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8 Sentences With "set on a pedestal"

How to use set on a pedestal in a sentence? Find typical usage patterns (collocations)/phrases/context for "set on a pedestal" and check conjugation/comparative form for "set on a pedestal". Mastering all the usages of "set on a pedestal" from sentence examples published by news publications.

A wide, shallow porcelain bowl set on a pedestal, it reduces whisker fatigue and prevents neck strain, making it a great choice for senior cats.
A work of the sculptor Jacques Lipchitz, it was unveiled on 15 May 1965 by the subject's brother, Robert F. Kennedy. The bronze bust was originally set on a pedestal of polished black granite. An adjacent plaque read: It is now on a new plinth. The old plinth remains in place, and bears a sign giving directions to the new location nearby.
Operation Pushover determined how much damage would result from a V-2 toppling or exploding on a carrier deck, using a simulated deck built at White Sands. In late 1949, a fully fueled V-2 was set on a pedestal with four legs, two of which were rigged with explosives to be "blown away just after ignition of the rocket motor." Pushover No. 2 repeated the test with the deck raised several feet.
The statue is set on a pedestal within a fountain, surrounded by water jets. The figures' forms curve upward, and two of the females have their hands raised, while the third "sleeps in the rear". The male figure appears to float and is reaching up with both hands, while the child figure is located behind the foremost female. The sculpture in 2007 The Quest measures approximately x x and is sited on a concrete or stone base that measures x x and weighs 17 tons.
The Mayor of the city, Hugo Wolff, went to Berlin, to approach Lepcke's late brother and buy the original masterpiece, not one of several copies the artist had made. Hugo Wolff had entertained good relationship with Ferdinand Lepcke since the sculptor designed the colossal fountain The Deluge () installed on Freedom Square in 1904. The statue arrived in Bromberg on August 26, 1910, the official unveiling ceremony took place on October 18, 1910, for the 60th birthday of Louis Aronsohn. At the time, the figure was set on a pedestal standing in the middle of a flowery square, on Theater Square, next to the City Theater.
When set on a pedestal or other mount, they could be used to measure the angular distance between any two celestial objects. The details on their construction and use are essentially the same as those of the astronomical sextants; refer to that article for details. Navy: Used to gauge elevation on ships cannon, the quadrant had to be placed on each gun's trunnion in order to judge range, after the loading. The reading was taken at the top of the ship's roll, the gun adjusted, and checked, again at the top of the roll, and he went to the next gun, until all that were going to be fired were ready.
Another view of the monastery The “Copper-Coloured Mountain Paradise of Padmasambahva” (Zangdopari) is vividly displayed in a heart shape on every thangkha and also painted on the walls of the monastery as a constant reminder of the legend. The paintings are set on a pedestal that represents the realm of the King of Nagas amidst Dakinis (mKha- hgro-ma), and the pinnacle in the painting denotes the domain of Brahma. The paintings also depict Klu (Naga) demigods with a human head and the body of a serpent, which are said to reside in lakes (said to denote that they are guarding the hidden treasures). Allegorically, they mean to represent the spiritual holy writings. The paintings also show what is termed as “Walkers in the Sky” (mKha-hgro-ma).
Pobednik () is a monument in the Upper Town of the Belgrade Fortress, built to commemorate Serbia's victory over Ottoman and Austro-Hungarian Empire during the Balkan Wars and the First World War. Cast in 1913, erected in 1928, and standing at high, it is one of the most famous works of Ivan Meštrović. It is also one of the most visited tourist attractions in Belgrade and the city's most recognizable landmark. It is a standing bronze male figure in the nude with a falcon in the left hand and a sword in the right (as symbols of peace and war), modelled by the sculptor Ivan Meštrović, set on a pedestal in the form of a Doric column on a tall cubic base, designed by the architect Petar Bajalović.

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