2 Sentences With "Sardoodledom"

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Cambridge: Cambridge University Press. . Shaw was among those who held the form in low regard, "Why the devil should a man write like Scribe when he can write like Shakespeare or Moliere, Aristophanes or Euripides? Who was Scribe that he should dictate to me or anyone else how a play should be written?" In reference to the form's tendency to favor amusing plot twists over complexly drawn characters, Shaw referred to the genre as Sardoodledom after Victorien Sardou, who also wrote in the well-made style.
Its structure was employed by realist playwrights Alexandre Dumas, fils, Emile Augier, and Victorien Sardou. Sardou in particular was one of the world's most popular playwrights between 1860 and 1900. He adapted the well-made play to every dramatic type, from comedies to historical spectacles. In Britain, playwrights like Wilkie Collins, Henry Arthur Jones and Arthur Pinero took up the genre, with Collins describing the well-made play as: “Make ’em laugh; make ’em weep; make ’em wait.” George Bernard Shaw thought that Sardou's plays epitomized the decadence and mindlessness into which the late 19th-century theatre had descended, a state that he labeled "Sardoodledom".