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17 Sentences With "rope walking"

How to use rope walking in a sentence? Find typical usage patterns (collocations)/phrases/context for "rope walking" and check conjugation/comparative form for "rope walking". Mastering all the usages of "rope walking" from sentence examples published by news publications.

A fighter cannot create pressure in a near circular cage with a tight rope-walking stance though and Faber's heels are almost always in line.
Along with "Working Title" (1985), a dance that incorporates aerial work, the company offers "Ballet" (1968), an experiment with rope walking that takes place above the stage.
The work of the exhibition is slowly accumulating in a wall hung with braids created during rope-walking sessions, which anchors some of Curreri's other works on display, many of which involve a fiber component.
The feet of a tightrope walker Tightrope walking, also called funambulism, is the skill of walking along a thin wire or rope. It has a long tradition in various countries and is commonly associated with the circus. Other skills similar to tightrope walking include slack rope walking and slacklining.
Headlining the early shows was a single trapeze, a dog act, tight rope walking, jugglers and clowns, double trapeze artists, and a host of other performers. During 1978, the circus moved from Manhattan. By 1979, two circus arts schools had been opened with money raised from the circus shows.
Another of his interests was tight-rope walking. He was a friend of Charles Blondin and practised with him over the River Mimram on his estate. His personal life and behaviour were eccentric. He was insistent on peace and quiet and paid for roads to be moved that ran too near his house.
Using the frog system to ascend long pitches is time consuming, so rope-walking systems are preferred. In Europe, pitches are often more complex, and multi-pitch rigging is used extensively. Long drops are broken into smaller pitches. Re-belays and deviations are used to direct the rope away from areas of sharp rock and from water.
Cirkus Berousek horse stall in Havlíčkův Brod The Berousek family is a Czech family, originally from Vilémov, with members who have been circus performers for two centuries. Skills include comedy, puppetry, acrobatics, equestrianism, bear training, tight rope walking, and juggling. Berousek's dynasty dates back to 1756 when the family appeared in Vilémov. The first performer from the family was Josef Berousek.
Mangamma Sabatham () is a 1943 Tamil language film, starring Vasundhara Devi, Ranjan, N. S. Krishnan and T. A. Mathuram. The film was produced by S. S. Vasan and directed by T. G. Raghavanchari, credited in the film as Acharya. This is the first film that N. S. Krishnan and T. A. Mathuram featured for a Gemini film. NSK trained hard to do the tight-rope walking scene himself without using a double.
Slacklining Slacklining refers to the act of walking, running or balancing along a suspended length of flat webbing that is tensioned between two anchors. Slacklining is similar to slack rope walking and tightrope walking. Slacklines differ from tightwires and tightropes in the type of material used and the amount of tension applied during use. Slacklines are tensioned significantly less than tightropes or tightwires in order to create a dynamic line which will stretch and bounce like a long and narrow trampoline.
Bobbin descenders are quicker to change over at re-belays and are also lighter to carry. Deviations are short length of tape or rope pulling the main rope to one side with a carabiner which can be conveniently unclipped and replaced to allow passing. Rope-walking techniques are less effective in cases of awkward passageways and for changeovers at rebelays. Many caves have been equipped with bolt holes consisting of internally threaded metal inserts fixed into holes drilled in the rock.
One thousand guests were invited for a tour upon opening. The empress Eugénie and Ismail were a major attraction. The multinational flotilla of about 60 ships proceeded south from Port Said to Ismailia, where a large expenses-paid festivity took place including: a riding exhibition, a rifle competition, tight-rope walking, an Armenian with a dancing bear, an Italian with a hurdy- gurdy, Arab sword dancing, glassblowing, flame eating, snake charming, juggling, dancing darvishes, belly dancers, Koran recitations, Arabic poetry recitations, prostitution, food, and drink.
From October 1771, she performed in companionship with the acrobat Martin Nürenbach from Sweden. On 7 October 1771, Stuart and Nürenbach performed ballet, acrobatics and tight-rope-walking. Stuart sang an aria, and on the last scene, they performed as actors together. Reportedly, the two demonstrated different kinds of positions and balancing, offering equilibrist feats: while Nürenbach twisted his body into different shapes and forms, Stuart balanced a peacock feather both horizontally and vertically, lost it, caught it again, and then played an minuet, probably on a lute.
Stuart was not only a dancer, but also a singer and a musician. In a performance in Oslo on 26 January 1770, "The Great Virtuosis Madame Stuart" sang, played instrumental music, performed acrobatics and danced ballet, and in on 31 January 1771, "The wellfamous Madame Stuart" performed tight-rope-walking. The Stuart couple are counted as pioneers of Norwegian ballet, and the performance of Madame Stuart has been called as the possibly first ballet ever performed in Oslo. She became a popular and successful artist in Oslo, where there were no public theaters at the time and the only entertainment was offered by travelling artists passing through town.
How the rope is sent down a shaft has great bearing on the type of single-rope technique used. In general, while rope- walking techniques may be very effective for climbing long unobstructed pitches, they prove less versatile in cases of awkward passages and complex rope rigging with re-belays used to avoid hazards such as loose rocks, waterfalls, and rope damage from rub points. Rigging in the United States is typically done using a single anchor point, and pitches are rigged as a single long drop, often in excess of 100 meters. The rope is usually a thick abrasion-resistant type, which allows the rope to go over the lip of a shaft in contact with the rock.
Fanque at right Based on the 1810 birth year, the young William Darby was apprenticed at age 11 to circus proprietor William Batty and made his first known appearance in a sawdust ring in Norwich on 26 December 1821, as "Young Darby." His acts included equestrian stunts and rope walking. Thomas Frost, in Circus Life and Circus Celebrities, wrote, "We find Batty in 1836 at Nottingham, with a company which included Pablo Fanque, a negro rope-dancer, whose real name was William Darby ..." Once established as a young adult, William Darby changed his professional name to Pablo Fanque. It appears that Fanque or his contemporaries often considered "Pablo" to be his surname.
A major part of his administration was spent in suppressing various kinds of public disturbances. He had to do a great deal of tight-rope walking in the face of popular agitations conducted by the Congress Party. He had to maintain good relations with the top Indian National Congress leaders like Gandhi and Nehru on one hand and in alliance with Maharaja Krishnaraja Wodeyar IV, he did everything possible to suppress Congress movement in the State for fear of communal violence and unrest on the Garden City of India. It was this very fear which came to the fore over Sultanpet Ganapathi Disturbances in Bangalore in 1928 this upheaval created the long desired opportunity the Congress desired and they finally gained ground in the illusive state of Mysore also.

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