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38 Sentences With "sepulchers"

How to use sepulchers in a sentence? Find typical usage patterns (collocations)/phrases/context for "sepulchers" and check conjugation/comparative form for "sepulchers". Mastering all the usages of "sepulchers" from sentence examples published by news publications.

Sepulchers of the Kings John II and Isabel of Portugal The royal sepulchers set were designed by artist Gil de Siloé commissioned by Queen Isabella I of Castile. On the one hand is the Sepulchers of John II of Castile and Isabella of Portugal, placed in the nave's center, eight-pointed star shaped. And in the Gospel side of the church is located the Sepulcher of infante Alfonso of Castile. Both sepulchers were made in alabaster and are late-Gothic sculpture's jewels.
Main altarpiece Sepulchers of John II of Castile and Isabella of Portugal.
Bergin, Thomas G., translator. Keller, Deane, illustrator. On Sepulchers. The Bethany Press.
Numerous archeological digs have been carried out in Givat HaMivtar. Sepulchers discovered in the course of the digs were determined to be Jewish tombs of the Second Temple period.
Writing in the 4th century, the Pilgrim of Bordeaux reported that the sepulchers of David, Ezekiel, Asaph, Job, Jesse, and Solomon were located near Bethlehem. There has been no corroboration of this.
Moscher, Gouveneur. (1978). Kyoto: A Contemplative Guide, pp. 277–278. These tombs reached their present state as a result of the 19th century restoration of imperial sepulchers (misasagi) which were ordered by Emperor Meiji.
In 1810 Isopi started establishing an art school in Ludwigsburg, which was attached to the china manufacture. In creating decorative marble statues Isopi was unrivalled. He gained wide recognition for designing vases, urns, fountains, sepulchers or garden ornaments.
The chapter house and the choir, of the same period, conserves a beautiful floor of azulejos. Its main altar has an 18th-Century Baroque altarpiece. In the side chapels are located the sepulchers of its founders, the De la Fuente family.
Cloisters of Lisbon Cathedral where King Ferdinand IV and Beatrice of Castile were buried Queen Beatrice executed three wills and one codicil. She died in Lisbon when she was 66 years old and was buried at Lisbon Cathedral next to her husband as she had stipulated in her will. While the definitive tombs were being built, the royal couple was originally buried at the choir of the church and it was not until the reign of King John I that their remains were transferred to the new sepulchers in the main chapel of the cathedral. These sepulchers were destroyed during the 1755 Lisbon earthquake and were replaced in the 18th century.
Thus, not only were convents burned, but sepulchers were profaned and graves were emptied.Dolors Marín, "Barcelona en llamas: La Semana Trágica", La Aventura de la Historia, Año 11, no. 129, p. 47. Of 112 buildings set fire to during the disturbances, 80 were church-owned or associated.
However, Quadros's government often supported states ruled by white minority governments, such as South Africa, which undermined his efforts.Aragon, Daniel P. 2010. Chancellery sepulchers: Jânio quadros, joão goulart and the forging of brazilian foreign policy in angola, mozambique, and south africa, 1961-1964. Luso-Brazilian Review 47 (1): 121-49.
Atfih was known as Tpyhwtin in antiquity and Busiris (Aphroditopolis) to the Romans. Some of the Ancient Egyptian monuments discovered in the town include an animal necropolis, Greco-Roman tombs, and sepulchers of cows in huge limestone tombs. About 17 km North was found the Tomb of 'Ip, who lived around 2000 BC. in Atfih.
Sepoltuario (pl. sepoltuari, Italian) is a register in which the burials in a specific Italian cemetery are noted. In the pre-modern era in Italy, sepoltuari were registers in which the sepulchers of families or confraternities were recorded in a particular church or in a specific cemetery. The analysis of these registers is an important source of historical documentation.
The Ager Vaticanus always remained outside the walls of Rome and the pomerium. According to Roman tradition, therefore, necropolises and sepulchers also settled along the streets that crossed it, and were normally left in place until the need arose to demolish them to make room for new buildings (like the Basilica of Saint Peter),Coarelli (1975), p. 320-321 or to recover materials.Petacco (2016) p.
Since the early 19th century AD, antiquarians and archaeologists have cleared and recorded tombs, with a total of 61 sepulchers being known by the start of the 20th century. KV5 was only rediscovered in the 1990s after being dismissed as unimportant by previous investigators.[58] Some of the tombs are unoccupied, others remain unidentifiable as regards to their owners, and still others are merely pits used for storage.
This text, however, was written in the 8th century, and thus its reliability as a source is doubtful; a basilica dedicated to Theonestus may have existed by the fourth century. When this basilica was progressively demolished in the 16th century, the sepulchers of Eusebius and Theonestus are purported to have been discovered. A cruciform inscription, now lost, read S. MARTIR THEONESTUS, and was judged to date from the 4th century.
The Metropolitan of Liloupolis, Gennadios, was badly beaten and went mad. Elsewhere in the city, the Greek cemetery of Şişli, as well as the cemetery of the Patriarchates in Balıklı were targeted. Crosses and statues were vandalized, while sepulchers and burial vaults were opened and the remains of the dead were removed and dispersed by the fanatic mobs. At Balıklı cemetery, the sarcophaguses of the Greek Orthodox Patriarchs were desecrated.
Their tombs are grouped together in what are today known as the "Seven Imperial Tombs" at Ryōan-ji. The burial places of these emperors—Uda, Kazan, Ichijō, Go-Suzaku, Go-Reizei, Go-Sanjō, and Horikawa—would have been comparatively humble in the period after their deaths. These tombs reached their present state as a result of the 19th century restoration of imperial sepulchers (misasagi) which were ordered by Emperor Meiji.Moscher, G. (1978). Kyoto: A Contemplative Guide, pp. 277–278.
After Alexander's death, this same Thais was married to Ptolemy, the first king of Egypt. There is, however, one formidable difficulty. Diodorus Siculus says that the rock at the back of the palace containing the royal sepulchers is so steep that the bodies could be raised to their last resting-place only by mechanical appliances. This is not true of the graves behind the compound, to which, as F. Stolze expressly observes, one can easily ride up.
Among the arches are erected Doric pilasters with their corresponding entablature running, which also serves as an element of union between the two spaces. The larger space is covered with a flat, fluted and lunished vaulted ceiling. The most direct access from the church to the sacristy is through a door located at one end of the major side. There is the chapel of Santa Inés, whose Gothic architecture, with vaulted edges, contains several interesting sepulchers.
" The neighbourhood included a place of worship now known as the Old Yemenite Synagogue.Sylva M. Gelber, No Balm in Gilead: A Personal Retrospective of Mandate Days in Palestine, McGill-Queen's Press - MQUP, 1989 p.88 Construction costs were kept low by using the Shiloah spring as a water source instead of digging cisterns. An early 20th-century travel guide writes: In the "village of Silwan, east of Kidron ... some of the fellah dwellings [are] old sepulchers hewn in the rocks.
Ogier does mention "a doorway into the ground, a long way in front of and below the granary," but it is not very tall, and "a very dark place, and foul-smelling from the beasts that live in it" (ibid.). In a rather different notice written in 1350, Ludolph of Sudheim, a parish priest from Westphalia, correctly refers to the Pyramids as sepulchers, and says "these tombs are called by the natives Pharaoh's granaries."De itinere Terrae Sanctae 31, ed.
Another French explorer André Thevet, who visited three years later writes: "The Jews have told me many times that they find in their Chronicles that these Pyramids were the support of the granaries of Pharaoh: that is not likely ... they are sepulchers of kings as appears from Herodotus ... since I saw in one pyramid a great stone of marble carved in the manner of a sepulcher."Cosmographie de Levant (Lyon, 1556), 154; trans. Greener 1967, 38.Egyptian granaries at Thebes.
The rocky area immediately around Kafr Latah contained remains that "deserved notice, on account of the vast quantity of stone coffins and sepulchers." The remaining cultivable land was used by residents to plant barley, corn and fruit trees. In the early 20th century, Kafr Latah was noted for being surrounded by numerous burial grounds to the east and west of the village and other archaeological features. Among these sites was a domed monument supported by four columns located in a valley just north of the village.
After the Civil War, she remained one of the nation's most celebrated lyceum speakers for nearly a decade. She made as much as $20,000 () a year, making a speech every other day on average, and gave most of her earnings away to charity, friends, and relatives. She also maintained a townhouse in Philadelphia, with expensive personal possessions, for her mother and sister. She spoke about reconstruction, African-American's rights, women's right and other issues, like venereal disease in Between Us Be Truth, and polygamy in her speech "Whited Sepulchers" in Utah.
As a student, Jerome engaged in the superficial escapades and sexual experimentation of students in Rome; he indulged himself quite casually but he suffered terrible bouts of guilt afterwards. To appease his conscience, on Sundays he visited the sepulchers of the martyrs and the Apostles in the catacombs. This experience reminded him of the terrors of hell: St. Jerome in His Study (1480), by Domenico Ghirlandaio. His quote from Virgil reads: "On all sides round horror spread wide; the very silence breathed a terror on my soul"P.
Nat and Richard have s serious talk, about the fact that "no woman wants to give her love to a stupid drunk" and about women like Bette, "whited sepulchers" who can "ruin your whole life."This is a reference to syphilis, which was still a devastating, deadly and essentially incurable scourge when this film was made. It would be more than a decade before the widespread availability of penicillin after World War II made cures possible. Nat gives him a punishment that is no hardship—go to Yale and stick with it.
Saint Himerius (Imerio, Imier) of Bosto is venerated as a pilgrim and martyr. He is venerated in the province of Varese jointly with Gemolus (Gemolo), who was martyred with him. (Some scholars believe that the two figures are the same man.)Sant' Imerio di Bosto A tradition from the eleventh century holds that Himerius and Gemolus were Nordic companions of a bishop who was traveling Ad Limina Apostolorum–that is, on a pilgrimage to the sepulchers of St. Peter and St. Paul at Rome, i.e., to the Basilica of St. Peter and to the Basilica of Saint Paul Outside the Walls.
With the arrival to the throne of the John II's daughter, Isabella I of Castile, return the work in monastery from the year 1477, undertaking new projects such as the Sepulchers of the Kings or the Altarpiece. It will continue the architectural tracery of Garci Fernández de Matienzo and later of Simón de Colonia, son of Juan de Colonia, finishing the works of vaulting of the monastery in year 1484. Between 1532 and 1539 undertaken other architectural works in the monastery under direction of Diego de Mendieta, designed to create the side chapels and give greater height to the church as well as the incorporation of spires and pinnacles, and incorporation of the cresting.
The Church of the Savior on Blood (1883–1907), is a monument in the old Russian style which marks the spot of Alexander II's assassination. The Peter and Paul Cathedral (1712–1732), a long-time symbol of the city, contains the sepulchers of Peter the Great and other Russian emperors. The St. Nicholas Cathedral and the Great Choral Synagogue are near the Mariinsky Opera Theatre. Most cathedrals and temples operate today as places of worship as well as museums, and there are numerous other places of worship in all major religions. Smolny Cathedral Of baroque structures, the grandest is the white-and-blue Smolny Convent (1748–1764), later the Smolny Institute, designed by Bartolomeo Rastrelli, but never completed.
Bertel Thorvaldsen is said to have pronounced it the finest work of its kind. Colyn, who was sculptor in ordinary both to the emperor and to his son, the archduke Ferdinand of Tirol, did a great deal of work for his patrons at Innsbruck and in its neighborhood; particular mention may be made of the sepulchers of the archduke and his first wife, Philippine Welser, both in the same church as the Maximilian monument, and of Bishop Jean Nas. His wife Maria de Vleeschouwer's tomb is by his hand and dated 1594.Alexander Colyn in the RKD His own tomb in the cemetery at Innsbruck bears a fine bas-relief executed by one of his sons.
The monastery within the fortress walls Between 1887 and 1889 the French archaeologist Jacques de Morgan discovered 576 rectangular stone sepulchers, along with cultural items made of clay, bronze and iron near Akhtala dating back to the 8th century BC. The settlement of modern Akhtala was known as Agarak in the 5th century. The fortress was almost certainly built on top of Bronze and Iron Age foundations. It was built in the late tenth century by the Kyurikids, this branch of the Bagratunis originated from Gurgen (the name was pronounced Kyurikeh in the local dialect of Gugark). He was the son of the patrons of Sanahin and Haghpat monasteries located not far from Akhtala, King Ashot III the Merciful and Queen Khosrovanush.
Pha That Luang in Vientiane is the national symbol of Laos. An ancient human skull was recovered in 2009 from the Tam Pa Ling Cave in the Annamite Mountains in northern Laos; the skull is at least 46,000 years old, making it the oldest modern human fossil found to date in Southeast Asia. Stone artifacts including Hoabinhian types have been found at sites dating to the Late Pleistocene in northern Laos. Archaeological evidence suggests an agriculturist society developed during the 4th millennium BC. Burial jars and other kinds of sepulchers suggest a complex society in which bronze objects appeared around 1500 BC, and iron tools were known from 700 BC. The proto-historic period is characterised by contact with Chinese and Indian civilisations.
Interior The interior has a Latin cross plan, with a nave and two aisles divided by pilasters. The presbytery and the transept are elevated, to allow space for the underlying crypt. The latter houses fragments of ancient mosaics which show the presence here of a cult temple from at least in the 3rd or 4th century AD. The side chapels were built to house the sepulchers of the noble families of Parma: two of them, the Valeri Chapel and the Commune Chapel, have maintained the original decoration from the 14th century. Particularly noteworthy are the capitals, also in the exterior: many of them are characterized by rich decorations with leaves, mythological figures, scenes of war, as well as Biblical and Gospel scenes.
Jewish graves, Israel Tombstones in Mount of Olives Jewish Cemetery, Jerusalem Jewish cemetery at Kasteelwal in Buren, The Netherlands Jewish cemetery Wankheim/Tübingen, Germany Abraham Blooteling after Jacob van Ruisdael, Begraef-plaets der Joden, buyten Amsteldam (Jewish Cemetery outside Amsterdam), 1670, NGA 10979, National Gallery of Art A Jewish cemetery ( beit almin or beit kvarot) is a cemetery where Jews are buried in keeping with Jewish tradition. Cemeteries are referred to in several different ways in Hebrew, including beit kevarot (house of sepulchers), beit almin (eternal home) or beit olam [haba], (house of afterlife), the beit chayyim (house of the living) and beit shalom (house of peace). The land of the cemetery is considered holy and a special consecration ceremony takes place upon its inauguration. According to Jewish tradition, Jewish burial grounds are sacred sites and must remain undisturbed in perpetuity.
In its interior on both sides are located several sepulchers. On the right wall of the Epistle, on the door that leads to the ambulatory, there is the Gothic- Burgundian burial, of the bishop Alfonso Carrillo de Albornoz, cardinal of San Eustaquio, (1424 - 1434); was commissioned by his nephew the bishop Alfonso Carrillo de Acuña, is the recumbent figure treated with great realism, and is held as an example of Castilian Gothic funerary sculpture of the 15th century, at its sides are the statues of St. Peter and St. Paul and above these some pinnacles ending in a row of blind arcades the sepulcher is inside an ogee Among others is also the sepulcher of Bishop Peter of Leucate, first builder of the cathedral, although the recumbent image was made, later, by order of Cardinal Mendoza, with pontifical dress, mitre and crosier, therefore with vestments after his death.
Catacombs of Domitilla, Rome The olive branch appears with a dove in early Christian art. The dove derives from the simile of the Holy Spirit in the Gospels and the olive branch from classical symbolism. The early Christians, according to Winckelmann, often allegorized peace on their sepulchers by the figure of a dove bearing an olive branch in its beak.James Elmes, A General and Bibliographical Dictionary of the Fine Arts, London: Thomas Tegg, 1826 For example, in the Catacomb of Priscilla in Rome (2nd – 5th centuries AD) there is a depiction of three men (traditionally taken to be Shadrach, Meshach, and Abednego of the Book of DanielParrochia di Santa Melania ) over whom hovers a dove with a branch; and in another of the Roman catacombs there is a shallow relief sculpture showing a dove with a branch flying to a figure marked in Greek ΕΙΡΗΝΗ (Eirene, or Peace).
Savage men detail The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio. Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc. It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.

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