How to use scarcely audible in a sentence? Find typical usage patterns (collocations)/phrases/context for "scarcely audible" and check conjugation/comparative form for "scarcely audible". Mastering all the usages of "scarcely audible" from sentence examples published by news publications.
Sonically, Tinguely's fidgety machines of mechanical disorder produce gratuitous Musique concrete-like noise fields that are sometimes scarcely audible, such as "Trompette" (1962), which rubs and never blows.
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An error in the sound mix on this DVD left much of Peter Frampton's guitar playing scarcely audible. Pegg claimed that as a result, although the picture quality is superior on the DVD release, the original VHS or 1999 DVD remain a superior choice for audio.
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If you asked him a simple question, he would turn away and stare out > the window. When you had about decided that he had forgotten you, he would > turn around and fix you with his big round lenses that magnified his eyes to > a slightly mad expression. Then he would grunt. Sometimes he mumbled a few > words, scarcely audible .
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Muriel's Words (2004) Andrew McNeely describes this fifty-minute, single-channel sound installation, "In a soft and scarcely audible voice, Green gently whispers a series of discontinuous excerpts from the work of the U.S. poet and activist Muriel Rukeyser (a continual source of fascination for the artist). Cryptic passages such as "it is their violence" and "land, allow me to stand" are read under the breath. The hushed tone leaves one with the sensation of rudely eavesdropping on someone secretly reciting journal entries." Endless Dreams and Water Between (2009).
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The novel Avant tout ne pas nuire (First, Do No Harm), a work halfway between fiction and documentary, is, according to the leading French newspaper Le Monde, an exercise in introspection undertaken by Froehlich in relation to the theme of pain, the pain he feels as well as that inflicted upon the child in the course of surgery. He explains that his own awareness was long in coming, and reminds us that the newborn's ability to experience pain was not recognized until 1987. The novel begins with his daughter asking this question: “Have you ever hurt a child? Tell me you never hurt a child you were taking care of.” Patrick Froehlich answered No, though “poorly articulated, scarcely audible,” and he points out that “this inability to assert the contrary” concealed “a sense of shame” that he was forced to confront. In the novel Ce côté et l’autre de l’océan (Both Sides of the Ocean), again, we read in Le Monde, the author ponders the question of pattern repetition.
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