"It is sleek and quite daring for a royal lady," says Thompson.
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In the second act of that Netflix movie, secret royal Lady Margaret (Hudgens, again) decides to watch a holiday movie with her love interest, sexy normie Kevin (Nick Sagar).
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Traditionally, Mayan beekeepers collected the bees, which they call xunan kab (royal lady), from the forest by cutting down trees and bringing the hive home in a portion of the trunk.
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Buckingham palace released a statement saying it will not comment on the matter, which, in elderly English royal lady-speak, is basically an Instagram slideshow with an essay underneath about the power of friendship.
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Whether it's tasting a new apple variety from the Kullu Valley, using Royal Lady honey as skin lotion in the Zona Maya, watching African elephants make a beeline for the hills, or something else somewhere else, native pollinators have much to offer humans and local ecosystems alike.
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It is possible that this was a religious/trade center with emphasis on xunan kab, the "royal lady".
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Ahmose-Henuttamehu is shown with another royal lady - possibly her mother Ahmose-Inhapi - behind her. Prince Sipair, unknown royal lady, Queen Ahmose, Queen Tures, and Queen Henuttamehu - Tomb of Khabeknet in Thebes. Not much is known about the life of Ahmose-Henuttamehu. The Queen is mentioned on a stela as depicted in Lepsius' Denkmahler.
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Shah Begum (; 1570 - 16 May 1604), meaning 'the royal lady', was a rajput and the first wife of Prince Salim future Emperor Jahangir.
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An Emebet Hoy (እመቤት ሆይ , "Great Royal Lady") was a title reserved for the wives of those bearing the title of Leul Dejazmach and other high ranking women of royal blood. Alternatively, an Emebet (እመቤት, "Royal Lady" ) was a title reserved for the unmarried granddaughters of the monarch in the female line (they were generally granted the title of leult upon marriage), and to the daughters of the Leul Ras.
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Wolfgang Helck suspects that queen Penebui died violently due decapitation, since the sign of a deceased royal lady in the year window is guided by the hieroglyph of an decapitated lapwing.
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XVIII, No. 1. Spring 1993, p. 27. or, simply, Khri bTsun ("Royal Lady"), is traditionally considered to have been the first wife and queen of the earliest emperor of Tibet, Songtsen Gampo (605? - 650 CE), and an incarnation of Tara.
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A coronation gown is a gown worn by a royal lady becoming a queen at her coronation. The design may vary, but it generally has covered shoulders. A royal robe is generally worn over it. The crown, sceptre and orb complete the attire.
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She lived for sixty years but played no part in history. The couple's second child was a son named Khusrau Mirza, who was born on 16 August 1587. On his birth, Man Bai was given the title of "Shah Begum" meaning "The royal lady". She was described to be a very beautiful woman.
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This votive tablet, which is essentially an ayagapata, though not so called, represents a royal lady attended by three women and a child. The attendant women, in accordance with the ancient Indian fashion, are naked to the waist. One holds an umbrella over her mistress, whom another fans. The third holds a wreath ready for presentation.
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Probably this lineage has started with Thayyil, a family in Kannur district of Kerala state, south India. It is a family name which has its origin in a Nair royal lady. Thayyil tharavadu is situated in Thalikave ward Kannur. It is believed that one of two sisters of a Nair family had to flee Vatakara due to riots that broke out there.
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Deo Langkhui (The Divine Sword) is an Assamese novel written by Dr Rita Chowdhury. The book unveils some important aspects of then-contemporary Tiwa society and a series of their customs and traditions. The novel is based on historical evidence of then Tiwa kingdom, but the protagonist is the royal lady Chandraprabha, queen of Pratapchandra. The book is a detailed account of the time of then Assam.
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H.M. Queen Elizabeth the Queen Mother visited the club on no less than four occasions. The Princess Royal, Lady Mountbatten, the Crown Prince of Norway, Mrs Anne de Vere Chamberlain, the wife of British Prime Minister Neville Chamberlain and General de Gaulle were also guests of honour at the club. In 1952 the lease in Grosvenor Place expired and the club had to look for a new home which it found at 42 Belgrave Square.
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She and Edward remained friendly throughout their remaining time together, but there were no more children or pregnancies. Prior to the loss of her son, she had not been very religious, but his death brought her to consider religion increasingly. Meanwhile, her sister, Sarah Scott, was also growing increasingly devout. Elizabeth was accompanied most of the time by a lady's companion, in a role derived from that of a royal lady in waiting.
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He juggles romantic relationships with a British royal, Lady Bobby Ayres, and the young Betsy, who is about to turn 21 and inherit a fortune, including the new car that her great-grandfather is naming in her honor. Loren Hardeman III bitterly despises Hardeman Sr., who once carried on an affair with Loren's mother. The older Hardeman is not the man he used to be, but he is not ready to step aside forever.
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Grujić married Milica Magazinović in 1867; they had one daughter, Angelina. His first wife died at a young age. He remarried, to Milica Radovenović; they had four children; two sons: Captain Boro Grujić and Captain Alek Grujić, and two daughters: Marija married to Cavalry Division General Vojin Tcholak-Antitch, Chief Inspector of Cavalry, a descendant of Čolak-Anta Simeonović and Olga, Royal Lady in Waiting to Princess Olga of Yugoslavia, married to Professor Milivoje S. Lozanić, son of Sima Lozanić.
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Prince Sipair, unknown royal lady, Queen Ahmose, Queen Tures and Queen Henuttamehu It is not known who Ahmose's father and mother were.Dodson, Hilton, The Complete Royal Families of Ancient Egypt, 2004 It has been suggested that Ahmose was either a daughter of pharaoh Amenhotep I or a daughter of pharaoh Ahmose I and possibly Ahmose I's sister-wife Ahmose- Nefertari. Ahmose was never called a King's Daughter. This fact creates some doubt about these theories about Ahmose's royal family connections.
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It has also been suggested that the royal lady was Pocahontas (1595–1617), an American Indian who was the younger daughter of Powhatan, chief of the Indian tribes who lived along the Virginia coast. There is very little evidence to support this story; nevertheless, it is still commonly given as the origin of the name. Pocahontas's name has been given to a modern street in Indian Queens known as Pocahontas Crescent. Up to April 1780, the inn had the name "The Queen's Head".
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337–370 Aside from dreaming about imitating the saints in his readings, Íñigo was still wandering off in his mind about what "he would do in service to his king and in honor of the royal lady he was in love with". Cautiously he came to realize the after-effect of both kinds of his dreams. He experienced a desolation and dissatisfaction when the romantic heroism dream was over, but, the saintly dream ended with much joy and peace. It was the first time he learned about discernment.
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Princess Merida is the 16-year-old daughter of King Fergus and Queen Elinor, who rule their Scottish kingdom. Queen Elinor's traditional expectations that Merida take a husband and become a proper royal lady come into conflict with the single-minded and impetuous Merida's insistence that she controls her own destiny. Merida has greatly perfected her skill in archery, and is one of the most skilled archers in the kingdom. She is also incredibly skilled in spears, sword-fighting and racing across the countryside on Angus, her Clydesdale horse.
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Until then only a royal lady could be promoted to the empress, but he succeeded in gaining his daughter the position of empress of Obito by the emperor Shōmu. It was the first empress who did not derive from the imperial household. Kōfuku-ji (Chū-kondō) He moved Yamashina-dera, the Buddhist temple which was the main temple his clan supported, to Nara and renamed it Kōfuku- ji. After his death, Kasuga shrine, the main Shinto shrine of the Fujiwara clan, was settled near Kofuku-ji in 768.
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" On the other hand, Oliver Madox Hueffer wrote that "it is impossible not to feel a certain sympathy with this unfortunate royal lady in her subsequent fate." According to Sharna Olfman, Professor of Psychology at the Point Park University, "when reading or listening to stories, children aren't assaulted with precreated graphic visual imagery. They don't have to see close-ups of...the agony of pain in the queen's eyes as she dances to her death." Nevertheless, Olfman's personal preference is to "skip the torture scenes when I read these stories to kids.
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The Duchess was involved with many charities and was appointed a CBE in 1971 for her work. Among firsts for women, she was the first woman Lord Lieutenant as Lord Lieutenant of West Sussex from 1975 (a post she took over from her husband after his death that year), first woman steward of Goodwood from 1975 and the first non-royal Lady Companion of the Order of the Garter. The Duchess was Princess Anne's predecessor in the presidency of the Riding for the Disabled Association. The presidency passed from the Duchess to the Princess in 1986.
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Each queen consort had her own household of around 200 to 300 women. Her various ladies-in-waiting were usually recruited from noble families; others were minor princesses who would also have a retinue of servants. Each minor wife or consort (เจ้าจอม; Chao Chom) had a fairly large household; this would increase significantly if she gave birth to the king's child, as she would be elevated to the rank of consort mother (เจ้าจอมมารดา; Chao Chom Manda). Each royal lady had a separate establishment, the size of which was in proportion to her rank and status in accordance with palace law.
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Kemp, Barry, The City of Akhenaten and Nefertiti: Amarna and its People, Thames and Hudson, 2012 Meritaten's name seems to replace that of another royal lady in several places, among them in the Northern Palace and in the Maru-Aten. This had been misinterpreted as evidence of Nefertiti's disgrace and banishment from the royal court but, more recently, the erased inscriptions turned out to be the name of Kiya, one of Akhenaten's secondary wives, disproving that interpretation. Meritaten is mentioned in diplomatic letters, by the name Mayati. She is mentioned in a letter from Abimilki of Tyre.
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Among these portraits, the ladies of Valparaíso stand out: Juana Vargas de Jara Quemada, Carmela Mena de Veras, Marcelina Vargas de Mena, Acasia Lazo de Undurraga and the Royal Lady of Azúa. The portraits received a psychological character and nuances. He made a profession of his artistic work, like any other of the students of the Academy, being a work that allowed him to have his income to cover his needs, which for his time, moved him away from the leisure pattern; This was socially linked to women. You could see the learning of art, also French and music, as complements of their high education and culture.
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Madame Royale (, Royal Lady) was a style customarily used for the eldest living unmarried daughter of a reigning French monarch. It was similar to the style Monsieur, which was typically used by the King's second son. Just as Gaston, duc d'Orléans (1608–1660), the second son of King Henry IV of France (1553–1610), was known as Monsieur, Elisabeth of Bourbon (1602–1644), the eldest daughter of Henry, was known before her marriage to King Philip IV of Spain (1605–1665) as Madame Royale. After her death, the title was borne by her younger sister, Christine Marie of France (1606–1663), until her marriage to Victor Amadeus I, Duke of Savoy (1587–1637).
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This mirrors and enhances the intended longing of the opening text "Princess, let one more beam of light shine". The word "Strahl" ("beam [of light]") is sung in straight rising notes, while "Tränen" ("tears") is sung in falling, cascading notes, similar to "Tränen" in the closing chorus of the St Matthew Passion, BWV 244: Wir setzen uns mit Tränen nieder ("We sit down in tears"). The word "Fürstin" ("princess", also generic for "royal lady") is always sung isolated from the rest of the text, surrounded by rests. Bach later borrowed from the cantata for his Markus- Passion and for Klagt, Kinder, klagt es aller Welt, BWV 244a, another funeral ode written in 1729.
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These include an image of the Buddha (the religion of the household), a white rooster (signifying stateliness), a cat (signifying domesticity), a pestle or grinding stone (signifying firmness), a cucumber (signifying coolness, therefore happiness) and all sorts of grains, peas, and sesame seeds (signifying fertility). Two senior female members of the royal family will welcome them and gift to the king a fly-whisk made from a white elephant's tail and a bunch of areca flowers. Another royal lady, who is also an official of the palace will then hand the king a golden key, symbolic of his ownership of the residence. After accepting these gifts, the king then lies down formally on the bed and receives a blessing from the two senior ladies.
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A weighing scene shows Khabekhnet's brother Khonsu being led by Harsiese and Khonsu's wife by Anubis and a funeral procession accompanied by male mourners. In four other registers Sennedjem and relatives adore the Hathor-cow within a shrine, people part-take in a banquet, and the last register shows a funeral procession. Khabekhnet before Kings and Queens (TT2) The scene showing Khabekhnet offering before two rows of Kings and Queens is now in the Berlin Museum (1625). Upper part: The cartouches list (from right to left) Djeserkare (Amenhotep I), Ahmose-Nefertari, Seqenenre Tao, Ahhotep, king's sister Meritamun, a king's sister, mother of the god Kaesmut, king's sister Sitamun, a king's son (name lost), Royal Lady (name lost), Great king's wife Henuttamehu, king's wife Tures, king's wife Ahmose, king's son Sipair.
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Besides what was recovered from KV20 during Howard Carter's clearance of the tomb in 1903, other funerary furniture belonging to Hatshepsut has been found elsewhere, including a lioness "throne" (bedstead is a better description), a senet game board with carved lioness-headed, red-jasper game pieces bearing her pharaonic title, a signet ring, and a partial shabti figurine bearing her name. In the Royal Mummy Cache at DB320, a wooden canopic box with an ivory knob was found that was inscribed with the name of Hatshepsut and contained a mummified liver or spleen as well as a molar tooth. There was a royal lady of the twenty-first dynasty of the same name, however, and for a while it was thought possible that it could have belonged to her instead.Bickerstaffe, Dylan, "The Discovery of Hatshepsut's 'Throne'", KMT, Spring 2002, pp. 71–77.
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George Ferebee (or Feribye, Ferrabee, etc.) (floruit 1613) was an English composer. The son of a Gloucestershire yeoman, Ferebee was born about 1573 and matriculated at Oxford on 25 October 1589, aged 16 (Clark). He was a chorister of Magdalen College until 1591. He was admitted B.A. 1592, licensed to be M.A. 9 July 1595, and became vicar of Bishop's Cannings, Wiltshire. Wood relates how Ferebee found and ingeniously made use of an opportunity to display his talents before Queen Anne, the consort of James I, on her way from Bath, in June 1613; in the dress of an old bard, Ferebee, with his pupils in the guise of shepherds, entertained the royal lady and her suite as they rested at Wensdyke (or Wansdyke) with wind-instrument music, a four-part song beginning ‘Shine, O thou sacred Shepherds' star, on silly [or seely] Shepherd swains,’ and an epilogue.
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Sir Baldwin de Fulford (died 1476)Prince, John, (1643–1723) The Worthies of Devon, 1810 edition, London, p.394 (son), Sheriff of Devon in 1460, a Knight of the Sepulchre and Under-Admiral to John Holland, 2nd Duke of Exeter (died 1447), High Admiral of England. According to the Devonshire biographer John Prince (1643–1723): :"He was a great soldier and a traveller of so undaunted resolution that for the honor and liberty of a royal lady in a castle besieged by the infidels, he fought a combat with a Sarazen, for bulk and bigness an unequal match (as the representation of him cut in the wainscot in Fulford House doth plainly shew), whom yet he vanquish'd, and rescu'd the lady". In commemoration of this victory supporters to the arms of the family were granted (generally reserved as a privilege of the nobility alone) of two Saracens, which they still retain,Prince, 1810 edition, editor's note 5, p.
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The character of the Lingeer has been featured in Senegambian literature. Ginette Ba-Curry writes of the Lingeer presence in Cheikh Hamidou Kane's novel Ambiguous Adventure: “The Most Royal Lady is a female figure belonging to pre-Islamic society, recalling the 'Linguere' … She is the reflection of the historical heroines of the Senegalese past such as the heiress of the Waalo throne, Lingeer Jombot who was in charge of the political affairs of the Waalo region and was succeeded by her sister Nade Yalla, wife of Maroso, the Prince of Kajoor”. In artistic Serer expression, especially in oral poetry and the culture of the traditional griotte, performers depict the Lingeer character as playing an important role in their society's functioning. Films such as Abderrahmane Sissako’s Timbuktu (2014) feature a Lingeer character. Djibril Diop Mambety’s Hyènes (1992) features the character Linguere Ramatou as its protagonist. Her first name is an alternate spelling of Lingeer and she has in fact been described as a royal of sorts: film scholars write that she is “an outcast-cum-queen who sits contemplating the horizon”.
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