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76 Sentences With "short ends"

How to use short ends in a sentence? Find typical usage patterns (collocations)/phrases/context for "short ends" and check conjugation/comparative form for "short ends". Mastering all the usages of "short ends" from sentence examples published by news publications.

I would buy leftover short ends of film stock and cut through them.
On its surface, Casa Gallinero doesn't deviate far from the typical form of a country house: a long, 1,500-square-foot rectangle, lifted on stilts, its two short ends made from glass, the two longer ones from corrugated white plastic roofing.
"The Big Short" ends with a written warning that Wall Street could be repeating its mistakes: "In 2015, several large banks began selling billions in something called a 'bespoke tranche opportunity,' " referring to the apparent rebranding of the complex securities at the heart of the 2008 mess.
The short ends with Jerry at a cheese planet eating.
Honey applauds, Bosko raises his hands in triumph, and the animated short ends.
The short ends with music playing over a scene of clouds moving in real-time.
The short ends with another dream sequence, this time about Rhino being selected by the President to defeat Calico once again.
The short ends with the Stooges, now angels ascending to heaven, being chased by an angry Admiral, who is also now an angel.
Short ends are considered distinct from fresh new rolls because they may have been subject to environmental conditions since leaving their originally sealed can and are no longer under factory warranty, and are generally identified distinctly to avoid any confusion in the matter. Assuming proper storage and fast turnaround time, they are considered perfectly usable. Older short ends or ones of uncertain provenance should be clip tested first to check their condition. Re-cans and short ends are often sold at discounts to lower budget productions by labs, larger production companies, or businesses which specialize in their sale.
Its main entrance, set on one of the short ends, is sheltered by a rectangular flat-roof portico, which has fluted Corinthian columns supporting a full entablature with cornice.
Night finds Snafu sleeping with his gas mask at hand, "in a lover's embrace". In a flirtatious manner, the mask comments "I didn't know you cared" and the short ends.
The short ends of the line are then trimmed close to the wraps, or one of the ends may be left intact to be used for a second fly or lure, called a "dropper".
Then the princess kisses the king and goes off after the minstrel. They both ride on the donkey as the crowd carries them outside. The short ends with Mickey and Minnie kissing behind a fan.
When the Lorax tells Pipsqueak that he is going to turn out like him, Pipsqueak gets scared and runs away. The short ends with the Lorax telling Pipsqueak that he has lost his Honorary Lorax title.
Both people and inanimate objects begin laughing hysterically, including a mailbox, a parking meter, a bridge, cars and graves. The short ends when Betty and Koko get back in the inkwell and it begins laughing, before panting.
The Martian triumphantly returns to Mars with stolen library books on the oil industry. After reading from them the population of Mars deserts Ogg and sets up their own oil companies. The short ends with the slogan "destination unlimited" written across the screen.
A wooden Doric capital tops each brick column. The top of each capital is protected by zinc and tin flashing. The colonnade is topped by a wide trellis. The trellis consists of beams made of wooden planks, set upright on their short ends.
It was also placed to neutralize attempts to flank the ambush from nearly every direction. Ambushing units deployed along the two short ends of the 'Z' could fire in either direction. The 'Z' ambush was dangerous to ambushers because ambush elements could easily fire into each other.
The rectangular outer coffin bears on the lid three text columns. On the long sides there are four double columns on each side. At the top of the long sides there are two horizontal text lines. The short ends have two columns and again two horizontal text lines.
When the storm passes, the Spirit of Spring comes back, frolicking. A bruised and battered Pluto comes out of his doghouse and blames all his misfortune on the unsuspecting fawn and chases him down trying to take revenge. The short ends with Pluto chasing the Spirit into the distance.
Remembering that he lives in the United States, Donald embraces the statue, saying, "Am I glad to be a citizen of the United States of America!" The short ends with a caricature of Hitler's angry face, and a tomato is thrown at it, forming the words The End.
Stamps in a 'coil' configuration In 1923, during the production of the U. S. Fourth Bureau definitive series, four coil waste issues were made from short ends left over after the long printed rotary rolls had been cut into proper coil lengths (such as 500 or 1000 stamps). The excess production occurred in the coil versions of the 1¢ Franklin and 2¢ Washington stamps (Scott #597 and 599). One batch of each issue had been perforated 10 vertically, and those stamps were then perforated 11 horizontally to produce Scott #578 and 579; the remaining, smaller group of short ends had not been perforated, and these were finished with gauge 11 perforations on all sides (Scott #594 and 595).
Upon hearing this, the lion leaves his stuffed head slot and runs outside. Other animals, apparently not dead, leave their slots as well. Fudd explains to the audience that he set a new record this year for quickest time that the animals ran out on him, and does his trademark laugh as the short ends.
The palace was extended on both short ends by drawings of Carl Fredrik Adelcrantz, together with a bell tower. It was given to the Queen dowager Louisa Ulrika of Prussia as a residence for her widowhood in 1771. The palace was abandoned for over a hundred years after the death of Lovisa Ulrika in 1782.
Numbering runs 1 to 63 consecutively, anti-clockwise; traffic circulates clockwise (plus two- way at short ends). Montagu Court (similar age to Brymon Court) has merged No.s 27 to 29 at the north end of Montagu Square. Brymon Court has merged No.s 31, 32 with the first two even numbers of Upper Montagu Street.
The five minute short ends with a photographer shooting from a hotel window, the Tank Man image reflected in his lens, despite the fact that the original photograph was taken with a Nikon camera. Following censorship of the Leica brand on Sina Weibo, Leica revoked the advert and sought to distance themselves from it.
He produces a gun and shoots her before starting a brawl with the entire stage team. As Keaton and St John keep the strongman busy, Fatty loads a trunk full of weights and drops it on the strongman's head, knocking him out. The short ends with Fatty visiting the assistant in the hospital who is recovering well.
The arena only had stands at the short ends. The record attendance at Sporthallen is 2464, in a top-of-the-league clash against Redbergslids IK in February 1948. At the end of 1964, the team moved to Kristianstads Idrottshall (Idrottshallen), its first "proper" arena. It was the first arena of the club to host international matches.
She drops the key to the lock down her neckline as the startled Pepé says, "Oh, no!" and runs away. As Pepé runs as fast as he can, the cat follows using Pepé's familiar hopping pace. The short ends with Pepé telling the audience: "You know? It is possible to be too attractive," while continuing to run.
She panics and seems to start drowning. Mickey uses a row boat to rescue her and return her to the shore but Minnie is still visibly shaken from the experience. Mickey starts singing the tune of "Rocked in the Cradle of the Deep", a maritime ballad, in an apparent effort to cheer her up. Minnie cheers up and the short ends.
"The Dog Lovers Hour" comes on again, and Wover, incensed by the events of the day, further fueled by Canine's propagandism, gets off the couch and limps to the studio (as he has one hind leg in a cast). Elmer arrives back in the living room just in time to witness Wover attacking Canine on television, as the short ends.
The short ends with Donald having to forget about that date. The short introduced Daisy's theme song "Crazy over Daisy," and in later appearances, Donald can be heard whistling the tune, such as in "Out on a Limb" and "Donald the Dude Duck." Daisy's final appearance in the Golden Age of American animation was in Donald's Diary (March 5, 1954).Donald's Diary .
Hathorn Hall is centrally located on the Bates College Campus, which is located northeast of Lewiston's commercial downtown area. The hall is a rectangular brick building, three stories in height, with a hip roof capped by a cupola housing an open belfry. Low pedimented gables rise from the short ends of the roof. The gables and the roof's cornice are studded with modillions.
More money was spent on music licensing than for the film itself. Much of the film was shot using short ends, which meant many of the scenes could be filmed for about 60 seconds. Mikey's apartment is located in the Franklin Village area of Los Angeles, a few miles from the Dresden Room. It was Favreau's real-life apartment at the time.
Additionally, if the unshot footage is going to be thrown away almost immediately, then this is considered waste footage. Short ends only exist if there is both enough unexposed film left in the magazine to warrant using it to start a new magazine load and also if there is either a magazine or a film can available to store it in the interim. Otherwise, the film may have to be wasted if there is nowhere it can be kept safely away from any light. Short ends may exist for a number of reasons, but usually they are either created at the end of a shooting day when the exposed film is unloaded to be sent with the day's rushes or at the end of a film shoot when there is still film left in the magazine on the movie camera.
Michael writes a "suicide" note stating that he wanted to live and crams it in Hattie's mouth, causing her to fall to the floor motionless. Michael, Rachel, and Joe are then shown happily playing cards outside at a later date. The short ends with Michael turning to look at water spilling out of a hose with a terrified look, implying that Hattie may have possessed him.
A four-faced Sáhkku die, "unrolled" at right to show one of its several standard configurations. The dice used for sáhkku are four-faced long dice or "stick dice". They are shaped like slightly elongated cubes whose short ends are sharpened to points so that they can only land on four of their sides. One side of each die bears the mark "X", the sáhkku symbol.
He endures the whole process until feeling able to stay calm throughout it. He visits Daisy again and this time calmly opens the window. But when Daisy shows her boyfriend her new hat, his reaction is uncontrollable laughter. Daisy goes into a rage of her own and the short ends by pointing out that Donald is not the only Duck in need of anger management training.
Stipules are of medium length, a bit extended at the base, strongly dented. Leaves during period of fruit production have short ends, shrunken at their base, have intense green color and are supported by medium-length leaf stalks. Flowers: medium or rather small, elliptic, concave petals, covering partially each other; short, a little bit large, almost sharp, strong red divisions of calyx. Pedicel is short and strong.
The diner has the classic barrel-shaped roof, with canopies extending over the entrances, which are on the short ends of the structure. The walls are paneled in enamel that is yellow with light blue trim. Inside the diner, there is a marble counter extending most of the length of the diner, excepting staff access points at the ends. Customers sit at fourteen metal stools with red details.
Donald and the nephews take turns dancing the jitterbug with her while trying to get rid of each other. In their final effort the three younger ducks feed their uncle maize in the process of becoming popcorn. The process is completed within Donald himself who continues to move wildly around the house while maintaining the appearance of dancing. The short ends with an impressed Daisy showering her new lover with kisses.
In their final effort, the three younger Ducks feed their uncle maize (corn) in the process of becoming popcorn. The process is completed within Donald himself who continues to move spastically around the house while maintaining the appearance of dancing. The short ends with an impressed Daisy showering her new boyfriend with kisses. Like her precursor, she was initially voiced by Clarence Nash, but later had a more ladylike voice.
The short ends as Mickey is hit with an entire bed and knocked dizzy. Stalling's score for The Karnival Kid features two notable themes. During the "Shimmy Dance" sequence, a monkey, performing as a one-man band, plays the Snake Charmer song, the common name for The Streets of Cairo. During the moonlight serenade segment, Mickey and the cats perform a rendition of the barbershop standard Sweet Adeline.
Just as Porky departs, the lit fuse follows Daffy into his hotel office; the hotel explodes and has to be closed for repairs. The short ends with Daffy asking the composer for “a little traveling music, please” (a reference to The Jackie Gleason Show) before running out of the now-ruined hotel and running away with his trade- mark laugh in pain as his tail feathers are on fire.
A historic district comprising these six buildings was listed on the National Register of Historic Places in 2012. The townhouses stand on a large parcel of land deep, with of frontage on Market Street. The lot has been divided into three sections, each of which contains two townhouses facing each other across a central private road (Wood Way, Washington Way, and Prospect Way). The short ends of the townhouses face Market Street.
Once Oswald finds the fox hiding in a log hitting the dogs with a club, Oswald gets an idea to have the dogs go on the other side of the log while Oswald rolls up the log to get the fox out. Instead of finding the fox, the dogs and Oswald run away in fear after finding a skunk. The fox takes off the skunk costume and laughs while the short ends.
In May 1929, they produced a short pilot cartoon, similar to Max Fleischer's Out of the Inkwell cartoons, Bosko, the Talk-Ink Kid that showcased their ability to animate soundtrack-synchronized speech and dancing. The short, plotless cartoon opens with live action footage of Ising at a drafting table. After he draws Bosko on the page, the character springs to life, talks, sings, and dances. Ising returns Bosko to the inkwell, and the short ends.
Sure enough, Sylvester and the bulldog fall into a junkyard after the train cuts their chains. At first, both continue to argue about how dumb the plan was, but are joyous when they realize they aren't shackled together anymore, but their joy is short-lived when they look down and notice they're now connected by leg via a pipe. They hear police sirens coming their way and hop down the road to escape as the short ends.
Hosted by various members, these videos are typically short segments ranging from one to two minutes in length. These short videos discuss upcoming movies, new trailer drops, celebrity controversy, or filming and production issues on set. These short pieces are uploaded shortly after breaking news. Each short ends as the host asks the viewers their opinion on the story and encourages fans to post comments for further discussion on the next episode of the Movie Talk panels.
The camera equipment used in filming was all owned by Milligan so he didn't have to rent equipment in order to film, this also cut production costs by over $2,000. Milligan also filmed the movie on short ends; using old and leftover 16mm film reels from other local film productions. The film's gory special effects were limited and had to be used effectively under a limited budget. This included using organs from animals and other practical effects.
Mickey again catches the seagull in his bait and after the bird tries to fly away carrying the bait, Mickey throws a rock in it which weighs it down. To overcome this, the seagull spells out "FREE FRESH FISH" using flag semaphore to get the other seagulls to chase Mickey and Pluto away. The short ends with the seagull floating away with his portable radio and fish in his mouth singing the song "The Simple Things".
A short end is a partial roll of unexposed film stock left over during a motion picture production and kept for later use. The short end may be sold to a film dealer who will resell it to productions who are in a position to use it.Use of Short Ends, Recanned, and Factory Packaged Film, Technical Bulletin Short ends most commonly occur either when the film left in the camera magazine is shorter than the amount expected to be required for the next take or at the end of a shooting day when all of the day's exposed footage needs to be sent to the film lab. When this occurs, the clapper loader will break the roll at the loop protruding from the magazine; the exposed footage is placed in a black bag inside a film can, sealed, and labeled for film processing, while the unused short end will be placed in another black bag in a film can which is then sealed and identified by length, type, which original roll it came from, and when it was unloaded.
Union Hall is located in the village center of Searsport, on the east side of Reservoir Street a short way north of United States Route 1. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboard siding. The ground floor is relatively low, housing town offices, while the upper level is tall, housing the auditorium space. The building has quoined corners, bracketed eaves, and entrances on the short ends that are flanked by pilasters.
Furious at Stitch for ruining his relationship (as he sees it), he finds him in a bar and starts to beat him up. Stitch, however, reveals that he was jealous not of Pete but of the two girls, and that he had wanted Pete himself all along. The short ends with the two of them in bed together, Pete wearing his motorbike helmet, and Stitch a pair of nipple clamps whilst drinking from a bottle of whiskey. The entire musical score is performed by Big Boss Man.
Brothers Adam and Kipp Marcus comprise the writing, producing and directing team behind this independent film, and Kipp also appears as the male lead. Kipp asked movie studios for their short-ends (unused film) at a cheap price to have enough film to shoot in 35mm. Kipp had wanted Bernadette Peters for the role of his mother, Elise, but when her agent said that she was too busy, he sent her the entire script via fax. After meeting with Kipp she accepted the part.
Following the Revolutionary War and the exodus of most Mohawk from New York to Canada, under pressure as allies of the defeated British, the church was used by a variety of Protestant congregations in the area. Dutch Reformed (1800–1820), an interdenominational Union Congregation, a "short-lived" Presbyterian congregation, and Lutherans from 1838-1855. A new Union Church Society took over the church and accomplished some renovations beginning in 1855. It changed the orientation of the building, so that the short ends face north and south.
However, while in the elevator, both Karan and Tee each receive a phone call, saying that Bump and Ging were found dead under the stairs. It turns out that Bump and Ging fell off the stairs and plummeted into the first floor after being frightened from Karan and Tee's floating head prank. Realizing the two employees behind them are already dead, Karan reaches for the buttons to get off, but is hindered by Bump. The short ends showing the elevator descending into the darkness.
Moss Hill stands on a wooded and hilly lot on the east side of Litchfield Road, south of Norfolk village. It is a large 2-1/2 story structure, built of stone and stucco with half-timbered gables in the Tudor Revival style. Its main block is covered by a hip roof with paired gables set in the short ends. A 2-1/2 story ell extends eastward from the main block, and a gabled entry section projects slightly at the center of the western facade.
The final match is played at Ullevaal Stadium (national stadium) in November or December, and takes place near the end of the Norwegian football season. The cup is very popular in Norway, and tickets for the final match are hard to get hold of, as the game usually sells out quickly. The supporters of the two teams playing in the final match are seated at the two short-ends of the pitch, while the more neutral supporters are seated by the long-ends. The match is also televised on national television.
The ghosts all stop at the spot where Popeye had been and wonder where he's gone. Popeye then appears in ghost form and punches all the ghosts so hard that they become solid. The now solid ghosts then crash into a wall, which kills them and allows Olive to take the ghosts and sew them together into a new sail. With the ship now ghost free, Popeye and Olive sail off into the sunset back for civilization and sing Popeye's song as the short ends - and the cartoon series with it.
The movie came out of a bet made between producer Jon Davison and Roger Corman that Davison could make a film cheaper than any other that had been made at New World Pictures. Corman granted him a budget of $60,000 and only allowed ten days of shooting instead of the usual 15. The filmmakers achieved this by coming up with a story about a B-movie studio which could incorporate footage from other movies that Corman owned. The film was shot in October 1975 on short ends of raw stock left over from other movies.
There are no visible remains of the portico today, but its dimensions and basic structure are known. It was rectangular, measuring about 120 meters in length and 95 meters in width; one of the short ends was aligned with the Clivus Suburanus. The Severan Marble Plan (see image above) thankfully preserves parts of the portico, showing its large rectangular shape, the double colonnade, the rectangular enclosure in the middle, and the access points to the streets. The portico included gardens, walking space, and works of art such as paintings, creating a luxurious and leisurely area.
Thus each snapped-off piece is roughly a parallelogram, with each long edge being a breaking edge, and one or both of the short ends being a sharpened edge. Inexpensive stamped steel and aluminum box cutter with disposable razor blade. Another utility knife often used for cutting open boxes consists of a simple sleeve around a rectangular handle into which single-edge utility blades can be inserted. The sleeve slides up and down on the handle, holding the blade in place during use and covering the blade when not in use.
The Central Falls Mill Historic District is located between Roosevelt Avenue and the Blackstone River in Central Falls, Rhode Island. It encompasses a collection of six mill buildings, as well as a stone dam which impounds the river, representing the finest mill constructions in the city during the 19th century. The layout of the buildings, whose short ends face the river and Roosevelt Avenue, was defined by a series of trenches (now filled in) which channeled water from the river to power the machinery of the mills. The oldest building dates to 1825, and the most recent to c.
With a limited budget the cast and crew shot on film; they used 'short ends' – sections of film left over in the canister – cheap to buy but with limited use. Christian says: 'we were constantly trying to shove a 4 minute scene into a 2 minutes film stock!'A Look Back at Never on Tuesday, Kelly, Interview with Claudia Christian for Claudia Christian Official Website, April 18, 2011 [accessed] June 2, 2011. Never on Tuesday is Rifkin's directorial debut, an independent film with a small cast that features cameos from many of Rifkin's mainstays such as Cary Elwes, Judd Nelson, and Charlie Sheen.
When Jordan mentions he plays in a band, Riley's father recalls his own memories of being in a band, and the two begin to bond over their shared love of AC/DC. Riley and her mother come downstairs, to see her father and Jordan playing air guitar to AC/DC's "Back in Black", causing embarrassment to Riley. Riley quickly rushes Jordan out the door as her parents watch, concluding that Jordan is a "good kid" and feeling nostalgic about their own love. The short ends with Riley's parents sharing a kiss, causing Riley's Dad's emotional center to erupt in excitement, and celebrate once again to AC/DC's "Back in Black".
Nicole Clark of San Francisco Chronicle said that Kitbull uses "unlikely animal companionship to tell a larger story about compassion, friendship and redemption". She stated that the short "ends with a beautiful, sweeping vista of San Francisco, from the top of Bernal Hill", adding that "the location perfectly captures the full emotional swell of the short", "the warmth of a new friendship" and "the hope of a new beginning". The short's use of traditional animation has been praised by critics. Chris Pastrick said that the short "is special in that [it is] the first entirely hand-drawn feature from the studio known for its cutting-edge digital animation".
After both men have fallen to the ground from their separate shootings, another man, Eric (Shia LaBeouf), enters looking for them (saying he's "just thought of the funniest thing"). Dave comes back to life to shoot Eric in the stomach, who collapses, once again to the same music. The sister herself (Kristen Wiig) enters the scene, and begins to read the letter ("Dear Sister, By the time you read this...") until she too is shot in the gut several times by each of the three men on the ground, with the music cue restarting with every shot, until she collapses too. The short ends as two police officers (Jason Sudeikis and Fred Armisen) are observing the crime scene.
The Unitarian Meetinghouse is a historic church at the junction of Connecticut Routes 169 and 6 in the village center of Brooklyn, Connecticut. Built in 1771, it is one of a small number of pre-Revolutionary church buildings in the state, and distinctive for having a sufficiently complete documentary record to support a complete restoration. It retains a configuration distinctive of that period, with its main entrance on the long side of the building, and the pulpit opposite. The bell tower with steeple is located at one of the short ends, suggestive of the 19th century change to place the entrance there as well. The building was listed on the National Register of Historic Places in 1972.
The shooter may only make contact with the object ball by throwing the shooter ball from one of the short ends of the table, not from the sides. The validity of a shot at the end of the table is determined by the location of the player's crotch with respect to an imaginary 45° line drawn (or extension of long side imaginary line -ACPA) from the corners of the table. Failing to be within the end of the table while shooting the shooter ball is a foul, called 'Balls' (or 'Lips' if female), and the offending player is assessed a life. If the player is unable to hit the object ball with the shooter before the object ball stops moving (dead ball) he/she loses a life.
The video begins as a parody of opening credits sequences of 1970s, 1980s and 1990s American situation comedies, then television crime dramas, prime time soap operas, Saturday- morning cartoons, superhero live-action series, slasher films and science fiction television shows, with each of them gradually bleeding into the next. Particular focus is put on a slasher film villain (played by William Tokarsky), who is hidden in the background of several early shots but eventually starts killing the other characters with a machete. The opening credits sequence ends after about ten minutes and transitions into the "episode", with all the characters from the opening standing in the one house; the short ends roughly ten seconds later, cutting to closing credits before a full line of dialogue can be spoken.
As a filmmaker, Esther Anderson's first film Short Ends"Jim Capaldi – The Contender", Senza tempo was an official selection at the 1976 Edinburgh Film Festival. She researched the lives of people of colour at the Library of Congress, Washington, DC, developing the idea of making films on positive role models. The first of these films, The Three Dumas (the story behind The Count of Monte Cristo), was produced in collaboration with architect Gian Godoy under the banner of Trenhorne Films (UK), and is a dramatised documentary about novelist Alexandre Dumas and his ancestors: the grandson of the French Marquis de la Pailleterie and an enslaved African, Dumas overcame all the obstacles of prejudice to become a role model of contemporary literature. Anderson herself portrays General Toussaint L'Ouverture, leader of the Haitian Revolution.
Identification is critical, as there will be no other way to know what exactly is inside the can. Short ends cans should also be sealed in either white or colored gaffer tape, depending on what (if any) color scheme is being used to identify film types; in any case, black gaffer tape should not be used, as it is considered the standard tape color used to seal exposed cans. Alternatively, in the event that the footage will be needed very shortly, the short end may not leave the magazine in the first place, but rather be freshly threaded through the magazine as if it were a new roll. If the entire roll has remained unshot and is to be unloaded back into a can, this is technically not considered a short end, but rather a re-can.
However, the animals that he meets (a rooster, a mole, a cat, a mouse named Herman, and a group of hens) take one horrified look at him, scream: "A ghost!" and run off in the other direction. Distraught, Casper unsuccessfully attempts to commit suicide (apparently forgetting that he is already dead) by lying down on a railway track before an oncoming train, before he meets two children named Bonnie and Johnny who become his friends. The children's mother, apparently widowed and impoverished, at first is frightened of Casper, but later welcomes him into the family after he unintentionally frightens off a greedy landlord, who, unwilling to own a "haunted" house, tears up the mortgage and gives her the house outright. The short ends with the mother kissing Bonnie, Johnny, and Casper as she sends them off to school, with Casper wearing clothing as if he were a living child.
Often working with budgets under $10,000, his movies feature very tight framing that helped cover up his very low budgets, particularly in the case of the period pieces that were most of his horror movies. His ability to make movies with such low budgets is why Mishkin often hired him and Mishkin's influence on the 42nd Street grindhouse circuit meant that Milligan's pictures played there often. Milligan filmed all of his movies on short ends; using old and unused leftover film reels of 16 mm and later 35mm film that he acquired through various means from other film sets as a means to keep production costs down. In 1968, Milligan began to make horror movies featuring gore effects with The Ghastly Ones, a 19th-century period piece and his first color film which was produced by JER and titled by Sam Sherman. In 1969, he made his next horror movie, a medieval period piece titled Torture Dungeon, after which he moved to London, England to make movies there after having made a deal with producer Leslie Elliot.
Propositions for a modernisation of either of the two Ullevi stadiums, or construction of a new stadium were revealed in April 2002. Four different plans were presented; construction of movable seating on the short ends of Ullevi, two different ideas for renovation and expansion of Gamla Ullevi, or to demolish Gamla Ullevi and construct a new arena on that site. Other propositions in 2002 and 2003 included building a new stadium in Mölndal, a neighbour municipality of Gothenburg, a new stadium built on the site of the old stadium Valhalla IP, located between Ullevi and Scandinavium, and a third suggestion wanted to demolish Gamla Ullevi and move all football activities to the larger Ullevi which would be rebuilt to a dome arena, with a rotatable pitch that would move it closer to the seats for regular season matches. Another plan was revealed in January 2005, and proposed a giant sport complex on the site of Valhalla IP, having both a football stadium (28,000 seats) with a retractable roof and an ice hockey arena (12,000 seats) built wall to wall, sharing several components such as pubs and restaurants.

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