47 Sentences With "roughed out" | Random Sentence Generator

A lot of times [lyrics] get ironed out after the initial tune is roughed out.

With his roughed-out idea on 10 PowerPoint slides, Ryan met with Target executives in early 2014.

A design for three Sports pages for Ali was roughed out two years ago by Mr. Kamidoi and another designer, Fred Bierman.

There I stared at the relics of Middle-earth: original manuscripts, watercolors, a roughed-out map of Gondor in the author's own hand.

Agostino, as was traditional, had "roughed out" the block at the quarry — a quick whittling down to leave only what was necessary for the eventual statue.

Roughed out in negotiations between the White House and leaders of the conservative Freedom Caucus, the idea would allow states to seek waivers of two ACA requirements.

They might be roughed out, insofar as surfaces are slightly bumpy, forms a little lumpy, and glazes as provisional-looking as the handling of the clay itself.

Showrunner Bruce Miller, who leads the team responsible for adapting Margaret Atwood's novel, said in a January interview that he has roughed out as many as 10 seasons.

The day before I visited, he and the Edge had adapted a bass line from a song by Haim into a stomping, start-stop guitar riff, and Bono had immediately roughed out some lyrics.

Composer Joe Trapanese roughed out the score early for the project and was able to come to the studio as well, which meant that, very unlike most Disney features, the team was able to animate to the music itself.

One of the earliest forms of keyseating was done by chiseling. The keyway is roughed out using a chisel and then filed to size; the key is tried frequently to avoid over filing. This technique is long, tedious, and rarely used anymore..

Milwaukee landscape architect Alfred Boerner roughed out plans for the parkway in 1923, but nothing was built until 1930, when federal relief programs made resources available. The parkway was partially built by the Civilian Conservation Corps and the Works Progress Administration of the New Deal.

The railway was started at the Avon Valley Country Park in May 1999, with the first trains running on a demonstration track. A trackbed was roughed out in June and the first services ran on the new track in August 1999. A tunnel was added in 2003.

The mill was established in 1846 by Dr. Edward Turner Bale on property in Rancho Carne Humana land grant. Bale lived near the site until his death in 1849. The gristmill and granary were built with local materials, Douglas firs and coast redwoods. Some timbers were cut to length with the bark left on, while others were roughed out with hand tools.

Blackstaff Press. Belfast. The site compares with the Langdale axe industry based in the English Lake District and the quarries at Penmaenmawr in North Wales, where large numbers of stone axes were manufactured. Flakes, rejects and part-finished axes have been found round the hill and peak. It was here that the axes were roughed out before being finished at the sea shore.

He was the manager of Kinner Field, the first municipally owned airport in Los Angeles, located on the west side of Long Beach Boulevard and Tweedy Road, in what is now South Gate, California. His airfield included a small hangar, , roughed out runway and one employee, Anita "Neta" Snook, who had recently arrived from Iowa after a season of barnstorming with her Curtiss JN-4 Canuck in tow.

This would ultimately become The Pentagon, the largest office building in the world. Over that "very busy weekend", Casey, Bergstrom and their staff roughed out the design for a four-story, five-sided structure with a floor area of —twice that of the Empire State Building. The estimated cost was $35 million. President Roosevelt subsequently moved the site of the building, over Somervell's objections, away from Arlington National Cemetery.

After he conceived the idea for "Ain't It Funny", Rooney returned to his home and "roughed out the track" and composed the song's chorus. He then worked with Lopez for an hour to complete the song. Tommy Mottola was so enthusiastic about the song that he contributed to its melody. Adam Shankman, however, felt that "Ain't It Funny" had too much of a Latin influence for the film, due to its usage of timbales.

The site has been compared with Grimes Graves and Cissbury in the United Kingdom, and Krzemionki in Poland, which are also sources of flint stone. However, different hard rocks were used for the polished stone axes. There are several locations in Britain where fine-grained igneous or metamorphic rock was collected from screes or opencast mines, then roughed out locally before trading on to other parts of the country. Examples include the Langdale axe industry, Penmaenmawr and Tievebulliagh.

The first number to be recorded to Dylan's satisfaction was "Most Likely You Go Your Way and I'll Go Mine", when McCoy reinforced on trumpet a musical phrase Dylan played on his harmonica, changing the sound of the song radically. Dylan and his band then quickly recorded "Temporary Like Achilles". The session atmosphere began to "get giddy" around midnight when Dylan roughed out "Rainy Day Women No. 12 & 35" on the piano. Johnston recalled commenting; "That sounds like the damn Salvation Army band".

Bob asked when he could start building the track. Elmer figured they did not have a lot of work for the Caterpillar bulldozer right at the moment, so he told Bob, who was only 14 at the time that he could start tomorrow morning. At 6:00 am the next morning, after a restless night Bob was on the cat and the first construction of a dirt race track begin. The outline of the track quickly took shape, and it was roughed out in approximately three weeks.

It wasn't long before Occupy Houston moved for the first time. During the first week of the occupation Occupy Houston respectfully volunteered to evacuate the park for the Bayou City Art Festival earning Occupy Houston the nickname of "The Nicest Protesters in the World", and "Affable Protesters" by Culture Map. A few of the artists participating in the Art Festival sympathized with Occupy Houston. The location Occupy Houston moved to was Eleanor Tinsley Park where the demonstrators roughed out torrential downpours before finally erecting tents.

Woodworker Sam Maloof described their use in chairmaking: "Once I have roughed out the arm on the bandsaw, I use a Surform® (Stanley® model No. 295). This tool does about the same job as a spokeshave -- it can take off a lot of wood very quickly -- but I can use it without worrying about grain direction." Trimmed nails on an elephant's foot In farriery, surforms are used to remove excess hoof wall from a horse's hoof. They may also be used to "manicure elephants' hooves".

A diagram of gashing with slitting cutters The process is similar to that outlined for the universal milling machine except a gashing angle is not used. When gashing spur gears, racks, or bevel gears the cutter is plunged into the workpiece and then moved linearly in the proper direction. If a helical gear is being roughed out, then the table rotates and moves along the vertical axis to interpolate the helical path. The two most common cutting tools are formed milling cutters and cutters with indexable carbide inserts.

In April 2014, Martin also announced that he had roughed out another Dunk and Egg story with the working title The Village Hero which would be set in the Riverlands. He noted that he was not sure which of these two would be completed first. In 2015, Martin noted that in addition to She-Wolves and The Village Hero he had notes and fairly specific ideas for a number of further installments, including The Sellsword, The Champion, The Kingsguard, and The Lord Commander, taking the planned series total to as many as nine novellas.

1901 Breer steam-powered car Breer was 17 years old in 1900 when he was inspired to build a motor-driven car. The inspiration came when he saw a Duryea car in his neighborhood. He confided in Fisher and they decided to build a steam engine for the new car, since Breer's blacksmithing experience had given him some understanding of what was needed. Using Stanley Steamer designs from a magazine as an initial guide, he roughed-out a two- cylinder steam engine, from which he drew detailed sketches of the component parts.

The library is built with the characteristic features of Victorian Gothic architecture. Notable architectural features employing this style include the tower, steeply pitched roofs with ornamental gables, color contrast resulting from the use of white stone and brick, and window arcades with Gothic arches. The capitals supporting the arcade arches were apparently only roughed out prior to the carving, which was never completed. Terra cotta was used extensively for exterior decoration in the form of rosettes and owls (symbols of wisdom) in roundels seen in the side gables.

38 A sequence of pictures showed how he used a drill press to rapidly remove wood inside concave parts of bowls, trays, and spoons. He would then refine the roughed out concave forms with a mallet and wood gouges, before power sanding with flexible disk attachments—thus using a power tool, hand tools, and then another power tool in rapid succession. He devised tools and techniques for increasing speed and efficiency without sacrificing workmanship. He made flat templates of his commonly produced works to rapidly transfer outlines onto wood blanks.

The building is constructed of Rawdon Hill millstone grit. As architectural master sculptors the Mawer Group produced the majority of the decorative carving. This did not include the rusticated and vermiculated base, the "giant" columns and fluted pilasters, the parapet with vases, or the basic detailing to the tower and ventilation turrets, which were the work of masons including Thomas Whiteley, who was associated with Robert Mawer. In preparation for the sculptural work, the carving areas were roughed out on the building blocks by the masons before the blocks were hoisted into place.

Early subway expansion plans called for an east–west subway for streetcars under Queen Street, and a lower Queen station for these was roughed-in under the subway station. Priorities changed and the line was never built, but many people unknowingly pass through this lower station every day; the tunnels that go under the station so that riders can move between northbound and southbound platforms use portions of this intended station, with most of the excess infrastructure walled off. What exists is a roughed-out second set of platforms built underneath a currently- operating station. It is located directly underneath the existing station.

The industry has been found at surface stations in the Beqaa Valley and on the seaward side of the mountains. Heavy Neolithic sites were found near sources of flint and were thought to be factories or workshops where large, coarse flint tools were roughed out to work and chop timber. Chisels, flake scrapers and picks were also found with little, if any sign of arrowheads, sickles (except for Orange slices) or pottery. Finds of waste and debris at the sites were usually plentiful, normally consisting of Orange slices, thick and crested blades, discoid, cylindrical, pyramidal or Levallois cores.

Somervell gave them until 9am on Monday morning to design the building, which he envisaged as a modern, four-story structure with no elevators on the site of the old Washington Hoover Airport. Over that "very busy weekend", Casey, Bergstrom and their staff roughed out the design for a four-story, five-sided structure with a floor area of --twice that of the Empire State Building. The estimated cost was $35 million. President Roosevelt subsequently moved the site of the building, over Somervell's objections, in order to prevent it being constructed in front of Arlington National Cemetery.

Bitter had already modeled his seated Jefferson for Cleveland, and the committee commissioned him to create a marble version 50 percent larger than the original. The Cleveland statue depicted a 33-year-old Jefferson, his age at the time of the writing of the Declaration of Independence. The St. Louis statue was to depict a 60-year-old President of the United States, his age at the time of the Louisiana Purchase. The statue was roughed out of a forty-five ton block of white marble in Italy, and shipped to St. Louis, where Bitter did the finished carving in situ.

Various features of the head suggest that it was unfinished, such as a lack of symmetry below the mouth and an area of rough stone above the base. Rock was not removed from around the earspools as on other heads, and does not narrow towards the base. Large parts of the monument seem to be roughed out without finished detail. The right hand earspool also appears incomplete; the forward portion is marked with a sculpted line while the rear portion has been sculpted in relief, probably indicating that the right cheek and eye area were also unfinished.

Although they were divided into regions, the production of sarcophagi was not as simple as it might appear. For example, Attic workshops were close to Mount Pentelikon, the source of their materials, but were usually very far from their client. The opposite was true for the workshops of Metropolitan Rome, who tended to import large, roughed out sarcophagi from distant quarries in order to complete their commissions. Depending on distance and customer request (some customers might choose to have elements of their sarcophagi left unfinished until a future date, introducing the possibility of further work after the main commission), sarcophagi were in many different stages of production during transport.

After about 1832 a rough wagon trail had been blazed to the Green River—the chief tributary of the Colorado River. After 1832 the fur traders often brought wagon loads of supplies to trade with the white and Native American fur trappers at their annual rendezvous usually somewhere on the Green River. They returned to the Missouri River towns by following their rough trail in reverse. The future Oregon/California wagon trail had minimal improvements usually limited to partially filling in impassable gullys, etc.. By 1836, when the first Oregon migrant wagon train was organized in Independence, Missouri, a wagon trail had been scouted and roughed out to Fort Hall, Idaho.

Morris 1987:321. Cameo glass, roughed out by the etching process provided a popular substitute for genuine cameos in brooches and plaques and similar uses, and there are still many producers today. Artistically the most notable work since the revival was in the Art Nouveau period, by makers such as Émile Gallé (1846–1904) and Daum of Nancy, when Roman-inspired subjects and color schemes were totally abandoned, and plant and flower designs predominate. Louis Comfort Tiffany made only a small number of cameo pieces, which were a French specialty in this period, though other firms such as the Czech Moser Glass were also producers.

Roughout axes have also been found at sites throughout Cumbria, suggesting that axes were originally roughed out at Great Langdale and then sent to various sites where they were finished into a polished state (Ehenside Tarn, near Sellafield and Mossgarth near Portinscale seem to be examples of this 'secondary working'). A later phase indicates more finished and less wasteful working in the Langdale area itself, with fewer 'roughouts' being sent out.Barrowclough (2010), p. 91. Most of these axes "date to the period c. 2750 - 2000 BC when agriculture was already established", and many were deposited in wetland areas, perhaps deliberately for ritualistic reasons, rather than just having been lost.

Heyward's wife, playwright Dorothy Heyward, roughed out a stage adaptation of the novel that persuaded her husband of the story's dramatic possibilities. They wrote the play together, strengthening the character of Bess, incorporating folk songs, and creating a more upbeat ending that shows Porgy following Bess to New York. Just as the novel had been one of the first to regard African American culture seriously, Porgy was the first authentic presentation of black culture on the Broadway stage. The Heywards insisted that an African American cast perform the play, providing much-needed employment for black actors and offering white audiences a mature view of African American life.

After he got to Paris, Harry offered him the use of the Crosby's country retreat, Le Moulin du Soleil, in Ermenonville, so he could concentrate on working on his poem. Crane spent several weeks there and roughed out a draft of the "Cape Hatteras" section, a key part of the epic poem. In late June that year, Crane returned from the south of France to Paris. Harry noted in his journal, "Hart C. back from Marseilles where he slept with his thirty sailors and he began again to drink Cutty Sark..." Crane, a heavy drinker since his early days in New York, got drunk at the Cafe Select and fought with waiters over his tab.

Darwin continued to research and extensively revise his theory while focusing on his main work of publishing the scientific results of the Beagle voyage. He tentatively wrote of his ideas to Lyell in January 1842; then in June he roughed out a 35-page "Pencil Sketch" of his theory. Darwin began correspondence about his theorising with the botanist Joseph Dalton Hooker in January 1844, and by July had rounded out his "sketch" into a 230-page "Essay", to be expanded with his research results and published if he died prematurely. Darwin researched how the skulls of different pigeon breeds varied, as shown in his Variation of Plants and Animals Under Domestication of 1868.

After one year of surveying possible routes in the Upper Skagit River region, the State Road Commission concluded in 1896 that the Skagit gorge was not a practical route. Instead, the commission settled upon the Cascade Pass route, several miles south of the Skagit gorge. The Cascade Pass route began to be roughed out in 1897 and shortly afterward, state highway maps showed the road as either State Highway 1 or the Cascade Wagon Road. In the following years, floods on the Cascade River took out most of the work completed on the road and led Washington's first State Highway Commissioner to report in 1905 that almost all the money appropriated for the road had been wasted.

The coach informed the President that Walter Camp, the architect of Yale's indomitable teams, opposed change and maintained control over IFA's rule committee via an alliance with Dashiell, who was a prominent member of the rule committee and was then on the faculty of the U.S.Naval Academy. The pair roughed out a strategy whereby Reid would meet with Harvard colleagues to complete a set of new rules and Roosevelt would pressure Dashiell into supporting them. This strategy was successfully implemented at a momentous, unanticipated amalgamation of the IFA and the fledgling alternative, a consolidation which originated today's NCAA. Reid pressured this consolidation by threatening to defect from the IFA to the new organization in order to accomplish substantial rule change.

The Risen Christ, Cristo della Minerva in Italian, also known as Christ the Redeemer or Christ Carrying the Cross, is a marble sculpture by the Italy High Renaissance master Michelangelo, finished in 1521. It is in the church of Santa Maria sopra Minerva in Rome, to the left of the main altar. The work was commissioned in June 1514, by the Roman patrician Metello Vari, who stipulated only that the nude standing figure would have the Cross in his arms, but left the composition entirely to Michelangelo. Michelangelo was working on a first version of this statue in his studio in Macello dei Corvi around 1515, but abandoned it in roughed-out condition when he discovered a black vein in the white marble, remarked upon by Vari in a letter, and later by Ulisse Aldrovandi.

This was intended to be formed in the Roman fashion from several blocks, but in 1465 Agostino travelled to Carrara to source his marble and acquired a huge block from the Fantiscritti quarries. Described as nine braccia (over 5 metres) long, of moderate quality ('bianco ordinario') and ‘rather shallow’, its original maximum dimensions are otherwise unknown, but from the resulting statue the block must have been almost 2.0m wide and 1.1m deep, so must have been over 20 tons in weight. After a troubled sea and river passage to Florence, Agostino began to work on the block, roughing it out, but in December 1466, Agostino lost the commission, possibly relinquished on the death of Donatello. The block, now known as il gigante (the giant), was further roughed out and ‘spoiled’ in 1476–7 by Rossellino, and then sat for 24 years being cotto (‘cooked’ by the weather) in the Duomo yard, until Michelangelo won a new commission to carve a David, completed in 1504.