How to use sleazily in a sentence? Find typical usage patterns (collocations)/phrases/context for "sleazily" and check conjugation/comparative form for "sleazily". Mastering all the usages of "sleazily" from sentence examples published by news publications.
The Late Late Show with James Corden delivered that very daytime drama, mixed with the sleazily sexy stylings of the USA's #1 Canadian.
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We're also bringing you an exclusive listen to the sleazily seductive "Touch Me", which is a gorgeously decadent slice of R&B re-edit perfection.
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"Perhaps from the success he has had sleazily diverting money other people had donated to charity into paying off his business obligations," the paper's editors said.
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The only thing that might be worse than having a debilitating condition for which there is no accepted cure is having a doctor sleazily mock you for having it.
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"Just before it got dark, they started to try and scare us by knocking on the windows and sleazily smiling at us, and it was so clear that they were just bored," she adds.
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It's already the number one song on Soundcloud; now make it the number one song in your heart, thanks to the video, the triumphantly silly visual aid that a song with lines like "I'm a dirty dog I did it sleazily" deserves.
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It was just one of many unsatisfying "revelations" in Rivera's breathlessly reported, shamelessly promoted Devil Worship: Exposing Satan's Underground, a sleazily overhyped fear-gumbo that attempted to bring together Charles Manson, Anton LaVey, heavy metal music, Rosemary's Baby, and a handful of rube-perpetrated murders, and weave them into ... well, something.
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The actor Allen Leech has played characters ranging from Marcus Vipsanius Agrippa (on " Rome ") to Freddie Mercury's sleazily mustachioed manager (in " Bohemian Rhapsody "), but he is best known for a role that's a bit more him : Tom Branson, of " Downton Abbey ," a scrappy young Irishman living among British aristocrats in an era of British-Irish angst.
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The majority of his review focused instead on the moral implications of the Stones performing sleazily, as he described, for an audience presumed to be mostly adolescent and preadolescent girls, leading him to condemn the band on "puritanical" grounds. "I can imagine how unpleasant a thing it would be to watch; hearing it is only slightly less so," he concluded. David Dalton, in his 1972 biography on the band, considers Got Live If You Want It! in a series of Stones albumsincluding December's Children (1965), Aftermath and Between the Buttonsto follow their American experiences and feature "an acceleration of R&B; and rock".
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