While the people involved in the nation's 'killer clown' craze should be doubtlessly be punished by some form of public humiliation, Bob Bradley should be shown courtesy and respect, and given the opportunity to counter prejudicial preconceptions.
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Statue of Redvers Henry Buller in Exeter. This statue is located in Exeter, Devon and dates to 1905. The image above is shown courtesy of its author Peter ClarksonBuller Statue Exeter Memories. Retrieved 16 November 2012.
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Memorial window to Christopher Whall Memorial window to Christopher Whall by Veronica Whall. It would seem fitting to conclude the article with this window which is in the wall opposite the fifth window in the Chancel and was by Veronica Whall. It is dedicated to the memory of her father. See image above shown courtesy Rex Harris.
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Head of Jesus. Part of the Calvary in St.Gengoult Church in Briey. Photograph shown courtesy "groenling" The Romanesque church of Saint-Gengoult in Briey dates back to the beginning of the 12th century and holds a Ligier Richier calvary with life size depictions of Christ on the Cross, with the two robbers on either side.Briey Briey's website.
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Part of the mise au tombeau in Chaource. The Virgin Mary, Saint John and Mary Salome. Photograph shown courtesy Jean-Marie Kinet This sculpture in the parish church of Saint-Jean-Baptiste in Chaource in the Aube is the work of the sculptor who became known as the "Maître de Chaource". The composition shows Jesus being laid into His tomb.
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Retrieved 11 March 2013 Some photographs of the Briey Calvary can be seen in the Bridgeman Art Library website and a close-up of the head of Jesus, shown courtesy of Groening. appears above.Part Briey Calvary Bridgeman. Retrieved 17 March 2013 As was the case with the Calvary at Bar-le-Duc, the good and bad robbers hang from "T" shaped structures and are tied rather than nailed to these structures and again both are shown in contorted positions.
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The mise au tombeau in the parish church of Saint-Jean-Baptiste in Chaource. Photograph shown courtesy Jean-Marie Kinet. Figures from left to right, Nicodemus, the Virgin Mary, Saint John, Mary Salome, Mary Magdalene with a pot of ointment, Mary of Clopas with the crown of thorns and Joseph of Arimathea. The Maître de Chaource was an unidentified sculptor who worked in the late 15th and early 16th century, in the French town of Chaource.
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John's hand reaches to comfort the Virgin Mary. Part of the "Lamentation" in the Église Saint-Jean au Marché in Troyes. Photograph shown courtesy Jean-Marie Kinet This work, showing the Virgin Mary, Saint John and Mary Magdalene grieving over Jesus' body which had just been taken down from the Cross, is located in the Église Saint-Jean au Marché in Troyes. Artists of the time wanted to capture the essential tragedy of that moment when those who had been so close to Jesus had to come to terms with his death.
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Veronica looks in amazement at the image of Christ on her veil. Photograph shown courtesy Clément Guillaume, all rights reserved This work by Ligier Richier is located in the Église collégiale de Saint-Maur (St Martin) and is generally thought to have been carved in 1523. It is the earliest work that has been attributed to Ligier Richier. Hattonchâtel is a village in the canton of Vigneulles, 18 kilometres from Saint-Mihiel and is situated at the top of one of the range of hills which run from Verdun to Toul and separate the valley of the Meuse from the Woëvre plain.
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Hitler's response to the press inquiries was that his only true bride was, and would always be, the German people -- a rather clear allusion to Jesus Christ. It appears that the "tall and stately" Erna had simply been polite to Hitler and had shown courtesy to her brother's friend at their initial meeting in the early 1920s, and Hitler misinterpreted this as romantic affection. Gross claims that Hitler was in love with Erna, but that she considered the whole business to be a joke, and that she was amused at his attempts to court her. According to Gross, she was teased by her society friends about the unwanted affections shown by her "suitor" and made sure that she was never alone with him.
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Boucherat,"L'atelier du Maître de Chaource" he was a contemporary of the Maître de Chaource and often worked in the same locations and works by Bachot such as that in the church of Saint-Laurent in Joinville, of which fragments are held in the Joinville Town Hall, show great similarities to the work of the Maître de Chaource. The Lamentation or "Déploration" in the Église Saint- Jean au Marché in Troyes Mary Magdalene wipes away a tear. Part of the "Lamentation" in the Église Saint-Jean au Marché in Troyes. Photograph shown courtesy of Jean-Marie Kinet In 1992, Heinz-Herman Arnhold wrote that the works of the Maître de Chaource's atelier can be seen from Reims in the north to Ravières in the south and from Langres in the east to Villeneuve-l'Archevêque in the west.
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