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"scene-shifter" Definitions
  1. a person who moves scenery in a theatre
"scene-shifter" Synonyms

16 Sentences With "scene shifter"

How to use scene shifter in a sentence? Find typical usage patterns (collocations)/phrases/context for "scene shifter" and check conjugation/comparative form for "scene shifter". Mastering all the usages of "scene shifter" from sentence examples published by news publications.

The periods of the scene-shifter, in life as in life's mimicking on any stage, have fallen into disesteem.
He met and married Sharon, a secretary, in 1974 and decided to work at the BBC as a scene-shifter in order to make some contacts for his writing.
The truth is that the idea of the skeleton came from the description of the ghost given by Joseph Buquet, the chief scene-shifter, who had really seen the ghost.
They were more excited than they need have been, that is to say, more excited than any one need be by the announcement of the suicide of a chief scene-shifter.
Main Wilson turned it into Citizen Smith. The scene- shifter was John Sullivan, who later wrote Just Good Friends, Dear John and Only Fools and Horses. Main Wilson gave TV breaks to Stephen Fry, Hugh Laurie, Griff Rhys Jones and Emma Thompson. Main Wilson died of lung cancer at the age of 72.
Scene Shifter at Camiers, France, 1918 The guns arrived with their carriages in France on 26 May 1918, but incomplete, and were not in action until 8 August. The two guns were operated by 471 Siege Battery from May 1918, and were known as "HM Gun Boche Buster", operating near Arras with First Army, and "HM Gun Scene Shifter", operating near Bethune with Fifth Army. They were used for long-range interdiction fire on key German targets such as railway junctions. King George V personally oversaw the firing of the first shell by Boche Buster from near Marœuil, 6 km NW of Arras, on 8 August in a fireplan to hit German reinforcements being sent south to oppose the British Amiens offensive.
The Evening News, Wilkes- Barre, Pennsylvania, pg. 12, 22 February 1923 He worked briefly as a traveling stage actor after winning the welterweight championship. In his later years he worked as a scene shifter in theaters. At 70 in 1944, he was an official of the Theatrical Carpenter's Union, and a foreman of carpenters for a New York theatrical chain.
His first celebrity subject was comedian Ken Dodd. In the 1960s a job as a scene-shifter at the BBC's Manchester Studios gave him the opportunity to shoot television personalities. When in 1964 the studio hosted Top of The Pops for its first 12-week run, producer Johnnie Stewart hired Goodwin to shoot the bands. He was paid ₤30 a week and given a credit at the end of the programme.
Sherwin began his career in the theatre and worked as a junior set designer, scenic artist, scene shifter, stage manager and lighting designer. He also spent two years of National Service in the Royal Air Force. Following this, Sherwin established himself as an actor in theatre, films and television. While still working as an actor, Sherwin also began work as a freelance writer, contributing scripts to series such as Crossroads and Z-Cars.
Not much is known about Titus Maccius Plautus' early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.The Concise Oxford Companion to Classical Literature (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years.M. Marples. "Plautus," Greece & Rome 8.22(1938), p. 1.
While at sea, he read the books available in the ship's library, obtaining the equivalent of a high school education. Eager to obtain more education, he tried to enter Brown University, but was denied admission. After appealing directly to the president of the university, his entrance to the school was arranged. McCarthy lacked the funds to pay for school, so he financed his education by working as a scene shifter and painter in theaters in Providence.
Adkins worked backstage on every production of the Ottawa Drama League (later the Ottawa Little Theatre) after 1920. Over many years, he worked as electrician, carpenter, scene shifter, scene painter, lighting operator, set designer, set builder, and, from 1927, stage manager. During World War II, Adkins arranged and stage managed shows for troops. Adkins continued as stage manager of the Ottawa Little Theatre after the war, travelling with it to the Dominion Drama Festival and other regional performances.
Till Death Us Do Part, also for the BBC, is his best remembered television work. Other shows he produced include Sykes and a... with Eric Sykes and Hattie Jacques, Here's Harry with Harry Worth, It's Marty starring Marty Feldman and The Rag Trade (which he also directed). He had less success with Private Eye TV, an attempt to turn the magazine Private Eye into a television programme. In 1976, a scene-shifter at the BBC handed him a script he had written.
He was first inspired mainly by the works of Walt Disney. After the war, as the Communists dominated government and society behind the Iron Curtain, enforced by the Soviet Union, Saudek was also influenced by American artists Robert Crumb and Richard Corben. He became a technical writer and in 1950s worked as a scene- shifter at the Barrandov Film Studios. There he met the actress Olga Schoberová and featured her as a model of his comic character "sexy Jessie", who became one of his best known characters.
The guns were built by Armstrongs (Elswick Ordnance Company) and were originally intended to be mounted as a pair in a twin turret on the Japanese battleship Yamashiro but the order was not completed. Hence the breech of the left gun, which became known as "Scene Shifter", opened to the left which was unusual for a British army gun, while that of the right gun, "Boche Buster", opened to the right.Hogg & Thurston 1972, Page 196. Work on mounting them on railway carriages began in 1916 but was not completed until 1918.
Christine turns out to be the understudy to the diva La Carlotta (Stephanie Lawrence), who is both jealous and resentful of Christine's skill. During this whole time, Erik Destler (Robert Englund) attacks the scene-shifter Joseph (Terence Beesley) with a blade high above the rafters for almost killing Christine with the falling sandbag, and blaming the accident on him. Alone in her dressing room, Christine hears the voice of Erik Destler, revealing he is her teacher and an angel sent by her deceased father. Destler encourages her to practice Carlotta's part of Marguerite in Faust, saying that only she can sing the part.

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