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57 Sentences With "simpletons"

How to use simpletons in a sentence? Find typical usage patterns (collocations)/phrases/context for "simpletons" and check conjugation/comparative form for "simpletons". Mastering all the usages of "simpletons" from sentence examples published by news publications.

"I speak to the simpletons," Long said with a laugh.
Life is pitiless and strange; only simpletons look for neat meanings.
Anti-speech Democrats and their establishment enablers assume Americans are mindless simpletons, bought off by the wealthiest candidates and most expensive ad buys.
Someone with similar hacking skills could probably recreate this cartridge themselves, but for simpletons like myself, Iannuzzi also sells pre-assembled versions on his site.
But they revealed the lengths to which they would go to define propriety and argue that black people were simpletons who needed to be controlled.
Nineteenth-century minstrel entertainers spawned a racist caricature that endures to this day when they darkened their faces to portray black people as grinning, dancing simpletons.
He acknowledged that "dissenters from the 'brain death' concept are typically dismissed condescendingly as simpletons, religious zealots or pro-life fanatics," and announced that he was joining their ranks.
Because George and Willie had developed permanent squints in an effort to protect their eyes and were shy by nature, they were treated as simpletons for much of their early lives.
But for the simpletons who just want a little clarity — and aren't afraid to roll up their sleeves two to three times a week — this might just be the next best thing.
This is immensely tricky—it requires the actors to avoid treating the couple as simpletons or saints—and yet the duo skillfully suggests the Lovings' inability to fully appreciate what's happening to them.
Most of the jokes are about how Australians are parochial, beer-guzzling, boot-loving simpletons, but the episode's big joke is the very idea of a diplomatic crisis between the United States and Australia.
I don't think Ed O'Keefe or the other producers of the CBS Evening News are simpletons who sincerely believe Donald Trump's political supporters are really outraged at the prospect of a breach of customary standards of conduct.
Soon voice-command technology reached the public, ushering in our current era of unreliable computer interlocutors given to unforced errors: half-comical, half-pitiful simpletons, whose fate in life is to be taunted by eleven-year-olds.
Foreign language textbooks, now as much as then, almost universally portray their characters as robotic simpletons whose lives never become more complicated than a trip to the dentist or a weekend getaway to an alpine village (a broken doorbell provided the most dramatic moment in one French textbook I recently picked up).
The villain is represented by a living oak tree who gambles and outplays simpletons. The second bad guy is a robber named Potanya.
Nicknames for people from rural, remote, etc. areas often bear a derogatory implication of unsophisticated, undereducated people, simpletons. ;Carcamano : (Brazil) An offensive nickname for non-Iberian, mostly Italian immigrants. derives from the venezian word 'Carcamanu'.
Back home, they discover that the furniture is completely changed and has become exactly like that of the modern houses of the hippies of the Seventies. The two simpletons, while regretting the past dear, also accept this deprivation.
Retrieved July 12, 2012. Many compared the film unfavorably with The Breakfast Club, and many even called it a rip-off. Entertainment Weekly wrote the film off as being "like The Breakfast Club recast as a video game for simpletons.""The Perfect Score Review".
Some of the band's influences included The Simpletons, Billy Bragg, The Housemartins, The Magnetic Fields, Belle & Sebastian, The Smiths, The Go-Betweens,The Go-Betweens (supported by Sophie Koh), 30 July 2005, The Age (Melbourne, Australia) Aztec Camera, Lloyd Cole, Orange Juice, and The Trash Can Sinatras.
The characters behave like simpletons, breaking up and getting back together again at the convenience of the plot. Director Joshua Brand . . . has the nerve to go for the sort of cheerful whimsy of Moonstruck, Sleepless in Seattle and While You Were Sleeping. But whimsy without wit is like an empty smile.
In addition to her vocal spread of ideas, she wrote a number of short stories including "Savages?"; "Mista Courifer"; "Kobina, A Little African Boy"; "Two West African Simpletons"; and "A Black and White Encounter, A Tale of Long Ago".Okonkwo, Rina. "Adelaide Casely Hayford Cultural Nationalist and Feminist", Phylon 42.1 (1981) : 41-51.
In some contextual uses, "simplicity" can imply beauty, purity, or clarity. In other cases, the term may have negative connotations, as when referring to people as simpletons. Simplicity is the greatest form of sophistication, to think simply is to understand the benefit of a simpler approach first. Like Sherlock Holmes "the simplest explanation is often the most plausible".
A weekly five-part miniseries published in June 2016. In this story, Bebop and Rocksteady get their hands on Renet's time scepter and, as the simpletons they are, wreak havoc to all creation as they use the artifact to hop all over time and space, forcing the Turtles and Renet to fix the damage before it becomes irreversible.
By 1583, when he is mentioned as one of the original members of the Queen's Men, he was already an experienced actor. He was an early yet extraordinary influence on Elizabethan clowns. His epitaph says: "he of clowns to learn still sought/ But now they learn of him they taught". Tarlton was the first to study natural fools and simpletons to add knowledge to his characters.
Of all the attempts to reconcile the relationship with the actress, but everything is useless. Then a friend advised him to take an alternate ending for the film and equally seductive emorivamente that will involve the entire audience during the first cinema. And in fact it is so in the audience and even the simpletons Hyacinth and his wife are satisfied, although tested for life from the violence of those visual content.
Depiction of persons was pigeonholed into the category of 'figurative' and 'representational' art for the less intelligent simpletons. Art museums, auction houses, art galleries and art schools all descended into a rut of vested interests. Rasa Renaissance rebels by bringing back into the purview of contemporary art the noble situations of human existence, the innate beauty of personalities and love amongst individuals. By the standards of the Rasa Theory of aesthetics, only Personalist Art can genuinely evoke rasas.
The film is divided into four episodes. In the first Giacinto and his wife decide to celebrate their wedding anniversary by watching a movie at the cinema. However, the period in which they live is dotted by the deployment of a large number of pornographic films and the two, being simpletons, run into a projection at red lights. In the second episode a boy to become a famous journalist and writer, must have a sexual relationship with his director and morbid.
Darren Hanlon has released five solo albums, four EPs, and nine singles on Candle Records and Flippin Yeah industries, as well as several compilation tracks. After the dissolving of Candle Records he has started his own pseudo-label called Flippin Yeah Records in 2008. He self-published his first 'zine in late 2017. Before becoming a solo artist in 1999, he was a member of the Simpletons, and contributed backing guitar and keyboards for the Lucksmiths, the Dearhunters, and Mick Thomas.
Hrabal wrote in an expressive, highly visual style. He affected the use of long sentences; his works Dancing Lessons for the Advanced in Age (1964) and Vita Nuova (1987) consist entirely of one single sentence. Political quandaries and the accompanying moral ambiguities are recurrent themes in his works. Many of Hrabal's characters are portrayed as "wise fools" — simpletons with occasional inadvertently profound thoughts — who are also given to coarse humour, lewdness, and a determination to survive and enjoy life despite harsh circumstances they found themselves in.
She therefore managed to stay within the boundaries of feminine roles without too much transgression. Gibson depicted her as an equal and sometimes teasing companion to men.American Beauties She was also sexually dominant, for example, literally examining comical little men under a magnifying glass, or, in a breezy manner, crushing them under her feet. Next to the beauty of a Gibson Girl, men often appeared as simpletons or bumblers; and even men with handsome physiques or great wealth alone could not provide satisfaction to her.
"(Of) The Awefull Battle of the Pekes and the Pollicles" was first published on 5 October 1939 in T. S. Eliot's Old Possum's Book of Practical Cats. Dogs are treated as "gullible simpletons" in the book and this particular poem revolves around a public commotion caused by warring dogs. Eliot specifically mentions "Pollicle Dogs" to be Yorkshire Terriers in the poem as a reference to his first wife's dog Polly. The word "Pollicle Dog" is derived from a corruption of the phrase "poor little dog".
A Parisian lawyer, Marc Lescarbot, who spent just over a year in Acadia, arriving in May 1606, described the Micmac as having "courage, fidelity, generosity, and humanity, and their hospitality is so innate and praiseworthy that they receive among them every man who is not an enemy. They are not simpletons. ... So that if we commonly call them Savages, the word is abusive and unmerited." Most of the immigrants to Acadia were poor peasants in France, making them social equals in this new context.
Yet the people he tried to help would be ungrateful, turning on him, and attacking him. Loopy is a character suffering persecution because of his looks and the bad reputation of his entire species, not because of his deeds or his personality. Lehman connects Loopy's fate to the then- contemporary struggles of African Americans to integrate into the wider society of the United States, while facing racial stereotypes which were socially ingrained. Black people were variously stereotyped at the time as humble servants, oversexed brutes, and childlike simpletons.
" "Gleason portrays a Parisian ragamuffin who, though trapped in a world of silence and poverty, finds great joy in just being alive." The unsigned piece observes that "Because he cannot speak, people think Gigot is a fool and constantly make cruel fun of him. But like all legendary simpletons, Gigot has a heart of 36-carat gold and when he outsmarts the smart alecks, many customers in a good many lands are going to have their happiest cry since Little Red Ridinghood....""Movies to melt the heart and thwack the funnybone: Genial Fables from Afar.
After 20th century civilization was destroyed by a global nuclear war, known as the "Flame Deluge", there was a violent backlash against the culture of advanced knowledge and technology that had led to the development of nuclear weapons. During this backlash, called the "Simplification", anyone of learning, and eventually anyone who could even read, was likely to be killed by rampaging mobs, who proudly took on the name of "Simpletons". Illiteracy became almost universal, and books were destroyed en masse. Isaac Edward Leibowitz had been a Jewish electrical engineer working for the United States military.
The first child was a man-woman combined, while the other nine were sexless men. Father and sons became the Koyemshi, attendants and interpreters of the kachinas, in the words of Cushing, "they behaved one moment as simpletons speaking idocies and yet uttering wise words and prophecies from the ancients the next." In the meantime, not wanting to wait for Ka'wimosa's return, the Zuni divided into three groups and continued their search for itiwana, led by the Beloved Twins. The Bear and Crane clans came upon a broad river which they attempted to cross.
In the early 18th century, Jean-Philippe Rameau composed a famous harpsichord piece, Les Niais de Sologne, whose name translates as "the simpletons of Sologne". The form is a rondo with two episodes that are variations on the main section. Despite the title (which may allude to the meandering melody throughout), its use of ornamentation denotes a work of great subtlety and sophistication. The book Le Grand Meaulnes by Alain-Fournier is set in the region of Sologne and mentions several places, such as Bourges, Vierzon and the Cher.
In pre-revolutionary France, women had no part in affairs outside the house. Before the revolution and the advent of feminism in France, women's roles in society consisted of providing heirs for their husbands and tending to household duties. Even in the upper classes, women were dismissed as simpletons, unable to understand or give a meaningful contribution to the philosophical or political conversations of the day. However, with the emergence of ideas such as liberté, égalité, and fraternité, the women of France joined their voices to the chaos of the early revolution.
The picture of the > crusades that Runciman painted owed much to current scholarship yet much > more to Sir Walter Scott. Throughout his history Runciman portrayed the > crusaders as simpletons or barbarians seeking salvation through the > destruction of the sophisticated cultures of the east. In his famous > "summing-up" of the crusades he concluded that "the Holy War in itself was > nothing more than a long act of intolerance in the name of God, which is a > sin against the Holy Ghost. Mark K. Vaughn (2007) says "Runciman's three-volume History of the Crusades remains the primary standard of comparison.
Portrait of Max Nordau Max Nordau, cofounder of the Zionist Organization, was uncertain about Friedrich Nietzsche's philosophy. Nietzsche received his first detailed critique from Nordau himself, although most of the arguments were against Nietzsche's character and not so much against his ideology. His critique against Friedrich Nietzsche focused much on the philosopher's mental health, since Nietzsche suffered from syphilis. Nietzsche's followers were also critiqued by Nordau. He believed that they were “imbecile criminals” and a group of “simpletons.” Lastly, Nordau found it unfortunate that the “manic” German philosopher was even considered a philosopher in the first place.
For much of the novel Nat sighs over the slim, virginal blonde like a love-struck adolescent, while showing little or no interest in women of his own race. Issues of class divided readers as well. While the white slaveowners in the novel, especially the wealthy ones, are represented as generous, courteous, and basically decent, poor whites are held up to ridicule as simpletons and deviants. Turner and his supporters (particularly the scene-stealing, scenery-chewing madman Will, who many readers saw as a thinly disguised version of black rock and roll pioneer Little Richard) are caricatured as disturbed, monstrous figures.
75 > Cleomenes in his work on Pedagogues says that Diogenes' friends wanted to > ransom him, for which he called them simpletons, for, he said, lions are not > the slaves of those who feed them, but rather those who feed them are at the > mercy of the lions, Fear, he added, is the mark of the slave, whereas wild > beasts make human beings afraid of them. The importance of this anecdote is that it is an early reference to the story of Diogenes being captured by pirates and being sold into slavery, lending credence to the idea that the story may well be true.
Upon its release, Village Voice critic Robert Christgau called the record "the Iron Butterfly of überrock—Mike Oldfield for unmitigated simpletons, sort of, and yet in my mitigated way I don't entirely disapprove." AllMusic later described it as a “pioneering album” in which “the roots of electro-funk, ambient, and synth pop are all evident.” The album was included in the book 1001 Albums You Must Hear Before You Die. The NME in a dismissive review said of it that they were ’’dimly fumbling for approachability’’ and ‘’Pinky and Perky noises abound and there’s probably just about enough material in this 40 minutes to suffice for the Pepper’s next chart-shot.
A. O. Scott, of The New York Times, complained about the film's "retrograde gender politics; its delight in the humiliation of children; its sentimental hypocrisy about male behavior; its quasi-zoological depiction of Africans as servile, dancing, drum-playing simpletons" and concluded "Parents strongly cautioned. It will make your children stupid." Andrew Barker of Variety criticized the film for not trusting its audience "following every unexpectedly smart exchange with a numbskull pratfall or one-liner, and every instance of genuine sincerity with an avalanche of schmaltz." Sheri Linden of The Hollywood Reporter called the film a wholesome family drama, and compared it to Yours, Mine and Ours.
Although The Passing of the Peregrinus is clearly satirical, several modern historians have criticized it for inaccuracies concerning the details of Peregrinus's life. In addition to the bias in his account, some critics argue that Lucian misses several key historical facts about the church that Peregrinus interacted with as well as major events that may have shaped his life. Stephen Benko criticizes Lucian's negative portrayal of Peregrinus as being the result of his own narrow opinion that belief in the supernatural was ridiculous. Disputing Lucian's presentation of Christians as easily fooled simpletons, Benko notes that the Didache warns congregations about travelers who stayed more than two or three days without working.
Around 1887, Hardy began making notes for a story about a working- man's frustrated attempts to attend the university, perhaps inspired in part by the scholastic failure and suicide of his friend Horace Moule. From December 1894 to November 1895, a bowdlerised version of the novel ran in instalments in Harper's New Monthly Magazine, originally under the title The Simpletons, then Hearts Insurgent. In 1895, the book was published in London under its present title, Jude the Obscure (dated 1896). In his Preface to the first edition, Hardy provides details of the conception and writing history of the novel, claiming that certain details were inspired by the death of a woman (most likely his cousin, Tryphena Sparks) in 1890.
As the result of being brought into contact with a common warthog and a black rhinoceros that Shredder had abducted from the zoo, Bebop mutated into a humanoid mutant warthog while Rocksteady mutated into a humanoid mutant black rhinoceros. Although the transformation did make them larger and stronger, they remained bungling, incompetent simpletons and were completely inept at stopping the Turtles or carrying out Shredder's plans. Throughout most of the series, they tried to attack the Turtles with brute force, without applying knowledge and strategy. In the episode "The Missing Map," when the two were accidentally caught in Krang's "brain extraction" machine, the results concluded there was "no data to extract," implying that the two possessed little or no knowledge.
The simpletons greengrocers Remo and Augusta are convinced by their three sons to embark on a tour that includes visits to Italy in museums, churches, theaters and places of modern art. The two don't want this, but they're so proud of the professional skills of their children who decide to deal with this sacrifice. So Augusta and Remo set out on an Etruscan town in Tuscany and then to many other destinations to Venice, not understanding anything about modern art or futurists concerts. Remo and Augusta however are increasingly convinced that the children have decided this trip for their own good, and so they continue until the two get fed up and decide to go back to their old life.
" Rolling Stone film critic Peter Travers praised the film, giving it three out of four stars and writing in his print review that the film "works enough miracles of 3-D animation to charm your socks off." Roger Moore of The Orlando Sentinel, who gave the film 2 stars out of 4, wrote a mixed review describing the film as a "more coming-of-age dramedy or 'everything about your world view is wrong' message movie than it is a comedy, and that seems like a waste of a funny book, some very funny actors and some darned witty animation." Kyle Smith of the New York Post gave the film 2/4 stars labeling the film as, "Avatar for simpletons.
In 1751 he was rewarded with the rank of cornet in a prestigious court regiment. In late 1752 and early 1753, he was involved with the negotiations between Charles Emmanuel and Archbishop Herring regarding the possible translation of the relics of St Anselm from Canterbury Cathedral to Aosta in Sardinia (now Italy). The archbishop was not adverse to the idea and Perron's investigation was of the opinion that Anselm's remains were probably intact and misidentified as Theobald's, but the matter was uncertain and seems to have been dropped. The archbishop's original plan to foist "any other old Bishop with the Name of Anselm" "on the Simpletons" was foiled by the ambassador's insistence that he personally witness any excavation to procure the remains.
Eusebius, Praeparatio Evangelica, book v. 22. In the extracts available to us, Oenomaus attacks the various legendary accounts of the oracles (especially the Oracle at Delphi), launching a facetious attack on the supposed god (Apollo) behind the oracular pronouncements: > In so great a danger all were looking to you, and you were both their > informant of the future, and their adviser as to present action. And while > they believed you trustworthy, you were sure that they were fools; and that > the present opportunity was convenient for drawing on the simpletons, and > driving them headlong, not only to the schools of sophistry at Delphi and > Dodona, but also to the seats of divination by barley and by wheat-flour, > and to the ventriloquists.Eusebius, Praeparatio Evangelica, book v. 25.
Robertson claims Switzerland produced its first talkie in 1930, but it has not been possible to independently confirm this. The first talkies from Finland, Hungary, Norway, Portugal, and Turkey appeared in 1931, the first talkies from Ireland (English-language) and Spain and the first in Slovak in 1932, the first Dutch talkie in 1933, and the first Bulgarian talkie in 1934. In the Americas, the first Canadian talkie came out in 1929—North of '49 was a remake of the previous year's silent His Destiny. The first Brazilian talkie, Acabaram-se os otários (The End of the Simpletons), also appeared in 1929. That year, as well, the first Yiddish talkies were produced in New York: East Side Sadie (originally a silent), followed by Ad Mosay (The Eternal Prayer) (Crafton [1997], p. 414).
Blixen also describes in some detail the lives of the Somali Muslims who emigrated south from Somaliland to work in Kenya, and a few members of the substantial Indian merchant minority which played a large role in the colony's early development. Her descriptions of Africans and their behaviour or customs sometimes employ some of the racial language of her time, deemed now to be abrasive, but her portraits are frank and accepting, and are generally free of perceptions of Africans as savages or simpletons. She transmits a sense of logic and dignity of ancient tribal customs. Some of those customs, such as the valuation of daughters based on the dowry they will bring at marriage, are perceived as ugly to Western eyes; Blixen's voice in describing these traditions is largely free of judgment.
But, he asks, "Has Dawkins never read any philosophy?... Does he really think that Descartes, Leibniz, Spinoza, Kant and Hegel were all unthinking simpletons?" "Looking around my philosopher colleagues in Britain, virtually all of whom I know at least from their published work, I would say that very few of them are materialists... the point is that religious views are underpinned by highly sophisticated philosophical arguments". He discusses the defensibility of worldviews and suggests some criteria that make a worldview reasonable: # Clarity and precision in stating the beliefs, ideally arranged in order of logical dependence so that one can tell which are the truly basic beliefs # Comparison with other worldviews # Testing the adequacy of the worldview to the widest range of data, whether they are experiences or other beliefs Ward asserts that it is rational, and not harmful, to believe in life after death.
Argentine humour is exemplified by a number of humorous television programmes, film productions, comic strips and other types of media. Everyday humour includes jokes related to recurrent themes, such as xenophobic jokes at the expense of Galicians (Spaniards) called chistes de gallegos (where they are commonly portrayed as simpletons), often obscene sex-related jokes (chistes verdes, literally "green jokes", a term equivalent to the English-language "blue humour"), jokes about the English, the Americans, blonde women, dark humour (called humor negro), word and pronunciation games, jokes about Argentines themselves, etc. In early 2018, a report carried out by the consultant D'Alessio IROL that inquired about the humor of Argentines concluded that jokes about physical "defects", gender identity, sexual orientation, and those that objectify women were no longer considered funny. The advancement of the feminist movement, in particular Ni una menos, and the rights acquired by the LGBT community have been crucial to this process.
His remains were translated to Canterbury Cathedral and laid at the head of Lanfranc at his initial resting place to the south of the Altar of the Holy Trinity (now St Thomas's Chapel). During the church's reconstruction after the disastrous fire of the 1170s, his remains were relocated, although it is now uncertain where. On 23 December 1752, Archbishop Herring was contacted by Count Perron, the Sardinian ambassador, on behalf of King Charles Emmanuel, who requested permission to translate Anselm's relics to Italy. (Charles had been duke of Aosta during his minority.) Herring ordered his dean to look into the matter, saying that while "the parting with the rotten Remains of a Rebel to his King, a Slave to the Popedom, and an Enemy to the married Clergy (all this Anselm was)" would be no great matter, he likewise "should make no Conscience of palming on the Simpletons any other old Bishop with the Name of Anselm".
A public relations campaign by the state of Baden-Württemberg, translated "We can do everything—except speak Standard German." (see article text) As the national cultural consensus surrounding German unification was built during the 18th and 19th century, Germany was politically dominated by the northern Kingdom of Prussia, and Weimar Classicism in the Duchy of Saxe-Weimar became the expression of German national high culture (Christoph Martin Wieland and Friedrich Schiller, while born and raised in Swabia, moved to Weimar and became two of the "four luminaries" (Viergestirn) of Weimar Classicism). As a consequence, southern Germany and by extension both the Swabians and the Bavarians came to be seen as marked deviations from generic Standard German, and a number of clichés or stereotypes developed. These portrayed the Swabians as stingy, overly serious or prudish petty bourgeois simpletons, as reflected in "The Seven Swabians" (Die sieben Schwaben), one of the Kinder- und Hausmärchen published by the Brothers Grimm.

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