What did you learn from serializing The Human Division and The End of All Things online?
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And so the Sun does, serializing sex manuals, flagrantly stealing stories, and watching its circulation double within six months.
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Before her disappearance, Earhart cabled frequent dispatches serializing her flight around the world for the New York Herald Tribune, abridged below.
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In other words, though Chippendale may have started the book by serializing it online back in 2009, it's very, very 2016.
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SD: Because you have weekly, you have seasons, then you have games each week, and for news we are serializing that.
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Of course, if selectively serializing instructions doesn't work, we're going to have to serialize everything, which will dramatically slow down modern processors.
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Each has bridged the movie-TV nexus -- the gap between serializing TV storytelling and blockbuster movie-making -- in conquering their respective media.
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We will continue to explore other methods such as FlatBuffers for serializing data for disk storage; however, we are generally pleased with our current results.
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Eisner sometimes flipped his surname and used the byline Rensie; under the anagrammatic nom de plume Ethan Rilly, Lin started serializing Frances' story in 2009.
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Describing the daring editor bankrupted by obscenity charges for serializing "Ulysses," she reflects, "I have lost track of whether I am writing about Margaret Anderson or about myself."
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They pushed for federally requiring microstamping, serializing bullets and creating a national database that would record the ballistics signature of every gun sold in the United States, not just those had been used in earlier crimes.
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Publishers and writers have tried to engage fickle readers with bite-size digital fiction in various ways, from unbundling short stories and selling them for 99 cents apiece, to serializing novels as short, plot driven e-books.
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Although people could easily get hold of their own copy of Spycatcher, and the whole thing was huge news, the Sunday Times was held in contempt of court for serializing the book and the UK press was legally forbidden from touching it until the European Court dismissed the injunction because there was nothing left to protect.
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Wish first began serializing in Asuka Comics DX in October 1996. In December 1998, Suki: A Like Story began first serializing in Asuka Comics DX, and in January 1999, Angelic Layer first began serializing in Monthly Shōnen Ace.
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He was serializing his manga Amane Atatameru at the time of his death.
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Brown directed and released eight music videos for Royalty, serializing them to construct a linear story.
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A fourth manga titled which focuses on Mio Sakamoto during the Fuso Sea Incident in 1937, began serializing in Nyantype magazine in 2011 and currently has two manga volumes. A fifth manga titled which focuses on the Isle of Wight Detachment Group, began serializing in Comp Ace and currently has two manga volumes. A sixth manga titled which was previously a semi- official doujin which focuses on the African Front, began serializing on November 10, 2011 in Comptiq magazine.
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The magazine is headquartered in Tokyo. Weekly Young Jump has a special issue, called Young Jump Gold (serializing monthly), Aoharu (serializing irregularly), Young Jump Battle and Young Jump Love. And Weekly Young Jump also has sister magazines called Ultra Jump, Grand Jump (created after the fall of Super Jump and Business Jump), and Jump X.
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A crossover between 8 Man and Cyborg 009 by Kyoichi Nanatsuk (script) and Masato Hayate (art), began serializing in Champion Red on July 18, 2020.
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RG Veda was originally planned to be a single story rather than a series, although because of good reader response and higher-than-expected sales for its first volume Shinshokan permitted the group to create more volumes, however after each chapter of the manga was released, Shinshokan threatened that it would cease serialization should its popularity fall. In July 1989, Genki Comics began serializing Clamp's second work, Man of Many Faces. It also began serializing Duklyon: Clamp School Defenders in August 1991, which became the work that the three artists Mokona, Nekoi, and Igarashi enjoyed working on most. In March 1990, Wings began serializing Tokyo Babylon.
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At the time of her death, she was serializing her manga Katsute Mahō Shōjo to Aku wa Tekitai Shiteita. in Square Enix's Gangan Joker online magazine, leaving the series unfinished.
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In computer science, serializing tokens are a concept in concurrency control arising from the ongoing development of DragonFly BSD. According to Matthew Dillon, they are most akin to SPLs, except a token works across multiple CPUs while SPLs only work within a single CPU's domain. Serializing tokens allow programmers to write multiprocessor-safe code without themselves or the lower level subsystems needing to be aware of every single entity that may also be holding the same token.
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FUNA began serializing the story as a web novel on the user-generated novel publishing website Shōsetsuka ni Narō on January 14, 2016. , 289 chapters of the web novel have been published.
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NET and therefore gets converted directly into .NET structures and objects. This provides better performance than de-serializing into a C structure first and then copying the data to a .NET structure afterwards.
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Artist Takuji Katō began serializing a manga adaptation of the novels in Square Enix's seinen manga magazine Young Gangan on 15 April 2016. Crunchyroll is publishing the manga digitally since 5 July 2017.
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Shō Futamata began serializing the manga on NHN Japan's Comico webtoon app on 13 October 2013. The series is published in print by Futabasha. Crunchyroll Manga acquired the series for digital publication in English.
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Yang Kyung-il (born March 26, 1970) is a South Korean manhwa artist from Incheon, South Korea. In 2009 he and frequent collaborator Youn In-wan began serializing their manga Defense Devil in Shonen Sunday.
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The third volume, The Love Sick is serializing on 8 December. But it was interrupted on 11 January ~ 2 February 2018. The novel volumes will be published in April. This is completed on 4 March 2018.
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TriG is a serialization format for RDF (Resource Description Framework) graphs. It is a plain text format for serializing named graphs and RDF Datasets which offers a compact and readable alternative to the XML-based TriX syntax.
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Petos began serializing the manga in the first issue of Kodansha's seinen manga magazine Young Magazine the 3rd on 5 September 2014. In March 2016, Kodansha USA announced that they had licensed the series in North America.
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In September, they branched out from their usual shōjo manga magazines to a shōnen genre by publishing . With that, the company released their series in Shōnen Jets under a new imprint, in July 1982. As of January 2009, the magazine was defunct but the imprint is used to publish their seinen manga series serializing in Young Animal and Young Animal Arashi as well as certain series serializing in Melody. Three years later on August, they published a new magazine, specialising under the josei genre, Silky that is published on even-numbered months.
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Tsugumomo is written and illustrated by Yoshikazu Hamada, who began serializing the manga in 2007. The series was initially published in Futabasha's Comic Seed! web magazine, before being moved to their WEB Comic High! magazine on August 20, 2008.
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In a similarly named magazine the Weekly Young Magazine, it was announced in its 43rd issue on September 22, 2008 that it would begin serializing Kyō no Go no Ni once again in its next issue on September 29, 2008.
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Lee's speed of writing attracted publishers as well. A month into serializing Dragon Raja several publishers had contacted Lee, and four months after the first chapter, Lee went to Seoul for the first time for his first publishing deal with Golden Bough.
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She received the Savvy Life Blogger Award in 2014. She's currently serializing the interactive mystery Skylar Saffron, Librarian Detective online. Zaffino is the Founder, CEO and Chief Digital Librarian of In the Stacks.tv, a web portal that aggregates book content produced by librarians.
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When serializing an object it serializes the full object graph. Duplicate references encountered in the object-model will be maintained. For example, using the following class CD package com.thoughtworks.xstream; public class Cd { private String id; private Cd bonusCd; Cd(String id, Cd bonusCd) { this.
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ANNOUNCES DO ANDROIDS DREAM OF ELECTRIC SHEEP? The comic garnered a nomination for "Best New Series" from the 2010 Eisner Awards. In May 2010, BOOM! Studios began serializing an eight- issue prequel subtitled Dust To Dust, written by Chris Roberson and drawn by Robert Adler.
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Shūzō Oshimi began serializing Happiness in the March 2015 issue of Kodansha's shōnen manga magazine Bessatsu Shōnen Magazine on 9 February 2015. Nine volumes have been released . Kodansha USA announced their license to the series at their panel at Anime Central on 21 May 2016.
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On POSIX systems, a program can get similar function by reading the value of `CLOCK_MONOTONIC_RAW` clock using the `clock_gettime` function. Starting with the Pentium Pro, Intel processors have practiced out-of-order execution, where instructions are not necessarily performed in the order they appear in the program. This can cause the processor to execute `RDTSC` earlier than a simple program expects, producing a misleading cycle count. The programmer can solve this problem by inserting a serializing instruction, such as CPUID, to force every preceding instruction to complete before allowing the program to continue, or by using the `RDTSCP` instruction, which is a serializing variant of the `RDTSC` instruction.
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In December 1990, Monthly Asuka ran Clamp School Detectives, and in May 1992, it began serializing X. Clamp was serialized by many other magazines and publishers including Kobunsha publishing Shirahime-Syo: Snow Goddess Tales on June 10, 1992. In 1993, Clamp released two different manga: in March, Miyuki-chan in Wonderland, which began serializing in Newtype, and in November, Magic Knight Rayearth which was serialized in Nakayoshi. Nakayoshi also began to serialize Cardcaptor Sakura in May 1996; Ohkawa, Clamp's leader and storyboarder, particularly enjoyed working on Cardcaptor Sakura because unlike many of her previous works, it wasn't tragic. Kadokawa Shoten published The One I Love on July 17, 1995.
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Yoshiaki Sukeno began serializing the manga in Shueisha's Jump Square magazine on October 4, 2013. A special chapter was published in Weekly Shōnen Jump in April 2016. Viz Media licensed the series for publication in North America, with the first volume released on July 7, 2015.
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Suitable programming languages are, e.g., Python, C++, and Java. In this approach, writing and reading QuakeML documents is equivalent to serializing/deserializing QuakeML objects to/from their XML representation. A further possibility would be the serialization/deserialization to/from SQL for persistent storage in a relational database.
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Călinescu, p. 713; Cernat, pp. 23, 32, 54, 61, 188 Pillat, Maniu, and Horia Furtună also "conspired" to relaunch here the disgraced Symbolist mentor, Alexandru Macedonski, serializing his novel Thalassa; and helped launch the career of George Bacovia, publishing his plaquette Plumb.Tudor Vianu, Scriitori români, Vol.
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Just as Cocoa Bindings handle many of the duties of the controller in a model–view–controller design, Core Data handles many of the duties of the data model. Among other tasks, it handles change management, serializing to disk, memory footprint minimization and queries against the data.
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Masahiko Yoshihara began serializing a manga adaptation in the February 2011 issue of Kadokawa's shōnen manga magazine Monthly Shōnen Ace in December 2010. The series was compiled into two volumes, both published on 22 November 2011 ( and ). A second manga is scheduled to accompany the anime and film project.
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Cotoji began serializing the manga in the February 2013 issue of Houbunsha's Manga Time Kirara Forward magazine, sold in December 2012. The manga is licensed in North America by Yen Press. The manga ended serialization in the January 2019 issue of Manga Time Kirara Forward magazine, sold on November 24, 2018.
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The StickyKeys feature turns a quasimode into a mode by serializing keystrokes of modifier keys with normal keys, so that they don't have to be pressed simultaneously. In this case the increased possibility of a mode error is largely compensated for by the improved accessibility for users with physical disabilities.
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Later, he would release other manga series in single volumes, such as Third Baseman No.4 and Gosho Aoyama's Collection of Short Stories. Aoyama began serializing Detective Conan in Weekly Shōnen Sunday on January 19, 1994. When the series was first released in English, it was given the title Case Closed.
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Data compression can be achieved by building SEAL with Zlib support. By default, data is compressed using the DEFLATE algorithm which achieves significant memory footprint savings when serializing objects such as encryption parameters, ciphertexts, plaintexts, and all available keys: Public, Secret, Relin (relinearization), and Galois. Compression can always be disabled.
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Viz Media began serializing Jaco the Galactic Patrolman in English in their digital Weekly Shonen Jump magazine just two days after its debut in Japan. The magazine published the bonus Dragon Ball story in its May 7, 2014 issue. Viz released the collected volume in North America on January 6, 2015.
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Since 2009, Mineshaft has been serializing "Excerpts from R. Crumb's Dream Diary" by Robert Crumb. In the fall of 2017, Mineshaft published The Mineshaft Reader with front cover art and design by Robert Crumb containing new and old work from regular contributors including Robert Crumb, Billy Childish, Mary Fleener, and Jay Lynch.
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Akihito Tsukushi began serializing the manga on Takeshobo's Web Comic Gamma website in 2012. Since then, the series has been compiled into nine tankōbon volumes. Seven Seas Entertainment announced during their panel at Anime Expo 2017 that they had licensed the manga. A manga anthology, titled , was released on July 29, 2017 ().
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Yasuo Ohtagaki put his Moonlight Mile manga on hiatus in November 2011 to write a Gundam series. He began serializing Mobile Suit Gundam Thunderbolt in Shogakukan's Big Comic Superior magazine in March 2012. North American publisher Viz Media announced their license to the series during their panel at Anime Expo on 1 July 2016.
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Box Office Poison originally appeared in comic book form by Antarctic Press, which published 21 issues plus a special from October 1996 to October 2000. The collected Box Office Poison is over 600 pages long. Robinson stated that serializing such a long story in black-and-white form was inspired by Dave Sim's Cerebus.Lee, Humphrey.
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A manga adaptation by Eiji Kaneda launched in Kadokawa's Comic Kai magazine on January 24, 2012. The series was compiled into two volumes, published on February 20, 2013 () and January 24, 2014 (). Anjue Hino began serializing a second manga in the September 2016 issue of Media Factory's shōjo manga magazine Monthly Comic Gene on August 12, 2016.
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Kaori Yuki began serializing the manga in Kodansha's shōjo magazine Aria on 28 January 2014. After Aria ceased publication on 28 April 2018, the series was transferred to Shonen Magazine Edge, starting publication on 17 July of the same year. The series finished on 15 September 2018. Yen Press licensed the series for release in North America.
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Twin Star Exorcists is a Japanese manga series written and illustrated by Yoshiaki Sukeno. Sukeno began serializing the manga in Shueisha's Jump Square magazine on October 4, 2013. A special chapter was published in Weekly Shōnen Jump in April 2016. Viz Media licensed the series for publication in North America, with the first volume released on July 7, 2015.
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Herbert Ingram, in secret partnership with Punchs owners Bradbury and Evans, bought the magazine in 1857, and Punchs editor Mark Lemon was placed in editorial charge. Lemon's attempt to rebrand the magazine, serializing novels by Walter Scott, was a commercial failure.King, Andrew The London Journal 1845 - 1883: Periodicals, Production, and Gender p.113 Ashgate Publishing, Ltd.
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It was followed by in the November 10th issue of LaLa DX. and was published in the September issue of LaLa DX and the November issue of Melody in 1998 respectively. Ame no Naka was also compiled into the third volume of Mekakushi no Kuni. Her first series, started serializing in the January issue of LaLa DX in 1999.
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It was serialized in Big Comic Original from September 9, 2003 to April 5, 2009 and collected into 8 volumes. It earned him his second Tezuka Osamu Cultural Prize. In 2008, Urasawa began working for Kodansha, serializing Billy Bat in Morning. It ran from October 16, 2008 to August 18, 2016 and was collected into 20 volumes.
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Izumi Kirihara began serializing a manga adaptation in Futabasha's Monthly Action magazine on August 25, 2016, and ended the series on May 25, 2017. The chapters were compiled into two collected tankōbon volumes, published on February 10, 2017 (), and June 20, 2017 (). The manga is also licensed by Seven Seas, who released the first volume on January 22, 2019.
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In computing, Xerces is Apache's collection of software libraries for parsing, validating, serializing and manipulating XML. The library implements a number of standard APIs for XML parsing, including DOM, SAX and SAX2. The implementation is available in the Java, C++ and Perl programming languages. The name "Xerces" is believed to commemorate the extinct Xerces blue butterfly (Glaucopsyche xerces).
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Hideaki Yoshikawa began serializing the manga in the November issue of Media Factory's seinen manga magazine Monthly Comic Alive on 27 September 2014. The series concluded in the magazine's December 2015 issue on 27 October 2015, and has been collected into four volumes. North American publisher Seven Seas Entertainment announced its license to the series on 14 July 2015.
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Shelton edited issues #11–12. With issue #11 (Fall 1982), Rip Off Comix converted to magazine format, adding text features as well as comix. It also began billing itself as "the International Journal of Humor and Cartoon Art." Shelton and Paul Mavrides began serializing "The Fabulous Furry Freak Brothers in The Idiots Abroad" in issues #11 and 12.
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A fix for unintentional instances of the bug is to insert another instruction in the loop, the nop instruction being a good candidate. Cyrix suggested serializing the xchg opcode, thus bypassing the pipeline. However, these techniques will not serve to prevent deliberate attacks. One way to prevent this bug is to enable bit 0x10 in the configuration register CCR1.
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Satoshi Mizukami began serializing the manga in Shōnen Gahōsha's seinen magazine Young King OURs in April 2005. The final volume was published in November 2010. JManga began publishing the series digitally in North America in February 2012, and published five volumes before the company shut down in May 2013. It was subsequently licensed by Seven Seas Entertainment in November 2013.
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For many years William Hazlett Upson contributed a very popular series of short stories about the escapades of Earthworm Tractors salesman Alexander Botts. Publication in the Post launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the Post gave him his "first break" in 1915 by serializing Something New.
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They were never collected into tankōbon. Exactly a year after she published Mayonaka mo Jugyōchū, a one-shot titled appeared in LaLa DX's March issue of 2004. In LaLa DX's November issue, Ogura started serializing her first series, . In between the serializations of Mademoiselle Butterfly, she managed to do another one-shot, which was published in the September issue of LaLa.
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They have been characterized as Drama, Romance, School life, Sports and Comedy. Her work has been published by major Japanese publishers such as Shogakukan, Shueisha, Kodansha, Akita Shoten, Hakusensha. They have variously published girls' comics (Shōjo), children's comics, and ladies comics (Josei). Currently, “For Mrs.” (Akita Shoten) is serializing “Inochi no Utsuwa” which has become a long-term series work.
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Egmont Manga & Anime licensed Rave Master for a German release, including serializing it in their monthly anthology Manga Power. Rave Master was also one of the first manga series released in Spanish in North America by Public Square Books. In 2011, Mashima authored a crossover one-shot between Rave Master and Fairy Tail. It was published in Kodansha's Magazine Special May issue.
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Ukami began serializing the manga series in ASCII Media Works's shōnen manga magazine Dengeki Daioh G on December 27, 2013, where it was published every other month. Starting on April 28, 2014, the series switched to monthly publication. It has been published in nine compiled volumes as of February 25, 2020. The series has been licensed in English by Yen Press.
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Crumb (as "R. Crumb") contributes regularly to Mineshaft magazine, which, since 2009, has been serializing "Excerpts From R. Crumb's Dream Diary". In 2009, after four years of work, Crumb produced The Book of Genesis, an unabridged illustrated graphic novel version of the biblical Book of Genesis.Bloom, H., "Yahweh Meets R. Crumb", The New York Review of Books, 56/19 (December 3, 2009).
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The second volume was released on March 31, 2007. The third volume was released on July 27, 2007. The fourth and final volume was released on December 29, 2007, along with the Fate/Zero Original Image Soundtrack "Return to Zero". A manga adaptation began serializing in February 2011, followed by an anime adaptation by Ufotable, marking their debut with the franchise.
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He works with Houjo to headhunt three popular authors from other magazines when Houjo joins the company. His mentor is Natori. ;Shinji Houjo : is initially the editor-in- chief of Monthly Sirius Houjou, but takes over as editor-in-chief of Weekly Shōnen Magazine when Yamashirou transfers. He does not like Takanashi and is set against serializing any of her work.
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Her first notable online publications were Sparkneedle and Lucas and Odessa, which she began serializing on Girlamatic in 2003. Trotman released Templar, Arizona in 2005. It was printed in four volumes via Iron Circus Comics, of which she is owner and founder. It is Chicago, Illinois's largest alternative comics press founded in 2007 concentrating on fantasy, sci-fi, porn, erotica, horror, and queer-friendly books.
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It also received a six-part, unfinished anime OVA adaptation. In 2013, a second manga adaptation started serializing at Bessatsu Shōnen Magazine, with illustrations by Hiromu Arakawa. In 2015, it was adapted into an anime television series, which covered Tanaka's first 4 novels, and was based on Arakawa's manga art style and character designs. A second season, based on novels 5 and 6, aired in 2016.
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Protocol Buffers (Protobuf) is a method of serializing structured data. It is useful in developing programs to communicate with each other over a wire or for storing data. The method involves an interface description language that describes the structure of some data and a program that generates source code from that description for generating or parsing a stream of bytes that represents the structured data.
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After the 1836 elections, political rhetoric in the province was divisive, and did not allow for dissent. The Royal Standard, a short lived Tory daily, clearly called out for repressive measures. William Lyon Mackenzie launched a new newspaper, the Constitution, on July 4, 1836. Lest the symbolism of the name and date be missed, he began serializing the American Revolutionary, Thomas Paine's tract, Common Sense.
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After six years in fiction he semi- changed careers and began a long career as journalist working for the Chosun Ilbo, Shidae Ilbo, and Dong-a Ilbo. In 1940 he returned to writing, serializing Heukchi Sangji- a novel about a Baekje general who fought against Tang invaders. This was deemed improper by Japanese censors and the work was never completed. Hyun died on April 25, 1943.
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The content tended towards controversial themes: a distributor and a printer dropped it in the late 1980s, and it has been held up at the Canada–United States border. Since 1991, Brown has associated himself with Montreal publisher Drawn and Quarterly. Following Louis Riel Brown ceased serializing his work to publish graphic novels directly. He has received grants from the Canada Council to complete Louis Riel and Paying for It.
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The novel was serialized, beginning in March 1895, in Warsaw's Polish Gazette, Kraków's Czas (Time), and Poznań's Dziennik Poznański (Poznań Daily). The novel was finished by March 1896. The book edition appeared later the same year, and soon gained international renown. In February 1897 he began serializing a new novel, Krzyżacy (The Teutonic Knights, or The Knights of the Cross); serialization finished in 1900, and the book edition appeared that year.
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A manga, illustrated by Nokiya, was serialized in Monthly Asuka. Naoshi Komi released the series to two tankōbon on August 8, 2007 and January 26, 2008 respectively. The series has been licensed for a North American release by Yen Press. A second manga, illustrated by Yuji Iwahara, the original character designer for the anime, finished serializing in Square Enix's Young Gangan seinen magazine under the title in March 2011.
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Yūji Iwahara began serializing Dimension W in Square Enix's seinen magazine Young Gangan on 16 September 2011. The manga ceased running in Young Gangan on 20 November 2015, moving to Square Enix's Monthly Big Gangan on 25 December 2015. Yen Press announced their license to the series in October 2015, with plans to publish the first volume in spring or summer 2016. The series has been collected into sixteen tankōbon volumes.
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Super Champ (수퍼챔프) is a South Korean magazine produced by Daiwon C.I.. It is available only online, and specializes in serializing domestic and imported comics. Its first issue was published in 2006, and it is released on the last day of each month. Following publication in Super Champ, individual series are later collected into volumes and published in hard copy form under the Super Champ Comics (SC Comics) imprint.
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This concept would later become a one-shot called Codename: Sailor V, which would later begin serialization in RunRun. When Toei Animation planned to adapt her manga into an anime series, she reworked Sailor V and added four other superheroines. In December 1991 Nakayoshi began serializing Sailor Moon, which became an instant hit. The success encouraged Takeuchi to work on both Sailor Moon and Sailor V from 1991 to 1997.
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Manley is considered one of the "founding pioneers" of the webcomic movement for creating a then- revolutionary subscription model. Manley was well-regarded within the webcomic community. He had cultivated hundreds of relationships within webcomic circles and successfully brought webcomic creators together following the dot-com bubble. Manley returned to creative writing again in the early 2010s, serializing his novel Snake-Boy Loves Sky Prince: a Gay Superhero Teen Romance online.
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The signature data called the witness would be separated from the Merkle tree record of who is sending or receiving the bitcoins. The witness data is moved to the end, and each byte of it would only count as one quarter of a "unit". It also addresses signature malleability, by serializing signatures separately from the rest of the transaction data, so that the transaction ID is no longer malleable.
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Chihiro Ishizuka began serializing the manga in the September 2012 issue of Kodansha's shōnen manga magazine Bessatsu Shōnen Magazine on August 9, 2012. North American publisher Vertical announced their license to the series during their panel at Anime Central on May 22, 2016. The first volume was released in Spring 2017. Partial sales from the eighth volume were donated to Kyoto Animation after the Kyoto Animation arson attack.
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Writer Hazuki Takeoka and Korean female artist Tiv began serializing the manga in the December 2012 issue of Ichijinsha's shōnen manga magazine Monthly Comic Rex on October 27, 2012. Ten volumes were released between April 2013 and July 2018. A spin-off titled is drawn by Yūki Shinichi and is serialized on Gekkan ComicREX starting from November 2016 issue. North American publisher Seven Seas Entertainment announced their license to the series on September 4, 2015.
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Del Rey has not announced plans to re-release earlier volumes. The series is licensed for regional language releases in French by Glenat, in Spanish by Norma Editorial, and in Italian by Editions Star Comics. Egmont Manga & Anime licensed Rave Master for a German release, including serializing it in their monthly anthology Manga Power. Rave Master was one of the first manga series released in Spanish in North America by Public Square Books.
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In 1996, Fukumoto began serializing Kaiji in Weekly Young Magazine. The series has become a hit, publishing over 70 volumes and selling over 20 million copies, sealing his popularity as a manga artist. Fukumoto donated 30 million yen to the areas affected by the Great East Japan Earthquake that occurred on March 11, 2011, and has contributed a supportive illustration. He has also visited the affected areas to sign and draw illustrations for the victims.
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Serialization imposes large overheads when passing objects from one system to another, especially when the transfer is in human-readable formats such as Extensible Markup Language (XML) and JavaScript Object Notation (JSON). This contrasts with compact binary formats for non-object-oriented data. Both encoding and decoding of the objects data value and its attributes are involved in the serializing process, which also includes awareness of complex issues such as inheriting, encapsulating, and data hiding.
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In 2013 Atomeka relaunched their flagship title A1 in two formats through Titan Books. The first was a six-issue limited series serializing three strips — Carpe Diem, Odyssey, and Weirding Willows — over six months that were collected in 2014. Then came a separate 160-page tome, A1 Volume 1: World's Greatest Comics. Also relaunched at the same time was Monster Massacre, an anthology for those who love B.E.M. (Bug Eyed Monsters) comics.
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SPARQL, the query language for RDF, uses a syntax similar to Turtle for expressing query patterns. In 2011, a working group of the World Wide Web Consortium (W3C) started working on an updated version of RDF, with the intention of publishing it along with a standardised version of Turtle. This Turtle specification was published as a W3C Recommendation on 25 February 2014. A significant proportion of RDF toolkits include Turtle parsing and serializing capability.
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The style of artwork changes from strip to strip, sometimes in Clowes' familiar tight drawing style, sometimes more exaggeratedly cartoony. The story is told in one-page segments that can be read individually, while creating a larger whole. It was printed with extremely thick and heavy cover boards. Wilson was the first book Clowes had published without first serializing it the way Ghost World and David Boring had first appeared in his comic book Eightball.
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The original manga, created by Yokote with illustrations by Hanamori, began serializing in the September 2002 issue of Nakayoshi. There are a total of 32 chapters, with final one published on the April 2005 issue of the said magazine (released March 2005). There are a total of seven tankōbon volumes by Kodansha, the first six containing five chapters each and final one having two. They were released between March 20, 2003 and April 30, 2005.
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Clover was first serialized in Shueisha's magazine Bouquet between 1997 and 2000. It was transferred to Cookie, being published from 2000 to 2006 on it. In 2006, another Shueisha magazine, Chorus (now Cocohana), began serializing the manga; it lasted until April 2010. All 91 individual chapters were collected by Shueisha into 24 tankōbon volumes, published between July 25, 1997 and January 25, 2011. From November 18, 2008 to August 17, 2012, the series was republished in 13 bunkoban volumes.
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At the same time, she also started serializing Idol Dreams in Hakusensha's Melody magazine. For the limited edition character song CD released with volume 3 of Idol Dreams, Tanemura wrote the lyrics to the song "Sakura-iro Time Trip." On March 23, 2013, Tanemura released her second album, Princess Tiara, on an independent record label, composed of theme songs performed by her based on her characters. In 2015, Tanemura contributed character designs to the game and media project Idolish7.
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Azuma began serializing in 1975 his story Yakekuso Tenshi in the semimonthly manga magazine Play Comic. He also began publishing science fiction themed works in many different niche magazines such as Kisō Tengai and Peke. Azuma, together with Jun Ishikawa, is considered part of the manga creators in the 1970s. Due to works such as science fiction novel parody Fujōri Nikki, published in Bessatsu Kisō Tengai in 1978, Azuma began to gain a large following among science fiction fans.
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Kyousuke Motomi began serializing the manga in Shogakukan's shōjo magazine Betsucomi on 13 March 2014. The series concluded on 13 May 2015, but was followed by a sequel called Queen's Quality, which debuted in the same magazine on 13 July 2015. Viz Media announced their license to the series on 6 February 2015, with plans to begin publishing it under their Shojo Beat imprint in October 2015. They announced their license to the sequel at Otakon in August 2016.
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The 1940 short manga featured a powered, piloted, mechanical octopus. The 1943 Yokoyama Ryūichi's propaganda manga featured a sword-wielding, steam-powered, giant humanoid mecha. The first series in the mecha genre was Mitsuteru Yokoyama's 1956 manga Tetsujin 28-go (which was later animated in 1963 and also released abroad as Gigantor). He was inspired to become a manga creator by Osamu Tezuka, and began serializing the manga in Shonen, an iconic boy's magazine, in 1956.
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Dengeki Comics released a one-volume manga adaptation of the novel in March 2000, after serializing it in Monthly Comic Dengeki Daioh magazine in 1999. The manga was illustrated by Toshihiro Ono and written by Aya Yoshinaga, who has also written the anime adaptation. Hiroyuki Morioka is also credited on the cover as the original creator. Much like the anime series, it covers all three volumes. It was licensed by Tokyopop and released in 2004, under the name Seikai Trilogy, Vol.
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W Juliet was published by Hakusensha in Hana to Yume between 1997 and 2002 and collected in 14 bound volumes. It is licensed in North America by VIZ Media, in France by Pika Édition, in Spain by Panini Comics, in Germany by Carlsen Comics (which is serializing it in Daisuki), and in Sweden by Manga Media. A sequel series, W Juliet II, is ongoing in the irregularly published The Hana to Yume magazine, and collected in four volumes as of February 2015.
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Starting from 2017, Weekly Shōnen Jump began serializing works made by manga artists who previously published their series on Shōnen Jump+, such as Taishi Tsutsui's We Never Learn, Tatsuki Fujimoto's Chainsaw Man, and Tsurun Hatomune's Mitama Security: Spirit Busters. 2019 was a year of breakthrough for the platform. Spy × Family, which was a new series in 2019, attracted many users to the app, especially female users. After it began serialization, the proportion of female users increased by 5% while 60%-65% were male.
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A sequel to the second game Kin'iro no Corda 2: Encore was released for the same platform on September 20, 2007. The encore game added a new character, Mari Tsuzuki and made Akihiro Kira an obtainable character. Encore is like a side-game to the second game and is much shorter. According to LaLa, the magazine where the manga is serializing has announced that a new game titled Kin’iro no Corda 2: Forte is set to be released for the PlayStation Portable platform.
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8b/10b SerDes maps each data byte to a 10-bit code before serializing the data. The deserializer uses the reference clock to monitor the recovered clock from the bit stream. As the clock information is synthesized into the data bit stream, rather than explicitly embedding it, the serializer (transmitter) clock jitter tolerance is to 5–10 ps rms and the reference clock disparity at the deserializer is ±100 ppm. A common coding scheme used with SerDes is 8b/10b encoding.
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In October 1998, the Saber Marionette J to X TV series was first broadcast. The series ran for 26 episodes, concluding in March 1999. A manga titled Saber Marionette 2: Shiritsu Oedo Gakuen Koubouki started serializing in Fujimi Shobo's Gekkan Dragon Magazine in October 2000, but it was soon canceled. A manga titled Saber Marionette i − Neo Gene illustrated by Megane Ōtomo started its serialization in July 2008 in Fujimi Shobo's Gekkan Dragon Age and was finally compiled in one tankōbon.
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TriX (Triples in XML) is a serialization format for RDF (Resource Description Framework) graphs. It is an XML format for serializing Named Graphs and RDF Datasets which offers a compact and readable alternative to the XML-based RDF/XML syntax. It was jointly created by HP Labs and Nokia. It is suggested that those digital artifacts dependent of the serialization format need means to verify immutability, or digital artifacts including datasets, code, texts, and images are not verifiable nor permanent.
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The program can create a complete text representation of any group of objects by calling these methods, which are almost always already implemented in the base associative array class."Archives and Serializations Programming Guide", Apple Inc., 2012 For programs that use very large data sets, this sort of individual file storage is not appropriate, and a database management system (DB) is required. Some DB systems natively store associative arrays by serializing the data and then storing that serialized data and the key.
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In 2003, he created D-Live!!. On December 2006, he had done work on a manga named S.O.L. He is currently attending to work on a new manga called Peacemaker, serializing in Ultra Jump. Subsequently, he has been working on another manga called ADAMAS, which had been serialized in Kodansha's Evening magazine. He said in an interview that he was inspired to be a manga artist when he watched films made by George Lucas, Francis Ford Coppola and Steven Spielberg.
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In 1936 he traveled to Buenos Aires to represent Japan at the International PEN Club meeting there, also visiting the United States and Europe on this trip. In 1943, he began serializing Tōhō no mon (東方の門 The Gate to the East), a sequel to Yoake mae, but it was left unfinished when Tōson died of a stroke at the age of 71, in 1943. His grave is at the Buddhist temple Jufuku-ji, in Ōiso, Kanagawa Prefecture.
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Studios would begin serializing a comic book line entitled Season 11. These comics would pick up after the series finale "Come Along with Me" and focus on "all new stories in the aftermath of The Great Gum War". Series show runner Adam Muto later wrote on his ASKfm account: "No one from the show is involved in them so ... [c]alling it Season 11 feels like a stretch". He also confirmed that the comics would not be canon to the main show.
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In the paper, the authors introduce a bottom-up BFS where each vertex only needs to check whether any of their parents is in the frontier. This can be determined efficient if the frontier is represented by a bitmap. Compared to the top-down BFS, bottom-up BFS reduces the fail checking by self-examining the parent to prevent contention. However, bottom-up BFS requires serializing work of one vertex and only works better when a large fraction of vertexes are in the frontier.
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Illustration by William Small from Griffith Gaunt serialization. The original Argosy was founded and edited by Alexander Strahan in 1865, and later owned and edited by Ellen Wood. A somewhat racy tone was set from the outset by serializing Charles Reade's novel Griffith Gaunt, which concerns a case of bigamy. Among the many well-known contributors were Hesba Stretton, Julia Kavanagh, Christina Rossetti, Sarah Doudney, Rosa Nouchette Carey, Anthony Trollope, Henrietta Keddie (as Sarah Tytler), Helen Zimmern, and the traveller and linguist Arminius Vambery.
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The logic schema of the POWER4 core The logic schema of the POWER4 processor The POWER4 has a unified L2 cache, divided into three equal parts. Each has its own independent L2 controller which can feed 32 bytes of data per cycle. The Core Interface Unit (CIU) connects each L2 controller to either the data cache or instruction cache in either of the two processors. The Non-Cacheable (NC) Unit is responsible for handling instruction serializing functions and performing any noncacheable operations in the storage topology.
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The October issue of Comic Rush, sold August 26, started publishing the first manga version of Dream C Club, called Dream Club Destiny and drawn by 888. Another manga adaptation, named Dream C Club: Dear Girls started serializing on Famitsu Comic Clear on May 15, 2010. A sequel to the game, titled Dream Club Zero, was released on January 27, 2011. The game features three new hostesses, such as Haruka, a rich girl, Nonono, who comes from the future, and Asuka, a professional beach volleyball player.
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Kim had begun serializing Healing Hands, his follow-up to Same Difference, on his website Lowbright, until he decided to abort the project on July 16, 2006. Healing Hands was to be published as a print graphic novel by First Second Books. Same Difference and Other Stories has been translated in French and is published in France and distributed in that country and Belgium, Switzerland and Canada by the publisher 6 pieds sous terre. It has also been translated into Korean, Spanish, German, and Italian.
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While still working on ComicSpace, Manley moved back to Louisville once again and began focusing on personal creative output through an online fiction workshop with a close circle of writers. In 2011, Manley began serializing a second novel online as a work-in-progress. Titled Snake- Boy Loves Sky Prince: a Gay Superhero Teen Romance, the book tells the story of a supervillain's minion falling in love with the son of a superhero. All of Manley's remaining webcomic services shut down in April 2013.
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She continued to pursue manga as a hobby while in university, creating dōjinshi that she would sell at dōjinshi conventions. After being unable to find a job in the film industry, Itagaki submitted her dōjinshi to editors at the publishing company Akita Shoten, which began publishing her short story collection Beast Complex in Weekly Shōnen Champion in 2016. That same year, Weekly Shōnen Champion began serializing Itagaki's critically and commercially acclaimed series Beastars. In September 2019, Itagaki's autobiographical manga series Paruno Graffiti began serialization in Kiss.
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Previous to Java 8, there were multiple locks each serializing access to a 'segment' of the table. In Java 8, native synchronization is used on the heads of the lists themselves, and the lists can mutate into small trees when they threaten to grow too large due to unfortunate hash collisions. Also, Java 8 uses the compare-and-set primitive optimistically to place the initial heads in the table, which is very fast. Performance is O(n) but there are delays occasionally when rehashing is necessary.
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Inspired by the Women's March in 2017, Dhaliwal began serializing Woman World on Instagram. The science fiction comic tells the story of the development of an all-woman civilization after men become extinct as a result of a birth defect. After amassing over 100,000 followers on Instagram, the strip was reworked for print and collected as a graphic novel published by Drawn and Quarterly in September, 2018. The Instagram version of Woman World was nominated for a 2018 Ignatz Award for Outstanding Online Comic.
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In July 2001, Tokyopop announced that it had acquired the license and that it would be serializing the title in their Smile magazine starting in 2002. Smile discontinued publication that same year. Tokyopop released the first tankōbon volume of the series on January 21, 2003; the final volume was released on January 10, 2007. It was one of the first manga series that Tokyopop released in the original Japanese orientation, in which the book is read from right to left, and with the original sound effects left in place.
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Jason Lutes biography at his publisher, Drawn & Quarterly During this period, Lutes began writing and self-publishing his own comic work with Penny Dreadful Press. In 1993 Lutes began serializing a strip for The Stranger, which was collected in 1996 in the critically acclaimed graphic novel Jar of Fools. After two years of research, in 1996 Lutes embarked on the ambitious comic book series Berlin, an ongoing 22-chapter story set in the twilight years of Germany's Weimar Republic. When Berlin's original publisher Black Eye Productions closed in 1998, Drawn & Quarterly took over the series.
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The series was also issued in a ten-volume box set in May 2007. The manga is licensed in North America by Viz Media, which began serializing it in Shojo Beat magazine in August 2007. It is also licensed in France by Kana, in Germany by Tokyopop Germany, and in Thailand by Bongkoch Comics. In commemoration of the success of the live action drama series, a two-chapter spin-off was released from 2006 to 2008, again written and illustrated by Umino Chika, bringing the story to a final close.
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In 1986, Another Rainbow/Gladstone Publishing (and later Gemstone Publishing) began a tradition of serializing Gottfredson stories in regular Disney monthly comic books, which continued on and off until 2008, when they ceased publication. Gladstone also collected a number of Gottfredson's serials in the larger-size "comic albums" it issued during the 1980s;, in 1990, Disney Comics issued "Mickey Mouse Outwits the Phantom Blot" (1939) in the same format. In 1988 a selection of both the daily and Sunday strip were published by Another Rainbow Publishing in the book Mickey Mouse in Color.
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Studios began serializing the multi-part Italian Wizards of Mickey epic from MM #296–299. It then spun off into its own title. (To date, there have been many "Wizards of Mickey" sagas produced and published in Italy, most yet unpublished in the USA.) As with Boom! Studios' other Disney- related titles, two versions of each issue of Mickey Mouse and Friends were released in early months; one with "Cover A," the other with "Cover B." Aside from the two different covers, the two versions of each issue were identical and had the same contents.
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Izumi Tsubaki began serializing the manga in Square Enix's online magazine Gangan Online on August 25, 2011. As of August 2018, the series has been collected into ten tankōbon volumes. Apart from the comics, an official fanbook and an anthology manga (containing stories by Satsuki Yoshino (Barakamon), Yasunobu Yamauchi (Daily Lives of High School Boys), Tachibana Higuchi (Gakuen Alice), Shigeru Takao, and Dan Ichikawa) have also been published, both on August 22, 2014. North American publisher Yen Press announced their license to the series at Sakura-Con in April 2015.
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Mag Garden was founded on June 5, 2001 by Yoshihiro Hosaka, who previously worked as an editor from Enix (now Square Enix) before leaving. It started out as a spin-out company from Enix's manga publishing division before the company merged with Square. The Square-Enix merger resulted in an uprising with some of the manga artist staff. Fearing their manga being dropped out of publication and tired of the harsh treatment, they left Square Enix to help create Mag Garden, where they would also continue serializing their series.
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Huh had difficulty in designing the Pig Girl's mask and attempted several different designs which were rejected before arriving at the chosen mask, but cannot imagine Mu-Yeon wearing any other mask now. Yen Press licensed Pig Bride for an English-language release in North America and began serializing it in the manga anthology Yen Plus. The final issue of Yen Plus in July 2010 contained the conclusion to Pig Bride. The English localization process included Korean onomatopoeia and sound effects with the anglicized word followed by the English translations.
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As of 2014, he has gone freelance. Two of Kumeta's latest serializations include Sekkachi Hakushaku to Jikan Dorobō, published in Weekly Shōnen Magazine from November 2013 to January 2015, and Nankuru Neesan (art by Yasu), published in Kodansha's Young Magazine the 3rd from February 2016 to February 2019. He is currently serializing Studio Pulp for Rakuen Le Paradis of Hakusensha and Kakushigoto in Monthly Shōnen Magazine. Sayonara, Zetsubou-Sensei was his first work to be adapted into an anime and it was awarded the 31st Kodansha Manga Award in the shōnen category.
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Ayamegumu began serializing a manga adaptation in Fujimi Shobo's Age Premium magazine in December 2014. Age Premium ceased publication with its 49th issue on July 9, 2016, and the manga was one of five titles that were transferred to Monthly Dragon Age. The manga has been licensed by Yen Press. Akira Segami launched a prequel manga, titled , adapted from the short story by the same name in Death March to the Parallel World Rhapsody: Ex, in Fujimi Shobo's shōnen manga magazine Monthly Dragon Age on February 9, 2018.
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In 1979, Park began serializing his first novel Lie Like a Leaf of Grass (Pullipcheoreom nupda) in the JoongAng Ilbo, which would become known as his signature work. For the work's sensitive, even poetic, descriptions of the losses sustained by the South Korean people in the period of rapid urbanization, Park received the 1981 Korean Literature Prize. In addition to his two hit novels, Park also wrote other works set against the period of South Korea's economic rise, such as The Forest Never Sleeps (Supeun jamdeulji anneunda) and I Listen to Mozart on Wednesdays (Suyoil ein Mochareuteu leul deudneunda).
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Gson uses reflection, so it does not require classes being serialized or de-serialized to be modified. By default, it just needs the class to have defined default no-args constructor (which can be worked around, see Features). The following example demonstrates the most basic usage of Gson when serializing a sample object: module GsonExample { requires gson; requires java.sql; // Required by gson exports Person; exports Car; } package Car; public class Car { public String manufacturer; public String model; public double capacity; public boolean accident; public Car() { } public Car(String manufacturer, String model, double capacity, boolean accident) { this.
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In 1984, Weekly Shōnen Jump began serializing Toriyama's Dragon Ball, which became an instant hit. As of 2014, it had sold 159.5million tankōbon copies in Japan alone, making it Shueisha's second best-selling manga of all time. It began as an adventure/gag manga but later turned into a martial arts fighting series, considered by many to be the "most influential shōnen manga." Dragon Ball was one of the main reasons for the magazine's circulation hitting a record high of 6.53 million copies (1995). The series' success encouraged Toriyama to continue working on it from 1984 to 1995.
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The series was first published in 2017 as a web comic on the comedy website Omocoro under the title . Kadokawa collected the series as a tankōbon bound volume in March 2018, and began serializing new chapters of series as Seiri- chan in its manga magazine Monthly Comic Beam in November 2018. That same month, Yen Press announced that it would publish an English-language translation of the series under the title Little Miss P, with the first volume released in June 2019. A Little Miss P stuffed toy was released in April 2019 to commemorate the release of the manga's second volume.
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Collier's Issues in Detail Serializing novels during the late 1920s, Collier's sometimes simultaneously ran two ten-part novels, and non-fiction was also serialized. Between 1913 and 1949, Sax Rohmer's Fu Manchu serials, illustrated by Joseph Clement Coll and others, were hugely popular. The first three Fu Manchu novels by Rohmer were actually compilations of 29 short stories that Rohmer wrote for Collier’s. The Mask of Fu Manchu, which was adapted into a 1932 film and a 1951 Wally Wood comic book, was first published as a 12-part Collier's serial, running from May 7 to July 23, 1932.
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September 1, 2015 On its 20th anniversary during September 2015, Suck founders Carl Steadman and Joey Anuff and former editors Ana Marie Cox, Heather Havrilesky, and Tim Cavanaugh appeared at the festival XOXO, their first appearance on stage together. In an interview with Engadget, Anuff said Suck couldn't exist today, citing the reduced value of opinions and shorter attention spans. During the autumn of 2015, software developer Mark MacDonald began serializing the website's archive in an email newsletter, which is sent on a daily basis 20 years-to-the-day after original publication on Suck.com.Bralker, Brian Gen Xers rejoice: Suck.
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Big Fantastic started as an ambitious attempt by Douglas Cheney, Chris McCaleb, Ryan Wise, and Chris Hampel to revolutionize the web series phenomenon by serializing dramatic content into a short, daily 90 second format. The company also expands their product into the metaverse by giving the characters in their shows MySpace pages and Blogs. Big Fantastic originally was funded completely out of their own pockets, but has now made deals with Warner Brothers, Vuguru, Generate LA-NY, 60 Frames and other companies for further productions. The Big Fantastic company was Emmy nominated twice for the Outstanding Broadband Drama award in 2007.
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Serializing fiction in the Victorian press By Graham Law, page 84. The paper went from strength to strength and outgrew its primitive origins in a hand-fed printer and in 1876 a Victory printing and folding machine was acquired with a capacity of printing 16,000 copies an hour. The Tillotsons remained owners of the Evening News into the latter part of the 20th century, but the days of family-owned newspapers were drawing to a close and in 1971 the Tillotsons sold the company to St Regis International of New York. From then on change happened rapidly.
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SD Gundam originated from a contributed illustration of a junior student from Nagoya by the name of Koji Yokoi to the "Model News" magazine that Bandai was issuing in the 1980s. The illustration is of a Gundam but with an unusual proportion where the overall height of the Gundam is equal to twice that of its head. This illustration interested the chief editor and led to Koji Yokoi serializing SD Gundam in 4 frame comics in "Model News". The super deformed designs were suitable for capsule toys, and so they were first merchandised as small SD Gundam-shaped erasers as part of the Gashapon series SD Gundam World in 1985.
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In the 1880s he began serializing novels that further increased his popularity. He soon became one of the most popular Polish writers of the turn of the 19th and 20th centuries, and numerous translations gained him international renown, culminating in his receipt of the 1905 Nobel Prize in Literature for his "outstanding merits as an epic writer." Many of his novels remain in print. In Poland he is best known for his "Trilogy" of historical novels – With Fire and Sword, The Deluge, and Sir Michael – set in the 17th-century Polish–Lithuanian Commonwealth; internationally he is best known for Quo Vadis, set in Nero's Rome.
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"The Crystal Egg" is a science fiction short story written by H. G. Wells in 1897. The story tells of a shop owner, named Mr. Cave, who finds a strange crystal egg that serves as a window into the planet Mars. The story was written the same year in which Wells was serializing The War of the Worlds in Pearson's Magazine, a year before it was published as a novel. Because of the vaguely similar descriptions of the Martians and their machines, "The Crystal Egg" is often considered a precursor to The War of the Worlds, though there is no clear foreshadowing of the events that transpire in the novel.
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The parallel ATA protocols up through ATA-3 require that once a command has been given on an ATA interface, it must complete before any subsequent command may be given. Operations on the devices must be serializedwith only one operation in progress at a timewith respect to the ATA host interface. A useful mental model is that the host ATA interface is busy with the first request for its entire duration, and therefore can not be told about another request until the first one is complete. The function of serializing requests to the interface is usually performed by a device driver in the host operating system.
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An internet radio show, Chaos;Head Radio Delusional Radio Channel, began airing on March 28, 2008 to help promote the game, and was hosted by Takumi and Rimi's voice actors, Hiroyuki Yoshino and Eri Kitamura. A manga series based on the game, illustrated by Sumihey, started serialization in ASCII Media Works' shōnen magazine Dengeki Daioh on May 21, 2008. A second manga, Chaos;Head: Blue Complex, which is illustrated by Nagako Sakaki, began serialization in Media Factory's seinen magazine Monthly Comic Alive on September 27, 2008. A third adaptation, Chaos;Head H, which is illustrated by Takehito Mizuki, began serializing on September 26, 2008 in Jive's Comic Rush magazine.
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One solution is to remove the `final` modifier from the field, giving up the benefits the modifier conferred. For this reason, some programmers suggest to make the objects in the hierarchy Serializable, and create copies by serializing the old object and then creating a new object from the resulting bitstream, which handles final data members correctly, but is significantly slower. Alternatively, one can return a completely new object from the current objects fields, which can be done first calling the constructor, and later assigning non final fields. Another alternative method is actually making the idea formal : creating a copy constructor that takes an instance.
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Both Rika Takahashi of EX.org and Claude J. Pelletier of Protoculture Addicts found the art style in Hunter × Hunter to be much simpler than Yu Yu Hakusho and Level E. Thompson noted that artwork during Hunter × Hunters magazine run is often "sketchy" and missing backgrounds, but Togashi goes back and fixes it for its collected tankōbon release. He also wrote that Togashi has a love of gore and noted that some panels in Hunter × Hunter are apparently censored for gore by being covered with screentone. Since 2006, Togashi has taken numerous lengthy hiatuses while serializing Hunter × Hunter. Some were due to illness and lower back pain, while the reasons for others were never disclosed.
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XML adoption was helped because every XML document can be written in such a way that it is also an SGML document, and existing SGML users and software could switch to XML fairly easily. However, XML eliminated many of the more complex features of SGML to simplify implementation environments such as documents and publications. It appeared to strike a happy medium between simplicity and flexibility, as well as supporting very robust schema definition and validation tools, and was rapidly adopted for many other uses. XML is now widely used for communicating data between applications, for serializing program data, for hardware communications protocols, vector graphics, and many other uses as well as documents.
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In 1979, Park began serializing his first novel Lie Like a Leaf of Grass (Pullipcheoreom nupda) in the JoongAng Ilbo, which would become known as his signature work. For the work's sensitive, even poetic, descriptions of the losses sustained by the Korean people in the period of rapid urbanization, Park received the 1981 Korean Literature Prize. More serialized novels followed, which exhibited Park's lyrical but realistic style, which details the dreams and frustrations of average citizens adrift in a world of base materialism and brutal opportunism. Of special note are Fire Nation (Bul-ui nara) and Water Nation (Mul-ui nara), which appeared in The Dong-a Ilbo in the early and mid-1980s and won critical recognition.
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Pohl himself, who later became a very successful magazine editor, felt he made many mistakes. He quotes as an example his serialization of Malcolm Jameson's story "Quicksands of Youthwardness" in three parts; the story was only 27,000 words long, and readers complained (justifiably, in Pohl's view) that serializing it in a bimonthly magazine meant they had to wait for five months to read the whole story, in relatively small 9,000-word pieces. Overall, Pohl assessed his performance by saying "I wasn't really a very good editor"; adding "With what I know now I could have made those magazines sing, but as it was they just lay there".Pohl, The Way the Future Was, pp. 92-94.
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In Java Platform, Enterprise Edition (Java EE), the Conversational state are the field values of a session bean plus the transitive closure of the objects reachable from the bean's fields. The name "conversational" is used as in this state the client interacts with the bean - a stateless session bean does not do so. For example, while a Cart bean might contain a conversational state to communicate with the client about the contents of their cart, an Order bean might not as the invocation is not necessary. The transitive closure of a bean is defined in terms of the serialization protocol for the Java programming language, that is, the fields that would be stored by serializing the bean instance.
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Fujiwara visited and documented the sites of sacred trees in various countries to spread awareness of green transportation. The scooter he used in the 2004–2008 circumnavigation, sponsored by Yamaha, weighed , had a 30 km/h top speed, and an endurance of 20 km on a battery charge. Even with six batteries giving a 100 km range, his partner had to shuttle charged batteries to him in order to cross Australia's Nullarbor Plain. Between April 2009 and November 2013, he rode 100,000 kilometers across Japan's major highways on a 50 cc Honda Cub, sponsored by motorcycle apparel supplier Rough & Road, and supported by serializing his journeys in the Japanese magazine Tandem Style and on his own blog.
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Neosim (2003) was developed based on this goal, and early NeuroML development was closely aligned to this approach. Along with creating Neosim, Howell and Cannon developed a software library, the NeuroML Development Kit (NDK), to simplify the process of serializing models in XML. The NeuroML Development Kit implemented a particular dialect of XML, including the "listOfXXX" structure, which also found its way into SBML(Systems Biology Markup Language), but did not define any particular structures at the model description level. Instead, developers of plug-ins for Neosim were free to invent their own structures and serialize them via the NDK, in the hope that some consensus would emerge around the most useful ones.
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Ekiden and Kitsune are two variants of a single DSU system that implements the state-transfer style of DSU for programs written in C. Rather than updating functions within a single program, Ekiden and Kitsune perform updates over whole programs, transferring necessary state between the two executions. While Ekiden accomplishes this by starting a new program using the UNIX idiom of fork-exec, serializing the target program's state, and transferring it, Kitsune uses dynamic linking to perform "in-place" state transfer. Kitsune is derived from Ekiden's codebase, and can be considered a later version of Ekiden. Ekiden and Kitsune are also notable in that they are implemented primarily as application-level libraries, rather than specialized runtimes or compilers.
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Naruto was scanlated (translated by fans) and available online before a licensed version was released in North America; the rights were acquired by Viz Media, who began serializing Naruto in their anthology comic magazine Shonen Jump, starting with the January 2003 issue. The schedule was accelerated at the end of 2007 to catch up with the Japanese version, and again in early 2009, with 11 volumes (from 34 to 44) appearing in three months, after which it returned to a quarterly schedule. All 27 volumes of Part I were released in a boxed set on November 13, 2007. On May 3, 2011, Viz started selling the manga in an omnibus format with each book containing three volumes.
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In 2005, Anubis Comics was created and formed a number of licensing agreements with DC Comics, Marvel Comics, Dark Horse Comics and other major comic book publishers. Consequently, since 2005 Compupress has published a number of well-known comic book series, such as Batman, Superman, Ultimate Spider-Man, several X-Men titles, Conan the Barbarian, Star Wars and Indiana Jones. In June 2006, Anubis Comics launched Fantasy Heroes, a monthly magazine dedicated to the fantasy genre, serializing several fantasy series, such as the Dark Elf Trilogy G.R.R.Martin's The Hedge Knight, and Raymond Feist's Magician. In February 2009 the magazine ceased publication with its 33rd issue, citing the global financial turmoil as one reason for dwindling sales.
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The Gundam Wing, Battlefield of Pacifists and Endless Waltz manga series were published in English by Tokyopop, while Blind Target, Ground Zero and Episode Zero were published by Viz Communications. Another sequel manga detailing the future of the colonies entitled Tiel's Impulse was printed in 1998 and has not been published in the United States. In September 2010, Gundam Ace magazine began serializing a manga titled New Mobile Report Gundam Wing Endless Waltz: The Glory of Losers that retells the events of the anime while incorporating facts from Episode Zero and the novel Frozen Teardrop. The manga also uses Hajime Katoki's Gundam redesigns from Endless Waltz and other subsequent media, instead of the original Kunio Okawara designs featured in the anime.
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While this allows for numbers of arbitrary precision to be serialized, it may lead to portability issues. For example, since no differentiation is made between integer and floating-point values, some implementations may treat `42`, `42.0`, and `4.2E+1` as the same number, while others may not. The JSON standard makes no requirements regarding implementation details such as overflow, underflow, loss of precision, rounding, or signed zeros, but it does recommend to expect no more than IEEE 754 binary64 precision for "good interoperability". There is no inherent precision loss in serializing a machine-level binary representation of a floating-point number (like binary64) into a human-readable decimal representation (like numbers in JSON), and back, since there exist published algorithms to do this exactly and optimally.
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Because I subscribe to the dictum, Veritas quae minime defensatur opprimitur; et qui non improbab, approbat (Truth which is not sufficiently defended is overpowered; and he who does not disapprove, approves.) Since December 2012, Sri Kantha is currently serializing a biography on M.G. Ramachandran (aka MGR, 1917-1987), the renowned stage-cinema actor and Tamil Nadu politician, in a Tamil ethnic community website. This series, as well as the assorted essays, of Sri Kantha has now become source materials for noted personalities who placed their imprints in the Tamil movie world S.S. Rajendran, , Sivaji Ganesan , Pattukoddai Kalyanasundaram , Ellis R. Dungan , A.S.A. Sami and K. Thavamani Devi ) and for MGR’s movies (Nadodi Mannan , Madurai Veeran , Alibabavum 40 Thirudargalum , Anbe Vaa , Petralthan Pillaiya , Rickshawkaran ) for Wikipedia entries.
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Despite Saint Justin's story's exposure to the reader as a fraud, Chet's faith in the official version restores his severed hand. The altered ending from 1992 has both Josie and Chet reunited in Hell, and the ghost of Chet's sister becomes a devil. As Brown mixes surreal sacrilege with the sort of moralism that compels him to condemn Josie for her bloody revenge, Brian Evenson calls Brown "deft at muddying the waters in a way that makes it very hard to pin him down as either belieever or satirist, as either anti-religionist or apologist". While not part of the Ed story, Brown had been serializing straight adaptations in Yummy Fur of the Gospels of Mark and of Matthew during most of Ed's run.
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In the post-Soviet fantasy and science fiction, the extensive serializing of successful formulas has become usual. Most notable are the two postapocalyptic book series based on the S.T.A.L.K.E.R. computer game and Metro 2033 novel, both of which featured a well-developed universe. The S.T.A.L.K.E.R. book series' features are heavy branding and almost negligible influence of the actual writer's name on individual novels (also, a TV show is in development).Interview with the creators and rights holders of the S.T.A.L.K.E.R. franchise, GSC development company And though Metro 2033 raised its creator Dmitry Glukhovsky to national fame, it quickly developed into a franchise, with over 15 books published by various authorsOfficial site of the Metro Universe series (Russian) and spanned a tie-in videogame.
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Front-page, 25 January 1895 of Black & White Black and White: A Weekly Illustrated Record and Review was a British illustrated weekly periodical founded in 1891 by Charles Norris Williamson. In 1912 it was incorporated with The Sphere. In its first year Black and White published 'A Straggler of '15', a short story by Conan Doyle, and began serializing 'The South Seas', a series of letters by Robert Louis Stevenson.ODNB It published fiction by Henry James, Bram Stoker, H. G. Wells, Robert Barr, A. E. W. Mason, Jerome K. Jerome and E. Nesbit.Magazine Data File Others who wrote for Black and White included Samuel Bensusan (1872-1958), J. Keighley Snowden, Philip Howard Colomb, Nora Hopper, Henry Dawson Lowry (1869-1906), Robert Wilson Lynd and Barry Pain.
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The third anime adaptation, Dragon Ball GT, was not based on his manga; however, Toriyama was still involved in coming up with the name and designing the main cast. Aside from its popularity in Japan, Dragon Ball was successful internationally as well, including Asia, Europe, and the Americas, with 250–300million copies of the manga sold worldwide. While Toriyama was serializing Dragon Ball weekly, Torishima recruited him to work as character designer for the 1986 role-playing video game Dragon Quest. The artist admitted he was pulled into it without even knowing what an RPG was and that it made his already busy schedule even more hectic, but he was happy to have been a part after enjoying the finished game.
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In computing, process migration is a specialized form of process management whereby processes are moved from one computing environment to another. This originated in distributed computing, but is now used more widely. On multicore machines (multiple cores on one processor or multiple processors) process migration happens as a standard part of process scheduling, and it is quite easy to migrate a process within a given machine, since most resources (memory, files, sockets) do not need to be changed, only the execution context (primarily program counter and registers). The traditional form of process migration is in computer clusters where processes are moved from machine to machine, which is significantly more difficult, as it requires serializing the process image and migrating or reacquiring resources at the new machine.
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A few months after the merger a new title The Complete Fantastic Four was launched in September 1977 starting with the story from the US Fantastic Four #133. Unusually The Complete Fantastic Four reprinted an entire issue of the US publication at a time when stories were always broken up into several installments. As a back up strip it started serializing the FF's adventures from US Fantastic Four 1, but this was replaced by The Invaders towards the end of the run. In 1978 that series merged into Mighty World Of Marvel returning the FF to their original home alongside the Hulk. Their last adventure in that title was issue 329, when they were moved out so that the comic could be relaunched as Marvel Comic in early 1979.
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The first provides a look at the series' history, the second shows the 400-plus characters from the series, the third displays Toriyama's manga manuscripts from memorable scenes, the fourth shows special color illustrations, the fifth displays rare Dragon Ball-related materials, the sixth includes design sketches and animation cels from the anime, and the seventh screens Dragon Ball-related videos. It was there until April 15, when it moved to Osaka from April 17 to 23, and ended in Toriyama's native Nagoya from July 27 to September 1. To celebrate the 45th anniversary of Weekly Shōnen Jump, Toriyama launched a new series in its July 13, 2013 issue titled Jaco the Galactic Patrolman. Viz Media began serializing it in English in their digital Weekly Shonen Jump magazine, beginning just two days later.
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As a compact game world compared to open-world games, the whole of the island of The Witness was treated as one zone, simplifying the gameplay and engine development. This presented a secondary challenge to the team, because to concurrently work on the project, they needed to find a means to allow multiple developers to edit areas without resorting to using locking on their version control system, as well as being able to work without being connected to a central server. Blow and his team developed an unconventional means of serializing the game world into text files that would have revision control while at the same time making it easy to find conflicting edits. They also converted the 10,000-some entities in the game world into their own individual files for tracking to further reduce conflict between edits.
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The Best of Walt Disney Comics #96171 Abbeville Press' large size Best Comics anthologies in the late-1970s included two all-Gottfredson volumes (one headlined "Goofy"), though the stories were relettered and sometimes condensed. In 1980, Abbeville issued a small-size Best Comics series that included three all-Gottfredson volumes (again, one headlined "Goofy"), all of which reprinted stories from the earlier large-size editions. In 1986, Another Rainbow/Gladstone Publishing (and later Gemstone Publishing) began a tradition of serializing Gottfredson stories in regular Disney monthly comic books, which continued on and off until 2008, when they ceased publication. Gladstone also collected a number of Gottfredson's serials in the larger-size "comic albums" it issued during the 1980s;Series I - Gladstone Walt Disney Comic Albums in 1990, Disney Comics issued "Mickey Mouse Outwits the Phantom Blot" (1939) in the same format.
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The 1921 US trial of James Joyce's novel Ulysses concerned the publication of the Nausicaa episode by the literary magazine The Little Review, which was serializing the novel. Though not required to do so by law, John Quinn, the lawyer for the defence, decided to produce three literary experts to attest to the literary merits of Ulysses, as well as The Little Review’s broader reputation. The first expert witness was Philip Moeller, of the Theatre Guild, who interpreted Ulysses using the Freudian method of unveiling the subconscious mind, which prompted one of the judges to ask him to "speak in a language that the court could understand". The next witness was Scofield Thayer, editor of The Dial, another literary magazine of the time, who "was forced to admit that if he had had the desire to publish Ulysses he would have consulted a lawyer first—and not published it".
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In 2001, Young Magazine began serializing Clamp's Chobits which completed its run in 2002. Although their previous works are targeted at a female audience, Chobits marked the first time Clamp wrote for an older teen male audience. Clamp began writing the two works that tell separate parts of the same overarching plot, xxxHolic serialized in Young Magazine beginning in 2003 followed by Tsubasa: Reservoir Chronicle serialized in the Weekly Shōnen Magazine beginning in the same year. Tsubasa marked the first time Clamp had ever tried writing for a younger male audience, although their first work published in the Shōnen demography was Angelic Layer In 2004, Clamp's 15th anniversary as a manga artist group, the members changed their names from Nanase Ohkawa, Mokona Apapa, Mick Nekoi, and Satsuki Igarashi to Ageha Ohkawa, Mokona, Tsubaki Nekoi and Satsuki Igarashi (her name is pronounced the same, but written with different characters) respectively.
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The Godkiller series was devised to be simultaneously produced as a series of graphic novels and films (both utilizing the same sequential art) with the ultimate goal being a trilogy of feature-length films. Pizzolo and Muckcracker began by serializing Godkiller: Walk Among Us into a 6-issue comic book series (debuting in 2008) and a 3-episode film series (debuting in 2009) before the completed Walk Among Us feature film opened theatrically in 2010. The Walk Among Us film was slated for a unique release of limited edition, bi-monthly DVDs starting September 29, 2009, followed by a theatrical run of the full feature in January 2010 and a DVD/Blu-ray release in March 2010. Due to overwhelming demand far beyond studio expectations, the first DVD's street date was delayed until October 6, 2009, so enough DVDs could be supplied to the stores, including Best Buy, Borders Books, F.Y.E. and Suncoast, among many more retailers.
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From both he learns about the breadth and depth of modern musical instruments and the systematized musical theory available from these strange people from the future. He also becomes emotionally entangled with Marla, while fighting off feelings of unworthiness since he is crippled and cannot hope to support her. Author David Carrico brings the two characters back in a succession of stories beginning with "Heavy Metal Music", in effect serializing stories told primarily from Sylwester's viewpoint, and uses the character, with the help of the good- natured Marla, to explore interactions between the 1630s musical world and the intriguing blended culture coming into existence in central Europe. At Marla's suggestion, Franz reverses the order of the four strings of his violin and learns to play it left-handed (holding the bow in his left hand and fingering with his undamaged right hand), and in "Command Performance" Franz demonstrates his newly learned left-handed mastery of the violin at a triumphant debut concert.
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By this time, Panu was beset by accumulated disappointments, his former enthusiasm diminished, tired of wandering between parties and eventually stricken with an incurable illness. However, he did not remain a mere spectator or, as he said of himself in 1907, a politically defeated man, but a careful observer and active commentator, less in parliament than in the pages of Săptămâna. There, beginning in 1901, he began serializing his memoirs of the Junimea days, completing the account five years later. His place in literary history is especially due to the book form of these writings, Amintiri de la "Junimea" din Iași (vol. I, 1908; vol. II, 1910), perhaps the most forthright account of the society's central figures. Focusing on the 1872-1875 period, the author is guilty of omissions and particularly of adding imagined scenes. But what distinguishes it from the pedantic, dry accounts of Negruzzi and Ioan Slavici is the ability to recreate the spirit of Junimea, to render not only the solemn image its leaders presented to the outside world, but also the internal bustle, the behind-the-scenes intrigue and the relaxed, Bohemian mood that made up its charm.
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This is now regarded by magazine historians as having been the start of the pulp magazine era. For twenty years the pulps were successful without restricting their fiction content to any specific genre, but in 1915 the influential magazine publisher Street & Smith began to issue titles that focused on a particular niche, such as Detective Story Magazine and Western Story Magazine, thus pioneering the specialized and single-genre pulps.Murray (2011), p. 11. As the pulps proliferated, they continued to carry science fiction (SF), both in the general fiction magazines such as Argosy and All- Story, and in the more specialized titles such as sports, detective fiction, and (especially) the hero pulps.Nevins (2014), pp. 94–95.Ashley (1978), p. 52. Science fiction also appeared outside the world of pulps: Hugo Gernsback, who had begun his career as an editor and publisher in 1908 with a radio hobbyist magazine called Modern Electrics, soon began including articles speculating about future uses of science, such as "Wireless on Saturn", which appeared in the December 1908 issue. The article was written with enough humour to make it clear to his readers that it was simply an imaginative exercise, but in 1911 Modern Electrics began serializing Ralph 124C 41+, a novel set in the year 2660.
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