But it seethes with fathomless challenge, like the unspeaking sea.
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And the coal industry seethes with symbolism. Coal. Guns. Freedom.
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The wilderness looks unkept and threatening, but seethes with life.
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As for the Central Committee, it seethes with plots and counter-plots.
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The play explores uncomfortable issues — colorism, poverty — and seethes with teenage emotionalism.
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He seethes with it, stirs it in others and mines it for his own political profit.
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She has fallen in love with Idamante and seethes with jealousy over his love for Ilia.
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She seethes with rage - her body held tight, lips a straight line, hair mercilessly sprayed into shape.
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Leader of the combattants is Luis, played by Richie Campbell, and his performance seethes with misspent rage.
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The old man seethes with anger and resentment, and on this particular day he is unusually perturbed.
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Professor Rest decorously avoided the word "sex," but Stern's imagery seethes with allusions to bondage and predation.
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His early work seethes with the effort to understand where, and whether, he belongs in English literature.
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Ms Aduba's formidable performance seethes with rage, whereas Ms Ashton skilfully navigates between violence and vulnerability with ease.
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Six years later, the site seethes with life, barely visible trails cutting through rampant sedge and mallow, cow parsley and burdock.
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The Fergana Valley, which stretches across the eastern tip of Uzbekistan and spills into Kyrgyzstan and Tajikistan, often seethes with discontent.
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Blazkowicz's father, a once-struggling Texas businessman who seethes with a familiar strain of angry white masculinity, is Wolfenstein's archetypal American collaborator.
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Declaring that Eastman's music "seethes with tension, hatred, triumph," Mr. Gann's obituary was for a long time pretty much the final word.
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Put out by Earache in 1987, Scum seethes with the frustration and anxiety that defined the 80s for so many of Birmingham's workers.
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The 218 coupling of the Fifth and Seventh seethes with ideas, transcending tedious debates about period practice to sound utterly fresh and free.
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His biography bridges the racial divide, a territory that apparently seethes with more misunderstandings and greater malice than most Americans care to admit.
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To the Editor: "How Far America Has Fallen" seethes with disdain for all the good people in Colorado, like me, who voted for Donald Trump.
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Edinburgh-based producer Benjamin John Power's uncommonly ferocious fourth album seethes with the chaos of the late 2010s and grinds through the fallout of hyper-consumerism.
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Accumulating know-how and equipment (including an anti-tank cannon), the four men live in a simulacrum of domesticity that seethes with ambient violence and erotic tension.
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Deitch's style seethes with detail; his fact-flipping meditations on cycles of life are both an escapist pleasure and an optimistic note for this mind-bending moment.
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It is another thing to die into the actual world, which seethes with life, with agency other than our own, and at the very least, with endless possibility.
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It seethes with anger about how the false promise of prosperity leads people away from their lives and relationships, but turns that anger into a series of bizarre, funny episodes that each strip a layer of varnish from the American Dream's shiny exterior.
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Part of what makes Tompkins's work so enduringly potent today, and what made it too shocking for its time, is not just its frank sexuality: It's that the art of Tompkins, Bernstein and their peers seethes with lust, ego, wisecracks and profanity.
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The 22005-part series, by the filmmakers Laura Ricciardi and Moira Demos, depicts a true-crime saga that seethes with troubling questions over whether Steven Avery, a Wisconsin man convicted of the 22010 murder of a young woman, was framed by law enforcement officials.
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Finally, Beijing seethes with talk that retired and serving members of the government accuse Team Xi of ill-judged boasting about the country's rise, as when state media talked up a "Made In China 2025" plan to dominate such high-tech sectors as robotics and artificial intelligence.
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Her student journalism seethes with outrage over Montgomery's pack of political thugs, but it also reflects the signature neurosis of her class — that educated white Alabamians are looked down upon as ignorant rednecks because the state's "good people" are unfairly demonized over the racial brutality that is only part of the Alabama story.
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Each are structured as grids, but not as meticulously overlapping patterns of color; instead, the cells beneath the all-white matrix of "II – 15 #1 (Lt) (RO-BG)" are tinged pale yellow or pink, while the all-black "II – 15 #1 (Dk) (RO-BG)" seethes with Stygian greens and violets, barely discernible but no less apocalyptic, Ad Reinhardt communing with Hieronymus Bosch.
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You pass a coffee shop you hate because it's always hot and flies constantly swarm the front of the shop, where a big patch of sunlight seethes with some invisible shit the flies love and where there's always just that one seat left, in the heat with the flies, which is why you hate it, on top of the fact that the place doesn't open until ten in the morning and closes at six in the evening, to cater to all the hipsters and artists who hover and buzz around Oakland like flies themselves, America's white suburban vanilla youth, searching for some invisible thing Oakland can give them, street cred or inner-city inspiration.
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As the coach travels on into the night, Cornudet starts whistling the Marseillaise while Boule de Suif seethes with rage against the other passengers, and finally weeps for her lost dignity.
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In a motel room, Lori invites Eric to strangle her, even professing her love for him. Eric, confused and angry, walks away. At the amusement park, Eric meets Maria. As he walks around the park with Maria, Lori seethes with jealousy.
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In a review of Eddi Reader, Ira Robbins of Trouser Press described the song as "sardonic" which "seethes with quiet disdain". Jon Pareles of The New York Times observed that "love doesn't go smoothly in Ms. Reader's songs" and noted "Joke (I'm Laughing)" for its narrative of a "spurned woman".
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Just as Zimmermann allows temporal levels to flow into one another, he also makes use of musical styles from several periods. Jazz rhythms (as in the coffee house scene), J. S. Bach chorales (from the St Matthew Passion), a folksong and the Dies irae plainchant sequence are juxtaposed and assembled in a way which creates a score which seethes with tension.
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He has a ferocious temper and seethes with jealousy whenever a bishōnen is in Bancoran's vicinity. He beats up Bancoran on a regular basis, regardless of whether or not he cheats, and somehow got pregnant twice, despite being completely male. :His pregnancy is cut out of the anime. In the manga he first gets pregnant in volume 10, and a second time in volume 46.
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Lt Case (Ronald Lewis in blackface) is a mixed race officer of the Bengal Lancers operationing in northern India. In 1850 on the North West Frontier of India, in the bordering region of modern Afghanistan, a British garrison seethes with boredom. The mixed race Lieutenant Case (Ronald Lewis) has been having an affair with a fellow officer's wife, Elsa (Katherine Woodville). Elsa is persuaded to terminate the scandalous relationship.
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A cosplayer reproducing Jack's appearance from Mass Effect 2. Prior to Mass Effect 2's release, there were concerns about the character's scantily dressed look as well as her characterization in preview trailers. Alec Meer from Rock, Paper, Shotgun described his first impression of the character from her initial trailer released in late 2009 to be a foul- mouthed "Big Brother contestant with guns and tattoos" who seethes with "cartoon anger". Parish from 1Up.
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Violet, who presumably heard Jason's conversation with Jessica, seethes with anger and plots revenge. At the Stackhouse residence, Jason wakes Sookie up and insists that she go talk to Jessica in person. When they finally meet Jessica at the Compton estate, she breaks the news that Bill is Hep-V positive. Sookie and Jason don't believe it, but Sookie remembers that she had been exposed to Hep-V blood in the bloody aftermath of the shooting that left Alcide dead.
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Mal, Evie, Jay, and Carlos visit the Isle of the Lost to choose four new villain's kids (VKs) to take to Auradon. They pick Dizzy, daughter of Drizella and granddaughter of Lady Tremaine, Celia, daughter of Dr. Facilier, and Squeaky and Squirmy, the twin sons of Mr. Smee. The day the kids are to be picked up, Ben, Mal's boyfriend and the king of Auradon, proposes to her, and she accepts. Ben's ex-girlfriend Audrey seethes with jealousy, and her grandmother Queen Leah admonishes her for failing to secure the family legacy by marrying Ben.
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Her graphic account of their lovemaking and of her incestuous romantic feelings is fairly shocking. Nin sought absolution from her psychiatrist and lover, Otto Rank, who advised her to bed her father, then dump him as punishment for abandoning her when she was 10. Nin's ornate, hothouse prose is much rawer than the chiseled style of the expurgated diaries. She seethes with jealousy at Miller's wife June, swoons over poet and actor Antonin Artaud, neglects her protective husband, Hugh Guiler, and describes her traumatic delivery of a stillborn child.
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But there are also occasions when the stage seethes with the conflict of impassioned, literally life-and-death argument. ... The writing's pamphleteering tone is accentuated by Mr. Kramer's insistence on repetition - nearly every scene seems to end twice - and on regurgitating facts and figures in lengthy tirades. Some of the supporting players ... are too flatly written to emerge as more than thematic or narrative pawns. The characters often speak in the same bland journalistic voice - so much so that lines could be reassigned from one to another without the audience detecting the difference.
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Unlike much of his music of the period, it avoids a dark mood, but Fauré had by now moved on from the uncomplicated charm of the first three of the set. His mature style is displayed in the central section, a contemplative andante, which is followed by a more agitated section that concludes the work. ;Impromptu No 5 in F minor, Op. 102 (1909) Nectoux describes this impromptu as "a piece of sheer virtuosity celebrating, not without humour, the beauties of the whole-tone scale." Morrison, however, writes that the work "seethes with unrest".
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Father Yonas (Siddique) has been enlisted by the feckless Joppan to push his match with her and as Joppan seethes with jealousy, Father Yonas whips up fear and mistrust of Kutty Srank. Tensions escalate in the village and there is plenty of scope for betrayal and murder – it rapidly becomes merely a question of who and when. Moopan's henchmen also turn up on the river again in a very groovy speedboat. This, along with the death of his best friend, means that Kutty Srank is ready to skip town again.
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Filming began in June 2015. Indignation premiered at the 2016 Sundance Film Festival, and was theatrically released in July 2016. It received positive reviews for both the film itself and Lerman's performance, with Tim Grierson of ScreenDaily writing that Lerman's work "seethes with his character's burgeoning arrogance and cynicism", and David Rooney of The Hollywood Reporter stating that Lerman gives "a performance of tremendous focus, maturity and depth of feeling, with exciting flashes of the umbrage that gives the film its title". Lerman also served as one of the film's executive producers, receiving his first such credit.
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Alfred Soto from Stylus Magazine felt that "the song's set of lyrics remain her best" and that the vocals "seethes with a lifetime's worth of hurts which she nevertheless refuses to share". Sal Cinquemani from Slant Magazine called the song "striking" adding that it "rewrote the rules of what a pop song was supposed to sound like". Edna Gundersen from USA Today called the song "a moody heart-tugger, may be her best song ever." Adam Sexton, author of Desperately Seeking Madonna: In Search Of The Meaning Of The World's Most Famous Woman, felt that "Live to Tell" made a provocative companion to "Papa Don't Preach", the second single from the album.
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Wanting Rodney to make a good impression, Del insists that he dress as a country gentleman in a tweed suit. Already nervous during the weekend in Berkshire, Rodney is horrified when Del arrives with a reluctant Albert in the Reliant Regal, claiming to have turned up to deliver Rodney's evening suit that he "forgot" (although Rodney knows that he packed it and Del removed it so he had an excuse to turn up). As Rodney seethes with anger, Del introduces himself to Victoria's father Henry and invites himself to that evening's dinner having coincidentally brought his own evening suit. Del takes part in their clay pigeon shoot using a pump- action shotgun borrowed from Iggy Higgins, a local bank robber, and quickly begins to irritate Henry.
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Unlike the original "Straight Edge," a relatively standard hardcore composition, each verse of "In My Eyes" seethes with anger and contempt, building up to the cathartic release of the chorus. "Guilty of Being White" led to accusations of racial prejudice, due to perceived similarities between the song's lyrics and that of white power rhetoric which often frames the majority race as victims at the hands of a minority group. However, MacKaye has strongly denied such intentions and said that some listeners misinterpreted his words. According to him, the song was written about his experiences growing up in Washington, D.C. at a time of high racial tension, where the majority race in his school was African-American and many black students were hostile towards whites.
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The work shows a distorted version of the Portrait of Innocent X painted by the Spanish artist Diego Velázquez in 1650. The work is one of a series of variants of the Velázquez painting which Bacon executed throughout the 1950s and early 1960s, over a total of forty-five works. When asked why he was compelled to revisit the subject so often, Bacon replied that he had nothing against the Popes, that he merely "wanted an excuse to use these colours, and you can't give ordinary clothes that purple colour without getting into a sort of false fauve manner." The Pope in this version seethes with anger and aggression, and the dark colors give the image a grotesque and nightmarish appearance.
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The picture was not a success at the box office. It grossed under $1 million and failed to make the list of the Top Ninety pictures of the year as compiled by Variety. Bosley Crowther wrote in his review for The New York Times that the film represented its time perfectly in that it "corresponds with the present public ferment of angry resentment and fear", that it is "a picture so strongly dedicated to the purpose of the American anti-Communist purge that it seethes with the sort of emotionalism and illogic that is characteristic of so much thinking these days". He wrote that allowing a mother to condemn her son based on flimsy evidence shows the film's "hot emotional nature" and that its endorsement of bigotry and argument for religious conformity would "cause a thoughtful person to feel a shudder of apprehension".
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It was not his fault that his Arkel sounded too much like Pascal Thomas's physician in their scene at Mélisande's death bed, but he should have defined the King's character more clearly, and he should have been more conscientious in observing Debussy's meticulously crafted speech rhythms (a sin of which some of his colleagues were guilty too, although not to the same extent). Conducting a "uniquely subtle score" in which "understatement [was] customary", Herbert von Karajan presented an interpretation that was "decidedly unorthodox" to the point of blatantly defying some of the dynamics that Debussy had stipulated. His Pelléas "seethes with barely-suppressed tensions which constantly erupt in passionate outbursts: again and again the orchestra boils over in an ecstasy which can scarcely be contained by the sound engineers". Karajan's reading was powerfully atmospheric and "often ravishing, with a rich, glowing warmth", but his handling of his orchestra threw a veil over some of the score's finer details.
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" Cineaste also credited Beban for his intense performance, commenting on the fight sequence in which Beban's character "seethes with murderous determination" as the camera focuses on his face in an extreme close-up: "Beban's sudden transformation from amiability to wrath recalls the first glimpse of Spencer Tracy after nearly being lynched in Fritz Lang's Fury." A reviewer for the publication Bright Sights wrote that the film had a powerfully downbeat conclusion with a social message: > "Projecting overwhelming grief, Beban reveals some hefty acting chops, and > The Italian certainly gets its liberal point across, a model of how American > movies dress social consciousness in the garb of melodrama. Even here, in > its infancy, feature film was eager to pick up the call for social reform > that sounded out in urban America before the First World War." In his 2004 historical book on the depiction of Italians in Hollywood movies, Peter Bondanella praised the film: > "A number of elements sets The Italian apart from the other films treating > the Italian immigrant experience.
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