So restaurant tabs are paid in sheafs of bills but seem ridiculously cheap compared with past visits.
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Reina and Ferolla's desks face each other; both are stacked with sheafs of sketches, paper samples and swatches of fabric.
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But the Liberal Democrats, relying on more recent polling, have distributed their own sheafs of charts with exactly the opposite message.
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Yet Trump's attack did not seem off-the-cuff -- he appeared to be reading from several sheafs of paper as he jabbed Martinez.
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The arrival of a disturbed Hungarian with sheafs of exquisite drawings insulating his greatcoat revives Lucius' mission to see into the human brain.
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They were photographs: sheafs of yellowing prints that depicted "scenes from provincial life," as his three volumes of autobiography are subtitled, as well as undeveloped negatives.
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There are sheafs of handwritten notes, handpicked flowers painted gold, Christmas songs and brass trumpets and photos of high schoolers resplendent in red and green polo shirts, standing among fake Christmas trees and cotton-ball snow.
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FreedomWorks, which is planning a rally in Washington on March 15 to inaugurate its "month of action" on the Affordable Care Act, is sending its activists to Capitol Hill armed with sheafs of paper with quotes from Republicans who have called for repeal.
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So far, Adkins has featured an impressive hand-painted dress inspired by Vasily Kandinsky's Composition 8, a polka-dotted jumpsuit inspired by Yayoi Kusama's Infinity Mirrors, and a long white jacket colorfully accented with multicolored sheafs inspired by Henri Matisse's large-scale ceramic, La Gerbe.
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The very title of "The Report" lays out the movie's most daunting challenge: How do you engage, never mind excite, an audience with sheafs of classified documents, vaultlike work spaces and reams of expository dialogue — chunks of it delivered by impassive men in identical gray suits?
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Advertise on Hyperallergic with Nectar Ads Last year, the African American Quilt Guild of Oakland (AAQGO) — a group of about 80 women who meet monthly at senior centers amid sheafs of fabric and spools of colorful thread — embarked on an ambitious project: They would create narrative quilts that told the complex social, political, and cultural history of their California city.
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The stacks depicted in the series are commonly referred to in English as hay, wheat or grain-stacks. In reality they stored sheafs of grain primarily for bread—so wheat [or possibly barley or oats]—and not hay, an animal food. The stacks were a way of keeping the sheafs dry until the grain could be separated from the stalks by threshing.Lemonedes, p. 143.
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On each corner is a small carved circle containing carved sheafs and portcullises. The roof consists of a tiled spire, and at its apex is a lead finial surmounted by a copper fish which acts as a weather vane.
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Their motto is: Maiorum Institutis Utendo, or in English, By following in the steps of our forefathers. The flag of the city of Dunedin is a banner of arms in white and green and featuring the castle, lymphad, ram's head and wheat sheafs as on the coat of arms.
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The name is based on the offering of the first sheafs in Leviticus 23:10. In 1957, residents of the ma'abarot in the vicinity moved to Omer. In 1962, it was renamed Tomer and became a neighborhood of Beersheba. Since 1974, it has been an independent town and suburb of Beersheba.
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Published by Colchester Archaeological Trust () Common motifs on the Camulodunon coins included horses and wheat/barley sheafs,Crummy, Philip (1987) The Coins as Dating Evidence. In Crummy, N. (ed.) Colchester Archaeological Report 4: The Coins from Excavations in Colchester 1971-9. Published by Colchester Archaeological Trust with the names of the rulers written mostly in Latin script, and more rarely in Greek.
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During his time at the WPA, Cashwan created several sculptures for outside display at Michigan State University. At the Olin Health Center, he created bas-reliefs of the Greek gods Panacea and Hygeia. AT one of the University entrances, he created a sculpture of a man, a woman, a horse and several sheafs of wheat. These figures symbolized the university's beginnings as a school of agriculture.
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The usual Christmas decorations are spruce twigs, Christmas tree, Christmas wreaths, straw goats, himmelis, apples, candles, Christmas tablecloths, Christmas flowers, outdoor torches, ice lanterns and sheafs. To preserve nature, some people choose a tree in the garden or nearby forest to decorate for the birds, instead of buying a Christmas tree. The tree is decorated with fat balls. Before giving out the presents, some may light candles for the dead.
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Several of the tracks sample Alan Lomax's European field recording from the 1950s. The album is noted for its advanced editing techniques and global musical perspective, with Spin describing it as: "an ambitious, sprawling record, a catalog of fever dreams, where styles and sounds dovetail in transparent sheafs of blotter paper...." The album takes its cues from the editing techniques of Teo Macero (Miles Davis' producer). Kanye West's style of editing and sampling on Yeezus and the Life of Pablo were also particularly influential to Gat's approach on Universalists. The music video for "Medicine" was inspired by the visual style of Jean Rouche, a French Documentary Film- Maker.
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Stilbite is abundant in the volcanic rocks of Iceland, Faroe Islands, Isle of Skye, Bay of Fundy, Nova Scotia (where it is the provincial mineral), northern New Jersey and North Carolina. Salmon-pink crystals occur with pale green apophyllite in the Deccan Traps near Mumbai (Bombay) and Pune, India; white sheaf-like groups encrust the calcite (Iceland-spar) of Berufjord near Djupivogr in Iceland; brown sheafs are found near Paterson, New Jersey in the United States; and crystals of a brick-red color are found at Old Kilpatrick, Scotland. Iceland is generally considered to be the type locality for stilbite-Ca. It is presumed to be the Helgusta Iceland Spar Mine, along Reydarfjordur.
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A fenodyree in Manx folklore is considered a kind of fairy (), covered with copious amounts of body hair, normally conducting itself in a naked state without wearing any clothing. Comparable to Anglo-Scottish brownie, the creature is said to be oftentimes helpful to humans, performing arduous tasks such as transporting great blocks of stone, or clipping meadow grass with stupendous speed. For his talent in the grass-cutting skill, he has earned the nickname or "the nimble mower", and is sung in a Manx ballad by that very title. A bit of leftover food was all he asked for reward, according to a ballad: "His was the wizard hand that toil'd / At midnight's witching hour / That gather'd the sheep from the coming storm", and all he required were "scattered sheafs" and "cream-bowl" left on the meal table.
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Ridgen made Return to Mississippi in 2004 for CBC Television, about the potential for a trial in the case of the three Mississippi Burning victims: civil rights workers Michael Schwerner, James Chaney, and Andrew Goodman. During the production of Return to Mississippi, Ridgen learned of the 1964 Klan murder of two 19-year-old African-American men, Henry Hezekiah Dee and Charles Eddie Moore. This led him to produce his next and probably most famous film, Mississippi Cold Case, a documentary so compelling it led Mississippi state officials to re-open their investigation into the case, which resulted in Klansman James Ford Seale being convicted of conspiracy and kidnapping and handed three concurrent life sentences. Ridgen and Mississippi Cold Case won many awards, including the IRE Top Medal for Investigative Reporting, a Gemini for Best Director, a CAJ for Best Investigative Program, several Yorkton Golden Sheafs including Best of Festival, a CINE Golden Eagle and an Emmy Nomination for Best Investigative Documentary.
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In support of this is the fact that Demeter and Kore were worshipped in Carthage, where they had had a temple since 396 BC. Furthermore, the one significant change made to the image is the addition of a wreath made out of sheafs of wheat, which might have been intended to make clear that the image depicted Kore, as goddess of grain and the harvest. Donald Harden argued that the head should be interpreted as the Carthaginian goddess Tanit, "in the guise of the Sicilian Persephone [i.e. Kore]." Kenneth Jenkins suggests that this could be linked with the interpretation of the horse on the reverse as a symbol of Baal Hammon, since one of Tanit's main epithets in Carthage was Pene Ba'al (face of Ba'al), but he concedes that evidence that the Carthaginians identified Tanit with Kore is "lacking." Jenkins interprets the ray-ed disc that accompanies the horse on the reverse of one issue of the silver (within sub-group B), as supporting the identification of the horse with Baal Hammon.
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