The constitution approved on Sunday sets the scene for a national election.
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This sets the scene for a potential sticky situation down the road.
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The opening shot sets the scene for what's to come, in more ways than one.
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That sets the scene for a lot of changes in the way people will talk.
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The first chart sets the scene for our analysis using data for France in 2010.
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The Division Agent Origins sets the scene for the upcoming game, serving almost as an extended live-action trailer.
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It's some solid character work, and it sets the scene for even more conflict between Dany and her advisors.
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All of which of course sets the scene for a likely rate hike from the Federal Reserve in June.
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The pilot then sets the scene for what A Million Things will become in the wake of Jon's death.
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For those unfamiliar with the flicks, he sets the scene for a number of songs with some short commentary.
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But the plan sets the scene for a clash between Australia's government and some of the world's biggest technology companies.
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But the mood shifts when a courtly dance sets the scene for Semele, the daughter of Cadmus, King of Thebes.
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It's a chillingly effective choice, because her vulnerability sets the scene for the unironic anguish that permeates her final words.
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Rating But with Anti — her first full album since 2012's Unapologetic — Rihanna sets the scene for the more intimate afterparty.
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By Friday, the moon's clash with Venus sets the scene for sobering but sincere conversations with someone from your inner circle.
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What ensues is an immersion in a moment of political intrigue that sets the scene for the surveillance state of today.
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It sets the scene for a city that is not without its secrets, one of which is what happened to Sister Cathy.
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The bloc's national leaders, however, want to hold the process under their control, which sets the scene for much horse-trading this summer.
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Instead, the "Long Walk" trailer sets the scene for season 7 by showing us who will be going head-to-head come July.
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VICTORIA TURK: I'm catching you just before CES, which I guess somewhat sets the scene for the year to come in consumer tech.
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"It sets the scene for the concept of regionalization to be applicable all over the European Union for any future disease problems," he said.
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The final chapter, set in early 2018, sets the scene for Woods as he prepared to return to golf after his fourth back surgery.
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If the analysts are right, it sets the scene for a massive shakeout that could see the yen test 100 per dollar or even higher.
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Keeping your baubles in plain sight not only helps with your daily deliberations on accessorizing, it's also a gorgeous showcase that sets the scene for your bedroom.
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With Daisy Ridley, Adam Driver, Oscar Isaac and other stars prominent, the new clip sets the scene for the showdown between the Resistance and the First Order.
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New York Boat Show (Friday and Saturday) This exhibition and pop-up sales floor sets the scene for boating culture in 21517, as it has for the past 211826 years.
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Cowen analyst Chris Krueger sets the scene for this week's GOP policy retreat: He sees Obamacare repeal being rolled into tax reform, incentivizing lawmakers to vote in favor of it.
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After a roughly 4½-year break from lambasting OPEC on Twitter, Trump came out swinging in April: The context is important and sets the scene for the rest of the year.
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The story merely sets the scene for the rest of the film, which follows the horse and its isolated, impoverished owners, who live an arduous, ritualistic life in a seemingly post-apocalyptic society.
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Salar de Uyuni, the world's biggest salt flat, with a length that stretches a whopping 4,086 square-miles across the Daniel Campos Province in Potosi, Bolivia, sets the scene for the planet of Crait.
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The wide range of options left on the table sets the scene for a battle between the gambling industry and critics who are concerned about easy access to fixed odds betting terminals (FOBTs) in betting shops.
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The Economic Survey, which sets the scene for Jaitley's third budget on Monday, forecast the Indian economy would grow by between 22016 percent and 217 percent in the 21.0/21.5 fiscal year that starts on April 28.
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This sets the scene for Tom Chivers' fascinating new book, which borrows its title from the quote, on why so-called superintelligence should be viewed as an existential threat potentially greater than nuclear weapons or climate change.
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The album's biggest single, "Dance to This," is a collaboration with Ariana Grande that sets the scene for a night of drunken kitchen sex, but Sivan and Grande sing it with enough innocence to render it nearly asexual.
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The Economic Survey, which sets the scene for Jaitley's third annual budget on Monday, forecast that the Indian economy would grow by between 21.5 percent and 21.8 percent in the 22018/219 fiscal year that starts on April 2700.
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The data sets the scene for the ECB to mark up its staff inflation forecasts at its policy meeting on Thursday for the first time since June 2015, allowing it to hold pat on any further monetary policy easing or interest rate cuts.
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Heplays rebel leader Henry "Hotspur" Percy, the first of many handsome threats faced by Prince Hal (Chalamet), as he morphs into King Henry V. And though his screen time turns out to be brief, Percy sets the scene for what's to come.
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What Mr. Corbyn said next — that he would stay on during a period of "reflection" — sets the scene for a ferocious battle over the succession and the soul of a party that was crushed by the Conservatives and has now lost four elections in succession.
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The approach, disclosed by Healthscope in a statement, sets the scene for a takeover battle for the No. 2 Australian private hospital operator which has seen its shares slide due to high debt and a shift back to public health services after a scandal in the private sector.
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Hill TV's Jamal Simmons sets the scene for tonight's Democratic Debate in L.A. A campaign official for Andrew Yang's 85033 campaign on Thursday argued that the White House hopeful's proposed universal basic income would spark "transformational change" among the nation's poor, especially within poverty-stricken areas of South Carolina.
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The film opens with a prologue that sets the scene for the 1967 Detroit rebellion not in details about the city but in far more sweeping ones, providing a condensed explanation of the Great Migration, white flight, and redlining that speaks to who the film's intended audience is and what they're expected to know or not know.
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That's an unusual preamble, but it sets the scene for Skill-Lync, an India-based online education company that is currently part of the Y Combinator program in the U.S. The business is bootstrapped and developing a fascinating service that helps India's thousands of engineering graduates to turn their book smarts into employable skills and jobs.
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"Conversations With Dead People" (season 7, episode 7) "Conversations With Dead People" is a haunting, memorable episode not only because of the, uh, conversations with dead people, but also because the use of individual vignettes sets the scene for each character to have their own breakthrough of sorts, spurred on by a strange, often ghostly, visitation.
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The park attracts some two thousand visitors each day and frequently sets the scene for cultural and religious festivals.
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Due to the investment necessary to obtain personal information, however, this again sets the scene for producers (searchers) to be exploited by others.
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She sailed on Ark Three, and Ark One is a starship. In closing, she asks "What is Ark Two?" The question ends the novel, and sets the scene for Baxter's sequel, Ark, in which it is resolved.
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As the van travels around, host Gene Rayburn sets the scene for the game show: Afterwards, the show would then cut to the studio, where announcer Kenny Williams would introduce this week's panelists ("our guidebook advisors"), and Rayburn.
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Jerusalems first chapter tells the story of Albion's fall into Selfhood. Its overture sets the scene for Los's journey into Albion's interior and humanity's transfiguration in forgiveness of sins. In the first scene, Albion banishes Jerusalem and Jesus, blighting nature, culture and his internal life. Then Los contends with his Spectre, forcing him to work for Albion's restoration.
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Dust to Dust (2000) is a novel by Tami Hoag. Contrasting the moral issues of the turn of the century's society with the sexuality of high-profile civil servants, it sets the scene for an apparent lack of understanding in today's world for the alternative person. It is the second novel in the three part Kovac/Liska Series.
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Samah is a little less excited, but eventually comes around. To make matters even more complicated, Mustafa is dying of leukemia and needs a bone marrow transplant, which Sara selflessly volunteers for. His doctor, a young man, is impressed and asks her to marry him, and she agrees. All this sets the scene for the series finale, which climaxes in Sara's wedding.
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The next morning Rudd (again) presses Kit to marry him, but she puts him off, promising an answer in a few days, and he leaves. Rudd, feeling reproached and rejected, then meets with Deirdre. Millie treats Preston's return as a victory and sets the scene for a desperate reconciliation. Preston however dashes her hopes by revealing his engagement and asks for ‘joint custody’ of Deirdre.
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Also under his leadership, SAP acquired Franco-US software BusinessObjects for 4.8 billion euros.Gerrit Wiesmann and Lina Saigol (October 8, 2007), SAP buys Business Objects for €4.8bn Financial Times. In a 2005 reorganization, Léo Apotheker assumed additional responsibility for marketing from Kagermann, who instead focused on strategy.Kevin J. O'Brien (March 2, 2005), Management shuffle at SAP sets the scene for Israeli's rise to top New York Times.
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A short epilogue, 15 years after the events of the book, closes off the trilogy, and sets the scene for the sequel, The Harsh Cry of the Heron. Takeo is co-ruler of the Three Countries with Kaede, and they have three daughters. He has not told Kaede of his son by Yuki, and knows if his destiny is to die at his hands, he cannot avoid it.
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Ultimately Exodus destroys the primary Imperial Frame near a portal to the Promised Land, and then move through the portal. Meanwhile, the Harkback find the Root Worlds and a portal back to Earth, also moving through. However, both factions end up near one another on the Promised Land, which appears to be Earth as it was millions of years ago. This sets the scene for the game's sequel.
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As with the other shows in the franchise, the narrator (played by Martin Yap) sets the scene for the series: "When storage units are abandoned, in the Great White North, the treasures within go up for auction." This is followed by the preview of that night's episode. In the opening titles that follow a re-arranged version of the Storage Wars theme, "Money Owns This Town", performed by Bedtracks plays.
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The common-law concept of employment sets the scene for the interpretation of the Labour Relations Act 1995. The contract of employment is the foundation of the relationship between an employee and his employer. It links the two parties in an employment relationship, irrespective of the form the contract takes. The existence of an employment relationship is the starting point for the application of all labour law rules.
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Kat Bein of Billboard said the song is a flirty dance- pop tune perfect for summer nights that reveal hidden excitement. A dancehall- inspired rhythm sets the scene for a folk-like melodic hook. Jonas gives a lovesick lean to his performance as he yearns for his lover to return from some far-off journey. It's a sultry club mood that lives up to the promise of the dark, red artwork.
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Then, she accidentally collides with a young man. After the instant crush, he climbs on the same train and searches for different cars and stays, although without success. It was made by the agency Soulvizion, which has made other videos for Armin van Buuren, like "Sunny Days" or "Strong Ones". Ariana O'Keefe from The Nocturnal Times described it as "a romantic video" which "sets the scene for quite the dreamy paradise", complete with "golden colors, landscapes and pure elegance".
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"Anything You Can Do (I Can Do Better)" is a show tune composed by Irving Berlin for the 1946 Broadway musical Annie Get Your Gun.Annie Get Your Gun listing at Internet Broadway Database ibdb.com, accessed November 16, 2008 The song is a duet, with one male singer and one female singer attempting to outdo each other in increasingly complex tasks. In the musical, the song sets the scene for the climactic sharpshooting contest between Annie Oakley and Frank Butler.
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Perfect Dark Zero was released in both a standard edition and a limited collector's edition. The collector's edition features a disc with behind-the-scenes content, a black metal game case, a special-edition comic booklet which sets the scene for the game, and one of nine holographic collectible cards. As of October 2006, the game had sold more than one million units worldwide. As a result, it was one of the first games to be re-released under the "Platinum Hits" list.
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Comparisons between The Underland Chronicles and Suzanne Collins's later Hunger Games trilogy cite parallels between this final novel more than any other, and note the series' many violent moments. This trend culminates with the events of Gregor and the Code of Claw, and sets the scene for Collins's later works. One Kirkus reviewer comments that though this is "heavy stuff" for preteens, the novel is an excellent "read-alike" for series such as The Heroes of Olympus, which also possess more complex themes.
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By placing the setting in the provincial region of Russia, Pushkin creates a setting that is relatively dull to the reader. He instead uses the plot and character development to fill the void. The village is home to a military outpost, which sets the scene for The Shot. The setting allows the reader to focus on the conflict between the characters rather than the significance of its placement in Russia and how that may affect the symbolism behind its location.
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Obsessed with the Jews as "God's Chosen > People," Gaarder regurgitates this concept's classic antisemitic definition > as "arrogant and domineering." Samuels finished his letter by emphasizing that Jewish sovereignty has returned and that Gaarder and those he seeks to appease will not be obliged: > Gaarder concludes: "Let not one Israeli child pay with his life," in the > same column wherein he sets the scene for the extermination of all Israeli > children. We will not oblige Gaarder and those he seeks to appease. Jewish > sovereignty has returned to history.
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Neversink sings in South African English, his mother tongue. As can be seen from the examples mentioned in the preceding paragraph, the songs contain many references to life in South Africa. Additional examples (all from Skinny Girls are Trouble) are: in "Hope", the protagonist, a young girl, jumps off Van Stadens Bridge, known to attract suicidals; Emmarentia Dam which sets the scene for "Tambourine" is a recreative area in Johannesburg; and Steve Hofmeyr mentioned in "Durban City Hall" is a popular singer of Afrikaans pop.
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B minor, trio section and ending in B major, The B minor scherzo combines delicate filigree passages with fortissimo outbursts. The exuberant mood of the first movement returns in the trio section in B major. A Picardy third, which ends the movement in B major, sets the scene for the third movement, also in B major. The only alterations Brahms applied to this movement in his revision of the work were a doubling of the climactic trio melody in the cello, and a reworking of the coda.
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On its release, The Guardian wrote: "Mirmama has an irrepressibly good-natured aura about it. Confident and positive, there's nothing brittle about Reader's voice, and the spare, unfussy arrangements hit just the right mood." Peter Kinghorn of the Evening Chronicle commented: "The restrained rhythm of her single "What You Do with What You've Got" sets the scene for quality, although not typical of the album." He picked "Honeychild", "Hello in There", "That's Fair", "The Swimming Song" and "My Old Friend the Blues" as the album's other "outstanding" tracks.
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Bueltmann's research interests are in diaspora history, particularly in connection to Scottish and English immigrant communities. In 2011, Bueltmann published her thesis "Scottish Ethnicity and the Making of New Zealand Society, 1850-1930", in which she "sets the scene for Scottish migration to New Zealand". In 2012 she focused on English communities overseas, co-editing a collection entitled Locating the English the English Diaspora, 1500-2010. She continued to research the movement of Scots overseas, and, in 2015, co-edited The Scottish Diaspora together with Professor Graeme Morton and Dr Andrew Hinson.
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In the ancient world, dreams, especially those of kings, were regarded as portents. An inscription of the historic Babylonian king Nabonidus, for example, tells of a dream he had of his great predecessor Nebuchadnezzar, mentioning a young man who appeared in the dream to reassure him that it was not an evil portent. Giant figures were frequent in ancient dream records, and parallels can be drawn from Greek (Hesiod's Works and Days), Latin (Ovid's Metamorphosis) and the Persian Bahman Yasht. The king's behaviour implies a distrust of his court dream-interpreters, and sets the scene for his later celebration of Daniel's God.
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The Reverend's audience once more raises objections to his story based on historical facts, while the Rev'd himself maintains that history is preserved not in universal acceptance of one story but in the propagation of different interpretations by novelists, playwrights, and poets. Thus armed, the good Rev'd sets the scene for his reunion with the astronomers in a Philadelphia watering hole known as The India Queen. There, the Reverend encounters locals much concerned with religion since the revelation experienced by one of their members who now wanders the west in an attempt to convert others to his vision.
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The two figures standing in front of Union Square adds a narrative element to the bustling scene of life in a city of millions, and sets the scene for her various paintings and prints of urban life. Two Girls, 1935, Oil and tempera on Masonite, Metropolitan Museum of Art One of Bishop's most well-known works, the painting took more than a year to complete and was shown at the Midtown Galleries.Lunde, Karl. p. 35 For the piece, Bishop had two acquaintances from the Union Square area pose, wanting to capture the interaction of the two figures.
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Jade Warrior is the debut self-titled and self-produced album by Jade Warrior, released in 1971 as part of the progressive rock movement. The album sets the scene for what the majority of the band's albums were to sound like, mixing various ethnic sounds with a progressive and unearthly sound, as well as sudden changes between slow acoustic guitar melody, to distorted and heavy electric guitar with a faster tempo. The album lacks drum kit backing, as the band was yet to include an exclusive drummer, and relied on Field to provide the percussion with non-western instruments.
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In his next film Ferie d'agosto (1995), featuring a stunning cast (Silvio Orlando, Laura Morante, Ennio Fantastichini, Sabrina Ferilli and Piero Natoli), the island of Ventotene sets the scene for a feud between two families on holiday. In this comedy, Virzì reflects on the political revolution that took place in Italy after the introduction of the majority electoral system, Silvio Berlusconi's entry into politics and the subsequent transformation of a country called to choose between one of two opposed political formations. Ferie d'agosto won the David Award for Best Film of the year. Ovosodo (Hardboiled Egg) (1997), named after a neighbourhood in Livorno, is one of Virzì’s most personal films.
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Boogiepop and Others won the Fourth Dengeki Novel Prize in 1997 and was released in the Dengeki Book Collection in 1998 where it gained popularity.History of Boogiepop (1 March 2005) Boogiepop and Others It is credited with popularizing light novels, as well as redefining young adult fiction in Japan. It was later adapted into a live action film by Ryu Kaneda, a two-volume manga by Kouji Ogata and served as the inspiration for a soundtrack composed by Yuki Kajiura. Boogiepop and Others also sets the scene for the anime, Boogiepop Phantom, which has its backstory loosely based on the climax of the light novel.
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Hart describes how she was told she experienced "heteronormative sexual training from a really early age", through multiple intersex medical interventions. Despite giving consent as a child, she felt unaware of the lifelong implications. Hart describes how stigma "sets the scene" for such interventions, "There’s a fear that people will be maladjusted because their bodies are different, and that fear teamed with the ignorance of the realities of what it’s like to live as an adult with those bodies without surgery, kind of perpetuates a surgical intervention process". Growing up, Hart did not know that her sister, Phoebe Hart, also had androgen insensitivity syndrome.
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According to Rucka, "If you've played the first game, you're going to get a huge treat, because a lot of stuff that happens in Perfect Dark, we set up in the novel." The comic book series, Janus' Tears, was written by Eric Trautmann and illustrated by Cold FuZion Studios. It was released in six monthly issues from August 2006 to January 2007 and revolves around Dark's attempts to unmask a mole in the Carrington Institute's Los Angeles office. Trautmann also wrote a comic booklet included in the Limited Collector's Edition of Perfect Dark Zero, entitled Hong Kong Sunrise, which sets the scene for the game.
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The launch trailer sets the scene for the game On 7 June 1995, 21-year-old Katie Greenbriar (voiced by Sarah Elmaleh) returns home from overseas to her family's new home in fictional Boon County, Oregon. Her family consists of her father, Terry, a failed writer who makes a living reviewing home electronics; her mother, Janice, a wildlife conservationist who recently got promoted to director; and her 17-year-old sister Samantha (voiced by Sarah Grayson). Upon arriving, she finds the house deserted, much of their possessions still in moving boxes, and a note on the door from Sam imploring Katie not to investigate what happened. Searching the house, Katie begins to piece together what happened during her absence.
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The rest of the orchestra attempts to stir the music back into motion, but The Chord quietly persists, unperturbed. This sets the scene for the second section, the first Canone. Undoubtedly the most tranquil of the five sections, the first Canone begins with a piccolo theme, acting as the first canonic entry, on the topmost note of The Chord, C. Subsequent canonic entries begin on the next note down on The Chord – on clarinet, oboe, bassoon, bass clarinet and cellos and basses respectively. By this series of canonic entries, The Chord has gradually been dismantled, and the atmosphere is not unlike that of birds, breaking the silence of night at the glimmers of dawn.
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Leslie Howard in The First of the Few Poster for the U.S. release version, Spitfire A newsreel sets the scene for summer 1940, showing Nazi advances in Europe with Britain facing invasion and aerial attacks on the island increasing. On 15 September 1940, during the Battle of Britain, RAF Squadron Leader Geoffrey Crisp (David Niven), the station commander of a Spitfire squadron, recounts the story of how his friend, R. J. Mitchell (Leslie Howard) designed the Spitfire fighter. His pilots listen as Crisp begins with the 1922 Schneider Trophy competition, where Mitchell began his most important work, designing high speed aircraft. While watching seagulls with his binoculars, he envisages a new shape for aircraft in the future.
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The prologue "Under New Management," in 2000 AD #1649, sets the scene for "Tour of Duty," which began in the next issue. It is the first day in the term of office of new Chief Judge Dan Francisco, who in an earlier story has won an election for chief judge after campaigning on an anti-mutant platform.2000 AD #1628–1633 He exiles his predecessor as chief judge, Judge Hershey, and Judge Dredd from the city, due to their strong support for mutant rights. Francisco stops mutant immigration into Mega-City One and begins a policy of encouraging mutants to leave the city and live in four townships being built in the Cursed Earth, the inhospitable, radioactive desert outside the city.
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The first three chapters of the saga are a brief folk legend that sets the scene for later events. It commences with characters associated with the elements – Snaer (snow), Logi (flame), Kari (storm) and Frosti (frost) and also gives a unique explanation for how Norway came to be named as such, involving Snaer's grandson Nór. There is also a reference to claiming land by dragging a boat over a neck of land (reprised in chapter 41 when Magnus Barefoot uses the same trick) and the division of the land between Nór and his brother Gór, which is a recurring theme in the saga. This legend also gives the Orkney jarls an origin involving a giant and king called Fornjót who lived in the far north.
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Entertainment Weeklys Marc Sneticker felt the song shows off their "vocal excellence when allowed some breathing room." Brittany Spanos of Rolling Stone cited "Don't Say You Love Me" - along with "Make You Mad" - as one of the album's most "infectious jams" which they assert themselves in romantic relationships. Mike Nied from Idolator wrote that "Don't Say You Love Me" "sets the scene" for one of the group's most "tender" vocal performances. MTV News's Ross McNeilage named it a "brilliant song" further opining that "Don't Say You Love Me" helps the album to be their most "cohesive and fully released body of work. Gerrick Kennedy from Los Angeles Times called it a "road trip song where you’re looking at mountains and lakes.
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In the following episode, "By Inferno's Light", the Cardassians become a member of the Dominion, and the Federation and Klingon Empire resolve to cast aside their mutual distrust and unite against the common threat. A garrison of Klingon troops is stationed on Deep Space Nine, under the command of the real General Martok, rescued from Dominion incarceration with Bashir. In "Blaze of Glory", the characters confront the issue of ethnic cleansing when the Maquis – a resistance group of former Federation citizens now living in Cardassian space – are hunted down and ask for the assistance of Sisko, who used to criticize their methods. The Season Five finale, "Call to Arms", sets the scene for the commencement of full-scale war between the Dominion and the Federation during the final two seasons of Deep Space Nine.
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Before viewing the swans, visitors can look at the Decoyman's House which sets the scene for the visit with a display explaining how the colony has been managed over the years and how the present situation has evolved. Apart from the swans, the Fleet and Chesil Beach attracts many species of waterfowl and over 300 different varieties have been recorded leading to the area being designated as a Site of Special Scientific Interest (SSSI), a Special Protected Area (SPA) and a Special Area of Conservation (SAC). Nesting mute swans are usually intensely territorial, so it is unusual to see this many pairs in proximity to each other. However, the closeness of the nests can sometimes lead to problems as newly hatched cygnets can become attached to the wrong parent bird; to overcome this, rearing pens are used for a few selected families who need more privacy.
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Remix to Rio is a 2010 Canadian documentary depicting young people from Toronto, Canada and Rio de Janeiro, Brazil as they create community outreach projects aimed at rescuing their peers from lives of crime. This film follows Canada’s innovative youth outreach organization, The Remix Project as they travel to some of the most violent favelas in Rio de Janeiro and test their unique hip-hop outreach model on some of today’s most “unreachable” youth. Remix Project co-founders Gavin Sheppard and Drex Inkredible join forces with "Sandro", an Ex-drug lord turned activist and Soldiers Never More project founder "Farina" in hopes of constructing a recording studio for disadvantaged youth in the Favela known as “The Enchanted Land” (Tera Encantada). Gavin and Drex also bring four of their most hopeful students to Rio. The HUTUZ Hip-Hop festival, Latin America’s largest Hip-hop festival, is in full swing and sets the scene for these REMIX participants to test their skills.
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This is a work more intent on painting an atmosphere than in giving the listener motivic handles on which to grasp." Eric Goldman from IGN wrote, "Desplat's score starts off extremely strong with 'Obliviate', which immediately sets the scene for a sad, mournful story – which is entirely appropriate, given the content of The Deathly Hallows Part 1... On one hand, it's a bit sad to not hear the wonderful Potter theme much, yet on the other hand, this is, after all, a somber story. Desplat's melancholy themes, while not always as hummable as Williams', are exactly right for this film and story." James Christopher Monger from Allmusic gave a positive review, stating, "It’s been a decade since John Williams set the tone for the [Harry Potter] films, and his original theme exists only in the shadows of Harry Potter & Deathly Hallows, Pt. 1. Desplat’s score is both subtle and huge, lending quiet emotional depth ('Harry & Ginny'), playful wickedness ('Death Eaters'), and tense, robust action ('The Oblivation') with masterful precision.
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