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"self-importantly" Definitions
  1. in a way that shows that you think that you are more important than other people

9 Sentences With "self importantly"

How to use self importantly in a sentence? Find typical usage patterns (collocations)/phrases/context for "self importantly" and check conjugation/comparative form for "self importantly". Mastering all the usages of "self importantly" from sentence examples published by news publications.

This isn't baseball, which self-importantly considers its Hall of Fame sacred and its members nothing short of noble.
After he is captured, he continues his vocal offensive, self-importantly calling himself a soldier in a larger political war involving the West and Islam.
In case you're wondering, neither of them behaved fussily or self-importantly, but like two people who would be a lot happier if they could keep their private lives to themselves and their cats.
The seemingly forensically objective title of The Case Of suggests a kind of neutrality, and the investigators self-importantly claim to be giving Caylee Anthony a voice, even as they focus on the mother's life and behavior.
The Daily Telegraph wrote, "Elaine Paige is a good sport ... enduring jokes about her reputation for being 'difficult' with a grin that doesn't seem all that forced. ... Only the self-importantly serious and the chronically depressed will fail to enjoy this preposterously entertaining evening".Spencer, Charles. Frothy and inane, but curiously touching.
Self-enhancement does not just occur at random. Its incidence is often highly systematic and can occur in any number of ways in order to achieve its goal of inflating perceptions of the self. Importantly, we are typically unaware that we are self-enhancing. Awareness of self-enhancing processes would highlight the facade we are trying to create, revealing that the self we perceive is in fact an enhanced version of our actual self.
He was also becoming politically aware. If pressed, he professed a liberalism based on the autonomy of the individual. He joined the Oxford Union, and although he seldom gave public speeches there, he was elected Union president. He especially honed his skills in informal conversations, conducted anywhere and everywhere, about topics great and small, bearing easily the yoke of what Gladstone later was to dub "Oxford's agony," the habit of seeing, self-importantly, larger than life significance in Oxford's everyday disputes.
Again directed by Perry and Locke, the video had a decidedly political tone, featuring the Daddies performing the song while super-imposed over a montage of postcards and stock film, intercut with footage of bourgeoisie luxury and figures including Henry Paulson, Donald Trump and Mitt Romney with news footage of Occupy Wall Street and American homelessness. Perry described the video as being inspired by "punk rock clip posters", Frank Zappas 200 Motels and Luis Buñuels The Discreet Charm of the Bourgeoisie, while noting the song was about a Gatsby-esque "one-percenter self-importantly celebrating his success", "the most American character, seduced by luxury but pricked by conscience". The album's third music video, "Huffin' Muggles", debuted on the website for gay and lesbian magazine Out on August 27, 2013.
An off- screen Italian television camera crew (voice enacted by Fellini) conducts documentarian-style 'roving eye' interviews with musicians preparing for a low-budget rehearsal in a run-down auditorium (formerly converted from a 13th- century church — presently slated for demolition, apparently). Speaking candidly and often cynically about their craft, interviewees are seen routinely interrupting one another as their artistic claims are contested or derided by orchestral peers, each self-importantly regarding his own instrument as the most vital to group performance, the most solitary in nature or spiritual in relation — these varied opinions reflecting each listener's intensely personal experience with music, one of the recurring themes of the film. The conductor arrives (speaking Italian but with an affected German accent), proving theatrically critical of the ensuing performance quality and equally quarrelsome with trade union representatives on site, wearing down the orchestra members as he commands them to play with exceedingly particular nuances bordering on absurd abstraction, leading several musicians to strip away clothing under the strain of this taxing effort. Protesting the conductor's authoritarian abuses, the union reps intervene, spitefully announcing that all musicians will be taking a 20-minute double break.

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