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"self-deceit" Definitions
  1. the act or an instance of deceiving oneself or the state of being deceived by oneself : SELF-DECEPTION
"self-deceit" Synonyms

13 Sentences With "self deceit"

How to use self deceit in a sentence? Find typical usage patterns (collocations)/phrases/context for "self deceit" and check conjugation/comparative form for "self deceit". Mastering all the usages of "self deceit" from sentence examples published by news publications.

In "Angels", Roy serves as an object lesson in the cost of self-deceit.
So I think all you can do is be vigilant in making sure you're doing the best possible job you can to eliminate those kinds of deceits — or self-deceit — from your thought process.
You ask yourself questions about practicality until you whittle self-deceit into self-receipts: I suck and I feel stupid doesn't hold up for long if you start by asking yourself why you're so inclined to trust your feelings: What is true, empirical, fact-based and citable, and what's just habitual, unsupported belief?
White House Memo WASHINGTON — In President George W. Bush's last year in office, his former press secretary, Scott McClellan, wrote a tell-all book concluding that the Iraq war was a "serious strategic blunder" based on the "ambition, certitude and self-deceit" of a White House that was not fully honest with the American people.
The book examines the relationship between daughter and father as it progresses through self-deceit and emotional blackmail to an ugly end.
Brought up sharply against the folly of her own immaturity, the consequent crisis and her bitter regrets are brought to a happy resolution in a comedy of self-deceit and self-discovery.
Hannay, Alastair. Kierkegaard, Routledge, pp. 220–225. To counter double- mindedness, Kierkegaard argues that discipline and clarity of the self is essential and necessary to overcome double-mindedness. Double-mindedness isn't something evil but not recognizing that you, yourself, are a self- contradiction and double-minded is self-deceit.
LaVey also wrote of "the balance factor", insisting that any magical aims should be realistic. LaVey refused any division between black magic and white magic, attributing this dichotomy purely to the "smug hypocrisy and self-deceit" of those who called themselves "white magicians". Such neutrality correlates with LaVey's philosophical view of an impersonal, and therefore amoral, universe. LaVey explains his reasons for writing The Satanic Bible in a short preface.
Although Earth Optimism is a relatively new concept in the field of Environmental philosophy, a number of arguments against the movement have been proposed. The "blissful ignorance" argument suggests that conservationists have to be careful not to be ignorant to the wide-scale environmental problems present across the globe. From this, critics argue that by focusing solely on positive news, an objective perspective of the broad issue is lost and therefore people can be swayed to think that issues will be solved without actually changing behaviors. Another argument suggests that the balance between "combating conservation despair" and "avoiding the perverse outcome of breeding self-deceit and naive optimism" needs to be considered.
In the end, he pulls through and emerges complete and confident about his purpose. Upon passing through the Dimension Gauntlet as his final test, he is crowned as the Astral Beast, whose wrath would be the catalyst to Setian salvation. Set starts his work with the assassination of Jesus Christ, punishing him for the gift of second sight, and moves on to other great leaders and foreseers throughout history. Over the course of the next two thousand years he crushes kingdoms under their own greed, deceit, and thirst for conquest, controls the weak with divisive tools such as religion, and declares his own godhood by appealing to the lies and self-deceit in every human being.
The story follows a young woman who runs away from her provincial hometown and ends up at Berlin's notorious Zoo station, searching for a rock musician who got her pregnant on a one-night stand. She gets stuck in underground line 1 and encounters a kaleidoscope of urban characters and their fates. According to the GRIPS, “it’s a show, a drama, a musical about living and surviving in a large city, hope and adaptation, courage and self-deceit, to laugh and cry at, to dream, and to think about oneself.” As its other plays, Linie 1 includes sociocritical elements, but it also serves as an amusing portrait of Berlin's society before the fall of the Berlin Wall.
However, in contrast to many older ceremonial magicians, LaVey denied that there was any division between black magic and white magic, attributing this dichotomy purely to the "smug hypocrisy and self-deceit" of those who called themselves "white magicians". He similarly differed from many older magicians who emphasised magic as a practice designed to bring about personal transformation and transcendence; rather, for LaVey magic was employer for material gain, personal influence, to harm enemies, and to gain success in love and sex. LaVey defined his system of magic as greater and lesser magic. Greater magic is a form of ritual practice and is meant as psychodramatic catharsis to focus one's emotional energy for a specific purpose.
" Writing separately in the same publication about Only Love Can Break Your Heart, Jascha Hoffman described the collection as "a tribute to the twin American traditions of self-invention and self-deceit" and the author as "a brilliant reporter who has made a career of observing 'our national gift for self-delusion and for making ourselves up from scratch.'" In The Los Angeles Times, critic Richard Rayner cited the author's "wonderful feeling for the weirdness and truths of self-contained worlds"; he continued, "the writing is Joseph Mitchell-meets-Elmore Leonard, and a whole subculture comes to life. ... Samuels is heir to an American tradition." James Hannaham wrote in The Village Voice that Samuels "has nearly autistic command of minor details and facts" and "achieves the glorious breadth and detail of a mural painter.

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