124 Sentences With "silver thread" | Random Sentence Generator

Tiny rosaries and crucifixes are stitched with gold and silver thread and beads.

Rometty has said that Watson is a "silver thread that runs through a lot of things" at the company.

Look for labels like Ravines, Hermann J. Wiemer, Anthony Road, Forge Cellars, Red Newt, Heart & Hands, Silver Thread and Bloomer Creek.

The firm itself says that AI is now woven like a "silver thread through all its products", in the words of Mr Schroeter.

All 12, made with silk, wool and gold and silver thread, have been painstakingly restored by Vatican Museum conservationists in the last 10 years.

You know, where we've got exclusive partnership on how we put the silver thread for anti-stink in our metal vents or Swift fleece products.

Indeed, many of the paintings depict clothing embroidered with gold and silver thread, encrusted with jewels and pearls, and made with the finest imported cloth.

Another striking aspect is the high percentage of gold and silver thread; the surface of the tapestries glitters with the subtle movement of the cloth.

The tapestries — made out of silk, wool, and gold and silver thread — have been restored over the past decade by conservationists at the Vatican Museum.

I know, I know, a disturbingly large percentage of the electorate, but still: This is just a string of lies stitched together with a silver thread.

Amid the tunics, scarves and batik blankets, you can find 100-year-old saris made with silver thread, wooden cowbells, old kerosene lamps and vintage radios.

The tapestries are made out of silk, wool, and gold and silver thread, which have been restored over the past decade by conservationists at the Vatican Museum.

So Watson is firmly, firmly established as the silver thread that runs through those cognitive solutions, and you can see all of that in the 'Cognitive Solutions' performance.

Here Handel's stately rhythms are woven into silk, wool and gold-coated silver thread, but customers can also commission fabric inspired by a favorite song or a melody.

YouTuber Liza Koshy looked like the superstar she truly is when she was dressed in silver thread and silky hair extensions by Vogue for the 2019 Met Gala.

" Adir Abergel, who sewed the piece through her braided part with needle and silver thread, reposted her caption to his own Instagram Stories with a laughing emoji saying, "Sorry boo.

Trusted royal couturier Sir Norman Hartnell worked closely with Elizabeth to create a gown in the finest white duchess satin, richly embroidered with national and Commonwealth floral emblems in gold and silver thread.

Watson was launched into the national spotlight when it first appeared on "Jeopardy" five years ago, and since then, Rometty says Watson has become the "silver thread" tied into much of IBM's success.

One conservator was using small cosmetic sponges, the kind found in any drugstore, to ever-so-gently remove the tarnish on the silver-thread embroidery decorating a short, flared flamingo-pink silk evening jacket owned by Queen Victoria.

On the front panel of the gown's skirt, more comets streaked across a night sky of indigo silk satin, and clouds hid a crescent moon as rays of white and gold light spread from it, embroidered in silver thread.

The crests of the Medici pope figure prominently in what remains of the border tapestries, and a multitude of other stories is told in gold and silver thread at the bases, as if in relief, while along the vertical sides figures represent the hours and seasons.

And in 1965, when she became the first British head of state to visit Germany after World War II, she wore a turquoise organza silk gown by the tailor Hardy Amies, who used silver thread and beading for embroidery across the bodice inspired by the Rococo interiors of the Schloss Brühl palaces.

Naturally, Cortés didn't buy Huanitzin a pair of shoes stitched with silver thread like his—not only were they monstrously expensive, walking in them was like squeezing one's toes into a pair of flatirons—but he did buy him good high-heeled boots with tin buckles, and along with them a pair of stockings, a few white shirts, and a pair of black breeches intended for some nobleman's son that fit the featherworker like a dream.

Steamed Silver Thread Buns Yin si juan (; literally "silver thread roll") is a traditional dish of Beijing cuisine. It originated in the Shandong Province.

The estate is featured on one of the Silver Thread Tapestries.

Lampas is typically woven in silk, and often has gold and silver thread enrichment.

Mark Abrams, 'The Gold and Silver Thread Monopolies of James I', unpublished PhD dissertation, London School of Economics, 1929.

London and commissioned them to make the finest white silk with silver-thread by Albert Parchment in time for the July wedding.

The statue of the Virgin usually is of a mannequin, with only the hands and the head carved. The body and arms are covered with luxurious dresses embroidered with gold and silver thread as well as colored silks. Around the head is placed a veil and usually carry a crown or halo. In the back is placed long capes embroidered in gold and silver thread and taking forms that are generally inspired by vegetable motifs, in Malaga these capes can reach up to 8 meters in length.

Thin Silver Thread (ru. "Тонкая серебристая нить") is a 2015 collection of 33 stories by Polina Zherebtsova. It portrays the lives of civilians in Grozny during the Chechen wars. The collection was created between 2005 and 2015.

The folk outfits of the region are colorful. The most common men's outfit for Muslims and orthodox was the kilt known as fustanella, embroidered with silver thread, the doublet, short shirt with wide sleeves, the fez, the leather clogs with red topknots and white knee socks. Other parts of the outfit were the silver chest ornamental and the holster embroidered with silver thread used to carry a gun or a pistol.Jonuzi, Afërdita "Ethnographic phenomenon of the Chameria region", chapter on the book "The cham issue and the European Integration", , p.

In 1571, the city had twelve wards within the walls and others outside. Its chief industries were the manufacture of silk, gold and silver thread, and lac. It yielded a yearly revenue of £155,000 (Rs. 15,50,000) as of 1860.

It is a technique to fix a thick thread or a band with an area that is not stitched on the eye with a thin thread such as a cord, a thick thread, a gold thread, or a silver thread on a cloth.

Persian silk brocade with gold and silver thread (golabetoon), woven in 1963. The pattern is still commonly seen in Britain and other English- speaking countries on men's ties, waistcoats, and scarfs, and remains popular in other items of clothing and textiles in Iran and South and Central Asian countries.

He wrote to Mary of Guise from Edinburgh in July 1552, sending three pounds weight of crimson silk, gold and silver thread, and 24 ells of golden gauze. He had ordered more gold and silver gauze to be made in Paris.Marguerite Wood, Balcarres Papers, vol. 2 (Edinburgh, 1925), pp.

In 2011, during road construction on Highway 9, an elaborately decorated Viking sword was excavated. The sword is decorated with gold-leaf and silver thread. The weapon appears to feature both ancient runic symbols as well as Latin characters and Christian symbols. Archaeologists have yet to decipher the meaning of the mixed characters.

The third section conserves the most precious liturgical vestments owned by Dominican friars, an awesome collection of copes and chasubles in multicolour silks, silver and gold linens, '700 century altar frontals, mother-of-pearl ornaments, reliquary, monstrances and candelabra. The most precious pieces of the collection are: the fantastic brocaded lampas cope by French manufacturers from 18th century, embroidered with silver thread and gold finishing; the peach tunic (end of 18th century), coming from the silk factories in San Leucio; a wonderful altar frontal (18th century) in brocade fabric embroidered with silver thread and multicolour silks on ivory satin, representing the Virgin Mary and Saint Dominic and "The Mysteries of the Rosary"; the reliquary finger of St Biagio, thaumaturge (wonderworker) of throat diseases.

He drew the cover design for Terry McCann's 1975 album Stand Back It's Rent-a-Crowd. He designed the 'Beat Girl' icon for Birmingham band The Beat. and painted a mural of the band, which was used as cover art for the band's second album Wha'ppen?. In 2016, he designed the Walsall Silver Thread Tapestries.

These accents are called buttis or bhuttis (spellings vary). For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work. Vaddanam or Kamarband is type of sari belt used to keep complex drapes in place. Sometimes the saris were further decorated, after weaving, with various sorts of embroidery.

In 2010 Ole Yde won both the Silver Thread "Sølvtråden" awarded by Danish Magazine Alt for DamerneAlt for damerne."Modtager af ALT for damernes Sølvtråd: Ole Yde", Copenhagen, 23 August 2010 for new talent of the year and the GINEN award for designer of the year. Ole Yde wins designer of the year at ELLE Style Awards 2016.

The Coronation Sword as part of the Czech Crown Jewels The iron blade length is 76 cm, at the widest point is 45 mm and has a ripped hole in a cross shape (45 x 20 mm). The wooden handle is covered with yellow-brown fabric and velvet embroidered with the ornament of laurel twigs with thick silver thread.

The gold thread embroidery of "gulabatin" type is widely spread throughout Azerbaijan. Shamakhi, Shusha, and Baku have traditionally been centers for this kind of art. Red and green velvet used to be the base for the gold and silver thread embroidery. Hats and so-called "arakhchins" were ornamented with rosettes and medallions made from stylized petals and stars.

Ed Schieffelin monument Tombstone boomed, but founder Ed Schieffelin was more interested in prospecting than owning a mine. Ed was one-third partners with his brother Al Schieffelin and Richard Gird. There were several hundred mining claims near Tombstone, although the most productive were immediately south of town. These included the Goodenough, Toughnut, Contention, Grand Central, Lucky Cuss, Emerald, and Silver Thread.

South Fork is surrounded by the Rio Grande National Forest and other public lands and has easy access to Wolf Creek Ski Area. Developed as a logging center it has become a gem of the Valley with a booming housing market, world-class 18-hole golf course, and the distinction of being the "Gateway to the Silver Thread" scenic byway.

Galloon trim on the cuffs and chest of a c. 1908 Russian court uniform. Galloon is a decorative woven trim sometimes in the form of a braid and commonly made of metallic gold or silver thread, lace, or embroidery. Galloon is used in the trim of military and police uniforms, ecclesiastical dress, and as trim on textiles, drapery, and upholstery.

Large Sakkos of Photius, ca. 1417 The Large Sakkos of Photius is a satin tunic embroidered with gold and silver thread and decorated with silk and pearl ornament, approximately 4 ft 5 in long. It is held in the Kremlin Armoury in Moscow, Russia. It is a luxury item created in the late Byzantine era for Photius, Metropolitan of Moscow around 1417.

It should have fifty beads, corresponding to the characters of Sanskrit alphabet. The beads should be worn in a circle, the "face" of the bead should touch the face of another and bases of the beads should be aligned. The internal thread of gold represents the Supreme Brahman. The silver thread of the right and copper thread on the left symbolize the gods Shiva and Vishnu respectively.

Qiantang River Tidal Bore is an important scenic spot of Qiantang River. Generally, around August 15th, Lunar Calendar is the best time to observe the tides. At that time, the largest Qiantang river tidal bore can be several meters. Before the arrival of the sea tide, a tiny white dot appeared in the distance, which turned into a silver thread in a blink of an eye.

Early bobbin lace in gold and silver thread, c. 1570. Metal lace describes a type of lace made from metal or metallic threads, such as gold, silver, or copper. The designs can be worked on a textile ground, or the lace can completely be made from metallic threads. It is mainly used as an embellishment for military uniforms, fashionable, ceremonial and theatrical dress, and ecclesiastical textiles.

I saw my role in the party as that of an interpreter of the party's real median policy at any stage." De Klerk stated that "The silver thread throughout my career was my advocacy of National Party policy in all its various formulations. I refrained from adjusting that policy or adapting it to my own liking or convictions. I analysed it as it was formulated, to the letter.

The tapestry dates from about 1450. It measures 461 cm by 1053 cm (about 15 feet by 35 feet) and was probably woven in either Tournai or Brussels, two important centres of tapestry manufacture and both associated with van der Weyden. It is a wall tapestry, woven in wool, silk, and gold and silver thread. It was commissioned by George of Saluzzo on his appointment as Bishop of Lausanne in 1440.

In the oak chest, of which only parts visible, was buried a young aristocrat woman. Judging from the preserved parts, she had a gilded robes on which was identified the ornaments of two- headed eagles, at the time of the excavation. On the ribbon of made of silver thread, thrown over her head, there were luxurious earrings. In her tomb was found the crop, one-third of the small silver coin.

Resham work is embroidery done with coloured silk thread. Zardozi embroidery uses gold and silver thread, and sometimes pearls and precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls and Swarovski crystals. In modern times, saris are increasingly woven on mechanical looms and made of artificial fibres, such as polyester, nylon, or rayon, which do not require starching or ironing.

The two most common objects that Santa Muerte holds in her hands are a globe and a scythe. The scythe can symbolize the cutting of negative energies or influences. As a harvesting tool, a scythe may also symbolize hope and prosperity. Her scythe reflects her origins as the Grim Reaper ("la Parca" of medieval Spain), and can represent the moment of death, when it is said to cut a silver thread.

Elizabeth's wedding dress was made from deep ivory chiffon moire, embroidered with pearls and a silver thread. It was intended to match the traditional Flanders lace provided for the train by Queen Mary. Elizabeth's dress, which was in the fashion of the early 1920s, was designed by Madame Handley-Seymour, dressmaker to Queen Mary. Its design was reportedly based on a dress created by Jeanne Lanvin and was "suggestive of a medieval Italian gown".

The wooden handle is covered with yellow-brown fabric and velvet embroidered with the ornament of laurel twigs with thick silver thread. After coronation ceremonies, the sword was used for the purpose of granting knighthoods. The oldest leather case for the crown was made for Charles IV in 1347. On top are inscribed four symbols: the Imperial eagle, Bohemian lion, the coat of arms of Arnošt of Pardubice and emblem of the Archbishopric of Prague.

A banner with his family's coat of arms is also on exhibit. In the building, a kitchen, a pantry, an oriental toilet and a water well can be seen. In the first floor, porcelain and ceramic items from Hungary, a wallet made of silver thread belonging to Rákóczi's mother are on display. Watercolors by the Hungarian painter Aladár Edivi Illés (1870–1958) showing old Tekirdağ landscape hang on the walls at this floor.

The mask and figure were later used for several statues of Peter, including the Monument to Peter I (Peter and Paul Fortress) by Mihail Chemiakin. The figure is clothed in Peter's belongings: a coat, jacket, pants and belt with shoulder strap made from a blue silk cloth and embroidered with silver thread. The blue ribbon of the Order of St. Andrew crosses the chest. The costume has dilapidated over two centuries and was restored in the 1960s.

Shirts were in the shape of tunics, richly decorated with silver thread and cords was worn over the shirt. In some areas it was replaced by an upper sleeveless dress of red or blue cloth, knee- long, richly decorated and buttoned in front (zubun). Scarves and caps bordered with cords were worn as headdress. Girls also wore collars, or a string of gold coins around their throats, earrings, bracelets, and their caps were decorated with metal coins or flowers.

While Katherine worked in the royal wardrobe she bought cambric cloth, Holland cloth, and other materials for making the King's shirts, which she and her colleague Janet Douglas, the King's seamstress, embroidered with gold and silver thread. She sold cloth to the King's tailor, Thomas Arthur, and kept accounts of the King's purse. Janet Douglas, like Katherine, married a prominent courtier, David Lindsay of the Mount a diplomat and poet.Accounts of the Lord High Treasurer of Scotland, vol.

Both book dedications declare that the written content is the work of Elizabeth. Although no written record definitively affirms the tradition that Elizabeth also worked these embroideries, experts affirm that both covers are the handiwork of the same craftswoman. They use similar heavy grades of silk and silver thread, with thematically similar motifs and similar stitching. Elizabeth is known to have made and embroidered a shirt for her brother Edward when she was six years old.

Silver Thread 2008: Publ. by Lake City Silver World Publishing. Online: In November 1876, work on the Hotchkiss mine came to an abrupt halt when Enos T. Hotchkiss was severely injured while entering the mine and fell 30 feet down a shaft. After lying idle for many months, the mine was sold at sheriff’s sale to Chris Johnson, George E. Wilson (born 1839 in Pennsylvania, first mayor in Sterling, Colorado, died December 21, 1886) and Samuel Wendell.

There, she began to be called La Reine des Abeilles, or Queen of the Bees. In 1703, to amuse herself, Louise Bénédicte created her own personal chivalric order, the Order of the Honey Bee. She gave the order to thirty-nine people. Each member had a robe embroidered with silver thread, a wig in the shape of a beehive and a medal embossed with a profile of Louise Bénédicte and engraved with the letters L. BAR.

The Sultan of Perak is one of the oldest hereditary seats among the Malay states. National Museum This white headgear embroidered with silver thread, named "Rooster with Broken Wings", is the headdress of the Sultan of Perak. Perak royal regalia When the Sultanate of Malacca empire fell to Portugal in 1511, Sultan Mahmud Syah I retreated to Kampar, Sumatra, and died there in 1528. He left behind two princes named Sultan Alauddin Riayat Shah II and Sultan Muzaffar Syah.

The Changzhou dialect is a member of the Wu Chinese language family. Other famous handicrafts of Changzhou are silk embroidery in a "crisscross" style and carvings made from green bamboo. Noted snacks made in Changzhou include pickled radish, sesame candy, sweet glutinous rice flour dumpling with fermented glutinous rice, and silver thread noodles (also known as dragon's beard noodles). Since 2004, Changzhou has successfully hosted China (Changzhou) International Cartoon and Digital Art Festival (CICDAF) for three times successively.

Other parts of this outfit were: the silk shirt weaved in their home looms and the vest embroidered with gold or silver thread, which sometimes was completed with a velvet waistcoat on it. During 1880–1890 the town women mostly wore long skirts or dresses. They were dark red or violet and embroidered with gold thread. Other parts of this outfit were the sleeveless waistcoats, silk shirts with wide sleeves embroidered with such a rare finesse.

From 1955 to 1968 Militia personnel were permitted to wear service insignia on the right jacket sleeve.Service StripesGrimshaw, Lou. Military Collector's Club of Canada Journal (Spring 1997 issue) There were one to five silver chevrons on drab backing for every two years of service or a maple leaf in silver thread on a drab cloth circle to represent 10 years of service. Chevron points were worn either up or down; even official documents and photos were confused on the matter.

Phelips kept a diary of his movements for a few days and wrote an essay on the negotiation.HMC 1st Report: Montacute (London, 1874), pp. 59-60. In 1621 Phelips elected MP for Bath, and at once took a prominent part in its proceedings. On 5 February he accused the Catholics of rejoicing at Frederick's defeat in Bohemia, and meditating a second "gunpowder plot." On his motion of 3 March 1621, the house turned its attention to the patent for gold and silver thread.

Lady Curzon's peacock dress was a gown made of gold and silver thread designed by Jean-Philippe Worth for Mary Curzon, Baroness Curzon of Kedleston to celebrate the 1902 Coronation of King Edward VII and Queen Alexandra at the second Delhi Durbar in 1903. The gown was assembled from panels of chiffon that had been embroidered and embellished by Delhi and Agra craftsmen, including the firm of Kishan Chand on the Chandni Chowk in Dehli17 January 1903. The Illustrated London Times. Page 8.

The grave chamber was made out of wood and it was 3.45 m long and 1.75 m wide. The body was found collapsed from a sitting position, wearing garments of silk, with silver thread decorations. The goods found in the grave included "a sword, an axe, a spear, armour-piercing arrows, a battle knife, two shields, and two horses, one mare and one stallion". For the next 128 years, the skeleton was assumed to be that of a "battle hardened man".

Peter SilaevАфиша Воздух > Many parts of the texts are deliberately mystified, there are even parallel > universes, and some of the action takes place in a dream. But in each of > these texts the reader will see very strong emotions and a new attempt to > understand what happened in Chechnya during the childhood of the author. > Stories of Polina Zherebtsova are a strong adult prose. I want to add the > phrase "based on real events" to each story published in A Thin Silver > Thread.

The Worshipful Company of Gold and Silver Wyre Drawers is one of the Livery Companies of the City of London. The Gold and Silver Wyre Drawers were incorporated by Royal Charter in 1693; the City granted it the status of a Livery Company in 1780. The craft originally associated with the Company, namely the making of gold and silver thread for uniforms or ceremonial clothing, has declined but is still practised. Thus nowadays the Company functions mainly as a charitable body.

Tourists shopping for jewellery in Varanasi Silk weaving is the dominant industry in Varanasi. Muslims are the influential community in this industry with nearly half a million of them working as weavers, dyers, sari finishers, and salespersons. Weaving is typically done within the household, and most weavers are Momin Ansari Muslims. Varanasi is known throughout India for its production of very fine silk and Banarasi saris, brocades with gold and silver thread work, which are often used for weddings and special occasions.

There are several other defensive structures within the ensemble, including four towers (one in each corner). Sucevița was a princely residence as well as a fortified monastery. The thick walls today shelter a museum that presents an outstanding collection of historical and art objects. The tomb covers of Ieremia and Simion Movilă – rich portraits embroidered in silver thread – together with ecclesiastical silverware, books and illuminated manuscripts, offer eloquent testimony to Sucevița's importance first as a manuscript workshop, then as a printing center.

The kaftan has become a masterpiece for Moroccan city dwellers. Carved from beautiful materials imported from Europe, and worn by dignitaries (men) and the notables of the great Moroccan cities (Fez, Meknes ...). Originally, only the sultans and their wives had the privilege of obtaining such an expensive garment, since the seamstresses spent months shaping it, embroidering it, beading it by hand, in noble weavings and with gold and silver thread. The kaftan, commonly worn by Moroccan men and women, is an everyday garment.

The insignia was paired with the gold and enameled United States Coat of Arms on service coat shoulder loops. The silver colored five-star metal insignia alone would be worn for use as a collar insignia of grade and on the garrison cap. Soft shoulder epaulettes with five stars in silver thread and gold-threaded United States Coat of Arms on green cloth were worn with shirts and sweaters. The rank of "General of the Army" has had two incarnations.

The satin sakkos is embroidered with gold and silver thread and colored silks outlined with pearls. Dozens of religious and secular figures appear on the sakkos in an array of rectilinear, L-shaped, cruciform, and circular frames. The Crucifixion dominates the center of the front, and below is the Anastasis ("the Resurrection"). All around are various Orthodox Church feasts and figures of saints, as well as Old Testament scenes, including the binding of Isaac, linked with the Crucifixion of Christ.

In 1818, Robert Glyn was posted as Acting Judge and Magistrate of Bareilly and the Joint Magistrate of Bulundshahr. Robert Glyn asked Ghulam Yahya to write an account of "craftsmen, the names of tools of manufacture and production and their dress and manners". The most popular trades in and around Bareilly during the 1820s were manufacturing glass, jewellery, glass and lac bangles and gold and silver thread, crimping, bean drying, wire drawing, charpoy weaving, keeping a grocer's shop and selling kebabs.

In Kerala and, a state in India, almost all newborns irrespective of the religious affiliation get a waist chain. Although many boys generally abandon waist chains during their teenage years, a large fraction of the girls and a sizable number of boys continue to wear waist chains as adults. A follower of Lord Siva is expected to wear a chain, with Rudrakshas strung in a white chain with one hundred beads, around the waist. In Lakshdweep a silver thread is worn by both men and women.

In October 1590 he was paid for ruffs, napkins, shirts, caps called "mutches", and sheets supplied to the king since 1588. These were embroidered with gold and silver thread and edges with "shorn work". His sister, Elspeth or Elizabeth Gibb made the shirts and ruffs.National Records of Scotland, treasurer's accounts, October 1590. In 1591 linen was delivered to Gibb for the cuffs "handis" and "neckis" of the king's shirts, and in August he provided livery clothes for Danish servants of Anne of Denmark who were returning home.

Noah's Conversation with God, a Flemish tapestry from King Sigismund Augustus's collection Originally commissioned by King Sigismund II Augustus, these tapestries came into existence to commemorate the commencement of his third marriage.They can be described as fairly large pieces of silk, often stretching across meters of space, with lengths of gold and silver thread woven into the fabric. Every piece is unique in that they depict different settings or scenes in history, often possessing religious connotations (like Noah’s Ark). The collection consisted of over 300 original pieces.

Moronobu was the son of a well-respected dyer and a gold and silver-thread brocade artisan in the village of Hodamura, Awa Province, near Edo Bay in present-day Kyonan, Chiba Prefecture. After moving to Edo, Moronobu, who had learned his father's craft, studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master.

Close Shot of the Zardozi (Zardouzi) Embroidery Cushion Covers Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari) The most opulent form of Indian embroidery is the Zari and the Zardozi or Zardosi, known since the late 16th century, brought in India by the Moghuls. The word Zardozi comes from the two Persian words Zar & gold and Dozi & embroidery. This form uses metallic thread. Once real gold and silver thread was used, on silk, brocade and velvet fabric.

Unlike more traditional craft magazines and how-to books, Craft: projects were aimed at a younger (18-35) audience. Projects in the first issue included making a stitched robot doll, a silver-thread and microprocessor- based programmable LED tank top, knit slouch boots, a minimalist 'catnip castle,' and an ant-farm room divider. Articles with names like "Subversive Cross Stitch," "Battle Chic - craft a wardrobe of medieval armor with DIY chainmail," and "The Lost Ipu Art of Ni‘ihau" are typical of the magazine's eclectic indie themes.

The history of Kasuti dates back to the Chalukya period. The name Kasuti is derived from the words Kai (meaning hand) and Suti (meaning cotton), indicating an activity that is done using cotton and hands. The origin of Kasuti is discussed by The women courtiers in the Mysore Kingdom in the 17th century were expected to be adept in 64 arts, with Kasuti being one of them. The Kasuti embroidery features folk designs influenced by rangoli patterns of Karnataka, mirror work embroidery and gold & silver thread embroidery were mostly used for special occasions like weddings.

The second book is smaller than the first, only 5¾" by 4", and is also bound in canvas. The background is red silk worked in a similar stitching method to the Miroir cover. Most of the design is a large monogram in blue silk and silver thread that contains the letters K, A, F, H, and R. The K refers to Katherine and the other letters probably signify Latin initials for rulership (actual or claimed) of England, France and Ireland. Like the first book, heartsease flowers decorate the corners.

An undated letter from the Master of Gray requested some purchases in London including; a sword and a dagger with "black guards not long", a black panache for a woman, gold and silver thread of the greates sort, for gentlewomen to sew with, tapestry to hang two chambers, and a Venice hat for his wife. Gray asked for a silver basin and jug, the lightest (and cheapest) and gilded only on the borders. His correspondent was to bring home the jewels if they were ready and Gray would reimburse him for everything.HMC Salisbury Hatfield, vol.

He was tricked by English pirates off Great Yarmouth, led by William Hudson of Colchester, who pretended to be searching for pirates. They stole his own clothes as well as a stock of fabric including velvets, the most costly being a figured black velvet, gold and silver thread, silk thread, gold and silver passementerie, and various silk chamlets and Spanish taffetas. Arnot mentioned that he had talked with Killigrew at Glamis Castle, but was now ill with the Flanders sickness.William Boyd, Calendar State Papers Scotland: 1574-1581, vol. 5 (Edinburgh, 1907), pp. 44-6.

Salmonson is the author of the Tomoe Gozen trilogy, a fantasy version of the tale of the historical female samurai Tomoe Gozen. Her other novels are The Swordswoman, Ou Lu Khen and the Beautiful Madwoman, an Asian fantasy, and a modern horror novel, Anthony Shriek. Her short story collections include A Silver Thread of Madness; Mystic Women; John Collier and Fredric Brown Went Quarreling Through My Head; The Deep Museum: Ghost Stories of a Melancholic; and The Dark Tales. Poetry collections include Horn of Tara and The Ghost Garden.

Nevertheless, folk costume was increasingly perceived as a marker of rural and working classes. The background to this development was the French government policy from the mid-17th century onwards of promoting French luxury fashion. With the purpose of promoting conspicuous consumption, the French designs used expensive materials such as silk, lace, and gold and silver thread. French modes were promoted throughout Europe by printed media, fashion shows and diplomatic exchanges, with the consequence that by the 18th century France became the European leader of fashion amongst the upper classes.

There are also pieces with fine embroidery including the use of gold and silver thread. Many of the rugs are from Europe and Spain but with Oriental motifs. Small room with religious items at the museum The museum is one of the few places where European and Mexican painting is displayed together. European works date back as far as the 14th century, with those from Spain dating from the 14th to the 20th centuries. These include works by José de Ribera “El Españoleto”, Francisco de Zurbarán, and Ignacio Zuloaga.

Annie I. Cameron, Calendar State Papers Scotland, vol. 11 (Edinburgh, 1936), p. 49. On 6 May 1593 the Duke and 15 friends subscribed to a frivolous legal document swearing to abstain from wearing gold and silver trimmings on their clothes for a year, and defaulters were to pay for a banquet for all at John Killoch's house. This "passement bond" was in part inspired by cheap counterfeit gold and silver thread used in "passements great or small, plain or à jour, bissets, lilykins, cordons, and fringes" which quickly discoloured.

Haresco founded the Haresco Trade Specialists Co. and Silver Thread Inc., which specialized in the exportation of local Capiz Shells from different provinces of Western Visayas to Europe. He was a former managing director at Asia-Pacific Matière in France and Mabey Group in the UK. He also served as a member of the Board of Directors of the Philippine National Oil Company (PNOC). In 1975, Haresco also worked as a Project Economist at the Agriculture Section II of the UNCTAD-ITC at the International Trade Center in Geneva, Switzerland.

Even later in her career, she turned back to developing recreated printed books, including reproducing fifty-one of the Emblemes ou devises chrestiennes by Georgette de Montenay for Prince Charles. Although creative borders and colourful illustrations were part of Inglis's technique, she also embroidered her work. Inglis produced jewel-like covers for her royalty works, usually embroidered with seed pearls and gold and silver thread on red velvet. The cover of each book complements her books' interior display of skilled calligraphic style, title pages, self-portraits, ornaments, ink drawings, and emblems.

The album received mixed contemporary reviews criticising the production and that the selection of songs did not representing the band's sound: "...50 percent of it harks back to the jazz scene of the 30s, and through it runs a silver thread of genius. Pity." Since its release the album has acquired a cult following. Though Allmusic gave the album a 4.5 star, writer Richie Unterberger said: "The rest of the material is usually less fearsome and innovative, though much of it still carries an air of subdued menace.". The album was included in the 2010 book, '100 Best Australian Albums'.

The government often dictated minor details of life for the nobles; the table of ranks set up during the era of Peter the Great determined the number of horses and the type of carriage a person could use—a first rank man could have six horses and a carriage while a merchant could only have one horse and a coach. Catherine also mandated clothing styles such as the colors of threads and fabrics allotted only to a specific social class—nobles alone could wear gold and silver thread, for example.Madariaga, Isabel de. Catherine the Great: A Short History.

Wall paintings, Varanasi, 1973 Varanasi is a major centre of arts and designs. It is a producer of silks and brocades with gold and silver thread work, carpet weaving, wooden toys, bangles made of glass, ivory work, perfumes, artistic brass and copper ware and a variety of handicrafts. The cantonment graveyard of the British Raj is now the location of Varanasi's Arts and Crafts. Notable artists (musicians and dancers) and historians who are connected with the city include Bismillah Khan, Ravi Shankar, Girija Devi, Gopal Shankar Misra, Gopi Krishna, Kishan Maharaj, Lalmani Misra, N. Rajam, Siddheshwari Devi, Samta Prasad, and Sitara Devi.

A cloth antependium is normally of the same colour and often of the same fabric and similar style as the vestments worn by the clergy. The fabric may vary from very simple material, such as cotton or wool, to exquisitely wrought damasks, fine watermarked silk, velvet, or satin. Embellishment is commonly by means of decorative bands of material called orphreys, embroidery (sometimes in gold or silver thread, or making use of pearls and semi-precious stones) or appliqués, fringes and tassels, all of a complementary colour to the fabric. The most frequently used symbol on both vestments and hangings is the cross.

At the far end were three halls, the center of which held three idols of the Buddhas past, present, and yet-to-come—"Kwo-keu-fuh", "Heen-tsa-fuh", and "We-lae-fuh"—in a seated position. On each side were 18 early disciples of the Buddha, considered at the time to have been the precursors to the Qing emperors. Illustrations were made of the trial and punishment of sinners in the afterlife, but none of the Buddhist paradises. The side walls were covered with silk embroidered in gold and silver thread with passages of scripture, and the whole lit with several hundred lanterns suspended from the roof's crossbeams.

UPSIDC in 1980. Bareilly was a flourishing cotton centre in early nineteenth century. There were about 20,000 looms in the city in 1802, with a production value of Rs 30,00,000 per year. Robert Glyn, the then Magistrate of Bareilly asked Ghulam Yahya to write an account of "craftsmen, the names of tools of manufacture and production and their dress and manners". The most popular trades in and around Bareilly during the 1820s were manufacturing glass, jewellery, glass and lac bangles and gold and silver thread, crimping, bean drying, wire drawing, charpoy weaving, keeping a grocer's shop and selling kebabs. Fatehganj. The factory closed down on 15 July 1999.

Non-portrait subjects include a U.S. dollar note created with 80,000 nails, silver thread and resin on black wood, a lotus flower rendered in 300,000 hand-painted Chinese sticks and a depiction of childbirth as a mosaic of glass squares. They frequently use edibles, such as smoked ham, salmon and cheese, freeze-dried and sealed in resin. For the Black Series, they transformed pornographic images from the internet into mosaics of cookies and crackers in shades of brown and black; the monochromy and the use of common foodstuffs are a commentary on the de-eroticisation of sex and its pervasive commodification. In 2012 they showed a triptych reminiscent of Catholic altarpieces, but depicting a favela.

Detail from the "Martyr Cope" (1270), gold on red silk samite, brought from France in 1274. 300px Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit, from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns in the warp.Oxford English Dictionary Online "samite" (subscription required), accessed 30 December 2010Lisa Mannas, Merchants, Princes and Painters: Silk Fabrics in Northern and Italian Paintings 1300–1550, Appendix I:III "Medieval Silk Fabric Types and Weaves", Yale University Press, 2008, , p. 297.

The French widely exported their very artistic work, and at such low prices that no other nation developed a mature "trimmings" industry. Tassels and their associated forms changed style throughout the years, from the small and casual of Renaissance designs, through the medium sizes and more staid designs of the Empire period, and to the Victorian Era with the largest and most elaborate. In Scotland at the end of the 16th century some passementerie was made with inferior gold and silver thread which quickly tarnished. On 6 May 1593 the Duke of Lennox and his friends decided not to wear any passementerie for a year, especially "passements great or small, plain or 'a jour', bissets, lilykins, cordons, and fringes".

The gallery is richly endowed with art of the Mughal Empire and the Marathas, including fine portraits of the emperors and other paintings and drawings, jade wine cups and gold spoons inset with emeralds, diamonds and rubies, also from this period are parts of buildings such as a jaali and pillars. India was a large producer of textiles, from dyed cotton chintz, muslin to rich embroidery work using gold and silver thread, coloured sequins and beads is displayed, as are carpets from Agra and Lahore. Examples of clothing are also displayed. In 1879–80, the collections of the defunct East India Company's India Museum were transferred to the V&A; and the British Museum.

In the XVIIth century, during the reign of Moulay Ismaïl, the merchants of the big cities brought in large quantities of fine silk and wool sheets, of all colors and all kinds, such as brocade, velvet, striped or plain taffeta and scarlet. Morocco has preserved its ancestral craftsmanship and expertise such as weaving, embroidery and trimmings like the Ben Cherif family who maintained the back-strap weaving technique, the making of gold and silver thread and embroidery, which is currently experiencing a clear development. The Moroccan Jewish kaftan, is that of Fez made of gold thread embroidery called "n’taâ". The Moroccan stylists were able to adapt their skills to the changing times.

Delny became an associate of Ludovick Stuart, 2nd Duke of Lennox. On 6 May 1593 the Duke and 15 friends subscribed to a frivolous legal document swearing to abstain from wearing gold and silver trimmings on their clothes for a year, and defaulters were to pay for a banquet for all of them at John Killoch's house in Edinburgh. This "passement bond" was in part inspired by cheap counterfeit gold and silver thread used in "passements great or small, plain or à jour, bissets, lilykins, cordons, and fringes" which quickly discoloured. The signatories included; Lord Home, the Earl of Mar, Lord Spynie, the Master of Glamis, Sir Thomas Erskine, Walter Stewart of Blantyre, and Sir George Home.

The man wears suits, wearing a hat and cane, the lady wears dress, veil, wallet and shoes stick. The shepherds wear an elegant dress, suitable for the party. The lady wears an embroidered skirt, blouse, ojotas and straw hat, and the pastor's cloths are dress trousers, shirt, wool poncho, pannier, straw hat and carries a whip in his hand. The Vilches wears a dress embroidered with fine gold or silver thread, a crown of feathers with colored mirrors and, in the back enjalma carries a reminder that is painted or corduroy cloth embroidered with threads of gold leaf and presents varied reasons, also brings in a neck moñera (decorative ribbon) around the waist and a painted or embroidered pechera subsequently placed the res (toretes).

The man wears suits, wearing a hat and cane, the lady wears dress, veil, wallet and shoes stick. The shepperds wear an elegant dress, suitable for the party. The lady wears an embroidered skirt, blouse, ojotas and straw hat, and the pastor's cloths are dress trousers, shirt, wool poncho, pannier, straw hat and carries a whip in his hand. The Vilches wears a dress embroidered with fine gold or silver thread, a crown of feathers with colored mirrors and, in the back enjalma carries a reminder that is painted or corduroy cloth embroidered with threads of gold leaf and presents varied reasons, also brings in a neck moñera (decorative ribbon) around the waist and a painted or embroidered pechera subsequently placed the res (la vaca).

The text mentions different types of rosaries, their significance, the relevant mantras, and the symbolism. The inner thread of Japa Mala, states the text, signifies the Ultimate Reality (Brahman-Atman), the silver thread on its right symbolizes Shiva, the copper thread on left of Vishnu, the face is Sarasvati, the bottom is Gayatri, the hole of each bead a reminder of Jnana (knowledge), and the knot is Prakriti (nature). Klaus Klostermaier classifies this text with the Bhasmajabala Upanishad, the Rudrakshajabala Upanishad, the Brihajjabala Upanishad and the Kalagni Rudra Upanishad as Shaiva texts that explain symbolism of rites and objects of worship in Shaivism. While this Shaiva Upanishadic text discusses consecration and use of rosary for meditation, the use of rosary is common in other traditions.

In September he was again sent to the Elector Frederick, then serving with the Dutch army, to persuade him to withdraw from it and submit to the Holy Roman Emperor. On 23 September 1622 he was granted a lease of the customs and subsidies on gold and silver thread on condition of surrendering the mastership of the mint, but the latter office was restored to him in July 1624. He was re-elected as a member of parliament for Westminster on 22 January 1624 to sit in what became known as the Happy Parliament, and on 25 April 1625 to sit in the Useless Parliament. In August 1625 he asked the Commons to prevent a dissolution by desisting from their attack on his half-brother Buckingham.

Also, it participates in festivals across Europe and North America. It has made over 35 foreign trips including tours of Italy (with a performance at Castel Gandolfo), Germany, Belgium, Denmark, Czech Republic, United States, Hungary, and Lithuania. The group has released several recordings, notably collections of traditional songs popular with the audience during Christmas. The choir has received several prestigious awards including the 2012 First Place award at the Lesser Poland competition of choirs in Niepolomice, the Third Place award at the International Festival of Choirs in 2011, the Bronze Medal of Cracoviae Merenti competition (for overall accomplishments), as well as the Silver Thread and Trophy at the 19 International Festival of Advent Music in Prague in 2009, among others.

Ananias The same scene in the Vatican tapestry The tapestries were made with both gold and silver thread; some were later burnt by soldiers in the Sack of Rome in 1527 to extract the precious metals. The first delivery was in 1517, and seven were displayed in the Chapel for Christmas Day in 1519 (then as now, their display was reserved for special occasions). The cartoons are painted in a glue distemper medium on many sheets of paper glued together (as can be seen in the full-size illustrations); they are now mounted on a canvas backing. They are all slightly over 3 m (3 yd) tall, and from 3 to 5 m (3 to 5 yd) wide; the figures are therefore over- lifesize.

In 1923 Handley-Seymour, at that time dressmaker to Queen Mary, was commissioned to make the bridal gown of Elizabeth Bowes-Lyon for her 26 April wedding to the Duke of York. The ivory chiffon moire dress was embroidered with pearls and silver thread, with a train of Flanders lace, and a girdle of silver leaves and green tulle fastened with silver roses and thistles. Handley-Seymour also made a number of outfits for the Duchess's trousseau, which were exhibited to the press on 20 April and were noted for their modestly neutral colours, such as a grey-beige going-away costume. For the next 12 years Handley-Seymour remained the Duchess of York's favourite dressmaker, although by 1937 the Duchess - now Queen consort following the abdication of Edward VIII - was transferring her patronage to Norman Hartnell.

Her contract, he said, amounted to more than $60,000. Lady Curzon is his best customer, for she not only orders all of the material for her state gowns from him, but has brought him enough orders from the ladies of the British court to keep his shop busy for five years. He told us that Lady Curzon designed the coronation robe of Queen Alexandra; he declared that she had the rarest taste of any woman he knew, and that she was the best dressed woman in the world--an opinion shared by other good judges. He spread upon the floor wonderful samples of the skill and taste of his artists, brocades embroidered with jewels for the ceremonial robes of native princes; silks and satins whose surface was concealed by patterns wrought in gold and silver thread.

At Charles the Bold and Margaret of York's wedding the room "was hung above with draperies of wool, blue and white, and on the sides was tapestried with a rich tapestry woven with the history of Jason and the Golden Fleece". Rooms typically were hung from ceiling to floor with tapestries and some rooms named for a set of tapestries, such as a chamber Philip the Bold named for a set of white tapestries with scenes from The Romance of the Rose.Freeman (1973), 1 For about two centuries during the Burgundian period, master weavers produced "innumerable series of hangings heavy with gold and silver thread, the like of which the world had never seen".Phillip (1947), 123 The practical use of textiles results from their portability; tapestries provided easily assembled interior decorations suited to religious or civic ceremonies.

Close-up shoot of zardozi (zardouzi) embroidery Vicereine Lady Curzon's peacock dress, with a skirt made of Indian zardozi needlework featuring green beetle wings and gold and silver thread, was a sensation at her coronation, making the front page of the Chicago Tribune on 27 September 1903 Zardozi or Zar-douzi, also Zardosi (Persian: زَردوزی, Arabic: خرير الماء, Hindi: ज़रदोज़ी, Urdu: زَردوزی, Azerbaijani: Zərdozi, Turkish: Ters örgü), work is a type of embroidery in Iran, Azerbaijan, Iraq, Kuwait, Syria, Turkey, Central Asia, India, Pakistan and Bangladesh. Zardozi comes from two Persian words: zar or zarin meaning 'gold', and dozi meaning 'sewing'. Zardozi is a type of heavy and elaborate metal embroidery on a silk, satin, or velvet fabric base. Designs are often created using gold and silver threads and can incorporate pearls, beads, and precious stones.

Crewe was a member of the commission which tried Richard Weston for the murder of Sir Thomas Overbury in 1615, and was concerned with Bacon and Montague in the prosecution of the Earl and Countess of Somerset as accessories before the fact to Overbury's murder in the following year. In 1621 he conducted the prosecution of Henry Yelverton, the attorney-general, for certain alleged misdemeanours in connection with patents. The same year Crewe prosecuted Sir Francis Mitchell for alleged corrupt practices in executing 'the commission concerning gold and silver thread,' conducted the impeachment of Sir John Bennet, judge of the Prerogative court, for corruption in his office, and materially contributed to the settlement of an important point in the law of impeachment. Edward Floyde, having published a libel on the Princess Palatine, was impeached by the commons, and sentenced to the pillory.

The Small Throne Room of the Winter Palace (2018) Location of Small Throne Room, within the Winter Palace The Small Throne Room of the Winter Palace, St Petersburg, also known as the Peter the Great Memorial Hall, was created for Tsar Nicholas I in 1833, by the architect Auguste de Montferrand. Following a fire in 1837, in which most of the palace was destroyed, the room was recreated exactly as it had been before by the architect Vasily Stasov. Designed in a loose Baroque style, the room holds the throne recessed in an apse before a reredos, supported by two Corinthian columns of jasper, which contains a large canvas dedicated to Peter I with Minerva by Jacopo Amigoni. In the room proper above dado height the walls are lined with crimson velvet embellished with double-headed eagles of silver thread, above which is a shallow vaulted ceiling.

A bride from the late 19th century wearing a black or dark coloured wedding dress Though Mary, Queen of Scots, wore a white wedding gown in 1559 when she married her first husband, Francis Dauphin of France, the tradition of a white wedding dress is commonly credited to Queen Victoria's choice to wear a white court dress at her wedding to Prince Albert in 1840. Debutantes had long been required to wear white court dresses for their first presentation at court, at a "Drawing Room" where they were introduced to the queen for the first time. Queen Victoria and Prince Albert on their return from the marriage service at St James's Palace, London, 10 February 1840. Royal brides before Victoria did not typically wear white, instead choosing "heavy brocaded gowns embroidered with white and silver thread," with red being a particularly popular colour in Western Europe more generally.

Mrs. Cornelius Vanderbilt in her Electric Light dress The Electric Light dress was a masquerade gown made of gold and silver thread designed by Charles Frederick Worth for Alice Vanderbilt for the 1883 masquerade ball thrown by her sister-in-law on the occasion of her housewarming for the new William K. Vanderbilt House on Fifth Avenue, NY. It was yellow satin decorated with glass pearls and beads in a lightning-bolt pattern. A built-in battery lit a light bulb she carried that she could raise over her head like the Statue of Liberty. This dress was only one of several spectacular gowns that served to make the event the official start of Alva Vanderbilt's role as a leading socialite of New York.Page 192 of the book The Vanderbilts and the Story of Their Fortune, by William Augustus Croffut, 1886 The dress is preserved at Museum of the City of New York.

However, the British Royal Warrant at the College of Arms allowing him to wear it is only dated 20 March 1802. Recipients (usually naval or army officers or representatives of Britain or France, highly present in the region during the Napoleonic Wars) were awarded a lozenge-shaped silver radiant star, embroidered in silver thread on an azure background with a star and crescent in the centre, and a red ribbon, to be worn with the crescent to the star's left. The order had two degrees, Knight First Class and Knight Second Class: the First Class members wore the insignia like a scarf, with the badge appendant (hung from the collar), whilst Second Class knights wore a slightly smaller version with no star, jewelling or ornamentation and a narrower ribbon saltier-wise (on a diagonal ribbon from one shoulder to the opposite waist). Sébastiani de La Porta with his star, the wrong way up.

A. F. Pollard, revised by Sean Kelsey, 'Villiers, Christopher, first earl of Anglesey (d. 1630), courtier', in Oxford Dictionary of National Biography, Oxford University Press, 2004, online edition, dated October 2006, accessed 1 January 2011 Villiers was described as "unattractive and unintelligent" in his youth, but he shared in his family's good fortune flowing from the position of his brother George as king's favourite. In 1617 he was appointed Gentleman of the Bedchamber to King James I, and on 7 March 1617/18 he was granted an annuity of £200. In December 1617 Sir Robert Naunton (1563–1635) a middle-aged man with no sons, was appointed as Secretary of State on the condition of making Villiers his heir, and during his lifetime Villiers gained from Naunton estates yielding £500 a year. Villiers was granted an interest in the monopoly for gold and silver thread, in respect of which he was disappointed to receive only £150 altogether, but he also had a substantial income from the patent for ale houses.

Palais Ludwig Ferdinand, seen from Wittelsbacherplatz East façade of the palace, facing Odeonsplatz The Palais Ludwig Ferdinand (also called the Alfons Palais and the Siemens Palais) is an early 19th-century palace in Munich, Germany, designed by Leo von Klenze. It is located on the Wittelsbacherplatz (at number 4) but forms part of an ensemble with the buildings on the west side of the Odeonsplatz. It was Klenze's own residence, then belonged to Princes Alfons and Ludwig Ferdinand of Bavaria. It is now the headquarters of Siemens. The palace was built in 1825-26 for Karl Anton Vogel, a manufacturer of gold and silver thread, to a plan by Franz Xaver Widmann and with façades by Leo von Klenze, who lived on the piano nobile for 25 years."13. Ludwig- Ferdinand-Palais, Wittelsbacherplatz 4, 1825/26", Michael Hardi, Leo-von- Klenze-Pfad: ein Rundgang durch die Münchner Innenstadt, 2nd ed. Munich: Bavarian Ministry of the Interior, 2009, , pdf p. 23 Klenze had originally intended the site for the first Protestant church in Munich, but that was later built elsewhere by Johann Nepomuk Pertsch.Markus Springer, "Die verpasste Klenze-Chance" , Sonntagsblatt, 24 August 2008 Michael Petzet, ed.

I attached light threads to their legs: these they invariably > removed, either with their bills, or with the assistance of their parents. I > renewed them, however, until I found the little fellows habituated to them; > and at last, when they were about to leave the nest, I fixed a light silver > thread to the leg of each, loose enough not to hurt the part, but so > fastened that no exertions of theirs could remove it. He also claimed that he had "ample proof afterwards that the brood of young Pewees, raised in the cave, returned the following spring, and established themselves farther up on the creek, and among the outhouses in the neighbourhood … having caught several of these birds on the nest, [he] had the pleasure of finding that two of them had the little ring on the leg", but multiple independent primary sources (including original, dated drawings of European species) demonstrate that Audubon was in France during the spring of 1805, not in Pennsylvania as he later claimed. Furthermore, Audubon's claim to have re-sighted 2 out of 5 of the banded phoebes as adults (i.e.