In the program, "Fratelli" follows two other contemporary reworkings of history.
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The book has spawned a number of reworkings and spin-offs.
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Rating Yet the number of genuinely good Oz reworkings is shockingly small.
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Instead of she's having fun on these reworkings, reclaiming the music that could have held her hostage.
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Initially these paintings read like cheerful reworkings of the human condition, reflecting on seemingly plausible relationships with animals.
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During a few stretches Mr. Corea took command, especially during an extended cadenza full of jazzy reworkings of the music.
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The duo just released "Radiant Imprints," an excellent album documenting their interchange, studded with some personal reworkings of John Coltrane themes.
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A handful of his designs are reworkings of arthouse classics like Terrence Malick's Tree of Life and Stanley Kubrick's Dr. Strange Love.
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To some critics, the historical link between Mr. Wolfe's art and Andy Warhol's sculptural reworkings of Brillo boxes was a foregone conclusion.
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Featuring reworkings from Kenneth Bager, Peaking Lights, Al Breadwinner and 2814, it's a gorgeously ethereal waft of tropical rainforest new age schmaltz.
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Mr. Waits joined them there and the trio got moving again, from jagged-edged 215st-century blues to reworkings of Thelonious Monk.
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"Magic Circle," their new album, mostly includes reworkings of classic jazz repertory, saxophone and piano circling each other, fleeing comfort and terra firma.
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Related: Vibrant Reworkings Bring Cabinet Cards Out of the Dark Surrealist Collages Probe Materialism, History, and Home Furnishings Ordinary Is Extraordinary in CURS3S' Collage Wonderland
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Among his most successful pieces were his reworkings of well-known story ballets: "Swan Lake" (1982), "Giselle" (1992), "La Bayadère" (1993) and "The Nutcracker" (1995).
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Related: Surrealist Collages Probe Materialism, History, and Home Furnishings The Erotic Collages of a Sex Education Teacher Vibrant Reworkings Bring Cabinet Cards Out of the Dark
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With iPhones, those differences between one model and its S counterpart ranged from small novelties (Live Photos) to actual reworkings of how the device operated (3D Touch).
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Sometimes they're a canvas for gender bending—fans who pose as both prince and princess, or reworkings of both princesses and princes cross-dressed as their counterparts.
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In his reworkings of an image of a defenseless male, Johns has reinvented Pablo Picasso's "Weeping Woman" (1937), which has been considered a singular, worldly image of suffering.
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He added he would only be convinced the painting was unique if he could examine the canvas himself using an ultraviolet light that would show up any reworkings.
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Related: Anime-Style Paintings Conjure the Horror of a Post-Nuclear Future Enjoy the Silence in Kelsey Beckett's Intimate Illustrated Portraits Vibrant Reworkings Brings Cabinet Cards Out of the Dark
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Related: Vibrant Reworkings Bring Cabinet Cards Out of the Dark Thoughtful Collages Imagine a Beautiful World Different from our Own These Psychedelic Neon Paintings Take 'Light Amidst the Darkness' Seriously
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The play was penned by Bowie and the writer Enda Walsh, who also wrote the stage version of Once, and features both new and old reworkings of David Bowie's music.
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These paintings, some reworkings of much earlier canvases, go on view for the first time on Friday in "Ellsworth Kelly: Last Paintings," at the Matthew Marks Gallery on West 22nd Street in Chelsea.
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After the breakup of ELP in 1979, Emerson became a known for his rock reworkings of classical compositions and later as score composer for several Hollywood films, including the Nighthawks (1981) which starred Sylvester Stallone.
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As KAWS, Brian Donnelly creates cartoon-colored reworkings of well-known pop culture characters rendered slightly askew through recurring motifs — cauliflower ears and XXs for eyes — that give the effect of a dream half-remembered.
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In September, the titles for the first two of the three eps were revealed, and just as in previous seasons they are reworkings of the titles of stories from Sir Arthur Conan Doyle's original Holmesian canon.
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This recording has lots of lateral range: There's gospel-tinged balladry, standard-issue bebop and smart reworkings of mid-1960s Wayne Shorter classics (he covers "Mahjong" and laces a new melody into the structure of "Nefertiti").
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He favors fun and funky reworkings of fan favorites like the Jackson 5, The Bee Gees, and Boney M. With a heavy dose of electro-swing, his tracks would fit in nicely at a Burning Man party.
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So, you can see aspects of the whole thickness of the picture and sometimes you can see the frame and the nails that had been used to hang the canvas and sometimes you can see reworkings in paints.
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In an essay in the book, curator and writer Matthew Hearn observes: Unrehearsed and irreversible, her playful reworkings of old black-and-white photographs are essentially all-in attempts to reconvene the image: to make it happen (again).
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Mountain Side features reworkings of older material (which incorporate Native American tribal music, Mongolian traditional folk, and cinematic filmscapes, in a nod to Ganganbaigal's day job as a composer), as well as a few new songs and remixes.
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It's probably the most famous of the Jane Austen reworkings, but doubtlessly there are still high schoolers reading Emma for the first time and surprised to find that Alicia Silverstone's Cher Horowitz is just a fabulous '90s version of Emma Woodhouse.
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While we never fond out if he cared or not we DID get our hands on the Avonmore remixes package, a 20 track strong selection of reworkings of cuts from the debonair mum-pleaser's 2014 album of the same name.
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But while most reworkings of "All Star" have just upped the levels of obnoxiousness that are pre-baked into the song, this one is actually enjoyable thanks to its use of sounds from what remains the best edition of Windows ever made.
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Written in terse but flexible couplets, Terra Lucida takes its title from the "Earth of Light," the spiritual paradise of Iranian mysticism, and encompasses a range of discourses, including personal memories, historical and current events, reworkings of myth and parable, midrashic commentary, ecstatic prophecy, exhortation, hymn, psalm, and prayer.
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How do we think about the fact that so many boldface names in publishing and literature are female, that feminist reworkings of ancient myths constitute an industry trend, that spiky, honest meditations on motherhood make for another trend — and, still, we live in a world that hates women?
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What's especially interesting about the Bridget Jones sequel and the book on which it was based is that they are actually reworkings of an entirely different Jane Austen novel: Persuasion, Austen's last and a story about a woman who is persuaded by friends to break off her engagement with the man she truly loves.
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An early constellation of 11 poems, written after his return to Italy from France during World War I, bears an intriguing relation to his metaphysical paintings of the period, whereas his sparse writings from the 1970s are in fact reworkings of texts he had composed in French, recalling his fairly dubious habit of fashioning new iterations of his earlier paintings in his later years.
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It also contains a pair of original compositions and some reworkings of movie soundtracks.
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Ruffini's work on the topic dates, in the first instance, from 1804, but, as with Budan and then Horner, several subsequent reworkings.
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In October 2017, Alex released the EP We Were Babies & We Were Dirtbags, which contains 4 acoustic reworkings of previously released songs.
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Some of these liberties have been controversial. By and large, McGuinness' adaptations have been hailed as reworkings that "breath[e] life" into the originals.
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Extra Strength is the fourth release by Donnie Vie. It is a compilation of acoustic reworkings of songs from the Enuff Z'Nuff album Strength.
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Regardless, according to the American music scholar Daniel Albright, of all the reworkings of The Flying Dutchman in twentieth-century music, this is "the most explicitly amusing".
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Most of these treatises exist in several versions or reworkings from the Middle Ages. We know nothing about him personally, other than the approximate date of his work.
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As reworkings of existing manuscripts, these have a much weaker claim than Brinton's book, in which the plot is entirely her own even though nearly all the characters are borrowed.
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Fellow Roxy Musician Phil Manzanera guested on both the album and the London concert premiering the work, which also featured orchestral reworkings of several Roxy Music tracks under the banner 'Roxymphony'.
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He toured extensively, both in France and abroad. In 1976, he toured in 14 cities in the USSR. Recently he has gained particular acclaim for his reworkings of the songs of Georges Brassens.
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"The Ghost of Tom Joad" was re-recorded yet again by Springsteen during that Australian leg, with Morello on guitar and vocals, and is featured on Springsteen's 2014 collection of reworkings and outtakes, High Hopes.
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Much of the stronger claims, and the emphasis on the redeeming power of Christ's death on the Cross, could be seen as reworkings by St. Paul, who was probably influenced strongly by the Graeco-Roman traditions.
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The Turn of the Screw has been the subject of a range of adaptations and reworkings in a variety of media, and these reworkings and adaptations have, themselves, been analysed in the academic literature on Henry James and neo-Victorian culture. It was adapted to an opera by Benjamin Britten, which premiered in 1954, and the opera has been filmed on multiple occasions. The novella was adapted as a ballet score (1980) by Luigi Zaninelli, and separately as a ballet (1999) by Will Tucket for the Royal Ballet.Jays, David (July 1, 2006).
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The album's title translates Solitude After Dusk. Ania worked on it with acclaimed Polish producer, Bogdan Kondracki. Album presented wide range of styles: pop, soul, chillout, rhythm and blues. It contained two reworkings of songs by A Camp and OMD.
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In the genre of chivalric romance, Dolce produced several reworkings of traditional material, including Sacripante (1536), Palmerino (1561), Primaleone, figliuolo di Palmerino (1562), and the posthumous Prime imprese del conte Orlando (The Early Deeds of Count Orlando) (1572).Terpening, p. 30.
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It is also possible that apparently old poems have been written in an archaicizing style and that apparently recent poems are reworkings of older material, so that reliable dating is impossible. The Poetic Edda identifies Sigurd as a king of the Franks.
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Terra Brasilis (#42 US JAZZ Albums 1980) is the 11th album by Antônio Carlos Jobim. It was recorded at the RCA Recording Studios in New York City and released in 1980. The album includes reworkings of old songs as well as new material.
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Stripped is Daniel Ash's fifth album and his first studio album since his 2002 release, Daniel Ash. The album features reworkings of songs from his previous work with bands Bauhaus, Tones on Tail and Love and Rockets, as well as one original track.
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One R&B; vocal group, for example, known as the Orioles, sang "gospel-styled reworkings of songs that had been popular country, blues, or R&B; songs."Handyside, Christopher. A History of American Music: Soul and R&B; (p. 8). Chicago: Heinemann Library, 2006.
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Bach first performed the cantata on 21 May 1724. It is the last original cantata composition of his first annual cycle, followed by reworkings of older music until the beginning of the second annual cycle of chorale cantatas on the first Sunday after Trinity.
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Due to their continued reworkings, many of his paintings were up to an inch thick when completed, with a combined depth of wood support and layers of meticulously applied paint.New York Times. 2006. Roy Newell: Known for abstract expressionist art. Retrieved on June 19, 2007.
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Another Fine Mess is the first major live release by British folk metal band Skyclad. Tracks 1-8 are from the Dynamo festival in 1995, and 9-12 are acoustic reworkings of old Skyclad songs which first appeared on the limited edition Outrageous Fourtunes EP.
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Monster Chetwynd (born Alalia Chetwynd, 1973, best known as Spartacus Chetwynd and Marvin Gaye Chetwynd) is a British artist known for reworkings of iconic moments from cultural history in improvised performances.Rachel Campbell-Johnston, The Times, January 5, 2005. In 2012, she was nominated for the Turner Prize.
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In many places where BHS differs from Sanskrit it is closer to, or identical with, Pāli. Most extant BHS works were originally written in BHS, rather than being reworkings or translations of already existing works in Pāli or other languages.Edgerton, Franklin. The Prakrit Underlying Buddhistic Hybrid Sanskrit.
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Roger's version of the show consisted of him launching live rabbits from a catapult for Jack Charlton and Ted Nugent to shoot. Usually Roger has little success hosting mainstream shows but often suggests pornographic reworkings of well-known shows which against all odds prove a success.
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Les Voix de Magma (also known as "Les Voix" Concert 1992 Douarnenez or Akt I) is a live album by French progressive rock group Magma, featuring vocal-heavy, largely acoustic reworkings of well-known pieces by Magma and Christian Vander's Offering. It was released in 1992 on Akt Records.
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Reworkings of "Ant in Alaska" and "Wild Thing" appeared on the 2008 reissue of Exile in Guyville. Five songs were officially released in 1995 on the Juvenilia EP and a bonus disc of ten Girly-Sound songs was included with the physical release of Phair's 2010 album Funstyle.
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Rhys Hughes reviewed Star Winds and The Pillars of Eternity as "offbeat" but ultimately reworkings of earlier material. John Clute characterised Bayley's later novels as taking "an orrery joy in the galaxies," adding that though Bayley's fans were never great in number, they remained loyal throughout his career.
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A steel barrier now separates these lanes, giving two in each direction. Operation Brock is scheduled to be ready for activation no later than the date of the UK's exit from the EU, 31 January 2020. Road marking reworkings began on or around the night of 26 October 2019.
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Turner revisted the ruins in 1801. In 1806, Turner began work on his Liber Studiorum, a collection of monochrome landscape prints. Norham Castle, Sunrise was among a series of unfinished colored reworkings of these prints. The source for this painting in particular was the Tate Collection's Liber catalogue's plate no.
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This Never Ending Now is the sixth and final studio album by English post-punk band the Chameleons, released 1 September 2002 on record label Paradiso. It consists of acoustic reworkings of songs from their early albums and singles as well as featuring a cover of David Bowie's "Moonage Daydream".
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Four for Trane is a studio album by Archie Shepp released on Impulse! Records in 1964. Four of the five tracks are reworkings of pieces originally recorded on John Coltrane's 1960 Giant Steps and Coltrane Plays the Blues, rearranged by Shepp and Roswell Rudd. Coltrane himself co-produced the album alongside Bob Thiele.
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The various reworkings try to solve some of these ambiguities: in the Dresdner version, Laurin appears evil from the beginning; in the Walberan version, the humanity and dignity of the dwarf is instead placed in the foreground, causing Dietrich to spare him and suggesting that Dietrich was wrong to attack the rose garden.
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In October 2009, Simon released Never Been Gone, an album of acoustic reworkings of some of her classic songs. The album was released via Iris Records. On November 26, 2009, Simon appeared on the Care Bears float of the 83rd Annual Macy's Thanksgiving Day Parade, where she sang "Let the River Run".
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This same reconsideration of interpretive freedoms is found in several reworkings of older works which Stockhausen undertook shortly afterward, so that Litanei 97 is seen as a watershed work pointing to a new development not only in the closing phase of work on Licht, but in Stockhausen's last period of creativity generally .
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The frog is also a character in many fairy tales, be it tales from oral tradition or literary reworkings by later writers. The frog or toad appears as a potential suitor to a female human in variants of the Aarne-Thompson-Uther type ATU 440, "The Frog King".Thompson, Stith. The Folktale.
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Take Me a_Part, the Remixes (stylized in all caps) is a remix album by American singer and songwriter Kelela, released on October 5, 2018. The album consists of reworkings of songs from Kelela's debut studio album, Take Me Apart (2017), from DJs and producers such as Kaytranada, Rare Essence, Serpentwithfeet, and more.
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Thibaut Berland also prepared advertisements and videos. Breakbot is most recognized for his remixes. His reworkings of songs by artists including Röyksopp, Digitalism, and Chromeo are among his most popular. The music video of "Baby I'm Yours" featuring Irfane was directed by Irina Dakeva and became a summer hit MTV Pulse, France.
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Two 15th-century reworkings of the story are also known. The romance is preserved in a single manuscript, the British Library Royal, 16. E. VIII. However, the manuscript was lost in 1879,Pèlerinage ou Voyage de Charlemagne à Jérusalem et à Constantinople on Dictionnaire Etymologique de l'Ancien Français, Heidelberger Akademie der Wissenschaften.
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La Historia () is the first compilation album of the Puerto Rican singer and composer Ricky Martin. It was released on February 27, 2001, by Sony Discos and Columbia Records. The recordings are in Spanish. The album contains reworkings of two of Martin's early songs: "Fuego Contra Fuego" and "El Amor de Mi Vida".
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Nicholas Bozon (fl. c. 1320), or Nicole Bozon, was an Anglo-Norman writer and Franciscan friar who spent most of his life in the East Midlands and East Anglia. He was a prolific author in prose and verse, and composed a number of hagiographies of women saints, reworkings of fables, and allegories.
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Flesh on Flesh is a 2002 album by Italian-American jazz fusion and Latin jazz guitarist Al Di Meola. The album contains new compositions and reworkings of older ones as well.Schneppen, Heinz, “The case of Karl Peters: a colonial official on trial” Zeitschrift für Geschichtswissenschaft, 869-885, [database on-line]; available from Historical Abstracts.
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All these children's books were published by Dutton with professional illustrations, most in about 200 pages. Many of his works were reworkings of stories he had heard as a child. Others were inspired by his own experiences in India as a child among the jungles of Bengal, or as a yogi in various holy places.
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The wide range of remixes included beatbox, drum and bass and ambient reworkings. Fox came out of semi-retirement to play Ruts songs as Foxy's Ruts with his son, Lawrence, on drums. Foxy's Ruts supported Bad Manners on their Christmas tour of the UK in December 2006. Two retrospective live albums appeared in 2006.
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Shockabilly was a band which included Eugene Chadbourne on guitar and vocals, Mark Kramer on bass guitar and organ, and David Licht on drums. Shockabilly released a number of albums during their brief existence (1982–1985); most were re-released. The music itself is mostly avant-garde reworkings of rockabilly and rock 'n' roll standards.
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Allison continues to record and perform around the world. He released his ninth Palmetto Records album, Action-Refraction, in 2011. The album is unique among Allison's releases as a leader for its focus on non- original music. It contains reworkings of compositions by Donny Hathaway, PJ Harvey, Samuel Barber, Thelonious Monk, and Neil Young, among others.
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Hummingbird is a studio album by Rick Wakeman and Dave Cousins. The songs are a mixture of jointly-composed originals, reworkings of songs from Strawbs albums and Dave Cousins' solo album Two Weeks Last Summer, together with Wakeman instrumental compositions presented as codas to the Cousins songs. The album cover is painted by Wakeman's girlfriend, Italian artist Alina Bencini.
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The Polynesian languages are part of the Austronesian language family. Many are close enough in terms of vocabulary and grammar to be mutually intelligible. There are also substantial cultural similarities between the various groups, especially in terms of social organization, childrearing, horticulture, building and textile technologies. Their mythologies in particular demonstrate local reworkings of commonly shared tales.
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Generally, none of the poems in the collection is thought to be older than 900 and some appear to have been written in the thirteenth century. It is also possible that apparently old poems have been written in an archaicizing style and that apparently recent poems are reworkings of older material, so that reliable dating is impossible.
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Richard Barbieri has released three solo albums to date, Things Buried, 2004/5, Stranger Inside, 2008, and Planets + Persona, 2017. In January 2019, Barbieri released 'Variants 1 + 2' on vinyl only. The double LP set features new compositions, improvisations, live performances and reworkings of older material. It is the first compilation set to be released in a series.
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Generally, none of the poems in the collection is thought to be older than 900 and some appear to have been written in the thirteenth century. It is also possible that apparently old poems have been written in an archaicizing style and that apparently recent poems are reworkings of older material, so that reliable dating is impossible.
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Sneak Preview – Mixes and Remixes is a Compilation album by Australian music collective Sneaky Sound System, it was released in the UK on 15 December 2008 on iTunes. Coming ahead of the release of their UK debut album in early 2009, Sneak Preview features reworkings of Sneaky tracks by mixers including Van She, Tonite Only and Breakbot.
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"Bertha Lou" is a rockabilly song, first recorded in 1957 by Johnny Faire. It was written by Johnny Burnette and John Marascalco. It was also recorded by Dorsey Burnette and Clint Miller; Miller's version reached #79 on the Billboard Hot 100 in 1958. Reworkings of the song such as "Twinkie Lee", "Snacky Poo", and Bob Dylan's "Rita May" followed.
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All magazines used original material in addition to the translated Cracked reprints. Articles were often colorized, particularly in Stupid, or printed in black and white with a single added color. Covers were original, but were often reworkings of previous Cracked covers. It was published in Brazil under the name Pancada by Editora Abril, from 1977 to 1980.
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The Toast was an American anthology, humor and feminist writing website, founded by editors Nicole Cliffe and Daniel M. Lavery (né Ortberg) and publisher Nicholas Pavich. It was active from January 2013 through July 2016. The website was known for its parodic reworkings of classic literature and art. Lavery has described its target market as 'librarians'.
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He was an important innovator who invented new types of paintings such as flower garland paintings, paradise landscapes, and gallery paintings in the first quarter of the 17th century.Kolb, 2005, p. 1 He further created genre paintings that were imitations, pastiches and reworkings of his father's works, in particular his father's genre scenes and landscapes with peasants.Larry Silver, 2012, p.
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The Southern Lord vinyl issue features new artwork but uses the same crossfading despite the track order change and the inability to segue across sides; these issues are solved either with new crossfades (the two songs on side A) or cut offs (the rest of the sides). Studio reworkings of "Huge" and "Vomitself" appear on their collaborative album with Merzbow, Gensho.
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The additional scenes, and extended reworkings of existing scenes, were filmed on February 1. Jerry Seinfeld was a longtime fan of Jesse White, who plays Ralph in the episode, due to his part on The Ann Sothern Show. White gave him his autograph when he was a young boy. The role would become the actor's final performance before his death in 1997.
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The nave has two unequal bays. Its roof, built higher than that of the chancel and dating from the 15th century, has tie beams and king posts. The aisles incorporate reworkings of some 14th-century work (in particular, capitals and responds on the pillars) and may even include some older material. The porch, dating from about 1500, forms the entrance to the church.
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The Duenna has two modern reworkings that use the storyline of the opera but not the original music. The first is The Duenna by the Spanish Catalan exile Roberto Gerhard in 1947–49. The second is by Sergei Prokofiev in 1940 (first performed in 1946 owing to the Second World War) – Prokofiev changes the name of the play to Betrothal in a Monastery.
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It won the Choice Music Prize that year and was also shortlisted for the 2013 Mercury Prize. In 2015 they released their third album, Darling Arithmetic, and the following year Where Have You Been All My Life? - a compilation of live reworkings of some of the band's best-known tracks. In May 2016 Darling Arithmetic won the Ivor Novello award for Best Album.
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Four days later, the band explained that all summer dates would continue as scheduled. Just over two weeks after the departure, it was announced that the band would release a new EP entitled All's Well That Ends on 19 July 2010. This is the first release to feature Rob Campesinos! and features reworkings of four songs featured on Romance Is Boring.
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Reworkings is an album by the Australian rock band The Paradise Motel. It is made up of remixes of previously released songs remixed by other acts. A remix of the song "The Trees" by Lee Ranaldo entitled "Lee's Trees" was released as a single. The album was also issued as an accompanying CD to later copies of the previous album Flight Paths.
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1055-1056 Paisiello arrived in Paris in 1802. Here the Opéra proposed he should write a setting of Guillard's reworking of Proserpine, a libretto by Philippe Quinault originally set by Jean-Baptiste Lully and premiered in 1680. The fashion for such reworkings had emerged in the late 18th century. Examples include Gluck's Armide (1777) and J.C. Bach's Amadis de Gaule (1779).
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Yell & Ice is the album by American alternative hip hop sextet Subtle. It was released on Lex Records in 2007. As Wishingbone was to A New White, Yell & Ice is a sibling-album to For Hero: For Fool, containing remixes and reworkings of tracks from that album, including new material. The album expands and continues the story of the character Hour Hero Yes.
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The 14-page piano reduction manuscript is preserved at the Russian State Archive of Literature and Art, in Moscow.Bartig, p. 46. Prokofiev reused music from The Queen of Spades in the third movement of his fifth symphony, as well as in his Piano Sonata No. 8. Additional reworkings of the score have been composed by Gennady Rozhdestvensky and Michael Berkeley.
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I Could Disappear is the second solo album by singer-songwriter David Cloyd. It was released on June 29, 2010 on Engine Company Records (now ECR Music Group). The nine studio tracks are all solo reworkings of the original pop and rock songs from his debut album, Unhand Me, You Fiend!. Cloyd performed vocals, alternating with piano and electric guitar.
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Winick also shows that Lloyd's versions incorporate several striking turns of phrase, including "sly, bold Reynardine" and "his teeth did brightly shine", that are found neither in the original ballads, nor in Hughes' or Campbell's versions. Lloyd generally represented his versions of "Reynardine" as "authentic" folksongs (going so far as to claim to have collected the song from one "Tom Cook, of Eastbridge, Suffolk"), but this informant has never apparently been encountered by any other collector. Lloyd's claims have led to the current state of confusion; few modern singers know that the "werefox" interpretation of the ballad is not traditional. Lloyd's reworkings are certainly more interesting to the modern listener than the simple and moralistic original ballads, and have gained far greater interest from singers and songwriters; his versions of "Reynardine" have served as inspiration for many additional modern reworkings.
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Drums of Death is an album recorded by DJ Spooky and Slayer drummer Dave Lombardo. The album is primarily instrumental, although some tracks include rap vocals. Guest artists on the album include Public Enemy's Chuck D who does reworkings of several Public Enemy tracks, Dälek, and Living Colour guitarist Vernon Reid. The album is produced by Meat Beat Manifesto's Jack Dangers and Vernon Reid amongst others.
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The album includes demos that were worked on with a full band for the following Swans record, Leaving Meaning. Songs include reworkings of previous Swans and Gira songs, such as "Amnesia", "Annaline" and "The Knot" (itself a reworking of "No Words / No Thoughts"). Unlike Swans' previous fundraiser albums (with the exception of Gira's I Am Not Insane), What Is This? exclusively contains acoustic demo tracks.
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Blind Willie Davis (circa 1890s–1930s) was an American blind gospel blues singer who recorded in the 1920s. Davis recorded six sides for Paramount Records in 1928 and 1929. He sang solo and played slide guitar in a blues influenced style similar to that of Blind Willie Johnson. His material was strictly religious in nature and relied on reworkings of traditional hymns such as "Rock of Ages".
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In March 2015, Monsieur Doumani released their second full-length album entitled Sikoses. The album was produced in Nicosia, Cyprus by Monsieur Doumani and consists of 13 tracks, 10 of which are originals and 3 reworkings of traditional Cypriot pieces. Sikoses was nominated for the Preis der Deutschen Schallplattenkritik in 2015. It was awarded 'Top of the World' in Songlines magazine issue No. 108.
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Rico also worked on the remix album Hybrid which featured reworkings of older songs in a more contemporary industrial style as well as new material. Other artists and producers who contributed on these remixes included Curve, Flood, Andy Gray, Alan Moulder, New Disease, and Sulpher. 2003 also saw Numan performing the vocals on a track named "Pray for You" on the Plump DJs album Eargasm.
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Rick van der Linden (5 August 1946, Badhoevedorp, North Holland - 22 January 2006, Groningen) was a Dutch composer and keyboardist. Van der Linden first gained fame as a member of Ekseption, but he played in several other bands including most notably Trace, as well as solo. Van der Linden was best known for his reworkings of classical music in a pop music domain, often with jazz improvisations.
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Arcangel's best known works are his Nintendo game cartridge hacks and reworkings of obsolete computer systems of the 1970s and 80s. One example is Super Mario Clouds (2002), a modified version of the video game Super Mario Bros. for Nintendo's NES game console in which all of the game's graphics have been removed, leaving a blue background with white clouds scrolling slowly from right to left.
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Tangled Tales is an album by Dan Hicks, released on March 24, 2009, on Surf Dog Records. It was recorded along with Hicks' longtime band, billed as "His Hot Licks". It consists of two new songs, as well as reworkings of Hicks' older originals and several covers. The title track consists entirely of scatting, and was suggested by the owner of Surf Dog Records.
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The musicians involved were Phil May, Wally Waller, John Povey, Vic Unitt, Skip Alan. The record was later packaged together with S.F. Sorrow as a double LP titled Real Pretty. In Canada, this album was on Motown Records. Snapper Records released a 40th anniversary double CD in September 2010 which included acoustic reworkings of various tracks recorded in May 2010 by Wally Waller and Phil May.
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Călinescu, p.713-716 His other contributions in verse moved between the extremes of Neoclassical reworkings of Greek mythology and sentimental Symbolism.Călinescu, p.688, 716-719, 722, 727, 837 Also affiliated for a while with Flacăra, where he made his debut as a poet, Tudor Vianu later turned to a career in literary history, and was especially noted for the moderation of his views.
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I See the Sign is the third album by experimental folk artist Sam Amidon, released in 2010. The album features Amidon’s radical reworkings of traditional folk songs, with chamber-orchestra arrangements by composer Nico Muhly; multi-instrumental contributions from Shahzad Ismaily, and guest vocals by Beth Orton. It was produced and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavik and released on the Bedroom Community label.
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On June 29, 2010, Cloyd released his second album, I Could Disappear. The nine studio tracks are all solo reworkings of the original pop and rock songs from his debut album. According to Cloyd, "With each song boiled down to its essence I discovered something exciting—working with less demands more from you as an artist." He performed vocals, alternating with piano and electric guitar.
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Shadow Project – From the Heart. Innenseiten.de (German). After numerous reworkings and remixings, Eva finally completed her Damnation (Ride the Madness) album in 1999 and in 2005 its follow-up Damnation/Salvation album and released it on the German death-metal label Massacre Records in 2005. Among the performers on it are Josh Pyle (keyboards/programming), River Tunnell (bass), and Kristian Rosentrater (drums), all members of the industrial band Audio Paradox.
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Raft chose Manpower over the remake of the 1931 pre-Code version of Dashiell Hammett's The Maltese Falcon, and the career-catapulting role of Sam Spade went to Humphrey Bogart instead. The script is one of many reworkings of the plotline for a 1932 Robinson movie called Tiger Shark, in which Robinson played essentially the same part, only as a tuna fisherman rather than an electric power lineman.
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In May 2013 Monsieur Doumani released its first full-length album entitled Grippy Grappa distributed by Proper Music Distribution. The album was produced in Nicosia, and composed mainly of reworkings of traditional Cypriot pieces. The album Grippy Grappa was reviewed in The Guardian, Les Inrockuptibles and fRoots. The album was amongst the Top of the World Albums according to the 95th issue of Songlines magazine, and it reached no.
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Wait for Me. Remixes!, another remix album featuring reworkings of songs from Wait for Me by various producers, was released on May 17, 2010. "One Time We Lived," one of the two new songs on the Wait for Me deluxe edition, was released as a single on November 15, 2009. "Wait for Me" was released as the fifth and final single from the album on May 2, 2010.
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Her first and only release for the label was My Friends and Me, a duets album containing reworkings of her old hits, very similar to her 1998 CD Dionne Sings Dionne. Among her singing partners were Gloria Estefan, Olivia Newton-John, Wynonna Judd and Reba McEntire. The album peaked at #66 on the Top R&B;/Hip-Hop Albums chart. The album was produced by her son, Damon Elliott.
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The Allmusic review by Lindsay Planer says "Combining divergent reworkings of pop music standards with his own undeniably unique originals, Kenton applies his trademark intricate and individual harmonic phrasings. The consistent results bear out his ability to augment his highly stylized arrangements within a framework of familiarity... While enthusiasts of the artist's work will undoubtedly be impressed, to modern ears the easy listening orchestration may seem heavy-handed, if not lackluster".
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Wheatstraw's influence was enormous in the 1930s. Perhaps the most obvious example of his impact is in the lyrics and vocal stylings of Robert Johnson, often considered the most important blues figure of the era. Many of Johnson's recordings were reworkings of songs by other popular artists of the time, and he drew heavily from Wheatstraw's repertoire. For example, Wheatstraw's "Police Station Blues" forms the basis for Johnson's "Terraplane Blues".
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Koenig goes on to write that her "exquisite live reworkings of songs from the '60's, like John Lennon's "Nowhere Man" and Jim Morrison's "Crystal Ship" give insight into her appreciation for rock music's classic poet/lyricists." More recently Vernon has provided covers of classic songs for the reboot of the Halloween series of horror films.Chris Gonda, "ROB ZOMBIE’s 'HALLOWEEN II' Soundtrack Features New Recordings", PureGrainAudio.com (July 30, 2009).
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He did not appear on Dark Folke and has since left the band. However, in 2011 he played drums for the band in a special performance commissioned by the Singapore Arts Festival to play a concert pull of reworkings of the Beatles' White Album. Adam Shah – (former member) drums, percussion Formerly the youngest member of the group. A sessionist since 15, Adam is musically adept at guitar and bass as well.
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The Icelandic Physiologus is a translation of the 2nd Century Greek Physiologus, adapted from a later Latin version. It survives in fragmentary form in two manuscripts, both dating from ca. 1200 making them some of the earliest Icelandic manuscripts, and the earliest illustrated manuscripts from Iceland. The fragments are significantly different from each other and either represent copies from two separate exemplars or different reworkings of the same text.
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He admired the Latin poets Horace and Ovid, but was also an enthusiast for his own West Frisian memmetaal, or mother tongue. His first known poetry in dates back from 1639. In his early works Japiks portrayed the life of rural Friesland, and was characterised by excessive alliteration. Much of his work were translations and reworkings of Latin poets, but also the Dutch poets Vondel and Constantijn Huygens featured prominently in his work.
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Sound Loaded has sold over 8 million copies worldwide. In February 2001, Martin released a Spanish greatest hits album entitled La Historia, which went to number one for five weeks on the Billboard Top Latin Albums and debuted at number eighty-three on the Billboard 200. It also topped the chart in Sweden for three weeks. The album contained reworkings of two of his early songs "Fuego Contra Fuego" and "El Amor de Mi Vida".
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Neumann himself had sent a reproduction of the portrait to Lichtenstein after seeing one of Lichtenstein's earlier reworkings of a Picasso painting. Lichtenstein painted Woman with Flowered Hat when he was pastiching various types of sources, including commercial illustrations, comic imagery and modernist masterpieces. The masterpieces represented what could have been dubbed the "canon" of art and was thought of as "high art," while the "low-art" subject matter included comic strip images.
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Many scholars began producing syntheses and reworkings of the commentaries of the Alexandrian scholars of previous centuries, at the expense of their own originalities. Other scholars branched out and began writing commentaries on the poetic works of postclassical authors, including Alexandrian poets such as Callimachus and Apollonius of Rhodes. Meanwhile, Alexandrian scholarship was probably introduced to Rome in the first century BC by Tyrannion of Amisus ( 100– 25 BC), a student of Dionysius Thrax.
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Owing to touring commitments with Tricky, Thwaite was unable to play on The Mission's next tour, and officially left the band in September 2001. He toured the United States with Tricky, as special guests of rock band Tool in 2001. While continuing to work with Tricky, Thwaite also collaborated with Gary Numan on heavy industrial metal reworkings of Are 'Friends' Electric? and This Wreckage for Numan's RIP single (released in 2002) and Hybrid album (2003).
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TimeSquare – Dream Mixes II is the fifty-seventh release by Tangerine Dream and the second of their Dream Mixes albums on their own label after The Dream Mixes (1995). It is their fifty-seventh album overall. The album, as well as reworkings of past tracks, includes a remix of a track from Dream Mixes One. Further releases in this series were DM3 - The Past Hundred Moons (2001), DM 4 (2003) and DM V (2010).
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In March 1999 the band released a cover version of The Cars' 1984 track, "Drive". In October they followed with Reworkings, a compilation of remixes by guests including Mogwai, Mark Eitzel and Echoboy. The remix by Lee Ranaldo, "Lee's Trees" was released as a single. The group continued to play shows in the UK with acts such as The Divine Comedy, Smog and Drugstore, though they released no new material and disbanded in early 2000.
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She mates with king Hrothgar to produce Grendel, and later tries to seduce Beowulf as well. A "mother of the Wendol" appeared in The 13th Warrior (1999), directed by John McTiernan. The film is adapted from Eaters of the Dead, a 1976 novel by Michael Crichton. The novel and film are both reworkings of Beowulf which turn Grendel into cannibalistic hominids called "Wendol" (implied though not said definitively to be Neanderthals in the novel).
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Over the next few years, Oceansize would release two self-released EPs Amputee and A Very Still Movement. This in turn led to interest from Beggars Banquet Records, who signed the band in 2000. The band's first release on the label was the Relapse EP titled after a very early composition that had been through many different reworkings. The EP was produced by Cardiacs leader Tim Smith, a long-time hero of the band.
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The Sidney Psalter is a poetic adaption of the Biblical Psalms and differs much from other reworkings of the Psalms throughout the Renaissance period. Psalm 43 focuses on God as a protector alongside his absence and presence throughout. The Sidney Psalms are seen as "The most extreme example in this century of the wish to foster through translation an appreciation of the Psalms as poetry is the version begun by Sir Philip Sidney..." (Norton, 2000).
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Darwin Frost was originally a member of Skookum Sound System, a hip hop audio-visual collective. In 2010 he began uploading his music on the Bandcamp music streaming platform under the moniker Impossible Nothing. After a series of early releases he issued Mechadoom, an album comprised reworkings of compositions by hip hop producer MF Doom, on 28 October 2014. Shortly afterward, Frost cleared his Bandcamp page to make way for a new ambitious project.
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On February 15, 2013, Nyte announced on The Awakening's official website that there would be a release of a new anthology compilation titled Anthology XV, featuring two new songs as well as remixes, reworkings, and updated versions of The Awakening's most well known songs. Anthology XV was released in April 2013 and a multi-date South African tour is scheduled for March–April 2014. A new studio album was also planned for release in 2017.
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All Is Well is the second album by the singer and multi-instrumentalist Sam Amidon, released in 2008. It was produced and mixed by Valgeir Sigurðsson at Greenhouse Studios in Reykjavik and released on the Bedroom Community label. The album features Amidon's reworkings of traditional folk songs (mostly Appalachian), with chamber-orchestra arrangements by composer Nico Muhly and additional contributions from violist Eyvind Kang, electronic musician Ben Frost, and percussionists Aaron Siegel and Stefan Amidon.
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The Lower Kimmeridgian sediments are sedimented close to the shore, they bear oysters, urchins, and ripple marks. The second sequence of the Malm starts in the Upper Kimmeridgian, only in places does it show regressive traits, nevertheless the sedimentary character changes. Laid down are breccias and the sediments also show synsedimentary reworkings; periodically interbedded limestones and marls carrying lignite horizons begin to form. The sediments can be dated by the ammonites Aulacostephanus and Aspidoceras orthocera.
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The Harpsichord Concerto in E major, BWV 1053, is a concerto for harpsichord and string orchestra by Johann Sebastian Bach. It is the second of Bach's keyboard concerto composed in 1738, scored for keyboard and baroque string orchestra. The movements were reworkings of parts of two of Bach's church cantatas composed in 1726: the solo obbligato organ played the sinfonias for the two fast movements; and the remaining alto aria provided the slow movement.
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The album features several songs that are reworkings of older material or were reworked into new songs on subsequent releases. "Let the Children Speak" is based on the 1981 Simple Minds instrumental "Theme for Great Cities" from Sister Feelings Call. A re-recorded version of that piece, called "Theme for Great Cities '91" appeared as a B-side of the "See the Lights" single. "Travelling Man" bears some resemblance to the 1983 song "Waterfront" from Sparkle in the Rain.
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"One Love/People Get Ready" is a reggae song by Bob Marley & The Wailers from their 1977 album Exodus. It was first recorded in a ska style by Marley's original group, The Wailers in 1965 and was released as a single. This version was later included on their first singles compilation The Wailing Wailers in 1965. It was rerecorded as part of the 1970 medley "All In One", which contained reggae reworkings of their early ska songs.
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In Spring 2009, the band began working on a mini-album with Brave the Sea producer Chris Coulter. This was self-released digitally in April 2010 as Left Fire. The EP was subsequently re-released numerous times, first through Bandcamp in February 2011, then in remastered physical form via PIAS Recordings in 2012. The remastered version included two additional acoustic tracks (reworkings of "You Are" and "Rouen", both featuring Emily Denton), as well as an extended version of "Habibty".
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In November 1996, Björk released the "often-delayed" remix project Telegram, which contained reworkings of several songs from Post, with her voice re-recorded. Telegram has been described as "effectively a completely new album". Author Mark Pytlik writes, "Promises of a Post remix album had been circulating since the release of "Army of Me" in April 1995. To compensate, Björk announced the release of a string of 12" remixes beginning in June, limited to only 1,000 copies each.
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Despite a warm reception among connoisseurs, the poem was never popular. The poem remains unpopular and unknown today, at least partially due to its strong nationalistic tone. Of all the Dietrich poems, the Laurin was most frequently rewritten and reimagined during the nineteenth-century, and it is the poem with the greatest currency today. The reworkings, which included longer poems and pieces for the theater, frequently connected Laurin to elements of other Dietrich poems, especially the Virginal.
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Two songs, "Born in Time" and "God Knows", are reworkings of material originally recorded at the previous year's Oh Mercy sessions. Versions of these songs from the Oh Mercy sessions are included on The Bootleg Series Vol. 8: Tell Tale Signs. The intro to "Unbelievable" (which was released as a single, with an accompanying promotional video) is very similar to the intro on Carl Perkins's "Honey Don't", as sung by The Beatles on Beatles for Sale.
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Terry Scott Taylor (born May 24, 1950) is an American songwriter, record producer, writer and founding member of the bands Daniel Amos and The Swirling Eddies (credited as Camarillo Eddy). Taylor is also a member of the roots and alternative music group, Lost Dogs. He is currently based in San Jose, California, U.S. Taylor is highly regarded for his songwriting skills. These often include allusions to and reworkings of material ranging from Elizabethan poets to modern authors.
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Theme from Rapsodia shqiptare by Lorenc Antoni Most of his works were compositions for a cappella choirs and most of them rely on folk music. Some of the songs that he did reworkings of are: "Na ka dalë nusja e mirë", "Ani moj Hatixhe", "Ani mori nuse" and "Kur më del në derë". These are typical old urban songs that are sung at weddings and other social gatherings. An important song that Lorenc Antoni reworked is "Kënga e Rexhës".
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The Paradise Motel are an independent Australian rock band that formed in Hobart, Tasmania in 1994. They relocated to Melbourne and issued two albums on Mushroom Records, Still Life (1996) and Flight Paths (1998) before moving to the United Kingdom where they released a third, Reworkings (1999), before disbanding in early 2000. The group reformed in January 2008 and released the albums, Australian Ghost Story (2010), I Still Hear Your Voice at Night (2011) and Oh Boy (2013).
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His portraits of them are among his best known, although some are reworkings of portraits by Johann Georg Ziesenis. Sometime during this period, he also created a portrait of Johann Wolfgang von Goethe. Despite this limited success, his work in Weimar was always dogged by illnesses in the family, debt, and clinging relatives. In 1781, the Grand Duke granted him a three-year leave of absence, during which he was mostly resident in Hamburg, working for the wealthy bourgeoisie.
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Being new and with few original songs to its credit, they performed blues reworkings that thrilled the large crowd and earned it a warm reception. In October the band also got a chance to jam with Jimi Hendrix, who had recently arrived in London. Hendrix was a fan of Clapton's music, and wanted a chance to play with him onstage. It was during the early organisation that they decided Bruce would serve as the group's lead vocalist.
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Islanders is the third studio album by German EDM (Electronic Dance Music) act York. The album was in production for two years and collaborations internationally renowned artists such as Mike Oldfield, Jennifer Paige and The Thrillseekers. Furthermore, the album contains a cover version of the Hans Zimmer Mission: Impossible 2 soundtrack piece "Injection", featuring the original vocalist, Lisa Gerrard. The following year York worked with Oldfield on an album of reworkings of Oldfield's work, Tubular Beats.
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After studying her compositions, musicologists and psychologists came to the conclusion they were the work of Brown's own subconscious. Leonard Zusne and Warren H. Jones in their book Anomalistic Psychology: A Study of Magical Thinking (1989) noted that "Brown wrote hundreds of pieces of music dictated by the various composers. They were passable works, entirely in the style of these composers, but appeared to be simply reworkings of existing pieces."Zusne, Leonard; Jones, Warren H. (1989).
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The secondary scripture of Sikhs, Dasam Granth attributed to Guru Gobind Singh, includes numerous sections on Shakta goddesses, particularly Chandi – the fierce warrior form of the Hindu Goddess. According to Nikky-Guninder Kaur Singh – a professor of Religious Studies, the stories about Goddess Durga in the Dasam Granth are reworkings of ancient Shakti mythologies. A significant part of this Sikh scripture is based on the teachings in the Shakta text Devi Mahatmya found in the Markandeya Purana of Hinduism.
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The advent of television, and its constant need for broadcast material, gave Bruckman a new start. Abbott and Costello launched a filmed television series in 1951. Having used up most of their own familiar routines during the show's first season, the comedians hired Clyde Bruckman, and his mental storehouse of gags saw them through a second season. Although Bruckman received credit for several scripts, these turned out to contain reworkings of old Keaton and Lloyd gags.
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The Mad, Mad, Mad Comedians is a 1970 American animated television special produced by Rankin/Bass Productions. After the Christmas special Frosty the Snowman (1969), it was Rankin/Bass' second hand-drawn animated work to be outsourced to Osamu Tezuka's Mushi Production in Tokyo, Japan. The show aired on ABC on April 7, 1970 before the airing of that year's Oscars. It was a tribute to early vaudeville, and featured animated reworkings of various famous comedians' acts.
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In common with the singles "3 a.m. Eternal", "Last Train to Trancentral" and "Justified and Ancient", "What Time Is Love?" evolved through substantial reworkings, each new version taking elements of its predecessors and placing them in the context of a different musical genre. There were three main versions, released in 1988, 1990 and 1991, shifting The KLF's sound from acid house through pop into heavy rock- oriented electronica, and a remake under a different moniker in 1997.
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The album was released as a double vinyl set, as well as on CD and in various digital formats. The reworkings of "Forgive Me My Love" (by Death Cab for Cutie) and "Soul Got Out of the Box" (by Portugal. The Man) were released as promotional singles in 2015. The Miike Snow remix of "Catman", which was originally published on Approximately Infinite Universe in 1973 as "Catman (The Rosies are Coming)", was released on January 22, 2016.
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In 1948, the new communist regime stripped him of Academy membership. Păun Otiman, "1948–Anul imensei jertfe a Academiei Române", in Academica, Nr. 4 (31), December 2013, p. 122 In 1965, in a slightly more relaxed political environment, he was able to publish two books, Cântece tăcute and Versuri în proză, a pair of not always inspired reworkings of older texts. Shortly before his death, he revised and published his entire lyrical work as the two-volume Scrieri (1968).
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His next CD "Midnight Voices" made with Simon Wallace consisted of reworkings of 15 songs originally written and released in the seventies. The title is in part a tribute to the "virtual and actual group of friends and aficionados" i.e. Steve Birkill and the other members of the Midnight Voices discussion group. In 2002 the electronic music outfit Lemon Jelly used a guitar sample from The Pearl Driller (from Driving Through Mythical America album) as part of the Nice Weather For Ducks.
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In an era when it was more and more presumed that bands would have original material, none of The Daily Flash's members were inclined to write songs. Most of their copyrighted originals were really just reworkings of folk material in the public domain. The band began to grow apart, with members increasingly playing in other configurations. Hastings left to replace Neil Young in the Buffalo Springfield (a short-lived gig, as Young soon returned to that band) and was replaced by Craig Tarwater.
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In 2014 D'Andrea formed a duo with drummer and percussionist Troy Miller, creating an album of orchestral reworkings of the Gershwin songbook, featuring contemporary voices. The debut performance of this album will take place at the closing night of the 2015 Cheltenham Jazz Festival and is to be broadcast live on Radio 2. The concert will feature critically acclaimed singer Laura Mvula and Grammy winner Gregory Porter as well as the BBC Concert Orchestra. Both D'Andrea and Miller will simultaneously conduct and perform.
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In March 1940, White arrived at the recording studio prepared to record with several songs. When Melrose saw that they were mostly reworkings of current popular blues numbers, he encouraged White to take a couple of days and prepare some new material. White later recalled, "I got down to it" and returned on March 7 with twelve new songs. One was "Parchman Farm Blues", which he recorded that day (all twelve were recorded over two days, May 7 and 8, 1940).
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In March 2004, three Horslips enthusiasts, Jim Nelis, Stephen Ferris and Paul Callaghan, put on an exhibition of Horslips memorabilia in The Orchard Gallery in Derry. It was opened by the band, who played five songs acoustically. Buoyed by this first public appearance in 24 years, Horslips returned to the studio in Westmeath to produce a studio album, Roll Back, in the summer of 2004. Described as "Horslips Unplugged", the album contained acoustic reworkings of many of their best-known songs.
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These tracks were later released on an EP entitled "Talk About Love." The other eight tracks on the Sandie album were reworkings of songs made popular by other artists. Sandie was eventually released on the CD format on the RPM label in the 1990s as a double package with her second album, Me, and this package was later released in digitally remastered format by EMI in September 2005 with bonus French-language versions of two of the Chris Andrews tracks.
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Double Trios is a 1986 album by jazz pianist McCoy Tyner released on the Denon label. It features performances by Tyner supported by Avery Sharpe and Louis Hayes or Marcus Miller and Jeff "Tain" Watts along with Steve Thornton. The Allmusic review by Scott Yanow states "it is particularly interesting to hear the pianist's reworkings of "Lil' Darlin'," "Satin Doll", "Lover Man" and Thelonious Monk's "Rhythm-A-Ning," transforming them into modal masterpieces".Yanow, S. [ Allmusic Review] accessed February 27, 2009.
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The support act was performance artist Soojin Chang. After the release of Inside the Rose it was announced that Thomas Hein had departed the group, due to his academic commitments in studying computational neuroscience. In February 2020, they released The Cut (2016-2019), a so-called 'sister album' to Inside the Rose, containing new music begun during the album sessions, orchestral interludes and reworkings, and remixes. It was made available via a limited edition CD, each copy containing hand-cut silk artwork.
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Salad Days is the twelfth solo album by Adrian Belew, originally released on February 9, 1999. It is a recording of acoustic/unplugged compositions both old and new. The album consists primarily of acoustic reworkings of Belew solo songs along with three King Crimson songs and two sonic collages, the latter being the only tracks original to the album. All other tracks were compiled from his albums The Acoustic Adrian Belew, or from Belew Prints: The Acoustic Adrian Belew, Vol. 2.
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Deep Blue is the debut collaborative studio album by Mark Peters of Engineers and Elliot Ireland, released on 4 September 2015, through Pedigree Cuts, a label that boasts Peters' Engineers bandmate, Ulrich Schnauss, on its roster. In 2016, the track Deep Blue was used in the soundtrack for Realive, a science fiction film written and directed by Mateo Gil. Following the album, the duo released Deep Blue Remixes in October 2016, featuring reworkings of album tracks including Ulrich Schnauss, Arovane and more.
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Byrne released a solo album The Real Illusion in 2001, which featured some of the last tracks he wrote with Fisher for a proposed third Naked Eyes album. In 2005, Byrne reformed Naked Eyes and released Fumbling with the Covers (2007) an album of acoustic hits, including reworkings of the band's "Promises, Promises", "When the Lights Go Out" and "Always Something There to Remind Me". Naked Eyes also performed on a US Summer Tour along with Belinda Carlisle, ABC and The Human League.
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Recorded live, the first disc includes reworkings of old tracks, while the second is a complete rendition of Concerto grosso per i New Trolls with full orchestra. By 2002 the band led by De Scalzi kept touring with La storia dei New Trolls repertoire. Di Palo and former band members regrouped as Il Mito New Trolls, only touring and performing old songs, not releasing any record yet. 2007 saw what is currently the latest reunion of De Scalzi and Di Palo.
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In October 2007, with his wife, Emma Biggs, Collings has curated many art exhibitions. These include an exhibition of Picasso's late works at the HN Gallery in London. The paintings were from the 1960s series of Painter and Model and Déjeuner sur l’herbe reworkings. According to the catalogue essay, written by Collings, the exhibition aimed to draw attention to Picasso's achievement as a manipulator of form rather than the popular myth of Picasso as a showman or lover or sensationalist genius.
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The opening track, "Reserection", puts the matter to rest as Daho states that he will rise from his "cendres fiction" ("fictitious ashes") "encore et encore" ("again and again"). The only English song on the EP, "Accident", is a reworked version of Daho's 1984 French- language single "Week-end à Rome", with original English lyrics. Daho's speech from "Reserection" is also reprised within the song. "Jungle Pulse" and "X Amours" are French-language reworkings of Saint Etienne's "Filthy" and "Paper", respectively.
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Opus Dei is the third studio album by Laibach, released in 1987. It features "Geburt einer Nation" ("birth of a nation"), a German cover of Queen's "One Vision", and two reworkings of the Austrian band Opus' sole international hit single "Live Is Life". The Opus song became the German language "Leben heißt Leben" and the English language "Opus Dei". "The Great Seal" is the national anthem of the NSK State, the lyrics taken from Churchill's "We shall fight on the beaches" speech.
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It was one of only 14 texts out of 148 that Simeon left intact and did not rework, and one of only seven that he promised the reader would give them pleasure to read. There are also two shorter reworkings of Leontios' biography, one (BHG 707p) attributed to Mark, hegoumenos of San Saba, and another (BHG 708f) anonymous. Gregory's feast is celebrated on 23 or 24 November in the Eastern Orthodox Church. It is on 24 November in the work of Simeon Metaphrastes.
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The reworkings by Marvuglia were in reality much more invasive and radical than the projects of the Florentine architect, who thought instead of keeping, at least in part, the complex of longitudinal aisles and the original wooden ceiling. The restoration intervened to change the original appearance of the complex, providing the church of the characteristic but discordant dome, performed according to the designs of Ferdinando Fuga.Enciclopedia universale, pp.32-34. A second font was added in 1797, by Fillipo and Gaetano Pennino.
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Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order. Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis.
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By the 1890s, inspired by the meetings and conversations at the Parliament of the World's Religions in 1893, he had decided that Buddhism was the closest faith to his ideal and created The Gospel of Buddha to popularize the religion in the West. The work was assembled from existing English translations of Buddhists texts, with significant amendments and reworkings. His selection of texts favoured Buddhism as a philosophy without any supernatural elements. While criticized by contemporary scholars, this interpretation proved popular in the West.
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As with many similar songs, the lyrics have undergone a number of reworkings. The original third verse included the lines, "More Colored people up in State Street you can see,/ Than you'll see in Louisiana or Tennessee" and makes reference to the Chicago Stockyards. Later recordings have a number of replacements: of all versions, Judy Garland's contains more references than most: Marshall Field's department store, the Drake Hotel, the Chicago Loop, the The Pump Room at the Ambassador East hotel and even Mrs O'Leary's Cow.
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The celebrated First Hundred Days of the new administration also produced a federal program to protect American farmers from the uncertainties of the market through subsidies and production controls, the Agricultural Adjustment Act (AAA), which Congress passed in May 1933. The AAA reflected the desires of leaders of various farm organizations and Roosevelt's Secretary of Agriculture, Henry A. Wallace. Relative farm incomes had been falling for decades. The AAA included reworkings of many long-touted programs for agrarian relief, which had been demanded for decades.
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With the exception of True Womanhood (published 1859), John Neal published all of his novels between 1817 and 1833. The first four he wrote and published in Baltimore, Maryland: Keep Cool (1817), Logan (1822), Seventy-Six (1823), Randolph (1823), and Errata (1823). He wrote Brother Jonathan in Baltimore, but revised and published it in England in 1825. He published Rachel Dyer (1828), Authorship (1830), and The Down-Easters (1833) while living in Portland, Maine, but they are all reworkings of content he largely wrote while in England.
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Folk music singers and instrumentalists in the North American and Western European traditions rarely use vibrato, reserving it for occasional ornamentation. It also tends to be used by performers of transcriptions or reworkings of folk music that have been made by composers from a classical, music-school background such as Benjamin Britten or Percy Grainger. Vibrato of varying widths and speeds may be used in folk music traditions from other regions, such as Eastern Europe, the Balkans, the Middle East, East Asia, or India.
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The album went a long way toward rebuilding the band's reputation after the harsh criticism of Eye II Eye. However, critics accused them of following on the coattails of Metallica's similar collaboration (S&M;) with the San Francisco Symphony which had been released the previous year, even though the orchestra had first approached the Scorpions with the idea in 1995\. Scorpions in 2007 In 2001, the Scorpions released Acoustica, a live unplugged album featuring acoustic reworkings of the band's biggest hits, plus new tracks.
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The original window openings are difficult to ascertain due to successive and significant reworkings of the walls since 1900. Despite this, the general form of the windows is in all probability similar to the present openings.Upton 69 The general form most likely follows that of St. Peter's Church in New Kent county that has diamond-shaped leaded panes set in square casement windows, though, these too are reproductions from fragments discovered on the site. Diamond-paned windows were in common use in England since the 1630s.
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To showcase these growing skills, the songs were generally more sparse. The entire album harked back, more than any other release, to his groundbreaking work in Melody. Following his pattern, Martin released an EP as well, titled The Land of Misfits, containing "Monosynth", two remixes of songs from Robot Rock, a remix of "The Cobbler" from Old Wives Tales EP and one new song. It was generally considered a disappointment by fans, containing only one new song along with reworkings of songs from Robot Rock.
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Nibelungenturm (Nibelungen tower) on the Nibelungenbrücke in Worms. Nibelungen fountain in Tulln an der Donau, Austria (Hans Muhr, 2005), depicting the meeting of Etzel and Kriemhild. "Siegfriedsbrunnen" in Odenheim: one of several purported identifications of the place of Siegfried's murder in the Odenwald as found in Nibelungenlied version C. After having been forgotten for two hundred years, the Nibelungenlied manuscript C was rediscovered by Jacob Hermann Obereit in 1755. That same year, Johann Jacob Bodmer publicized the discovery, publishing excerpts and his own reworkings of the poem.
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Jenkins' compositions in this album encompass a broad polystylistic range, contrasting delicate pieces written for string quartet with the broad sound of a string orchestra. "String Quartet No. 2" includes movements in the Baroque style of Antonio Vivaldi ("The Fifth Season") as well as a tango, waltz, hoedown, and others. The four "Adiemus Variations" are reworkings of Jenkins' own piece "Adiemus" from Adiemus: Songs of Sanctuary. Additionally, the second movement of "Palladio" served as the theme for "Cantus Insolitus" also heard on Songs of Sanctuary.
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An expanded version of the arrangement received further performances at the Brighton Festival in May 2010, before touring later in the year. The album of the music was released in June 2012. 2014 saw the launch of the band's Kraftwerk Uncovered project. Going under the full title Kraftwerk Uncovered: A Future Past, the live show consists of reworkings and re-imaginings of Kraftwerk's music by German electronic artist J. Peter Schwalm, with a film by Schwalm's long-term video collaborator Sophie Clements, working with Toby Cornish.
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In October 2014, a new Team Sleep lineup recorded a live album in front of an audience at Applehead Recording studio in Woodstock, New York. The members included Moreno, Wilkinson, Verret and DJ Crook as well as bassist Chuck Doom (also of Moreno's Crosses) and drummer Gil Sharone (ex-Marilyn Manson, ex-Dillinger Escape Plan). The record, self-released in July 2015, consisted of reworkings of both tracks from the first album tracks as well as unreleased old demos. As of 2020, Team Sleep is dormant.
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Yet another new album, Ride, was recorded at John's Saugerties studio and released through an independent label, Dinosaur Entertainment, out of New Orleans. Ride emerged in the summer of 1996 and included just a couple of reworkings of the best and still unheard-in-the-US tunes from Analog Men. The single "I Am on Your Side" even began to make its way up the charts, but the label proved inexperienced and it folded shortly afterward, killing the song's chances for more radio play.
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It's A Shame About Gemma Ray features reworkings of songs by a diverse selection of artists including Sonic Youth, Buddy Holly and The Gun Club. Recorded over five days in New York, the songs are delivered in Ray's characteristic style of guitar playing and singing. The album was recorded at the studio of Heavy Trash's Matt Verta-Ray and was released on 1 June 2010. In support of the album, Ray appeared as a special guest of the band Grinderman on their European tour in 2011.
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At the Medicine Show Theatre, Vann directed Bound to Rise, based on the Horatio Alger story, which led to a 1985 Obie Award in direction. She also contributed reworkings of Alfred Jarry's Ubu plays; a stage adaption of James Joyce's Finnegans Wake; a translation of Jean Genet's The Balcony; and the original vaudeville piece, "Mr. Shakespeare and Mr. Porter", which incorporated Cole Porter songs into Shakespearean tragedies. She published a series of workshop videos demonstrating the experimental techniques developed for the Medicine Show Theatre Ensemble.
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At that time, Wiffen had been sober for ten years and had spent six years in preparation and development for the album's production. The album contained a mix of reworkings of some of his older material, such as "Driving Wheel", plus some new songs. During this period, he returned briefly to performing, principally as a weekly performer and performance host at Irene's Pub in Ottawa, Ontario, but then stopped performing publicly. (As of 2008 and through much of 2009, Wiffen was on EMI's list of "missing royaltors").
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Saxophonist, flautist and vocalist Marty Craggs joined shortly afterwards, making the band a sextet. During the second half of the 1980s they played annual Christmas tours and released Dance Your Life Away (1986) and C'mon Everybody (1987) – the latter made up of covers of old rock and roll standards and reworkings of some of the band's most popular songs. Keyboardist Steve Daggett, formerly of new wave band Stiletto, produced both these albums and augmented the onstage line-up for two tours. Another album, Amigos, was released in 1989.
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It consisted mostly of original compositions, as well as a few reworkings of pieces of classical music, recorded at Carlyle's home. "I Blame You Not" is an English- language version of Schumann's "'Ich grolle nicht". Another track, "Pianni", was featured in the IKEA "Happy Inside" television commercial in which 100 cats are let loose in the retailer's Wembley store. In May 2005 Carlyle released an EP, I Blame Dido, containing "I Blame You Not" and a version of Henry Purcell's "Dido's Lament". After receiving critical acclaim for The Lovely, Carlyle signed to EMI in 2007.
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She consoled herself with what Servadio describes as "a new pleasure in shopping"; for Rossini, Paris offered continual gourmet delights, as his increasingly rotund shape began to reflect. The first of the four operas Rossini wrote to French librettos were Le siège de Corinthe (1826) and Moïse et Pharaon (1827). Both were substantial reworkings of pieces written for Naples: Maometto II and Mosè in Egitto. Rossini took great care before beginning work on the first, learning to speak French and familiarising himself with traditional French operatic ways of declaiming the language.
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15 October 2011. The adaptor was Livius Andronicus, a Greek who had been brought to Rome as a prisoner of war in 272 BC. Andronicus also translated Homer's Greek epic the Odyssey into an old type of Latin verse called Saturnian. The first Latin poet to write on a Roman theme was Gnaeus Naevius during the 3rd century BC. He composed an epic poem about the first Punic War, in which he had fought. Naevius's dramas were mainly reworkings of Greek originals, but he also created tragedies based on Roman myths and history.
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Her final recording, Solo Recital (Montreux Jazz Festival, 1978), three years before her death, had a medley encompassing spirituals, ragtime, blues and swing. Other highlights include Williams's reworkings of "Tea for Two", "Honeysuckle Rose", and her two compositions "Little Joe from Chicago", and "What's Your Story Morning Glory". Other tracks include "Medley: The Lord Is Heavy", "Old Fashion Blues", "Over the Rainbow", "Offertory Meditation", "Concerto Alone at Montreux", and "The Man I Love". In 1981, Mary Lou Williams died of bladder cancer in Durham, North Carolina at the age of 71.
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Numan went back to Pure producers Sulpher to work on the album, and again there were delays caused by the birth of Numan's second daughter and record label politics. Because of these events, only six tracks were completed. These tracks were used for Jagged Edge along with new reworkings remixed and produced by the original album co-producer, Ade Fenton. The album was not offered on General release and available through Nuworld the Official Gary Numan website only, and due to this, Jagged Edge becomes the least selling album to date.
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Retrieved August 4, 2008. The album was released on February 29, 2000. In May 2000, Kristján moved to Reykjavík and started assembling a full band. A full line-up was established in late 2000. Changer began playing gigs in Iceland in 2001, and traveled to Akureyri in the spring to record an EP, Inconsistency, which consisted of two new songs along with reworkings of two songs from January 109; it was released in July 2001. Recording for the next album began in late December 2002, but Scenes was not released until February 13, 2004.
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Historiography was common in medieval Iceland, and as Würth notes, it can be difficult to separate historiography as an independent genre in Old Norse- Icelandic, as all Old Norse-Icelandic literature as a whole shows an interest in history. However, there is a class of texts known as pseudo-histories that overlaps in some respects with the content of Veraldar saga. These are loose translations and reworkings of Latin texts which deal with the history of peoples outside medieval Scandinavia. The five texts are Trójumanna saga, Rómverja saga, Breta sögur, Alexanders saga, and Gyðinga saga.
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Prototype is known for its sporadic releases, which have included drum and bass work by Dillinja, Drumsound & Bassline Smith, Ed Rush, Photek and Optical. In 1998, he and Fabio brought their radio show to a national audience on BBC Radio 1. As a recording artist, Grooverider has released one album, Mysteries of Funk (Sony 1998), produced in conjunction with Optical, and a number of remixes including his reworkings of Jonny L's "Piper" plus Roni Size/Reprazent's "Share The Fall". In 2005, he was holding a weekly Sunday session called Grace at the London club, Herbal.
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Lafawndah has had an extensive touring career, taking her theatrical live shows around the world. She has also toured with Kelela in both 2015 and 2017, and supported the American band Hundred Waters. In 2018 Dubois adapted her Honey Colony mixtape in to an ongoing concert experience which made its debut at the Southbank Centre, including guests such as Tirzah, Kelsey Lu and Elheist. She has released two bootleg-style Honey Colony mixtapes to date featuring reworkings of songs around vocal stems from artists such as Klein, Kelela, Kelsey Lu, Cardi B, and Bonnie Banane.
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In 2005, he released Kiss Me Again and Again - a cover of the Arthur Russell / Loose Joints disco classic Kiss Me Again. In 2004 he began touring under his own name, singing and playing more folk-tinged songs, initially live reworkings of his Polmo Polpo recordings. Four songs were self-released on the Friends Help Friends EP in 2005, re-released a year later (with an additional song) on Constellation as Plays Polmo Polpo. In 2007, his debut full-length as Sandro Perri was released, also by Constellation, entitled Tiny Mirrors.
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Consisting entirely of drum-free ambient tracks, it was the second in a line of ambient bonus CDs, following Underwater, which came with Everything Is Wrong. Little Idiot included reworkings of tracks from Animal Rights – it also features a drawing of Moby's character "Little Idiot", who would later appear on various music videos and single and album covers. A second single from Animal Rights, "Come On Baby", was released on November 4, 1996, but failed to chart. Animal Rights was not released in Moby's native United States until five months later on February 11, 1997.
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The following year he co-wrote and produced the album Space Woman, credited to the act Herman's Rocket. The "cosmic disco" album was commissioned by record label owner Humbert "Mémé" Ibach, and the title track became one of Massiera's best-known tracks. Massiera's next album, Galactic Soul (also known as Synthetic Soul) followed a similar approach, but this time was credited as being by Venus Gang. Both albums were produced with Torelli as arranger, and both included reworkings of Massiera's earlier material as well as that of others.
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Fortuna desperata is a secular Italian song, possibly originally by Busnois (but others credit Antoine Brumel). It was used by many other authors in the following 75 years, for both variations and cantus firmus masses, and over 30 such reworkings are known. Words in the original Italian and in English and German are available at Choral Wiki . The first verse is :'Fortuna desperata :Iniqua e maledecta :Che de tal dona electa :La fama hai denigrata.' translated as :'Desperate fate, :iniquitous and maledicted :who blackened the good name :of a woman beyond compare.
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Subsequently, new comics series were commissioned on the basis of reprinting them in a collected form for these markets.Sabin, p. 165–167 Watchmen received critical praise, both inside and outside of the comics industry. Time magazine, which noted that the series was "by common assent the best of breed" of the new wave of comics published at the time, praised Watchmen as "a superlative feat of imagination, combining sci-fi, political satire, knowing evocations of comics past and bold reworkings of current graphic formats into a mystery story".
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Linton formed a band called Dr.Jan (guru) which played frequently at large venues. Under the band's name, he released three albums over the next few years: starting with Alienshamanism in 2000 However, the live members often changed and rarely appeared on the albums; instead, a number of well-known musicians contributed to the recording sessions, such as Duran Duran's John Taylor. The albums also included reworkings of the unreleased tracks Linton had recorded with Bill Nelson. Linton made several releases in 2000 in the UK, Japan, and Europe.
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These plates are decorated with cut in interlace designs, which have been dated to the late eight or early ninth centuries. A fully three- dimensional figure of Christ crucified is at the centre of the main face, with relief plaques of saints and the Virgin and Child, and other scenes on the sides which combine principal figures in relief and others in engraving.Wallace; O'Floinn (2002), pp. 261–262, 270 The style is rather more sophisticated than in some 14th century reworkings, with elegant running animals or grotesques placed on small mounts at the corners.
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In 1976 they signed with Decca, shortened their name to Spriguns and recruited a new band of Dick Powell (keyboards), Tom Ling (fiddle), and Chris Woodcock (drums), which gave them a fuller and rockier sound. The resulting album Revel, Weird & Wild (1976) was again produced by Tim Hart. It relied exclusively on material penned by the band, particularly by Mandy Morton, but many of these were reworkings of traditional material. For the next album Time Will Pass (1977) only Powell and Ling were retained and Australians Wayne Morrison (guitar) and Dennis Dunstan (drums) were recruited.
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Classics is the ninth studio album by American singer Jennifer Rush. Having been classically trained as a singer years earlier, Jennifer Rush went back to her roots (her father was a tenor) and recorded a selection of her past hits with the Hungarian Philharmonic Orchestra. These were vast reworkings of the songs, where many had been originally uptempo pop tunes were now slow and dramatic works, such as "Ring of Ice" and "I Come Undone". As well as these, four new songs were included on the collection, including lead single "The End of a Journey".
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Dalí worked extensively in the graphic arts, producing many drawings, etchings and lithographs. Among the most notable of these works are forty etchings for an edition of Lautréamont's The Songs of Maldoror (1933) and eighty drypoint reworkings of Goya's Caprichos (1973–77).Gibson, Ian (1997), pp 308-13, 567 From the 1960s, however, Dalí would often sell the rights to images but not be involved in the print production itself. In addition, a large number of fakes were produced in the 1980s and 1990s, thus further confusing the Dalí print market.
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"Is She Really Going Out with Him?" has been a mainstay of Jackson's live setlist since its release. Like many of Jackson's songs, "Is She Really Going Out with Him?" has been rearranged in live concerts to align with Jackson's shifting musical interests. These reworkings include an acoustic rendition and an a cappella doo-wop version, performances of which have both been released on Live 1980/86. An a cappella version of "Is She Really Going Out with Him?" was released as a single in 1988 in some European countries.
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Flight Paths is the second album by Australian rock band The Paradise Motel, their first album released after relocating from Melbourne to London. Singles from the album included 'Aeroplanes', 'Derwent River Star' and 'Drive' a cover of The Cars' hit, and the band's most popular song. Their version was featured on the soundtrack to the 2001 Richard Lowenstein film He Died with a Felafel in His Hand. Flight Paths was followed by the album Reworkings featuring remixes of tracks from Flight Paths and the band's previous album Still Life by artists including Lee Ranaldo, Echoboy and Mark Eitzel.
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Are a group of mainly Newport-based musicians, including members of Give Me Memphis and The Darling Buds. Previously known as LL, the group have written and recorded intermittently for over 20 years, and have been playing live since 2007. As LL, their only release was a demo track ("Rechem") on the 1999 compilation Fear of a Red Planet. Debut album The Legend of LL was released on Country Mile Records in 2015 and included reworkings of several songs from the same LL demos, as well as a new version of "Pill Sailor", first released on Skull Orchard in 1998.
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A reviewer for Next Generation panned the game, feeling that it demonstrates the inherent issues of the Virtual Boy. He found all of the different game modes to be poor reworkings of the Tetris concept, lacking the series' "simple elegance" while being harmed by the 3D perspective. A reviewer for the magazine VideoGames also found that the game was less appealing than Tetris due to the 3D perspective, though felt that the perspective did have value and was executed well. GamePros "Scary Larry" found the sound and visuals nondescript and the controls frustrating, though he still felt it was addictive.
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The album continued in the vein of the duo's previous album A Beard of Stars, with an even further emphasis on an electric rock sound and the addition of strings on several tracks. Howard Kaylan and Mark Volman, aka "Flo and Eddie", sang backup vocals for the first time on a T. Rex song, "Seagull Woman". They would go on to sing on most of the group's subsequent string of hits. The album contained electric reworkings of two old Tyrannosaurus Rex songs, one of which, "The Wizard", was originally recorded even earlier than Bolan's pre-T.
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The singer at her vocal peak, this recording includes the hit title song (later a bigger hit for Eddy Arnold, with whom the song is usually associated), a version of Willie Nelson's "Permanently Lonely", and two different blues takes of "I'm Movin' On". Yuro was also known for soulful reworkings of popular American standards, such as "Let Me Call You Sweetheart", "Smile", and "I Apologize". She toured Europe in 1963, and appeared on the British TV show Ready Steady Go!. However, in the U.S. her image became established as a cabaret performer, rather than as a soul singer.
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The ballad has inspired a very large number of reworkings in popular culture. Most famously, a translation of a Danish variant (DFG 47B, from Peter Syv's 1695 edition) into German by Johann Gottfried Herder as "Erlkönigs tochter" inspired Johann Wolfgang von Goethe's poem "Der Erlkönig", which developed the concept of the Erlking. The ballad was one of the inspirations for the 1828 play Elves' Hill by Johan Ludvig Heiberg. Other works inspired by "Elveskud" include Henrik Ibsen's 1856 play Olaf Liljekrans; Kristín Marja Baldursdóttir's 1995 novel Mávahlátur; Böðvar Guðmundsson's 2012 novel Töfrahöllin; and Steeleye Span’s folk-rock song ‘’Dance with Me’’.
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Following the departure of Judy Dyble, the band conducted auditions for a replacement singer, and Sandy Denny became the obvious choice. Simon Nicol has said "it was a one horse race really... she stood out like a clean glass in a sink full of dirty dishes". According to author Richie Unterberger Denny's "haunting, ethereal vocals gave Fairport a big boost". The album has been described by Unterberger as "a near-ideal balance between imaginative reworkings of traditional folk songs ... quality covers of contemporary folk-rock singer-songwriters, some quite obscure ... and original folk-rock material by various members".
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Let my character and > my motives repose in obscurity and peace, till other times and other men can > do them justice. Then shall my character be vindicated; then may my epitaph > be written. The modern historian Patrick Geoghehan wrote in 2003: "At last count there are over seventy different versions of the text, but most of these are later reworkings and have little claim to acceptance."History Ireland, autumn 2003 Depiction of Robert Emmet's execution Memorial at Emmet's execution site, Thomas Street Chief Justice Lord Norbury sentenced Emmet to be hanged, drawn and quartered, as was customary for conviction of treason.
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Jon Deverill went on to work as an actor under the name of Jon De Ville, and as of October 2007 was performing in 'The Sound of Music' at the London Palladium with television star Connie Fisher. In October 2007, the band issued a limited edition five track EP titled Back and Beyond, which featured reworkings of three Tygers songs from the early 1980s, along with two new tracks taken from their forthcoming album. Animal Instinct was released on 19 May 2008, the first with vocalist Jacopo Meille. On 2011 bassist Gavin Gray return in the band to replace Brian West.
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This was followed in March 2005 by the album ...And The Horse You Rode In On, which contained acoustic reworkings of some of his best-known solo and Australian Crawl compositions. In February 2005, Australian dance producers Smash 'n' Grab remixed Australian Crawl's "Reckless", which peaked at #42 in Australia. Reyne hosted Dig, a music show on ABC2 (2006–2007), and made an appearance on The AFL Footy Show in Melbourne in 2006. In May 2007, he released a new studio album, Every Man a King, which features the singles "Light in the Tunnel" and "Little Man You've Had a Busy Day".
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Collegium Vocale Mille Regretz is a French chanson which in its 4 part setting is usually credited to Josquin des Prez. Josquin's version is in the Phrygian mode. Its plangent simplicity made it a popular basis for reworkings (such as the mass setting by Cristóbal de Morales, and the 6vv (SATTBB) chanson by Nicolas Gombert), the variations for vihuela known as "La Canción del Emperador" by Luis de Narváez, as well as more recent sets of variations and threnody. Translations of the song differ in their interpretation of the words 'fache/face amoureuse' in line 2.
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For Johann Adam Andreas I von Liechtenstein of Vienna, he produced two allegorical busts: Vice and Virtue, which remain in the Liechtenstein collection, Vienna. The expressive bust of Vice has a specific Bernini source in Bernini's Anima dannata. His sculptures commissioned by Eugenio Durazzo in 1679 during the renovation of the Palazzo Balbi Durazzo, Genoa, remain in situ (the present Palazzo Reale); they are a sentimental Christ at the Column for the chapel and a set of four mythological figures from Ovid's Metamorphoses (Venus, Clytie, Adonis, and Hyacinth) for the garden. The statues are emotive and often witty reworkings of sculptures by Bernini.
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Hartmann's immediate source was the Old French epic Yvain, le Chevalier au Lion by Chrétien de Troyes, which was created either around 1177 or between 1185 and 1188. In contrast to his rather free version of Erec, Hartmann's translation of Iwein remains much closer to the French original. As the themes of the courtly epic had in the meantime become common knowledge for his German listeners, he was able to avoid lengthy explanatory digressions. The subject matter of King Arthur belongs to the Matter of Britain, originally orally transmitted Celtic materials, which found entry to European literature through Chrétiens' reworkings.
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The adaptation of the book is notable for being one of the most radical reworkings of a novel Christie ever did, not only eliminating Hercule Poirot from the story, but changing the identity of the killer. In the play, the ill Mrs Boynton commits suicide and drops several red herrings that pointed to her family members as possible suspects, hoping that they would suspect each other and therefore continue to live in her shadow even after her death, whereas in the novel Lady Westholme is the murderess. In the play, Lady Westholme becomes a purely comic character.
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Another basis for the play is a screenplay Williams wrote under the title of The Gentleman Caller. Williams had been briefly contracted as a writer to MGM, and he apparently envisioned Ethel Barrymore and Judy Garland for the roles that eventually became Amanda and Laura, although when the play was eventually filmed in 1950, Gertrude Lawrence was cast as Amanda and Jane Wyman as Laura. In 1944, after several reworkings, while touring on the road, the play arrived at the Civic Theatre in Chicago. The producers wanted more changes and were heavily pressuring Williams for a happy ending.
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His band featured a consistently rotating line-up, with drummer Bill Dobrow and bassist Gordie Johnson (ex-Big Sugar) being the only fairly regular faces. By August, Robinson had a full album of original material ready for release. Entitled Paper, the record featured many new songs in addition to some reworkings of material from the Hookah Brown period. Robinson handled guitar, bass, and other instruments as well as taking over the lead vocals, with the gaps being filled in by Joe Magistro (drums), Eddie Harsch (keyboards), Donnie Herron (fiddle, violin) and his own son Taylor Robinson (percussion).
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The album received generally positive reviews upon release. Metacritic, which assigns a normalized rating out of 100 to reviews from music critics, the album has received an average score of 72 based on 10 critics, indicating "generally favourable reviews". Heather Phares of AllMusic wrote that the album was "More than just musical footnotes, these reworkings add extra depth to Mount Eerie's already complex body of work". Alex Young of Consequence of Sound said of the album "overall, it’s barely more than a set of curios, which may have been better off released as a free download".
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The album was very successful and was quickly followed by My Son, the Celebrity. Capitalizing on his success, in 1962 Jubilee Records re- released Sherman's 1951 single on the album More Folk Songs by Allan Sherman and His Friends, which compiled material by various Borscht Belt comedians such as Sylvia Froos, Fyvush Finkel and Lee Tully. Sherman's first two LPs were mainly reworkings of old folk songs to infuse them with Jewish humor. His first minor hit was "Sarah Jackman" (pronounced "Jockman"), a takeoff of "Frère Jacques" in which he and a woman (Christine Nelson) exchange family gossip.
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Etty was the first English painter to paint significant still lifes, which at the time were thought by the English a primarily Netherlandish form. Also for the first time, he began to paint a significant number of landscape paintings. Etty still continued to paint history paintings, but while he continued to produce highly acclaimed reworkings of his previous pictures, those works on fresh topics were generally poorly received. Etty's decline in quality can possibly be attributed in part to London art dealers; from 1835 dealer Richard Colls had become increasingly close to Etty, and by 1844 had a near-monopoly on his work.
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Ruth's Refrigerator were a psychedelic rock/indie pop band from Leicester, England, formed in 1990 as a collaboration between guitarist/songwriter Alan Jenkins (of The Deep Freeze Mice and The Chrysanthemums), singer/guitarist Ruth Miller and bassist Terri Lowe (both of Po!), keyboardist (and Jenkins' future wife) Blodwyn P. Teabag, and drummer Robyn Gibson (formerly of The Ammonites). The band released two albums, 1990's Suddenly a Disfigured Head Parachuted and 1991's A Lizard Is a Submarine on Grass, featuring new songs and reworkings of Deep Freeze Mice, Po! and Originals (another of Lowe's former bands) tracks.
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Zoolook is the seventh studio album by French electronic musician and composer Jean-Michel Jarre, released on the Disques Dreyfus label in 1984. It makes extensive use of digital recording techniques and sampling. Much of the music is built up from singing and speech in 25 different languages, along with synthesizers (such as the Fairlight CMI), as well as more traditional instruments. Parts of the album, like the tracks "Blah Blah Café" and the second half of the track "Diva", were reworkings of material that had already appeared as sections of the album Musique pour Supermarché, released the previous year.
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And yet, for all that, Halbertsma's literary works did not take centerstage in his life: that place was reserved for his scientific non- fiction books.Breuker 1993, p. 590. More than fifty years he laboured to complete his dictionary of Western Frisian titled Lexicon Frisicum, for which he chose Latin as the descriptive language, but it remained unfinished. He organised it along the lines of the German dictionary by the Brothers Grimm, but became enmeshed in the addition of insertions and in reworkings, and in writing long semantic etymologies, a part of the work for which he especially had a predilection.
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The album received a review of 7.3 out of 10 points on Pitchfork. On April 5, 2019, Son Lux released a box set with one of their earlier labels, Joyful Noise Recordings, that has two reissued early albums and a new album of unreleased recordings, Remnants. In May, 2020, the collection entitled Reincarnates was released. This collection, much like Remnants consisted of previously unheard or rare tracks, including three reworkings of "Change is Everything" from the Bones album, and a new version of "Remedy" (entitled "Remedy, Surging Sea", and included a crowd-sourced choir of over 300 voices).
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For Burns, "Electra, My Love" is one of the best things Jancsós has produced, and one of the most successful reworkings of a classical legend. Burns is particularly struck by the balletic fluidity of the actors and of the camera work. Flair and ingenuity are everywhere. The arrival at the end of the red helicopter as a symbol of a Marxist Utopia is a "masterly coup de théâtre, which can endow the audience with the same ecstatic optimism as the peasant farmers [in the film]" Elsewhere, in 2004 John Cunningham wrote that "Electra" represented the quintessence of Jancsó's work in the 1970s.
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Solo Recordings at Home is primarily an acoustic album, "placing the emphasis on Gira's voice and guitar only, captured at home via one microphone." Nevertheless, the track "Irish Queen" was roughly recorded during a concert and the fully orchestrated track "God's Servant" was taken directly from the Angels of Light's New Mother (1999). The album also features reworkings of two Swans tracks, "I Remember Who You Are" and "Love Will Save You," from The Burning World (1989) and White Light From the Mouth of Infinity (1991), respectively. The songs on the album feature lyrics on various topics.
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Cukor featured the mature actors Norma Shearer and Leslie Howard as the teenage lovers while Zeffirelli populated his film with beautiful young people, and Baz Luhrmann produced a heavily cut fast-paced version aimed at teenage audiences.Orgel, Stephen "Shakespeare Illustrated" in Shaughnessy, Robert (ed.) "The Cambridge Companion to Shakespeare and Popular Culture" (Cambridge University Press, 2007, ) p.91 Several reworkings of the story have also been filmed, most notably West Side Story, Prokofiev's ballet Romeo and Juliet and Romanoff and Juliet. Several theatrical films, such as Shakespeare in Love and Romeo Must Die, consciously use elements of Shakespeare's plot.
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The Art Box is a six-CD box set by English avant-rock group Art Bears. It contains all Art Bears album and single releases, plus new material, including live and unreleased Art Bears tracks, and unreleased remixes and reworkings of Art Bears material by other musicians. The box set also contains a book of photographs, artwork, articles, interviews and commentary on the CD tracks, the work process, the band and their tour of Europe in 1979. The Art Bears material was recorded between 1978 and 1980, while the work by other musicians was recorded between 1998 and 2003.
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Cumberbatch and Freeman both worked on the 2012 film The Hobbit: An Unexpected Journey, and Moffat continued as Doctor Whos showrunner and head writer. In response to the time pressure, The Guardian asserted, the series "features reworkings of three of Conan Doyle's most recognised tales". Gatiss says that there had been an argument for producing these tales over three years, but Moffat explained that they rejected "deferred pleasure". The relationship between Holmes and Watson developed during the second series, with Watson being less amazed by Sherlock's deductive abilities; Watson acted as the primary detective in the second episode, "The Hounds of Baskerville".
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E Walea includes seven original Hawaiian music compositions written or co-written by Pe'a. The album was recorded in Honolulu, Hawaii, produced by Na Hoku Hanohano Award-winner Dave Tucciarone and co-produced by Kamakoa Lindsey-Asing and Allan B. Cool. The English translation of E Walea is "relaxing at ease with the gentle voices of the birds". AXS wrote, "Kalani Pe'a's music isn't your typical island fare; rather, the Hawaiian singer-songwriter plays with the traditional format with brazen vocals, uncommon compositions and clever reworkings of unlikely hits (like "You Are So Beautiful" and "Always and Forever")." The album title came from Pe'a's nephew's name Kamali‘ikanekuikekaipu‘oluwaleaokalani.
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NPR writer Frannie Kelley notes "minimalist reworkings of TLC's minor-key soul and [...] trancey rhythms that land somewhere between paranoid Sly Stone and smoked-out Maxwell". Ryan Dombal of Pitchfork Media comments that the music "breathes heavy somewhere between UGK's deep funk, quiet-storm 90s R&B;, and James Blake-inspired minimalism", and interprets its subtle style to be "a direct rebuke" to the prevalence of European dance influences in mainstream music. Los Angeles Times writer Todd Martens views that the album's mood and style are modelled after Kanye West's 2008 album 808s & Heartbreak. Other producers' tracks are more up-tempo and shift from the melancholic mood of Shebib's production.
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Stories To Tell is an acoustic album released by Richard Marx featuring several songs from his previous albums in newly recorded acoustic versions. It is his second album of acoustic reworkings of his previous hits, with the Richard Marx/Matt Scannell album Duo being the first. The 11 track collection was first released in March 2010 and available for purchase exclusively at his solo acoustic concerts. The album was later repackaged and released November 11, 2010 in Europe with an additional 7 bonus tracks featuring songs Marx had written or co-written for other artists such as Keith Urban, NSYNC, and Daughtry, all performed here by Marx.
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From December 1995 to January 1996, their first full- length album was recorded for Sub Pop. The brooding, film noir-esque album was given the ironic title Cheer Up. After much delay due to personnel shakeups within Sub Pop, the album was released in October 1996. Leadoff track/single "Forest Ranger" had strange pop-culture references and a singalong line of, "When I was looking at you, I didn't mind your foggy weather/ I just wonder what it's like to die." The album also featured reworkings of "Magnet" and "Peel" from the second EP. Cheer Up featured cello by Rasputina's Melora Creager on two tracks ("Ordinary Things" and "Star Star").
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It contained newly worked versions of "Trees Come Down" and "Darkcell," both originally released on the Burning the Fields EP in 1984. Between June and August 2000, the band made four live appearances at European festivals, (now featuring former Nefilim members Rippin and Miles), at Woodstage, Eurorock, Roskilde and M'era Luna music festivals. In 2002, Jungle Records and Metropolis Records released the first Fields of the Nephilim studio album since Elizium, entitled Fallen. The release was not authorised by the band, and consists of unfinished recordings from 1997–2001, the 2000 reworkings of "Trees Come Down" and "Darkcell", and a previously unreleased demo by The Nefilim.
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Variety said of Sydney Theatre Company's production "the women's roles especially are well-written and the numerous reworkings have ensured the story is tight and focused". Lauren's Theatre Reviews described Roo Theatre's production of the show as "certain very enjoyable for the most part" and "the script has its ups and down, but ultimately is full of charm and a wide variety of main characters", with praise going to the story's characterisation and mix of both drama and comedy. The music of the show received mixed reception, the review noting feeble songs in the playlist. It listed stand-out examples of the score and said that the rest are unmemorable.
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In Spring 2008, Simon released This Kind of Love on the Starbucks label, Hear Music. In October 2009, Simon released Never Been Gone, an album of acoustic reworkings of some of her classic songs, which is her most recent studio album to date. Songs From The Trees (A Musical Memoir Collection) was simultaneously released as a tie-in to Simon's 2015 autobiography, Boys in the Trees: A Memoir. The two-disc set contained two previously unreleased songs, "Showdown" (originally recorded during the sessions for her 1978 album Boys in the Trees) and "I Can’t Thank You Enough", a brand new song written and performed with her son Ben Taylor.
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March 2010 The second installment of the Reworked exhibitions was held in March 2013, featuring the photography of Bill Wyman, the bass guitarist and founding member of The Rolling Stones who was also known as an avid photographer. He was introduced to Rook & Raven by Terry O'Neill, the previously featured photographer, who'd photographed the band since their early years. Mylne was among five artists selected for Bill Wyman, Reworked, and contributed reworkings of two Wyman photos. One of Mylne's contributions was his black and white reinterpretation of a colour photo Wyman had taken of American model Jerry Hall, a former wife of bandmate Mick Jagger.
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This short composition derives from two other compositions by Boulez, namely, Répons (1981) and Messagesquisse (1976–1977). It is similar to Répons in the sense that it is also a short piece for ensemble, as many others came about in the eighties, as pieces exploiting ideas that are presented in larger works by Boulez. Répons was created also as a reelaboration of musical ideas from Éclat/Multiples (1970). This working method is typical of Boulez and is also displayed in the second part of the series of Dérives, Dérive 2, which was considered to be a work in progress for years and had several revisions, expansions and reworkings.
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At the same time as the Feathers side-project was on the go, in early 1969 Bowie threw himself into making a promotional film of music videos to sell himself to a new label. Called Love You till Tuesday, the film recycled songs from his debut album and subsequent recordings, as well as featuring reworkings and new material. "Rubber Band" (album version) and "Sell Me a Coat" were lifted from David Bowie, although the latter track was overdubbed with new instrumentation and Feathers backing vocals. "Love You till Tuesday" was the single version, albeit with an early fade removing its "Hearts and Flowers" coda.
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The fierce anti-war song "Fourth Day of July", with its references to "the broken children of Vietnam", was widely played in "underground" circles of the time. The lighthearted "Summer of '55" contains some of Rapp's cleverest aphorisms, such as "When the day breaks / the pieces fall on you". Two of his other songs, "Stardancer" and "For The Dead In Space", reflect on themes of loss against a background of space travel and can be seen as reworkings of Pearls Before Swine's earlier "Rocket Man". Several of the arrangements hark back to the psychedelic style of his earliest albums, such as Balaklava, with use of bell overtones and phasing.
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The Poetic Edda, a collection of heroic and mythological Nordic poems, appears to have been compiled around 1270 in Iceland, and assembles mythological and heroic songs of various ages. A large number of poems deal with the relationship between Sigurd and Brunhild, which seems to have been of special interest to the compiler. Generally, none of the poems in the collection is thought to be older than 900 and some appear to have been written in the thirteenth century. It is also possible that apparently old poems have been written in an archaicizing style and that apparently recent poems are reworkings of older material, so that reliable dating is impossible.
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When Barbarossa, dips (or vampires) and other ogres and evil are part of our cultural tradition and it is time to achieve relief Count Arnau that taking appointed into account the original and popular literary reworkings later. The World Wide Web (WWW) there is only one text that says the figure of Count Arnau. Archaeology of the legend of Count Arnau. Around this song there is a whole world from the popular tradition that focuses on the adventures of Count Arnau to the people who have studied and writers (a fairly complete compendium of the great figures of modern Catalan literature) that are used to the legends collateral.
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The construction of the baptistery began in the 12th century, probably on top of an existing structure; it underwent various reworkings in the following century, and was consecrated by Guido, patriarch of Grado, in 1281. Between 1370 and 1379 it was restored and adapted as a mausoleum for prince Francesco il Vecchio da Carrara and his wife, Fina Buzzaccarini. The latter oversaw the decorative work, entrusting it to Giusto de' Menabuoi (whose burial site was later found outside the building). With the fall of the House of Da Carrara in 1405, Venetian soldiers demolished the grand burial monuments and covered the numerous emblems of Francesco il Vecchio with green paint.
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Schwalm explained the concept and working method of this project in an Interview with the German music magazine Keyboards. In order to promote their album Drawn from Life, Schwalm and Eno undertook a tour in 2002, which took them as far afield as Japan, Spain and Portugal. Schwalm was also involved in Artists Against AIDS Worldwide, a project initiated by Bono, going under the title of what's going on. In 2003 Schwalm and Eno worked together on film music for Nicolas Winding Refn's Film Fear X. In 2006 Schwalm was involved in Wagner Reloaded, a project involving many different reworkings of Richard Wagner's music.
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In 1981 the band released their first single, "Necrosis en la Poya", in the Tic Tac label, followed by their debut LP, Héroe del Trabajo / El Acero del Partido in 1982. In 1985 the band formed their own label, Esplendor Geométrico Discos, and released their second LP, Comisario de la Luz / Blanco de Fuerza. The band returned with 1997's Polyglophone, the following year, artists such as Coil and Chris and Cosey contributed reworkings of Esplendor Geométrico tracks to the remix album EN-CO-D-Esplendor. In 2002, Compuesto de Hierro was released, while a double CD compilation, Anthology 1981-2003, hit the shops in 2005.
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Several of the album's songs are covers of older Jamaican songs. "Monkey Man" had been a hit for Toots & the Maytals in 1969, "Too Hot" was a Prince Buster original from 1966, and the opening track, "A Message to You, Rudy" was a Dandy Livingstone single in 1967. "You're Wondering Now" was originally performed by duo Andy & Joey and later covered by The Skatalites; the vocal version was recorded by Andy & Joey in 1964. Other tracks are reworkings of Jamaican originals: "Too Much Too Young" was based on Lloyd Charmers' "Birth Control" and "Stupid Marriage" draws heavily on the Prince Buster hit "Judge 400 Years" (also known as "Judge Dread").
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There are also substantial cultural similarities between the various groups, especially in terms of social organisation, childrearing, as well as horticulture, building and textile technologies; their mythologies in particular demonstrate local reworkings of commonly shared tales. In some island groups, help is of great importance as the god of the sea and of fishing. There is often a story of the marriage between Sky and Earth; the New Zealand version, Rangi and Papa, is a union that gives birth to the world and all things in it. There are stories of islands pulled up from the bottom of the sea by a magic fishhook, or thrown down from heaven.
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During a shambolic gig supporting The Telescopes at the Brixton Windmill on 9 June 2012, The Nova Saints announced from the stage that they were breaking up and that this would be their last ever gig. This was confirmed the following day on their Facebook page along with news that the band would put out one final release. On 16 February 2013, The Nova Saints' Facebook page announced the release of Refoundland, a remix album featuring reworkings of songs from Newfoundland by Northern Star Records affiliated acts Delicasession, Punk TV, Youngteam, The Lost Rivers and Head in the Shed as well as a brand new track from The Nova Saints themselves.
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"De tous biens plaine" is a French chanson, usually credited to Hayne van Ghizeghem, who wrote a 3-part version, published by Ottaviano Petrucci in 1501. Amongst other reworkings are a four-part version by Josquin and two 3-part versions by Alexander Agricola. Full words and music are here and of an Agricola version at the Choral Wiki here A version of the first verse and its translation are given by David Munrow in The Art of the Netherlands as :De tous biens plaine est ma maistresse :Chascun lui doit tribut d'onneur; :Car assouvye est en valeur :Autant que jamais fut deesse. :My mistress possesses every virtue.
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Previous commentators have suggested that perhaps an extra improvised voice was intended by Handel, but such a demand on a soloist would have been beyond usual baroque performing practices. The second and third movements are reworkings of the first two movements Handel's organ concerto in F major, HWV 295, often referred to as "The cuckoo and the nightingale", because of the imitation of birdsong. The allegro is skillfully transformed into a more disciplined and broader movement than the original, while retaining its innovative spirit. The solo and orchestral parts of the original are intermingled and redistributed in an imaginative and novel way between concertino and ripieno.
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See for example G. R. Subramiah Pantulu, Indian Antiquary 26 (1897), p. 111 Another version appears in the Chinese drama The Chalk Circle (in this version the judge draws a circle on the ground),Theodor Herzl Gaster, Myth, Legend, and Custom in the Old Testament: A Comparative Study with Chapters from Sir James G. Frazer's Folklore in the Old Testament, II, New York: Harper & Row, 1969, p. 493. which has been widespread all over the world and many versions and reworkings were made after it, among them The Caucasian Chalk Circle, a play by Bertolt Brecht. The Judgement of Solomon by Gaspar de Crayer, c.
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His rival in dramatic art (and supposedly in the affections of Glycera) was Philemon, who appears to have been more popular. Menander, however, believed himself to be the better dramatist, and, according to Aulus Gellius,Gellius: Noctes Attica, 17.4 used to ask Philemon: "Don't you feel ashamed whenever you gain a victory over me?" According to Caecilius of Calacte (Porphyry in Eusebius, Praeparatio evangelicaEusebius: Praeparatio Evangelica, Book 10, Chapter 3) Menander was accused of plagiarism, as his The Superstitious Man was taken from The Augur of Antiphanes, but reworkings and variations on a theme of this sort were commonplace and so the charge is a complicated one.
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Douglas continued the controversial methods he had adopted on Crash Landing and brought in many of the same session musicians to overdub parts of songs. The only original recording (apart from those by Hendrix) was Mitchell's drumming on "Hear My Train". In response to the previous outcry from fans and critics, Douglas did not claim co-writer credit for any songs on Midnight Lightning. Despite the fact that the album included reworkings of the popular live songs "Hear My Train" and "Machine Gun", the album was not as well received as its predecessor, peaking at numbers 43 in the US and 46 in the UK.
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After a 6 year hiatus, Alphabeat announced their return on 1 March 2019 with the single "Shadows". At the same time, they announced plans for a fourth studio album, citing a release window of October 2019. In Demark, "Shadows" has since reached number 19 in the Singles Charts and has gone on to be certified Gold. An EP of "Shadows" remixes was released on 24 May, containing reworkings by Alphalove, F9, Until Dawn and Country Club Martini Crew. An acoustic recording of the track was released 14 June, followed by a UK radio edit of the single on 10 September, mixed by "Fascination" and "10,000 Nights" producer Jeremy Wheatley.
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Amidst these collaborations with The Ex, a new international collective of horn players gradually formed and by 2010 adopted the name "Brass Unbound" after Johan van der Keuken's 1993 film of the same name. In his film, van der Keuken follows the development of the European brass band tradition in the former Dutch colonies to include traditional marching bands to more hybridized forms brass music that combine European instruments with Ghanaian rhythms. Independent of concerts with Getatchew Mekurya, Brass Unbound began touring as a live act with The Ex in 2010. For these concerts, the ensemble wrote and improvised new material, as well as reworkings of songs from The Ex's catalog.
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After a thirty-year hiatus, the surviving members of the original line-up – augmented by Frank Mizen on pedal steel and Will Jackson on guitar – performed to a sell out crowd in April 2009 in their home town of Harrogate. A DVD of the concert was released later that year. A third album, Montpellier (2010) comprising reworkings of demos from the band's earlier incarnation, along with new material by both Roy Webber and Paul Middleton, was released in February 2010, and a second "reunion" concert took place in April. Funds from ticket sales will be used to erect a permanent memorial to Pete Cosker and Paul Gerrett.
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Parks’ work has focused largely on British themes, first in small scale realist paintings of London suburbs from the mid- seventies to the early eighties, and later in larger scale more expressionist paintings of the mid-eighties. The latter featured images of British public imagery including guardsmen, policemen and buildings such as Buckingham Palace and the Houses of Parliament. A 2005 exhibition featured reworkings of quintessential English imagery such as hunting scenes, polo players, castles and steam trains. His recent work has often included paintings executed with his fingers, including a suite of paintings recreating his English childhood exhibited in New York in 2012.
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Marchant also wrote The Knight's Tale, one of a series of modern reworkings of The Canterbury Tales, in which Simm played Ace. Later that year, Simm starred opposite Christina Ricci and John Hurt in the film Miranda. In 2004, he played the researcher and charity investigator Daniel Appleton in the BAFTA award- winning Channel 4 drama Sex Traffic. This two-parter followed the plight of two young Moldovan sisters sold into sexual slavery. After playing Dr. Bruce Flaherty in Howard Davies' production of Joe Penhall's Blue/Orange, Simm starred as Detective Inspector Sam Tyler in the 2006 BBC series Life on Mars, playing a police officer sent back in time to 1973.
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This culminated in a support slot with the French-Canadian band Malajube at the 100 Club in London in September 2007. The band also added a demo of new song "Becoming Of Age" to the CD for the Malajube date. In late 2007, the band demoed three new songs – "Casualties", "An Easy Smile" and "Humanism is a Condition" – plus reworkings of "What Becomes You" and "Becoming of Age" from their original home demo, to be included on a new EP entitled Brave the Sea. The EP was produced and recorded by Chris Coulter, who was then working at Stakeout Studios in Richmond, which the band chose as it was where Reuben had recorded Racecar Is Racecar Backwards.
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The reviewer also noted that frequent collaborators with Allerseelen such as Dimo Dimov of the Bulgarian group Svarrogh and Marcel P. of the German group Miel Noir were in effect coalescing into a band.Dominik T., "Allerseelen: Rauhe Schale: Reich der Träumer", Nonpop.de, retrieved 3 August 2020. . Allerseelen's following album, Terra Incognita, so named according to Petak because he did not know at the outset how it would turn out, was released in 2015 and includes reworkings of old tracks as well as new material, with lyrics by Nietzsche, Goethe, and Richard Wagner and several guest artists: John Haughm of Agalloch, Jörg B. of Der Blutharsch, Daniel P. of Arnica, Alexander Wieser of Hrefnesholt, and Robert N. Taylor of Changes.
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The document's validity is questionable. While some claim the earliest text concerning the alleged agreement came from the second half of the 14th century others call it a late medieval forgery, not a twelfth-century source. While various items of the text seem anachronistic to some, other historians say these could be reworkings of a text from an actual agreement. Since the 19th century, a number of historians have claimed that the Pacta conventa was not a genuine document. In 1915 and then also in 1925, Milan Šufflay mentioned the document in some of his works, first declaring it an outright forgery, and later saying it was a 14th-century "addendum" to the manuscript of Thomas the Archdeacon.
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Among the new hires were the folk duo Barry & Barry (folksingers Barry McGuire and Barry Kane), vocalist Peggy Connelly, singer/banjoist Larry Ramos, and tenor Clarence Treat (upright bass and mandolin). The new lineup broke in their act at The Troubadour in Los Angeles in July–August 1962, which included a mix of folk Americana performed by the ensemble (usually Sparks' reworkings of folk melodies), a smattering of vaudevillian humor and step out solos, duos and trios by the members. They were a smash success and garnered rave reviews from both The Hollywood Reporter and Variety. Prior to the debut of the Williams television show, the group appeared with Andy at the Greek Theatre in September.
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The ongoing afterlife of Chokmah has continued most directly in the reappearances of some of its tracks. This stands in stark contrast to the fate of virtually all her 1990s output, which has been almost totally absent from both her live concerts and the various reworkings of older material which have been a feature of Nena's work in the 21st century. Only one year after Chokmah release two tracks were selected for the follow-up album Nena feat. Nena; another ("Lass die Leinen los") appeared on Made in Germany Live and most recently "Ich hör mir zu" was the only reworking in the standard edition of her 2012 album Du bist gut.
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With this mission, Thomas Bowdler aimed to produce an edition of the works of "our immoral Bard", as Bowdler calls Shakespeare in the preface to the second edition, that would be appropriate for all ages, not to mention genders. In addition to the reworkings and a new preface, Thomas also included introductory notes for a few of the plays—Henry IV, Othello, and Measure for Measure—to describe the advanced difficulty associated with editing them. The spelling "Shakspeare", used by Thomas Bowdler in the second edition but not by Harriet in the first, was changed in later editions (from 1847 on) to "Shakespeare", reflecting changes in the standard spelling of Shakespeare's name.
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47Jesus of Nazareth: An Independent Historian's Account of His Life and Teaching by Maurice Casey 2010 p. 35 While the baptism of Jesus itself may be a historical event, the presence of the dove and the voice from Heaven may be later embellishments to the original happening. Marcello Craveri's "Life of Jesus" in 1967, based on the Dead Sea Scrolls, argued that the claims to divinity made by the historical Jesus were strictly limited and not unusual for a Jew of that generation. Much of the stronger claims, and the emphasis on the redeeming power of Christ's death on the Cross, could be seen as reworkings by St. Paul, who was probably influenced strongly by the Graeco-Roman traditions.
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Each of the stories in the Vimanavatthu follows the same pattern, using the frame of the Buddha's disciple Mahamoggallana asking a deva the reason for their current residence in a divine abode. The deva then relates the good deeds in their previous birth that lead to their rebirth in the divine realm. The text is generally regarded by scholars as a relatively late addition to the Pali Canon, possibly one of the last texts added to the Khuddaka Nikaya before the Canon was closed. Selected texts or stories from the Vimanavatthu may be earlier, a few being composed in the archaic Arya metre and others possibly reflecting reworkings of older stories, including borrowings from the Jataka collections.
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Founded in 1975, BeauSoleil (often billed as "BeauSoleil avec Michael Doucet") released its first album in 1977 and became one of the most well-known bands performing traditional and original music rooted in the folk tunes of the Cajuns and Creoles of Louisiana. BeauSoleil tours extensively in the U.S. and internationally. While its repertoire includes hundreds of traditional Cajun, Creole and zydeco songs, BeauSoleil has also pushed past constraints of purely traditional instrumentation, rhythm, and lyrics of Louisiana folk music, incorporating elements of rock and roll, jazz, blues, calypso, and other genres in original compositions and reworkings of traditional tunes. Lyrics on BeauSoleil recordings are sung in English or Cajun French (and sometimes both in one song).
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Hayseed Dixie plays hard rock and bluegrass music on electrified acoustic bluegrass instruments. The band has released 16 studio albums and played over 1,400 live dates in 31 different countries since its inception in 2000. Upon the release of the debut album, A Hillbilly Tribute to AC/DC, on April 17, 2001, which consisted of acoustic hillbilly-styled reworkings of AC/DC songs, Hayseed Dixie received considerable morning-show radio airplay in the US, selling over 250,000 albums in the US from 2001 to 2003. The band toured the US club and festival circuit extensively during that time. In March 2003, the band had three different albums in the Top 15 in the bluegrass category of the US Billboard charts at the same time.
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The remixes vary from radical reworkings such as Killa Kella's beatbox treatment of "Golden Retriever" and Wauvenfold's "unrecognisable" version of "Sex, War and Robots", to the likes of Mario Caldato Jr's take on "Liberty Belle" and High Llamas' "Valet Parking" which are merely "spruced up". The remixes are interspersed with anecdotes from 'Kurt Stern' (actually the band's road manager) who supposedly made the decision to make these remixes after being unhappy with the original Phantom Power. According to bassist Guto Pryce this "running commentary is tongue in cheek, it's our road manager pretending to be a producer, and he ends up sounding like a... twat!" These anecdotes give the actual release a different track listing from that which appears on the back of the album.
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The twelve concertos were produced in a space of five weeks in late September and October 1739, with the dates of completion recorded on all but No.9. The ten concertos of the set that were largely newly composed were first heard during performance of oratorios later in the season. The two remaining concertos were reworkings of organ concertos, HWV 295 in F major (nicknamed "the Cuckoo and the Nightingale" because of the imitations of birdsong in the organ part) and HWV 296 in A major, both of which had already been heard by London audiences earlier in 1739. In 1740 Walsh published his own arrangements for solo organ of these two concertos, along with arrangements of four of the Op. 6 concerti grossi (Nos.
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The album mixed reworkings of folk songs, including Pete Seeger's musical adaptation of the Idris Davies' poem "The Bells of Rhymney", with a number of other Dylan covers and the band's own compositions, the majority of which were written by Clark. In particular, Clark's "I'll Feel a Whole Lot Better" has gone on to become a rock music standard, with many critics considering it one of the band's and Clark's best songs. Upon release, the Mr. Tambourine Man album, like the single of the same name, was influential in popularizing folk rock and served to establish the band as an internationally successful rock act, representing the first effective American challenge to the dominance of the Beatles and the British Invasion.
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Her scholarship and her tireless and generous mentoring of other scholars have been honored in two publications: A Festschrift edited by Maren Clegg Hyer and Jill Frederick in 2016 entitled Textiles, Text, Intertext: Essays in Honour of Gale R. Owen-Crocker (Boydell Press), and Making Sense of the Bayeux Tapestry: Readings and Reworkings, co-edited by Anna C. Henderson and Gale R. Owen- Crocker (Manchester: Manchester University Press, 2016). Owen-Crocker is a prolific lecturer and has been invited to speak at events all over the world. Her warm and lively yet thoroughly scholarly presentation style has garnered her invitations to speak at academic conferences and prestigious universities, but she is equally at home presenting to the general public and to groups of re-enactors.
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Rameau's musical works may be divided into four distinct groups,Apart from the pieces written for the Paris fairs, which haven't survived which differ greatly in importance: a few cantatas; a few motets for large chorus; some pieces for solo harpsichord or harpsichord accompanied by other instruments; and, finally, his works for the stage, to which he dedicated the last thirty years of his career almost exclusively. Like most of his contemporaries, Rameau often reused melodies that had been particularly successful, but never without meticulously adapting them; they are not simple transcriptions. Besides, no borrowings have been found from other composers, although his earliest works show the influence of other music. Rameau's reworkings of his own material are numerous; e.g.
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Rhys Hughes reviewed Star Winds and The Pillars of Eternity as "offbeat" but ultimately reworkings of earlier material. Andrew Darlington made reference to the reworked theme of alchemy (first seen in Empire of Two Worlds) and argued that the first half of the novel, dealing with the actual journey from Earth to Mars, was stronger than the second, which moved out to a galactic venue. Darlington commented that Bayley's abandonment of his Martian setting may have been due to the influence of the Viking landings while the book was being written."Knight Without Limit: An Overview of the Work of Barrington Bayley", Arena #10, 1980 David Pringle noted that the distinctions between SF and fantasy were slight but that the book was still engaging.
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A chance meeting in Bath with Leo Abrahams led to collaboration on "Anemone" and "The Kindness of Strangers", but other than the former, all of Linton's academic output from this period remains unreleased. In 2007, he translated the lyrics for various songs by Susumu Hirasawa into English, more than a decade since the two had last been in contact. In early 2011, Entropy Records released Linton's 2009–2010 reworkings of the sounds of FM3's Buddha Machine versions 1 and 2, but following the 9.0 magnitude Tōhoku earthquake and tsunami and subsequent releases of radioactive materials in Japan (where Linton had returned in 2007) delayed the release until late March. In 2012, he released a benefit CD for Sendai earthquake reconstruction with contributions from Matthew Seligman.
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Two albums released in 1995 closed the first phase of the band's career - a set of ambient dance reworkings of Flowermouth material called Flowermix and a compilation of the band's more ambient and atmospheric One Little Indian-era B-sides and rarities called Heaven Taste. With each subsequent release the band moved further away from its more conventional pop and rock roots, mirroring the evolution of artists such as Talk Talk, David Sylvian, Radiohead, Scott Walker and Kate Bush. Since the mid-1990s, No-Man has released a steady stream of albums via Snapper Music and 3rd Stone/Adasam, featuring guests such as Fripp, Barbieri, Jansen, Theo Travis and Pat Mastellotto. The band has maintained a healthy cult following as well as continued critical acclaim.
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According to frontman Dani Filth, Bitter Suites to Succubi is a "transitional mini album; essentially an EP", bridging the gap between Midian and Damnation and a Day while the band negotiated their label change from Music for Nations to Sony Records. It features six new compositions (two of which are instrumentals), but is bolstered to album- length with three reworkings of songs from The Principle of Evil Made Flesh ("The Principle of Evil Made Flesh", "Summer Dying Fast" and "The Black Goddess Rises") and a cover of The Sisters of Mercy's "No Time to Cry". It was the band's first release on their own Abracadaver label. "Dinner at Deviant's Palace" features a recording of Paul Allender's son reading The Lord's Prayer played backwards.
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Zola Jesus performing at Webster Hall, New York City, 2014 In August 2013, Versions, a set of neo-classical reworkings of previous tracks from Zola Jesus releases, in a collaboration with producer JG Thirlwell, was released through Sacred Bones. After having resided in Los Angeles for a period, Danilova found living in a large city was negatively impacting her ability to concentrate, and relocated to Vermont, followed by her native Wisconsin, before settling in Washington to begin completing her new record. On June 18, 2014, she announced the release of her fourth studio album, Taiga. This album, released by Mute Records, features a more prominent pop influence than her previous releases, with Danilova drawing inspiration from popular vocalists such as Mariah Carey and Barbra Streisand.
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It was the first of many popular songs employing Australian slang. In 1982 he released "True Blue" and subsequent works including Mallee Boy, the lyrical "Galleries of Pink Galahs" and reworkings of Australian bush ballads and folk songs earned him a permanent position as leading exponent of Australian country and folk music. In 1970, Tamworth's Radio 2TM organised the landmark Bicentennial Concert to mark the 200th anniversary of the voyage of Captain James Cook along the coast of Eastern Australia. The pioneers of Australian country music Slim Dusty, Joy McKean, Barry Thornton, "Smiling" Billy Blinkhorn, Smoky Dawson, Shirley Thoms and Buddy Bishop all featured in the concert which contributed to a revival of interest in Australian country music which had struggled for airplay since the arrival of rock and roll in Australia.
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Otherworld features eleven tracks that mix traditional Irish folk pieces, original compositions and cover versions; the band's versions of the Irish folk tunes were described by one critic as "dazzling reworkings." Many of the pieces on the albums are reels but there are also multiple jigs and pieces, in addition to air and march compositions.irishtune.info for Otherworld by Lúnasa - Irish Traditional Music Tune Index Of the more traditional Celtic instruments used on Otherworld, several of the specific models used were promoted by the band in the liner notes. Fiddle player Seán Smyth played fiddle and viola created by Mick de Hoog and a low F whistle created by Mike Grunter, whose low whistles and flutes were also used by Kevin Crawford on the album, in addition to Alfonso bodhrans.
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Shakin' Stevens wearing electric blue drape jacket, 1970s George Harrison and John Lennon emulated the style in the early formation of the Beatles. Later, following The London Rock and Roll Show held at Wembley Stadium in August 1972 (featuring American performers including Little Richard, Jerry Lee Lewis and Chuck Berry, plus UK-based support acts), the music enjoyed a renewed period of popularity. Musical momentum was maintained by the release of films such as American Graffiti and That'll Be the Day (both 1973) and glam rock reworkings by bands such as Wizzard, The Glitter Band and Showaddywaddy topping the pop charts from 1973. Concurrently, a resurgence of interest in Teddy Boy fashions was promoted by Vivienne Westwood and Malcolm McLaren through their shop Let it Rock, on London's King's Road.
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This tradition of interpretation would continue into the eighteenth century, when Gotthold Ephraim Lessing interprets the poems of the Heldenbuch in a very similar fashion, and as late as 1795, Johann Friedrich Schütze argued that the poems were allegories for medieval historical events. Fountain in Bolzano depicting Dietrich fighting Laurin The medieval poems about Dietrich never attained the same status as the Nibelungenlied among nineteenth-century enthusiasts for the German past, despite repeated attempts to reanimate the material through reworkings and retellings. The most ambitious of these was by Karl Simrock, the translator of the Nibelungenlied, who sought to write a new German epic, composed in the "Nibelungenstanza", based on the Thidrekssaga and select poems of the Dietrich cyclce. He called his project the Amelungenlied (song of the Amelungs).
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The development of European classical literature out of the common stock of oral tradition proved conducive to reworkings, revisions, and satires. Numerous writers of Greece's golden age revived and reworked stories of the Trojan War and Greek mythology, although they were not strictly continuators as, for the most part, they did not invent or even extrapolate much from the received stories, choosing to alter the tone and treatment rather than the stories. Latin literature, on the other hand, may be regarded as systematic continuators of Greek models. The pinnacle of Augustan literature, the Aeneid, is essentially a continuation of the Iliad: not only in that it follows a minor character from his imagined origins in Troy to his founding of Rome, but in that it continues a historical ethos.
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It has adopted innovations from Western gymnastics and other practices. Some versions of modern yoga contain reworkings of the ancient spiritual tradition, and practices vary from wholly secular, for exercise and relaxation, through to undoubtedly spiritual, whether in traditions like Sivananda Yoga or in personal rituals. Modern yoga's relationship to Hinduism is complex and contested; some Christians have challenged its inclusion in school curricula on the grounds that it is covertly Hindu, while the "Take Back Yoga" campaign of Hindu American Foundation has challenged attempts to "airbrush the Hindu roots of yoga" from modern manifestations.James Mallinson (2013), Yoga and Religion, Heythrop College: A Seminar on Modern yoga, London, UK Hindu Christian Foundation Yoga has evolved in many directions in modern times, and people are using it with different combinations of techniques for multiple purposes.
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According to Seymour Howard, both the Vatican group and the Sperlonga sculptures "show a similar taste for open and flexible pictorial organization that called for pyrotechnic piercing and lent itself to changes at the site, and in new situations". The more open, planographic composition along a plane, used in the restoration of the Laocoön group, has been interpreted as "apparently the result of serial reworkings by Roman Imperial as well as Renaissance and modern craftsmen". A different reconstruction was proposed by Seymour Howard, to give "a more cohesive, baroque-looking and diagonally-set pyramidal composition", by turning the older son as much as 90°, with his back to the side of the altar, and looking towards the frontal viewer rather than at his father.Howard, 422 and 417 quoted in turn.
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The songs Pickett recorded were mainly reworkings of songs issued in the 1930s, including versions of Leroy Carr's "How Long", Buddy Moss's "Ride to a Funeral in a V-8", Blind Boy Fuller's "Let me Squeeze Your Lemons" (renamed "Lemon Man" by Pickett), and Pickett's only gospel music recording, "99 1/2 Won't Do". By the 1960s, the recordings had become legendary among record collectors who regarded them as some of the best commercial country blues recordings of the post–World War II era. Eventually there emerged a letter from a James Founty to Charles R. Paul, an attorney, dated July 1950, in which Founty claimed he had not been paid royalties. Investigations concluded that Founty's label had paid him for the recording session and that any royalties were determined by that contractual arrangement.
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Swamp Pop: Cajun and Creole Rhythm and Blues, Jackson, Miss: University Press of Mississippi; Around 1980 he recorded an album of Fats Domino favorites for Jin, titled A Lot of Dominoes, but the masters disappeared until around 1991, when the tracks were finally released (albeit only on cassette). In 2003 he recorded his first new album in over two decades. Titled Louisiana Tradition, the compact disk appeared on the CSP label of Forney, Texas, and included several new songs, as well as reworkings of vintage south Louisiana tunes like fellow swamp pop musician Bobby Charles' "Later Alligator." In June 2006 Bernard re-recorded his spoken- word single "A Tear In The Lady's Eye," which he had originally written and recorded in 1968 as a pro-military response to anti-Vietnam War protestors.
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Roberge (1991), p. 74Abrahams, p. 233 For Sorabji, transcription was a means for older material to undergo transformation to create an entirely new work (which he did in his pastiches, among them two reworkings of Frédéric Chopin's "Minute Waltz"), and he saw the practice as a way to enrich and uncover the ideas concealed in a piece.Roberge (1991), p. 82 Most of his transcriptions date from the 1940s and include an adaptation of Johann Sebastian Bach's Chromatic Fantasia, in the preface to which he denounced those who perform Bach on the piano without "any substitution in pianistic terms".Roberge (2020), pp. 258–259 Sorabji dismissed performers like Albert Schweitzer, whom he deemed rigid and inflexible, and praised others such as Egon Petri and Wanda Landowska for their ability to "re-create" music.
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Keyboardist Cian Ciaran stated at the time of Phantom Power's release that the band would issue a DVD with every future album, claiming that "this is just the way we make records now". However, the band's next two albums, Love Kraft and Hey Venus!, were not made available on DVD and, in a 2008 interview with Uncut, Rhys suggested that the release had been something of a failure: "no one gave a shit because people just want to rock n' roll!" The remixes on the DVD version of Phantom Power vary from radical reworkings such as Killa Kella's beatbox treatment of "Golden Retriever" and Wauvenfold's "unrecognisable" version of "Sex, War and Robots", to the likes of Mario Caldato Jr's take on "Liberty Belle" and High Llamas' "Valet Parking" which are merely "spruced up".
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In 1968, guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham (where Plant was singing in a band named Hobbstweedle). In front of Page, Plant sang Jefferson Airplane's "Somebody to Love", leading Page to end his search. As recalled by Plant and Page: sigil used in the Led Zeppelin IV album With a shared passion for music, Plant and Page immediately developed a strong relationship, and began their writing collaboration with reworkings of earlier blues songs. Plant with Led Zeppelin, 1973 Initially dubbed the "New Yardbirds" in 1968, the band soon came to be known as Led Zeppelin.
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Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a copy of the sheet music, learned by heart or captured on a gramophone record. In fact, one of the principal objects of publishing sheet music was to have a composition performed by as many artists as possible. In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary cover versions of current hits. Musicians now play what they call "cover versions" (the reworking, updating or interpretation) of songs as a tribute to the original performer or group.
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Phair has frequently gone back and reworked many of the songs for her studio albums throughout her career: she told Rolling Stone "I go in there and rip stuff off – it's like a library". Much of Phair's debut album Exile in Guyville contains reworkings of songs from these tapes. However, the content of some of these tracks was modified in ways that altered meanings and messages; in "Flower" the line "I’ll fuck you and your girlfriend, too" was changed to "I’ll fuck you and your minions, too." In addition to this, the final chorus of "Bomb" which tells of a passenger on a plane sabotaging and taking it out was entirely removed; the title of the song was changed to "Stratford-on-Guy" and a new chorus was written.
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After more than a decade away from the recording studio, Braithwaite featured on the track "The Euphonious Whale" with James Reyne's album, And the Horse You Rode in On. A new studio album titled, Snapshot appeared later in 2005. It included four songs co-written by Braithwaite including "See You Around Sometime" which was written with Mark Seymour and had been previously recorded by Seymour for his album One Eyed Man. In 2006, Braithwaite sang on two new Sherbs tracks specially recorded for a greatest hits compilation, Super Hits; they were The Sherbs' first new recordings in 22 years. Braithwaite then resumed his solo career with the 2008 release of The Lemon Tree, an album of acoustic reworkings of both solo and Sherbet hits, and a few covers.
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Mercury's powerful, sustained note—"Aaaaaay-o"—during the call-and- response a cappella segment came to be known as "The Note Heard Round the World". The band were revitalised by the response to Live Aid – a "shot in the arm" Roger Taylor called it – and the ensuing increase in record sales.Mojo, August 1999, issue number 69. "Their Britannic Majesties Request" by David Thomas, page 87. Queen ended 1985 by releasing the single "One Vision" and a limited-edition boxed set of Queen albums, The Complete Works. The package included the 1984 Christmas single "Thank God It's Christmas" and previously unreleased material.International who's who in popular music p.129. Routledge, 2002 In early 1986, Queen recorded the album A Kind of Magic, containing several reworkings of songs written for the fantasy action film Highlander.
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Christie adapted the book as a play of the same name in 1945. It is notable for being one of the most radical reworkings of a novel Christie ever did, not only eliminating Hercule Poirot from the story, but also changing the identity of the killer. In the play, the ill Mrs Boynton committed suicide and dropped several red herrings that pointed to her family members as possible suspects, hoping that they would suspect each other and therefore continue to live in her shadow even after her death. In addition, the character of Carol Boynton has been dropped, Ginevra is now a stepdaughter (rather than a natural child) of Mrs Boynton, Lady Westholme becomes an ex-Member of Parliament, Miss Pierce is now Miss Pryce, and Alderman Higgs has been added as a fellow vacationer/verbal sparring partner for Lady Westholme.
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From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, through its singular articulations in the works of Shakespeare, Lope de Vega, Racine, and Schiller, to the more recent naturalistic tragedy of Strindberg, Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to comedy). In the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre.
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Part of the contemporary so-called , the artist's sketchbooks from this period include reworkings of the celebrated painted panels from a byōbu in the Shōsōin depicting a beauty under a tree, as well as of a lacquered kugo from the same repository of treasures; as in the 1895 replica, the original instrument instead features twenty-three strings. Other sketches include figures in long striped skirts, based on the Nara- period Illustrated Sutra of Cause and Effect, and studies of contemporary female hairstyles based on paintings and statues, such as that of the National Treasure Kichijōten at Yakushi-ji. The painting was first exhibited at the Seventh Hakuba-kai ("White Horse Society") Exhibition, held in September and October 1902 in Ueno Park, in one of the halls from the 1877 inaugural National Industrial Exhibition. There it appeared under the name .
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The numerous reworkings of the scene in which Alcméon kills his mother were intended to ensure the effect Voltaire sought as with his other scenes of matricide (in ' and Sémiramis); not to shock the audience but to reintroduce to French tragedy the element of 'terror' which Voltaire felt had been lost as a result of the taste for gallantry on stage. Voltaire's correspondence in March 1732 with Moncrif, secretary to the Comte de Clermont, indicates that the actors of the Comédie-Française may have been reluctant to perform the play: Voltaire wanted to dedicate the work to Clermont and urged Moncrif to ensure that his master recommended the work to them, so they knew it enjoyed his patronage. The play premiered at the Comédie-Française on 7 March 1732. Voltaire made revisions to it until the beginning of May.
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Bodmer dubbed the Nibelungenlied the "German Iliad" ("deutsche Ilias"), a comparison that skewed the reception of the poem by comparing it to the poetics of classical epic. Bodmer attempted to make the Nibelungenlied conform more closely to these principles in his own reworkings of the poem, leaving off the first part in his edition, titled Chriemhilden Rache, in order to imitate the in medias res technique of Homer. He later rewrote the second part in dactylic hexameter under the title Die Rache der Schwester (1767). Bodmer's placement of the Nibelungenlied in the tradition of classical epic had a detrimental effect on its early reception: when presented with a full edition of the medieval poem by Christoph Heinrich Myller, King Frederick II famously called the Nibelungenlied "not worth a shot of powder" ("nicht einen Schuß Pulver werth").
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Social and political critics have used various forms of art to express their criticism, including literature and music. Pierre Beaumarchais, for example, prior to the French Revolution, used his play The Marriage of Figaro to denounce aristocratic privilege, and a critic's influence is enhanced by subsequent reworkings such as the operatic versions of Beaumarchais's play (The Barber of Seville) by Rossini and (The Marriage of Figaro) by Mozart. August Ahlqvist, a Finnish professor and poet, who highly admired J. L. Runeberg, the national poet of Finland, gave very negative feedback to the entire literary production of the author Aleksis Kivi, when Kivi presented content of the peoples social life in the form of rude realism instead of romanticism. Among the most famous social/political criticism in literary form are Jonathan Swift's satire Gulliver's Travels and George Orwell's satire Animal Farm.
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The same he published a panegyric poem in Lithuanian dedicated to Tsar Alexander II of Russia and his visit to Vilnius (because it was submitted late, it was not included in the main album, but published separately). Several former students and professors of Vilnius University hoped to persuade the Tsar to reopen the university. In 1860, with the help of , Akelaitis published five works in Lithuanian (in total, 26,000 copies) as the first works of the planned folk library series. It was a Lithuanian (Western Aukštaitian dialect) primer, two prayer books, and two reworkings of short didactic stories by , Kwestorius po Lietuwą ważinedamas żmonis bemokinąsis (Quaestor, Traveling Across Lithuania, Teaches People) and Jonas Iszmisłoczius kromininkas (Shopkeeper John the Wise), which in turn was a reworking of a French story by and was already published in Lithuanian in 1823.
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For their Brunswick recordings, "the Boswells took greater liberties, regularly changing style, tempi, modality, lyrics, time signatures and voicings (both instrumental and vocal) to create unexpected textures and effects." Connee's reworkings of the melodies and rhythms of popular songs, together with Glenn Miller's arrangements and New York jazz musicians (including the Dorsey Brothers, Benny Goodman, Bunny Berigan, Fulton McGrath, Joe Venuti, Arthur Schutt, Eddie Lang, Joe Tarto, Mannie Klein, Dick McDonough, and Carl Kress), made these recordings unlike any others. Melodies were rearranged and slowed down, major keys were changed to minor keys (sometimes in mid-song), and unexpected rhythmic changes were par for the course. They were among the few performers who were allowed to make changes to current popular tunes since, during this era, music publishers and record companies pressured performers not to alter current popular song arrangements.
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As far as I know, these two texts, together with several reworkings of the story from the Yerushalmi that appear in later rabbinic collections, are the only texts to make this daring move. The Talmud Yerushalmi took shape in Roman.." In the Sefer Zerubbabel Menahem is Menahem ben Ammiel, and his mother is Hephzibah, the same name as the wife of Hezekiah and mother of Manasseh.Raʻanan S. Boustan From martyr to mystic: rabbinic martyrology and the making of Merkavah Mysticism (Studies & Texts in Ancient Judaism) (9783161487538) Page 107 2005 "Martha Himmelfarb has rightly argued that the figure of Heftsibah, the mother of Menahem son of Ammiel, the Davidic Messiah in Sefer Zerubbabel, "should be understood as a counterpart to the figure of the Virgin Mary in contemporary " Hephzibah plays an important role as she finds and uses Aaron's rod.
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The following month, the album was released under the title The F-Z of Pop following a successful Pledge Music campaign. Featuring eight new compositions, three reworkings of old Bucks Fizz songs and four alternate versions, the album was well received by the group's fans and sold sufficient well-enough to score a UK top 30 placing, entering the chart at No.25. This was the first chart entry by the group and the highest chart entry of any Bucks Fizz line-up since the Bucks Fizz single "New Beginning (Mamba Seyra)" peaked at No.8 in 1986 and in albums matched the peak of their Greatest Hits album in early 1984. The album charted even higher on the sales- only chart, entering the chart at No.14, a position only beaten once by a Bucks Fizz album (1982's Are You Ready).
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She makes music by manipulating and multi-tracking sounds from just these two instruments. Her debut album ‘Escapement’ was released in December 2012 and a DVD – ‘Escapement Visualised’ – featuring bespoke visuals by Lumen for each track on the album, was released in September 2014.‘Feathers’, her second album, followed in November 2014, and builds on the concept behind her debut, with most of the sounds again coming from the violin and the piano, however this time the tracks also feature other keyboard and string instruments. In 2017 she signed to Bjork's label One Little Indian Records and released a mini album ‘Sketches’ in August. ‘Sketches’ is an acoustic solo piano album comprising 10 tracks. Six of these are reworkings of tracks from ‘Escapement’ and ‘Feathers’, the other four are arrangements of new tracks from latest full album ‘Resolve’.
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"This is the sort of record you buy out of duty and then never play, not because it's a comedy record but because it isn't funny out of context", Christgau wrote, while also expressing displeasure with the interspersing of small portions of "annoying music" and Owens's commentary throughout. In 1970, the four Marx Brothers had a brief reunion of sorts in the animated ABC television special The Mad, Mad, Mad Comedians, produced by Rankin-Bass animation (of Rudolph the Red-Nosed Reindeer fame). The special featured animated reworkings of various famous comedians' acts, including W. C. Fields, Jack Benny, George Burns, Henny Youngman, the Smothers Brothers, Flip Wilson, Phyllis Diller, Jack E. Leonard, George Jessel and the Marx Brothers. Most of the comedians provided their own voices for their animated counterparts, except for Fields and Chico Marx (both had died), and Zeppo Marx (who had left show business in 1933).
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These somewhat abrupt changes in tonality convey the spirit of a more ancient modal type of music. In both movements the A sections are fairly closely tied to the ritornello material which is interspersed with brief episodes for the harpsichord. The central B sections of both movements are freely developed and highly virtuosic; they are filled with violinistic figurations including keyboard reworkings of bariolage, a technique that relies on the use of the violin's open strings. The B section in the first movement starts with repeated note bariolage figures: 400px which, when they recur later, become increasingly virtuosic and eventually merge into brilliant filigree semidemiquaver figures—typical of the harpsichord—in the final extended cadenza-like episode before the concluding ritornello. 800px Throughout the first movement the harpsichord part also has several episodes with "perfidia"—the same half bar semiquaver patterns repeated over a prolonged period.
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Yesterday Was Dramatic – Today Is OK is the debut studio album by Icelandic experimental musical group Múm. It was released by TMT Entertainment in Iceland on 11 March 2000, and then on 2 April 2001 in the United Kingdom. In 2005, Múm performed the album live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series. "The Ballad of the Broken Birdie Records" appears in the 2009 film Until the Light Takes Us. On 30 August 2019, Morr Music released a remastered 20th anniversary edition of Yesterday Was Dramatic – Today Is OK. The release featured newly commissioned reworkings of the album's songs as bonus tracks: a cover of "Smell Memory" by Kronos Quartet (with additional drums by Múm's Samuli Kosminen), a reinterpretation of "Random Summer" by Hauschka, and a new version of "Ballad of the Broken String" by Sóley.
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The Bar-Steward Sons of Val Doonican are an English comedy folk and parody band from Barnsley, South Yorkshire. Formed in 2006, they claim to be the hardest working comedy band in the UK, having played over 1000 shows throughout the UK. They are best known on the UK's festival scene, having played at major festivals including Glastonbury Festival, Cambridge Folk Festival, Beautiful Days, Bearded Theory, Rebellion Festival, Wychwood Festival, Kate Rusby's Underneath The Stars Festival, Towersey Festival, Wickham Festival and to an audience of 20,000 at Fairport's Cropredy Convention in August 2018, for their 900th show. Playing mainly acoustic folk instruments, they take popular songs and replace the lyrics with their own comedy reworkings, often on themes completely unrelated to the original song. They have independently released ten studio albums (containing over 110 song parodies in total), and a large number of live albums.
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The most important oracular one is the myth of the Last Emperor found in (Latin reworkings of the originally Syriac) Apocalypse of Pseudo-Methodius, besides the oracles of the Tiburtine Sibyl, though some scholars deny the latter as a source. Adso's true innovation (an argument proposed by Robert Konrad in 1964 and continued by Rihard Kenneth Emmerson in 1979) was the form in which he structured the material: he wrote it not in the form of a theological tract or exegetical commentary, which could have been organized by scriptural source, but rather as a hagiography, as a saint's life. Medieval hagiographies frequently used anti-types to bring out the virtuous characteristics of their protagonists, and Adso's setup of Antichrist as a chronologically organized biography allowed for an easy contrast with the life of Christ, and thus for easy access to a broad audience. The saintly biography is "a form easily understood and readily recognizable by every Christian", and his legend is an anti-legend.
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During a month-long residency at The Echo nightclub in Los Angeles, the band featured different shows each night one show invited guest singers found via Craigslist to perform with the band as a sort of live karaoke; another night saw metal band Viscera playing exclusively Fol Chen covers. In November 2010, Goldman and Loa traveled to Saint Petersburg, Russia, to perform two long-form, constructivist-inspired reworkings of the two studio albums, followed by a workshop and recording session where they invited local musicians (and curious non-musicians) to join them in building a new Fol Chen song. On July 28, 2011, Goldman and Loa held a workshop at the Walker Art Center in Minneapolis to introduce the Fol Chen Verbal Algorithm Composer-Free Song Generator, produced with the Los Angeles–based arts organization Machine Project. The project allowed museum visitors to record their experience with a piece of art and have it converted into a song that they could take home.
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He describes its song as "encrusted with mythology" and that the evolution of the myth has distorted it — that the opinions of other poets and writers have kept both poet and reader from actually hearing the original sound and knowing the essence of the song. Several artists have applied Ovid's account to new translations or reworkings, or adapted the story for the stage. British poet Ted Hughes (1930–1998) used the myth in his 1997 work Tales from Ovid (1997) which was a loose translation and retelling of twenty-four tales from Ovid's Metamorphoses. Both Israeli dramatist Hanoch Levin (in The Great Whore of Babylon) and English playwright Joanna Laurens (in The Three Birds) wrote plays based on the story. The story was adapted into an opera by Scottish composer James Dillon in 2004,Stating that it was adapted from Sophocles, Thales, Eva Hesse, R. Buckminster Fuller, see The Living Composers Project: James Dillon.
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Following the success of Jah Wobble's Invaders of the Heart albums Without Judgement in 1990 and Rising Above Bedlam in 1991, Wobble has collaborated with many musicians -Brian Eno among them- & his explorations into world music predated much of the genre's popularity. Jah Wobble's 1994 album Take Me To God was influenced by world music genres and contributions from a variety of artists of diverse cultural backgrounds, including Baaba Maal, Dolores O'Riordan, and Chaka Demus, and was a critical and commercial success. His music has spanned a number of genres, including ambient music and dance music, and in 2003, reworkings of traditional English folk songs. Although he has released recordings since the late seventies Wobble has been particularly prolific from the mid-1990s to the present. He now runs his own label, 30 Hertz Records, and tours regularly throughout the UK and Europe with his current band, Jah Wobble & The Invaders Of The Heart.
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Gross was born in the the Bronx and served as a soldier in World War I. After apprenticing as a teenage assistant to Tad Dorgan, Gross's first comic strip was Phool Phan Phables for the New York Journal, begun when he was 20, featuring a rabid sports fan named George Phan. It was one of several short-lived comic strips (and other undertakings, including his first animated film) before his first success, Gross Exaggerations, which began as an illustrated column, "Gross Exaggerations in the Dumbwaiter", in the New York World. Originally titled Banana Oil until 1925, the comic strip was retitled Gross Exaggerations until becoming The Feitelbaum Family on June 1, 1926, and finally Looy Dot Dope on January 7, 1927. Its Yinglish vocabulary would set the tone for much of Gross' work, as would its reworkings of well-known tales, as in "Nize Ferry-tail from Elledin witt de Wanderful Lemp" and "Jack witt de Binn Stuck".
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Off the Ground: The Complete Works is a two-disc set released in Germany and the Netherlands. The first disc contains the original Off the Ground album, with the second collecting various B-sides and two previously unreleased tracks from his 1991 MTV Unplugged concert, "Things We Said Today" and "Midnight Special", which were later released as B-sides to the single "Biker Like an Icon." Despite the title, the set is missing two B-sides and three promo remixes: "Deliverance" and "Deliverance (Dub Mix)", dance-oriented reworkings by Steve Anderson of the song "Hope of Deliverance", released as B-sides of the "C'mon People" CD single No. 1, and the three promo remixes of "Off the Ground" released to American radio, namely the Bob Clearmountain remix, the Keith Cohen remix, and the Keith Cohen AC remix. Off the Ground: The Complete Works has not been reissued and is now out of print and not legally for sale as a digital download.
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Released in 1998 by Flying Tart Records, Disengage marked the formal end of Circle of Dust and contained reworkings of earlier songs (1991-1995) Klayton had written, some of which he had intended to release back in 1995 on a new Circle of Dust album. Klayton had rearranged and melded these older songs with new forms of music with which Klayton had been experimenting,Klay Scott: Jack of All Trades thus becoming hybrids of Klayton's older, faster, riff-based industrial-metal style and newer dance and ambient influences, with a stronger focus on songwriting. Thus the album was markedly different, musically, from the earlier Circle of Dust and Brainchild albums. Klayton closed the album with a selection of remixes, two of which were produced by Dan Leveler, who, it was later revealed, was Klayton's younger brother and who later became a solo industrial/electronic artist in his own right, recording under the name Level.
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Du bist gut comprises one CD of 15 songs (14 original, 1 reworking of a 2001 album track), and the “de luxe bonus edition” has a second CD comprising studio reworkings and live performances of earlier recordings. The album covers many of the themes running through Nena's previous work, “Freiheit” (Freedom) and “Frieden” (Peace) being obvious examples. However it differs from many of its predecessors in that there are fewer fast songs and in “Ich habe dich verloren” (I have lost you) Nena writes an unremittingly bleak lyric, which is unusual for one so accustomed to put a positive spin on all sorts of setbacks and misfortune. As ever, Nena experiments with stylistic variations including the 7-minute synthpop title track and the acoustic guitar backed “Lautlos” (Silently) which intimately showcases her voice and carefully crafted enunciation like few others have in her 30-year career. Throughout her career, Nena's lyrics have evoked imagery of flying as a sign of well being and so it is with “Deine Flügel brechen nicht”.
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An important part of NEMA's work is devoted to organising conferences, often in co-operation with an institutional partner. An early event was NEMA's conference From Renaissance to Baroque, held in July 1999 at the University College of Ripon and York St John, as part of the York Early Music Festival. A book on the conference From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century was published in 2005; a preface to the book reads: 'The essays in this volume are reworkings of papers presented at the National Early Music Association conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University of College of Ripon and York St John, in York on 2–4 July 1999.' The book was reviewed in the Performance Practice Review of 2007. In July 2009, NEMA held a conference Singing music from 1500 to 1900: style, technique, knowledge, assertion, experiment in conjunction with the University of York.
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A fully three-dimensional figure of Christ crucified is at the centre of the main face, with relief plaques of saints and the Virgin and Child, and other scenes on the sides which combine principal figures in relief and others in engraving. The style is rather more sophisticated than in some 14th century reworkings, with elegant running animals on small mounts at the corners, and the goldsmith who signed it, John O Bardan, is recorded living at Drogheda; by now goldsmiths in Ireland, as elsewhere in Europe, were usually laymen (NMI, R2834, 16.7 cm high).Antiquities, 261–262, 270 The oldest cumdach surviving largely in its original form is that made in the early 11th century for the gospels of Saint Molaise (NMI, R4006, 14.75 cm high, 11.70 wide) with the typical construction of a wooden core to which metal plaques are nailed. The top face is mainly silvered bronze and silver-gilt and has the four symbols of the Evangelists in the spaces between a cross, with gold filigree knotwork panels.
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The more popular English treatments of the Eloisa and Abelard story, particularly the poems by Pope and Cawthorn, continued to be reprinted in the opening decades of the 19th century, bringing fresh imitations in their wake. They began with John Gwilliam's “Paraclete, or the Sorrows of Abelard and Heloise”, a long epistle from Heloise in couplets that appeared first in The Mourning Wreath (London 1813)p.65 and was reprinted next year in The Bower of Bliss. Of two later reworkings, J. Treuwhard's Abelard to Eloisa, a moral and sentimental epistle, was privately printed in 1830.Samuel Halkett, Dictionary of Anonymous and Pseudonymous English Literature, New York 1926-34, Volume 6, p.3 The Epistle from Abelard to Eloise, originally published in 1828 by Thomas Stewart (of Naples), was in heroic couplets and prefaced by a poem to Pope.Napoleon's dying solioquy, and other poems (1834), pp.21-38 The Hughes letters, along with Pope's poem and a selection of imitations, were now beginning to be reprinted in the United States too and also brought poetic responses in their train.
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Other storylines involved Slasher Scragg (a delinquent boy recruited by the school staff and posing as a pupil to act as their spy on Winker's activities) and 'the phantom of Greytowers' (an elusive figure causing trouble for which Winker and his friends often got the blame; it turned out to be a teenage boy in hiding after escaping from a young offenders' institute). The early 90s saw perhaps the most bizarre running story of the strip's history, as Greytowers was invaded by aliens, who used mind control powers to take over several characters and tried to cast the school adrift in space, until Winker used the aliens' allergy to pig swill to defeat them. Stories throughout 2003 and 2004 were reworkings of 1970s scripts concerning Winker's schemes to foil the plans of Robin Boodle, a consistently annoying rich boy, and who had been renamed Darby Doshman (in the late 1980s, there was a similar reworking in which the rich boy became Jonathan Dosh). At the same time, Classics from the Comics was reprinting the Robin Boodle strips, sometimes in the same week.
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He used its pages to vindicate himself to fellow Portlanders, critique American art and drama, host a discourse on the nature of New Englander identity, and uplift new literary voices like John Greenleaf Whittier, Edgar Allan Poe, Henry Wadsworth Longfellow, and Nathaniel Hawthorne. Neal also wrote for and edited many other American magazines between the late 1820s and the mid 1840s. Though he published Rachel Dyer in 1828, Authorship in 1830, and The Down-Easters in 1833, these novels were all reworkings of writing done in England. He focused instead on writing tales like “Otter-Bag, the Oneida Chief” (1829), “The Haunted Man” (1832), “David Whicher” (1832), and “The Squatter” (1835) that played a pivotal role in shaping the relatively new short story genre between the late 1820s and the mid 1830s. The height of Neal’s involvement with American magazines also overlaps with his stint as a traveling lecturer between 1829 and 1848. This period of juggling literary, activist, athletic, legal, artistic, social, and business pursuits is captured by Fanny Appleton Longfellow: “John Neal gave me great amusement with his racy, head-over-heels speeches.
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It also contains a draft of a libretto for an opera based on Orlando: A Biography by Virginia Woolf, and five radio plays: "Vampirella", which she then reworked as "The Lady of the House of Love" in The Bloody Chamber collection, "The Company of Wolves", "Puss in Boots" (both reworkings of Charles Perrault's fairy tales) and two "artificial biographies", one of Victorian painter, Richard Dadd, who murdered his father, and the other about Edwardian novelist, Ronald Firbank. The collection also includes the unproduced screenplays Gun for the Devil (based upon an earlier short work of hers, collected in American Ghosts and Old World Wonders) and The Christchurch Murders (based on the Parker–Hulme murder case which also influenced the 1994 Peter Jackson film Heavenly Creatures), as well a stage adaptation of Frank Wedekind's Lulu plays. Carter's television work also included a controversial documentary entitled The Holy Family Album, which is not published here. Edited and with production notes provided by Mark Bell, with an introduction by Susannah Clapp, the book was published by Chatto and Windus in 1996, four years after Angela Carter's death.
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The show became a Halloween tradition and was presented each Halloween for ten years before retiring in 2005. Hunger Artists Theater Company's "Guignol X" page] The Hunger Artists received numerous acclaim and awards for contemporary plays such as "Bash: Latter-Day Plays", "4.48 Psychosis" and "The Gog/Magog Project", world premieres such as "The Land Southward", "The Flying Spaghetti Monster Holiday Pageant" and "The Pledge Drive: Ruminations On The Hunger Artist", world premiere adaptations of literary works such as "The Metamorphosis", "Little Women" and "Rudyard Kipling's Jungle Book", reworkings of classic plays such as "White Trash Private Lives", "Re: Woyzeck" and an all-male "The Importance of Being Earnest", musicals such as "Sweeney Todd", "Assassins" and "Hedwig and the Angry Inch", one-act festivals such as Beyond Convention, 24 Hour Theater and Last Chance Fest, and original late-night entertainment such as the Orange County Underground Burlesque Society and Muddville.Hunger Artists Theater Company's Archives Page The company closed in December, 2012. Hit hard by the recession, the company became the third Fullerton theater in two years to shut its doors due to financial pressures.
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Tragedy (from the , tragōidia) is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction of the work of Aeschylus, Sophocles and Euripides, as well as many fragments from other poets; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Samuel Beckett's modernist meditations on death, loss and suffering; Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change.
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On some DVDs, the Line 21 captions may contain the same text as the subtitles; on others, only the Line 21 captions include the additional non-speech information (even sometimes song lyrics) needed for deaf and hard-of-hearing viewers. European Region 2 DVDs do not carry Line 21 captions, and instead list the subtitle languages available-English is often listed twice, one as the representation of the dialogue alone, and a second subtitle set which carries additional information for the deaf and hard-of- hearing audience. (Many deaf/ subtitle files on DVDs are reworkings of original teletext subtitle files.) Blu-ray media cannot carry any VBI data such as Line 21 closed captioning due to the design of DVI-based High- Definition Multimedia Interface (HDMI) specifications that was only extended for synchronized digital audio replacing older analog standards, such as VGA, S-Video, component video, and SCART. Both Blu-ray and DVD can use either PNG bitmap subtitles or 'advanced subtitles' to carry SDH type subtitling, the latter being an XML-based textual format which includes font, styling and positioning information as well as a unicode representation of the text.
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As a result, Stewart and Hitchcock's estate became involved in the Supreme Court case, and Sheldon Abend became a producer of the 1998 remake of Rear Window. Rear Window is one of several of Hitchcock's films originally released by Paramount Pictures, for which Hitchcock retained the copyright, and which was later distributed by Universal Studios in 1983, although the Hitchcock estate still retains ownership to the copyright to the film. In 1997, Rear Window was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". By this time, the film interested other directors with its theme of voyeurism, and other reworkings of the film soon followed, which included Brian De Palma's 1984 film Body Double and Phillip Noyce's 1993 film Sliver. Rear Window was restored by the team of Robert A. Harris and James C. Katz for its 1999 limited theatrical re-release (using Technicolor dye-transfer prints for the first time in this title's history) and the Collector's Edition DVD release in 2000. American Film Institute included the film as number 42 in AFI's 100 Years...100 Movies, number 14 in AFI's 100 Years...100 Thrills, number 48 in AFI's 100 Years...100 Movies (10th Anniversary Edition) and number three in AFI's 10 Top 10 (Mysteries).
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