Nate Sestina, Kentucky Sestina made 41 3-point shots and shot 38.0 percent from behind the 215-point line last season at Bucknell before graduating and heading to Lexington.
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Ya don't add syllables to the haiku, or limerick, or sestina.
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She pivots formally, too, between hints of the sestina and the villanelle.
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"Where I came by torchlight there is dawn-song," one work, "Sestina," begins.
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Tyrese Maxey scored 303, Nick Richards had 13 and Nate Sestina added 11.
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Immanuel Quickley had 16 points, and Nate Sestina added 12 points and 11 rebounds.
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Tyrese Maxey added 17 points, Nick Richards 14, and Nate Sestina 11 for Kentucky.
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Tyrese Maxey added 14 points, and Nate Sestina had a team-best 12 rebounds.
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Sestina finished with two points — a rousing tip-in dunk at the first-half buzzer.
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Freshman Tyrese Maxey added 217 points, and grad transfer Nate Sestina had a team-best 220 rebounds.
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Ponsot has a weakness for poetic forms like the sestina, though her sestinas are recommended only for insomniacs.
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It was Senior Night for the Wildcats, who have only one such player, Nate Sestina, a graduate transfer from Bucknell.
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The Bison later rattled off 10 straight points — Sestina scored the first five — to move ahead 37-34 with 2:53 remaining.
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One wonders if editors would have the courage to publish Robert Lowell's "Words for Hart Crane" or Ezra Pound's "Sestina: Altaforte" today.
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It was the first trey in 71 tries by a Kentucky player other than Sestina, who was 5 for 8 at that point.
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The 9-by-13-inch pan is to Ms. Donnelly what the sestina is to a poet, an old-fashioned form to play with.
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LSU closed within seven points three times before Sestina made consecutive 43-pointers to give Kentucky a 67-52 lead with 5:14 remaining.
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Immanuel Quickley had 16 points, Nate Sestina added 12 points and 11 rebounds, and Keion Brooks, Ashton Hagans and Kahlil Whitney each had 11 points.
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Senior post player Nate Sestina added 14 points and 11 rebounds, and senior guard Nate Jones hit all four 3-point attempts while scoring 12 points.
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If you've ever felt frustrated trying to uncover the literary purpose of a sestina or sonnet, don't fret: Each poem's unique structure directly feeds into its narrative.
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Blank verse and other prosodic techniques construct a sestina, a handful of sonnets, nonce words, and lyrics or lines organized in quatrains, some using internal and end rhymes.
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One year after picking up forward Reid Travis from Stanford, Kentucky added Nate Sestina from Bucknell, who averaged 2.73 points and 8.5 rebounds a year ago for the Bison.
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The Wildcats committed 11 turnovers in the half and had four key players — Ashton Hagans, Nate Sestina, Nick Richards and Maxey — out for much of the half with two fouls each.
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Kentucky led by as many as nine points twice in the opening half, and after going ahead 15-12 on a Nate Sestina 3 with 13:24 to go, never trailed until late in the second.
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For example, "Farm Implements and Rutabagas in a Landscape" is one of the best-known modern examples of the sestina form, which originated in 12th-century Provence, yet the poem is centered on characters from the Popeye comic strip, like Swee'Pea and the Sea Hag.
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There's an emotional undertow even in Marshall's treatment of poetic forms (the sestina, for example, of Bishop's early poem "A Miracle for Breakfast," or Marshall's student attempt at the mad complexities of Catullan hendecasyllabics) and in her unwavering reverence for the magic that form cannot explain.
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It can be maddening for movie lovers not living on either coast, but the vast majority of viewers have been made to wait weeks for such critical darlings as Martin Scorsese's virtuosic religious epic Silence, Jim Jarmusch's low-key existential sestina Paterson, Mike Mills's period piece (pun intended) 20th Century Women, or the righteous, barrier-breaker Hidden Figures.
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Davis's reinventions reminded me of the challenges presented by a sestina, a strict poetic form comprised of six stanzas of six lines each, followed by an envoi of three lines, in which the poet must adhere to a strict pattern that repeats the initial stanzas six end-words in a staggered sequence through the remaining five stanzas and the envoi.
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EditorsNote: Tweaked head; changed abbreviation to Ky. in lead, penultimate graf; other minor edits No. 215 Kentucky, playing short-handed for the fourth time in seven games, improved to 223-27 Friday night with a 29-23 victory over Alabama-Birmingham at Rupp Arena in Lexington, Ky. This time the Wildcats were without graduate transfer Nate Sestina, who suffered a fractured wrist on Tuesday.
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Following the end of the season, Sestina entered the transfer portal for his final season of eligibility as a graduate transfer. He was ranked the third-best player in the transfer portal by ESPN. Sestina committed to transfer to the University of Kentucky. Sestina angling for a rebound in 2020 In his first game with the Wildcats, Sestina scored seven points and grabbed a team-high six rebounds in a 69–62 win over top-ranked Michigan State and hit a key three-point shot in the second half.
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Sestina was born in St. Marys, Pennsylvania and grew up in Emporium, Pennsylvania. As a senior at Cameron County High School, Sestina averaged 22.6 points and 14 rebounds per game and was named the North Tier Conference Player of the Year. He finished high school with 1,703 points and 955 rebounds, a school record. Sestina committed to play college basketball at Bucknell over offers from 11 other schools.
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The sestina, a very elaborate canzonet, was invented in Provence and borrowed by the Italians.
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He broke his left wrist six games into the season against Lamar, causing him to miss four weeks and three games. Sestina was averaging 7.3 points and 7.2 rebounds per game in 27.8 minutes of play at the time of the injury. Sestina returned in a game against Utah on December 18 and was scoreless. In the next game versus Ohio State, Sestina scored a season-high 17 points even though Kentucky lost 71–65.
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Stravinsky, conductor. Columbia Records :Sestina, Ernst Krenek. Epic Records :Emily Dickinson Songs, George Perle. C.R.I. :Songs from Walt Whitman, Malcolm Peyton.
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On July 30, 2020, Sestina signed his first professional contract with Kyiv-Basket of the Ukrainian SuperLeague. On October 13, he signed with Nizhny Novgorod of the VTB United League.
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Nathan Michael Sestina (born May 12, 1997) is an American professional basketball player for Nizhny Novgorod of the VTB United League. He played college basketball for the Bucknell Bison before transferring to Kentucky as a graduate student.
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Sestina suffered a season-ending shoulder injury four games into his freshman year and used a medical redshirt. He averaged 4.8 points and 3.7 rebounds per game over 31 games as a reserve player during his sophomore year. As a junior, Sestina averaged 6.5 points and 3.9 rebounds and 14.9 minutes played per game. He became a starter going into his senior year and enjoyed a breakout season, averaging 15.8 points (6th in the Patriot League) and 8.5 rebounds per game (2nd in conference) and was named to the second team All-Patriot League.
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He scored his 1,000th career point during a 13-point game against LSU on February 18, 2020. Sestina averaged 5.8 and 3.8 rebounds per game in 28 games and was named to the Southeastern Conference Community Service Team.
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Reviewers have praised Petrosino's use of repetition and unconventional hyphenation in conjunction with traditional poetic forms such the sestina. Petrosino has cited her familiarity with the Italian language and its comparative inflexibility as inspiration for her play with English.
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Formally, this book represents a significant stylistic departure from his first book,Ending with Music. The poems are set up in two columns, like the King James Bible but use traditional formal shapes of English poetry (sonnet, sestina, nonce form).
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Turning her hand to young adult novels, McGhee introduced Snap and All Rivers Flow to the Sea. In Only a Witch Can Fly McGhee focuses on poetry. In this story-poem, created in sestina form, a little girl dreams about flying on her broom.Downes, Lawrence.
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Chen's first book, The Heart's Traffic (2009), is a "novel-in-poems" that employs multiple poetic forms, including the sestina, villanelle, haibun, and pantoum. The book focuses on the experiences of Xiaomei, a young immigrant from China to the United States. Chen's second book, recombinant (2017), received the 2018 Lambda Literary Award for Transgender Poetry.
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Nicoletta Pasquale left a legacy of several sonnets and a sestina. Some of her poetic contributions were published in Il sesto libro delle rime di diversi eccellenti autori and in Il Tempio alla divina signora donna Giovanna d'Aragona, both anthologies collected and edited by Girolamo Ruscelli and published in Venice in 1553 and 1555, respectively.
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Mark Mahemoff mainly writes free verse, but also experiments with formal constraints such as englyn, pantoum, sestina, haiku, and found poetry, as well as developing his own new forms. Influenced by the OULIPO movement’s strategies and Georges Perec, he created sestoum, a form incorporating techniques used in the pantoum and sestina. An example is his poem 'Vowel Sounds', in which he avoided using a particular-but-different vowel in each stanza. Mahemoff’s poetry is chiefly concerned with framing, reimagining and memorialising commonplace moments, primarily in an urban setting. Describing the poems in the second collection (Near-Life Experience), in the Australian Book Review, Oliver Dennis states, "Constructed, in a majority of cases, from the ‘salvaged details’ of life, they operate as personal histories, recording everyday experience and observation in the face of death".
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Messy on the Inside was published in 1998. Albrizio's first book of poetry, it consists of 60 poems written entirely in formal verse. Utilizing such traditional forms as the English sonnet, pantoum, villanelle, sestina and haiku, this book spotlights Albrizio's ability to master form without losing the poem's accessibility. From the success of this book, Albrizio created an acclaimed formal verse workshop.
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In addition, there was a featured interview with a contemporary poet, publisher or editor, or a critical article. Published poetry was not required to strictly adjust to a given pattern and included modernist and post-modernist views and poetic forms ranging from sonnet, sestina and haiku to tanga and experimental free verse. Among many others, published poets included Jim Dunlap, Amir Or, Aberjhani.
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His use, however, is less innovative than that of de Pizan or d'Orléans. Froissart's envois are invariably addressed to the Prince and are used to summarise the content of the preceding stanzas. Since the 14th century, the envoi has been seen as an integral part of a number of traditional poetic forms, including, in addition to the ballade and chant royal, the virelai nouveau and the sestina.
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Since his music is yet to appear in a modern edition it has not been fully evaluated by scholars. Mel wrote several sets of cyclic madrigals, i.e. sets of madrigals which set successive stanzas of a long poem (Monteverdi's Sestina: Lagrime d'Amante al Sepolcro dell'Amata is probably the most famous example of a cyclic madrigal set). Setting cyclic madrigals was a hallmark of Roman School composers.
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Stivers’ second book Listening to Cement was published by Arena Editions in 2000. The book is composed of photographs from his ‘Series 6’ works, which included sea- and cloudscapes and architectural views, moving the viewer between indoors and outdoors. Stivers’ third book Sestina was published by Camera Work AG in 2003. This monograph was very successful and printed in 16-inch by 20-inch format.
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Bishop's poem "First Death in Nova Scotia", first published in 1965, describes her first encounter with death when her cousin Arturo died. In this poem, her experience of that event is through a child's point of view. The poem highlights that although young and naive the child has some instinctive awareness of the severe impact of death. She combines reality and imagination, a technique also used in her poem "Sestina".
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She has illustrated several books and produced nearly all the artwork for her own website. An avid wildlife enthusiast, she has travelled extensively to places as diverse as the Ivory Coast, Borneo, Iceland and India. She has won several awards, including the Cardiff International Poetry Competition for a sestina "Pond Life" and the Canongate Prize for her short story "Cassie". A chapbook of poetry, The Spirit Collection, was published in 2000.
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In 1976, Marçal's first book of poems Cau de llunes (winning the Carles Riba Prize), introduced by a splendid poetic sestina penned by Joan Brossa, includes the poem "Divisa," which is like a manifesto summarizing what guided her activism: > To fate I am grateful for three gifts: having been born a woman, of low > class and oppressed nation. And the turbid azure of being three times a > rebel.
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1310 the majority of their poems can be categorised as cansos (love songs), sirventes (satires), and the cobla (individual stanzas).Preminger 1993, p. 852 Since they are composed of a variable number of lines, an individual tornada can also be known as by more general poetic labels that apply to stanza length, according to where it is used; the tornada of a sestina, comprising three lines, is also known as a tercet.Preminger 1993 p. 1146 The tornada can also be modified by the poetic form it is found in; in the sestina (a poetic form that is derived from the troubadour tradition), the tornada should contain all of the six so-called "rhyme-words" that are repeated throughout the form (usually taking the pattern 2–5, 4–3, 6–1; the first rhyme-word of each pair can occur anywhere in the line, while the second iteration must end the line).Fry 2007, p. 234.
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Ramcharitar's work as a poet is, unusually for contemporary Caribbean poets, highly formal and entirely in Standard English. He uses traditional forms such as the sonnet, villanelle and sestina. He is influenced by Walcott, Philip Larkin, R. S. Thomas and Wallace Stevens. As a fiction writer, he has been compared to V. S. Naipaul, but his explicit sensuality and tendency to experimentation display debts to writers as diverse as Umberto Eco and Thomas Pynchon.
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As in recent even-numbered years, the Collegium collaborated with the Radcliffe Choral Society for a programmatic fall concert. This year's concert, Compassion, featured Monteverdi's Sestina Lagrima d'Amante and Bach's motet Der Geist Hilft. In the winter, the Collegium presented the East Coast Premiere of How to Go On, an a cappella secular requiem by Dale Trumbore. On May 3, 2019, Collegium joined forces with all the Harvard Choruses to perform Vaughan Williams' indomitable Sea Symphony.
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Strainchamps 163-164 Until her death, she was the Duke's preferred soprano in the court. Martinelli died of small pox on March 9, 1608. The Duke had a marble tomb built for her and ordered that Carmelite Priests should celebrate Mass and Offices in her memory every year on the anniversary of her death.Strainchamps 170 At the request of the Duke, Monteverdi composed a setting of a sestina written in her memory by Scipione Agnelli, a Mantuan bishop.
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The pentina is an accentual-syllabic poetic form, characterized by the use of five verses of five lines each, with a two-line envoi, for a total of 27 lines. It is similar to the French form, the sestina, which is characterized by six verses of six lines each, with a final 3-line envoi. Its creation in 1995 by American poet and songwriter Leigh Harrison was documented in an article, "The Joys of the Pentina" (Medicinal Purposes Literary Review, Vol. II, No. XII, published in 2005).
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Egan, 16. Upon the release of the prisoners when Venice and Genoa came to terms of peace (about seven years later), Bertolome returned to Venice and was rewarded by the Doge with the castellanies of Coron and Modon in southwestern Morea. According to his vida, there he fell in love with a beautiful local noblewoman and spent the rest of his life. Zorzi wrote a sestina entitled En tal dezir mos cors intra that alludes to the Perceval of Arthurian legend confessing to his uncle.
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Le Testament de Villon is an opera written by American poet Ezra Pound. In 1919, when he was 34, Pound began charting his path as a novice composer, writing privately that he intended a revolt against the impressionistic music of Claude Debussy. An autodidact, Pound described his working method as "improving a system by refraining from obedience to all its present 'laws'."Cited in: Fisher, 19 With only a few formal lessons in music composition, Pound produced a small body of work, including a setting of Dante's sestina, "Al poco giorno", for violin.
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He was born in Modena, and studied with Salvatore Essenga, a Servite monk there. In addition he prepared for holy orders with early education at the Benedictine monastery, and took holy orders sometime before 1577. By the end of the 1570s he was well-connected with the composers of the Venetian school (for example Claudio Merulo and Giovanni Gabrieli) since he collaborated with them in writing a sestina for a ducal marriage. During this period he accompanied Count Baldassare Rangoni on his travels, going to Bergamo and Brescia.
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118 It was introduced into French poetry in the 15th century by Christine de Pizan and Charles d'Orléans and was introduced into England towards the end of the 19th century as part of a general revival of interest in French poetic forms. The complexity of the form caused William Caswell Jones to describe it as "impractical" for common use The Chant Royal was the most complicated form of poetry in Northern France during the 15th century, though not as complex as the sestina, which was more popular in Southern France.Esenwein, Joseph Berg et. Joseph Berg Esenwein, Mary Eleanor Roberts Roberts.
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Warren's Profession by George Bernard Shaw, with the satire of college women presented by Gilbert and Sullivan. He writes that "Vivie naturally knew better than to try to square circles." The sestina, a poetic form first used in the 12th century by Arnaut Daniel, has been said to square the circle in its use of a square number of lines (six stanzas of six lines each) with a circular scheme of six repeated words. writes that this form invokes a symbolic meaning in which the circle stands for heaven and the square stands for the earth.
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Having had poetry and creative non-fiction work published in journals such as Westerly, Meanjin, Southerly, and Australian Poetry Journal, D-Napoleon was a finalist for the Penelope Niven Creative Nonfiction Award in the 2018 and 2017 International Literary Awards through the Center for Women Writers. In 2018 D-Napoleon was awarded the Bruce Dawe National Poetry Prize for her poem "First Blood: A Sestina" and in 2019 her most recent book, First Blood, was released through Ginninderra Press. The book includes a collection of poems-as-memoir that challenge the preconceptions of girlhood. In 2019 D-Napoleon was the International Guest Poet at the 2019 Perth Poetry Festival.
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Ditchoff is married to Paul Ditchoff and lives in Liverpool, Nova Scotia, Canada. Ditchoff's literary works have been recognized and highlighted at Michigan State University in their Michigan Writers Series. In the mid-1980s, her early fiction and poetry was published in various literary magazines.Stud, South Florida Poetry Review 4, Spring 1986; Interim, Amelia 12, 1988; Calamity Crossing, Thema, Winter 1988/89; Solution Sestina, Amelia 14, 1989 - Winner of Bernice Jennings Traditional Poetry Award; Second Sight, Negative Capability, Vol. X, #1, 1990; Address, Slipstream #10, 1990; Bath Mirror, Amelia 17, 1990; Floribunda, West #7, 1992; Concert in the Bread Loaf Barn in Whose Woods These Are, ed.
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The dominant characteristic of Daniel's poetry is an extreme obscurity of thought and expression. He belonged to one school of troubadour poets that sought to make their meanings difficult to understand through the use of unfamiliar words and expressions, enigmatical allusions, complicated meters and uncommon rhyme schemes.Smythe, 105 Daniel further invented a form of stanza in which no lines rhymed with each other, finding their rhymes only in the corresponding line of the next stanza.Smythe, 105 Daniel was the inventor of the sestina, a song of six stanzas of six lines each, with the same end words repeated in every stanza, though arranged in a different and intricate order.
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At the "high end" of closed forms are the sestina and villanelle. At the "low end" are forms such as the limerick, which follows a metrical pattern of two lines of anapestic trimeter (three anapests per line), followed by two lines of anapestic dimeter (two anapests per line), followed by one line of anapestic trimeter. (The beginning of the metrical foot does not have to coincide with the beginning of the line.) Any poem following this metrical pattern would generally be considered a limerick, however most also follow an AABBA rhyme scheme. Most limericks are humorous, and many are ribald, or outright obscene (possible rhymes that could follow an opening like "There once was a man from Nantucket" are left as an exercise for the reader).
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A collection of his writing, Motor Disturbance (1971), won the Frank O'Hara Award for Poetry in 1971. He was awarded the National Endowment of the Arts Award for Power Plant Sestina (1967) and the Ford Foundation Grant. In 1973 Elmslie began work as editor and publisher of Z Magazine and Z Press, working to promote the work of other New York School artists such as John Ashbery, Ron Padgett, James Schuyler, and perhaps most extensively, Joe Brainard. Elmslie's work with graphic artists such as Brainard combined poetry with art to emphasize their interconnectedness; his work in theatre demonstrates his commitment to art as a whole, not only to one medium. Poet Alice Notley says of Elmslie's Routine Disruptions (1998), “this is an icon, for me, of Elmslie's work, its wild funniness, theatricality, brazenness, its love of art and objects”.
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However, he was one of the first to write sonnets in the French language (preceded by Clément Marot and Mellin de Saint- Gelais). He is also said to have introduced the sestina, originally a Provençal invention, into French poetry. Tyard contributed to the poetic and metaphysical program of La Pléiade by elaborating, in his Solitaire Premier, ou Prose des Muses, et de la fureur poétique (1552), a full theory of divine fury, derived in large part from the Latin translations and commentaries by the neo-platonic author Marsilio Ficino of Plato's dialogues Ion and (especially) Phaedrus at the end of the 15th century. Tyard distinguished divine inspiration from madness or "alienation" brought on by other causes, and subdivided divine inspiration into four kinds: (1) poetic fury, gift of the Muses; (2) knowledge of religious mysteries, through Bacchus; (3) prophecy and divination through Apollo; (4) inspiration brought on by Venus/Eros.
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Goethe Dramatic poetry is drama written in verse to be spoken or sung, and appears in varying, sometimes related forms in many cultures. Greek tragedy in verse dates to the 6th century B.C., and may have been an influence on the development of Sanskrit drama, just as Indian drama in turn appears to have influenced the development of the bianwen verse dramas in China, forerunners of Chinese Opera. East Asian verse dramas also include Japanese Noh. Examples of dramatic poetry in Persian literature include Nizami's two famous dramatic works, Layla and Majnun and Khosrow and Shirin, Ferdowsi's tragedies such as Rostam and Sohrab, Rumi's Masnavi, Gorgani's tragedy of Vis and Ramin, and Vahshi's tragedy of Farhad. American poets of 20th century revive dramatic poetry, including Ezra Pound in “Sestina: Altaforte,” T.S. Eliot with “The Love Song of J. Alfred Proufrock,” and Giannina Braschi's Empire of Dreams.
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The include religious pieces of music in the Sardinian language and all its dialects, following a rhyme scheme based on the octave, sestina and quintain. According to the scholar , the roots of the Sardinian actually lie in the Byzantine models: they are in fact identical to the Greek kontakion in terms of the metre structure and the strophes with the chorus at the end. It is also known from the De cerimoniis aulae Byzantinae that the protospatharios Torchitorio I, in honor of the Emperor Constantine VII Porphyrogenitus, sent a delegation of Sardinians who sang a peculiar Greek hymn in Constantinople. Some other authors think that the derive from the Italian lauda, which made its way to Sardinia and the other regions of Europe thanks to Saint Francis' spiritual influence; it has also been theorised that the style of singing might actually be of autochthonous origin, with sonorities typical of the ancient Mediterranean region.
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The reputation of Weldon Kees has seen as much neglect as it has keen attention. Weeks before his disappearance, a young poet in Florida, Donald Justice, attempted to write Kees a letter of admiration and to send him a sestina he had written since Kees excelled in that form. His letter found its way to Kees's father, John, who eventually gave Justice permission to compile and edit The Collected Poems of Weldon Kees (Iowa City, IA: The Stone Wall Press, 1959), which was subsequently released as a trade paperback in the 1960s. Kees's work attracted the attention of other younger poets and his work gradually became anthologized and received critical attention. During the 1980s and 1990s, a volume of Kees's correspondence appeared, Weldon Kees and the Midcentury Generation: Letters, 1935–1955 (Lincoln: University of Nebraska Press, 1986) and the poets Dana Gioia and James Reidel reclaimed and drew attention to Kees's fiction, nonfiction, and visual art.
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In his youth, before he became famous as an orator, Michel devoted himself to poetry with some success.Very few of his compositions have survived from his youth but d'Alembert cited in his elegy one of them as an elegant example of a sestina, written in response to a bouquet of flowers sent by a relative who remembered his name day because of a beggar asking for alms in the name of St. Michael, celebrated on that day (29 September): Translated from the French: As an orator, he was considered to be one of the best, along with Jean Baptiste Massillon and Jacques-Bénigne Bossuet. He earned great praise for two speeches he made at the Court – one of them in 1715 during Lent and the other in 1722 for the coronation of King Louis XV – but Saint-Simon felt that La Rivière's skills as an orator were not the equal of these important occasions.
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