"The Cosmopolitans" is a book of sighs, for dreams thwarted and for a city that has long since moved on.
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It's less formal, there are no podiums to hide behind, more interaction between the candidates, and the potential for the kind of awkward, unscripted moments — George H.W. Bush's watch check or Al Gore's sighs, for example — that are remembered more than any debate on policy.
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When his advice is obstinately rejected by Nan Batian, he sighs for not having a wise master.
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Morrison played a total of 46 games and scored three goals during his time with The O's. He was also loaned out to Dover Athletic in January 2000. Morrison then moved to Bohemians in the summer of 2000 where he played in European wins against AberdeenIrish sighs for Aberdeen and FC Kaiserslautern.
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Scene: A desolate place in the middle of a forest Jealousy torments Procris with fears that Cephalus has deserted her. Cephalus is out hunting. As he approaches, Procris hides in the undergrowth to eavesdrop on him. Mistaking her sighs for the sounds of an animal, Cephalus shoots her with an arrow and mortally wounds her.
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Cousteau is narrating about the ocean. As he starts talking about coral reefs, Dory starts bothering him by entering the frame. The scene then cuts to an anemone that Nemo and Marlin come out of and Cousteau sighs for not being able to do his documentary. The scene cuts to real cuttlefishes, which Dory tries to speak to.
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The play premiered in 1969 at the Rhodes University Little Theatre in Grahamstown, South Africa. Fugard himself played the part of Boesman, Lena was played by Yvonne Bryceland and Glynn Day, a white actor, played the part of Outa in blackface. On 22 June 1970, the US premiere, an acclaimed off-Broadway at the Circle in the Square Downtown, starred James Earl Jones and Ruby Dee,Mel Gussow, "James Earl Jones Sighs For ‘Boesman and Lena’", The New York Times, 22 June 1970. directed by John Berry (who would also direct a film version, also titled Boesman and Lena, in 2000).
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The gods begin to lose their youth on Freia's departure During the first entr'acte, the Ring motif is transformed into the multipart and oft- reiterated "Valhalla" music – four intertwined motifs which represent the majesty of the gods and the extent of Wotan's power. Scene two begins on the mountaintop, in sight of the newly-completed castle, where Fricka and Wotan bicker over Wotan's contract with the giants. This duologue is characterised by Fricka's "Love's longing" motif, in which she sighs for a home that will satisfy Wotan and halt his infidelities. Freia's distressed entrance is illustrated by "Love", a fragment that will recur and develop as the Ring cycle unfolds.
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"My Heart Cries for You" is a popular song, adapted by Carl Sigman and Percy Faith from an 18th-century French melody.The Independent; Obituaries: Guy Mitchell 5 July 1999 The music is from an old French song attributed to Dauphine of France Queen Marie Antoinette " La jardinière du Roi". The chorus "My heart cries for you, Sighs for you, dies for you..." is original and does not appear in the French song. The sentimental ballad was recorded toward the end of 1950 by Guy Mitchell with Mitch Miller and his orchestra, in a recording issued by Columbia Records as catalog number 39067, which sold over a million copies and reached #2 on the Billboard charts in 1951.
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His best result was further achieved at the 2000 Summer Olympics in Sydney, when he placed fifth in the men's 10 m platform, with a cumulative score of 636.90 points. Terauchi retired temporarily in 2009, and worked as an employee for sports manufacturing company Mizuno. A year later, he resumed training to set sighs for his fifth Olympics, and made his comeback by placing second at a domestic meet. In 2012, Terauchi had received a qualifying berth at the FINA Diving World Cup, but Japan Swimming Federation decided not to send him to London for the Summer Olympics, despite that he was not able to perform well against the world's top divers.
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Colvin, p. 174 The design was "un-English and out of keeping with the best tradition of Oxford architecture", said Nuffield, adding that "if a building of this type were to be erected, I would not allow my name to be associated therewith". Harrison protested that the so-called Oxford architectural tradition was a vague concept and also an accident of history: there was no uniform style uniting the buildings of the university and colleges, but instead different designs had been used, with varying modifications, over many centuries. Only a compromise would suit "a 20th century donor with an industrial background who sighs for romance, a committee of economists who are after results [and] the governing committee of a University steeped in its tradition".
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But Cotton retorted on 17 February 1888: I hope when the historian has to look back at the difficulties small holdings had to encounter... that there will not be "perils among false brethren" to be received as amongst the bitterest opposition. Another citizen entered the fray on 22 February 1888: For some years past Mr Cotton has been energetically blowing his own trumpet from the homestead blocks. Some of us working men are growing tired of [it]: Cotton's the man for all jobs, He scowls on all the nobs, He winks and shouts at the snobs, And he sighs for the Government's bobs.'' Yet another citizen offered an unflattering opinion of Cotton in the Register, 4 August 1890: ...They distrust him; they do not know in what category of politicians to place him; he really stands alone.
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