He last wrote a Screenland column about the presidential candidate Pete Buttigieg.
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Screenland Michael Bloomberg's presidential campaign has aroused the passions of Democratic voters.
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Screenland History tends to repeat itself, but we aren't always obligated to listen.
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Screenland The digital effects were mocked for trying to make an old man young.
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Screenland It's a scene that manages to feel both shocking and familiar at once.
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Screenland There is no shortage of Lionel Messi content on the World Wide Web.
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Screenland Whenever a class war breaks out online, order is suspended, and instinct sets in.
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Screenland A mother stands outside her house, ushering two adorable kids into the family minivan.
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Screenland A title card reads ''Dubai Presents,'' as if the city were a movie studio.
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Novels by Joseph Conrad stoked her craving for adventure, and Screenland magazine fanned dreams of stardom.
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Screenland On Tuesday, June 25, Rosa Ramírez was filmed at home in San Martín, El Salvador.
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Screenland The scene opens on a palatial lobby of the Biltmore hotel in downtown Los Angeles.
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Screenland I recently resolved to kick one of my least-favorite habits: crying during movie trailers.
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Screenland The level of attention surrounding Alexandria Ocasio-Cortez is, by any measure, extraordinary, bordering on Kardashian-grade.
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Screenland At times the whole screen is black, except for the darting white disc created by a flashlight.
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Screenland Every now and then, the internet coughs up a viral video that has the quality of found art.
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Screenland In a slightly different culture, an art film about the Joker would be a premise for a comedy sketch.
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Screenland In late April, M.J. Hegar released an online video to launch her campaign in Texas for the U.S. Senate.
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Screenland In late April, M.J. Hegar released an online video to launch her campaign in Texas for the U.S. Senate.
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Screenland Late this March, a Norwegian news outlet sprang a surprise question on Pete Buttigieg, the mayor of South Bend, Ind.
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Screenland There are plenty of misleading videos on the internet, but the ones we worry about are probably not the most pernicious.
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Screenland Sean Spicer spent nearly 20 years as a conventional Republican spokesman, but nobody besides Spicer himself, probably, remembers much about them.
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Screenland Lately the same ad has been following me across the internet: It starts with an Indiana Jones type who's stuck in quicksand.
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Screenland It should go without saying that our national health relies on a grown-up relationship between the president and the speaker of the House.
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Screenland Joe Biden is suited, floating in a black void of stage, sitting cross-legged across from a glamorous woman in a striking red jacket, speaking to an invisible crowd.
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Screenland Last month, Jon Sarlin, a producer at CNN, posted a short video on his Twitter feed — an on-the-street interview with Russell Peterson, a Trump voter who'd had a change of heart.
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Screenland In his Netflix film "Rolling Thunder Revue," which chronicles Bob Dylan's face-paint-streaked 1975 tour of the same name, Martin Scorsese introduces us to a former congressman from Michigan named Jack Tanner.
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" On a recent walking tour, the Los Angeles Conservancy — a nonprofit seeking to preserve the county's cultural and architectural treasures — described Culver City's history as "from the heart of screenland to the heart of streamland.
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The classes, known as Tuesdays With Matthew and held once a week for an hour or so, have made him an essential part of the senior community in "the heart of screenland," as Culver City calls itself.
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Screenland When my father was dying — when the reality of his decline seemed to be pressing us into the center of the earth, and every day felt suddenly crucial — we started a new ritual: watching "Jeopardy!" together.
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Screenland A rural or rural-seeming scene: In the foreground, in the lower left-hand corner of the frame, a cherubic middle-aged woman with short blond hair and a friendly, expressive face holds up an index finger.
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Screenland However meager our lives, celebrity Instagram accounts offer certain reliable comforts: front-facing studio-quality portraits of our favorite stars standing or sitting alone in careful outfits; a high percentage of photos taken from the manubrium up, so that our entire phone screen is dominated by their proportional features.
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Screenland In the final week of the eight-season run of "Game of Thrones," even as the HBO series devolved into a torment of gaffes — a Starbucks cup and plastic bottles in view, overwrought yet hollow symbols, a series of spectacular continuity errors — we were still trying to salvage meaning.
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Screenland The premise of "Question Time," the weekly BBC political discussion show, is simple: A panel of guests fields questions from the audience on matters of the day, responding mostly with circular nonanswers and unchecked bluster until other panelists break in and they all speak over one another, on repeat, for an hour.
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Screenland Watching the Netflix show "Dating Around" is like sitting next to a Tinder date at a bar: The possibility that something outrageous, sexy or at least interesting will happen holds your attention long after it has become clear that the people you're spying on are just as boring as you are.
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Screenland Last month, after polls showed Pete Buttigieg vaulting unexpectedly to the lead in Iowa's Democratic caucus, he aired an ad introducing his plan for higher-education reform: a proposal to make public-college tuition free for households earning up to $100,000 a year and reduce it on a sliding scale for those making up to $150,000.
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In 1923 motion picture industry magazine promotions,Screenland, inc. “Screenland.” Screenland, Oct. 1923.Brewster Publications, inc. “Motion Picture Magazine.” Motion Picture Magazine, Aug.
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The magazine began publication in November 1930, featuring a portrait of Greta Garbo on the cover. The publisher was Screenland Magazine, Inc., which also published Screenland, another monthly magazine about the film industry. The president of Screenland was Alfred A. Cohen, and the magazine's editor was Ruth Waterbury.
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Screenland was a monthly U.S. magazine about movies, published between September 1920 and June 1971,Screenland at Moviemags.com when it merged with Silver Screen. In the September 1952 issue, the name changed to Screenland plus TV-Land. In was established in Los Angeles, California, with Myron Zobel as the editor in 1922.
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Delight Evans (1902 – ca. 1985) was an American entertainment writer, editor, and film critic who was most widely known for her career as the editor of Screenland Magazine. Before accepting her career-making position at Screenland, Evans worked for Photoplay Magazine for six years. Screenland and Photoplay were both popular fan magazines that allowed fans to connect with movies outside the theaters.
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In 1924, Delight took a position at Screenland Magazine writing movie reviews. In 1929, she was called before the Board of Magazine directors and was promoted to the Editor of Screenland. Evans promised the Board Screenland would have the biggest circulation of any entertainment magazine. Sure enough, after Evans became the editor, the magazine's circulation nearly doubled and continued to grow rapidly.
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Delight would review at least five entertainment pieces in each issue of Screenland Magazine. In the May–July 1926 issue of Screenland, it was written that:"Delight Evans reviews all the important films for Screenland. Her criticism are just and no one takes greater joy in finding work well done or pictures that are pleasurable." Evans had the pleasure of interviewing hundreds of celebrities throughout her career.
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The program discussed the habits, hobbies, and favorite dishes of Hollywood stars. The show was set to air every Thursday evening for thirteen weeks. She completed her radio show while still holding the editor position at Screenland. Evans left Screenland in 1948.
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She also worked as an entertainment journalist; he writing appeared in film magazines like Screenland.
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The first actress attached to the project was Marcia Gay Harden.Taken from Avelino during a Q&A; at The Screenland , in Kansas City, on April 22, 2006.
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In 1971, Silver Screen merged with Screenland, but retained the Silver Screen title. It continued publishing through the beginning of 1977, when its final issue was a special "horror" issue.
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Frederick James Smith became the editor in 1923 when it moved to Cooperstown, New York. One magazine-collector site credits, without attribution, one Paul Hunter, "with rescuing Screenland magazine for John Cuneo back in 1932." In October 1952, Ned Pines' Standard Magazines, an imprint of Pines Publications, purchased Silver Screen and Screenland from the Henry Publishing company. Pines announced in June 1954 that he was suspending publication with the August 1954 issue, citing production and distribution costs.
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In 1919 Evans was promoted and relocated to New York City. By 1922, she was the associate editor of Photoplay. Evans wrote seventy-six stories for Photoplay through 1923 until she joined Screenland Magazine.
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Edna Murphy (November 17, 1899 - August 3, 1974) was an American actress of the silent era. She appeared in 80 films between 1918 and 1933. Murphy was voted "Most Photographed Movie Star of 1925" by ScreenLand Magazine.
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Other scenes were filmed on Lake Placid. Screenland noted that Hearst spent $80,000 on the recreation of the Battle of Lexington. The film received generally good reviews. The large cast included W.C. Fields in his feature film debut.
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Drawing of actress Constance Talmadge by Treichler, page 40 of the December 1921 Screenland. Constance Alice Talmadge (April 19, 1898 - November 23, 1973) was an American silent film star. She was the sister of actresses Norma and Natalie Talmadge.
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Screenland, September 1932, p. 92 Although uncredited, Jean Harlow's husband Paul Bern was the film's production supervisor. Prior to the film's release, producer Thalberg worked with the Will Hays Office to shore up the censor's approval. Of particular concern were several scenes in which Harlow was partially undressed or making obvious sexual advances.
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Motion Picture Daily also referenced the improbable plot, while giving credit to the attempts by the acting crew to overcome the material. They went on to call Brown's direction, "ineffectual". Screenland called it a "weak melodrama", and gave credit to the cast for attempting to overcome the implausible script. The film did receive several positive reviews.
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"Screenland Culls New Talent From Radio" (PDF). Broadcasting. Retrieved August 21, 2015.[permanent dead link] AdvancedSpecial charactersHelpCite ofessional name. From 1943 to 1952, as Vera, she made more than a dozen comedy two-reel short subjects for Columbia Pictures, two of which were nominated for Academy Awards in the Academy Award for Best Live Action Short Film category.
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The film recorded a loss of $100,000. Mordaunt Hall of The New York Times did not enjoy the film, stating it was "a trifle too wearying for anybody more than sixteen. Other reviews of the time were a bit more generous. Screenland stated it was "A potent underworld drama with Richard Dix and Jackie Cooper giving great performances.
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May Mann (born May Vasta Randall) was a Hollywood columnist and freelance writer. She wrote a syndicated column about Hollywood gossip and wrote articles on celebrities for fan magazines. Her "Going Hollywood" column was syndicated to 400 newspapers, and contributed to movie magazines Movie Mirror, Silver Screen, Movie Teen, Screenland, and Photoplay. Her columns often featured photos of herself with the celebrity she profiled.
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She attended many parties in Hollywood and thought of herself as a celebrity. In 1938 she wrote an article about Clark Gable for Screenland and one about Wallace Beery in Movie Mirror. In 1939, she spent several months in New York City writing columns about Broadway during the World's Fair. She spent her vacation time working as a reporter for a New York newspaper.
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MGM's "English House" and "New York Street" backlots – both located in Lot 2 – were primary filming locations for the production. Before casting Harlow, MGM considered casting Clara Bow as Lillian Andrews, who originally agreed to take the part but objected to the "future services" option demanded by the studio.The Evening Independent, February 18, 1932 Screenland (June 1932) (pg.60) also noted that Colleen Moore was considered for the part.
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Some of the magazines' content consisted of movie reviews, movie promotions, and spreads of popular actors and actresses. Evans first started working for Screenland Magazine in October 1924 where she wrote reviews for various iconic films of that time. In 1929, Evans was promoted to Editor of the magazine. Nine years later in 1938, her success and ambitious attitude lead her to her own radio program, Food Secrets of the Movie Stars.
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Chai Hong was born in 1885 and subsequently raised by his grandmother, according to information he gave "Screenland" columnist Ogden Lawrence. He eventually immigrated to Hawaii and later to Los Angeles. After working as a bellboy at the Hotel Alexandria, he broke into Hollywood after being scouted by L-KO. He appeared in more than 20 films between 1918 and 1922; it's unknown what became of him after he left the industry.
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Shortly thereafter, it had its sold-out East Coast premiere on November 7 at the 2008 Fort Lauderdale International Film Festival. On November 14, Fling had its Midwest premiere at the Screenland Theatre in the Crossroads District of Kansas City, Missouri. Fling had its international premiere at the 2008 Bahamas International Film Festival on December 5, 2008. North American distribution is being handled by Peace Arch Entertainment and the DVD was released on March 24, 2009.
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He then went on to New York, where he studied with Robert Henri. After a trip to Paris in 1919 to study at the Académie Julian, he returned to New York and established a studio. In 1921 he went to Minneapolis to study calendar production at Brown & Bigelow. During the 1920s and 1930s, his work appeared on many pieces of sheet music, as well as on the covers of many magazines, most famously for movie fan magazines such as Photoplay and Screenland.
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Between 1913 and 1929, her commercial graphics included covers for Saturday Evening Post, Colliers, Every Week, Fashion Art, McCalls, and Screenland; posters for the YMCA, and numerous advertising illustrations.For full details of Willcox's biography, see: JA. Seidman, ed, One Woman: sketches/diaries/letters/notes/ fragments from Anita Parkhurst Willcox, Createspace, 2010 She signed her commercial work throughout this period with her maiden name, "Anita Parkhurst". In New York, Willcox joined the social and intellectual group that after 1919 formed the Algonquin Round Table. (Willcox was an occasional participant in this group during the 1920s).
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'My Husband Mel', Everybodys, 10 March 1956 Ferrer was rumoured to be too controlling, and had been referred to by others as being her "Svengali" – an accusation that Hepburn laughed off.Behind Audrey Hepburn and Mel Ferrer's Breakup, Screenland, December 1967 William Holden was quoted as saying, "I think Audrey allows Mel to think he influences her." After a 14-year marriage, the couple divorced in 1968. U.S. President Ronald Reagan with Hepburn and Robert Wolders in 1981 Hepburn met her second husband, Italian psychiatrist Andrea Dotti, on a Mediterranean cruise with friends in June 1968.
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In 1984, the credit union was renamed First Entertainment Federal Credit Union. Following another merger, this time with Screenland/MGM Employees Credit Union, First Entertainment’s assets nearly doubled in size – from $40 million to $73 million. The vigorous growth continued through the 1990s as the institution merged with A & M Records Employees Federal Credit Union, Six Flags Employees Federal Credit Union, Las Vegas Credit Union, and Paramount Studios Employees Credit Union. In an effort to better serve the entertainment industry as a whole, as well as serving the steadily increasing membership, the credit union switched from a federal to a state charter.
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Director Stanley Donen said that Hepburn was more free and happy than he had ever seen her, and he credited that to co-star Albert Finney.Behind Audrey Hepburn and Mel Ferrer's Breakup, Screenland, December 1967 The second, Wait Until Dark, is a suspense thriller in which Hepburn demonstrated her acting range by playing the part of a terrorised blind woman. Filmed on the brink of her divorce, it was a difficult film for her, as husband Mel Ferrer was its producer. She lost fifteen pounds under the stress, but she found solace in co-star Richard Crenna and director Terence Young.
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The film was routinely panned by critics. Mordaunt Hall, of The New York Times came right to the point in his review, "One of the cinema's minor indiscretions, an item entitled "Everything's Rosie," was inflicted last evening on a small audience at the Globe which found it as lacking in wit as in intelligence and ordinary good taste." Silver Screen magazine gave it a "fair" rating, stating, "Robert Woolsey without Bert Wheeler is nothing to turn cartsprings about" Screenland was slightly more generous, saying that Woolsey in his solo performance "... tickles the customer with this one." The film made a slight profit of $35,000.
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" Screenland did not like the story, but also enjoyed the acting. The most comprehensive and complimentary review of the film came from Mordaunt Hall of The New York Times. He gave good marks to Brenon's direction, calling it a mostly "intelligently filmed story", stating that Brenon had managed in "eliciting the spectator's interest", and that the photography had "some compelling atmospheric effects in some of the sequences." He did have some reservations about the overall film, however, stating that "It is not endowed with any great degree of subtlety and the comings and goings of the characters are set forth a trifle too abruptly.
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A reviewer for Screenland described Salomé as "a painting deftly stroked upon the silversheet" and that "poets and dreamers will find imaginative delights in the weird settings and the still more weird acting, depressing at times to ordinary folks. And it is worth something to watch Nazimova balance her Christmas-tree headdress!" Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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This meeting was filmed for S1E6 of the Redbull TV series Screenland, entitled "Eight-Bit Archaeologists". The game was imaged and made available online, providing Cifaldi with a raw rip of the unused version. Players need to use an Apple II emulator or write onto old floppy disks and play it on an Apple II. Cifaldi's copy was later sent to the National Museum of Play to supplement other Carmen Sandiego materials donated to the museum by Broderbund founder Doug Carlston in 2014. Jon-Paul Dyson, the director of the International Center for the History of Electronic Games at the National Museum of Play, personally thanked Cifaldi for his endeavours.
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He published pulp magazines and other periodicals under a variety of company names, including Thrilling Publications, with pulp magazines that included Thrilling Western, The Lone Eagle, and Thrilling Wonder Stories. His Collegian Press, Inc. bought the existing magazine College Humor from Dell Publishing by the mid-1930s, publishing it through 1942. In mid-1936, Pines refuted a claim by the Cartoonists Guild of America that College Humor had not agreed to pay the $15 Guild minimum, payable within 30 days, for drawings by Guild members. In October 1952, his Standard Magazines purchased Silver Screen and Screenland from the Henry Publishing company. Pines added comic books to the mix in 1939 with the publishing imprint Standard Comics,Standard at the Grand Comics Database which became in turn the parent company of two comic-book lines: Better PublicationsBetter Publications at the Grand Comics Database and Nedor Publishing.
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