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12 Sentences With "screenwritten"

How to use screenwritten in a sentence? Find typical usage patterns (collocations)/phrases/context for "screenwritten" and check conjugation/comparative form for "screenwritten". Mastering all the usages of "screenwritten" from sentence examples published by news publications.

In fact, nearly all of the violence being acted out in Westworld (save the Man in Black's businesslike brutality with Kissy, the specific purpose of which, it seems, will eventually be revealed) is quite literally programmed, because it's what the park guests come for—which, if anything, is biting, extremely meta commentary on screenwritten gratuitous violence itself, as well as our appetite for it as viewers.
Downes's story was screenwritten by George St. George and Paul Dehn.
Víctor Santos has screenwritten the three anthologies of Los Reyes Elfos and the albums of comics, LA sangre de las valkirias (drawing from Pere Pérez) and Silhouette (drawn by Jesus Alonso Iglsias).
Thieves in KG2 (, Haramiyya fi KG2; "Thieves in Kindergarten") is an Egyptian film directed by Sandra Nashaat and screenwritten by Belal Fadl."‘Thieves KG2’ Masters Egyptian Box Office." (Archive) Al Bawaba. May 18, 2002.
In 1961, a film was released based on the novel starring Marie Laforêt, Paul Guers, Françoise Prévost, Françoise Dorléac and Jacques Verlier. It was adapted by Philippe Dumarçay, screenwritten by Pierre Pelegri, and directed by Jean-Gabriel Albicocco.
Act One is a 1963 American film directed and screenwritten by Dore Schary and starring George Hamilton. It is the film version of the 1959 autobiographical book Act One by playwright Moss Hart. A play based on the book premiered on Broadway in 2014. George Hamilton later complained that "Schary de-ethnicized the entire production and took out the brilliance for good measure".
The group has recently had access to unpublished documentation which would prove that the company's owners were victims of the country's military regime. On March 11, 2019, Brazilian newspaper O Globo informed that Daniel Leb Sasaki's book about the demise of Panair do Brasil, called "Pouso forçado: a história por trás da destruição da Panair do Brasil pelo regime militar", will become a TV series directed by Mauro Lima and screenwritten by Rosana Rodini and the author himself.
The first adaption of Carrie was a feature film of the same name, released in 1976. Screenwritten by Lawrence D. Cohen and directed by Brian De Palma, the film starred Sissy Spacek as Carrie, along with Piper Laurie as Margaret, Amy Irving as Sue, Nancy Allen as Chris, John Travolta as Billy, Betty Buckley as Miss Collins (changed from Miss Desjardin), and William Katt as Tommy. It is regarded as a watershed film of the horror genre and one of the best film adaptations of a Stephen King work. Spacek and Laurie received Academy Award nominations for their performances.
Rebane used his studio to produce and direct a number of sci-fi/horror films, the first being Invasion from Inner Earth (1974), screenwritten by his wife Barbara, it was shot in 1973 with the working title of The Selected. His next film project was The Giant Spider Invasion, starring Alan Hale Jr., Barbara Hale, and Steve Brodie. The film grossed $23 million against its $325,000 production costs. This was followed by Rana: The Legend of Shadow Lake (1981), The Alpha Incident (1978), The Capture of Bigfoot (1979), The Demons of Ludlow (1983) and The Game (1984).
The film, directed by Marco Altberg and screenwritten by Daniel Leb Sasaki summarises the history of the airline. In October 2012, director Ricardo Pinto e Silva and journalist Daniel Leb Sasaki began production for a new feature documentary film called Mario Wallace Simonsen, entre a memória e a história, still unreleased. The pair interviewed former Panair employees during their 2012 reunion. On March 23, 2013, the Brazilian National Truth Commission, established in 2012 by the Brazilian government to investigate acts of human rights violations between 1946 and 1988, held a public event in Rio de Janeiro to address the circumstances behind the shutdown of Panair do Brasil.
The adaptation was screenwritten by Sandy Welch, who set the film in the early 1920s, in contrast to the novella's 1840s setting. This allowed the introduction of the Freudian psychiatrist interviewing the main character; this framing device is not used by James, but both the novella and the film share a first-person narrator. The updated setting also allowed the First World War to account for the lack of male staff at the house. The Freudian and libidinous elements some literary theorists have seen in James's story are particularly prevalent in the film, with Ann's repressed sexual feelings for the Master resulting in a number of highly sexual sequences.
He directed many short advertising films and documentaries, and in 1942 he completed his first major work, the comedy En el último piso with Zully Moreno as the lead. His first big success was Alto Paraná, a costumbrista comedy screenwritten by novelist Velmiro Ayala Gauna, with Ubaldo Martínez in the lead role as Frutos Gómez, a sardonic and astute policeman. In 1963, he directed La fusilación or El último montonero, co-written with Félix Luna and with music by Ariel Ramírez, about the bloody death of caudillo Ángel Vicente Peñaloza, which won the prize for best director at the San Sebastian International Film Festival. He died on December 19, 1974, in Buenos Aires, Argentina.

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