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21 Sentences With "righting itself"

How to use righting itself in a sentence? Find typical usage patterns (collocations)/phrases/context for "righting itself" and check conjugation/comparative form for "righting itself". Mastering all the usages of "righting itself" from sentence examples published by news publications.

It's even capable of righting itself if it flips over.
Now Iraq, home to nearly 40m people, is righting itself.
The craft is also capable of righting itself after capsizing and submerging.
The craft was also capable of righting itself after capsizing and submerging.
Righting itself cost Tesla millions and required off-beat solutions that bewildered some investors.
It keeps tipping over and then righting itself again, like a bottom-weighted inflatable unicorn.
This technique formed the basis of cinematography, and it's how he recorded the stages of a cat righting itself in midair.
After the data is collected, the plane can essentially fall off the surface and fly back by righting itself, climbing to altitude and gliding home.
"It looks like the U.S. economy is righting itself at the end of the third quarter," said Christopher Vecchio, currency analyst at DailyFX in New York.
Atlas' gait is a bit awkward — it stumbles as it walks around the woods near Boston Dynamics' offices — but the machine is relentless, righting itself before it takes a tumble.
That's when Mr. Scharf became the latest person in charge of fixing the mess that is Wells Fargo, which has made little progress righting itself in the nearly four years since a series of scandals began bursting into view.
Nimbochromis (sleeper cichlids), endemic to Lake Malawi in East Africa, are large predatory fish for whom thanatosis is a form of aggressive mimicry. This fish will lie down on its side on the bottom sediments and assume a blotchy coloration. Scavengers, attracted to what seems like a dead fish, will approach the predator to investigate. N. livingstoni then abandons the pretense, righting itself again and quickly eating any scavenger unfortunate enough to come too close.
Will stays in the cab to work the dynamic brakes and throttle while Frank dangerously works his way across the top of 777's cars, manually engaging the brakes on each car. Eventually, 1206’s brakes fail and the train starts gaining speed again. Using coordinated braking techniques, they manage to reduce speed enough to just barely clear the Stanton Curve with the train tipping but righting itself. As 777 picks up speed, Frank finds his path blocked to 777's cab.
After having flown for three hours, he was executing a series of dives and while turning entered a spin at about . By a combination of luck and cool nerves coupled with flying skill, he was able to recover when barely feet above the ground, the craft suddenly righting itself and flying off under perfect control. Parke's ability to clearly report on his experience to expert witnesses of the event was most important, since going into a spin had previously meant almost certain death.
The landing was surprisingly precise, from the target point and from Kearsarge, and Schirra joked that he was on course for the recovery carrier's "number three elevator". The capsule hit the water, submerged, and bobbed to the surface again, righting itself after about 30 seconds. Three pararescue swimmers were dropped by one of the helicopters to help him climb out, but Schirra radioed that he would prefer to be towed to the carrier, and a whaleboat from Kearsarge was sent with a line.This New Ocean, pp.
Fotheringay enters the Long Dragon Pub and begins arguing with his friends about miracles and the impossibility of them. During this argument he calls upon his "will" to force a change and inadvertently causes a miracle: he makes an oil lamp turn upside down, without anyone touching it and with the flame burning steadily downwards rather than righting itself. He soon runs out of his miracle-sustaining willpower and is thrown out of the pub for spilling oil on the floor and causing a commotion. When he arrives home, he performs the same trick with a small candle and finds that it works.
Running in eleventh position, the young Ulsterman pulled out to pass his team-mate Mäki on the exit of the Mandarin, but clipped the car's left rear wheel at 170 mph. Boyd's Dallara became airborne and was launched into a frightening aerial somersault, landing upside down before righting itself via a hit with the retaining wall. His car rebounded across the circuit, and was luckily avoided by every one of the cars around him on track. The crash meant the last three laps of the race were completed behind the safety car, and pulled in to allow the cars to pass across the line without overtaking.
The top six positions were inverted for the reverse-grid race, where Pipo Derani repeated Auer's trait of the previous afternoon by leading from pole position to the chequered flag. He was followed home by Serrallés and Bruno Bonifacio; the latter's third place was short- lived as he was given a five-second time penalty for jumping the start, which promoted Lynn onto the podium. The Spirit of a Nation race saw Serrallés and Lynn lead away at the start, before the two drivers collided at the start of lap four; Lynn had tried to go around the outside of Serrallés into the first corner before the collision, which forced both drivers onto the grass. Lynn impacted with a tyre barrier, which sent his car into a barrel-roll before righting itself, and Lynn extricated himself from the wreckage.
The MANOI PF01 (so-called PerFormance Type) is a 1:5 scale bipedal r/c robot, standing roughly 2 feet tall or 40 cm, and weighing 1.6 kg (battery included), with 17 degrees of freedom (neck x1, arm x3, leg x5). Rather than emphasizing the mechanical aspects of a robot's design, the PF01's internal parts are almost completely encased inside its anime-inspired plastic body, appealing to a broader audience than conventional kits. The robot is sold as a do-it-yourself hobby kit, which includes more than 100 pieces and PC software for programming movements and gestures, and can store and play up to 50 audio recordings. Powered by 3 Lithium polymer batteries, the PF01 uses an accelerometer and other sensors in order to maintain its balance and avoid obstacles, and is capable of balancing on one foot and righting itself from a resting position.
Once a turn is established, the torque that must be applied to the steering mechanism in order to maintain a constant radius at a constant forward speed depends on the forward speed and the geometry and mass distribution of the bike. At speeds below the capsize speed, described below in the section on Eigenvalues and also called the inversion speed, the self-stability of the bike will cause it to tend to steer into the turn, righting itself and exiting the turn, unless a torque is applied in the opposite direction of the turn. At speeds above the capsize speed, the capsize instability will cause it to tend to steer out of the turn, increasing the lean, unless a torque is applied in the direction of the turn. At the capsize speed no input steering torque is necessary to maintain the steady-state turn.
Each episode had an "opposites" segment, introduced by a visual effect of the screen flipping upside down, shifting left to fade to the next sketch, and then righting itself. Typically, right before this happened, one or more cast members would be interrupted by another cast member saying the opposite of what the monologue (or dialogue) was about, at which the cast would say, "It must be the introduction to the opposites", and then the inversion fade would happen. The sketches that followed were a tongue-in-cheek reversal of the show's subject and of daily life, often featuring children having authority over adults or adults encouraging children to behave badly (for example, eating sweets instead of vegetables, or wasting money on something frivolous rather than putting the money in the bank). Sometimes opposite sketches involved cast members not being hit with slime or water after saying the "trigger phrase" (see below section), as in Rekha's case in City Life (1987) or Chris' in Excess (1989).

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