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194 Sentences With "social climbing"

How to use social climbing in a sentence? Find typical usage patterns (collocations)/phrases/context for "social climbing" and check conjugation/comparative form for "social climbing". Mastering all the usages of "social climbing" from sentence examples published by news publications.

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Vanity, narcissism, ambition and social climbing have been around forever.
There's not a lot of social climbing or power grabbing.
They are almost caricatures of what social-climbing mothers like Mrs.
"What Americans call 'the American Dream' we call 'social climbing,'" she said.
"Nancy was always viewed as a social-climbing parvenu," PEOPLE reported in 1990.
Spy magazine, less charmed by her social climbing, likened her to Pia Zadora.
He'll have upped and run away With a social climbing heiress from New York!
Libra season is the time when a Sagittarius can get some tactful social climbing done.
While the women are fighting over the fate of a child, Fred is social climbing.
Focus on your relationship with your community—is it social climbing, lip service, or activism?
Marie-France Pisier trills her way through the film as the social climbing Madame Verdurin.
Some found his books and lectures slapdash; others disliked his social climbing and occasional rudeness.
He mocks her connections to the upper stratosphere of the art world as mere capitalist social climbing.
Elizabeth Day's sly fourth novel is an enticing mix of social climbing, barely hidden lust and possible crimes.
If "The Gentlemen" is a satire, to some degree, of social climbing, it isn't a particularly biting one.
Maybe I'm a sucker, or naive, or just plain narcissistic, but the heat, the exhaustion, the ridiculous social climbing?
Stan (Evan Peters), a social-climbing young businessman from New Jersey, lands a job with, yep, the Trump Organization.
We're sure that Tennessee's problems are a little bit easier to deal with than murder, backstabbing, and social climbing, however.
This way of transmitting knowledge is basic to any art or literary group, and isn't about networking or social climbing.
Wenner had been largely indifferent to music through his teens, when he was a loud, social-climbing, student-government type.
Red carpets are also an extremely exhausting social-climbing experiment that looks a lot more effortless than it actually is.
Coco (Antoinette Robertson) is at first blush Samantha's opposite — social-climbing, apolitical and concerned with fitting in among white students.
It's an ambitious novel that mimics Dante's Inferno as it describes the social-climbing of various women in mid-eighties suburbia.
Now that nothing's tying Laila to her Michigan home, she decides to try her hand at social climbing the Manhattan ladder.
I also want to see Don Taylor called out for being the social climbing, money-hungry, lady-killer that he is.
It has room for social climbing, wining-and-dining, and the kind of stereotypical "networking" that'll make anyone roll their eyes.
But when they return to Washington, Holbrooke's social-climbing among the Harrimans and Alsops of the Georgetown elite turned Lake sour.
Accordingly, the English novel of the 18th century is virtually all sex and social climbing, set in haunted castles later on.
She Regrets Nothing is the love child of Gossip Girl and Crazy Rich Asians, plus the social climbing of a Gatsby party.
As Mercury transits your house of social climbing, you'll be taking the discussions you've had with higher-ups and spreading the word.
That film, about an investment banker (Christian Bale) with serial-killer tendencies, satirized masculinity and social climbing in a pitch black way.
Networking isn't really his jam and he's not one for schmoozing, social climbing or, interpersonal communications with anyone outside his inner-circle.
Throughout the novel, Capin translates the byzantine politics of Tudor England into the byzantine social climbing of American high schools with seamless ease.
The demonization of social climbing reeks of classism — Kate Middleton, the granddaughter of a coal miner, was met with similar rancor — and, here, racism.
Later we see her attempts to break free, ­Cordelia-like, of the destructive patterns of her domineering father and ­social-climbing, frequently drunken mother.
We're certain that social climbing or religious devotion is a couple's glue, when what matters more is the secret language of goofy endearments that they speak.
It wasn't much fun growing up with her and her almost irrational social climbing in that huge house of my dull stepfather Hughdie Auchincloss in Washington.
This season, she befriends Lauren (Molly Bernard), a social-climbing, neurotic young publicist who calls Diana "diva" and urges her to embrace her own sexual power.
He was a social-climbing gentleman who lived for a time as Manhattan's most famous, fabulously rich bachelor in a 20193-room penthouse on Park Avenue.
These institutions do neatly encapsulate the social climbing and branding of the ultra rich, but I have to wonder: Were art museums ever really immune from this?
The Austenian dinner-party banter and ballroom social-climbing is mixed with the occasional bloody kung-fu showdown, with the Bennet sisters showing off their shaolin skills.
The novel is largely set in Cincinnati and stars Liz Bennet, her four sisters, their social-climbing mother and self-absorbed father, and the sisters' assorted suitors.
Siegal's father owned a light bulb company, according to The New York Times, and Siegal's mother wanted her to focus more on social-climbing than building a career.
"Bullying can be highly instrumental and used for social climbing," said Bob Faris, associate professor of sociology at University of California-Davis, who studies aggressive behavior in adolescents.
Having the royals rebrand as the House of Mountbatten is quite the social-climbing coup and the jealous Prince of Hanover is at pains to stop that from happening.
If connoisseurship has too often been associated with snobbery and social-climbing, that, Costamagna suggests, is only because the essentially democratic nature of this skill has not been understood.
He'll play Samuel Masham opposite Rachel Weisz, Nicholas Hoult, and Swift squad member Emma Stone in The Favourite, which involves Queen Anne and her social-climbing friend Abigail Masham.
Album opener "Hollywood Squares" bemoans the celebrity worship and social climbing so prevalent in his adopted city of LA, where he moved from Oakland at the end of 2011.
One might be the quintessentially chatty Gem who flits between friend groups and dabbles in social climbing, while the other may embody the artistic Gemini, whose creativity is impossible to tamp down.
The play reclaims Andersen as a queer writer and doesn't prettify his shame or his vanity, though it goes light on his social climbing and assorted hang-ups — dogs, pork, fire, etc.
Hard work and community outreach comes this weekend as the sun gently harmonizes with Saturn on Saturday evening—a night to go out not to make friends, but to do some social climbing.
Lubow locates the source of all this emotional turmoil in the Arbus family romance, a story of American social climbing: Her father was a Jewish businessman who ran a successful New York department store.
But a male member, a filmmaker, told Sciortino that Raya "attracts the wrong people" and is a "social-climbing app;" he said some of his flirtations turned out to be people just looking for work.
"The Academy probably thinks I am enough of a spineless, social climbing actress that I would forget that I have been married for the past 29 years to one of the world's greatest directors," she wrote.
Turner witnesses those horrors thanks to his social-climbing master (Armie Hammer), who rents him out to other plantation owners -- offering a black minister whose sermons are seen as a way to calm Virginia's restive slave population.
Anyone who's been even vaguely online over the last decade could draw a direct connection between broadly describing women as social-climbing golddiggers and the unfulfilled promises made by professional pickup artists like Strauss to the propagation of anti-PUA forums.
Ms Miller is excellent on social and literary London: the Romantic rage for sex-and-suicide; the nabobs of Empire; the bluestocking ladies and Garrick Club gentlemen; the Grub Street scribblers and Punch magazine's social-climbing Mr and Mrs Spangle Lacquer.
Its stars are the founder's grandsons, who, during the first half of the 20th century, transformed Maison Cartier into an international luxury brand with a clientele as glittering as its bejewelled wares, pulling off feats of social climbing as they went.
"When it comes to party loyalty and sincerity, it is absolutely not allowed to be duplicitous, to agree overtly but oppose in secret, or to be a two-face person, or lead a double life, or engage in political social climbing," it said.
The desire to be accepted as an individual and appreciated for everything you do for others, your friends and your community, is perfectly normal and healthy, but you're especially sensitive right now; to impersonal social climbing and whatever else dims your shine.
Standing on line for a grande skim chai — I like that the baristas expect that order from me — I have been brought up to speed on divorces, restaurants, dermatologists, scandalous potlucks, third-grade bullies, the worst squash parents and the most absurd acts of social climbing.
Despite knowing a lot about the case, the dynamic between you and your friends was a little surprising to me as I read the book—I didn't think I was going to see the complexity of teenage friendship and social climbing on that level, and in such detail.
Industry skeptics reacted as if Tiger Beat had snapped up The New Yorker, but the new regime rode the "hip to be square" 1980s, when classic Eisenhower-era suits, cocktails and social climbing roared back into fashion, to a striking turnaround, selling the magazine to Hearst in 1987.
Many houses have thrived this way—Random House under Bennett Cerf (he was the one always on TV) and the shy Donald Klopfer, for example, and, for a while, anyway, the British house owned by the glad-handing, social-climbing George Weidenfeld and the cautious, fastidious Nigel Nicolson.
While the nasty Nellie Oleson (played by Alison Arngrim) was the character viewers most loved to hate on "Little House," which was seen on NBC from 1974 to 1983, her cruel, greedy mother, Harriet, was just as awful, never missing a chance at small-town social climbing or petty backbiting.
In their new show, "Vanity Fair" — written by Ms. Hamill, directed by Mr. Tucker and beginning previews Friday, March 24, at the Pearl Theater Company — she plays an anti-ingenue, the calculating orphan Becky Sharp, the central character of William Makepeace Thackeray's classic 19th-century satire of social climbing and clawing.
As a satire of wealth and social climbing, the movie "Greed" — which centers on the rise and fall of a crass English billionaire named Richard McCreadie (Steve Coogan) — feels especially toothless when compared with the Oscar-winning "Parasite," which not only looked at both sides of the haves/have-nots equation but did so in a far fresher way.
She assembles a diverse cast of characters and through them we see it all: the ravages of war; the social climbing of drug-traffickers; the complicated relationships between the well-intentioned rich and the poor who serve them; the abducted who spend years as captives of a peasant Marxist movement that uses children as soldiers; the feeling of displacement and deracination among young Colombians who grow up in the United States and are now bicultural and Latino, and are still obsessed by and conflicted about their country of birth.
A social- climbing businessman becomes a squire of a village.
A politician abandons his family for social climbing. During a violent argument the man accidentally kills his wife. His political career will be destroyed.
A social climbing father uses everything from poison pen letters to blackmail in order to gain promotion and wealth for his children through marriages.
She has strained relationships with her critical grandmother, her brother, whose interests lie mainly in appearances and social climbing, and her father, who tries to avoid painful memories of his wife, Gemma's mother.
She is a vampire seductress, a social-climbing courtier in Viktor's mansion, obsessed with rising through the ranks of the vampire aristocracy. She is a high ranking maid who most recently began seeking the attentions of Kraven.
Christine (Rosalind Russell), his wife tries to set him back on the original path. Dr. Philip Denny (Ralph Richardson), Manson's best friend and still working for improved working class health, dies at the hands of an incompetent, social-climbing surgeon.
He offers to marry Lily once she and Bertha are reconciled, but Lily refuses. Lily starts working for the social-climbing Mrs. Hatch as her social secretary. Selden tells Lily this hurts her social standing, but she needs the money.
Zerbe had several "coffee table" photo books published. Among them were People on Parade (1934), John Perona's El Morocco Family Album (1937), The Art of Social Climbing (1965), and with Brendan Gill of The New Yorker, Zerbe's greatest collection, Happy Times (1973).
Arthur Annesley Ronald Firbank (17 January 1886 – 21 May 1926) was an innovative English novelist. His eight short novels, partly inspired by the London aesthetes of the 1890s, especially Oscar Wilde, consist largely of dialogue, with references to religion, social-climbing, and sexuality.
They were helping unknown artists yet were accused of profiteering and social climbing. Ethel Scull's legacy will forever be entwined in the business of selling contemporary and pop art and even more so physically wrapped in pieces such as Ethel Scull 36 Times by Andy Warhol.
Mathieu Merle (c.1548 in Uzès - after 1587) was a Huguenot captain who sowed terror in the south of the Auvergne, Gévaudan and Velay during the Wars of Religion. Captain Merle is an example of the possibilities of social climbing and enrichment offered by the religious troubles.
She herself is rather naive, sometimes even childish, and not particularly intelligent. Her studies had no practical use and left her with very little actual knowledge. After finishing school, Vana was pursued by Dionyssis in his effort in social climbing. Ironically, she was actually in love with him.
The second of Meredith's 'mainstream' novels, the work is loosely autobiographical in inspiration;D Daiches ed., Companion to Literature 1 (London 1963) p. 358 and concerns the social climbing family (three married daughters; one unmarried son) of the recently deceased tailor, Melchisedec (The Great Mel) Harrington.I Ousby ed.
His favorite pet as a child was a rabbit. While unemployed and unable to get other supplies, his mother killed the rabbit and served it to Dionyssis as stew. This left him with a psychological trauma. Dionyssis grew to be a social climbing lawyer and married into an affluent and well-connected family.
In order to keep his social-climbing wife and daughters in the lifestyle they are accustomed to, wealthy George Hunter makes some large investments in the stock market, but the stocks crash and he loses a great deal of money. His wealthy aunt offers to bail the family out, but complications ensue.
In order to keep his social-climbing wife and daughters in the lifestyle they are accustomed to, wealthy George Hunter makes some large investments in the stock market, but the stocks crash and he loses a great deal of money. His wealthy aunt offers to bail the family out, but complications ensue.
Written in 1976, A Lovely Sunday for Creve Coeur introduces Bodey, a hard-of-hearing 50-something, sharing her flat with Dorothea, 'Dottie', a Blanche DuBois-like 40-something civics teacher, smitten with the social-climbing principal of the school where she works, having already been taken advantage in the back seat of his car.
The book tells the story of Philip Green, new staff writer for a national magazine. A gentile, he is assigned by his magazine to tell the story of anti- Semitism. He decides to do that by telling people that he is Jewish. This ruse causes problems with his fiancee, who is a social climbing suburbanite and divorcée.
After a period of uncertainty, the Italian aristocracy continued to use their titles in the same way as they had in previous centuries.Heraldry in Italy This behaviour was cemented by the continued publication of Il Libro d'Oro della Nobiltà Italiana, published as much to prevent self-styled aristocrats from social climbing as to list the established nobility.
Lucian Boz, "Discuții și recenzii. Octav Șuluțiu: Ambigen", in Societatea de Mâine, Nr. 5/1935, p. 101 (digitized by the Babeș-Bolyai University Transsylvanica Online Library) Fecior de slugă, the first of Cocea's political novels, takes its artistic inspiration from the fin de siècle novelist Duiliu Zamfirescu, creator of the social climbing prototype Dinu Păturică.Călinescu, p.
In 1595, a treatise on feigned diseases was published in Milan by Giambattista Silvatico. Various phases of malingering () are represented in the etchings and engravings of Jacques Callot (1592–1635). In his Elizabethan-era social-climbing manual, George Puttenham recommends a would-be courtier have "sickness in his sleeve, thereby to shake off other importunities of greater consequence".
Comic strip by Pop Momand, 1921. The phrase originates with the comic strip Keeping Up with the Joneses, created by Arthur R. "Pop" Momand in 1913. The strip ran until 1940 in The New York World and various other newspapers. The strip depicts the social climbing McGinis family, who struggle to "keep up" with their neighbors, the Joneses of the title.
Madame Mantalini is forced to sell her business to Miss Knag, whose first order of business is to fire Kate. She finds employment as the companion of the social-climbing Mrs Wittiterly. Meanwhile, Sir Mulberry Hawk begins a plot to humiliate Kate for refusing his advances. He uses Lord Frederick, who is infatuated with her, to discover where she lives from Ralph.
Mary Beresford (Boland) is the wife of unambitious law clerk Al Beresford (Beresford). Thanks to Mary's tenacity and carefully calculated social-climbing, Al is promoted to the position of personal secretary of prominent financier Elihu Knowland (Keenan). Unfortunately, success goes to Al's head like a narcotic, and soon he has alienated everyone in New York, including Mary, who runs off for parts unknown.
Warren and Florence Harding in their garden In 1890, Florence became engaged to Warren Harding. They married on July 8, 1891, opposed by her father, who thought Warren was social climbing and had a wealthier suitor in mind for his daughter. He repeated a rumor that Harding had black ancestry and threatened to shoot the young man at the courthouse.Anthony 1998, pp.
BAFTA-nominated Alison Steadman was cast to play the parvenu Mrs Bennet, Elizabeth's mortifyingly affected social climbing mother. Steadman was offered the role without auditions or screen tests. Elizabeth's four sisters, whose ages ranged between 15 and 22, were cast to look dissimilar from each other. Susannah Harker portrayed Elizabeth's beautiful older sister Jane, who desires to only see good in others.
A couple of cab drivers, Tim McGuerin and Eddie Corbett, cope with the women in their lives. Tim's social-climbing wife Sadie has a secret, that she once worked as a stripper. Eddie's conniving sweetheart Mabel plans to use this information against Sadie when she becomes irritated by her. Tim and Eddie go fishing and catch a whopper—a beautiful woman.
Portrayed by Yolande Turner. A social climbing colonial of Dutch descent, Mrs. Van Groeben (born 1862) is a haughty and unpleasant nouveau riche woman from Cape Town, South Africa. She is married and has a daughter named Wilhelmina, who claims to be 'great, great friends' with Lady Prudence Fairfax's daughter, Agatha, even though they only just met the previous night. Mrs.
Described by Lucian Nastasă as a case of social climbing, Tzigara's marriage to Maria (1900) brought him into the high circles of aristocracy: Maria, born into the Cantacuzino family (daughter of Alexandru Cantacuzino, former Foreign Affairs Minister), was also the widow of Grigore Sturdza, and as such inherited part of the Sturdza family fortune.Nastasă (2003), p.53-54, 109; (2007), p.162-163; (2010), p.
In the late 1930s, aging businessman Alonzo "Stinky" Goodhue has become the American ambassador to the Soviet Union. The job was secured for him by his social-climbing wife, Leora, who helped to fund Franklin Roosevelt's re-election campaign. However, "Stinky" has no desire to live in Stalinist Russia. He is longing for the pleasures of his home in Topeka, Kansas, especially banana splits.
Maggie Andrews sees her as part of a tradition of portraying women characters as consumerist, social-climbing, and pretentious, prefiguring characters such as Hyacinth Bucket in Keeping up Appearances.Andrews, Maggie, "Housewives, Comedy and the Feminist Movement", in Wagg, Stephen (ed), Because I Tell a Joke or Two: Comedy, Politics and Social Difference. pp57-58 She was also an influence on the character of Dot Cotton in EastEnders.
Bridget Connolly (Patty Duke) and Betsy Lucas (Shelley Long) are two social climbing society women from Catalina Island who have been continuous rivals for some unknown reason. But when Betsy's son Mark falls in love with the girl next door—who happens to be Bridget's daughter Theresa—the two women put all of their energy in to planning the wedding, much to the chagrin of their children.
Max summons an English rescue boat using his airborne radio. Elsa continues her social climbing amongst the Nazi elite, although Max warns her of the potential danger. Harry becomes a special duties pilot and crashes in France whilst landing a French Resistance leader. He is captured by the Germans and imprisoned at a local chateau, where he and Max finally meet face to face.
As the demands of the Diogenes Club have first priority, a rift opens between Beauregard and his fiancée. Her fascination with social climbing is revealed: "Only vampires get anywhere, Charles." The intimates of Dracula discuss their continued takeover of the government, and set their own man to find Jack the Ripper. Meanwhile, the destruction of vampire prostitutes is drawing unwanted support for an anti-vampire Christian group.
Elwood P. Dowd is an affable man who claims to have an unseen (and presumably imaginary) friend Harvey — whom Elwood describes as a six-foot, three-and-one-half-inch (192 cm) tall pooka resembling an anthropomorphic rabbit. Elwood introduces Harvey to everyone he meets. His social-climbing sister, Veta, increasingly finds his eccentric behavior embarrassing. She decides to have him committed to a sanitarium.
She convinces her social-climbing Nazi protector to assist, and Emmanuel is released, with twelve hours to leave Germany. Instead of leaving the country, he continues to search for Bruno's mother. He eventually finds her, but she is now married to a prominent Nazi and denies that she is Jewish or that she has a son. Sadly, Mr Emmanuel returns to Britain and tells Bruno that his mother is dead.
Because his origins were considered to be of a lowly social standing, he was never part of the Queen's intimate circle of companions, which included her favourite ladies-in-waiting and courtiers. Anne herself once reprimanded him for assuming she would speak to him in the same way she would speak to an aristocrat. A poem by the courtier Sir Thomas Wyatt the Elder made reference to his apparent social-climbing.
Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a "gentleman" was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman. The play is in prose (except for the ballet openings which are in verse).
The family befriends Beatrix, yet Helen Potter, Beatrix's social-climbing mother, is unhappy about her daughter spending time in the company of tradesmen. When she returns home, Beatrix and Helen bicker about Beatrix's decision not to marry. Beatrix reminds her mother of the book she wrote, and her mother retorts she believes the venture will fail. However, the book sales are very successful and copies are displayed in many store windows.
These books focus on the Spanish middle class, portrayed with precision and a certain melancholy. Significant works of this group include La de Bringas (The Bringas Woman), about social climbing; Fortunata y Jacinta, his most important work; Miau, a dramatic vision of the bureaucracy of the time; Torquemada en la Hoguera (Torquemada in the Inferno), a study of greed and avarice; Misericordia (Compassion), with people of less-refined upbringing.
The story revolves around Guiomar, a seventeen-year-old girl, goddaughter to a baroness. Guiomar wishes to raise her position in Carioca society and is sought after by three men: Jorge, Estêvão and Luís Alves. Estêvão loves her crazily, purely and innocently; she is his first love. Jorge, nephew to the baroness and her obvious favorite, sees Guiomar as a path to social climbing, and has "a lustful kind of love".
Rastignac is tutored by Vautrin, Madame de Beauséant, Goriot, and others about the truth of Parisian society and the coldly dispassionate and brutally realistic strategies required for social success. As an everyman, he is initially repulsed by the gruesome realities beneath society's gilded surfaces; eventually, however, he embraces them.Kanes, p. 30. Setting aside his original goal of mastering the law, he pursues money and women as instruments for social climbing.
The tale is related to various so-called blood libel stories common at the time. One likely influence for the tale was the infamous 1255 murder of a boy in Lincoln who became known as Little Saint Hugh of Lincoln. Chaucer's attitude toward the tale is less clear. The Prioress' French accent is a sign of social climbing, yet her speech is modelled after the Stratford-at-Bow dialect, not the more desirable Parisian French.
Her scheming, social-climbing mother Millie manages to include herself on the trip, leaving her ill husband Will behind. She flirts with Florence's new coach Fletcher Locke and accepts money and gifts, which could endanger her daughter's amateur status. Once Millie realizes that Gordon is not wealthy, she discourages Florence from entertaining the idea of marrying him. After winning at Forest Hills, an increasingly unhappy Florence wants to retire from tennis and get married.
Billy is a lackluster Irish-American who gave up music after losing two fingers, and some of his sanity, in Vietnam. Billy and Vidamía first meet when she is 12 years old. Her mother is a social-climbing, assimilation-minded Puerto Rican who has married a wealthy CPA and is raising Vidamía in the suburbs. But Vidamía finds herself strongly attracted to her father, her father's family, and the Lower East Side.
Marițica's first husband, Costache Ghica, in an 1831 drawing by Constantin Lecca The Russo-Turkish War of 1828 signaled a Westernizing epoch for the Danubian Principalities. Both countries remained under Ottoman suzerainty but were directly governed by the Russian Empire. This Regulamentul Organic era, which increased the prestige of lesser boyars, allowed the orphaned youth to focus her efforts on social climbing. A first-hand witness to her matrimonial ascent, Colonel Grigore Lăcusteanu mentions her "superlative pride".
Saint-Loup visits on leave, and they have lunch and attend a recital with his actress mistress: Rachel, the Jewish prostitute, toward whom the unsuspecting Saint-Loup is crazed with jealousy. The Narrator then goes to Mme de Villeparisis's salon, which is considered second-rate despite its public reputation. Legrandin attends and displays his social climbing. Bloch stridently interrogates M. de Norpois about the Dreyfus Affair, which has ripped all of society asunder, but Norpois diplomatically avoids answering.
Despite Belknap's immediate resignation outraged House Democrats proceeded with his impeachment. Carpenter portrayed Belknap as the hapless victim of a social-climbing wife, but his legal victory relied on his assertion that jurisdiction over Belknap ended with his resignation.Thompson, pp. 243-246 Also in 1875 Carpenter was defense counsel for officials of the Miners’ National Association (MNA) in an important labor case that sought to apply the legal concept of conspiracy to union picketing and organization efforts.
From 1927 to 1929, Loos and Emerson traveled extensively, which was hard on Loos' health. All their winters were spent in Palm Beach, where Emerson would indulge in social climbing. Loos was starved of intellectual male companionship and met Wilson Mizner there, a witty and charming real estate speculator, and in some quarters – confidence man. Though they saw each other every day, the relationship was rumored to have stopped just short of having a full-blown affair.
The story's main focus is on Holling's struggle to get out from his overbearing father's shadow. Mr. Hoodhood is an ambitious, social climbing, and at times, the cutthroat architect who is determined that Holling take over the business when he retires. In fact, Mr. Hoodhood believes that nothing is more important than their family business and ensuring that it flourishes. Because of this, all of the Hoodhoods must be on their best behavior at all times.
In late 1940s West Riding of Yorkshire, England, Joseph (Joe) Lampton, an ambitious young man who has just moved from the dreary factory town of Dufton, arrives in Warnley to assume a secure, but poorly paid, post in the Borough Treasurer's Department. Determined to succeed, and ignoring the warnings of a colleague, Soames, he pursues Susan Brown, daughter of the local industrial magnate, Mr. Brown. Mr. and Mrs. Brown deal with Joe's social climbing by sending Susan abroad.
Unlike the other officers, most notably Yossarian and Hungry Joe, Aarfy does not outwardly show any signs of lust in the novel. He generally sees women as objects of distaste (as in the prostitutes the officers pay for) or as a means for social climbing. Although he believes that he is showing them due courtesy, he is not actually respecting these women for who they are, but just using them as a means to an end.
Fred MacMurray and Katharine Hepburn in Alice Adams (1935) The plot of the 1935 film (a remake of the silent movie based on the novel, which was filmed in 1923) revolves around a social-climbing girl (Katharine Hepburn) and her mother (Ann Shoemaker); it has minor changes from the novel and a different ending. It was written by Dorothy Yost, Mortimer Offner and Jane Murfin. The film was directed by George Stevens. The movie was nominated for the Academy Award for Best Picture.
He became wealthy off oil and gas. The race saw personal attacks on Huffington's wife, Arianna Huffington, who was very involved in the race (the media dubbed her the "Sir Edmund Hillary of social climbing," according to The Almanac of American Politics). Huffington was called a hypocrite for supporting Proposition 187 and then breaking the law for employing illegal aliens, a story which came out in the race's final days. A grand total of $44 million was spent in the election.
On the day that he is scheduled to perform a violin solo at a swank bridge luncheon held by his social-climbing mother, rich kid Waldo opts instead to play football with the gang. With Waldo's help, the kids win the game, but his expensive clothes are covered with mud. Spanky declares that he and his pals are perfectly capable of washing Wally's duds on their own—and the result is a slapstick smorgasbord, culminating in a typically outsized Hal Roach traffic jam.
Action is increased significantly and is faster-paced. Greater detail is given to develop Nancy and her home. Relatives of Josiah Crowley are concerned that the selfish nouveau riche social-climbing heirs presumptive, the snobbish Tophams, have taken him into their home and do not let him visit other family members, including the Turner and Hoover sisters. When Crowley dies, promises of being included in his will appear moot as the will, held by the Tophams, wills everything to them.
Bucur, p. 89 By 1935, Herseni had also come to sympathize with a fascist dissidence which divided the Gustian movement: although attacked by Ernest Bernea in Rânduiala magazine, which spoke for this counter-current, he parted ways with Stahl over political stances.Stahl (1981), pp. 219–221 At the time, moderate left-wingers such as Stahl and Golopenția, witnessing the internecine conflicts between the Guardist supporters and the radical-left group headed by Gheorghe Vlădescu- Răcoasa, began equating Herseni's politics with an egotistic social climbing.
The play is a bleak tragedy, beginning in the aftermath of the death of the prince and ending in the deaths of most of the characters. Its plot includes hidden identities, poison, deceit, Machiavellian social climbing, murder and a duel. In the preface Nabbes specifies his intent to move away from the bombast and melodrama of popular drama, towards a subtler, more intellectual kind of theatre. Unfortunately, the theatre companies did not share his ambition and he could find nobody to take charge of producing it.
Monsieur and Madame Dupin had a prominent place in the finance world and are well related with the aristocracy. Their prosperity facilitates this social climbing, along with the qualities of Madame Dupin who widely contributed with this integration. Voltaire nicknamed her the goddess of beauty and music; indeed Louise Dupin was famous for her charm and spirit. She participated in the writings of her husband, most notably in the volumes of Observations on the Spirit of Laws, but also worked in her own projects.
Michael "Mick" Marler has risen through the ranks at a large British company. Despite his polish, Mick comes from a working-class background, and has worked hard to fit into the world in which he and his social-climbing wife Rosemary live. His marriage consists of animalistic lovemaking between traded insults and long silences. One morning, while Mick is trying to save his boss, Hazlitt, from mistakes and sagging sales, he convinces him to persuade the company to make computers, something they had rejected.
Joyce wrote about the Sheehys in his acclaimed novel Ulysses, depicting Bessie as a 'social climbing matriarch', a description to which she vehemently objected. When Hanna was a teenager, the Sheehys held an open house on the second Sunday night of each month, at 2 Belvedere Place near Mountjoy Square in Dublin. They encouraged young people to visit them and their six children. James Joyce, who was a student at the nearby Belvedere College, and his younger brother Stanislaus, were regular visitors in 1896-1897.
Castles in the Air is a musical comedy, with a book and lyrics by Raymond Wilson Peck and music by Percy Wenrich (additional lyrics by R. Locke). The story concerns two young men, Monty Blair and John Brown, who mistake an exclusive Westchester resort for an inn. They decide to pretend to be nobility, and Monty introduces John as a Latvian prince. Evelyn's uncle Philip decides to teach her a lesson about social climbing by taking her to Latvia, intending to expose John as an impostor.
Lace curtain Irish and shanty Irish are terms that were commonly used in the 19th and 20th centuries to categorize Irish people, particularly Irish Americans, by social class. The "lace curtain Irish" were those who were well off, while the "shanty Irish" were the poor, who were presumed to live in shanties, or roughly-built cabins. Neither term was complimentary. Aside from financial status, the term "lace curtain Irish" connoted pretentiousness and social climbing, while the "shanty Irish" were stereotyped as feckless and ignorant.
After Jenny fails to bring about egalitarianism at Constance, she resolves to rule as Queen Bee with her own group of minions. With her new position and wealth, Jenny's social-climbing persona resurfaces and she begins to erase her former Brooklyn self, throwing away her homemade clothes and sewing machine. Worried that Jenny is turning into a typical Queen Bee, Eric and Jonathon attempt an intervention, but are humiliated by Jenny and her clique. Eric teams up with Blair to take down Jenny at the Cotillion Ball by sabotaging her escort.
When Random House republished the novel in 1995, Margo Jefferson criticized its prose but wrote that O'Hara was > "full of passion and honest spleen, driven to show why we live and act the > way we do. And how he understands class structure, American-style! The > comedy of it and the meanness, the social climbing and the downward plunges, > the tricky business of balancing your ethnic debits against your physical or > financial assets." In 2013, writing in The New Yorker, Lorin Stein called BUtterfield 8 "one of the great novels of New York in the Depression".
Cyril is a strong, old-style socialist, who despairs of his elderly working-class but Tory-voting mum; her new yuppie neighbours, the Boothe-Braines (who have purchased what was once a council house next door); and his social-climbing sister and her crass, car- salesman husband. Cyril and Shirley are portrayed as the most decent characters in the film, despite Cyril's irascible nature. Theirs is a strong relationship, marred by Cyril's reluctance to have children and his resentment that his cause is destined to be on the losing side in history.
It was Channel 4's first Asian comedy series. After the sitcom had been commissioned to be written, Farrukh Dhondy himself became Channel 4's commissioning editor for multicultural programmes. Meera Syal wrote an episode for the sitcom (4 July 1985). Tandoori Nights traded on some pre-existing Asian stereotypes: an Indian restaurant setting; a conniving businessman (Jimmy Sharma, played by Saeed Jaffrey) who views dating white women as 'social climbing'; a rebellious daughter (played by Rita Wolf); and a bumbling servant-fool (Alaudin, played by Tariq Yunus).
When newly released prisoner Mr. Pastry (Richard Hearne) arrives to stay, he proves an embarrassment to his social climbing daughter Lady Florence (Ellen Pollock). As president of the society for the rehabilitation of ex-convicts, she attempts to hide the fact her father is an ex-con. She locks Mr. Pastry in his bedroom, and even plots to have him sent to Australia. But Lady Florence's children see Mr. Pastry differently, and he helps them through a problem, prompting even his daughter to see Mr. Pastry in a new light.
In 1962, Margolin played her first movie role as the female lead in David and Lisa. She co-starred with Marlon Brando in 1965's Morituri and with Steve McQueen in the western Nevada Smith. She later played Wanda, the love interest of the lead character David Kolowitz, in the movie Enter Laughing (1967). In Take the Money and Run (1969), she played the love interest of the bumbling thief played by Woody Allen, and in Annie Hall (1977), she played the social-climbing wife of Allen's character.
Vlad Taltos is one of the human minority (known by Dragaerans as "Easterners"), which exists as a lower class in the Empire. Vlad also practices the human art of witchcraft; "táltos" is Hungarian for a kind of supernatural person in folklore. Though human, he is a citizen of the Empire because his social-climbing father bought a title in one of the less reputable of the 17 Dragaeran Great Houses. The only Great House that sells memberships this way is, not coincidentally, also the one that maintains a criminal organization.
The couple had at least two children, one named Peter who is now 23 and married. The series has much in common with the later BBC sitcom Keeping Up Appearances, except that the central couple were unmistakably working class while in Appearances social climbing was a central element of the programme. The catchphrases of the series were both Thora's. The first occurred whenever the socially-aspiring Thora introduced her husband, when she would snobbishly pronounce his name "Frayed", remarking that he was "a Master plumber", with the emphasis on the word Master.
Much of his work was not censored, indicating a tacit approval of his views by many members of the ruling party, who were not so bold as to openly admit mistakes and criticise the policies themselves. For many years Uys lampooned the South African regime and its leaders, as well as the sometimes hypocritical attitudes of white liberals. One of his characters, a kugel (social climbing Jewish woman) once said, "There are two things wrong with South Africa: one's apartheid and the other's black people".www.newstatesman.com This was later erroneously attributed to Uys himself.
He wants to see action as well as rendezvous with a former love, Gisele (Patricia Blair), who is unhappily married to Bonet, a major at the fort. Also on their way are Captain Callaux (Kurt Kasznar), goaded into it by a nagging, social-climbing wife; Lieutenant Heldman (Peter van Eyck), a former Nazi fighter who is now a legionnaire; and the naive but eager Lieutenant Maupin (Norman Dupont). The men parachute in and, with great difficulty, get to the fort. A monsoon rages and the fight drags on for weeks.
The show's protagonist, played by Patricia Routledge, is the social-climbing snob Hyacinth Bucket (née Walton; b. 4 December 1930),In Young Hyancinth set in the 1950s, Hyacinth is 19. Depending on the exact year of the show, Hyacinth is born between 1930 (to be 19 on the first day of 1950) and 1940 (to be 19 in exactly 1959.) The Walton name was also introduced in Young Hyacinth, as it is never mentioned in the series. who insists that her surname is pronounced "Bouquet", as in an arrangement of flowers.
Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo style tapestry cartoons designed for the royal palace. He was guarded, and although letters and writings survive, little is known about his thoughts. He suffered a severe and undiagnosed illness in 1793 which left him deaf, after which his work became progressively darker and pessimistic. His later easel and mural paintings, prints and drawings appear to reflect a bleak outlook on personal, social and political levels, and contrast with his social climbing.
In 1923, Rich lost her financial support when her father-in-law became ill and died, and she did not produce any films until the following year. She soon divorced her husband, and Rich regained her stride in 1924, appearing in six new films, with roles in eight more in 1925. She gained critical attention for her role as a "man-eating, social-climbing" woman in Cecil B. DeMille's The Golden Bed, and a subsequent The New York Times review called her an "extraordinarily beautiful" woman. Her next – and final – notable role was in the 1926 railroad film Whispering Smith.
Boyd, however, remains fond of Jack, and becomes enraged when he discovers the scam. When he confronts Bondurant, Bondurant plays him sections from the tapes of Jack ridiculing Boyd, his social-climbing, and his Kennedy envy. Bobby Kennedy (learning of Boyd's CIA connection and erratic behavior upon discovering the wire tap), fingers Boyd as the person trying to set up the president; he fires Boyd from the Justice Department, severing his ties with the Kennedys, and making an enemy of Boyd. The mob also figures out that Boyd and Bondurant were behind the theft of their heroin.
Valiente was born Doreen Edith Dominy on 4 January 1922 in the London outer suburb of Colliers Wood, Mitcham, Surrey. Her father, Harry Dominy, was a civil engineer, and he lived with her mother Edith in Colliers Wood. Harry came from a Methodist background and Edith from a Congregationalist one, however Doreen was never baptised, as was the custom of the time, due to an argument that Edith had had with the local vicar. Doreen later claimed that she had not had a close or affectionate relationship with her parents, whom she characterised as highly conventional and heavily focused on social climbing.
In 1973, Alf needed a partner when he became mayor of Weatherfield so Annie Walker (Doris Speed), the social-climbing landlady of The Rovers Return Inn, invited herself to become Mayoress and Alf was forced to agree. Annie did a good job - she considered herself to be Weatherfield's First Lady - but her snobbishness and pretensions often infuriated and exasperated Alf. In 1978, Alf married Renee Bradshaw (Madge Hindle), who now owned the corner shop. Theirs was an awkward courtship - Alf withdrew his first proposal, telling Renee that he had been drunk when he asked her - but when he proposed again, they married.
Father Philip Prestwick, who provides comic relief, is a social-climbing assistant to the Archbishop. Father Phil just happens to drop in before every meal. Mrs Marie Gillespie is both the parish secretary and the housekeeper of the Rectory (in which the parish priest lives). The show's format in effect creates a pseudo-family: Father Dowling and his elderly housekeeper, Marie, behave like an old married couple, with Father Dowling acting like the regular father in a conventional family (somewhat aided by his identification in the minds of the audience with Mr Cunningham, the character he played on the tv series Happy Days).
After one term in the House representing Santa Barbara and San Luis Obispo counties, Huffington spent $8 million by the end of August and a total of $28 million during the entire campaign. He became wealthy off oil and gas. The race saw personal attacks on Huffington's wife, Arianna Huffington, who was very involved in the race (the media dubbed her the "Sir Edmund Hillary of social climbing," according to The Almanac of American Politics). Huffington was called a hypocrite for supporting Proposition 187 and then breaking the law for employing illegal aliens, a story which came out in the race's final days.
In his final chapter, Fussell named > an 'X' category of people who wanted to hop off the merry-go-round of > status, money, and social climbing that so often frames modern existence." Author William Strauss noted that around the time Coupland's 1991 novel was published the symbol "X" was prominent in popular culture, as the film Malcolm X was released in 1992, and that the name "Generation X" ended up sticking. The "X" refers to an unknown variable or to a desire not to be defined. Strauss's coauthor Neil Howe noted the delay in naming this demographic cohort saying, "Over 30 years after their birthday, they didn't have a name.
In 1846, Willis and Morris left the Evening Mirror and attempted to edit a new weekly, the National Press, which was renamed the Home Journal after eight months.Auser, 125 Their prospectus for the publication, published November 21, 1846, announced their intentions to create a magazine "to circle around the family table".Auser, 125–126 Willis intended the magazine for the middle and lower classes and included the message of upward social mobility, using himself as an example, often describing in detail his personal possessions.Tomc, 785–786 When discussing his own social climbing, however, he emphasized his frustrations rather than his successes, endearing him to his audience.
The novel is narrated by 30-year-old Barnaby, whose life has gone off the rails since he was caught robbing neighborhood homes as an adolescent. To the despair of his distant father, his social climbing mother, his chilly ex-wife and his prematurely patriarchal brother, Barnaby now works for a company called Rent- a-Back, doing odd jobs for elderly clients. He also waits, without much hope, for a visitation from the Gaitlin angel, who first suggested to Barnaby's great-grandfather the invention of the wooden dress form that made the Gaitlins rich. He finds his angel but perhaps not where he expects.
The 17th-century French playwright Molière (1622–73) catalogued the social-climbing essence of the bourgeoisie in left Throughout the early modern period a class of wealthy middlemen who connected producers emerged: the bourgeoisie. These bourgeoisie played a fundamental role in the French economy, accounting for 39.1% of national income despite only accounting for 7.7% of the population. Under the Ancien Régime they were part of the Third Estate, as they were neither clergymen (the First Estate) nor nobles (the Second Estate). Given their powerful economic position, and their aspirations on a class-wide level, the bourgeois wanted to ascend through the social hierarchy, formalised in the Estate system.
In 1900 the Java Bode newspaper published his serialised novel "The pariah of Glodok", a tale about an impoverished Indo-European. The story ends somewhat melodramatic, but caters to the need within the Indo community to see an identification and recognition of their socio-economic problems. In his later novel "The paupers" (1915) he stuck with this theme. It tells the story of a so-called "kleine bung" (a Dutch-Malay mix term meaning little brother used to describe Indos from the lower layer of society) who is full of resentment and frustration, caused by discrimination, lack of social climbing and living in poverty.
William smuggles himself on a liner bound for the United States, and meets an Irish pugilist who teaches him during the way across the gentle art of knocking a man out cold. Five years elapse and William returns to his home as "Gunboat" Williams, middleweight champion of the world. This is the final and most awful disgrace in the eyes of his social climbing father, and he orders William away. Just as William is about to leave, the home is besieged by the mayor backed a bunch of haughty earls and lords, who want to know why the grocer is keeping secret the fact that he raised the middleweight champion.
Sixteen-year-old Nancy Drew wishes to help the Turners, who are struggling relatives of the recently deceased Josiah Crowley, by finding a missing will that can give them claim to Crowely's estate. Aided along the way by chum Helen Corning, she becomes interested in the case because she dislikes Crowley's snobbish nouveau-riche social-climbing heirs presumptive, the Tophams. A nasty encounter at a department store allows Nancy to discredit the Topham sisters when they break an expensive imported vase. Interviewing various Crowley relatives and friends, Nancy learns from an injured old lady that Crowley hinted that the clue to his will would be found in the family clock.
Though she and producer Juan Osorio Ortiz initially altered her filming schedule in order to accommodate her recovery, she was forced to withdraw from the cast shortly before the finale. Her character, Justina, was not recast, as Osorio had planned in advance for the possibility of Moussier's departure. In 2011, she returned to Mexican telenovelas after she was diagnosed with Guillain–Barré syndrome, starring in her first protagonist role as Eleonor Cortazar in Ni contigo ni sin ti. In March 2012, Moussier starred as the seductive, vain, haughty, ambitious, villainously, social-climbing and scheming Carmina Bouvier in Abismo de pasión, a remake of Cañaveral de Pasiones.
In London, Evelina's beauty and ambiguous social status attract unwanted attention and unkind speculation. Ignorant of the conventions and behaviours of 18th-century London society, she makes a series of humiliating (but humorous) faux pas that further expose her to social ridicule. She soon earns the attentions of two gentlemen: Lord Orville, a handsome and extremely eligible peer and pattern- card of modest, becoming behaviour; and Sir Clement Willoughby, a baronet with duplicitous intentions. Evelina's untimely reunion in London with her grandmother and the Branghtons, her long-unknown extended family, along with the embarrassment their boorish, social-climbing antics cause, soon convince Evelina that Lord Orville is completely out of reach.
Andrew C. Isenberg, "Environment and the Nineteenth-Century West; or, Process Encounters Place". pp. 77–92 in Journalist Samuel Lubell saw similarities between the frontier's Americanization of immigrants that Turner described and the social climbing by later immigrants in large cities as they moved to wealthier neighborhoods. He compared the effects of the railroad opening up Western lands to urban transportation systems and the automobile, and Western settlers' "land hunger" to poor city residents seeking social status. Just as the Republican party benefited from support from "old" immigrant groups that settled on frontier farms, "new" urban immigrants formed an important part of the Democratic New Deal coalition that began with Franklin Delano Roosevelt's victory in the 1932 presidential election.
After the death of the Earl of Spenborough all are shocked when they discover that the late Earl has appointed Ivo Barrasford, Marquess of Rotherham, and formerly engaged to Lady Serena Carlow, to be Serena's trustee. Serena moves to Bath with her young stepmother, Fanny, where she meets up with Major Hector Kirkby, a love interest from six years past. Serena and Hector rekindle their romance and become engaged, although keeping the engagement under wraps while she is still in mourning for her father. Meanwhile, Rotherham, having heard of the engagement, proposes to Emily Laleham, a very young and inexperienced girl whose social climbing mother is delighted with Rotherham's fortune and title.
The series focused on middle-aged couple Stanley (Norman Fell) and Helen Roper (Audra Lindley), who were landlords to Jack, Janet and Chrissy on Three's Company. In this spin-off, the Ropers have sold their apartment building in the Three's Company episode "An Anniversary Surprise" (season 3, episode 20) to live in the upmarket community of Cheviot Hills, where the social-climbing Helen struggled to fit in with her neighbors. Stanley made little attempt to fit in with the standards of the community, thereby causing Helen much embarrassment. As was the case during their time on Three's Company, opening credits for The Ropers alternate between Audra Lindley and Norman Fell credited first.
Having actively supported the sitting member, William Bowen Rowlands at the 1892 General Election it soon became known that Davies was interested in the Liberal nomination. This was strongly resisted by leading figures in the local Liberal Association, such as the Aberaeron merchant J.M. Howell who suspected Davies's commitment to Liberal policies, a suspicion later borne out by embarrassing evidence of his behaviour towards tenants on his own Tanybwlch estate. However, Davies was eventually chosen as candidate defeating Wynford Phillips by 160 votes to 111 at a delegate conference. Kenneth O. Morgan has argued that this was due to his support among rural areas where electors 'resented the social climbing of the Aberystwyth bourgeoisie;.
The elderly southern gentleman is suffering a gout attack and his social climbing children are attending the same event. While dancing with his son, he so discombobulates him that his dress is torn in half, and while having it fixed in the ladies lounge he floors his daughter. Back on the floor, Harvey bribes the band leader to play "Dixie", the colonel stands, Harvey pounces into his arms dancing the length of the floor, deposits the sputtering colonel on his easy chair has him autograph his dance card, throws his wig into his lap and rushes the exit. The rest of the year is full of great football by Gil, academic pressure and more antics by Prof. Thayer.
We learn that Sir John has a large area to administer – there are supposed to be three crowners for Devon but he is the only one. In all this, he is assisted by Gwyn, his old Cornish retainer and Thomas de Peyne, an unfrocked priest, who is his clerk. John's surly social-climbing wife Matilda is the sister of the sheriff of Exeter, Sir Richard de Revelle, who does all he can to make life difficult for John, who seeks solace in the arms of his Welsh mistress Nesta, the landlady of the Bush Inn in the city. In Crowner Royal, set in 1196, John is appointed the first Coroner of the Verge by the king.
Marissa becomes a more sympathetic character after it is revealed that she was forced to have an unwanted abortion at the age of 15 and after her fiancé Santiago (Jaime Camil) leaves her pregnant at the altar for her friend, Candy (Jacqueline Bracamontes). However, much to Moussier's dismay, After wrapping up the filming of Las tontas, Moussier replaced Edith González as the protagonist, Elena Tejero, in the musical play Aventurera, though she withdrew from the cast a few months later following a leg injury. In 2009, Moussier starred as the seductive, social-climbing Justina Almada de Huerta in Mi pecado. During the filming of Mi pecado, Moussier was diagnosed with Guillain–Barré syndrome.
The economic progress opened to him the possibility of a further step: to send his son Giovanni to study law. This privilege of studies, as Neocastro wrote, was able to confer great prestige upon anyone who accomplished it. Thus it was that without fail Giovanni opened up wider horizons and new opportunities, including the royal road of a highly placed marriage, sealed with a Sicilian noblewoman of the house of Cottone. From this marriage two children were born in the castle of Scaletta: the firstborn was Matteo II, followed circa 1240 by his sister Macalda, who would be touched by fate with the definitive act in social climbing, the acquisition in two stages of the still-missing political prestige.
Via a series of flashbacks, it is revealed that Dora is a manipulative, conniving and amoral gold-digger. Encouraged by her equally unprincipled mother, she set out to snare Robert purely for access to his finances in order that she (and her mother, to whom she has siphoned off significant amounts of money) could live a life of ease and outward respectability. In fact she has always despised Robert, mocking his unsuspicious nature and gullibility while amusing herself with a string of lovers. With the riding school business recently failing, Dora had decided that she had taken Robert for as much as she could, and had been planning to leave him for François, a richer lover who could further her social-climbing ambitions.
Hyacinth Bucket (Patricia Routledge) – who insists her surname is pronounced Bouquet (although her husband Richard has said, "It was always 'Bucket' until I met you!") – is an overbearing, social-climbing snob, originally from a lower-class background, whose main mission in life is to impress others with her refinement and pretended affluence. She is terrified that her background will be revealed, and goes to great lengths to hide it. Hyacinth likes to spend her days visiting stately homes (convinced she will meet and strike up a friendship with the upper-class owners, especially if they are aristocratic) and hosting "executive-style" candlelight suppers (with her Royal Worcester double-glazed Avignon china and Royal Doulton china with "the hand-painted periwinkles").
Drouet installs her in a much larger apartment, and their relationship intensifies as Minnie dreams about her sister's fall from innocence. She acquires a sophisticated wardrobe and, through his offhand comments about attractive women, sheds her provincial mannerisms, even as she struggles with the moral implications of being a kept woman. By the time Drouet introduces Carrie to George Hurstwood, the manager of Fitzgerald and Moy's – a respectable bar that Drouet describes as a "way- up, swell place" – her material appearance has improved considerably. Hurstwood, unhappy with and distant from his social-climbing wife and children, instantly becomes infatuated with Carrie's youth and beauty, and before long they start an affair, communicating and meeting secretly in the expanding, anonymous city.
Some Came Running is a 1958 American drama film directed by Vincente Minnelli and starring Frank Sinatra, Dean Martin, and Shirley MacLaine, based on the 1957 novel of the same name by James Jones. Set in 1948, it tells the story of a troubled Army veteran and author who returns to his Midwestern home town after 16 years, to the chagrin of his wealthy, social-climbing brother. Metro- Goldwyn-Mayer, in a bid to duplicate the success of the multi–Academy Award winning film adaptation of Jones' earlier novel, From Here to Eternity (1953), optioned the 1,200-plus-page book Some Came Running and cast Sinatra as the lead. Sinatra approved Dean Martin for the role of Bama, in what would be their first film together.
Tina Balser, an educated, frustrated housewife and mother, is in a loveless marriage with Jonathan, an insufferable, controlling, emotionally abusive, social-climbing lawyer in New York City. He treats her like a servant, undermines her with insults, and belittles her appearance, abilities, and the raising of their two girls, who treat their mother with the same rudeness as their father. Searching for relief, she begins a sexually fulfilling affair with a cruel and coarse writer, George Prager, who treats her with similar brusqueness and contempt, which only drives her deeper into despair. She then tries group therapy, but this also proves fruitless when she finds her male psychiatrist, Dr. Linstrom, as well as the other participants, equally shallow and abusive.
Always hovering in the background and offering counsel is the spirit of her mentor, Jimmie Langton (Michael Gambon), the theatrical manager who gave Julia her start and made her a star, while flesh-and-blood Evie (Juliet Stevenson) serves as her personal maid, dresser, and confidante. Michael suggests they invite Tom to spend time at their country estate, where he can become better acquainted with their son Roger (Tom Sturridge). At a party there, Tom meets aspiring actress Avice Crichton (Lucy Punch), and, when Julia sees him flirting with the pretty young woman, she becomes jealous and anxious and angrily confronts him. He slowly reveals himself to be a callous, social- climbing, gold-digging gigolo, and Julia is shattered when their affair comes to an end.
The social climbing Emma Lutz had donated the statue, became angry at Lila when her name was not put amongst the list of donors, yet attempted with no luck to win back Lila's approval when she ended up finding the statue again. Alan's affair with Susan Moore produced grandson Jason whom Lila would visit, but she never accepted Susan and unlike other residents of Port Charles would be cool to when she ran into her in public. Lila schemed to bring Monica and Alan together by planning their weekly family dinner and leaving for a restaurant with Edward. During their attempts to be civil together, Alan and Monica ended up passionately kissing, and when interrupted by a returning Edward and Lila, denied anything had happened.
D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. Thomas d'Urfey Memorial to Durfey at St James's Church, Piccadilly D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s.
Among the Juvenile Songs rewritten and set to music by Fanny E. Lacy (Boston 1852) was a six-stanza version of Jack and Jill. Having related their climb and fall from the hill, the rest of the poem is devoted to a warning against social climbing: "By this we see that folks should be/ Contented with their station,/ And never try to look so high/ Above their situation."A copy at Johns Hopkins University There is a similar tendency to moral instruction in the three "chapters" of Jack and Jill, for old and young by Lawrence Augustus Gobright (1816-1879), published in Philadelphia in 1873. There the pair have grown up to be a devoted and industrious married couple; the fall is circumstantially explained and the cure afterwards drawn out over many, many quatrains.
Linda assumes the identity of Lina Albrecht, and is planted as a cook in the household of Horst Drescher, a social-climbing Nazi officer, before an important party he is throwing, but she arrives too late to prepare the food properly, causing the dinner to be a disaster, and Drescher angrily fires her. Walking dejectedly on the dark street, alone, after curfew, Linda chances to encounter a guest from the dinner, officer Franz-Otto Dietrich (Liam Neeson), who is charmed by her and mistakenly assumes she must already have had a security check. Dietrich is a widower and takes Linda/"Lina" on as a nanny to his two children. Between her duties as a servant, she searches Dietrich's house for confidential papers on the V1, which he is also working on.
111–113 In the mainstream national press, however, as Peterloo became yesterday's news, so too did the yeomanry, and, outside of public events which it attended in a ceremonial role, it was seldom reported on. More often, the yeomanry was the subject of caricature, in which yeomen were portrayed as old, incompetent and waving blood-stained weapons. Caricature evolved into satire, and magazines such as Punch regularly ridiculed the force as the epitome of bumbling high society, with overweight yeomen unable to master their weapons or the sick, undersized horses they rode. Common themes in the portrayal of the yeomanry in books and on stage included amateurs with delusions of grandeur, social climbing, self-importance and a greater concern for leisure and appearance than national defence.Hay 2017 pp.
Marrying above her station, raising her social class, it has given her an unrealistic estimation of her own worth. She repeatedly makes a spectacle of herself, incapable of realizing that her behaviour is more likely to be off-putting to any rich, eligible young man who would take notice of her daughters. Her vulgar public manners, her crude, artless and transparent efforts at social climbing and matchmaking, and her all-around 'silliness' are a source of constant embarrassment to both Jane and Elizabeth. But, if one good thing has come from her lacking of good social graces, it is that they have helped to keep her eldest two daughters humble, (as opposed to her younger three, who (like their mother) lack any self-awareness as to their own character flaws).
Trixies are described as "social climbing, marriage-minded, money-hungry young ladies that seem to flock to the upwardly-mobile neighborhood of Lincoln Park." Another description calls them "the women with Kate Spade bags for every day of the week; the ex-sorority girls still lusting after big, dumb jocks; the women who go to law school to find husbands." The stereotypical counterparts of Trixies, and the men they usually end up marrying, are referred to in slang as Chads. Shane DuBow of National Geographic, reporting about the Lincoln Park Trixie Society website, wrote that the Trixie stereotype describes a "blond, late- twenties woman with a ponytail who works in PR or marketing, drives a black Jetta, gets manicures and no-foam skim lattes", noticing that the website looked like a straight-faced parody.
But her "year of rest and relaxation" is regularly interrupted. Her college roommate Reva (who unabashedly envies the narrator's wealth and appearance) makes frequent unannounced visits, which the narrator allows despite her disdain for Reva's social-climbing and annoyance at having to listen to Reva's problems—her own mother's terminal cancer, a frustrating affair with her married boss. The narrator is also occasionally in contact with an older boyfriend Trevor (a banker who works in the World Trade Center), though he frequently cuts off their relationship to date women his own age, returning when one of them has dumped him or occasionally in response to the narrator's pleading. The narrator initially makes trips out of her apartment only to a local bodega, Dr. Tuttle's office, and the Rite Aid to fill her prescriptions.
Reverend Alden was portrayed in the television series "Little House on the Prairie" and its movie sequels, (1974–1984) by actor Dabbs Greer. Reverend Alden is depicted as a loving, caring man who faithfully ministers the Word of God to the citizens of Walnut Grove and Hero Township, and is seen as a community leader who is looked to for his wisdom and understanding. As in real life, he has a particularly close relationship with the Ingalls family; in addition, the television series showed him to be close friends with Doctor Baker and Nels Oleson. He was frequently at odds, however, with Nels' snobbish wife, Harriet, who was a social climber and looked at others, especially the Ingalls' family, with scorn and disdain, and was upset that Alden often thwarted her plans for social climbing.
Other passengers include Maude Young (based on real-life Titanic survivor Margaret "Molly" Brown), a wealthy woman of a working-class origin (Thelma Ritter); social-climbing Earl Meeker (Allyn Joslyn); a 20-year-old Purdue University tennis player, Gifford "Giff" Rogers (Robert Wagner); and George S. Healey (Richard Basehart), a Catholic priest who has been defrocked for alcoholism. When Annette learns Julia's intentions, she insists on returning to Europe with Richard on the next ship as soon as they reach America. Julia concedes that Annette is old enough to make her own decisions, but she insists on keeping custody of Norman. This angers Richard, forcing Julia to reveal that Norman is not their son, but rather the result of a one-night stand after one of their many bitter arguments.
His constant attempts to sneak out with his old gang of boisterous, rough-edged pals, eat corned beef and cabbage (known regionally as "Jiggs dinner") and hang out at the local tavern were often thwarted by his formidable, social-climbing (and rolling-pin wielding) harridan of a wife, Maggie, their lovely young daughter, Nora, and infrequently their lazy son, Ethelbert, later known as just Sonny. Also a character presented in the strip (portrayed as a miserly borrower) was named fittingly Titus Canby. The strip deals with "lace-curtain Irish", with Maggie as the middle-class Irish American desiring assimilation into mainstream society in counterpoint to an older, more raffish "shanty Irish" sensibility represented by Jiggs. Her lofty goal—frustrated in nearly every strip—is to bring father (the lowbrow Jiggs) "up" to upper class standards, hence the title, Bringing Up Father.
This angry, defiant Ruth ceases to be the passive object of the narrator's pity and steps to the center of the action, a full-fledged protagonist. According to Stephen Harnett, in his article “Fanny Fern’s 1855 Ruth Hall, the Cheerful Brutality of Capitalism and the Irony of Sentimental Rhetoric,” Ruth Hall was primarily written in sentimental prose. However, it is ironic because Fern structures her novel around the fundamental contradiction of the cheerful brutality of capitalism. Harnett brings in the capital aspect to his thesis when explaining the money Ruth has encountered by becoming a writer by emphasizing many conversations between Ruth and Mr. Walter. He notes that the ending of Ruth Hall in a sense does not fit and also complicates the sentimental novel because it ends with Ruth “social-climbing” which occurs in the world of capitalism.
Written by Madame de Rênal at the urging of her confessor priest, the letter warns the marquis that Julien is a social-climbing cad that preys upon emotionally vulnerable women. On learning that the marquis now withholds his blessing of his marriage, Julien Sorel returns with a gun to Verrières and shoots Madame de Rênal during Mass in the village church; she survives, but Julien is imprisoned and sentenced to death. Mathilde tries to save him by bribing local officials, and Madame de Rênal, still in love with him, refuses to testify and pleads for his acquittal, aided by the priests who have looked after him since his early childhood. Yet Sorel is determined to die, for the materialistic society of Restoration France has no place for a low-born man, whatever his intellect or sensibilities.
Murphy was a member of Joan Littlewood's Theatre Workshop (alongside Yootha Joyce), and a jobbing actor in the 1960s and early 1970s, combining his theatre work with appearances in television shows such as The Avengers, Z-Cars, Callan and Dixon of Dock Green, before being cast in the role which would make him a household name. In Man About the House, Murphy played the lazy George Roper, whose wife, Mildred, was played by Yootha Joyce. Her domineering, social-climbing characteristic was a sharp contrast to George's desire for an easy and quiet life and the pairing was an instant hit. A contributing factor to their immediate chemistry was that they had been friends for many years. Aside from their Theatre Workshop years, Murphy also featured in Sparrows Can't Sing (1963) with Joyce and other Theatre Workshop colleagues.
Michael Durrell & Katherine Cannon played John & Felice Martin (recurring, season 2–10), Donna's parents who generally personified wealthy, conservative, social-climbing Beverly Hills socialites abnd appeared occasionally through the series entire run. Felice tried to appear moral and straight-laced (she even supported West Beverly's decision to suspend her daughter prior to graduation after Donna got drunk at the prom) but she was often hypocritical: she had an affair that nearly ended her marriage and had to admit that her own insistence in premarital celibacy was a lie because she's gotten pregnant and had an abortion while in college. Overprotective and controlling, she often tried to sabotage Donna's relationships with David, Ray, and Noah. However, John, an experienced heart surgeon and a more even-keeled individual than Felice, was generally more accepting of Donna's life choices and offered her his support.
The restaurant owner, however, did not begin the successful line of Dinty Moore canned goods marketed today by Hormel. A surrealistic running gag throughout the strip, always removed from the main action of the story, involved hanging wall paintings that "come to life", with subjects often "breaking the fourth wall", escaping the confines of the picture frames, or changing position from panel to panel within the same strip. None of the nominal stars of the strip ever seemed to notice the animated figures, or anything unusual happening on the walls in the background directly behind them. Comics historian Don Markstein wrote about McManus' characters: :On January 12, 1913, he debuted Bringing Up Father, about an Irishman named Jiggs, who doesn't understand why his ascension to wealth via the Irish Sweepstakes means he can't hang out with his friends, and his nagging, social- climbing wife, Maggie.
From her Parkville jail cell, Vergie Winters watches the funeral procession of Senator John Shadwell and remembers her twenty-year past with him: The moment young lawyer John returns to Parkville from an extended honeymoon with his social climbing wife Laura, he visits Vergie, his former lover. After a passionate embrace, John explains to the youthful milliner that he had abandoned their romance because Vergie's father had told him that she was pregnant by laborer Hugo McQueen and would be forced to marry. Vergie then tells John that, to keep her from marrying John, Laura's father had paid her father $10,000 to tell him that devastating lie. Still deeply in love, John and Vergie continue to see each other, but when John starts to campaign for Congress, Preston, a political boss, informs Vergie that, if John is to receive his vital support, she must forego their affair.
The Emperor, or "Nebuchadnezzar", of the revived Empire was Valjenkin, while Zhukovski, Dragomilov and those who followed their lead in putting half of their lands into the new Empire became Electors or "Balthazars". It could be argued that the Emperor under this new scheme was at best first among equals, at worst a puppet; each Balthazar, of course, retained the strategically more important portions of his lands under his own rule and thus most of the power he or she had before. The Hegemony of Jamul: Assigned as a sub-ruler to the Valgorian Empire in and around the environs of Jamul, Vasili Zhukovski was just another adventurer set on social climbing. Experiencing a vision of Saint Blooper, he eventually ascended to the title of Grund Patriarch of the Wholly Slobbovian Church, declared the Emperor of Valgoria a Satinist, and led a revolt, forming the Theocracy of Saint Blooper.
She was the middle daughter of prominent neurosurgeon Dr. Harvey Williams Cushing and his wife Katharine Stone Crowell, who hailed from a socially prominent Cleveland family. Dr. Cushing, who was descended from Matthew Cushing, an early settler of Hingham, Massachusetts, served as professor of surgery at Johns Hopkins, Harvard and Yale Universities, and established the family in Boston. Though she had two brothers, she and her two sisters became known in the social world as the "Cushing Sisters", heralded for their charm and beauty and schooled by their social-climbing mother to pursue husbands of wealth and prominence. All three Cushing sisters married into wealth and prominence: Her older sister, Mary "Minnie", married Vincent Astor, the heir of a $200 million fortune, in 1940, and her younger sister Barbara "Babe" was married to Standard Oil heir Stanley Mortimer, Jr., and later to CBS founder William S. Paley.
The Soviet version was shaped by the side effects of central planning—material scarcity and interpersonal connections trading on systemic corruption—rather than by money. The goal of gaming the system was to acquire social prestige, and visible tokens or badges thereof, that showed that one's talent for the gameplay surpassed others' talent. The trade unions and creative unions had an important role in this system of klass by being the forum in which many of the interpersonal connections trading on corruption were operated, with enforced exclusion for people who did not play by the unwritten rules.. People who wished to contend in the widespread competitive social climbing between the strata needed their trade union membership as one of the leverage tools. For example, one needed to be seen attending good theatre performances, owning desirable foreign-built appliances, and eating good cuts of meat, but tickets for the good performances and the opportunities to buy the covetable goods were scarce, with distribution controlled by such social networks.
Saddened by Gwen's rejection and Bama's decline from alcoholism and diabetes, disgusted by Frank's hypocrisy and social climbing, and conflicted by his feelings for Ginnie, Dave nonetheless marries Ginnie and goes to work in a defense plant while continuing to work on his writing. As Dave tires of his work at the defense plant and Ginnie becomes more materialistic, their marriage goes downhill and Dave decides to leave town. As he walks through town at night during Parkman's Centennial Celebration, Ginnie's jealous, drunken ex-husband, who had followed her to Parkman, stalks and shoots Dave in the face, killing him (in the 1958 film version, Ginnie's ex is a Chicago hoodlum, and Dave is only wounded, while Ginnie is shot in the back and killed after throwing herself in front of Dave). Gwen and Bob finish the edits on Dave's manuscript (a "comic combat novel") and arrange for it to be published.
Other popular double acts in British sitcoms include complex relationships involving status and superiority themes: in Dad's Army, the social climbing envy of Captain George Mainwaring, to his right-hand man (Sergeant Arthur Wilson) who is of higher status than him; and in Red Dwarf, the working class everyman Dave Lister to the middle class but socially-awkward Arnold Rimmer. However, the most prominent double act is that of an intelligent person and his inferior sidekick, such as Basil and Manuel of Fawlty Towers, Blackadder and Baldrick of Blackadder, or Ted and Father Dougal of the Irish sitcom Father Ted. In recent years, double acts as sitcoms appear to have gone full circle, as illustrated by the cult success of The Mighty Boosh. For the relationship between the two main characters this series uses a formula very similar to that between Sid and Tony in Hancock's Half Hour – that of a pompous character whose best friend can see right through him and brings him back down to Earth.

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