76 Sentences With "set type" | Random Sentence Generator

I tried to set the type in the way I imagine someone who doesn't set type professionally would.

I do not have a set type of woman so any age, race or status may email me.

IF YOU imagine there's nothing less exciting than watching paint dry, imagine the hordes who poured into middle-brow entertainment centres called dime museums in the 1880s to watch compositors set type by hand.

The first public reading of the Declaration of Independence in Massachusetts was performed by Isaiah Thomas, who had been apprenticed at the age of 6 to a printer, and had learned to read, so the story goes, from the blocks as he set type, copying documents before he actually knew the letters.

Additionally, (deftype finite-element-set-type (&rest; elements) `(member ,@elements)) may be used to define arbitrary enumerated types at runtime. For instance (finite-element-set-type club diamond heart spade) would refer to a type equivalent to the prior definition of cardsuit, as of course would simply have been using (member club diamond heart spade) but may be less confusing with the function `#'member` for stylistic reasons.

Illustration of set type using a Bachman diagram A Bachman diagram is a certain type of data structure diagram, IRS Resources. Part 2. Information Technology, Chapter 5. Systems Development, Section 13.

The ideal of textual criticism was to establish the author's intention, which might well have been lost when the publisher edited the original manuscript or distorted when the printer set type.

Whitney was the son of Horace K. Whitney and Helen Mar Kimball. Whitney's father, Horace, had set type for the original publication of the Deseret NewsAndrew Jenson. Latter-day Saint Biographical Encyclopedia, vol. 4, p. 722.

Maternity leave varies by country, with most developed countries having at least one set type of maternity leave. Most maternity leaves include a length of time to take off, with some form of pay. The following countries grouped by pay rate.

Kibbee was born in El Paso, Texas. His father was editor of the El Paso Herald-Post newspaper, and Kibbee learned how to set type at age 7. His younger brother was actor Milton Kibbee. At the age of 14 he ran away to join a traveling show.

Mitchell started out using an ancient Gordon-Franklin press and within two years switched to a Chandler & Price press. By 1981, he had moved on to an elderly (circa 1935) cylinder letterpress, a Webendorfer "Little Giant." In the March 1985 issue, Mitchell informed his readers that he had given up printing from hand-set type for a machine that could self-justify text on a line: the new Macintosh computer. Of hand-set type, Mitchell explained: > This method of composition is interesting and full of suspense, to be sure, > but it has certain disadvantages of which most writers have never even > dreamed....sometimes, when thirty or forty lines have been set, it becomes > obvious that the piece is just no good.

Langley's son remembered playing on the floor while Mrs. Langley set type in their Barre home. In 1917, Langley encouraged his employees to become partners, and upon his death in 1938 six men became shareholders, including Alex Walker. Walker bought out his partners in 1958, and purchased the Montpelier Argus on August 29, 1959.

South Korean standard Dubeolsik (two-set type) layout. The writing system of Korean, Hangul, is an alphabet organized into blocks of syllables; characters cannot just be written from left to right. Because of this, every possible syllable in Korean must either be rendered as syllable blocks by a font, or be encoded separately. Unicode uses the latter option.

A local schoolteacher boarded at their home, and Lucius benefited from the adult company. Theron Haight, editor of The Waukesha Freeman, gave Lucius his start in the publishing industry. At age 12 he was set to menial tasks, and eventually learned to set type. This skill brought him to the composing room of The Milwaukee Sentinel in 1871.

Quitting after the close of Congress' 1867 session, in August he left for Baltimore. After a brief stay there and in Philadelphia, he settled in New York City. Broughton struggled to obtain employment for two weeks, and spent one day working on the New York World. He then set type for the New York Herald for over three months.

The square- set type also had its vogue in France during the later 18th century as the quadrilleLincoln Kirstein, Dance, Dance Horizons Incorporated, New York, 1969, p. 212 and the cotillion. These usually require a group of eight people, a couple along each side. "Les Lanciers", a descendant of the quadrille, and the "Eightsome Reel" are examples of this kind of dance.

A flong being made, Leipzig, Germany, 1953 In relief printing, a flong is a temporary negative mould made of a forme of set type, in order to cast a metal stereotype (or "stereo") which can be used in a rotary press, or in letterpress printing after the type has been broken down for re-use. The process is called stereotyping.

William Henry Gilder, and educated at his father's seminary in Flushing, Queens. There he learned to set type and published the St. Thomas Register. Gilder later studied law at Philadelphia. During the American Civil War, he enlisted in the state's Emergency Volunteer Militia as a private in Landis' Philadelphia Battery at the time of the Robert E. Lee's 1863 invasion of Pennsylvania.

This allows much faster typesetting and composition than original hand composition in which operators place down one pre-cast glyph (metal letter, punctuation mark or space) at a time. The machine revolutionized typesetting and with it especially newspaper publishing, making it possible for a relatively small number of operators to set type for many pages on a daily basis. Ottmar Mergenthaler invented the linotype in 1884.

The Compugraphic MCS (Modular Composition System) with the 8400 typesetter is an example of a CRT phototypesetter. This machine loads digital fonts into memory from an 8-inch floppy disk. There was a dual floppy which could also be used with a 1 or 2 hard disk option. Additionally, the 8400 is able to set type-in point sizes between 5- and 120-point in 1/2-point increments.

Harris learned to set type for the paper, and Turner allowed him to publish his own poems, book reviews, and humorous paragraphs. Turner's instruction and technical expertise exerted a profound influence on Harris. During his four-year tenure at Turnwold Plantation, Joel Harris consumed the literature in Turner's library. He had access to Chaucer, Dickens, Sir Thomas Browne, Arabian Nights, Shakespeare, Milton, Swift, Thackeray, and Edgar Allan Poe.

In 1847 he established a newspaper, the Thursday Sketcher, in Great Falls, New Hampshire. He ran the newspaper for four years before coming to New York City to report for a number of papers. He set type for the New York Times, a task which was more profitable in this era than reporting. He stayed for four years before he joined the composing room of the New York Tribune.

William Wirt Sikes was born in Watertown, New York, the son of William Johnson Sikes, a prominent local physician. He was the seventh of eleven children, of whom only six survived to adulthood. Sikes himself was seriously ill as a child and almost lost his hearing, so he was largely educated at home. At fourteen he went to work for a printer and learned how to set type.

Langrishe was born John Sewell Folds Jr. in Dublin, Ireland on September 24, 1825. His father ran a print shop and Folds learned how to set type at a young age. A fire at his father's printing plant forced the family into bankruptcy and they immigrated to the United States. Landing in Boston on September 19, 1845, Folds sought to make his living in America as an actor.

He then joined his father and stepmother at their home in Roscoe, Missouri. Adonijah bought a half-share in the newspaper Osceola so that his son, Birney, Marquis' elder brother, could learn the printing trade. When he was old enough, Marquis did the same and could set type by the time he was thirteen. After leaving school in 1885, Marquis was sent, along with his sister Mollie, to the Weaubleau Christian Institute in Weaubleau, Missouri.

Nora Lawrence was born on Christmas Day 1885 to Joe Lawrence and Margaret (Hall) Lawrence in Dempsey in Dodge County, Georgia. Her father was an Irish immigrant who moved from New York to Georgia, and founded the Wiregrass Farmer newspaper in 1899. Nora learned to set type by hand at age 13 in her father's shop. She was educated in the public schools in Ashburn, and graduated from Houghton College in New York.

The ministers had to take over managing the printing while training Hawaiians. Although Andrews had only worked briefly as an assistant in a printer's office, he taught classes in printing at Lahainaluna. Students learned how to set type, operate the old press, create copper engravings and bind books. On February 14, 1834 about 200 copies of the first Hawaiian newspaper were printed, a four-page weekly called Ka Lama Hawaiʻi (The Hawaiian Luminary).

Crowell was born in Rahway, New Jersey in 1817, the son of Nathan and Harriet (Tucker) Crowell. He first learned the printer's trade working on the Elizabeth Journal of Elizabeth, New Jersey. He later set type on the first number of the Sunday Atlas in New York City and printed other New York journals. For five years he published Crowell's Pictorial and National Register, the first pictorial newspaper printed in the United States.

When he finished his chores, he was allowed to set type for the patent medicine readers. He attended Knox College and established a mediocre academic record, unable to hear almost anything in his classes. He did well at writing however, and in his senior year was elected editor-in-chief of the college newspaper, Coup d'État. He was then made editor of the college news published in the local paper every Thursday.

The new century saw the Echo falling behind the times in its production methods. Established as a "leading daily newspaper", it was one of the last to still be setting type by hand in 1900. This changed in 1902, when Linotype lead-setting machines were brought in to set type mechanically. A landslide victory for the Liberal Party followed at the 1906 General Election, which heralded a new era for the Echo.

In the early 1890s a group of investors, one of whom was Mark Twain, gave Webster Manufacturing the contract to make the Paige Compositor. The device, which set type, was a complicated mechanical marvel with 18,000 parts. Webster built a new five story building at the Western Avenue plant to deliver 3000 compositors under the contract. Unfortunately, the compositor was expensive to manufacture and when it broke down only the inventor’s chief engineer, Charles Davis, could fix it.

Designers typically use desktop publishing software to arrange the elements on the pages directly. In the past, before digital pre-press pagination, designers used precise "lay out dummies" to direct the exact layout of elements for each page. A complete layout dummy was required for designating proper column widths by which a typesetter would set type, and arrange columns of text. Layout also required the calculation of lengths of copy (text in "column inches"), for any chosen width.

Harry Leon Wilson was born in Oregon, Illinois to Samuel and Adeline (née Kidder). His father was a newspaper publisher, and Harry learned to set type at an early age. He began work as a stenographer after leaving home at 16, and he worked his way west through Topeka, Kansas, Omaha, Nebraska, Denver, Colorado, and eventually to California. He was a contributor to the histories of Hubert Howe Bancroft, and became the private secretary to Virgil Bogue.

John B. Wood (December 7, 1827 - January 28, 1884) was a 19th-century American journalist from Lebanon, Maine. At various times he was employed by The New York Times, the New York Tribune, The Sun, the New York Herald, and the New York Evening News. He was educated at the Kennebunk Academy until he was sixteen. He entered a printing office where he learned to set type prior to working for several newspapers in Maine and New Hampshire.

In the UK there is particular affection for the Arab press, built by Josiah Wade in Halifax. Letterpress recently has had a rebirth in popularity because of the "allure of hand-set type" and the differences today between traditional letterpress and computerized printed text. Letterpress is unique and different from standard printing formats that we are currently used to. Letterpress commonly features a relief impression of the type, although this was considered bad printing in traditional letterpress.

Type 97 Chi-Ha radio operator and vehicle Radio Set Type 96 Mark 4 Bo. The Type 97 hull was of riveted construction with the engine in the rear compartment. The tank had a four-man crew including a driver, bow machine-gunner, and two men in the turret. In the forward compartment, the driver sat on the right, and bow gunner on the left.World War II vehicles website The commander's cupola was placed atop the turret.

It had a 64-speed paper advance and did not stop to set type. It figured what needed to be set in a band of data and matched the electronic advance to the mechanical advance. If there were parts of a character that were not included in the band of printing it would be printed in the next band or the band after that. The printing scan rate had to be held constant to prevent overexposing or underexposing the type.

The pentad is "almost octatonic" and has been called "a 'classic' atonal set type". The chord relates the movement to the other movements of the piece, with it appearing as the first chord of movement No.2 and in movement No.4, "The figure in the first bar [of op.16/IV] is actually a horizontal version of the chord from the preceding movement."Elizabeth L. Keathley, "Schoenberg's Op. 16/IV: An Examination of the Sketches", Theory and Practice Vol.

Not to be confused with a mathematical set, a Codasyl set represents a one-to-many relationship between records: one owner, many members. The fact that a record can be a member in many different sets is the key factor that distinguishes the network model from the earlier hierarchical model. As with records, each set belongs to a named set type (different set types model different logical relationships). Sets are in fact ordered, and the sequence of records in a set can be used to convey information.

While there, Roscoe learned to set type by working after hours in the print shop of The Langston Herald, a small community paper. The responsibility he had taken on to help provide for his mother and siblings made it impossible for Roscoe to complete his course work at Langston. Young Dunjee decided to enlarge the operation and become a truck farmer, selling directly to the public. He also worked as a bellhop at the Stewart Hotel in Oklahoma City, but constantly looked for more opportunities.

Beginning at about age thirteen, James worked in the Waynesburg, Pennsylvania, printing office and set type for The Cumberland Presbyterian, the official newspaper of the Cumberland Presbyterian Church denomination. After graduating from Waynesburg University, a Cumberland Presbyterian Church institution, he was one of the founders of the Waynesburg Independent. He also helped to establish the National Stockman and Farmer which became one of America's primary agricultural newspapers. For about twenty-two years Axtell was either editor, manager, or managing editor.The Cumberland Presbyterian, April 19, 1900, page 483.

The St. Marys Oracle is a newspaper serving St Marys, West Virginia, and surrounding Pleasants County. Published weekly, it has a circulation of 2,006 and is owned by West Central Publishing Inc. The paper was established in 1877 as the Democratic weekly The Observer by M. P. Prettyman, who bought the printing plant of the failed West Virginia Methodist Protestant. Prettyman, a schoolteacher who had developed an interest in typography, taught himself over a series of weekends to set type and run the press.

In mid-September he arrived in Wheeling, West Virginia, where he stayed six weeks before moving on to Cincinnati and Dayton, Ohio, where as a literate black man, he taught school until the spring. Moving on, he arrived in New Orleans on April 11, 1839, and then traveled through St. Louis, Missouri, finally settling in Galena, Illinois. There, he learned to set type and took work at the Northwestern Gazette and Galena Advertiser. In Galena, he befriended Elihu B. Washburne, with whom he did some business and maintained a friendship long after.

515 The ships were armed with three Bofors 40 mm guns in single mounts. The mount on the quarterdeck was later removed as it was unusable in heavy seas. They were equipped with two triple-barrelled Limbo Mark 10 anti-submarine mortars. The Blackwood-class ships had the same sonar suite as the larger s where the Limbo mortars were controlled by three sonars, the Type 174 search set, Type 162 target-classification set and the Type 170 'pencil beam' targeting set to determine the bearing and depth of the target.

515 The ships were armed with three Bofors 40 mm guns in single mounts. The mount on the quarterdeck was later removed as it was unusable in heavy seas. They were equipped with two triple-barrelled Limbo Mark 10 anti-submarine mortars. The Blackwood-class ships had the same sonar suite as the larger s where the Limbo mortars were controlled by three sonars, the Type 174 search set, Type 162 target- classification set and the Type 170 'pencil beam' targeting set to determine the bearing and depth of the target.

Lovecraft helped set type for Long's second poetry collection, The Goblin Tower (1935), correcting some of Long's faulty metre in the process. Lovecraft's letters to Long after 1931 have all been lost, with the letters up to that date existing primarily in transcriptions prepared by Arkham House. The Long/Lovecraft friendship was fictionalized in Peter Cannon's 1985 novel Pulptime: Being a Singular Adventure of Sherlock Holmes, Lovecraft, and the Kalem Club as if Narrated by Frank Belknap Long, Jr.. Long was a Guest of Honour at the Lovecraft Centennial Conference in Providence in 1990. Long wrote a number of early Cthulhu Mythos stories.

Dowding, G. (1954) Finer Points in the Spacing and Arrangement of Type Wace & Co.: London; Felici 2003; Bringhurst 2004. For example, an increasing number of computer font design guidelines now recommend the use of quarter-em spaces rather than third-em spaces. With regard to spacing, modern designers are retracing the steps of the 19th-century design-led typographer William Morris. Morris rejected the restrictions of commercial typesetting which at the time demanded traditional typesetting's spacing rules, and, declaring a "rage for beauty", advocated close-set type and dark "colour" (lack of whitespace, creating uniformity of appearance).

The News extras, now sometimes called telegraphic dispatches, were printed with even more frequency. The Deseret Store, home of the Deseret News from 1851-1854 and 1862-1903 In March 1862 the News and its staff moved from the Council House to the Deseret Store, and in 1864 a steam-powered printing press arrived; it was placed in the basement the building. The set type was lowered from the offices in the building's upper floor to the basement, through holes in the each floor. Later an addition was constructed to the east of this building, and the presses were moved into that building.

Nevinnomysskaya GRES Nevinnomysskaya GRES is one of the largest thermal power plants of North Caucasus located in Nevinnomyssk, Stavropol Territory. The installed electric capacity of GRES is 1,530 2 MW, heat capacity – 585 Gcal/hour. The power plant is designed to output electric capacity to the Interconnected Power System of the North Caucasus and supply both industrial consumers and the town population with hot water and steam. Nevinnomysskaya GRES consists of a combined heat and power (CHP) facility (185 MW, 585 Gcal/hour), condensate power units of open set type (935 MW) and a combined cycle gas turbine (CCGT) unit (410.2 MW).

Quillen was born in Syracuse, Kansas, near the Colorado border, and was reared in Overbrook, Kansas, a hamlet south of Topeka, where his father, J. D. Quillen, published the local newspaper.Moore, xi. According to Quillen, his paternal grandfather was a "dour, hard man, who made wonderful wagons and once took me by the seat of the pants and threw me into a watering trough because I had not obeyed him and remained away from it." (83) Robert early learned to set type and as a teenager sold pen-and-ink drawings and published a monthly magazine.

With the completion of a block of lines the typesetter fed the corresponding paper tapes into a phototypesetting device that mechanically set type outlines printed on glass sheets into place for exposure onto a negative film. Photosensitive paper was exposed to light through the negative film, resulting in a column of black type on white paper, or a galley. The galley was then cut up and used to create a mechanical drawing or paste up of a whole page. A large film negative of the page is shot and used to make plates for offset printing.

By the beginning of the final decade of the nineteenth century, type founding was in a state of crisis. With the introduction of the Linotype, which could cast whole lines of body type in-house, demand for hand-set type was down. Throughout the late 1880s prices had been maintained by an informal cartel of foundries, but as the number of foundries increased, and then with the invention of hot metal type, prices dropped dramatically. Additionally, type at this time was not standardized, either to body size or to base line, and printers resented the incompatibility of types from different foundries.

The Linotronic imagesetters are a now common type of high-quality printer, capable of printing at resolutions of up to 2540 dots per inch. The Linotronic allowed graphic artists to cheaply set type that exceeded the quality of many phototypesetting systems in use at the time. Although too expensive for homes or most offices, but cheaper than many other alternatives of printing, it was the graphic designer's dream: output by taking a PostScript file on a removable disk to a service bureau for output on the bureau's Linotronic. Manufactured by Mergenthaler Linotype Company and popularized by the Adobe RIP, enabling PostScript language files to be imaged by the Linotronic imagesetter.

Geschke and co-founder Warnock's Interpress language evolved into Adobe's PostScript, which when combined with hardware from Apple computer, formed the first desktop publishing (DTP) system where anyone could set type, compose documents, and print them as they appeared on the screen electronically. PostScript was marketable as it was machine-independent and extremely flexible. With this new approach, they brought their product to the market, allowing business users to greatly improve the quality and efficiency of their document production, and thus began an entire industry. From December 1986 until July 1994 Geschke was Adobe's Chief Operating Officer, and from April 1989 until April 2000 he was the company's president.

In December 1976, the students, faculty, and administrators of Glassboro State College in New Jersey were greeted by a small, 4-page missive printed from hand-set type distributed on campus that proclaimed the following editorial policy: > The Underground Grammarian is an unauthorised journal devoted to the > protection of the Mother Tongue at Glassboro State College. Our language can > be written and even spoken correctly, even beautifully. We do not demand > beauty, but bad English cannot be excused or tolerated in a college. The > Underground Grammarian will expose and ridicule examples of jargon, faulty > syntax, redundancy, needless neologism, and any other kind of outrage > against English.

The Osiris myth contributed to the frequent characterization of Set as a disruptive, harmful god. Although other elements of Egyptian tradition credit Set with positive traits, in the Osiris myth the sinister aspects of his character predominate. He and Horus were often juxtaposed in art to represent opposite principles, such as good and evil, intellect and instinct, and the different regions of the world that they rule in the myth. Egyptian wisdom texts contrast the character of the ideal person with the opposite type—the calm and sensible "Silent One" and the impulsive, disruptive "Hothead"—and one description of these two characters calls them the Horus-type and the Set-type.

515 Rear view of Pellew showing the Limbo mortars, 23 February 1967 (IWM HU 129944) The ships were armed with three Bofors 40 mm guns in single mounts. The mount on the quarterdeck was later removed as it was unusable in heavy seas. They were equipped with two triple-barrelled Limbo Mark 10 anti-submarine mortars. The Blackwood-class ships had the same sonar suite as the larger s where the Limbo mortars were controlled by three sonars, the Type 174 search set, Type 162 target-classification set and the Type 170 'pencil beam' targeting set to determine the bearing and depth of the target.

He published the paper, then a seven-column quarto, and introduced steam printing presses. He owned the paper until circa 1893 when ownership was assumed by a corporation, the Western Star Publishing Company, which was controlled by McClintock until 1907, when John M. Mulford took over and owned it until 1921. In May 1902, a linotype machine to set type was introduced. On September 6, 1923, the Brown Publishing Company, the company owned by Congressman Clarence J. Brown, bought the paper and owned it until 1998. Brown's first act was to appoint as editor and publisher Gardner H. Townsley (circa 1897-1967), whose claim to fame was having been the Rev.

Dennis John Ashbaugh (born 1946 in Red Oak, Iowa) is an American painter and artist who lives and works in New York City. He was the first artist to employ DNA marking patterns in paintings, in his 1992 work Designer Gene. Ashbaugh’s use of light and color in his large scale paintings of autoradiographs have drawn comparison to Mark Rothko. He is the longtime companion of author Alexandra Penney and grandfather of Celeste Penney. He has been characterized by the New York Times as a “charismatic ex‐surfer whose address book can probably hold its own against that of the most aggressive jet set type”.

The Limbo mortars were controlled by three sonars, the Type 174 search set, Type 162 target classification set and the Type 170 'pencil beam' targeting set. The lattice foremast carried the Type 293Q target indication set and the Type 974 navigation set, and a Type 277Q height finder was carried on a stump mast between the bridge and the mainmast. These sets were all derived from units of Second World War vintage. Carrying the Limbos aft allowed the forecastle to be left clear for the twin 4.5in Mark 6 gun for anti-surface and limited anti- aircraft fire, controlled by a Mark 6M director with Type 285 radar mounted behind the bridge.

He would wander through the composing room daily, sometimes to compliment us or to complain about the appearance of the previous day's paper, or to stop and show someone how to set type or to feed the press. Evidently he wanted to impress upon his employees that he had done it all, that he knew what he was talking about, that he had written the news and set in type and operated the press.” MacDonald, who had become increasingly ill with tuberculosis, spent his last day, December 4, 1904, at the Chronicle office. Arriving home at the end of that day, he died of a sudden pulmonary hemorrhage, age 47.140th Anniversary Edition, the Chronicle, January 4, 2017. p. 22.

Kate Brownlee Sherwood (September 24, 1841 – February 15, 1914) was an American poet, journalist, and translator from Ohio, also known as a story writer, philanthropist, patron of art and literature. After marriage, she at once entered into her husband's journalistic work, where she learned to set type, to read proof, and all the details pertaining to the work so that she might better aid him. She contributed to various magazines and periodicals, and since 1883, was an editor of the Woman's Department of the National Tribune at Washington City, a paper devoted to the interest of the soldiers. She is best known as the author of army lyrics and poems written for the celebration of military occasions.

Kis's identity as the maker of the typefaces was rediscovered in the 1950s by comparison with type from Hungarian archive sources (including his autobiography) on which his name was identified. Due to their survival, the Janson typefaces became with fine printers of the late Arts and Crafts period such as Updike, who could print books from them using hand-set type cast from surviving original matrices. In his book Printing Types: Their History, Forms and Uses, Updike commented that "although heavy, they retain considerable vivacity of line and have great capabilities when used with taste." Despite its 17th-century origins, Janson is used in a wide variety of modern-day text applications.

Monotype's development of Ehrhardt took place under the influence of executive and historian of printing Stanley Morison, not long after their successful creation of Times New Roman. It began from a recognition that the Janson designs were well-respected by fine printers of the Arts and Crafts period such as Daniel Berkeley Updike, who could print books from them using hand-set type cast from surviving original matrices owned by the Stempel company of Germany. Morison had discussed what he knew of their history with Updike in their extensive correspondence from the 1920s onwards. Modernised versions of the Janson designs for hot metal printing were being created by Linotype and Monotype's American branch at the same time.

Elected president of the West Virginia Press Association, she became known nationally for her continued use of handset type, which the paper used into the 1980s. Her father, she said, had bought a linotype machine in 1901 but hadn't taken to it, and had sent it back; they had continued with hand set type since that time, although by the late 1970s they had to produce everything but the front page in offset type as that was how ads were supplied. In an ironic turn of events, the paper—the last to use handset type—became the earliest in West Virginia to adopt desktop publishing, after a 1985 flood destroyed their printing plant. Jane Sharp died in 2017, at the age of 95.

In 1972, Richard L. Darling, the dean of Columbia's School of Library Service (SLS), invited Belanger to develop a master's program for the training of rare book and special collections librarians, a brief soon expanded to include the antiquarian book trade. The program's laboratory, the Book Arts Press, provided a space where students could set type and print the result on a hand press; make relief cuts, drypoints, and etchings; and otherwise get their hands dirty in the interest of their bibliographical educations. The program, the first of its kind, put a heavy emphasis on books as physical objects, and it stimulated the development of rare book librarianship as a profession; graduates of the Columbia rare book program currently occupy many of the senior positions in the field.Belanger, Terry (2007).

Also, during this same period, Kherdian taught a class on Beat poetry, for the first time in an American college or university. During the Kherdians nine years in the Gurdjieff school in Oregon, called The Farm, they established Two Rivers Press, where they learned to set type and print by letterpress, binding their books by hand on fine papers, which included their own hand marbled endpapers. Kherdian also began what he called Writing Classes, combining the gains made from his own writings with the principles of the Gurdjieff teaching, in a method that would liberate those who had formed patterns in their childhood that constricted their growth. During this period Kherdian's best known book, The Road from Home was published, which won numerous awards before being translated, published and pirated around the globe.

After Weed's trial, he again enlisted in the militia, but when news of the passage of the Treaty of Ghent that ended the War of 1812 made its way to central New York, Weed's militia company was disbanded. He then traveled to Albany, where he obtained employment running the printing presses for the Albany Register, which was published by Henry C. Southwick and edited by his brother Solomon Southwick. In 1816, Weed moved to the Albany Argus, published by Jesse Buel, whose lucrative appointment as state printer required him to publish state reports, legislative manuals, and legal notices. The additional responsibility Buel delegated to Weed enabled Weed to more than double his salary, and also kindled an interest in politics, since Weed had to set type for or proofread state documents.

In contrast with other programming languages from its time, Pascal supports a set type: : var Set1 : set of 1..10; Set2 : set of 'a'..'z'; A set is a fundamental concept for modern mathematics, and they may be used in many algorithms. Such a feature is useful and may be faster than an equivalent construct in a language that does not support sets. For example, for many Pascal compilers: : if i in [5..10] then ... executes faster than: : if (i > 4) and (i < 11) then ... Sets of non- contiguous values can be particularly useful, in terms of both performance and readability: : if i in [0..3, 7, 9, 12..15] then ... For these examples, which involve sets over small domains, the improved performance is usually achieved by the compiler representing set variables as bit vectors. The set operators can then be implemented efficiently as bitwise machine code operations.

It also promised a more diverse and exciting range of fonts than that possible with hot metal, where it is necessary to own life- size matrices for every size of every font to be used. Monotype made the transition to cold type and began to market its own “Monophoto” phototypesetting systems, but these suffered from problems. Its first devices were heavily based on hot metal machinery, with glass pictures of characters which would be reproduced on photographic paper replacing the matrices used to cast metal type. While this reduced the need for retraining, the resulting devices often set type slowly compared to legacy-free next-generation devices from providers such as Photon and Compugraphic, and were often more expensive. Its devices were slow to incorporate use of electronics, and while its type library was of high quality, changing tastes and the development of other companies’ libraries competed with this.

Linotype machine Model 6, built in 1965 (Deutsches Museum), with major components labeled Type slug – Print side Type slug, side view Linotype Simplex 1895 The Linotype machine ( ) was a "line casting" machine used in printing sold by the Mergenthaler Linotype Company and related It was a hot metal typesetting system that cast blocks of metal type for individual uses. Linotype became one of the mainstay methods to set type, especially small-size body text, for newspapers, magazines, and posters from the late 19th century to the 1970s and 1980s, when it was largely replaced by phototypesetting and computer typesetting. The name of the machine comes from the fact that it produces an entire line of metal type at once, hence a line-o'-type, a significant improvement over the previous industry standard, i.e., manual, letter-by-letter typesetting using a composing stick and shallow subdivided trays, called "cases".

An advertisement for a hectograph which Preobrazhensky and other Russian revolutionaries frequently reproduced their underground proclamations and leaflets using this simple printing technique Preobrazhensky decided to henceforth "devote a minimum of time to the gymnasium's subjects", merely enough to attain passing marks, to dedicate the bulk of his hours to the study of history and economics.Gorinov, "Foreword," pg. xxxiv. Among the budding revolutionaries who were his friends was one Alexander Aleksin, the son of a local printer, whom Preobrazhensky persuaded to steal lead type from his father's printing works, with a view to establishing an illegal print shop of his own that could produce better results than a hectograph could provide. Preobrazhensky attempted to set type for a pamphlet reproducing revolutionary song lyrics and a declaration "We Renounce the Old World," but his inferior printing equipment fell apart before he could master the process, and the type was eventually returned to Aleksin's printworks, without any printed publications being produced.

Matrix transposition To keep the matrices circulating smoothly throughout the machine, it is necessary that oil not be allowed anywhere near the matrix path. If oil is found in the matrix's path (due to careless maintenance or over-lubrication of nearby parts), it combines with dust, forming a gummy substance that is eventually deposited in the magazine by the matrices. The most common result is that the matrix will not be released from the magazine at its usual speed, and almost always results in a letter or two arriving out of sequence in the assembler—a "matrix transposition". When these machines were in heavy use, it was not uncommon for an operator to set type at the rate of over 4,000 ems per hour, with the fastest operators being able to exceed 10,000 ems per hour (approximately 10 to 30 words per minute in today's units) so careful lubrication and regular cleaning were essential to keep these machines operating at their full potential.

The high-quality craftmanship of the books were coupled with playfulness: type set in triangles, diamonds and other shapes, emphatic imagery, energetic lines, a key focal point sometimes highlighted with a splash of green or red, geometry that could get complicated despite a rough- hewn quality, and some of which was characteristic of the antique Chandler & Price treadle press that Baskin initially used to set type by hand. Baskin's playfulness was eventually grounded by classic letterforms, particularly those designed and cut by Nicholas Jenson in Venice in the late fifteenth century, and revived in the early twentieth century. This "look" accompanied favorite subjects that included notable figures from the history of art and bookmaking, natural history, the Bible, and mythology, in addition to contemporary poetry and classic poetry and literature. In keeping with Blake's model, the Press's inaugural book was a compendium of Baskin's own poems, and called On a Pyre of Withered Roses, a reflection of Baskin's interest in dark subject matter also evident in his visual art.

" After resigning from his partnership with Marder, Luse and Company in 1882, he worked tirelessly to advance the point system and have it adopted by other type foundries. By 1902 not only had most foundries in the United States adopted the system, but the British Associated Type Founders had begun using it. During the 1860s and after there were at least 30 type foundries in America producing hand set type (before the advent of automation or keyboards), and each one had their own way to measure. It was through the persistent efforts of Nelson Hawks that the many foundries in the United States were convinced that the point system should be adopted. After his system became universal in the United States and the United Kingdom, revolutionizing the manufacture of printing type, he was honored by the American Type Founders Association at an event in New York City in 1892 where it was claimed that Hawks' system, "...marks a New Era in the History of Typography, and is the most important improvement in type making since the days Gutenberg[3].