I didn't gasp at that point, but I did sigh for the play that might have been.
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After the game, Paige choked up at the news conference and Carolina's fan base let out a long sigh for a player it had cheered on for four years.
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Longtime viewers can thank Carole Radziwill (who will not be in Season 11, sigh) for the setup — Carole thought her pal, CouponCabin CEO Scott Kluth, would really hit it off with Tinsley.
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And then he will make little breakfasts for his treasure and pet him...so Kitty will be glad to be back and not sigh for far-off rooftops for a little while.
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That Ms. Swift would go sigh for sigh with Future's warbles would have been unthinkable five years ago, but here, in a twist, the person who sounds least at home is Mr. Sheeran.
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Its intentionally hyperbolic, breathless text presented details like the fact that Obama "woke up late … and went for a haircut with his pal Marty Nesbitt" the way an ancient monarch's courtiers used to examine his every sigh for divine omens.
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Even the least of tamales — warmth ebbing, masa starting to crumble, a stingy pat of filling immured at the center without a trace of flavor trickling out — even these I have eaten whole, with a brief sigh for what might have been.
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Welcome sigh for the Lobster Palooza Lobster Palooza is held annually as a fundraiser for the opera and educational outreach programs. 2018 marks the ninth annual Lobster Palooza.
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When you wou'd comfort an afflicted mind, Pity, not love, shou'd make you kind. Lascia ch'io pianga mia cruda sorte, e che sospiri la libertà. Il duolo infranga queste ritorte, de' miei martiri sol per pietà. Let me weep over my cruel fate, and let me sigh for liberty.
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Who sigh for Wretchedness, yet shun the Wretched, Nursing in some delicious solitude Their slothful loves and dainty sympathies! I therefore go, and join head, heart, and hand, Active and firm, to fight the bloodless fight Of Science, Freedom, and the Truth in Christ. —"Reflections" (lines 43–62)Coleridge 1921, pp. 106-108 Soon after his autumn 1795 marriage to Sara Fricker, Coleridge left their home in Clevedon, North Somerset.
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Charles Frederick Hempel (1811–1867) was an organist and composer. Hempel, eldest son of Charles William Hempel, was born at Truro, Cornwall, in September 1811. Having under his father's care received a sound musical education, he became a teacher of music at Truro. In 1847 he began writing and publishing songs, the first being dedicated to the Countess of Falmouth and entitled "Heave one sigh for me at parting".
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A more sympathetic summary appeared in The Times: "Les Grandes Manoeuvres is a sigh for lost youth, for a lost generation, and for, perhaps, l'amour, as against love, and its only failing is that, in enchanting the senses, it fails to touch the heart.""Les Grandes Manoeuvres", in The Times (London), 10 January 1956, p.5, col.3. In 1974, the film was given an out-of-competition screening at the Cannes Film Festival.
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She's quick to deliver the news that the band are going to sigh for Jerome's Fictitious Records and have secured a support slot for a UK arena tour in the summer. Wilson calls an old friend and ensures the support slot is withdrawn. Egg secures an awesome set of GCSE results and his romance with Bex is steps up another gear when he writes her a song and arranges to meet on High Bench to play it to her. The result is a kiss and more.
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He made over 100 records, his first on a wax cylinder and his last in 1960. He was married twice, first to Emily Hayes, who died in 1940, and then to Florence May Street, known as June. She had been an acrobat in acts as various as the Martinez Troupe/Duo, and Sereno (Harry Sereno) and June. Elliott retired to Rottingdean, near Brighton in Sussex, where he lived in a cottage he named "Silvery Moon" after his song "I Used to Sigh for the Silvery Moon".
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The Times wrote that the score of the piece was mostly pervaded "with a kind of decorous, very accomplished dulness, which makes us sigh for a good catchy tune, however trivial." The paper singled out the principal comedian, Graves, and the soubrette, Courtneidge, for praise, and complained that Pounds had too little singing or dancing and was "all but wasted"."Shaftesbury Theatre", The Times, 13 May 1912, p. 12 The Manchester Guardian thought better of the music, and considered it "somewhat beyond the reach of most of the artists and the orchestra".
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Xunzi's chapter on dispelling obsession can be understood via the use of an ode he uses from the Book of Odes: > I pluck and pluck the burr-weed But it does not fill my slanting basket. I > sigh for my loved one; I would be in the ranks of Zhou. Because the mind of the plucker in this ode is divided between her task at hand and the love she has for a man in the ranks of Zhou, she cannot complete the simple task of filling her basket. Xunzi warns against falling into obsession in this chapter.
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Juno vents her anger at the love affairs of Jupiter, his concubines and bastard offspring, and is very angry about the successes of Hercules, and so on his return from the underworld will be thrown by Juno into a state of mad frenzy. The Chorus of Thebans beginning with a description of the dawn of day alludes to the customs of the times, condemning the pursuits and undertakings of the nobles. They reprove Hercules for his audacity in the attempting of his various labors, and finally extol and sigh for the tranquillity which is only to be found in leading a retired life.
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Among the songs particularly associated with him are "Idaho", "I Used To Sigh for the Silvery Moon" and "Sue, Sue, Sue". He appeared in one film only, Music Hall (1934), although it is a repeated misconception that a blackface singer who performed his (formerly Eugene Stratton's) song "Lily of Laguna" in Those Were the Days (1934) was him. He made several appearances in television variety shows and was the subject of This Is Your Life in 1957 when he was surprised by Eamonn Andrews at the King's Theatre in Hammersmith, London (located at 178-180 Hammersmith Road and demolished in 1963). Headstone in St. Margaret's Churchyard, Rottingdean Elliott appeared in three Royal Variety Performances, in 1925, 1948 and 1958.
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