One stares listlessly at a wall and begins to sing loudly to herself.
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At the entrance of the Velodrome, excited English fans with blood stains and bandaged heads sing loudly.
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They sing loudly and melodically, have developed an elaborate language, and can swing from branch to branch at speeds of up to 35 mph.
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"We must not be afraid, and in tribute to all those affected here and around the world, we will bring our voices together and sing loudly," he continued.
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If I'm truly alone, I might sing loudly to myself in the mirror, or turn my music up and make strange, contorted shapes with my limbs, punching the air and twirling on the small space of carpet next to my bed.
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Trump's natural inclination when presented with information he doesn't like or doesn't want to hear is to bury his head in the sand like an ostrich, or, if you want another image, clap his hands over his ears and sing loudly.
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It is mostly seen close to the ground, hopping along branches or foraging in leaf-litter on the ground with a cocked tail. Males sing loudly from the top of trees or other high perches during the breeding season.
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Twelve-year-old Mitsuki Koyama dreams of becoming a singer to reunite with her first love, Eichi Sakurai. However, she is afflicted with sarcoma, which affects her ability to breathe well and sing loudly. Her tumor is curable only through a surgery that could damage her vocal cords. At the same time, her grandmother hates music and is completely opposed to Mitsuki's wish to audition.
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"Radio Ga Ga" came to inspire synchronized hand-clapping (this routine, originating from the song's video, was the invention of the video's director, David Mallet). This influenced Queen's appearance at Live Aid, where the 72,000-person crowd at Wembley Stadium would often sing loudly and clap their hands in unison. Queen's performance at Live Aid was later voted the greatest live show of all time by a large selection of musicians and critics .
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The Pardoner apologises for frightening Kit, who tells him to return after everyone is asleep. The Pardoner leaves, falsely assured that he will bed Kit (298–378). That night the Pardoner again notes how the Host serves The Knight and the prelates before the lower ranking members. After the meal, The Miller and The Cook continue drinking, and at the suggestion of the Pardoner, sing loudly, inciting reprimand from The Summoner, The Yeoman, The Manciple and The Reeve.
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Korea’s traditional society was a male-dominated society, and young women were not allowed to sing loudly or go out at night. But women were allowed to sing and dance by doing “ganggangsullae” at night and give vent to their frustration at Chuseok. Women could enjoy the atmosphere free from normal restrictions during the festival. In the 16th century, during the Japanese invasion of Korea, Admiral Yi Sun-sin ordered women to do this dance in military uniform to intimidate the Japanese.
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Referring to God as his God establishes that he has complete faith in God. Further on in the stanza, when it says "I will sing abroad what great thanks I owe thee" (Sidney, 2009, p. 84) the speaker informs that he would sing loudly to those around him about God's greatness and how he is thankful for all God does for him. The final stanza can be seen as the speaker making his re-connection with God as He is presented as being present in this stanza.
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The basic musical unit in Blackfoot music is the song, and musicians, people who sing and drum, are called singers or drummers with both words being equivalent and referring to both activities (p. 49). Women, though increasingly equal participants, are not called singers or drummers and it is considered somewhat inappropriate for women to sing loudly or alone. Páskani – "dance" or "ceremony" – often implicitly includes music and is often applied to ceremonies with little dancing and much singing. (Nettl, 1989) Blackfoot musical thought is also more enumerative than European influenced musical thought which tends to be more hierarchical.
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The garden was described as a wooded garden having four "flower-bordered avenues" lined with roses, which were collected by gardeners during Baháʼu'lláh's stay and piled in the center of his tent to be offered to visitors. "So great would be the heap," the chronicler Nabíl-i-Aʻzam relates, "that when His companions gathered to drink their morning tea in His presence, they would be unable to see each other across it." Nightingales were said to sing loudly in the garden, which, together with the fragrance of the roses, "created an atmosphere of beauty and enchantment".The love of the nightingale for the rose is a common theme in Persian literature, particularly in mystic poetry, where the nightingale's yearning is used as a metaphor for the soul's yearning for God.
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The strands of the narrative grow closer as Millat and KEVIN, Joshua and FATE, and Clara's mother Hortense and the Jehovah's Witnesses all plan to demonstrate their opposition to Marcus's FutureMouse—which they view as an evil interference with their own beliefs—at its exhibition on New Year's Eve 1992. At the Perret Institute, Hortense and the other Jehovah's Witnesses sing loudly in the hallway. Samad goes out to hush them, but when he arrives, doesn't have the heart to make them stop. When he returns, it suddenly strikes him that the founder of the Perret Institute and the oldest scientist on Marcus Chalfen's panel is Dr Perret, the Nazi he captured during World War II. Enraged that Archie did not kill him all those years ago, Samad runs over and begins cursing Archie.
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British physicist R. V. Jones recorded two early examples of prank calls in his memoir Most Secret War. The first was by Carl Bosch, a physicist and refugee from Nazi Germany, who in about 1933 persuaded a newspaper journalist that he could see his actions through the telephone (rather than, as was the case, from the window of his laboratory through the window of the journalist's flat). The second was by Jones himself who, in about the same year at Oxford University, pretending to be a telephone engineer, convinced a chemistry research student that there was a fault with his telephone. The student was persuaded to do such things as sing loudly into the telephone, and hold it by the flex while standing first on one leg then on the other.
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Achieving "money notes" poses a particular obstacle for classical musicians, as compared to pop musicians, because opera singers do not usually sing with a microphone. While both pop and classical musicians aim at producing well-sung notes with a good tone (with the respective stylistic norms appropriate to each idiom), the pop musician does not have to sing loudly at high sound- pressure levels to be heard, because the amplification of the PA system speakers does this for them. In an opera hall, though, a classical singer has to project their voice over the accompaniment of a symphony orchestra without a microphone or PA system. In trying to project the voice with at such high volumes, a classical singer may find it harder to maintain an attractive tone quality and correct intonation than a mic-wielding pop singer.
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