How to use skimpiness in a sentence? Find typical usage patterns (collocations)/phrases/context for "skimpiness" and check conjugation/comparative form for "skimpiness". Mastering all the usages of "skimpiness" from sentence examples published by news publications.
To a party with tiered admission rates based on skimpiness?
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Despite the skimpiness of Sheffield's proposal, it's possible to outline a reform agenda that could fix conservative journalism: 1.
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Mr. Ingram said that despite the skimpiness of the cuts, the designers often use hidden corsets and nude materials to practically bind the bride in.
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They didn't skimp on the video production, but skimpiness is the point because it features a lot of topless models with slogans and profanities painted on them.
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It lacked the dramatic display of, ahem, goodies that we saw with the night's other gowns, but I appreciated the subtle nod to the Grammys' standard skimpiness by way of tiny shoulder cutouts.
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What follows is one of the most ridiculous justifications for sexualized depictions to date—according to Metal Gear creator Hideo Kojima, it's because she can only breathe through her skin, and thus the skimpiness lets her freely soak in air and water through her curves.
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He returned with a collection of stage machinery, scenery, costumes, properties, dancers and actors, and the producers completely replaced Barras's scenic and costume designs, also cutting some of the script to add more dance and spectacle. The piece was mounted with unprecedented opulence, and the skimpiness of the costumes created controversy that only served to promote it.
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In a contemporary review, Richard Combs of The Monthly Film Bulletin described Blue Blood as a series of "cheap, coarsely-filmed charades" and criticised the film's direction: "... once Sinclair gets down to working out his theme (black-blooded butler usurps degenerate, blue-blooded employer), the skimpiness of his material and the shoddiness of this TV-sketch technique become painfully evident." He added that Reed's performance made the character Tom "one of the most physically repellent of screen villains".
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126 Paramount resubmitted the script to the Hays Office, but the response was identical to the one eight years earlier. Wilder, Paramount executive William Dozier and Sistrom decided to move forward anyway. They submitted a film treatment crafted by Wilder and his writing partner Charles Brackett, and this time the Hays Office approved the project with only a few objections: the portrayal of the disposal of the body, a proposed gas-chamber execution scene, and the skimpiness of the towel worn by the female lead in her first scene.Lally, p.
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