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61 Sentences With "sentimentalized"

How to use sentimentalized in a sentence? Find typical usage patterns (collocations)/phrases/context for "sentimentalized" and check conjugation/comparative form for "sentimentalized". Mastering all the usages of "sentimentalized" from sentence examples published by news publications.

Being older in China typically means being respected, but also, often, sentimentalized.
Poor, sickly Beth is almost always sentimentalized; Marmee is often a bore.
The class divide between Mary and these working people is wholly sentimentalized.
Her naked bodies are never sensationalized and her views of nature rarely sentimentalized.
Not many today even try, when culture is weaponized and nature is sentimentalized.
Unfortunately, Reyna rarely rises above stereotype, either sentimentalized by Cora or demonized by Troy.
The 19th century had sentimentalized death in many ways, especially in burial and mourning practices.
What more capacious retellings of history, with black heroes instead of sentimentalized Confederates, are you willing to endorse?
It's either this really strict modernist academic thing or this really fake over sentimentalized 'scrumptious' aesthetic, and it's suffocating.
Those who have faced sexual violence are so commonly sentimentalized or stigmatized, cast as uniquely heroic or uniquely broken.
That's a startling and somewhat sentimentalized notion, but Ms. Jackson and Mr. Daniels, inerrant in their dryness, pull it off.
He and Addie are solid, respectable people of a kind who usually show up in movies to be mocked or sentimentalized.
One of the beauties of "Arábia" is that while Cristiano is unquestionably the hero of his life, he is never sentimentalized.
The networks would stay in touch with the families of the deceased and construct sentimentalized narratives on the aftermath of the tragedies.
Johnson shared some traits with Kerouac and Bukowski, but he never romanticized or sentimentalized—or at least not without a measure of mischief.
Dominika is sentimental (mostly about her mother), but she isn't sentimentalized and never becomes the movie's virgin or its whore, its femme fatale or good girl.
Long sentimentalized as the home of "fair play," Britain is now host to the virus of lies, deception and digital skulduggery that afflicts many other countries across the world.
He presses witnesses, roams the grounds and sticks close to Marta, the most sympathetic and sentimentalized character in a movie that otherwise exhibits an exuberant skepticism about human nature.
The book's five-by-seven-inch format meant that the pictures were small, and I found the folksy tone of Hughes's text distracting: it spilled over the photographs and sentimentalized them.
With it, she pursues those very subjects — motherhood and the climate emergency — that can seem too large, too sentimentalized, too guilt-inducing to be subjects of successful, let alone serious, realist fiction.
But both the sentimentalized Thanksgiving myth and Deloria's indignation are products of a more modern America, with its relative comfort and security; neither sprang out of the darkness of the seventeenth-century New England forest.
"Eastbound" rarely sentimentalized the unregenerately nasty and narcissistic Kenny Powers, but "Vice Principals" takes a softer approach with Neal, whose boorishness and obtuseness are somewhat redeemed by his attempts, however misguided, to actually do his job.
You have your grottoes of educated professionals, saturated in self-mythologizing media, and your more traditional "old" Brooklyn turf, often sentimentalized or ignored, where neighbors know each other's families and share a vision of a less turbulent time.
But Coetzee provides no such thing, if by personal we mean sentimentalized reflections on the moments in his life at which he encountered such books or the lessons he has taken from them and tried to bring into his own fiction.
Until Jason Kingsley, who has Down syndrome, began appearing on "Sesame Street" in the 1970s, there had been almost no disabled children publicly visible since the Victorian era, when the disabled were often sentimentalized and gathered at the family hearth.
Our desire for sense and order, our sentimental belief that we are not hurtling through space in tiny pieces, has served as a kind of biological propaganda for our visual apparatus, leading to the sentimentalized, so-called whole world on view in front of us.
Which is where "There She Goes" excels, in a way you might expect from a show whose executive producers include Sharon Horgan of "Catastrophe" and "Motherland" fame: by shining a light on a perhaps more difficult kind of parenting without turning it into overly sentimentalized pablum.
What about Joan Didion's famously tough-minded essay in The Review in 1991 on the Central Park jogger case, which raised doubts about the guilt of the five accused teenagers, all of whom were black or Hispanic, while parsing the sentimentalized stories told about white rape victims?
To be fair, that film was always an outlier for Mr. Spielberg: It was his first stab at a prestige picture after the run of popcorn movies from "Jaws" to "Indiana Jones and the Temple of Doom," and reviewers complained that he had sentimentalized Ms. Walker's novel.
Teute, pp. 337—338; Coffey, p. 162. Darwin's poems were not published during the first two decades of the nineteenth century as conservative reaction solidified in Britain,Teute, p. 342. although bowdlerized and sentimentalized poems imitating Darwin's became increasingly popular.
Nerdrum, according to Vine, later considered the work to be naive in the sense that Rousseau defines the word, in which mankind is seen as innocent and innately good. In the painting Nerdrum endows the refugees, 27 Vietnamese boat people, with heroic stature, but in a highly sentimentalized manner that Nerdrum later described as "cloying".
The film was nominated for three Academy Awards, including Best Actor for De Niro. Sacks later remarked of the film: "I was pleased with a great deal of it. I think in an uncanny way, De Niro did somehow feel his way into being Parkinsonian. [...] At other levels I think things were sort of sentimentalized and simplified somewhat".
Meyers calls theme "the central idea or meaning of a story. It provides a unifying point around which the plot, characters, setting, point of view, symbols, and other elements of the story are organized."Crane p. 296 The theme of "The Bride Comes to Yellow Sky" is "the dying of the sentimentalized West with the encroachment of the lifestyle of the civilized East".
Feminist critic Katha Pollitt criticized Ayers' opinion piece as a "sentimentalized, self-justifying whitewash of his role in the weirdo violent fringe of the 1960s–1970s antiwar left". She says Ayers and his Weathermen cohorts made "the antiwar movement look like the enemy of ordinary people" during the Vietnam War era.Pollitt, Katha. "Bill Ayers Whitewashes History, Again", The Nation magazine (December 8, 2008).
Kozlov was born in Moscow, of noble ancestry, in 1779. He began writing poetry only after 1820, when he became blind. He reached the success equal to that of Alexander Pushkin with The Monk (1825), a verse tale in which the darkness of a Byronic hero is sentimentalized and redeemed by ultimate repentance. The Monk produced as large a family of imitations as either of Pushkin's Romantic poems.
"Old Time Rock and Roll" is a song written by George Jackson and Thomas E. Jones III, with uncredited lyrics by Bob Seger. It was recorded by Seger for his 1978 album Stranger in Town. It was also released as a single in 1979. It is a sentimentalized look back at the music of the original rock 'n' roll era and has often been referenced as Seger's favorite song.
A review in Booklist of Gertruda's Oath wrote "this is memoir uses the techniques of historical fiction, but the author points out that although he has invented dialogue and detail, the characters and events are true." and "The story is never sentimentalized, and the reality of the genocide is always there.". Gertruda's Oath has also been reviewed by The Polish Review, the Catholic Standard, Yad Vashem, and the Jewish Book Council.
These plays varied tremendously in their politics—some faithfully reflected Stowe's sentimentalized antislavery politics, while others were more moderate, or even pro-slavery. Many of the productions featured demeaning racial caricatures of Black people, while a number of productions also featured songs by Stephen Foster (including "My Old Kentucky Home", "Old Folks at Home", and "Massa's in the Cold Ground"). The best-known Tom Shows were those of George Aiken and H.J. Conway.
His tendencies toward smirkiness have been encouraged and sentimentalized. As for Pfeiffer, she spends so much time screaming at him for failing to fill the windshield wiper fluid container in the van that it's easy to forget she is one of the world's most beautiful women and gifted actresses. Michelle, enough with the mommy crap! Get a cocktail dress and a pair of very high-heeled Steve Maddens, and make us dream about you again.
Reconceiving Jesus in the Bible, Tradition and Theology (London: SPCK/ Grand Rapids: Eerdmans, 2013). that explored historical, hermeneutical, creedal and Christological issues. One review states that the author’s “execution of his task is superlative” and holds the book to be “a solidly catholic treatment and a fine example of the application of biblical scholarship and theological hermeneutics to a part of tradition too often sentimentalized or passed over with averted eyes.”The Catholic Biblical Quarterly 77 (2015) 374-75.
Deburau neither idealized nor sentimentalized his Pierrot. His creation was “poor Pierrot”, yes, but not because he was unfairly victimized: his ineptitude tended to baffle his malice, though it never routed it completely. And if Deburau was, in Švehla’s phrase, an actor of “refined taste”, he was also a gleeful inventor, like Mozart (that artist of ultimate refinement), of sexual and scatological fun. Of his pantomimes in general, George Sand wrote that “the poem is buffoonish, the role cavalier, and the situations scabrous.”Sand, "Deburau"; tr.
There are few documented sources concerning his life and education, although it is known that he emigrated at an early age and arrived in Paris in the 1880s, where he began doing sentimentalized portraits of upper class women, tailored to bourgeois tastes. He also worked as an assistant to the Belgian painter, Jan van Beers; serving as a witness in a case involving two critics who accused Van Beers of copying from photographs.The Low Countries. Arts and Society in Flanders and The Netherlands, Yearbook, Vol.
Rather, it reworks the oral legend of the warrior Hildebrand and his fight against his son (here Alebrand) in accordance with late medieval and early modern taste. It is highly sentimentalized and focuses on Hildebrand's return home rather than the tragic conflict of the older tradition. The Jüngeres Hildebrandslied was an extremely popular ballad in the age of print, and continued to be reprinted into the eighteenth century. Its melody was well known and the poem has given its name to its metrical form, the so-called "Hildebrandston".
He painted six images for Coca-Cola advertising. Illustrations for booklets, catalogs, posters (particularly movie promotions), sheet music, stamps, playing cards, and murals (including "Yankee Doodle Dandy" and "God Bless the Hills", which was completed in 1936 for the Nassau Inn in Princeton, New Jersey) rounded out Rockwell's œuvre as an illustrator. Rockwell's work was dismissed by serious art critics in his lifetime. Many of his works appear overly sweet in the opinion of modern critics, especially the Saturday Evening Post covers, which tend toward idealistic or sentimentalized portrayals of American life.
In 1880 Coloma began work on Pequeñeces on behalf of the Society of Jesus. The work is a political satire of the high Madrid society in the years previous to the Bourbon Restoration, and is considered to be one of his more well known works. This work has received much criticism, as some felt that it was overly pessimistic and "too narrowly bigoted in tone to have any lasting vogue". Coloma promoted literature but was critical of novels in general, as he felt that they gave an overly idealized portrayal of human life and sentimentalized religion.
Barbara has weathered storms before. But this is as far as Jacobsen wrote before succumbing to his tuberculosis. When Heinesen and Matras undertook to have the manuscript published, they came to the conclusion that this open ending was in fact a fitting way of finishing the novel, although a few gaps in the writing were filled in by Heinesen. That they were right to leave the ending open is demonstrated by the general dissatisfaction felt by viewers to the sentimentalized ending of the 1997 motion-picture adaptation, in which it appears that Barbara actually makes the ship and sails off to Copenhagen.
She subsequently edits Jake's book manuscript to replace many of the periods with exclamation points, prompting an uncomfortable meeting with her boss, Mr. Lippman, in which he derisively reads aloud some of her bizarre placings of exclamation points. George's father gets him an interview with Sid Farkus (Patrick Cronin) for a job as a bra salesman. In his interview, George tells a sentimentalized version of the first time he saw a bra, resulting in him getting hired. Inspired by Elaine's story of how she met Jake, he feels a woman's shirt between his thumb and forefinger on his way out.
After an enlarged edition of the book was published as Lives of Game Animals, Seton was ironically awarded the Burroughs Medal in 1927, a prize named after the venerable naturalist who had once so criticized Seton's work.Maclulich, p. 121 Over time, the term "nature faker" began to take on a new meaning; rather than describing someone who purposefully told false stories about animals, it became synonymous with those who overly sentimentalized the natural world. In 1910, journalist and writer Richard Harding Davis published a short story titled "The Nature Faker" in Collier's Weekly, which used the negative colloquialism to refer to the lead character, Herrick, a hapless nature sentimentalist.
The term fakelore is often used by those who seek to expose or debunk it, including Dorson himself, who spoke of a "battle against fakelore". Dorson complained that popularizers had sentimentalized folklore, stereotyping the people who created it as quaint and whimsical – whereas the real thing was often "repetitive, clumsy, meaningless and obscene". He contrasted the genuine Paul Bunyan tales, which had been so full of technical logging terms that outsiders would find parts of them difficult to understand, with the commercialized versions, which sounded more like children's books. The original Paul Bunyan had been shrewd and sometimes ignoble; one story told how he cheated his men out of their pay.
During the 19th century the idea that men were everywhere and always the same that had characterized both classical antiquity and the Enlightenment was exchanged for a more organic and dynamic evolutionary concept of human history. Advances in technology now made the indigenous man and his simpler way of life appear, not only inferior, but also, even his defenders agreed, foredoomed by the inexorable advance of progress to inevitable extinction. The sentimentalized "primitive" ceased to figure as a moral reproach to the decadence of the effete European, as in previous centuries. Instead, the argument shifted to a discussion of whether his demise should be considered a desirable or regrettable eventuality.
Title page from 1901 novel If I Were King In 1901, writer Justin Huntly McCarthy sentimentalized Villon's career in a novel, If I Were King, that borrowed the king-for-a-day theme, allowing Villon to defeat France's enemies and win the hand of an aristocratic lady, all in under 24 hours. The author adapted it as a Broadway play the same yearIf I Were King, IBDB, accessed December 6, 2012 and in London in 1902, and it was revived several times.McCarthy, Justin Huntly If I were king: a romantic play in four acts, Samuel French, Ltd., 1922 edition, accessed December 6, 2012 In 1923, Richard Rodgers and Lorenz Hart were at the beginning of their careers.
In 1810, one year after Haydn's death, Dies published a biography based on what he learned in his visits (see References below). This work is organized around the sequence of visits, reporting each in turn. It continues to serve as a substantial source of information on the composer's life. Compared with another biography written at the same time by Georg August Griesinger, Dies's work is almost certainly less accurate and is more likely to have been sentimentalized and embellished, which he himself alludes to in the introduction of his book: > In order not to leave out of the picture the most interesting phase of > Haydn's life, I meanwhile made unhesitating use of several articles from the > Leipzig Musikalische Zeitung, without entirely suppressing my own untutored > opinions.
In 1981 Nerdrum created a seminal work that would serve to indicate a change in direction from the sentimentalized view of Refugees at Sea to a starker, unadorned view of reality. Twilight, a rear view of a young woman alone in a wooded landscape defecating, offers nothing sentimental or ideal in its betrayal, but instead offers a stripped away view of life and reality. Paintings were no longer as multi-figured as they had been with Refugees at Sea, and still lifes were of individual objects such as a brick or loaf of bread. The individuals who now populated Nerdrum's painting were imbued with great quiet and stillness, but as Vine says, additionally, were vitally alive evoking a cosmic oneness, but yet did not transcend individuality.
" John McCarten of The New Yorker also panned the film, calling it "soggy with bathos" and writing of Bendix that he "handles a bat as if it were as hard to manipulate as a barrel stave. Even with a putty nose, Mr. Bendix resembles Mr. Ruth not at all, and he certainly does the hitter an injustice by representing him as a kind of Neanderthal fellow." Otis Guernsey Jr. of the New York Herald Tribune wrote that the movie "has been sentimentalized out of all possibility of stimulating film biography. It would be hard to find a more colorful American figure than the Babe for motion picture documentation and it would be difficult to do a worse job with him than has been done here.
Smaller groups in interiors were pioneered by the intensely naturalistic Adriaen Brouwer, who was Flemish but also worked and sold in Haarlem in the north, where he greatly influenced Adriaen van Ostade, the leading Dutch painter of peasants. Brouwer's sordid scenes are short on merriment, but van Ostade softened and sentimentalized his style.Vlieghe, 149–150, 154–159, 162; Slive, 133–137 David Teniers the Elder, his son David Teniers the Younger as well as other members of the family included many peasant scenes in their large and varied output.Vlieghe, 160–162 Most of the works of all these painters lie outside the typical boundaries of the "merry company", in terms of the number of figures or their class, but many fall within; there was also a later generation of Flemish painters of peasant scenes.
After having received a generous donation from their hometown fans, the Band sets off to live their dream of being "A Band In New York City". After a magical first night in New York, Donny and Julia find themselves outside her hotel room door, finally admitting their true feelings for one another ("This Is Life"). Backstage at the final broadcast, moments before their appearance, the band realizes that the fine print of the contract they've signed is a trap, and the promised prize a sham. Refusing to allow their military service to be sentimentalized and exploited by the contest promoters, and unwilling to give away the rights to his song, Donny convinces the band to make the riskiest choice of all, and fight for themselves, and he and Julia kiss ("This Is Life (Reprise)").
Feeling that death had become much too sentimentalized, highly commercialized, and, above all, excessively expensive, Mitford published her research, which, she argues, documents the ways in which funeral directors take advantage of the shock and grief of friends and relatives of loved ones to convince them to pay far more than necessary for the funeral and other services, such as availability of so-called "grief counselors," a title she claims is unmerited. The book became a major bestseller and led to Congressional hearings on the funeral industry. It was one of the inspirations for filmmaker Tony Richardson's 1965 film The Loved One, which was based on Evelyn Waugh's short satirical 1948 novel of the same name,Lee Hill, A Grand Guy: The Life and Art of Terry Southern Bloomsbury, 2001, p. 135. tellingly subtitled "An Anglo- American Tragedy".
In what Mary Jackson has called the "new child" of the 18th century, she describes "a fondly sentimentalized state of childishness rooted in material and emotional dependency on adults" and she argues that the "new good child seldom made important, real decisions without parental approval ... In short, the new good child was a paragon of dutiful submissiveness, refined virtue, and appropriate sensibility."Jackson, 131. Other scholars, such as Sarah Robbins, have maintained that Barbauld presents images of constraint only to offer images of liberation later in the series: education for Barbauld, in this interpretation, is a progression from restraint to liberation, physically represented by Charles' slow movement from his mother's lap in the opening scene of first book, to a stool next to her in the opening of the subsequent volume, to his detachment from her side in the final book.Robbins, "Teaching Mothers", 140–42.
Performance artist John Malpede moved to Los Angeles from New York in 1984 to start work as an outreach paralegal at the Inner City Law Center (ICLC). He began leading theater workshops for the neighborhood's homeless population out of the ICLC's offices on Skid Row, gathering a group of performers and artists who now create their art as the Los Angeles Poverty Department (the acronym, LAPD, is a deliberate appropriation of that of the Los Angeles Police Department). At the time it was founded, the LAPD was the first theater by and for homeless people in the country and the first arts-based initiative for the Los Angeles homeless population. Since its inception, the LAPD has been dedicated to giving expression to the homeless community's struggle to create meaning out of their own lives and to avoid a sentimentalized or stereotyped narrative of victimization.
Similarly well-versed in the mystic tradition was the German Johann Arndt, who, along with the English Puritans, influenced such continental Pietists as Philipp Jakob Spener, Gottfried Arnold, Nicholas Ludwig von Zinzendorf of the Moravians, and the hymnodist Gerhard Tersteegen. Arndt, whose book True Christianity was popular among Protestants, Catholics and Anglicans alike, combined influences from Bernard of Clairvaux, John Tauler and the Devotio moderna into a spirituality that focused its attention away from the theological squabbles of contemporary Lutheranism and onto the development of the new life in the heart and mind of the believer. Arndt influenced Spener, who formed a group known as the collegia pietatis ("college of piety") that stressed the role of spiritual direction among lay-people—a practice with a long tradition going back to Aelred of Rievaulx and known in Spener's own time from the work of Francis de Sales. Pietism as known through Spener's formation of it tended not just to reject the theological debates of the time, but to reject both intellectualism and organized religious practice in favor of a personalized, sentimentalized spirituality.
They were not shanties or working songs, but a form of distinctively English ballad combining the tonality of the hornpipe with vivid if sentimentalized depictions of the comradeship, the separations from love, the simple patriotism, loyalty and manly courage of Tom, England's Jack Tar. In 1803 he was induced by Pitt's government, with a pension of £200 a year (), to abandon provincial engagements to compose and sing 'War Songs' to keep up the ferment of popular feeling against France. This was withdrawn for a time under the administration of Lord Grenville, but afterwards partly restored. Dibdin still provided texts for operas, including The Cabinet, which was presented at Covent Garden in February 1803 with John Braham, Nancy Storace and Charles Incledon, and in December The British Fleet in 1342.William Parke, Musical Memoirs (Richard Burton, London 1830), Vol. 1, pp. 304–06, 324. At least two further operas appeared: Broken Gold was a farce in two acts on the occasion of Lord Nelson's victory and death, produced at Drury Lane with John Bannister in 1806, which was 'damned on the first night, and never published'.

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