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"second childhood" Definitions
  1. senility; dotage.

46 Sentences With "second childhood"

How to use second childhood in a sentence? Find typical usage patterns (collocations)/phrases/context for "second childhood" and check conjugation/comparative form for "second childhood". Mastering all the usages of "second childhood" from sentence examples published by news publications.

Said Clinton, laughing: "I really am in my second childhood."
This isn't about being "reborn," or experiencing a second childhood.
I thought, you know, I really am in my second childhood!
"My dad made a lot of money and had a second childhood," Moskowitz said.
"There is such a thing as a second childhood," Mr. Hollerbach added, explaining how his paintings changed.
Andrew Lloyd Webber has entered his second childhood, and it turns out to be a good career move.
I had promised to care for her, and now she was providing me with what felt like a second childhood.
And so we filled that gap with a lot of leisure activities and this frenzied pursuit of a second childhood.
When it comes to the massive, illuminated, inflatable and interactive sculptural installations by LA-based art collective FriendsWithYou, public art is a second childhood.
Rozzi, who was first elected in 2012, first spoke out about his story in 2009, after a second childhood friend of his killed himself.
Second Childhood is the second album by singer and songwriter Phoebe Snow, released in 1976. Second Childhood was certified gold by the RIAA on July 9, 1976.
A Second Childhood (, also known as Endless Youth) is a 2010 Italian drama film directed by Pupi Avati.
Second Childhood is a 1936 Our Gang short comedy film directed by Gus Meins. It was the 144th Our Gang short that was released.
A few months after this was recorded, Ballard was replaced by Cindy Birdsong. Phoebe Snow covered this song on her album “Second Childhood,” released in January, 1976.
Kiddie Kure is a partial remake of Second Childhood, which starred much of the same cast. It also marked the final appearance of Carl "Alfalfa" Switzer. At 12 years of age, he was the oldest member of the cast.
Unbeknownst to the cast, Zeffie Tilbury was blind. In between takes, she was led around by her staff. This would be the last episode directed by Gus Meins. Second Childhood was partially remade as Kiddie Kure, featuring much of the same cast.
The Hassler House In 2004 Jon Hassler's second childhood home in Plainview was moved onto the same block as the Hassler Theater. It was restored and refurnished. It is now used to hold meetings for the Hassler Theater's Writers Center and to house actors during the runs of shows.
Jeannie Miller, Rodney McKay's sister, comes to Atlantis when she learns her brother has been infected with a mysterious disease known as the "Second Childhood", the Pegasus equivalent of rapid-onset Alzheimer's disease. The Expedition gives Jeannie a chance to say goodbye; Rodney has already regressed to a childlike state and all attempts at medical intervention have failed. Jennifer Keller explains that McKay became infected with the Second Childhood parasite at some point over the past two weeks, and that she misinterpreted the first symptoms when they appeared after a mission to M44-5YN. The subsequent deterioration of McKay's mind is shown through a series of flashbacks and self-made video recordings.
144 He wrote the libretto for the operatic version of Helen Garner's novella The Children's Bach. For this work, Perry received the 2007 RE Ross Trust Playwrights' Script Development Award. He has also adapted Australian children's author Morris Gleitzman's book Second Childhood for the stage. In 2012, he adapted Dostoevsky’s The Gambler into a radio drama The Roulettenburg.
The poem satirically describes many of Hunt's contemporaries: Wordsworth is experiencing a "second childhood", Coleridge "muddles" in writing, and William Gifford is a "sour little gentleman".Roe 2005 p. 126 Four great poets, Thomas Moore, Walter Scott, Robert Southey, and Thomas Campbell are allowed to dine with Apollo while Samuel Rogers is only allowed to have tea.Holden 2005 p.
Ronon is a native of Sateda, a planet with an advanced level of technology. His grandfather suffered from Second Childhood, a condition with symptoms similar to Alzheimer's Disease. Ronon became a member of the Satedan military where he held the rank of Specialist. He was very close to a woman named Melena, whom Ronon considered "close enough" to a wife in "Sunday".
Snow ended up signed to Columbia Records. Her second album, Second Childhood, appeared in 1976, produced by Phil Ramone. It was jazzier and more introspective, and was an RIAA Certified Gold Album for Snow, with the Gold Album awarded on July 9, 1976. She moved to a more rock-oriented sound for It Looks Like Snow, released later in 1976 with David Rubinson producing.
"He left Russia ... physically very robust and strong," he wrote later, "but returned an emaciated. ... feeble, weak-willed invalid. This was no longer Kuprin – that man of outstanding talent – it was something... weak, sad, and visibly dying." Later Bunin insisted that Kuprin's role was purely passive: "He did not go to Russia – he was taken there, very ill, already in his second childhood," he wrote.
The episode focuses on Dr. Rodney McKay, who has been infected with a disease known as "Second Childhood", which is considered the Pegasus equivalent of rapid-onset Alzheimer's disease, where he quickly reverts to a childlike state. The only way for the team to save him is to send him to a shrine on the planet of Talus, which has since turned into a Wraith outpost.
In other words, ageism can become a self- fulfilling prophecy. Ageist beliefs against the elderly are commonplace in today's society. For example, an older person who forgets something could be quick to call it a "senior moment," failing to realize the ageism of that statement. People also often utter ageist phrases such as "dirty old man" or "second childhood," and elders sometimes miss the ageist undertones.
Set in Indianapolis, Indiana the show starred Rob Schneider, Ron Eldard and Justine Bateman. Kevin (Eldard) and Jamie (Schneider) were college buddies sharing an apartment and living out a second childhood, much to the chagrin of Kevin's girlfriend Sarah (Bateman). Brenda (Dina Spybey) was an upstairs neighbor that Jamie flirted with. Eldard and Bateman left after the first season, amid rumors that they clashed with Schneider and the show's producers.
His 2015 survey exhibition Rick Rudd: Beyond True to Form included numerous figurative pieces such as the group Second Childhood made up of objects that call back to childhood: a teapot shaped like a wheeled elephant toy, a monkey puppet, a comic policeman with a truncheon and a ventriloquist's doll. Pieces such as these, or Lucky! Teapot (2011), showing a leaping cat squashed by a falling brick, draw on the English tradition of novelty collectable teapots.
Voiced by: Houko Kuwashima (Japanese) Meru is prince of the Deep Sea, and the main antagonist of the movie. He is destined to marry Natsumi Hinata, whom he claims to be his princess. Growing up with no memories of his childhood, family, home, nor race, he and as his servant develops a second childhood, filled with loneliness. One night, Meru and Natsumi the kingdom's sacred weapon to uphold their titles with the Mer Ball, a weapon that resembles the Kero Ball.
Gaby tells Juanita that she was only trying to defend her but learns that Juanita thinks of her as a bad mother. Early in the morning, Tom arrives home with two drunk college guys because they could not go home to their parents in that condition. Lynette gets upset because Tom went to a bar instead of studying at the library. Lynette reminds Tom that he is not going back to college just to have a second childhood and is there for school only.
When Vestrini was a young girl, she emigrated to Venezuela with her mother, beginning a “second childhood” in the Venezuelan Andes. From an early age, she was dedicated to cultural journalism and took part in the groups, El Techo de la Ballena, Sardio, La República del Este in Caracas and Apocalipsis in Maracaibo. She was a press officer at the Venezuelan embassy in Italy and press chief of the Venezuelan Ministry of Foreign Affairs. She anchored a radio program called Al pie de la letra.
Together the two attempt to find an antidote and when the baby grows sleepy, Edwina tries to put him to sleep in the hopes of reversing the effects. Meanwhile, more and more scientists (and Mr Oxly) at the laboratory are drinking the water and reverting to a second childhood. The formula is lost with the last of the water poured away. As the water is poured away, Barnaby crawls into the laboratory through the window and lays down to sleep next to the baby.
The Wards sold the house to Nathaniel Bowditch in 1811. Bowditch had by then already published his New American Practical Navigator, a major revision and update of an earlier British work that was riddled with errors. This work provided up-to-date information on tides, currents, and astronomical tables, and has served as the basis for modern navigational guides ever since. This house is one of three in Salem to survive (the other two are the house in which he was born, and a second childhood house).
Zeffie Tilbury, The Internet Movie Database Her earliest surviving silent film is the Valentino / Nazimova 1921 production of Camille. Tilbury is probably best remembered as the old lady who is befriended by Spanky and his friends on her birthday and, as a result, is transformed from a lonely, disagreeable recluse to a happy and loving carefree soul in the 1936 Hal Roach Our Gang comedy Second Childhood. In the same year she also portrayed the Gypsy Queen in the Laurel and Hardy film The Bohemian Girl.
Keller blames herself for not catching the disease sooner, but refuses to give up even as McKay has only a few days left to live. Ronon Dex proposes an alternative: a shrine on the planet Talus that grants those afflicted with the Second Childhood a single day of mental clarity, followed by a quick death. Jeannie overrules Keller's wishes and asks that McKay be brought to the planet. Despite the fact that the planet has become a Wraith stronghold, Richard Woolsey reluctantly approves the mission.
The Little Rascals had been animated for television twice before. In the 1960s, a series of nine clay-animated Little Rascals Color Specials were produced for syndication, presumably by Bura & Hardwick, the British studio responsible for Camberwick Green, using soundtracks from the original Our Gang films. The episodes include "Shiver My Timbers", "Our Gang Follies of 1936", "Second Childhood", "Hearts Are Thumps", "Came the Brawn", "Bear Shooters", "Readin' and Writin'", "The Pinch Singer", and "Teacher's Beau". In 1979, Fred Wolf produced an animated The Little Rascals Christmas Special for NBC.
Groitus says that the Prince has become swollen with pride, and this has led him to take credit for Barnavelt's accomplishments. Barnavelt responds with an egotistic speech expressing deep jealousy of the Prince and a sense that his service to the State has been overlooked (an attitude he will sustain throughout the play). He says that he will see his country overthrown again before he allows the Prince to overshadow his accomplishments. Noting Barnavelt's edgy distemper, Modesbargen suggest that the old man is slipping into a second childhood in his old age.
What follows through the rest of the film is a tragic, emotional and very human portrayal of the suffering and the decline of this once powerful, soaring man to that of a pitiful state that resembles a second childhood as the disease wears him down. As the years pass, his memory worsens. He leaves work, and lives at home, where he is cared for by his devoted wife, Emiko. Inevitably, tensions surface between Masayuki and his wife and daughter, and it reaches the point where Emiko's life revolves around taking care of her debilitated husband.
The trio explored the world around them, experiencing a second childhood with no wives, jobs, or responsibilities. They passed the time by speculating about their fellow townspeople and testing inventions.Bright and Ross (2000), pp. 12–13 Regular subplots in the first decade of the show included: Sid and Ivy bickering over the management of the café,Bright and Ross (2000), pp. 94–96 Mr Wainwright and Mrs Partridge having a secret love affair that everyone knows about, Wally trying to get away from Nora's watchful eye,Bright and Ross (2000), pp. 96–99 Foggy's exaggerated war stories,Bright and Ross (2000), pp.
Ehud Manor began working for Israel radio in the 1960s as a musical editor. He changed his surname to Manor as it was customary at the time for radio announcers to adopt Hebrew names. During his career, he wrote lyrics for over 1,250 Hebrew songs, including "Ein Li Eretz Acheret" (I Have No Other Country), "Brit Olam" (Everlasting Covenant), "Ba-Shanah ha-Ba'ah" (Next Year) which became an international standard, "Zo Yalduti HaShniya" (This Is My Second Childhood), and "Ahi HaTza'ir Yehuda" (My Younger Brother Yehuda). The latter was written in memory of his brother, who was killed during his military service in 1968.
When special effects designer Jack Kine indicated that he had a solution to the technical challenges, the script was brought back into production for series two. Five further adaptations were commissioned: John Rankine’s The World in Silence, Henry Kuttner’s The Eye, Frederik Pohl’s Tunnel Under the World and Isaac Asimov’s "Satisfaction Guaranteed" and "Reason" (dramatised as "The Prophet"). Three original stories—"Frankenstein Mark II" by Hugh Whitemore, "Second Childhood" by Hugh Leonard and "Walk's End" by William Trevor—were also commissioned. In response to Kenneth Tynan's use of the word "fuck" on the satirical programme BBC-3, Sydney Newman issued directives to his producers regarding language and content.
Fifty Caricatures is a book of fifty caricatures by English caricaturist, essayist and parodist Max Beerbohm. It was published in 1913 by William Heinemann in Britain and E.P. Dutton & Company in the United States. It was Beerbohm's fifth book of caricatures, after Caricatures of Twenty-five Gentlemen (1896), The Poets' Corner (1904), A Book of Caricatures (1907), and Cartoons: The Second Childhood of John Bull (1911). Published in 1913, Beerbohm's illustrations include caricatures of George Bernard Shaw, Lloyd George, Joseph Pennell, Lord Rosebery, John Masefield, George Grossmith, Jr., H. B. Irving, Auguste Rodin, Thomas Hardy, Bonar Law and Enrico Caruso and a collection of politicians of the time.
In the case of Out of the Unknown, this led to particular attention being paid to the scripts for "Second Childhood" (about reawakening of sexual desire when an elderly man undergoes a rejuvenation process) and "Satisfaction Guaranteed" (about a woman taking a robot as a lover). Series two was broadcast on Thursday nights at 9:30pm, beginning with the episode "The Machine Stops" on 6 October 1966. The new series was promoted in listings magazine Radio Times with a front cover of "The Machine Stops"’ star Yvonne Mitchell and an article previewing the upcoming episodes, written by Michael Imison. The two most notable productions of the series were "The Machine Stops" and "Level Seven".
She has a young son named Morgan and is married to the Wizard Howl. She takes on the task of trying to solve a mystery for the King of High Norland, but is dismayed when her husband decides to follow her to High Norland, bringing Calcifer and Morgan along in order to help her. She is reluctantly amused by her husband's antics as "Twinkle", and thoroughly annoyed at the extent of his enjoyment of his second childhood. ; Howl Pendragon : Known also as the Wizards Pendragon and Jenkins and one of the Royal Wizards of Ingary, Howl is a flamboyant, handsome and incredibly clever sorcerer of great magical ability, who is also Sophie's husband.
Many regional stations also screened Winners as a series during 1986/87. In 1986, Winners was sold to WONDERWORKS, an award winning children’s television show in the United States of America. The first episode, On Loan, went to air in prime time on Friday, March 7 1996. 1990 Winners re-screened on the ABC on Sunday evenings from 2 September 1990. More Winners screened nationally on the ABC at 6:30 pm from Sunday 1 July 1990. 1991 \- Special Screenings _Melbourne Film Festival_ The Big Wish, His Master’s Ghost and Boy Soldiers screened as part of the Children’s and Youth Section of the Melbourne Film Festival held from 12 June to 22 July 1990. _9 th International Film festival for Young Australians_ Second Childhood screened in the Festival held in Adelaide from 14-18th August 1990. _Film Fest DC_ The Big Wish screened as part of Film Fest DC held in Washington USA from 1-12 May 1991, at the request of the festival organisers.
The scripts are delicious, performances keen, direction and editing crisp and economical-it looks like a series that was fun to make.” The Herald, Melbourne, 24/8/90 “For another serve of delightful local children’s TV, get the kids up early for Round the Twist. The kids will love it.” Green Guide, The Age, Melbourne, 22/8/90 “If this superbly appealing series of, initially, 13 programs is indicative of the sort of entertainment that Australian kids can now expect on their screens, then last one in for a second childhood is a silly sausage.” The Guide, Sydney Morning herald, 26/8/90 “Round the Twist is genuinely funny and considerably better than much of the average so-called adult viewing.” 7 Days, The Sunday herald, Melbourne, 2/9/90 “It’s funny, clever, innovative stuff put together by a talented team…Round the Twist is a touch of their magic.” The Sun herald, Sydney, 2/9/90 “The stories are thoroughly subversive, as all the best children’s stories are.
But often one hears nothing when one listens for the first > time to a piece of music that is at all complicated ... For our memory, > relatively to the complexity of the impressions which it has to face while > we are listening, is infinitesimal, as brief as the memory of a man who in > his sleep thinks of a thousand things and at once forgets them, or as that > of a man in his second childhood who cannot recall a minute afterwards what > one has just said to him...Marcel Proust, Within a Budding Grove, translated > by C. K. Scott Moncrieff and Terence Kilmartin (New York: Vintage Books, > 1982), pp. 570-71. The discussion of the Vinteuil sonata is much longer and > dispersed throughout the seven books of Proust's work. Proust was interested in music's power to trigger involuntary memory, a term which he invented.A. E. Bernstein, "The Contributions of Marcel Proust to Psychoanalysis", in: Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry, 33:1 (2005), pp. 137–48.

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