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Flaying of Marsyas is a 1531 painting by the Florentine artist Bronzino, depicting the flaying (skinning alive) of Marsyas by Apollo after the satyr rashly challenged the Greek god to a musical contest. It is held in the Hermitage Museum.
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The painting shows the killing by flaying or skinning alive of Marsyas, a satyr who rashly challenged the god Apollo to a musical contest. It is one of several canvases with mythological subjects from Ovid which Titian executed in his late years, mostly the poesie series for King Philip II of Spain, of which this painting seems not to have been part. The painting has been in Kroměříž in Moravia since 1673, and was rather forgotten about, being off the beaten track as far as Venetian painting is concerned.Hale, 717-718 It "did not enter critical literature until 1909".Robertson, 231 By the 1930s it was "widely accepted as an important late work" among scholars,Robertson, 231 but little known by a wider public.
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This ultimately resulted in the two becoming famed as heroic figures.Gadeleva (2000). p. 173-174. A prayer or norito originally recited by the priestly Nakatomi clan in the presence of the court during the Great Exorcism (大祓 Ōharae) ritual of the last day of the sixth month, more commonly known today as the Ōharae no Kotoba (大祓詞 'Words of the Great Exorcism'), lists eight "heavenly sins" (amatsu-tsumi), most of which are agricultural in nature: # Breaking down the ridges # Covering up the ditches # Releasing the irrigation sluices # Double planting # Setting up stakes # Skinning alive # Skinning backward # Defecation 1, 2, 6, 7 and 8 are committed by Susanoo in the Kojiki, while 3, 4, 5 are attributed to him in the Shoki. In ancient Japanese society, offenses related to agriculture were regarded as abhorrent as those that caused ritual impurity.Philippi (2015). pp. 403-404.
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