155 Sentences With "shadings" | Random Sentence Generator

Blue shadings are cooler than average (the darker the cooler).

But of course the imperial project involved even darker shadings.

But Schnabel's account also has exciting sweep and wondrous shadings.

You can see these shadings in Bedlam's fleet, appealing, overstretched revival.

He could pack infinitesimal shadings of nuance into a rhetorical question.

These different shadings of American history were shaped by partisan politics.

Orange and red shadings are warmer than average (the redder the warmer).

These aren't mere exaggerations or truth shadings; they are often just lies.

Ms. Netrebko sang with a captivating blend of shimmering richness and textured shadings.

Nelson's cool shadings contrasted with Greg's manic poetry, like Ornette Coleman on LSD.

Ms. de Niese, though strained at times, sang with fullness and richly expressive shadings.

She has a fine feel for the complexities and shadings of that distant past.

She's so capable of shadings and nuances and complexities in the representation of her character.

Or a SET of cards that have all different shadings that are purple and red.

But "UnREAL" was every bit as provocative and daring, and more complex in its moral shadings.

The impressive soprano Elisabet Strid, as Sieglinde, sang with radiant, focused sound and poignant expressive shadings.

And the colors and shadings, the cool beauty, the sheer imagination of his playing are remarkable.

Greene worked this deficit to his advantage, making photographs that are painterly in their muted shadings.

For instance, you might create a SET of cards that are all purple, but have different shadings.

And the task of restoring those original colors and shadings — their nuances — is, I believe, still incomplete.

Her running mate won't be some fresh lens through which voters notice new shadings and dimensions of her.

The third variety comes in all sorts of shadings, from an almost-sleeping type to a practically hostess pajama.

Politics has always involved shadings of the truth via whisper campaigns, direct-mail operations and negative ads bordering on untrue.

During a final episode the music becomes like a dance for Apu, all swirling arpeggios, fractured rhythms and myriad shadings.

He wrote Cleopatra "for the timbre, the shadings — everything about my voice, which is not too shabby, actually," Ms. Price said.

And as a love interest for Curtis, one of the show's most underused characters, she brought out welcome shadings in his characterization.

The performances abounded in scintillating grace, wondrous shadings, even touches of impetuousness — all the qualities that distinguish his Chopin, Liszt and Schumann.

By the third Glinka song, the poignant "Say Not That It Grieves the Heart," he seemed considerably freer, singing with warmth and dusky shadings.

Bazille's near-copy of the work, made the following year, clings to tonal shadings of the same elements, objectifying them to tedious, static effect.

The real interest lies in the interplay of the characters, and in the shadings Ms. Beckinsale gives to Susan, who is at once heroine and villainess.

White, writing with a microscopically attentive eye to the fine shadings of the period, gives a full picture of terror rampant, justice recumbent, and liberty repressed.

Robert noticed blond shadings of bedrock surfacing from the earth, and for a moment he conjured up humpback whales rising around him, their skin mica-flecked.

We now live in a world where those points of view, and all the shadings in between, are all out there to be heard and seen.

Mr. Tyner's playing on this track is disciplined and neatly contained, but you can easily spot the signature shadings of his harmonies and his trilling ostinatos.

The enigmas of "Persona" and the emotional shadings of "Scenes From a Marriage" are unlikely to be illuminated by any new revelations about their maker and star.

So, too, does Mr. Estrada bring fine emotional shadings to Eddie, whose chilly frustration with the woman whose life he becomes entangled in melts into something warmer.

The screenwriter, Tony Marchant, keeps the main incidents of Conrad's plot but lays them out chronologically, losing the revelations and shadings of the novel's flashbacks and flash-forwards.

By contrast, Zosha Di Castri's "Patina" wove contemporary preoccupations — with microtonal shadings and the relation of noise to music — in a score tense with wild fluctuations in temperament.

Under Little Mom's tutelage, she spent much of her recovery committing astrological calculations, planetary shadings, and celestial meanings to memory under a lilac tree in her grandmother's garden.

The image captures a wide array of phenomena; some fall under the category of halos, while the more diffuse shadings closer to the moon are from a corona.

One is immediately certain that he has learned all his lines, considered various deliveries, searching for the tonal shadings between comedy, melodrama, and tragedy that make the play sing.

And in the season's final two hours, Cooperman gets more dimensions and shadings, as we learn just what drives him and get a poignant back-story for his clicking device.

My Favorite Page The German baritone Christian Gerhaher is the foremost lieder, or art song, singer of our time, able to blend poetic intelligence with endless shadings of vocal color.

New delights, such as an exploration of Cicero's lost Hortensius, beloved by Augustine and pieced together by scholars through scattered mentions in the ancient record, add surprising shadings to Augustine's personality.

In addition to his usual eloquent, communicative delivery, Mr. Scholl showed a typical care for diction in a nonnative language, delicate shadings of tone color and dynamics, lively humor and so much more.

The qualities of Mr. Kaufmann's voice that have made him the most sought-after tenor in opera were vividly present, especially the unusual combination of burnished, virile sound and slightly covered, dusky shadings.

Born to American parents in Stuttgart, Germany, Pelton (1881-1961) could be filed under visionaries: Her abstract paintings, many created in the California desert, tried to fuse color, sound and vision with occult shadings.

She discussed her musical and cultural upbringing; hearing Beninese shadings in music across the world; and why she wanted to present a concert of African music that included musicians from the United States, too.

With this phrase the absurdist, irrational hole opens up: the words that are mobilized around the conflict, that are used even to describe it to others not directly involved are crucial shadings of meaning.

I was among them — I broke down sobbing like a fool the first time I saw it — and not for its melancholy and bittersweet shadings, but for its beauty, its artistry and its unbridled joy.

George Washington Cable's "The Grandissimes," a novel about a white Creole and his quadroon half-brother with the same name, because I've become fascinated by the complex shadings of race and class in 19th-century New Orleans.

My orientation is almost always to seek out what's good in a wine, and to be open to the subtleties and gray shadings that are often more accurate representations of reality than blanket, black-and-white judgments.

It's difficult to not see similar shadings between these young people and the ones who, frustrated by the failings of Bernie Sanders' socialist wave, found comfort in the upstart, albeit wildly nationalistic and authoritarian, political agenda of Donald Trump.

In the early stages of promoting Trump's tax cut, they have made a series of statements that are blatantly false — not merely shadings of truth or questionable claims but outright up-is-down falsehoods mocked by various fact-checkers.

Gray is especially adroit at rendering these intricate emotional shadings.) In one scene, Alan (a first-rate Todd Cerveris), a friend of the couple's, tells Stephen to bring Anne to dinner, so that they can all say exactly what they think.

The whole aim of Cézanne's painting from the eighteen-seventies on is to build up landscape and still-life from the pictorial equivalent of monosyllables—from small, square constructive marks, like the cross-shadings of a pencil, which make space by being overlaid.

Dense yet airy, with biting diction and dramatic dynamic shadings, the Trinity choir sang a furious "Surely he hath borne our griefs" and an "All we like sheep have gone astray" of rollicking, almost celebratory intensity, egged on by a muscular, unrelenting orchestra.

" He said that the ethical shadings of elected officials were much harder for voters to grasp than something as clear cut as an indictment, adding, "Without an indictment you and I can debate all day what is ethical and what isn't ethical.

If "enclothed cognition" means one feels somehow more competent, assured and even smarter in clothes that denote professional status (lab coats were used to conduct the study), it is unquestionably the case that the suit made me smarter, in several shadings of the word.

As much as Hanks tries to give his nice-guy CEO darker shadings, he's a mostly incoherent character, there to make big speeches when the movie requires one, but never built up enough to be the true villain the movie's climax wants him to be.

In books like "Founding Brothers," which won the Pulitzer Prize in 2001, and "American Sphinx," a brilliantly drawn portrait of Jefferson, Ellis renders the founders in fine shadings: wise and bold and prescient, yes, but also, at times, blinkered and uncertain, men in conflict with one another and even themselves.

Packer, a staff writer at The Atlantic and former staff writer at The New Yorker, pulls no punches, and the complex shadings of the all-too-human personalities — including Holbrooke's widow, Kati Marton; his lifelong frenemy Tony Lake; his patron Hillary Clinton; and his nemesis Barack Obama — are painted with vibrant complexity.

The various shadings and subtle differences in words may come blurred in Ameslan communication.

Silhouette A Deux shadings combines an independently operating room-darkening roller shade with a translucent Silhouette shading in one headrail.

Beatrice of Provence with Charles I of Anjou Various are the shadings that the figure of Macalda takes on in the sources from her time.

She was admired less for her dramatic instincts and acting skills than for her superb technique, vocal shadings, and exquisite pianissimos, which were inspired by Miguel Fleta.

However, Dowling describes Müller as "impercipient of the subtle twists of theological argument, the fine shadings and compunctions of Victorian religious feeling" – a weakness that was held against him.

AllMusic's Richie Unterberger called the album "a fair collection of progressive rock tunes without a clear focus" and noted prominent influences from folk rock, blues, and classical music, as well as "occasional jazzy shadings".

Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian.

Tortoise, (UK: Tortoiseshell) a bright, clean orange with slate blue shadings along the ears, whisker beds and hindquarters. the undercolor is dark cream. Eyes-- dark brown. In the UK, Yellow (no US equivalent) and Pale Grey (US: Gold) Dutch are also recognized for show.

The Daily News called the killing an "honor slaying", an early example of the 'gay panic defense.'McNally, Desolate Angel, p. 70 If there were subtle shadings to the tale of Carr's five-year saga with Kammerer, the newspapers ignored them.Campbell, This is the Beat Generation, pp.

The employment of ventilated facades, double skin glass facades, and solar shadings take advantage of the thermal mass of existing buildings commonly found in Italy. These techniques not only work with thermal mass walls, but also protect damaged and deteriorating historic facades to varying degrees.Brunoro, Silvia.

Shoulder line markings (light grey) should be well defined. The color of the ruff and "trousers" is generally lighter than that of the body. "Spectacles" and shadings, as later described, are characteristic of the breed and must be present to some degree. There should be no pronounced white markings.

Hence, he is often worshipped by the people before they begin anything new. Paul Courtright says that Ganesha's dharma and his raison d'être is to create and remove obstacles.Courtright, p. 136. Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time.

Anna is also known for her unique pen and ink drawings, wherein she used shadings and colorings on scripted text to appear to magically form images of famous presidents and portrayals of Christ on the page. These drawings can be found in a number of Christian bookstores today.

Iverson, Ethan "Interview with George Cables (Part 1)". ethaniverson.com. Retrieved November 25, 2016. His "left hand carries subtle dynamic shadings [... He has] a reverence for melody and a sense of musical destination that gives form to his improvisations."Bennett, Bill (March 1, 2000) "John Hicks: Nightwind: An Erroll Garner Songbook". JazzTimes.

Adults are similar to Eudonia echo, but smaller and the dark shadings are more olivaceous and denser (not grey). The lines are narrowed and contrasting whitish. The reinform spot is Y shaped with a small white speck on the lower side. Adults have been recorded on wing from May to September.

The upper, arboral, surface of this star is generally pink, sometimes with shadings of gray. The radius of the arms is 2.8 to 5.0 times the radius of the central disc. The central disc contains an obvious madreporite on its upper surface. This structure filters water used by the animal.

Newsom, however, claims no ties to any particular music scene. Her song-writing incorporates elements of Appalachian music and avant- garde modernism. Newsom is a soprano. Her vocal style (in the November 2006 issue of The Wire, she described her voice as "untrainable") has shadings of folk and Appalachian shaped-note timbres.

This is one of the first compositions for pianola to include dynamic shadings. The original score consists of six staves, which means three pianists are required to perform the piece. However, Soulima Stravinsky later rearranged the orchestral score into a version for two pianos which included most of the original work's compositional density.

The program stressed data classification, and implemented six methods including unclassed, equal interval, quantile, natural breaks, standard deviation and user-defined. The unclassed method was limited to 16 shadings. Each of the remaining methods could be made with between 2 and 16 categories. Maps could be re-classified and displayed in a matter of seconds.

Elasmia packardii is a species of moth of the family Notodontidae. It occurs in Texas, Arizona, New Mexico, Oklahoma, Kansas and Mexico. The wingspan is 30–41 mm.Bug Guide The overall colour is light grey blue to grey with obscure transverse forewing markings, sometimes showing slight brownish shadings over the reniform spot and in the postmedial and subterminal areas.

They come in a wide variety of colors including black, white, red, and gold with various shadings. Lhasas can be with or without dark tips at the ends of ears and beard. The tail should be carried well over the dog's back. The breed standard currently used by the American Kennel Club was approved on July 11, 1978.

There are blackish lines, forming indistinct shades and striae, as well as blackish spots on the costa and an interrupted blackish inner line, a dark spot at the end of the cell and an outer irregular dark line, connected with the submarginal irregular shadings. The hindwings are brown with irregular darker transverse striae on the outer half.

The standard coat is a solid golden rust color in several shadings. The coat could also be described as a copper-brown color, russet gold, and dark sandy gold. Solid, dark, mahogany red and pale yellow are considered faults and a disqualification in competitions. Small areas of white on the fore-chest, neck, or tail are permissible but not preferred.

Pelorus Jack was approximately long and was of a white color with grey lines or shadings, and a round, white head. Although its sex was never determined, it was identified from photographs as a Risso's dolphin, Grampus griseus. This is an uncommon species in New Zealand waters, and only 12 Risso's dolphins have been reported in that area. Pelorus Jack.

Writing for Video magazine in 1983, Ivan Berger noted that Sea Dragons graphics were dominated by "simple patterns and primary colors". This Berger contrasted with the "more subtle colors and shadings that go into professional animation", however Berger noted that while Sea Dragon was emblematic in this regard, the chromatic and graphical simplicity of the game was endemic to the home computer game medium.

C. lactucae Schiff. (= pustulata Ev., campanulae H. Sch. nec Frr.) (27 a). Forewing dark grey, the lines and shadings still darker; the inner and outer lines and a median shade from costa fairly distinct; a black streak from base along submedian fold ; a black streak above vein 4 and a shorter one below vein 2 before termen; hindwing brownish fuscous with paler base, especially in the male.

As Stravinsky was finishing Les Noces, he traveled to Madrid and became inspired by Spanish music for future compositions. This étude was commissioned by Aeolian Company, as a demonstration piece for their new sensible-to-dynamic-shadings player piano. Stravinsky finished it in 1917. However, it became much more popular later in 1928, when he orchestrated this piece together with the Three Pieces for String Quartet.

The veins are partly shaded with yellow-buff. The hindwings have a marginal line, which is broader from below the costa, upbent along the inner margin and coalesces with a spot below vein 2. There is a fine downbent postmedial line and there are yellow shadings along the marginal line, which is irrorated with silvery-grey scales. A terminal dark line and points on are found on both wings.

One article referred to him as being "from the meat-cleaver school of oratory" with "no shadings of ambiguity."Margot Gibb-Clark, "Bourassa tries comeback, joins Quebec Liberal race", The Globe and Mail, 20 August 1983, p. 12. Gibb-Clark quoted the "meat-cleaver school" line from another, unnamed journalist. Robert Bourassa won the 1983 Quebec Liberal Party leadership election with seventy-five per cent of delegate support at the convention.

There are traces of pale flesh-colored (the idealized color of the skin of a white person in 1949) shadings in the basal and subterminal areas. The hindwings are similar in color to the forewings, with faint a discal dot and curved postmedian and subterminal smoky cross lines. The terminal area is somewhat darker shaded than the remainder of the wing. Adults have been recorded on wing from May to July.

The subject speaks to historic buildings and specifically of façade renewal, focusing on energy conservation. These technologies include “improvement of thermal and acoustic performance, solar shadings, passive solar energy systems, and active solar energy systems.” The main value of this study to future-proofing is not the specific technologies, but rather the concept of working with an existing façade by overlapping it rather than modifying the existing one.

Long and limp and a little curled. Seen from afar the dog seems to be unicolour and may have lighter shadings at the limbs. When seen close up, it is noticeable that the colour comes from a mixture of hairs of different colour shades: fawn, brown more or less reddish, grey and black. Long, flat, or very slightly wavy, rough with abundant undercoat on the whole posterior third of the body.

The forewings are straw yellow with reddish-brown shadings at the base. The reniform is fused in a purple shade that occupies most of the area beyond the outer line and the terminal area is yellow. The outer line is red brown above, where the purple shading is incomplete. The hindwings are light yellow with a large purple cloud at the apex and smaller clouds at the tornus and following it submarginally.

The portraits of the Evangelists and Christ are based on Byzantine models, such as the mosaics of San Vitale at Ravenna.Zarnecki (1975), 120. The artist used natural illusionistic techniques to create the appearance of volume in the characters, and used elaborate shadings in light and dark to give characters depth. The Carolingian illumination style was the earliest style to regularly utilize Caroline minuscule script, the precursor to our modern lower case letters.

The forewings are pale buff or cream with ochreous shadings and a sparse dusting of blackish scales and with numerous, rather indefinite blackish or dark steel grey markings. The hindwings are silky cinereous with slight iridescence. The larvae feed on Solanum carolinense. They fold the terminal leaves into round, hollow balls, each of which forms the shelter of a single larva which feeds on the incipient flower buds and the infolded edges of the tender leaves.Can. Ent.

Male. Body and forewings pale brownish yellow, whitish at base of abdomen dorsally; black points on tegulae; forewings crossed by numerous wavy brown lines; antemedial line defined by grayish shadings, a medial line similarly shaded from subcostal vein to inner margin; a black point on discocellular; a small subterminal dark brown dash between veins 5 and 6, inner margin grayish brown. Hindwings yellowish white. Wingspan 31 mm. Habitat: Cayuga, Guatemala, also in collection from Mexico and Costa Rica.

In 1818, Dupin was elected to the body of the French Academy of Sciences, one of the Institut de France's five Academies. 1826 choropleth map of France. In 1826 he published a thematic map showing the distribution of illiteracy in France, using shadings (from black to white), the first known instance of what is called a choropleth map today. Duplin had been inspired by the work of the German statisticians Georg Hassel and August Friedrich Wilhelm Crome.

For this performance the ballerina Varvara Nikitina led the cast. Lev Ivanov's staging and choreography were greatly criticized by contemporary critics after the first performance on the Mariinsky stage. The theatre critic of the St. Petersburg Gazette stated in his review that "...this is Mr. Ivanov's first attempt as an independent ballet master ... excepting one variation with classical shadings, there is absolutely nothing in the new ballet deserving of praise." Riccardo Drigo's score was received far more positively.

Coat and texture also play a factor in the perception of color. The self-color pattern is preferred by the standard (One color with or without lighter and darker shadings of the same color). You will see dogs with varying degrees of other markings such as: masking on top of the skull, striping effect of light & dark through the body and on legs, distinct & indistinct saddle markings, agouti coloring and tan points. All are acceptable, they are just not preferred.

" Jim Santella, L.A. Jazz Scene "...(the arranger) is to be congratulated on the way he orchestrated some of (Porter's) best known songs, maintaining interest, despite the familiarity with the material. So in Love comes from...probably Porter's best loved show and Ms. Dudley takes it at a super slow tempo that works brilliantly." Gordon Jack, Jazz Journal International "...(Cooper's) arrangements of the Porter standards are knockouts. Propulsive and sassy on an initial listen, revealing subtle shadings and intricate nuances upon repeated listening.

The film received mixed to positive reviews among film critics. Review aggregate website Rotten Tomatoes reports the film as holding an overall 63% approval rating based on 54 reviews, with a rating average of 5.94/10. The site's consensus reads: "Despite lacking some of the book's subtler shadings, and suffering from some clumsy casting, Interview with the Vampire benefits from Neil Jordan's atmospheric direction and a surfeit of gothic thrills." The film holds a 59/100 on Metacritic from 19 reviews.

Allmusic editor Thom Jurek praised the band's existential lyrics and producer Brendan O'Brien's contribution to the album, stating "O'Brien's gorgeous multi-layered production [...] chromatic shadings and the textures of contemporary psychedelia are rooted in the heart of an ambitious garage band [...] he gets the sound of how big Train actually is in a context that is as aurally beautiful musically as it is emotionally and lyrically poignant".Jurek, Thom (2005). Review: My Private Nation. Allmusic. Retrieved on 2011-02-13.

The forewings are fuscous grey tinged with brown, with a white patch at the base between the median and the submedian containing a fuscous streak. There is a white streak in the cell and the postmedial space is white, outwardly dentate between the veins with whitish streaks on the veins, and dark streaks between the veins, not reaching the angles. There are dark expanding shadings to the white streaks on the veins, chiefly noticeable towards the apex. The hindwings are grey-brown, with the veins darker.

Schonberg graduated from Brooklyn College in 1937, and undertook graduate studies at New York University. In 1939, he became a record critic for American Music Lover Magazine (later renamed the American Record Guide). During World War II, Schonberg was a first lieutenant in the United States Army Airborne Signal Corps. He had hoped to enlist as a pilot, but was declared pastel-blind (he could distinguish colors but not shadings and subtleties) and was sent to London, where he was a code breaker and later a parachutist.

Carofano's early work was mostly street photography - marginalized people on the fringes of society inspired by the sight of railroad "hobos" he had witnessed as a boy. In 1998 he began Faces of Pedro, formal studio portraits of local "characters". Bill Kouwenhoven, contributing editor to HotShoe Magazine, wrote; "Ray’s portraits are haunted by the haggard visages and dark shadings that speak of those moving through long nights looking for something that was, and might never be again." Carofano's decades- long Faces of Pedro reflects his ongoing engagement with this early passion.

The bass line here is one of the most eloquent found in the variations, to which Bach adds chromatic intervals that provide tonal shadings. This variation is a canon at the seventh in time; Kenneth Gilbert sees it as an allemande despite the lack of anacrusis.Notes to Kenneth Gilbert's recording of the variations. The bass line begins the piece with a low note, proceeds to a slow lament bass and only picks up the pace of the canonic voices in bar 3: The first 3 bars of Variation 21.

In monochrome Nihonga, the technique depends on the modulation of ink tones from darker through lighter to obtain a variety of shadings from near white, through grey tones to black and occasionally into greenish tones to represent trees, water, mountains or foliage. In polychrome Nihonga, great emphasis is placed on the presence or absence of outlines; typically outlines are not used for depictions of birds or plants. Occasionally, washes and layering of pigments are used to provide contrasting effects, and even more occasionally, gold or silver leaf may also be incorporated into the painting.

The cinematographer Arthur Miller remembered Anton Grot: > "a gifted and talented artist who made beautiful charcoal drawings...of the > set before it was completed. All his compositions showed a full shot of each > set, with all the delicate tones and shadings that suggested ideas for > lighting and, in general, were of great help to me as a cameraman." Grot arrived in Hollywood to assist Wilfred Buckland with the sets for the Douglas Fairbanks Robin Hood (1922); and stayed on, to work with Cecil B. DeMille and William K. Howard.

Trained as a musician and a music educator, Pitts studied at the Philadelphia Musical Academy, Temple University and Juilliard, as well as other institutions. Early work experience included a position as an assistant to the pianist in the Tony Award-winning musical Raisin. At the end of the musical's tour, she was encouraged by her husband (who had worked with Shirley Scott as a drummer) to continue developing her repertoire. In 1967, the Boston Globe printed a piece calling her a rising star and complimented her drawbar variation, vibrato shadings, and bass pedal work.

In his review of the DVD release of Fort Apache in 2012, New York Times movie critic Dave Kehr called it "one of the great achievements of classical American cinema, a film of immense complexity that never fails to reveal new shadings with each viewing ... among the first pro-Indian Westerns" that portrays the Native Americans with "sympathy and respect". The film was awarded the Best Director and Best Cinematography awards by the Locarno International Film Festival of Locarno, Switzerland. Screenwriter Frank S. Nugent was nominated for best screenplay by the Writers Guild of America.

Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating; pitch shadings that seem softly unfocused; a generally quiet and slowly evolving music; recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration.

There were always shadings of nostalgia in the strip, even when it began in the Depression. Part of that has to do with the fact that Henry's creator, Carl Anderson, was already an old man in his late sixties when he created the character by accident. Henry is autonomous in The Saturday Evening Post strips. Henry would not pick up a regular cast of characters, all with no proper names, only titles: the mother, the dog, the bully, the little girl, until it became a William Randolph Hearst comic strip.

That kind of art is considered subversive by George and is not as tame as is the classical style of Gainsborough. The art lesson didn't register, but as a thriller Crack-Up was right on track. The shadowy photography by Robert de Grasse was done in stylish chiaroscuro shadings, giving the film an uncanny feel. O'Brien was convincing as the pig-headed unconscious American who has modern technology work for him and against him, as the inventions from the war are now shared by both criminals and scientists.

The wingspan is 25–27 mm. The forewings are dark violaceous brown, irregularly mottled with leaf-green scales, a large blotch of which is found just before the middle of the dorsum, followed by a black dot on the fold. At the end of the cell is a short, transverse, black line and on the middle of the edge is a large showy dark velvety brown spot with a pure white center and with deep black shadings in front, and with four or five black dashes toward the margin. The hindwings are blackish fuscous.

In addition to oriental shadings, Jones's music borrowed from continental European dance rhythms. Hall had taken some of the sauciness out of his style, since An Artist's Model, and evolved a combination of sprightly, up-to-date comedy and old-fashioned romance, into which he would insert parodies when the opportunity arose. Indeed, the Daly's Theatre shows were more romantic in character than the sillier Gaiety Theatre shows. Still, these musicals hewed to most of the features that made the Gaiety Theatre shows popular, especially Edwardes' pretty Gaiety Girls, dressed in the latest fashions.

Left to right: Steve Rodby and Pat Metheny The Pat Metheny Group released the album Offramp in 1982. Offramp marked the first recorded appearance of bassist Steve Rodby in the group (replacing Mark Egan), and also featured Brazilian "guest artist" Naná Vasconcelos. Vasconcelos had appeared on the Pat Metheny/Lyle Mays album As Falls Wichita, So Falls Wichita Falls in 1981, and his performance on percussion and wordless vocals marked the first addition of Latin-South American music shadings to the Group's sound. Offramp was also the group's first recording to win a Grammy Award, the first win of many for the group.

He was arrested by the Soviet authorities in 1941, barely escaped summary execution and was later committed to a mental asylum in Kazan. He survived harsh conditions and starvation and was released shortly before the end of World War II. Formally, Sitnikov's works are based on the traditional system of academic studies of nude nature and elaborate graphic shading. His nudes, however, acquired surrealistic eroticism, and his shadings created rippling airy covers enveloping forms like snowy mist, marshland fog, or haze of light. In addition to that, he employed the characteristic features of 'Russian style' in the spirit of Symbolism and modern.

María de Montserrat Viviana Concepción Caballé i Folch (, ; 12 April 1933 – 6 October 2018) was a Spanish operatic soprano. She sang a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's Lucrezia Borgia at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo.

Alanna Nash of Entertainment Weekly rated the album "B-", concluding her review with "if Wariner lacks a zippy repertoire, he nearly makes up for it with believable readings and deft vocal shadings". Jay Brakfield of the Dallas Morning News thought that the album had "contemporary lyrics" and "shows a more aggressive Wariner. He's doing the same thing, but now he's doing it better and doing more of it." I Am Ready became Wariner's first album to receive a gold certification from the Recording Industry Association of America (RIAA) for shipments of 500,000 copies in the United States.

It also noted that "One of the obvious obstacles was how to color a film whose natural shadings tend toward black, white and degrees of gray. The result is a lot of odd but fascinating colorations -- the sky might turn up yellow at times, or the sea a deep maroon". The Spokesman-Review' wrote "in an era when G-rated movies are as rare as Hollywood humility, any attempt at family entertainment should be lauded", adding "let us salute Don Bluth and his team of animators". In a rare case, The Daily Gazette gave the film 4 stars.

In his review for The Hollywood Reporter, David Rooney commended the film's director (Tom McCarthy) for his "unerring touch with minor-key character-based comedy and emotionally honest drama", while noting that Lynskey "brings welcome soft shadings to the story's disruptive element". Meanwhile, Mary Pols said in her review for Time that "[Lynskey] has become one of the most reliably intriguing supporting actresses in film ... she had [parts in] Away We Go, The Informant! and Up in the Air ... she was wonderful in all three. In [this] she gives a very different kind of performance and is even better".

The limit between these two parts of the wing is not very definite and somewhat variable. In the dark costal part lighter, yellowish brown, irregular patches are found, one large indistinct at the middle of the costa and one small rather more distinct costal spot at the beginning of the cilia. In the dorsal light part of the wing are ill-defined darker shadings and the veins are indicated darker so as to produce a striate effect. On the fold at the basal one-third is a small nearly black spot which seems to be constant.

For the bar fight, Spielberg wanted pitch-black shadows on the wall, but the lighting required to achieve this would have shrouded the actors' eyes; he settled for subtler shadings. He also wanted to illuminate the Well of Souls with a lighting effect through the ceiling opening, but once this was sealed it no longer made sense. The flaming torches used in the scene did not provide enough light, so he opted to use an artificial light source. Spielberg noted that Allen always looked beautiful in her scenes because Slocombe would spend twice as long setting up her lighting as he would Ford's.

Most modern Latter Day Saints do not accept the idea of a two "personage" Godhead, with the Father as a spirit and the Holy Spirit as the shared "mind" of the Father and the Son. Moreover, many Mormon apologists propose a reading of Lectures on Faith that is consistent with Smith's earlier or later doctrines, by putting various shadings on the meaning of personage as used in the Lectures. In 1838, Smith published a narrative of his First Vision, in which he described seeing both God the Father and a separate Jesus Christ, similar in appearance to each other.

Couzens has long been recognized for her draftsmanship, and writers (herself included) consider it to be at the core of her practice, even in later sculptural work.Dalkey, Victoria. "Nature's Tatting: Julia Couzens's Exploration of Line," Maidment, University Gallery, California State University, Stanislaus, 2009.Julia Couzens. "Mortal Lessons" 1990-1995, Works on Paper. Retrieved March 14. 2019. She first gained attention in the late 1980s for large charcoal drawings of headless, armless, torso-like forms floating in amorphous space (e.g., Respirandi Spatium, 1993), that were noted for their Seurat-like shadings of dark and light and mystical, funereal quality.

Unfortunately only three works by him were published: the six sonatas op.1 (1763), two sonatas op.2 (1764) and a set of variations (1764) on the ‘Menuet d'Exaudet’. (All these works are edited by E. Reeser in J.G. Eckard: Oeuvres complètes, Amsterdam and Kassel, 1956; the fugues and concertos referred to by Schubart are not extant.) Although the title-page of op.1 specifies only the harpsichord, Eckard's preface extends the performance of the work to the piano; and his meticulous indication of dynamic shadings (e.g. no.6, second movement), a practice previously unknown in this period, clearly shows his preference for the latter instrument.

Forewing pale bluish grey, with dark grey or blackish shadings and suffusion; veins finely black; a slender black line in and below base of cell; inner and outer lines double, dentate; submarginal line whitish, waved and dentate, preceded by a blackish shade containing black dentate marks; orbicular stigma double, formed of 2 round grey spots placed obliquely, the inner one often absent; reniform large, white and black; hindwing dirty grey, darker along termen; a dark grey cell spot; ab. cinerascens Stgr. is more uniformly grey, the markings not bright and conspicuous; ab. pallida Tutt is a very pale form from Cannock Chase, Britain; ab.

The only other known van Eyck drawing is the Study for Cardinal Niccolò Albergati if you exclude the 1437 Saint Barbara as an unfinished painting, although there are similarities between the two; especially in its perspective, the angle of the observer's point of view, and the shadings of the rock formations. The quality of draftsmanship is of the first rate, and it is perhaps the most elaborate and complex surviving drawing from the 16th century. It is executed in gold and silver stylus, pen and brush and lead slate pencil."Unknown drawing from Van Eyck studio found: One of the greatest discoveries in early drawing".

Even though Nemessányi's best instruments look nearly identical to their Italian counterparts, it is not this fact alone that created the illusion that some were indeed the genuine articles. It is their playability that also compares favourably with the instruments they were meant to represent. Herbert Goodkind said this about the playability of Nemessányi's instruments: "They possess both mellowness and power, and an ease and evenness of response that enables the performer to produce the gamut of dynamic shadings from pianissimo to fortissimo without loss of quality." Heinrich W. Ernst once owned a Del Gesù with a label that read "Joseph Guarnerius fecit Cremona 17__".

Determined to accept no superficial 'explanation' of the problem such as glib use of words like 'volition' and 'conation,' I reduced acts of will to their simplest forms, noting their gradual shadings into, and intimate connections with habits, instincts, functions, reflexes, etc., and observing that these led to a world outside the consciousness of the individual. Thence I was brought to conclude, like Schopenhauer, that there is a unitary directive cause behind all these processes, and I included Evolution itself, regarded as one long act of willing. The characteristics that struck me most forcibly were the independence of this outer will, and its apparently highly conscious nature.

Writing in Secrets of Home Theater and High Fidelity in 2012, Jim Clements said of the RP3 that it has "several meaningful advances over the P3-24 [that] help the RP3 operate with low background noise and an innate ability for detail retrieval. This table also conveys above average dynamic shadings while providing a solid foundation to support the whole frequency balance of your cartridge." Writing in The Absolute Sound, Wayne Garcia appraised that "the RP3 is sonically superior to its predecessor in every way." Stereophile said it "retained the P3-24's fast, forgiving sound, but added tighter and better- controlled low frequencies".

By praising the excellence of a past age, he implicitly criticised the reign of Louis XV as an age of decline. Voltaire repeatedly remarked that he aimed less at a conventional history of great men and events, than something like a painting: he highlighted historical and cultural trends in the way that a painter brings out shadings of light and color which may be more important than the ostensible subject depicted. Rather than chronicling military victories, he saw more greatness in the progress of reason and culture, such as the advance of art or the rejection of medieval superstition and the end of imprisonment for sorcery.

Bene Gesserit are trained in what they call "the Voice" a means "to control others merely by selected tone shadings of the voice". By modulating the subtleties of her voice, a Bene Gesserit can issue commands on a subconscious level, compelling obedience in others that they cannot resist, whether they are consciously aware of the attempt or not. This control can be as subtle as influencing thoughts and motivations, or as strong as forcing physical actions and even temporary paralysis in the subject. To effect this, the Bene Gesserit must "register" the intended target by analyzing his or her personality and vocal patterns through observation or seemingly innocuous direct questions.

In this "school of pure vision" earlier understandings and assumptions of the materiality of things fade out: they disintegrate into individual color areas leaving the inner dynamics of light and color to be realized as the only facts. The three-dimensional things are temporarily translated by the artist into color planes placed side by side. The observer has no trouble to retransmit them into spatial seeing since human beings are used to seeing concretely. Opened up to experiences differing from the usual ones needed for the management of day by day life, the world appears as nothing more than the interaction of hues and shadings in a color context, i.e.

The Merry Sisters of Fate has been described as a "merry and mesmerizing exploration of Irish, Breton, Galician and original music." Compared to previous albums, the album sees the band increase their experimentation with sound and rhythm. Seán Smyth recalled “I remember coming into the studio and seeing Trevor with the bow and the bouzouki and thinking 'This man has lost it'," but such experimentation became "an intrinsic component of their music." The band incorporate instruments unusual to Celtic music on The Merry Sisters of Fate, such as several electric guitars and "other exotica" including a lap steel guitar and clarinet, but "they mostly provide little more than subtle shadings of texture.

Paul Evans called the song "strange and lovely" in The New Rolling Stone Album Guide. Author Barney Hoskyns considers it one of Da Capo's "six sublime songs that blend psychedelia and punk rock with Latin and Broadway influences," and that it "employed Latin rhythms and cool jazz shadings to fashion a kind of spaced-out MOR." Author Bob Cianci praised Michael Stuart-Ware's drumming on the song. After its original release as a single and on Da Capo, "She Comes in Colors" was also included on a number of Love compilation albums, including Love Revisited and Best of Love and on the multi-artist compilation album Forever Changing: The Golden Age of Elektra 1963–1973.

The color can be solid gray or gradations of gray (including merle) up to and including solid black, provided it is not shiny or lustrous. Color also includes shadings only of isabella and fawn at the lower part of flocks (as a result of discoloration of old hair, not as a base color). The Eastern European breeds, the Komondor and Mioritic Shepherd, have a single coat consisting of relatively little guard hair (also referred to as "goat hair"), but mainly curly down hair as an adaptation to that environment. The Western European breeds, such as the Briard and the Spanish Water Dog, also have a single coat, however, it consists mainly of guard hair.

Khayal aims at achieving poise and splendour; thumri is quicksilver in tone and ardently romantic in spirit. It needs a delicate heart, and a supple and soulful voice capable of expressing several shadings and colours of tones to bring out its beauty. To draw an analogy from the world of painting, khayal is closer, in form and spirit, to the unrestrained and energetic world of Renaissance masters like Michelangelo, Raphael and Titian – forcefully executed brush strokes are seen on a broad canvas; whereas thumri, with its affinity for finer points and shades of feeling, emotion and mood, is closer to the finely- detailed still-life paintings of the Dutch masters of the 17th century.

At the beginning of the 1990s, DAIM developed his 3D-style: The artist gained publicity with his trademark of creating the four letters of his name in three-dimensional style. Outlines that are commonly used in graffiti cannot be seen in this style. In fact, by applying light and shadow effects, the colours are placed in such a way that one gets the impression the letters are floating in the air and are tangible. DAIM had been making photorealistic drawings also before his career in graffiti and was influenced by artists like Salvador Dalí and Vincent van Gogh to not place outlines, but rather create forms with shadings and thus present them three-dimensionally.

In its initial phase, while it is female, it has a dark-colored back, sometimes with bluish shadings, and a yellow underside. Two short wavy dark lines radiate from the hind edge of each eye with dark spots on its front head. Later, as an adult male, the head and front part of the body are yellow, the hind half of the body is silvery grey and a vertical black blue bar and a broad black blue stripe occur along the border of the dorsal fin. From this dark blue line, three longitudinal lines of gradient colors are visible, they are successively green, blue (this latter continues throughout the ventral part of the fish) then pink to mauve color.

The AllMusic review by Thom Jurek said, "Blood Sutra only adds more luster to Iyer's presence on the short list of forward- looking jazz creators these days. His muse still tends towards the severe but there's no denying the individuality and the fact he doesn't make the listening easy is also precisely what makes it so rewarding". Writing for All About Jazz, Dan McCleneghan observed, "An initial listen to Blood Sutra had me thinking "no new ground broken here" since Panoptic Modes and You Life Flashes (Pi Records, 2002) by Fieldwork, an Iyer trio vehicle. But a "sit down and concentrate on the sounds" session reveals nuances and subtle shadings creeping in ... Vijay Iyer evolves in fascinating fashion".

In his book Mean Deviation: Four Decades of Progressive Heavy Metal, Jeff Wagner wrote that Grand Declaration of War features "a variety of vocal shadings to match the multi-layered music", between "A Time to Die", described by Wagner as "one minute and forty-eight seconds of black calculus", "A Bloodsword and a Colder Sun" offering "squishy electronic groove, so close to trip-hop that it instantly became the album's most controversial track" and the "mesmerizing ten-minute sprawling landscape of doom" "Completion in Science of Agony". The album's "sonic clarity" was "a complete 180-degree turn" from the band's early "scuzzy 'necro' approach".Jeff Wagner, Steven Wilson: Mean Deviation: Four Decades of Progressive Heavy Metal. Brooklyn, NY: Bazillion Points Books 2010, p. 252.

Bree has received wide acclaim, both for the character's storylines, and for Cross' portrayal. In a review of the pilot, Tim Goodman from the San Francisco Chronicle called Cross "almost too perfect as uptight Bree", and applauds her for "managing to give the character more shadings than merely insanely perfect." At the commencement of the second season, Bree was widely considered the series' most prominent role, following the first year's emphasis on Susan Mayer. Though a drop in quality was noted in the second season, Bree's battles with alcohol, her teenage son, and her murderous pharmacist lover, while continuing to deal with the death of her husband, were well received, and considered the focal point of the series in light of the lagging Applewhite mystery.

Forewing pale grey suffused with pale brown or uniform pale brown; the shadings dark olive brown; inner line pale, oblique and waved, followed by a brown band; outer line whitish, vertically waved, preceded by a brown band, the inner edge of which is the median line; at costa the outer line is excurved and accompanied by pale scales on each side; submarginal line obscure, followed by a darker diffuse band, forming a black blotch on costa: hindwing orange, the veins dark; base and inner margin fuscous; a blackish submarginal band, outwardly toothed at costa and middle; a dark terminal shade running up along veins. The more uniformly dark brown examples constitute the ab. suffusa Spul., the usual form in Britain; -ab.

There are two approaches to understanding the relationship of the von Neumann universe V to ZFC (along with many variations of each approach, and shadings between them). Roughly, formalists will tend to view V as something that flows from the ZFC axioms (for example, ZFC proves that every set is in V). On the other hand, realists are more likely to see the von Neumann hierarchy as something directly accessible to the intuition, and the axioms of ZFC as propositions for whose truth in V we can give direct intuitive arguments in natural language. A possible middle position is that the mental picture of the von Neumann hierarchy provides the ZFC axioms with a motivation (so that they are not arbitrary), but does not necessarily describe objects with real existence.

A tremendous variety of geology is evident along Wissahickon Creek. Three of the geologic regions that the stream passes through are the Newark Basin of Triassic sandstone and shale, the limestone and dolomite of the Chester Valley, and the Wissahickon Formation where the waters of the stream flow into the Schuylkill and eventually the Delaware Rivers. A unique and very distinctive rock of the Wissahickon Creek valley is Wissahickon schist, the predominant bedrock underlying the Philadelphia region, found over a broad swath of southeastern Pennsylvania from Trenton into Delaware and Maryland. This Precambrian to Cambrian stone, first studied in the Wissahickon gorge, has flecks of glittery mica, small garnets, and many-toned shadings of gray, brown, tan, and blue, and is attractive enough to have become a common building material in the 19th and early 20th centuries.

Lover comprises "a full range of human emotion", in which Swift embraces "all aspects of her personality". The album's highly detailed lyrics have been found reminiscent to that of Swift's old-school work, where "characters were drafted with novelistic specificity", especially the "personal lyricism" of Speak Now (2010) and the confessional songwriting of Red (2012). The songs on Lover are observed for largely coming "from a place of contentment and satisfaction in the middle of a strong relationship, rather than chronicling its downfall", which has been cited as the main difference between Lover and its predecessors like Speak Now, Red and 1989; Lover sees Swift reaching "a point of contentment in artistic and personal self-perception". The album is "saturated" in Swift's "personal mythology", packed with autobiographical details, emotional clarity and wisdom, to which "the minor war between past doubts and current happiness adds sophisticated lyrical shadings".

Painted Cubes, which opened at the ClampArt Gallery in New York City on April 15, 2010, has been deemed reminiscent of the minimalist cubes of sculptor Donald Judd and the paintings of Robert Ryman, "The New Yorker" 17 May 2010. Retrieved on 2010-5-12. In the New Yorker review, it was remarked that, > Alongside photographs of his own paintings of cubes, Zupcu shows delicate > double exposures of patterns, in which the play of solid and ephemeral > geometries parallels his deft manipulation of the infinite shadings between > black and white. In a 2008 interview with Chronogram magazine, Zupcu remarked, > Photography is not about the camera . It’s about the eye, and what my > thoughts are. The camera doesn’t say anything As of 2010, Zupcu has held solo exhibitions at galleries such as ClampArt Gallery (New York City), Studio391 (Gualala, California) and national museums such as the Museum of Fine Arts in Houston and the Detroit Institute of Art, among others.

Whitney Balliett stated that Flanagan was the most consistent of the pianists influenced by Wilson, Tatum and Cole, and invariably created something new in his playing: he "often states the melody with dissonant, levering chords played offbeat or staccato. Never decorative, they [...] reveal both a respect for the melody and an intense desire to alter it"; during his main improvising, he used "interval-filled descending figures [...] charging rhythmic phrases whose accented first notes make the succeeding notes snap, double-time phrases that race ahead to clear the way, and legato phrases that form sauntering rear guards." In a review of a 1989 concert, Feather commented that Flanagan used "subtle dynamic shadings", while "bursts of upsweeping chords sometimes lent an element of surprise, with a nimble left hand offering graceful filigree fills" and occasional musical quotes that added humor.Feather, Leonard (August 14, 1989) "Jazz Review: Flanagan, the Musicians' Musician, Draws a Full House".

Forewing whitish grey, speckled with darker scales, the shadings olive brownish, this colour filling up the outer half of median area between subcostal vein and submedian fold; a thick dark streak from base below cell; inner line double, oblique and angulated, darker externally; outer line lunulate-dentate, double; stigmata all large, rounded, pale grey with darker dusting, the reniform externally white, with a black line along its base above the median. vein; veins towards termen black-dotted, the intervals on margin with redbrown dentate markings, the submarginal line with a rufous dentate shade before it, crossed by a diffuse dark shade on submedian fold; hindwing pale and darker grey; a large cell blotch and blotch at margin on submedian fold blackish; an obscure darker outer line; marginal area pale grey. Larva brown, darker in front; dorsal line narrow, pale, with 4 white tubercles on each side; lateral lines waved, darkedged above, paler below; 11th segment with a two-pointed hump.Warren. W. in Seitz, A. Ed., 1914 Die Großschmetterlinge der Erde, Verlag Alfred Kernen, Stuttgart Band 3: Abt.

" Rolling Stone writer James Hunter, like both Kellman and Browne, compared the album to "Janet Jackson at her best: She's a pop star, but she's making the most of her big studio budgets and is following her muse." He described the set as "mainstream soul with eccentric details and shadings" and gave the album four stars out of five. Vibe writer Laura Checkoway gave Afrodisiac 3.5 out of 5 stars and noted it as "a far cry from the pleasing pubescent fluff of her formative years," and although she felt that "Brandy's sultry alto drowns on some songs," she acknowledged, that "while Brandy's musical liaison with Timbaland is what some people might call a match made in heaven, it's her crazy, sexy, cool revival that's the true bliss of this fourth coming." Steve Jones from USA Today gave the album a three out of four stars rating, and commented: "Timbaland provides her with plenty of funk- infused beats to groove to [and] while a few of the tracks are a bit pedestrian, Brandy is still seductive more often that not.

He studied painting with Francesco Maria Reti and at the age of 28 he entered the Compagnia di San Giuseppe, a confraternity particularly devoted to Saint Joseph that was founded in the church of Santa Croce. His first documented work dates back to 1668, when, on behalf of the College of Nobles, he realized the scenes and apparatuses for the baptism of Odoardo II Farnese, the first son of the Duke Ranuccio Farnese. A few years later, attention was paid to the trompe-l'œil decoration of the church of Santa Cristina, which the Florentine Filippo Maria Galletti was frescoing with episodes from the life of San Gaetano da Thiene, founder of the Theatines who ran the church. The lack of funds had prevented the construction of the dome and the apse; the Baratta painted a large canvas that simulated, in a wide perspective, the cruises, the dome and the choir, creating a scenic effect that was much appreciated; the shadings were arranged so that those who entered the church could be made to believe that they were true.