing Hymn (1884) A hymn is a type of song, usually religious, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word hymn derives from Greek (hymnos), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody.

"Mona (I Need You Baby)" is a song written by Ellas McDaniel (Bo Diddley) and was the B-side to his 1957 single "Hey! Bo Diddley". According to Diddley's obituary in The New York Times, "Mona" was a song of praise he wrote for a 45-year-old exotic dancer who worked at the Flame Show Bar in Detroit. The song also became the template for Buddy Holly's "Not Fade Away".

We ask that you instil your unconditional love upon us for all times. May God's Spirit confirm this prayer now and forever - Amen . 5\. Song of Praise and Thanksgiving. 6\. The Psalm Singers - (Devotional Prayer) - (After the Devotional Prayer is this short prayer by the Apostle) - Be seated o brethren in the name of The Father, Son, Holy Spirit, True and Faithful Angels and the Spirit of God - Amen. 7\.

This infuriated Lord Shiva and he punished Pushpadanta by taking away his divine powers. He was shocked, but being a blessed devotee, he realized why that happened. In order to seek forgiveness and please Lord Shiva, Pushpadant composed a stotra (song of praise) in which he elaborated at length upon Shiva's greatness as a prayer. Lord Shiva, was pleased with his prayers, absolved him and returned his divine powers.

It seemed to Gesang to symbolise the durability of Javanese culture in those troubled times. Gesang himself would later remark "I had dreamt since my childhood about writing a song of praise for the immortal Solo River."Asian Economic News, 1999 Gesang added "Bengawan Solo" to his repertoire, and it soon became widely popular among the local Javanese community. The song rose to national prominence when recordings of it were aired on local radio stations.

Luther translated and slightly expanded the Latin text of the Te Deum, which is also known as the Ambrosian Hymn, but is currently credited to Nicetas of Remesiana, a bishop of the 4th century. Luther wrote 27 verses, intending it for two responsorial groups. The song of praise, thanks and petition is used regularly on festive occasions. For a melody, Luther used a simplified version of the traditional melody of the early Christian Te Deum.

The title in the original manuscript is "Hymnus"—a Latin word meaning "song of praise", and one which is widely used in languages other than English (e.g. French or German) to mean "anthem". The phonetic transcription "Himnusz" replaced the original Latin spelling over time, and as the poem gained widespread acceptance as the de facto anthem of Hungary, so too the word "himnusz" took on the meaning "national anthem" for other countries as well.

It appeared in the Catholic hymnal Gotteslob in 1975 as GL 261. In the current Gotteslob, it is GL 395, in the section "Lob, Dank und Anbetung" (Praise, thanks and adoration). Based on a biblical Marian song, it was also included in regional parts of the Protestant hymnal Evangelisches Gesangbuch in Bavaria and Thuringia as EG 604. As a general song of praise, it is suitable for any church service, but especially for Marian feast days.

Louis Grubb in his preface to You Never Believe Me quotes Time Magazine's review of the novel: "The latest of the author's marrow chilling tales of good and evil—a mixture of poetic rage against cruelty in man, a song of praise of physical love, a cry of despair at the blows dealt to the innocent young".Introduction by Louis Grubb, in Grubb, Davis, You Never Believe Me, St Martin's Press, New York,, p. ix, 1989.

On the score, Nielsen wrote: "Silence and darkness, The sun rises with a joyous song of praise, It wanders its golden way and sinks quietly into the sea."Maryland Symphony Orchestra After a trip to Turkey, Carl and Anne Marie Nielsen traveled through Italy and reached Copenhagen by the end of July. The Helios Overture was successfully performed in Copenhagen on 8 October 1903, with Johan Svendsen conducting, though the reviews were mixed. Carl Nielsen performed Helios several times.

The year 2011 pave its way to establish its foreign campuses in Ghana and Liberia countries both in Africa. At present, La Verdad Christian College holds the title as the only educational institution that provides free uniforms, instructional materials and meals since 2009 as part of its full-grant scholarship program to deserving students. A Song Of Praise Music Festival tapes its weekly and monthly finals episodes at La Verdad Christian College auditorium in Caloocan campus.

The ASOP (A Song of Praise) Music Festival is an annual music festival held in Metro Manila, Philippines. Basically a songwriting competition, it is the only gospel music television program in the country. An original concept of Bro. Eli Soriano and Daniel Razon aiming to bring back praise songs to the public, it started in 2004 as a music competition inside the Members Church of God International but was later opened to the general public in 2011.

The John Coltrane Quartet Plays (full title The John Coltrane Quartet Plays Chim Chim Cheree, Song of Praise, Nature Boy, Brazilia) is an album by jazz musician John Coltrane, recorded in February and May of 1965, shortly after the release of A Love Supreme. The tracks recorded in February feature two bass players (Jimmy Garrison and Art Davis), and are a continuation of experiments begun by Coltrane in 1961 involving multiple basses, often with one playing arco and the other playing pizzicato.

Retrieved May 5, 2015. Kyla interpreted the song "Be My Everything" originally written by Jessa Mae Gabon during A Song of Praise (ASOP) Music Festival 2012, the Philippines' first praise song competition on television. It was held at The Araneta Coliseum on September 24, 2012. ASOP music festival was an anticipated biannual event at MCGI and is in continuous search for best praise songs from composers within the organization alongside ASOP TV."Huge Performances Seen at ASOP TV's Finals Night", Kuyadanielrazon.wordpress.

In Finland, a version of the Star boys' procession originating in the city of Oulu, a musical play known as Tiernapojat, has become established as a cherished Christmas tradition nationwide. The Tiernapojat show is a staple of Christmas festivities in schools, kindergartens, and elsewhere, and it is broadcast every Christmas on radio and television. The Finnish version contains non-biblical elements such as king Herod vanquishing the "king of the Moors", and a short song of praise to Tsar Alexander.

The only work attributed to Habakkuk is the short book of the Bible that bears his name. The book of Habakkuk consists of five oracles about the Chaldeans (Babylonians) and a song of praise to God. The style of the book has been praised by many scholars, suggesting that its author was a man of great literary talent. The entire book follows the structure of a chiasmus in which parallelism of thought is used to bracket sections of the text.

Assonet was first settled in 1659, shortly after the completion of Ye Freemen's Purchase. It was part of the Plymouth Colony until the 1691 merger with the Massachusetts Bay Colony. The word comes from the local Wampanoag Indians, who had a settlement in the area, and has two meanings: "place of rocks" and "song of praise". Those meanings are traditional, but the former can be segmented as (h)assun-et where hassun or assin is a word used by southern New England Algonquian to mean stone.

"'" (I want to praise the Lord) is a Christian hymn by Maria Luise Thurmair, based on the Magnificat and set to a 1613 melody by Melchior Teschner, which was used for "Valet will ich dir geben". The hymn in three stanzas of eight lines was first written in 1954, and revised in 1971. It appeared in the Catholic hymnal Gotteslob in 1975, and in the current Gotteslob, but also in a German Protestant hymnal. A general song of praise, it has been set to music several times.

Simeon's Song of Praise by Aert de Gelder, around 1700–1710 The Nunc dimittis (); also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you dismiss"."Nunc dimittis", Collins Dictionary Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong.

Minister Fred B. Craddock mentions in his book an instance in Germany where Rayne performed a version of Psalm 121 amongst popular songs from the 1940s through to the 1960s.Fred B. Craddock, The Collected Sermons of Fred B. Craddock (Louisville: Westminster John Knox Press, 2011), 15. Craddock asked to meet with Rayne after a performance and wondered why Rayne chose to include a Christian song in her performance. Rayne answered that she 'had made a promise to God to include a song of praise in every performance.

The Battle of Agincourt was fought on Saint Crispin's feastday. It has been immortalised by Shakespeare's St. Crispin's Day Speech (sometimes called the "Band Of Brothers" Speech) from his play Henry V. Also, for the Midsummer's Day Festival in the third act of Die Meistersinger, Wagner has the shoemakers' guild enter singing a song of praise to St. Crispin. A plaque at Faversham commemorates their association with the town. They are also commemorated in the name of the old pub "Crispin and Crispianus" at Strood.

And over the course of 10 years the Blind Boys recorded such hits as "Old Ship Of Zion", "Coming Home", "Will Jesus Be Waiting?", "Song Of Praise", "I Wonder, Do You?", "In The Wilderness", "I Never Heard A Man", "Let's Have Church", "Leave You In The Hands Of The Lord", and "Someone Watches". Brownlee died of pneumonia while touring in New Orleans on February 8, 1960 at the age of 34, and not long after Perkins left as well to go into the ministry.

It is one of three hymns described as ' (Simeon's song of praise) appearing in an 1848 collection of ' ("Treasure of Protestant church singing in the first century of the reformation"). The first two are the Biblical canticle in Martin Luther's translation, and Luther's paraphrase "", followed by "". A footnote marks the three songs as also suitable for funerals. Friedrich Spitta Finally, in 1898, Friedrich Spitta, a Protestant theologian, revised the song and added a third stanza, which is now usually placed between the older stanzas.

UNTV began its digital terrestrial television test broadcast in the last quarter of 2014. UNTV operator BMPI started testing Japan's Integrated Service Digital Broadcasting-Terrestrial (ISDB-T), the sole digital television (DTV) standard in the Philippines for its transition from analog to digital broadcast, on UHF Channel 38 as its frequency. The network initially activated four subchannels on digital television. UNTV-1, UNTV-2 and UNTV 1-SEG air the same program while ADDTV showcased MCGI praise music videos primarily from A Song of Praise (ASOP) Music Festival.

Beverly began chasing after her dreams by joining various amateur singing competitions. She won first place at the World Championships of Performing Arts, where she recorded songs under GMA Records and worked with composer Vehnee Saturno. Beverly received a Best Performance nomination from Awit Awards and won the Harvest of Honors award from the National Commission for Culture and the Arts and the Best Performance award from the A Song of Praise Music Festival Year 3. Beverly had always loved Japanese music, having watched a lot of anime and Japanese dramas while in the Philippines.

This leads to an eerie, and economically orchestrated, depiction of the writing on the wall, and the death that night of Belshazzar (the story of Daniel interpreting the writing is omitted). The people celebrate their freedom, in a joyous song of praise interrupted by a lament over the fall of a great city (derived from Psalm 81 and the Book of Revelation). The chorus represents the Jewish people throughout, although they adopt the tone of the Babylonians when telling the story of the feast. The baritone soloist has the role of narrator.

Pope John-Paul II in Inaestimabile Donum (Instruction Concerning Worship of the Eucharistic Mystery) emphasized the importance of adoration and prayer after Holy Communion. "The faithful are to be recommended not to omit to make a proper thanksgiving after Communion. They may do this during the celebration with a period of silence, with a hymn, psalm or other song of praise, or also after the celebration, if possible by staying behind to pray for a suitable time." Reverence is that virtue which inclines a person to show honor and respect to God.

Where mountains stand so boldly Where skies are always bright Our Alma Mater lifts her head And sings her strength and might We lift our eyes unto the hills That shelter Tazewell High They give us strength to love and serve The school whose fame we cry Oh, Tazewell High, we love thee Alma Mater dear For you we stand and sing our song Of praise for all to hear We love thee Tazewell High School Your light forever shines It shines to guide and keep me near That dear old school of mine.

The Samaveda SamhitaFrom , the term for a melody applied to a metrical hymn or a song of praise, . consists of 1549 stanzas, taken almost entirely (except for 75 mantras) from the Rigveda.Witzel, M., "The Development of the Vedic Canon and its Schools : The Social and Political Milieu" in While its earliest parts are believed to date from as early as the Rigvedic period, the existing compilation dates from the post-Rigvedic Mantra period of Vedic Sanskrit, between c. 1200 and 1000 BCE or "slightly later," roughly contemporary with the Atharvaveda and the Yajurveda.

The UNTV Broadcast Center will be a mixed-use skyscraper. A whole floor at the lower portion of the building will be designated for public service purposes such as legal, dental and medical services. A broadcast studio for news and public affairs programs along with photo and radio drama studios will be built. The building will also host a mini-concert hall, a 300-seating capacity auditorium for A Song of Praise (ASOP) Music Festival and other entertainment programs and a full-sized basketball court, which is planned as the new venue of UNTV Cup.

Arms of John Norman as recorded in the Harleian Mss. According to the 15th century Sheriff of London Robert Fabyan, the watermen made John Norman a song of praise, which began: "Rowe the bote, Norman, Rowe to thy Lemman". A 19th- century music antiquary named Edward F. Rimbault thought that the melody to this song was the same as one published in John Hilton's compilation of rounds: Catch That, Catch Can (1658). The same melody has appeared in several other rounds (such as Turn Again, Whittington and Heave and Ho, Rumbelow) found in various collections.

Max Reger set the hymn in 1900 for seven-part choir (SSAATTB) a cappella and included it as No. 8 in his Zwölf deutsche geistliche Gesänge (Twelve German sacred songs), WoO VI/13, named "Ein alt' Lob- und Freudenlied von der Urstend unsers lieben Herrn Christi" (An old song of praise and joy of the resurrection of our dear Lord Christ). Settings from the 20th century include organ works by Oskar Gottlieb Blarr and Hermann Schroeder. Enjott Schneider composed a setting for four-part choir with optional organ in 2012.

The song of praise to the divine guest was a major importance. Almost all of the Rigveda and much of the poetic portions of the Avesta must be understood in this context. This means that the ancient poetry of the Indo-Iranians was religious in nature and composed specifically for ritual occasions in which gods required songs of praise in order to make them well disposed towards those who worshipped them. The obscure parts of many Vedic hymns and Zoroaster's Gathas can best be understood through realizing that the intended audience were the gods rather than humans.

Gerard de la Vallée, Christ before Pontius Pilatus at Doroteum The mining of images of other masters to create new works for the export market was a hallmark of the Forchondt workshop and is also evident in de la Vallée's work. Another example is seen in the St Cecilia (At Hampel Kunstauktionen (Munchen) 4 July 2008, lot 223 as by Peeter Sion). The dancing cupids in this work appear to be based on the work King David’s Song of Praise to God by Peter de Witte (also known as Peter Candid) (a version in the Frans Hals Museum).

The hymn is a general song of praise, paraphrasing Psalm 103 in four stanzas of 12 lines each. It is supposed to have been written in 1525 "at the request of the Margrave Albrecht, as a version of his favourite Psalm". The hymn was published in Nürnberg as a broadsheet around 1540, and in Augsburg in the hymnal Concentus novi by in 1540, with a hymn tune, Zahn No. 8244, derived from the secular song "Weiß mir ein Blümlein blaue". A fifth stanza was added in a reprint in Nürnberg in 1555, "Sey Lob und Preis mit Ehren".

Catholic Prayerbook: From Downside Abbey, (2001), p. 153. Saint Louis de Montfort taught that God appointed Mary as "the dispenser of grace", and to receive grace from God, one can receive it through the hands of the Blessed Virgin, as a child receives from a mother. Lumen gentium states: "This, however, is to be so understood that it neither takes away from nor adds anything to the dignity and efficaciousness of Christ the one Mediator." Pope Francis has said that her "entire life was contained in her song of praise" of the greatness of the Lord.

After APO retired from singing, its members remained active in show business and are still performing: Jim Paredes is still active in singing and also a photography hobbyist. And also a Liberal Party supporter, who spouts his dismay on the current government. Buboy Garovillo now has a career acting in both movie and television. Danny Javier continues to own Pidro: Ang Saplot Ng Bayan T-shirts and recently starred in Bangis on TV5 in 2010 as well as appeared in Season 3 of ASOP: A Song Of Praise Music Festival in 2014 as a guest judge.

On January 4, 2016 Aicelle Santos interpreted Dinggin Mo Oh Dios which was composed by Cris Bautista in A Song of Praise Music Festival year 4, a gospel songwriting competition, in UNTV with Reymond Sajor, Leah Patricio, Rachelle Ann Go, Frencheska Farr, Jonalyn Viray, Rita De Guzman, RJ Buena & Kyla. On February 14, 2016 Aicelle will be contestant in Sunday Central Club Battle of the Champions with Reymond Sajor Lizbeth Yap Dy & Julie Anne San Jose. In 2018, Santos bid farewell to fans as she will be leaving for United Kingdom to star as Gigi Van Tranh in the hit musical Miss Saigon.

Major church gatherings such as the quarterly 3-day International Thanksgiving to God (also known in Tagalog as Pasalamat ng Buong Bayan or PBB) and the weekly Thanksgiving to God (Tagalog: Pasalamat sa Dios) are held every Saturday. It is also the venue of regular church services such as monthly Special Prayer Meetings (SPM), Worldwide Bible Expositions and baptism of new members. It also hosts other special events of the church such as the bi-annual A Song of Praise (ASOP) Music Festival and anniversaries of the Ang Dating Daan television program. Also included were sports activities, conferences, meetings and benefit concerts.

Aarti, which is a ritual of waving lit lamps in circular motions to illuminate the different parts of the murti while singing a song of praise, is performed five times daily in shikharbaddha mandirs and twice daily in smaller mandirs. Additionally, food is offered to the murtis amidst the singing of devotional songs three times a day as part of the ritual of thaal, and the sanctified food is then distributed to devotees. Daily readings of and discourses on various Hindu scriptures also take place in the mandir. Many mandirs are also home to BAPS swamis, or monks.

Gaudete by Collegium Vocale Bydgoszcz The first page of the original version Gaudete ( , ; "rejoice [ye]" in Latin) is a sacred Christmas carol, thought to have been composed in the 16th century. It was published in Piae Cantiones, a collection of Finnish/Swedish sacred songs published in 1581. No music is given for the verses, but the standard tune comes from older liturgical books. The Latin text is a typical medieval song of praise, which follows the standard pattern for the time – a uniform series of four-line stanzas, each preceded by a two-line refrain (in the early English carol this was known as the burden).

''''' (Over the mountains Mary goes) is a sacred motet by the Renaissance composer and musician Johannes Eccard, who wrote it on a German text by Ludwig Helmbold in two stanzas. The first stanza is a rephrasing of the biblical story of the visit of Mary to Elisabeth, ending in Mary's song of praise known as the Magnificat. The second stanza speaks to present-day listeners, urging them to follow Mary's example and go over the mountains, be inspired, support each other, and sing the Magnificat. Eccard scored the piece in E-flat major for five vocal parts (soprano 1 and 2, alto, tenor and bass).

This song of praise to our school we raise, Our well loved G.H.S Nor time nor place, can e'er efface Her work of usefulness. For all she's done, our gratitude she's won And our love will ne'er grow less, So we give three cheers, three hearty cheers, To dear old G.H.S CHORUS Then shout with might and main. Her praises once again. With honest heart, she's played her part, And constant she'll remain With frame her work is crowned: Her efforts are renowned, Loudly profess the G.H.S, so let her halls resound, Oh, Lord we pray, from day to day, This school to guide and bless.

Lilet joined That's Entertainment, appeared in movies such as Aso't Pusa, Estudyante Blues, Dear Diary and Pik Pak Boom. After a break to pursue studies in Japan, she released a comeback album with Ivory Music in 2003, under the name Marielle. She joined A Song Of Praise (ASOP) as a composer and her song, "You Are Lord Of All", won Song of the Month in July 2014, the first one to garner a 99% score in the history of ASOP. She went on to compete in the grand finals on September 23, 2014 at the Smart Araneta Coliseum, where the song was performed by Ava Olivia Santos of Freestyle.

At God's command, Moses held his staff out over the water, and throughout the night a strong east wind divided the sea, and the Israelites walked through on dry land with a wall of water on either side. The Egyptians pursued them, but at daybreak God clogged their chariot-wheels and threw them into a panic, and with the return of the water, the pharaoh and his entire army are destroyed. When the Israelites saw the power of God, they put their faith in God and in Moses, and sang a song of praise to the Lord for the crossing of the sea and the destruction of their enemies. (This song, at , is called the Song of the Sea).

The third archangel, Raphael, does not appear with the others in the semidome but in the lower section. At the bottom is the announcement, the biblical prophecy, represented by means of combined images of the visions of Isaiah and Ezequiel. In keeping with the first, two magnificent seraphim with three pairs of wings each purify the mouth of the prophets with glowing embers which they are holding with tongs. Next to them are the prophets, represented with their hands together in an attitude of reverence. At the same time, the seraphim intone the Trisagion, or song of praise to the Lord, represented by the letters SCS, SCS, SCS, which mean ‘holy, holy, holy’.

Title page of the Loersfeld edition The song "Jesus Christus, unser Heiland, der den Tod überwand" (Jesus Christ, our saviour, who overcame death) by Martin Luther, titled "Ein Lobgesang auf dem Osterfest" (A song of praise on the Easter feast) The Erfurt Enchiridion (enchiridion, from , hand book) is the second Lutheran hymnal. It appeared in 1524 in Erfurt in two competing editions. One of them contains 26 songs, the other 25, 18 of them by Martin Luther, others by Elisabeth Cruciger, Erhard Hegenwald, Justus Jonas and Paul Speratus. While the songs of the Enchiridion could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings.

Instead of a translation, the transliteration "Hallelujah" is used by JPS Tanakh, International Standard Version, Darby Translation, God's Word Translation, Holman Christian Standard Bible, and The Message, with the spelling "Halleluyah" appearing in the Complete Jewish Bible. The Greek-influenced form "Alleluia" appears in Wycliffe's Bible, the Knox Version and the New Jerusalem Bible. In the great song of praise to God for his triumph over the Whore of Babylon in chapter 19 of the New Testament book of Revelation, the Greek word ἀλληλούϊα (allēluia), a transliteration of the same Hebrew word, appears four times, as an expression of praise rather than an exhortation to praise.Scott Nash, "Hallelujah" in Mercer Dictionary of the Bible (Mercer University Press 1990 ), p.

The prescribed readings for the feast day were from the Book of Isaiah, the prophecy of the Messiah (), and from the Gospel of Luke the narration of Mary's visit to Elizabeth, which includes her song of praise, the Magnificat (). This gospel reading is a biblical episode that is often represented in art, especially in music where it has become a traditional part of Vesper services. In Bach's time, the German Magnificat was regularly sung in Leipzig in vespers in a four-part setting of the ninth psalm tone (tonus peregrinus) by Johann Hermann Schein. Different from the other chorale cantatas of the cycle, the base for text and music is not a chorale, but the German Magnificat.

Kindermann's work is extremely versatile: it includes satirical "poems" in the style of Johann Michael Moscherosch, poetic and rhetorical writings, poetry collections, as well as several plays. He wrote Lobgesang des Zerbster Biers (Song of praise of the Zerbst beer) in 1658. His most successful work, Der Deutsche Redner (The German Speaker), a guidebook for speeches, was first published in Frankfurt an der Oder in 1660; it appeared in six editions, was edited in 1680 under the title Teutscher Wolredner and appeared in two more editions. In 1664, he wrote the hymn Was frag ich nach der Welt, which Johann Sebastian Bach used as the basis for his chorale cantata Was frag ich nach der Welt, BWV 94, for the ninth Sunday after Trinity of 1724.

Among the Marian feasts celebrated in Lutheran Leipzig was "Mariae Heimsuchung" (Visitation, literally: Mary's visit) on 2 July, for which Bach composed '. The prescribed readings for the feast day were , the prophecy of the Messiah, and from the Gospel of Luke, , Mary's visit to Elizabeth, including her song of praise, the Magnificat. Bach used as a basis for the music a cantata in six movements that he had written in Weimar for the fourth Sunday in Advent 1716, Herz und Mund und Tat und Leben, BWV 147a. As Leipzig observed tempus clausum (time of silence) during Advent, allowing cantata music only on the first Sunday, Bach could not perform the cantata for the same occasion in Leipzig, but adapted it for the feast of the Visitation.

Each day's program opened and closed with the singing of Aarti, called an "ancient devotional song of praise to the Perfect Master". According to reports before the festival, its three themes were to be "Who is Guru Maharaj Ji", "Guru Maharaj Ji is Here", and "The Messiah Has Come", though the official schedule in November had a different list. Maharaj Ji watched the proceedings on closed-circuit television in his suite, and sent his bodyguard down with a can of pink foam confetti to spray the crowd on his behalf, reported as an example of lila, or divine play. In addition to the main program, mahatmas were conducting initiations into Knowledge at local ashrams, and the guru and his family were offering darshan, or holy presence, to initiates.

Moses was twice given notice that he would die before entry to the Promised Land: in Numbers 27:13, once he had seen the Promised Land from a viewpoint on Mount Abarim, and again in Numbers 31:1 once battle with the Midianites had been won. On the banks of the Jordan River, in sight of the land, Moses assembled the tribes. After recalling their wanderings he delivered God's laws by which they must live in the land, sang a song of praise and pronounced a blessing on the people, and passed his authority to Joshua, under whom they would possess the land. Moses then went up Mount Nebo to the top of Pisgah, looked over the promised land of Israel spread out before him, and died, at the age of one hundred and twenty.

Review of 'Song of Praise' album recorded by the Hamilton Academy Youth Choir. Retrieved 2010-12-15 Almost fifty years later, excerpts from this Hamilton Academy Youth Choir recording continue to be broadcast. Aled Jones - BBC Radio, Good Morning Sunday, 9 November 2009. Playlist - Hamilton Academy Youth Choir recording of 'Behold The Mountain Of The Lord.' Retrieved 2010-12-15 In June 1967 the planning began for 52 pupils from Hamilton Academy's choirs, together with Mr. Peter Mooney, to go on a three-week tour of North America, reciprocating the 1966 European tour of the Bel Canto choir of Franklin High School, Seattle, United States, when on the Scottish leg of their tour, the members of the Seattle school's choir had stayed with members of the Hamilton Academy choir.

In the Enchiridion, the hymn appeared with 25 others, 18 by Martin Luther, three by Paul Speratus, one or two by Justus Jonas, one by Erhard Hegenwald, and one attributed to Jan Hus, making this the only hymn in the Enchiridion by a female author. Titled "" (A song of praise of Christ) in the hymnal Enchiridion, the song is a praise of Jesus as the son of God and saviour of man. The hymn text combines Lutheran teaching with medieval mysticism which the author experienced as a nun before she converted. Cruciger writes in the third stanza, for example: "so, daß wir hier mögen schmecken dein Süßigkeit im Herzen und dürsten stets nach dir" (that we may here taste your sweetness in our hearts and constantly thirst for you).

The Sydney Morning Herald reported that Kim’s previous propaganda was changed into patriotism and economy, and in improving the relationship between China, South Korea, and the United States. The state-run television promoted a song of praise to the National flag by airing videos with images that included the flag being raised September 2018, during mass games events, marking North Korea's 70th anniversary. In the video, brief images of troops, fighter jets releasing blue, red, and white smoke, scattered pictures of civilians, new high-rise apartments in the capital, fireworks displays, and even students in their school uniforms can all be seen at the same event. The South China Morning Post, in a 2019 article, stated that already there is also some economical and cultural revolution happening recently within North Korea itself.

The Agušaya Hymn or Song of Agušaya is an Old Babylonian literary work, a “song of praise”, written in the Akkadian language concerning the goddess Ištar, identified with the serpent deity Irnina. It may have been called “the Snake has Turned” in antiquity, as it has ú-ta-ar MUŠ inscribed at the top edge at the beginning. It is extant on two unprovenanced tablets, designated ATablet A, VAT 5946, VS 10, 214, in the Vorderasiatisches Museum Berlin. and B,Tablet B, unknown siglum and present whereabouts, RA 15, 159ff the latter of which includes a request for eternal life for king Ḫammu-rāpī, on the fifth column, 26th line, for whom it is thought to have been composed as an epic hymn of celebration of “the mad dancer in battle”.

Cântarea României (literally "Song [of praise] to Romania") was an annual national cultural festival in the Socialist Republic of Romania between 1976 and 1989 intended to promote ideologically-approved artistic manifestations, featuring both professional and amateur artists from across the country.Dragoș Petrescu, "Communist legacies in the New Europe: history, ethnicity and the creation of a 'socialist' nation in Romania, 1945-1989", in Conflicted Memories: Europeanizing Contemporary Histories, edited by Konrad H. Jarausch, Thomas Lindenberger, Berghahn Books, 2011, , p.48 Being part of Ceaușescu's policies to promote National Communism in Romania, the festival used folklore (especially folk music) and it had a role in shaping the national identity of the Romanians and the view of Romanian history. The festival gets its name from a 19th-century essay by Alecu Russo.

In this sense, especially alongside references to Cuchulain and Druids, the piece could be considered a song of praise for the old world, a nostalgia for the honesty, authenticity and complexity of the past—to the "Rose" lost upon the "Rood of Time". In this way the first verse paragraph is Yeats' appeal for these things to "Come near, come near, come near", but the plea is soon followed by hesitation: "Ah, leave me still/A little space for the rose-breath to fill!/Lest I no more hear common things that crave"; the poet acknowledges the fleeting beauty of the immediate, natural world. The poem continues however, returning to echo the original sentiment, his yearning for lost culture- "But seek alone to hear the strange things said/By God to the bright hearts of those long dead/And learn to chaunt a tongue men do not know/Come near".

The Meat and Livestocks 2017 Australia Day Lamb advertisements – which notably does not mention Australia Day – opens to an Australian coastline, as the protagonists of the advert are in search for the perfect spot to fire up a barbie, However, it is only a matter of time before other revellers join the hosts. The ad primarily focuses on an indigenous family at a beach barbecue dealing with historical arrivals in Australia. The advertisement goes on to welcome European settlers - namely James Cook - that arrive via boat and proceed to join to party, shortly followed by a sea of new immigrants that include members from the First Fleet, the French, The Russians, Greeks, Chinese, Italians and even inclusive of Australias most recent migrants, all holding food and gifts to add to the barbecue. The 'You Never Lamb Alone' that was shot by director Paul Middleditch, the Meat and Livestock Association's 2017 Australia Day Lamb advertisement is allegedly a song of praise to Australian diversity and multiculturalism .

Another song with a humanitarian bent, "They Killed Him," came to Kristofferson after seeing the film Gandhi and becoming "depressed by the murdering of all the visionaries…whoever was promoting peace seemed to get killed." Johnny Cash had recorded the song for a non-charting single in 1984 and Bob Dylan was so impressed by the tune that he recorded it for his Knocked Out Loaded album. (The Highwaymen would also cover "Anthem '84" on Highwaymen 2.) Repossessed contains some sentimental moments, such as "The Heart," a song of praise and affection for Kristofferson's father that was covered by Lacy J. Dalton on the album Survivor in 1987, and the closing track, "Love Is the Way," a paean for peace that was accompanied by a mawkish music video with picturesque landscapes and waterfalls, two newborn babies (one black, one white), toddlers, and puppies. "Love Is The Way" was covered by Johnny Cash and Waylon Jennings in 1986 on the album Heroes.

Hymnology (from Greek ὕμνος hymnos, "song of praise" and -λογία -logia, "study of") is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from hymnody, the creation and practice of such song. Hymnologists, such as Erik Routley, may study the history and origins of hymns and of traditions of sung worship, the biographies of the women and men who have written hymns that have passed into choral or congregational use, the interrelationships between text and tune, the historical processes, both folk and redactional, that have changed hymn texts and hymn tunes over time, and the sociopolitical, theological and aesthetic arguments concerning various styles of sung worship. Hymnology is not an "-ology" in the usual sense of an independent discipline that has a proper set of concepts and critical vocabulary that must first be learned before progress can be made.