In League of Legends, there are three primary types of cheaters according to Riot: scripters, who automate actions; boosters, who acquire highly ranked accounts; and botters, who use programs to help them level up.
|
|
Most scripters who are caught don't reform — only 9 percent change their ways, according to Riot — and it often takes an average of 5.1 banned accounts before a cheater decides to uninstall the game.
|
|
In the case of scripters, for example, Riot has to differentiate between normal human move spamming and computer-generated moves, while also accounting for the fact that cheat developers have intentionally introduced delays to their programs to make them seem more human-like.
|
|
Scripters Chris Terrio and David S. Goyer provide kernels of philosophical and theological quandaries throughout, while their nods toward contemporary political debates are more complex than the scattered visual gags (such as an anti-Superman protester waving an "Aliens Are Un-American" placard) might seem to imply.
|
|
Scripters Henry and Phoebe Ephron were nominated for a Writers Guild of America Award.
|
|
NET applications and extensions, and specific applications that leverage these components to meet the needs of end- users, scripters, and developers. Orchard is delivered as part of the ASP.NET Open Source Gallery under the .NET Foundation.
|
|
The film became Paramount's biggest box- office hit of 1940 and garnered some favourable contemporary reviews from critics, as well. Variety noted: "... scripters weave a story which has its exciting moments, a reasonable and convincing romance ...""Review: North West Mounted Police." Variety, December 31, 1939. Later reviews were much less complimentary.
|
|
Similarly, HyperCard sent periodic `idle` message, `mouseEnter`, `mouseLeave`, ... and various other messages related to navigation between different cards in a HyperCard stack, as well as user input (`keyDown`, `functionKey`, ...), and system events. As far as the scripters were concerned, there were no main event loops like in other procedural programming languages.
|
|
Film rights were bought by MGM who assigned John Houseman to produce. Houseman had just returned to the studio after a six year absence. Meade Roberts, who had written a TV adaptation of Wings of the Dove for Houseman, was working on the script by January 1961.Hollywood Scripters Mine Other Media The Christian Science Monitor 17 Jan 1961: 4.
|
|
ChatScript contains some 2000 predefined concepts and scripters can easily write their own. Output of a rule intermixes literal words to be sent to the user along with common C-style programming code. Rules are bundled into collections called topics. Topics can have keywords, which allows the engine to automatically search the topic for relevant rules based on user input.
|
|
" During his run on Conan the Barbarian, Windsor-Smith was involved in the writing as well.Windsor-Smith in Cooke (1998): "I was always plotting my own stories right from the beginning...To give the scripter some clue as to what was going on, I would write my own dialogue on the edge of the pages. Some scripters would use my dialogue, others would wilfully ignore it. In either case I was never paid or credited for the work.
|
|
The episode has been generally well received, being praised by many critics for its writing. In a 2009 review for Slate, Josh Levin wrote that "The greatness of 'Stark Raving Dad' has a lot more to do with The Simpsons writing staff than with Jackson's voice-over talents. The show's scripters came up with a plot device far more ingenious than simply dropping the singer into Springfield." Monica Collins of the Boston Herald also enjoyed the episode.
|
|
The scripts included the ability to multitask, such as having background actors enact behavior while waiting for foreground actions to complete. The combined tools enabled for rapid prototyping of a game. Scripters could work with preliminary character and background art drawn by the artists to hone their scripts while providing feedback to the artists. The SCUMM program was responsible for tokenizing the scripts and gathering all other assets (such as art and sound) as a package.
|
|
To get the job done, feature testers and device testers tend to rely on traditional script-based automation, a time-intensive approach that requires highly trained manual testers to accomplish. With this approach, it can take hours or days to set up devices, configure test beds, and communicate basic test reports. Language barriers from geographically dispersed QA teams exacerbate the problem, resulting in duplicated efforts and reduced productivity. Additionally, scripting skills were phased out of college engineering programs, resulting in a shortage of skilled scripters.
|
|
They soon had as many as 18 separate 15-minute serials airing for a total of 90 episodes a week. They also produced The American Album of Familiar Music. From their estate in Greenwich, Connecticut, Anne Hummert delivered a large weekly word count, outlining all of the plot twists for all of her programs. The Hummerts farmed out the writing to scripters, known as "dialoguers," who embellished her synopses into complete scripts for Stella Dallas, Young Widder Brown and other soap operas. Actress Mary Jane Higby observed, “Unquestionably, they had a profound influence on the whole literature of soap opera.
|
|
Members met each other at comic book conventions and became real- life friends; members Tom Bierbaum and Mary Gilmore met through the APA, began a romance, and eventually married. The Bierbaums later graduated from Interlac to working as scripters of the Legion comic itself. The roster, with the exception of a few stalwarts, has turned over repeatedly, breathing fresh life and bringing new points of view into the forum. All the same, in 2000, eight of the 15 founders were still on the roster, waiting list, or honorary membership list, and four of the original 15 had remained on the roster continuously.
|
|
Recognizing the Bierbaum's devotion to the Legion, Giffen contacted them, at first using them as a sounding board for his ideas about the Legion. Giffen also utilized a new costume idea for Element Lad that Tom suggested. In 1984, when Giffen was looking for a scripter for his "Lightning" stories in Deluxe Comics' Wally Wood's T.H.U.N.D.E.R. Agents, he recruited the husband and wife writing team for the job. That, along with their work for DC's New Talent Showcase editor Sal Amendola, convinced the editors at DC (specifically Dick Giordano) that they were ready to become Legion scripters.
|
|
Sponsored by the Skelly Oil Company, the Captain Midnight radio program was the creation of radio scripters Wilfred G. Moore and Robert M. Burtt, who had previously scored a success for Skelly with their boy pilot adventure serial The Air Adventures of Jimmie Allen. Developed at the Blackett, Sample and Hummert advertising agency in Chicago, Captain Midnight began as a syndicated show on October 17, 1938, airing through the spring of 1940 on a few Midwest stations, including Chicago's WGN.Variety, September 13, 1939 issue, page 33 In 1940, Ovaltine, a product of The Wander Company, took over sponsorship. With Pierre Andre as announcer, the series was then heard nationally on the Mutual Radio Network where it remained until 1942.
|
|
One of the most powerful features SuperCard adds to the HyperTalk language is user properties. Where HyperTalk had a fixed set of properties on its objects, SuperCard scripters can use the `define property propName` command to add new properties to buttons and fields. These properties can contain arbitrary text (including numbers and object references, which are also represented using text in xTalks), and even dumps of entire files. SuperTalk provides several variations on HyperTalk's `answer` and `answer file` commands, which let one choose several items from a list, choose an icon from all available icons, pick a MIDI instrument to play sound with, or choose a file of a supported image format (including a preview), or disks and folders.
|
|
Variety magazine gave the film a positive review: > He Walked by Night is a high-tension crime thriller, supercharged with > violence but sprung with finesse. Top credits for this film's wallop is > shared equally by the several scripters, director Alfred Werker and a small, > but superb cast headed by Richard Basehart...Starting in high gear, the film > increases in momentum until the cumulative tension explodes in a powerful > crime-doesn't pay climax. Striking effects are achieved through counterpoint > of the slayer's ingenuity in eluding the cops and the police efficiency in > bringing him to book. High-spot of the film is the final sequence which > takes place in LA's storm drainage tunnel system where the killer tries to > make his getaway.
|
|
This is a film no Londoner should miss: humane, stunningly acted, it will be a gross injustice if it doesn't win a prize from Tilda Swinton's Berlin jury". Kaleem Aftab, writing in The Independent called London River the "most talked about film at the Berlin Film Festival", but argued that "it was only [Sotigui] Kouyate's performance that lifted an otherwise dull and predictable film that avoided any meaningful discussion about the effect of the terrorist attack around which the story was shaped". Having seen the Berlin premiere, Variety's Jay Weissberg stated that the film "trumpets political correctness far more loudly than this intimate drama can stand. Though the ending proves effective, Bouchareb and his co-scripters employ simplistic stereotypes and obvious counterpoints that shouldn't need to be spelled out so literally.
|
|
MMUCAS was used with FLEM to compile a room and its objects into one file that would enable the scripters to make rapid changes without having to recompile the room's description. BYLE and subsequently CYST were used for character animations and scaling, the latter used for the more complex art in LucasArts' later games. For the game Full Throttle, the team worked to integrate SCUMM with the INSANE animation engine that had formerly been developed for Star Wars: Rebel Assault. Though Wilmunder had gotten the two systems to work for shipment of Full Throttle, the interaction between the two was not always stable, and spent time before The Curse of Monkey Island to have SCUMM work atop the INSANE engine, replacing some of the SCUMM engine parts to use that were native to INSANE.
|
|
Writer/artists Walt Kelly and Carl Barks are the most noted talents associated with the company. Other prolific scripters were Gaylord DuBois, Paul S. Newman, Don "Arr" Christensen, John Stanley, Bob Gregory, Robert Schaefer and Eric Freiwald, Lloyd Turner, Leo Dorfman, Don Segall, Edward Kean, Cecil Beard, Virginia Hubbell and Carl Fallberg. Artists who worked on comics published by Dell included Fred Harman, Alex Toth, John Carey, Russ Manning, Jesse Marsh, Alberto Giolitti, Paul Murry, Tom Hickey, Tony Strobl, Harvey Eisenberg, Tom Gill, Dan Gormley, Ken Hultgren, Larry Mayer, Dick Moores, Jack Bradbury, Gil Turner, Nat Edson, Fred Fredericks, Mel Keefer, Roger Armstrong, Jack Manning, Kay Wright, Mike Roy, Bill Wright, Phil DeLara, Pete Alvarado, Dan Spiegle, Jack Sparling, Lynn Karp, Ellis Eringer, Paul Norris, Frank Bolle, Artie Saaf, Dan Noonan, John Ushler, Sam Glanzman, Bill Ziegler and John Buscema. Famed fantasy writer Charles Beaumont contributed a handful of stories for Dell's funny animal comics early in his career, a number of which were done in collaboration with William F. NolanNolan, William F. The Work of Charles Beaumont: An Annotated Bibliography & Guide.
|
|
One unique distinction between HyperCard's programming language HyperTalk and seemingly similar languages like AppleScript was that HyperTalk scripts were more lenient in what input they accepted. Apart from the above implicit declaration of variables when a value was assigned to them, and the way values were implicitly converted between types (allowing you to e.g. ask for `character 2 of 1234`), HyperCard would also recognize certain expressions and extract sub-values from them. For example: put the selectedLine of card field "Listbox" into theSelection -- gives 'line 2 to 3 of card field "Listbox"' select line 1 of card field "Listbox" select line (word 2 of theSelection) of card field "Listbox" select (the selectedLine of card field "Listbox") -- parentheses added for illustrative purposes only or play harpsichord c e g play harpsichord "c e g" put "c e g" into theMelody play harpsichord theMelody While the end result felt similar to scripters as a Bash script's expansion of variables before parsing, this was special-case syntax and did not have the pitfalls where data would be evaluated as code.
|
|
" Of those who did see it, Hollywood Citizen News was appalled by the film: "A disgrace to the producers and scripters, and a sad commentary on the art of filmmaking … a film with such bestial brutality and orgiastic sadism, one wonders how it ever passed customs to be released in this country." The trade journal Box Office noted that: "Fans of the horror film will be glad to know that Vincent Price is back to add another portrait to his gallery of arch-fiends … bathed in the most stomach-churning gore imaginable …" Variety opined that "Dwyer gives evidence of acting talent, but she and all principals are hampered by Michael Reeves's mediocre script and ordinary direction." In a more favourable notice written for The New York Times, Renata Adler expressed that the film featured "any number of attractive young aspiring stars who seem to have been cast … mainly for their ability to scream. … Price has a good time as a materialistic witch- hunter and woman-disfigurer and dismemberer, and the audience at the dark, ornate New Amsterdam seemed to have a good time as well.
|
|