Biden won both moderates and Obama revivalists by huge margins on Saturday.
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Now he's smack in the mainstream, an original delightfully bobbing among revivalists.
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Volunteers will also be at concerts of The Revivalists, Bob Weir & Wolf Bros.
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After designing the clothes for Quadrophenia (1979) his boutique was overrun with Mod revivalists.
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The Lemon Twigs, young 1960s-pop revivalists from Long Island, will headline the night.
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Garbage Humans I always wondered why the My Little Pony revivalists didn't choose Polly Pocket instead.
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It's the fact that three of the best album nominees in 2013 were old-fashioned rock revivalists.
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The Loire Valley, a center for natural wine, was also home to many early pétillant naturel revivalists.
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Their self-titled arrived in 2008, at a time when garagey revivalists like the Strokes were waning.
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"I guess we find out tomorrow morn," sings James Bagshaw of Temples, an English band of dedicated psychedelia revivalists.
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They're getting conned by right-wingers and tent revivalists until they believe all the lies that've made them so wrong.
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UK post-punk revivalists Field Music—comprised of brothers Peter and David Brewis—released their sixth studio album last month, Commontime.
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A camp of scientists — known as "revivalists" — are dedicated to bringing mammoths back in the modern era for environmental and biological reasons.
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If the neoclassicists are like the folk revivalists who collected old acoustic 78s, he is Dylan at the Newport Folk Festival in 1965.
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One of these revivalists was Timothy Saunders, a literary historian and Cornish-language poet, who taught the language to his daughter Gwenno, a musician.
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"Revivalists, for short?" made me think of either an art movement or a group of evangelical preachers, but EMTS revive people for a living.
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When the glam-rock revivalists The Darkness came to popularity in the early 2000s, piquing Spiller's interest in the genre, encouragement came from an unlikely source.
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That history creates a paradox with which native intellectuals and cultural revivalists have been wrestling at least since the Indian civil-rights movement of the 1970s.
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The two bands, in many ways, represent just how wide Yes No Wave's tastes swing: White Shoes and The Couples Company are classic Indonesian pop revivalists.
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Among the scholars and the players and the scholar-players were three passionate young revivalists, black musicians who had been getting lost in the old stuff.
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Such is the case with Chicago soft-rock revivalists Whitney, who are releasing a compilation of every demo for their debut album Light Upon the Lake this November.
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This isn't really surprising: the scrunchie is already sold at stores like Urban Outfitters, Lululemon, and Free People, and has graced the heads of '80s revivalists for years.
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The mid-00s resurgence of virtually every subgenre—death metal, black metal, doom, sludge—bloomed into a new generation of sick riffers, polygenre beasts, avant-weirdos, and vigorous revivalists.
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A successful raid could push rebel forces—a combination of Shia revivalists, Houthis and soldiers loyal to the former president, Ali Abdullah Saleh—into the mountains and Sana'a, Yemen's capital.
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Graham set the stage for the intense, emotive, confessional rhetoric that came to shape the generations of televangelists, revivalists, and Christian media outlets (like Pat Robertson's Christian Broadcasting Network) that followed him.
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Where other shoegaze and slowcore revivalists adopt the same sort of meek drollness that their forebears perfected, Strohmer treats his subjects like the matters of life and death that they really are.
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Texas thrash revivalists Power Trip are no fans of authority, so it's pretty funny that they in particular are the latest rock band to have their music be innocuously used by the right wing.
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In a lot of ways Weight lines right up with Nashville's recent small-batch bid for renewed authenticity—a bro-country course corrective spearheaded by lauded outlaw revivalists like Sturgill Simpson and Chris Stapleton.
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The tree fell victim to Manhattan's urban sprawl, but in an 1803 letter to his wife, Eliza, on view at the New York Public Library, Hamilton sounds right in tune with today's urban farming revivalists.
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But it recovered in the general religious boom after the second world war, energised by celebrity revivalists, above all Billy Graham, and by the dizzying social advances of the following decades, which many pastors vehemently resisted.
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Synth-pop revivalists Future Islands have an appealingly slick recorded sound, but the band has become a festival favorite because of the way frontman Samuel Herring bobs, weaves, growls, and pounds his chest in front of an audience.
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The appealing qualities of the period's literature—its humor, its frankness about sex and power, its omnivorous curiosity about humanity and the world—can be squandered, by present-day revivalists, amid defunct slang, semicolon dashes, and promiscuous capitalization.
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Owners: Two Austin music scene stalwarts, John French and Chad Allen, who ran the label Answering Machine Recordings and played in bands ranging from '90s experimental outfits featured in the film Slacker to early aughts zolo revivalists Zom Zoms.
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Elsewhere, Gardiner did not skimp on the kind of rollicking rhythms favored by early-music revivalists such as René Jacobs and Jordi Savall; the chorus augmented the wedding rites of Orpheus and Eurydice with syncopated handclaps and foot stomps.
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And they aren't alone: A few other white Southern groups, like the country-folk duo Shovels & Rope and the soul revivalists St. Paul & the Broken Bones, have started releasing overtly political music that stands with movements like Black Lives Matter.
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This album suggests, in places, early-80s Blondie ("Rose-Colored Boy") and the music of John Hughes films ("Forgiveness"), but also recent club-pop revivalists like La Roux and Kiesza ("Told You So"), or attitudinal pop stars like Charli XCX.
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His drift into radical nationalism, particularly his on-camera appearance in 1991 alongside Soviet troops as they stormed the television tower in Vilnius, the Lithuanian capital, appalled some of his previous fans but made him a cult figure among Soviet revivalists.
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"Candy & Cupcakes Without brushing ur teeth" The first of West and his fellow Delawarean Distance Decay's beatless collaborations opens with woozy sunrise synth work that sounds like it could have come from one of the ambient world's many new age revivalists.
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The acrobat was performing while New Orleans-based rock band The Revivalists were on stage covering David Bowie's "Let's Dance" ... and witnesses say the aerialist was lying in the fetal position after her crash landing, with her globe-shaped metal cage nearby.
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In the late aughts, bands like zolo revivalists The Zom Zoms, darkwave trio Medio Mutante (who later evolved into Holodeck associates Ssleeperhold and BOAN), noise antagonists Cry Blood Apache, and electronic supergroup Low Red Center inspired today's musicians by bringing synthesizers to the forefront.
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Highlights this year include the Calcutta-based Pandit Debashish Bhattacharya, who plays Indian ragas on the slide guitar, in a style descended of the sitar; the Cuban mambo revivalists of Orquesta Akokán; and Gato Preto, an electronic duo exploring music from across the African diaspora.
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"You do have to maintain tradition, but it's not a display in a museum," said Yang Wen, a chef whose restaurant, Lotus Shadow, features refined dishes, like braised shrimp infused with jasmine tea, that are a world away from the homespun fare favored by old-school revivalists.
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A brief stint with North Carolina swing revivalists Squirrel Nut Zippers followed ("It's too bad there'll never be a Behind The Music on that band," he chuckles, "because they were a rolling rock 'n' roll cliché disaster") before Bird started up his own band, Bowl of Fire.
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That's the dependable specialty of LVL UP and Cloud Nothings, two young, guitar-led bands that are children of '90s alternative rock (Neutral Milk Hotel, Built to Spill, Nirvana), but not strict revivalists, borrowing also from later waves of pithy, loud, often self-loathing emo and pop-punk.
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Many of today's rap conversations are focused on two extremes: Either fans are arguing whether artists introducing unconventional elements to the genre are polluting it or moving it forward, or they are debating if revivalists are properly leading our youth down a path that upholds the favored qualities of hip-hop's glory days.
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With the release of Sailor's Guide (which featured soul revivalists the Dap-Tones as part of its ensemble) it's been expanded to include a full horn section, but just search YouTube for "Sturgill Simpson guitar solo" to find a bunch of serious players dissecting the slide and country licks all over his albums. 5.
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The synthesizers are sympathetic and covered in burrs, and the vocals are hyper-processed in a manner indebted to Zapp, who pioneered the sort of liquid digital funk Mr. Mars is repurposing (talkbox vocals pepper the song) and also to the duo Chromeo, who have been faithful revivalists of the style for years now.
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Chronixx is back with his own requisite contribution to this catalogue with the video for Perfect Tree, joining fellow "revivalists" like Keznamdi and Jesse Royal who've each given us their own prohibition-protest tracks "10 Pound" and "Gimmie Likkle/ Finally" (Kez also recently came out with his "ganja refix" of Rihanna's "Work" aptly titled "Herb"... give thanks).
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Ms. Jones was a soul singer in a classic and now disappearing mold: born and raised in the South (Georgia and South Carolina), growing up singing in church and listening to James Brown and Aretha Franklin, coming north (to Brooklyn), and earning an unglamorous living until, in the 1990s, she found her way to the soul revivalists who would become her backing band, the Dap-Kings.
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The rock singer-songwriters Courtney Barnett and Alice Merton, the noise-pop duo Sleigh Bells, the new-wave-inspired Neon Indian, the 1990s-rock revivalists Sunflower Bean and the Rage Against the Machine alum Tom Morello make up the show's official lineup, though special guests are also promised — a boon for fans given that even beyond the already-stacked bill, the label's roster includes a number of the indie-rock world's most beloved acts.
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There are some exceptions which are mediated through folk revivalists.
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The music was especially popular among skinheads, rudies and mod revivalists.
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The term Meetei is used by Meitei speakers who want political autonomy from India, so-called "revivalists".
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Samuel Eusebius McCorkle was ordained and installed as pastor. Rev. McCorkle was known for his Zion-Parnassus classical school, which was located about a mile from the Church. During the later part of Rev. McCorkle's pastorate, a split of the congregation between revivalists and non- revivalists occurred in 1805.
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Revivalists counseled those under conviction to apply the means of grace to their lives. These were spiritual disciplines such as prayer, Bible study, church attendance and personal moral improvement. While no human action could produce saving faith, revivalists taught that the means of grace might make conversion more likely. Revival preaching was controversial among Calvinists.
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Steinmetz was in touch with Wesley and the American revivalists. He translated works of Jonathan Edwards and Philip Doddridge into German.
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After his death, his living children remained with the church until 1805 when there was a split in the congregation between revivalists and anti-revivalists. Thirty families and five church elders, including Thomas Gillespie, Jr. left the church to form the revivalist Back Creek Presbyterian Church. The Thyatira church included a slave gallery for slaves to participate in services.
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New York, Fitzroy Dearborn. #Revivalists i.e. adhering to the most literal traditional form. #Contextualists who use historical forms when the surroundings “demands” it.
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The mod revival was a music genre and subculture that started in England in 1978 and later spread to other countries (to a lesser degree). The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members. The late 1970s mod revival was led by the band The Jam, who had adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod bands.
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Revivalists distinguished true conversion (which was motivated by love of God and hatred of sin) from false conversion (which was motivated by fear of hell).
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Often overlooked is the change following what may be called "Hugh Bourne's Pentecost". In 1804, some "revivalists" from Stockport led the MichaelmasHolliday Bickerstaffe Kendall, "History of the Primitive Methodist Connexion" (1888), Ch. II, p. 27 Love Feast at Congleton where they spoke of John Wesley's teaching of "entire sanctification". Jesse Ashworth, who knew some of these revivalists, records the change in Hugh Bourne and his companions.Rev.
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One such academy was founded by William Tennent and became known as the Log College. The new ordination requirement was taken as an insult to these informally trained ministers, many of whom were revivalists. The second action restricted the right of clergymen to preach outside of their presbytery. Revivalists objected to this restriction, noting that itinerant preaching helped to spread the gospel and alleviate clergy shortages.
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One of the most important revivalists and resuscitators of the Islamic Modernist and non-denominational Muslim movement in the contemporary era was Jamal ad-Din al-Afghani.
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Stephen W Smith, editor of the Hot Record Society Rag, leaned towards what then was progressive jazz. Eugene Williams, through Jazz Information, leaned towards a New Orleans revivalists bent.
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Category:1878 births Category:1951 deaths Category:Christian revivalists Category:Evangelists Category:People from Carmarthenshire Category:Welsh evangelicals Category:Welsh evangelists Category:People from Swansea Hughes, S. (1990). Revival: Times of refreshing. Sunbury-on-Thames: CWR.
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In the 1960s, when the Allen Brothers were rediscovered by folk revivalists, Austin had already died in South Carolina in 1959 but Lee appeared onstage a few times in Tennessee.
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Recordings from the Southern Revivalists Of New Orleans were re-released in 1984 by Krazy Kat Records and she continued to tour at festivals and churches, as her health permitted.
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The Ambitions, led by former Checkered Cabs singer Caz Gardiner, are at the forefront of the mod/soul type bands drawing their inspiration from late 60s soul bands to 1970s British mod revivalists.
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Because Calvinists believed in election and predestination, some thought it inappropriate to preach to strangers that they could repent and receive salvation. For some, such preaching was only acceptable within their own churches and communities. The revivalists use of "indiscriminate" evangelism—the "practice of extending the gospel promises to everyone in their audiences, without stressing that God redeems only those elected for salvation"—was contrary to these notions. While they preached indiscriminately, however, revivalists continued to affirm Calvinist doctrines of election and predestination.
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Country Blues liner notes. The most famous reissue, and the most easily accessible to the burgeoning Greenwich Village folk revivalists, was the Harry Smith anthology released in 1952.Jon Pankake. Anthology of American Folk Music.
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The group has played festivals such as Coachella, BottleRock, Firefly, Electric Forest, and Lightning in a Bottle and toured with artists such as Mike Posner, The Revivalists, American Authors, Beats Antique, Eric Hutchinson, and Atlas Genius.
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Sri Lankan Tamil nationalism is the conviction of the Sri Lankan Tamil people, a minority ethnic group in the South Asian island country of Sri Lanka (formerly known as Ceylon), that they have the right to constitute an independent or autonomous political community. This idea has not always existed. Sri Lankan Tamil national awareness began during the era of British rule during the nineteenth century, as Tamil Hindu revivalists tried to counter Protestant missionary activity. The revivalists, led by Arumuga Navalar, used literacy as a tool to spread Hinduism and its principles.
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104 But neither the Kurdish notables nor the Kurdish farmers in the region in and around Diyarbakır refused to support the rebellion.Olson, Robert (1989), pp.98–99 The Muslim Revivalists attacked the city at all four gates simultaneously.
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These missionaries, Thure Emmanuel Thoren and Lars Osterblom started the revival among the coastal Swedes. The Revivalists broke from the Lutheran Church in 1880. The revival movement had spread to Western Estonia and they were called Ridala in 1879.
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The same constructional object is followed in the earlier Gothic styles, in which they become merged into the mouldings. Being virtually always ready made, so far as their design is concerned, they were much affected by the Italian revivalists.
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Other artists included: Snails, DVSN, Smokepurpp, Juice Wrld, Too Many Zooz, Barclay Crenshaw, Vulfpeck, The Revivalists, RL Grime, Cashmere Cat, The Strumbellas, Robert Delong, Yellow Claw, Gramatik, Mura Masa, Moon Taxi, Jacob Banks, Rapsody, The Midnight, and Cry Wolf.
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In addition there were the rock and roll revivalists Mud, Showaddywaddy and Alvin Stardust.S. Brown, Marketing: the Retro Revolution (SAGE, 2001), p. 131. This pattern changed radically in the late 1970s as a result of the impact of punk rock.
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Artists that have performed at LaureLive include Gary Clark Jr., The Head & The Heart, The Revivalists, X Ambassadors, Elle King, Grace Potter, Michael Franti & Spearhead, O.A.R., Judah & The Lion, Young The Giant, Andy Grammer, Needtobreathe, ZZ Ward and many others.
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Vedantam Lakshminarayana Sastri (1886–1956) was the influential figure who led the effort to save, reconstruct and revive Kuchipudi performance art. Sastri worked closely with other revivalists, between 1920 and 1950, particularly Balasaraswati and others determined to save and revive Bharatanatyam.
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Achampong and Murray formed the group Tongue 'n' Cheek in 1987. Total Contrast found popularity with 1980s revivalists, in particular the Canadian duo Chromeo, who included "Takes a Little Time" on their 2005 album, Chromeo Presents Un Joli Mix Pour Toi.
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Two pastoral conferences were convened each by proponents of one of the two main currents in French Calvinism; the liberals met in Nîmes and the revivalists in Paris. They had no mandate for binding decisions, since elected laymen were not represented. Revivalists demanded a general synod, in order to conclude a binding confession of faith, while moderate liberals agreed but radical liberals denied that a general synod decision would at all be binding in matters of teaching and doctrine. Only in June and July 1872 the French government finally allowed the gathering of a general synod.
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The refusal to pay taxes reduced Anglican influence which is based on social standing or aristocratic lineage. According to Isaac, some of the more extreme revivalists, particularly among the Baptists, even questioned slavery. The conversion of slaves challenged traditional ways of life.
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The anti-dance camp accused the dance form as a front for prostitution, while revivalists questioned the constructed colonial histories. In 1910, the Madras Presidency of the British Empire altogether banned temple dancing, and with it the Bharatanatyam tradition within Hindu temples.
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Ringo Deathstarr has been compared to earlier shoegaze bands such as My Bloody Valentine, Ride, the Jesus & Mary Chain and Medicine. AllMusic described them as "shoegaze revivalists from Texas who play it pretty straight, but aren't afraid to add extra noise to the mix".
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They were much influenced by Methodist revivalists and adopted the doctrine in Wesleyan theology of sanctification. They were also influenced by William E. Boardman, who wrote The Higher Christian Life (1859) who apparently groomed Robert and Hannah Smith to join the Holiness movement as speakers.
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27 years between writing and recording must be some sort of record. Fuzztone Fizzadelic was released in 2005. Mike McGuire and Steve Rolls went on to form 80's avant garde band Sudden Sway. Joe MacColl went on to join mod revivalists The Name.
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He also collected songs in his travels and, in 1927, published them in the book The American Songbag. "In his collections of folk songs, Sandburg added a class dynamic to popular understandings of American folk music. This was the final element of the foundation upon which the early folk music revivalists constructed their own view of Americanism. Sandburg's working class Americans joined with the ethnically, racially, and regionally diverse citizens that other scholars, public intellectuals, and folklorists celebrated their own definitions of the American folk, definitions that the folk revivalists used in constructing their own understanding of American folk music, and an overarching American identity".
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Scott Owen, double bass player for Australian rock band The Living End In addition to being a noted classical player, Edgar Meyer is well known in bluegrass and newgrass circles. Todd Phillips is another prominent bluegrass player. Well- known rockabilly bassists include Bill Black, Marshall Lytle (with Bill Haley & His Comets) and Lee Rocker (with 1980s-era rockabilly revivalists the Stray Cats). Notable rockabilly revivalists and psychobilly performers from the 1990s and first decade of the 21st century include Scott Owen (from the Australian band The Living End), Jimbo Wallace (from the US band Reverend Horton Heat), Kim Nekroman (Nekromantix), Patricia Day (HorrorPops), Geoff Kresge (Tiger Army, ex-AFI).
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Joel was appointed clerk of the Iowa Yearly Meeting (Iowa Yearly Meeting) in 1867, and the couple went on a ministry tour of Europe from 1872-1873. When they returned from the trip to Europe the Beans discovered that the revival that had been springing up among Friends in Iowa had progressed to a point that they could not approve. The revivalists insisted that people need to be “saved” and “sanctified,” which the Beans and others did not think was in accord with traditional Friends beliefs. The revivalists were also bringing into their meetings such things as programmed (planned) worship, more emotional worship, and paid pastors.
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1 hit in the US and the UK, and no. 2 in Canada in 1986, Japanese rock group Malice Mizer, and Boston- based band the Upper Crust. Mid-2000s glam rock revivalists White Hot Odyssey also affected 18th century-style wigs and clothing for their live performances.
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Jenner's system is largely based on the phonology of late Cornish, and therefore is characterised by pre-occlusion, the loss of the rounded front vowels, and the raising of to . This system was used by the earliest revivalists, until it was replaced by Nance's Unified Cornish.
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This makes her work somewhat analogous to American swing revivalists like The Brian Setzer Orchestra or Big Bad Voodoo Daddy. She is primarily a jazz singer, though also is a guitarist. She is signed with Avex Group's Rhythm Zone sublabel. She used to be connected with Victor Entertainment.
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The school garnered criticism for a practice among some students termed "grave soaking", where they would lay on the graves of deceased revivalists in the belief that they would absorb the deceased's anointing from God. The school would visit such graves for inspiration and prayer, and there the practice developed among students from an interpretation of the Biblical story of the prophet Elisha. In the Bible, a dead man was put in the grave of Elisha, and when the man's corpse touched the dead bones of Elisha, he was revived. This was interpreted to mean that the same power, or anointing, laid in the graves of later revivalists, and thus the students sought it by laying on their graves.
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E. Vincentelli, ABBA Gold (Continuum, 2004), p. 50. In addition there were the rock and roll revivalists Showaddywaddy, Mud and Alvin Stardust.S. Brown, Marketing: the Retro Revolution (SAGE, 2001), p. 131. Individuals who enjoyed successful pop careers in this period included Gilbert O'Sullivan, David Essex, Leo Sayer and Rod Stewart.
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Sydney E. Armstrong, A Religious History of the American People. (1972) p. 263 It brought Christianity to the slaves and was an apocalyptic event in New England that challenged established church authority. It resulted in division between the new revivalists and the old traditionalists who insisted on ritual and doctrine.
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Foreign language words (usually known via English) are used occasionally especially for ethnic food, e.g. chorizo, spaghetti. To fill gaps in recorded Manx vocabulary, revivalists have referred to modern Irish and Scottish Gaelic for words and inspiration. Going in the other direction, Manx Gaelic has influenced Manx English (Anglo-Manx).
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The 1934 population census of Estonia indicates there were 191 people were Pentecostals, 459 were Free Gospel Churches and 306 as Revivalists. In 1884, the German Baptist pastor Adam Schiewe performed the first Baptism of faith in Estonia. The Baptist became one of the fastest growing churches in the years that followed.
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In 1918 avant-garde artists took over the former Imperial Academy of Arts, renamed to Free Workshops (SVOMAS) where Matyushin led his own art class on Colour. In 1921 the state relaunched the Academy and reinstalled neoclassical revivalists at its helm; despite public protests, Matyushin, Malevich and Vladimir Tatlin lost their chairs.
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North Coast took place September 2-4th in Union Park. The lineup for 2016 included: Odesza, Bassnectar, Zedd, Umphrey's McGee, Logic, Grouplove, The Claypool Lennon Delirium, Galantis, Action Bronson, Juicy J, Greensky Bluegrass, Sleigh Bells, Keys N Krates, Zomboy, Ty Dolla $ign, Matoma, Sam Feldt, Raury, The Revivalists, Vulfpeck, Stick Figure, Big Wild.
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In the late 1800s, Wahhabis found Muslims with at least similar beliefs – first with Ahl-i Hadith in India, and later with Islamic revivalists in Arab states (one being Mahmud Sahiri al-Alusi in Baghdad). The revivalists and Wahhabis shared a common interest in Ibn Taymiyya's thought, the permissibility of ijtihad, and the need to purify worship practices of innovation. In the 1920s, Rashid Rida, a pioneer Salafist whose periodical al-Manar was widely read in the Muslim world, published an "anthology of Wahhabi treatises", and a work praising the Ibn Saud as "the savior of the Haramayn [the two holy cities] and a practitioner of authentic Islamic rule".However, Rida had some liberal religious ideas and after his death his works were banned in Saudi Arabia.
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Whereas other scholars believe social institutions can help families prepare children for democratic participation, McClain, with James Fleming, has expressed concerns about relying on civil society institutions with their own agendas for moral education. (Citing Linda C. McClain & James E. Fleming, Some Questions for Civil Society Revivalists, 75 Chi.-Kent L. Rev. 301 (2000)).
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Media is the first studio album by new wave revivalists The Faint. Formally known as Norman Bailer, this is the first album under the Faint name. It was released on March 24, 1998. A clear style change can be seen after this album's release, moving from a more Post-hardcore influenced style to new wave.
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Few attended seminaries. By the 1840s, there was a nationwide revival, run by travelling preachers. The government arrested several and tried to shut down the revival, but it proved too powerful when the revivalists denounced three bishops for purchasing their office. By the 1880s the "Anaplasis" ("Regeneration") Movement led to renewed spiritual energy and enlightenment.
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The Original Salty Dogs Jazz Band is a traditional jazz ensemble founded in 1947 in West Lafayette, Indiana, and later based in Chicago, Illinois. The Salty Dogs play standards and original pieces influenced by the Dixieland artists of the 1910s and 1920s as well as the 1940s and 1950s "revivalists" such as Lu Watters and Turk Murphy.
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Nevertheless, Gaelic styles were adopted as typically Celtic even by Breton revivalists such as Paul Ladmirault.Bempéchat, Paul-André, Allons enfants de quelle patrie? Breton nationalism and the Impressionist aesthetic, (Center for European Studies working papers). Breton harpist and Celtic music exponent Alan Stivell at Nuremberg, Germany, 2007 Celticism came to be associated with the bagpipe and the harp.
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Sunni theology greatly cultivated during Ismail's reign, as numerous mosques and madrassas were built.Muslim reformist political thought: revivalists, modernists and free will By Sarfraz Khan, p. 11 In 893, Ismail took the city of Talas, the capital of the Karluk Turks, taking large numbers of slaves and livestock. In addition, a Nestorian church was converted into a mosque.
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Gui professed a distaste for the Revivalist School. He criticized the later Revivalists such as Wang Shizhen (), a contemporary bureaucrat and scholar. Wang Shenzhong, Mao Kun, Tang Shunzhi and Gui etc. were bracketed together as Tang Song pai (, a school advocating Tang and Song dynasties' classic works of literature) afterwards, while Gui was regarded as the head of them.
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In 1810, frontier revivalists split from the PCUSA and organized the Cumberland Presbyterian Church. Throughout the 1820s, support and opposition to revivalism hardened into well-defined factions, the New School and Old School respectively. By the 1838, the Old School–New School Controversy had divided the PCUSA. There were now two general assemblies each claiming to represent the PCUSA.
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In 2004 Anderson formed old school punk rock revivalists the Screwed, who have recorded two albums. In 2011 Sid's Kids were formed to back up many of the Canadian punk originators and the project is ongoing. He has toured with the Viletones' Steven Leckie, Cheetah Chrome of the Dead Boys and Walter Lure of Johnny Thunders' Heartbreakers among others.
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Modern revivalists include Kevrenn Alre Bagad and Bagad Kemper. Alan Stivell is perhaps the most influential folk-rock performer of continental Europe. After 1971's Renaissance of the Celtic Harp, Breton and other Celtic traditional music achieved mainstream success internationally. With Dan Ar Braz, he then released Chemins de Terre (1974), which launched Breton folk- rock.
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Another reason for this backlash was that the reforms forced the current Irish speakers to relearn how to read Irish in order to adapt to the new system.Hindley, Reg. 1990. The Death of the Irish language: A qualified obituary London: Routledge pg.217 It is disputed to what extent such professed language revivalists as de Valera genuinely tried to Gaelicise political life.
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"We found magic in such names as Kid Ory, King Oliver, Johnny Dodds, Bessie Smith and Ma Rainey", he wrote on his Stomp Off blog in 2010. On his home tape machine, Albertson recorded visiting British New Orleans revivalists Ken Colyer, Chris Barber and Lonnie Donegan in 1953. These recordings were subsequently released on the Danish Storyville Records and British Tempo Records labels.
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Mehmed Handžić (16 December 1906 - 26 July 1944) was one of the authors of Resolution of Sarajevo Muslims' and chairman of the Committee of National Salvation. He was a leader of Bosnian revivalists who graduated at Al-Azhar University in 1931 and became professor at Gazi Husrev-beg madrasa in Sarajevo and from 1939 professor of Higher Islamic Shari'a — Theological School.
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U.S. Cellular Center (Saturday, December 13, 2014)"Warren Haynes Christmas Jam Initial Lineup Revealed", JamBase, October 6, 2014. Retrieved March 29, 2015. Featuring: Gov't Mule, Jason Isbell, Billy & the Kids, Hard Working Americans, The Revivalists, and more. Vince Gill was on the original line-up, but could not make it due to the passing of his long-time backup singer.
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Her work was influenced by the Scottish ballad tradition and by early Scots poets such as Robert Henryson and William Dunbar, rather than by Burns. She associated in the pre-war Scottish Renaissance initially with revivalists like Violet Jacob, Alexander Gray and Lewis Spence,Scottish renaissance (2000). In The Cambridge Guide to Literature in English. Retrieved from 17 December 2011.
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Jones was born in 1683 or 1684 at Penboyr, Carmarthenshire, and christened on 1 May 1684. His father was John Ap Gruffydd, "a godly father", Revd Ivor J. Bromham: "Welsh Revivalists of the Eighteenth Century" Churchman (72/1 1958), p. 1. and his mother Elinor John. Later in life, he married Margaret, who was described as a charitable and pious woman.
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"Saskatoon band Rage revivalists", The StarPhoenix, p. W28.McKay, Stephanie (September 8, 2011). "Reform Party expands beyond Rage covers", The StarPhoenix, p. C2. In 2011, Kay the Aquanaut toured Europe with Noah23 on the "Water on Venus" tour, in support of their albums Waterloo and Fry Cook on Venus, which were released on sister labels Circle Into Square and Fake Four Inc. respectively.
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Some pagan revivalists are inspired by Carl Jung's theories about archetypes and the collective unconscious. Jung handled esoteric and mythological subjects in a secular and scientific, yet not dismissive manner. The biologist Andreas Weber promotes what he calls "poetic ecology" and "poetic materialism". This has been a source of inspiration for people such as Henrik Hallgren of the Swedish Forn Sed Assembly.
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The Kingston Trio provided the template for a flood of "collegiate folk" groups between 1958 and 1962. At roughly the same time as these "collegiate folk" vocal groups came to national prominence, a second group of urban folk revivalists, influenced by the music and guitar picking styles of folk and blues artist such as Woody Guthrie, Lead Belly, Brownie McGhee, and Josh White, also came to the fore. Many of these urban revivalists were influenced by recordings of traditional American music from the 1920s and 1930s, which had been reissued by Folkways Records; Harry Smith's Anthology of American Folk Music was particularly influential. While this urban folk revival flourished in many cities, New York City, with its burgeoning Greenwich Village coffeehouse scene and population of topical folk singers, was widely regarded as the centre of the movement.
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Botkin and Alan Lomax) maintained that songs only retain relevance when utilized by those cultures which retain the traditions which birthed those songs. "Left-wing" folk revivalists (e.g. Charles Seeger and Lawrence Gellert) emphasized music's role "in 'people's' struggles for social and political rights".Donaldson, 2011, p. 87 By the end of the 1930s these and others had turned American folk music into a social movement.
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"Wish I Knew You" is a song by American rock band The Revivalists. The song was written by the band and was produced by Ben Ellman. The song peaked at number 1 on the Billboard Adult Alternative Songs chart, becoming the band's first chart-topper on the chart. The song also found success on a number of other rock radio formats, as well as adult contemporary stations.
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Among Christians, Baptists are the predominant group constituting more than 60 percent of the township population. Christian Reformed, Catholics, Revivalists, Presbyterian, Seventh- day Adventist, The Church of The Living God (thlangbol) and Pentecostals are the other Christian denominations. Catholics are found in significant numbers in parts of the township.The churches in Matupi (Matupi kah thlangbol) as all Christian believers must be represent the locality in Matupi.
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Important revivalists include Mike Seeger and Pete Seeger, who brought the music to New York City as early as the 1940s. The New Lost City Ramblers in particular took the revival across the country and often featured older musicians in their show. The band was originally Mike Seeger, John Cohen, and Tom Paley. When Tom left the band, he was replaced by Tracy Schwarz.
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Robert McAll's intentions were clearly missionary. His aim is not to transform society but to bring Parisian workers to God. This also exactly what his former Congregationalist parishioners from Britain were willing to fund and what the French Protestant Revivalists were after. McAll preaching is deeply evangelical, centred on the importance of the Bible, of sin and grace, of faith, sanctification and change of behaviour.
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LA Times article criticizing the behavior of the revivalists at Azusa Street. Christians from many traditions were critical, saying the movement was hyper-emotional, misused Scripture and lost focus on Christ by overemphasizing the Holy Spirit. Within a short time ministers were warning their congregations to stay away from the Azusa Street Mission. Some called the police and tried to get the building shut down.
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Although they enjoyed only modest success compared to contemporaries such as the Who and the Rolling Stones, the Faces have had considerable influence on latter-day rock revivalists. Their good-natured, back-to-basics (and frequently liquor-laden) concerts and studio albums connect them with such bands as the Damned and the Sex Pistols. They were inducted into the Rock and Roll Hall of Fame in 2012.
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B. Sweers, Electric Folk: The Changing Face of English Traditional Music (Oxford: Oxford University Press, 2005), pp. 184-9. Several individuals emerged who had learnt the old songs in the oral tradition from their communities and therefore preserved the authentic versions. These individuals, such as Sam Larner, Harry Cox, Walter Pardon, and Frank Hinchliffe, released albums of their own and were revered by folk revivalists.
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He exerted great influence both among dissenting ministers and among clergy of the established church. He was deeply read in Puritan divinity, and adopted Sabellian doctrines on the Trinity. Old-fashioned in most of his views, he disliked the tendencies alike of the Methodists and other revivalists and of the rationalizing dissenters, yet he had a good word for Joseph Priestley and Theophilus Lindsey.
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Born of humble parentage at Manchester, he was educated at Manchester Grammar School. He had been converted at the age of twelve under the ministry of the Wesleyan Joseph Benson, and, at the age of nineteen, began to preach among the revivalists. He was still a practising revivalist as late as 1802. At Macclesfield, he saw revivals leading to dissension and division, and his views changed fundamentally.
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Beginning in junior high school, Broil performed with a gospel quartet, known as the Southern Harps. After touring throughout the South, in 1947, the all-girl, a cappella quartet recorded two 78s for King Records. The following year, they recorded four 78s with Bob Shad, as the Southern Revivalists Of New Orleans. Accompanied by guitarist Brownie McGhee, she also recorded several solo singles for Shad.
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Michel, Muslim Theologian's Response, pp. 69–71) In recent decades Islamic revivalists have called for its enforcement on the grounds that criminalizing hostility toward Islam will safeguard communal cohesion. In one country where strict laws on blaspheme were introduced in the 1980s, Pakistan, over 1300 people have been accused of blasphemy from 1987 to 2014, (mostly non-Muslim religious minorities), mostly for allegedly desecrating the Quran.
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It incited rancor and division between the new revivalists and the old traditionalists who insisted on ritual and doctrine. It had little impact on Anglicans and Quakers. Unlike the Second Great Awakening that began about 1800 and which reached out to the unchurched, the First Great Awakening focused on people who were already church members. It changed their rituals, their piety, and their self-awareness.
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In May, 1821, he removed to the Congregational Church in Homer, N. Y., and was installed November 7. In 1833 he resigned in consequence of disaffection caused by his sympathy with the "new measures" of revivalists. For the following year he preached in the Presbyterian Church in Cleveland, Ohio, and then organized the First Congregational Church in Ohio City, (now Cleveland, West Side,) and became its pastor.
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Scottish folk clubs were less dogmatic than their English counterparts, which rapidly moved to an all English folk song policy, and continued to encourage a mixture of Scottish, Irish, English and American material. Early on they hosted traditional performers, including Donald Higgins and the Stewarts of Blairgowrie, beside English performers and new Scottish revivalists such as Robin Hall (1936–98), Jimmie Macgregor (born 1930) and The Corries.
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A mod revival started in the late 1970s in the United Kingdom, with thousands of mod revivalists attending scooter rallies in locations such as Scarborough and the Isle of Wight. This revival was partly inspired by the 1979 film Quadrophenia, which explores the original 1960s movement, and by mod-influenced bands such as The Jam, Secret Affair, The Lambrettas, Purple Hearts, The Specials and The Chords, who drew on the energy of new wave music. Mod revivalists at Box Hill, Surrey, England, in April 2007 The British mod revival was followed by a revival in North America in the early 1980s, particularly in Southern California, led by bands such as The Untouchables. The mod scene in Los Angeles and Orange County was partly influenced by the 2 Tone ska revival in England, and was unique in its racial diversity, with black, white, Hispanic and Asian participants.
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The First Presbyterian Church of Margaretville, now Margaretville New Kingston Presbyterian Church, is located on Orchard Street in Margaretville, New York, United States. It is an ornate wooden church built late in the 19th century. It was built shortly after the congregation was established using the "open plan" interior favored by revivalists of the area as more conducive to worship. A rear wing was built on the church in the 1960s.
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Long ago, Jews went underground to escape the repeated pogroms against them. They continued to practice their religion in secret, under cover as "religious revivalists," to conceal their unbroken connection to ancient history. They were so successful that they have survived for 26,000 years while history believed them long since annihilated. The Bene Gesserit — with their memories of the past — were not deceived, and have developed a relationship with the Jews.
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Modern scholars disagree about whether the conservative revivalists were motivated by nationalism or considered contemporary spoken Czech unsuitable for formal, widespread use. Adherence to historical patterns was later relaxed and standard Czech adopted a number of features from Common Czech (a widespread, informally used interdialectal variety), such as leaving some proper nouns undeclined. This has resulted in a relatively high level of homogeneity among all varieties of the language.
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Sydney E. Armstrong, A Religious History of the American People (1972), p. 263. It brought Christianity to the slaves and was an apocalyptic event in New England that challenged established authority. It incited rancor and division between the traditionalists who argued for ritual and doctrine and the revivalists who ignored or sometimes avidly contradicted doctrine, e.g. George Whitfield's being denied a pulpit in Anglican Churches after denying Anglican Doctrine.
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It was thirty thousand in 1940, fifty thousand in 1946, and ninety thousand in 1953, surpassing the circulation of the venerable Moody Monthly. Rice regularly published reports from evangelistic campaigns that became valuable publicity tools for approved revivalists. In 1946, he and other prominent evangelists adopted a code of ethics and a statement of faith to prevent "evangelists from being unduly criticized for commercialism and unethical practices."Moore, 171-72.
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Sarvady, Glen (2002) "Franklin Bruno - A Cat May Look at a Queen", CMJ New Music Monthly, November 2002, retrieved 2012-01-08 Trumfio has more recently worked with Built To Spill,Paine, Kelsey (2009) "Buolt to Spill There Is No Enemy", Billboard, October 17, 2009, p. 33, retrieved 2012-01-08 Jesus and Mary Chain, American Music Club, Booker T, new wave revivalists The Rentals, and Australian band Papa vs Pretty.
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A musician with an Italian baghèt wearing traditional dress. A modern baghet (made 2000 by Valter Biella) in Sol/G The baghèt is a bagpipe historically played in Bergamo, corresponding to the region of Lombardy in modern Italy. It is a small double-reeded bagpipe with two drones, associated with rural musicians. The instrument became defunct in the mid-20th century, but is now played by some revivalists.
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In The Common Basis..., Wan recommends the investigation and modernisation of traditional Chinese martial arts, a demand that was to be echoed by Bruce Lee and other revivalists some fifty years later. Other books by Wan include titles on philosophy (One Zero Philosophy), medicine and bone-setting (Traditional Chinese Orthopedics), the martial arts (Zi Ran Men, Illustrated Shaolin Lou Han Boxing, Essence of Wushu) and historical biography (Zhang Sun Fen).
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In spite of these innovations, the nyckelharpa's popularity declined until the 1960s roots revival. The nyckelharpa was a prominent part of several revival groups later in the century, especially Väsen and Hedningarna. The Swedish bagpipes (säckpipa) has been part of a long-running folk tradition, passed down orally until the death of Gudmunds Nils Larsson in 1949. Later revivalists such as Per Gudmundson added a tuning slide and revitalized the instrument.
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Phil Lesh & Friends, Infamous Stringdusters, Widespread Panic, John Fogerty, The String Cheese Incident, Gov't Mule, Umphrey's McGee, John Butler Trio, Joe Russo's Almost Dead, moe., The Revivalists, Greensky Bluegrass, Keller Williams, Margo Price, Marcus King Band, Eric Krasno Band, Brandi Carlile, JJ Grey & Mofro, Pigeons Playing Ping Pong, The Suffers, Los Colognes, The Avett Brothers, TAUK, Kendall Street Company, Anthony Rosano & the Conqueroos, Mighty Joshua, and Sun-Dried Opossum.
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Travelling to Samobor to visit Livadić, Gaj thought to himself, "Croatia has not yet fallen so long as we [revivalists] are alive". At the same time he heard the sound of villagers singing in church. When he arrived at Livadić's house, he already had the words and melody ready. That night they penned several other verses, of which three became the best known and were treated as the unofficial anthem of the Illyrian Movement.
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13 Under the sponsorship of the Washington Post, the festival was held in Washington, DC at Constitution Hall from 1937–1942.Donaldson, 2011, pp. 103–04 The folk music movement, festivals, and the wartime effort were seen as forces for social goods such as democracy, cultural pluralism, and the removal of culture and race-based barriers.Donaldson, 2011, pp. 105–07 The American folk music revivalists of the 1930s approached folk music in different ways.
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During the British colonial period, approximately 60% civil service jobs were held by the minority Sri Lankan Tamils. They constituted approximately 15% of the population prior to 1948. This was due to the availability of Western style education as provided by the Protestant American missionaries, Hindu revivalists and local Catholic mission in the Tamil dominant Jaffna peninsula. After gaining independence from Britain in 1948, Sinhalese politicians made the apparent over representation a political issue.
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It brought Christianity to the slaves and was an apocalyptic event in New England that challenged established authority. It incited rancor and division between the old traditionalists who insisted on ritual and doctrine and the new revivalists. It had little impact on Anglicans and Quakers. Unlike the Second Great Awakening that began about 1800 and which reached out to the unchurched, the First Great Awakening focused on people who were already church members.
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Most of this group were originally Midwesterners, although there were a small number of New Orleans musicians involved. The second population of revivalists consisted of young musicians such as the Lu Watters band. By the late 1940s, Louis Armstrong's Allstars band became a leading ensemble. Through the 1950s and 1960s, Dixieland was one of the most commercially popular jazz styles in the US, Europe, and Japan, although critics paid little attention to it.
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In the fall of 1998, Bethel Church began Bethel School of Supernatural Ministry, under the direction of Kris Vallotton, Bethel's senior associate pastor. The school trains its students in the supernatural and miracles, such as faith healing, in order that they may become revivalists. The normal program is one academic year and students have the opportunity to return for a second and third year. Approximately 15% of the students stay for the full three years.
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51–53 In tandem, revivalists began referring to ancient Cuman customs and ethnic markers, which in some cases are suspect of being invented traditions.Lyublyanovics, p. 168 At the time, Horváth and Julius Klaproth introduced the theory according to which Cumans, Jazyges and Hungarians were Finno-Ugric, and therefore "kinsmen."Malte-Brun, pp. 322–324 This stance partly overlapped with a working hypothesis for early Hungarian archeologists such as Miklós Jankovich and Géza Nagy.
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Violet Jacob was described by Hugh MacDiarmid as "by far the most considerable of contemporary vernacular poets", a view he did not rescind over a fifty-year period. Her poetry was associated with that of Scots revivalists like Marion Angus, Alexander Gray and Lewis Spence, who drew their inspiration from early Scots poets such as Robert Henryson and William Dunbar, rather than from Robert Burns.Scottish renaissance (2000). In The Cambridge Guide to Literature in English.
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174, 176; Ornea (1998), p.51 Ornea (according to Jicu, the "most important" of Sanielevici revivalists) also wrote a Sanielevici monograph, part of the volume Trei esteticieni ("Three Aestheticians"). After the 1989 Revolution, new steps were taken to reclaim and reassess the less debated aspects of Sanielevici's contribution to culture. In 2009, Jicu published with Cartea Românească a new monograph, widely considered an attempt to rekindle interest in the critic- anthropologist: Dinastia Sanielevici.
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Whitfield joined forces with Edwards to "fan the flame of revival" in the Thirteen Colonies in 1739–40. Soon the First Great Awakening stirred Protestants throughout America. Evangelical preachers emphasized personal salvation and piety more than ritual and tradition. Pamphlets and printed sermons crisscrossed the Atlantic, encouraging the revivalists.. The Awakening resulted from powerful preaching that gave listeners a sense of deep personal revelation of their need of salvation by Jesus Christ.
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Olivier has been part of the Berkeley folk music scene since the 1950s. He was influenced by folk revivalists such as Burl Ives, Carl Sandburg, and John Jacob Niles, who he saw perform on campus at Cal. Beginning in 1956 he hosted “The Midnight Special” on KPFA radio. He started a music instrument shop in Berkeley, The Barrel Folk Music Center, to serve the growing folk music community during the mid-1950s.
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They played at venues such as Dingwalls, The Marquee Club, Club 100, The Music Machine and Pied Bull, where they held a residency. They toured all over England with The Chords, Teenbeats, Purple Hearts, The Scooters, The Killermeters and other mod revivalists. Unlike many of the mod revival bands, they did not play any cover versions. Lyrically, they tackled a range of subjects, and a number of their songs covered attitudes to the work environment.
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See whole Verve catalog on Jazzdisco.org Other JATP concerts first appeared on Granz later Pablo Records label, which also reissued the Art Tatum recordings listed below which he had reacquired. Also absent is the Down Home series dedicated to documenting surviving early jazz players and revivalists. Beside the already mentioned musicians the Verve catalog comprised a good share of prominent jazz musicians of the 1940s to '60s, featuring Count Basie, Woody Herman, and Lionel Hampton.
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She took good care of the building and the estate, efficiently managing the farming work. She also improved the living conditions of her tenants, allowing some to acquire the properties in which they were living. She became a popular figure in the area, thanks to her friendly, welcoming attitude and her unusual sophistication. As a widow interested in religious revival, she became a figurehead for revivalists in southern Zealand, both commoners and clerics.
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Throughout the 1730s and 1740s Philip Doddridge continued his academic and pastoral work, and developed close relations with numerous early religious revivalists and independents, through extensive visits and correspondence. Through this approach he helped establish and maintain a circle of influential independent religious thinkers and writers, including Dr Isaac Watts. He also became a prolific author and hymnwriter. In 1736 both the universities at Aberdeen gave him the degree of Doctor of Divinity.
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In recent history, the bar has weekly hosted residencies from acts such as Tank and the Bangas, The Revivalists, George Porter Jr., Jon Cleary (musician) and Johnny Vidacovich. Porter still holds a weekly, Monday night residency at the bar with his trio, featuring Terrence Houston, and Michael "Goldenthroat" Lemmler. Poet Everette Maddox was so closely tied to the venue that his ashes are buried in the bar's patio area. The Maple Leaf hosts poetry readings and fashion shows.
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He also says that he played one of the slide guitars; Marr disputes this but gives him credit for his leadership in recording the song. Marr's other lead guitar part was the harmonic lick after each verse. This is almost a direct quote of a synthetic vibraphone part heard on rapper Lovebug Starski's "You've Gotta Believe", from the previous year. Marr meant it as a direct response to some critics who had pigeonholed the Smiths as 1960s revivalists.
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Ford Zephyr, a popular vehicle for Teds In the late 1980s, there was a move by a number of Teddy Boys to revive the 1950s Teddy Boy style. In the early 1990s, a group of Teddy Boy revivalists in the Tottenham area of north London formed "The Edwardian Drape Society" (T.E.D.S.). The group concentrated on reclaiming the style which they felt had become bastardised by pop/glam rock bands such as Showaddywaddy and Mud in the 1970s.
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The Marshal's stated objective was to tear down "the barrier that exists between the People's Party and the Sovereign".Gheorghe I. Florescu, "Alexandru Averescu, omul politic (VIII)", in Convorbiri Literare, December 2009 The elections of 1933 were called by a new PNL cabinet, headed by Ion G. Duca. The PP mobilized itself, forming a tiny cartel with Filipescu's Conservative revivalists and the right-wing "Georgist" Liberals. It was also joined by Nicolae Rădescu, an anti-Carlist officer.
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Sankey 1906, pp. 25–26 Moody and Sankey returned home in the summer of 1875, to considerable acclaim after their successful British tour, and quickly established themselves as the leading revivalists of their times. Beginning with a rally in Moody's home town of Northfield, Massachusetts, revival meetings were held during the following years in towns and cities the length and breadth of the United States, with excursions over the borders into Canada and Mexico.Sankey 1906, pp.
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These individuals, such as Sam Larner, Harry Cox, Walter Pardon, and Frank Hinchliffe, released albums of their own and were revered by folk revivalists. In Scotland the key figures were Hamish Henderson and Calum McLean who collected songs and popularised acts including Jeannie Robertson, John Strachan, Flora MacNeil and Jimmy MacBeath.C. MacDougall, Scots: The Language of the People (Black & White, 2006), p. 246. In Wales the key figure was Dafydd Iwan, who founded the Sain record label in 1969.
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See: Jewish music, Eastern European music, Secular Jewish culture Early in the 20th century, Eastern European immigrants settled across the United States. Many were Ashkenazi Jews, who brought with them their swift, eminently dance-able klezmer music. Harry Kandel, a clarinetist, stood out in the field, alongside Abe Schwartz, Naftule Brandwein and Dave Tarras. Later, in the 1980s, a new generation of klezmer roots revivalists made innovative fusions of klezmer with punk rock and other influences.
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Roman Catholics, Revivalists, and Pentecostals are the other Christian denomination numbers. Catholics are found in significant numbers in parts of Wokha district and Kohima district as well as in the urban areas of Kohima and Dimapur. Hinduism and Islam practiced by the non-Naga community are minority religions in the state, at 7.7% and 1.8% of the population respectively. After the Indo- Naga war, the opposition of Naga Christian nationalists against India and Hinduism wasn't yet overcome.
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Morris I. The Measure Of Civilization : How Social Development Decides The Fate Of Nations [e-book]. Princeton: Princeton University Press; 2013. Available from: eBook Academic Collection (EBSCOhost), Ipswich, MA. Accessed May 18, 2017. The extent to which these 18th century democratic revivalists succeeded in turning the democratic ideals of the ancient Greeks and Romans into the dominant political institution of the next 300 years is hardly debatable, even if the moral justifications they often employed might be.
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Drummer Tim Soete was the singer/guitarist of San Diego mod revivalists The Event and guitarist/vocalist for Santa Cruz band Tail Dragger. Phil Manley is a founding member of Trans Am and has also released albums under his own name. In 2011, he collaborated with Earthless guitarist Isaiah Mitchell, under the name 'Mitchell Manley', to release an EP for Thrill Jockey. He also works as a recording engineer and has worked with numerous bands in the Bay Area.
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Edward Parry (1723 - 16 September 1786) was a prominent preacher, hymn writer and poet in North Wales during the 18th century. Parry was born in 1723 at Llys Bychan, Llansannan, Denbighshire. He was carpenter by trade, and was contemporary with Thomas Edwards (Twm o'r Nant). In 1747 he invited the revivalists into his home and in 1749 he started preaching himself, but returned to the established church following the split between Howel Harris and Daniel Rowland.
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Evangelicals believed in the "new birth"—a discernible moment of conversion—and that it was normal for a Christian to have assurance of faith. While the Puritans had also believed in the necessity of conversion, they "had held that assurance is rare, late and the fruit of struggle in the experience of believers". Its emphasis on the individual's relationship to God gave it an egalitarian streak as well, which was perceived by anti-revivalists as undermining social order.
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With the arrival of many Americans from the East Coast, as well as immigrants from as far away as China, however, Spanish folk music began to dwindle in popularity in California. Charles Fletcher Lummis, himself an immigrant to California, recorded many kinds of Spanish and Native American folk music for the Southwest Society of the Archaeological Institute of America. Later in the 20th century, other revivalists like Gabriel Eulogius Ruiz and Al Pill helped keep Spanish-California traditions alive.
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When Heaven Invades Earth Destiny Image, 2003, pg. 88 He traveled to Toronto, Canada in 1995 to attend some of the Toronto Blessing revival meetings. Johnson recounts receiving a fresh touch from God at these meetings that focused his life's work on pursuing the Holy Spirit and the gifts of the Spirit. In 1998, Johnson, along with Bethel Senior Associate Leader Kris Vallotton, started the Bethel School of Supernatural Ministry to train students to become revivalists.
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Their art reflected political philosophy and sometimes had a historical connecting because several of the artists were also faithful to the imperial cause. The two artists were revivalists, and got so caught up in painting historical figures, that they overlooked the special greatness of the early artists who specialized in movement and realism. The most successful successors invented their own artistic style but kept the predecessors tradition of painting in strong color with an intense feeling of natural beauty.
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Conviction of sin was the stage that prepared someone to receive salvation, and this stage often lasted weeks or months. When under conviction, nonbelievers realized they were guilty of sin and under divine condemnation and subsequently faced feelings of sorrow and anguish. When revivalists preached, they emphasized God's moral law to highlight the holiness of God and to spark conviction in the unconverted. Jonathan Edwards' sermon "Sinners in the Hands of an Angry God" is an example of such preaching.
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During the colonial era, Hindu arts and traditions such as dance- drama were ridiculed. Christian missionaries and British officials stereotyped and dehumanized artists, calling Indian classical dances as evidence of "harlots, debased erotic culture, slavery to idols and priests" tradition. Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The anti-dance camp accused the various classical Indian dance forms as a front for prostitution, while revivalists questioned the constructed histories by the colonial writers.
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Matthew Waters, writing for Xune Mag described the album as "devilishly talented" and praised the accessibility, and musicianship of the EP. Waters described The Boys as a "lush set of uncomplicated rock that easy to listen to and enjoy. Cleopatrick have circumvented the hard rock theme and elevated it to something truly fantastic. Intelligent lyrics accompany a gritty rock backdrop." Writing for CFML-FM, Hannah Gorton praised the energy of the album, but dismissed the idea of this band being rock revivalists.
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In 1738, the Synod took two actions that infuriated the revivalists. They first required candidates for ordination who did not have college degrees to be examined by a committee of the Synod before being allowed to join a presbytery. At the time, there were no Presbyterian colleges in America, and candidates for the clergy were forced to attend either Harvard and Yale (both Congregational institutions), or study in Britain. Candidates unable to do so received training from pastors or at informal academies.
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The Muslim League boycotted the Assembly after failing to prevent its creation. Although a large part of the Constituent Assembly was drawn from the Congress Party in a one-party environment, the Congress Party included a wide diversity of opinions—from conservative industrialists to radical Marxists, to Hindu revivalists. The Assembly met for the first time in New Delhi on 9 December 1946, and its last session was held on 24 January 1950.M. Lakshmikanth, Indian Polity for Civil Services Examinations, 3rd ed.
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Jerry Dammers of the ska revival band the Specials started the record label in 1979. Chrysalis had wanted to sign the Specials, but Dammers arranged a label deal, for Chrysalis to fund 15 singles a year and release at least ten of those. The label spawned the 2 Tone music and cultural movement, which was popular among skinheads, rudies and some mod revivalists. The label stopped operating in 1986, though "2 Tone" is still used as an imprint for back catalogue issues.
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Their debut album, From Here, was released in September 2015 on their own record label, From Here Records. It features Ewan MacColl’s song 'Champion at Keeping Them Rolling', the traditional song The Blacksmith, and Copper Family’s Hard Times of Old England alongside new song Me N Becky, a story of the 2011 London riots, looting, remorse and jail. The Guardian Newspaper described it as 'A powerful and original debut'.Stick in the Wheel: From Here review – folk revivalists with punk attitude.
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While most New Lights stayed within the established Congregational churches, there were still those in New England who embraced the radical wing of the Awakening–with its trances, visions, and shouting. When radical revivalists could not control their local churches, they separated from the state churches and formed new congregations. These Separate or Strict Congregationalists were often poor. They rejected the necessity of an educated ministry, ministerial associations (which had tried to control the revival), and the Half-Way Covenant.
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This Augustinian monk in Brno, an excellent teacher, author of a number of poetic and philosophical works, natural science researcher, journalist, unselfish and loving man František Matouš Klácel was one of the leading revivalists in Moravia and active members of political life during the revolutionary period of 1848-49. A road is named after him in Brno - Masarykova čtvrt, and from 1978 a memorial stone with his portrait by Milada Orthová has been on the side of number 1 Mendel Square.
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Following the band's split in 1975, Wood and Price formed the short-lived Wizzo Band, after which Wood reverted to a solo career in addition to producing records for other acts, notably a 1979 Top 10 cover version of "Duke of Earl" for British doo-wop revivalists Darts. On 13 November 2014, saxophonist Mike Burney died, aged 76, after a long battle with cancer. Hugh McDowell died on 6 November 2018 following a long illness, at the age of 65.
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Interest in prophecy also found its way into the Roman Catholic church when an exiled Jesuit priest by the name of Manuel de Lacunza published a manuscript calling for renewed interest in the Second Coming of Christ. His publication created a stirring but was later condemned by Pope Leo XII in 1824. As a result of a pursuit for religious freedom, many revivalists had set foot in the United States, aiming to avoid persecution.This information comes from Light Bearers by Schwarz and Greenleaf.
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For the first time, the newspapers had a role in this revival. The Western Mail and the South Wales Daily News, Wales' daily newspapers, spread news of conversions and generated an air of excitement that helped to fuel the revival. The Western Mail in particular gave extensive coverage to Roberts' meetings in Loughor. The articles were gathered together and published as a series of seven pamphlets, including copies of picture postcards of the revivalists that were published at the time.
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Saint Piran's Flag, a centred white cross on a black field, was described as the "Standard of Cornwall" in 1838 and was re-introduced by Celtic Revivalists thereafter as a county flag of Cornwall. It has been seized upon by the Cornish people as a symbol of their identity, displayed on cars and flying from buildings including those of Cornwall Council. St Piran's Day is an annual patronal fête, and the pre- eminent Cornish festival celebrating Cornish culture and history on 5 March.
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Sta-Prest (a stylized rendering of "stay pressed") is a brand of wrinkle- resistant trousers produced by Levi Strauss & Co., beginning in 1964. Sta- Prest jeans are marketed as being wearable straight out of the dryer, with no need for ironing. The trousers were especially popular among British mods of the mid 1960s and skinheads of the late 1960s (as well as among traditionalist skinheads and mod revivalists of later decades). Vintage pairs of Sta-Prest trousers have become collector's items.
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According to Barbara and Thomas R. Metcalf, Bharatendu Harishchandra is considered an influential example of Hindu "traditionalist" in north India, typifying continuity with received tradition and self-conscious participation with the modern world. He was typical of those Indians who engaged with the Western institutions and learning: They refused to leave authority over religion to Brahmans who were traditionally educated. He used new media, especially publications to shape public opinion. Harishchandra was also typical of revivalists of Hindi Literature which were closely connected with Hindu revivalist movements.
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It was not enough, however, to simply reflect on past experiences. Revivalists taught that assurance could only be gained through actively seeking to grow in grace and holiness through mortification of sin and utilizing the means of grace. In Religious Affections, the last sign addressed by Edwards was "Christian practice", and it was this sign to which he gave the most space in his treatise. The search for assurance required conscious effort on the part of a convert and took months or even years to achieve.
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In 2018, Bassett produced seven songs on Vance Joy's Nation of Two LP including the co-written Gold Certified tracks "Lay It on Me" and "Saturday Sun." He also co-produced and co-wrote the singles "White Flag" for Bishop Briggs and Alice Merton's "Lash Out." In 2019, Bassett co-wrote the hit single "All My Friends" by The Revivalists as well as Shinedown's #1 single "Attention Attention". In 2020 Bassett co-wrote "Hero" by Weezer with Rivers Cuomo which went to #1 at Alternative radio.
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"Dust My Broom" is a blues standard and is especially popular among slide guitarists. Besides early versions by bluesmen, including Arthur Crudup (1949) and Robert Jr. Lockwood (1951), the song carried over to the 1960s folk and blues revival and the British rhythm and blues scene. In 1963, American revivalists Koerner, Ray & Glover recorded the song, possibly making them the first white musicians to do so. Following the 1964 UK release of "Dust My Blues", James' slide guitar sound was adopted by many British blues-oriented guitarists.
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The gallery at Strawberry Hill, showing Gothic revival architecture The society's "ecclesiology" was an idea about both architecture and worship, inspired by the associationism of the Gothic revival and reform movements within the Anglican Church. Beginning as far back as Horace Walpole's Strawberry Hill, Gothic architecture was used to associate a building with certain attractive aspects of the Middle Ages. For the early revivalists, this attractiveness was the picturesque quality of the architecture. However, the Middle Ages had always had a strong association with religious piety.
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The branch of Quakerism in which he was raised (Wilmington Yearly Meeting) had been influenced by the 19th century revivalists and worship services were similar to other low-church Protestant groups. He graduated in 1913 from Wilmington College as a chemistry major. Then he went to Haverford College just outside Philadelphia, Pennsylvania where he came under the mentoring of Rufus Jones, a prominent Friend. It was at this time that he came into contact with the more traditional mystical vein of the Religious Society of Friends.
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Global Gospel Publishers: Cedar Knolls, NJ. 2003. Among Christians, Baptists have constituted more than 50% of the state's population, thus making it more Baptist (on a percentage basis) than Mississippi in the southern United States, where 48% of the population is Baptist, and Alabama which is 44% Baptist. Roman Catholics, Revivalists, and Pentecostals are the other Christian denominations. Catholics are found in significant numbers in parts of Phek district, Wokha district and Kohima district as well as in the urban areas of Kohima and Dimapur.
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In 2000, Dr John Kirk described the "net effect" of that "amalgam of traditional, surviving, revived, changed, and invented features" as an "artificial dialect". He added, > It is certainly not a written version of the vestigial spoken dialect of > rural County Antrim, as its activists frequently urge, perpetrating the > fallacy that it’s wor ain leid. (Besides, the dialect revivalists claim not > to be native speakers of the dialect themselves!). The colloquialness of > this new dialect is deceptive, for it is neither spoken nor innate.
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Baritone vocalist Royal Dadmun released a version in 1922 on Victor Records. The song is credited to the arrangers, Eaton Faning and John Liptrot Hatton. Versions of the song were recorded in the 1950s and '60s by folk revivalists, including Pete Seeger. Eddy Arnold recorded and released a version on his 1955 album “Wanderin’.” The Everly Brothers recorded and released a version on their 1958 folk album, "Songs Our Daddy Taught Us." Joan Baez released a version in 1961, the same year as Jean Ritchie's recording.
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At first Bishop Hagey embraced new converts form these meetings and baptized those from Eby's Port Elgin revival. This changed by the time the Waterloo converts sought baptism, directly because of objections lodged by the conference leadership itself. This group was baptized later in 1871 by an American bishop invited north by the revivalists, letting the matter increase the growing division between the two camps. The resulting division created the break-away group the Reformed Mennonites (later part of the Mennonite Brethren in Christ).
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Early in the history of the Methodists, they established chapels, and fellowship meetings (seiadau) were established. There is a history of revivalists such as Daniel Rowland who held meetings at Tyddyn Isaf and the poet Dafydd Siôn Siâms who publicly cursed the new religion before himself being converted. He chastised the Methodists mercilessly before burning all their critical poetic works in a public bonfire in the village square. The Old Methodists' original communion chalice is to be seen in the National Library in Aberystwyth.
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Revivalists have been prominent in all major evolutions of the Christian church. In The Great Awakening, Jonathan Edwards was credited with being the initial catalyst for this movement that would greatly impact American culture from 1734 to 1750.The Philadelphia Period of Church History, Daniel Hopkinson, Knoxville Evangelical Examiner George Whitefield also did much to see The Great Awakening's furtherance and influence on the American public. The Second Great Awakening began at the end of the 18th century, and continued until the mid-nineteenth century.
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In the late 1950s and early 1960s, a new generation of young people were inspired by folk singers such as Guthrie. These "folk revivalists" became more politically aware in their music than those of the previous generation. The American Folk Revival was beginning to take place, focused on the issues of the day, such as the civil rights movement and Free Speech Movement. Pockets of folk singers were forming around the country in places such as Cambridge, Massachusetts, and the Greenwich Village neighborhood of New York City.
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Repugnant was a Swedish death metal band from Stockholm active from 1998 to 2004. The band has been cited as one of the first revivalists of the Swedish death metal movement, along with Kaamos. They recorded their only studio album Epitome of Darkness in 2002, but it was left unreleased when the band broke up in 2004, only being published in 2006. Vocalist and guitarist Mary Goore (real name Tobias Forge) recruited a new lineup of Repugnant to perform at the Hell's Pleasure festival in 2010.
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In the early 1960s, Nikita Khrushchev's regime escalated anti-Islamic propaganda. Then, on several occasions in the 1970s and 1980s, the Kremlin leadership called for renewed efforts to combat religion, including Islam. Typically, such campaigns included conversion of mosques to secular use; attempts to reidentify traditional Islamic-linked customs with nationalism rather than religion; and propaganda linking Islam to backwardness, superstition, and bigotry. Official hostility toward Islam grew in 1979 with Soviet military involvement in nearby Afghanistan and the increasing assertiveness of Islamic revivalists in several countries.
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The completed work is a collection of portraits interpreting the Irish history and heritage of Belfast. The piece’s Irish title is: ‘Ar scath a cheile a mhaireas na daoine’ (‘It is in the shelter of each other that people live’) and featured five prominent Belfast Irish cultural revivalists. This mixed media artwork is on permanent public display as part of the city's art collection at Belfast City Hall. The National Trust commissioned Drury to create a artwork to celebrate a music festival at the Castle Ward Estate in 2013.
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Bailey worked with cuisine revivalists to bring Purple Ribbon sugarcane, a strain close to extinction, to Sapelo Island. They planted it on her farm in Hog Hammock as well as at Dr. Bill Thomas and Jerome Dixon's Georgia Coastal Gourmet Farms in nearby Shellman Bluff. Its first yield – 50 gallons of Sapelo Purple Ribbon Sugarcane Syrup – was harvested just after her death in late 2017. Bailey and her family worked with Georgia Coastal Gourmet Farms to cultivate Sapelo Red Peas, Sapelo's first commercial crop, and brought their first harvest to market in 2014.
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In 1906, an October snowstorm in Salida, Colorado, destroyed Sunday's tenta special disaster because revivalists were typically paid with a freewill offering at the end of their meetings. Thereafter he insisted that towns build him temporary wooden tabernacles at their expense. The tabernacles were comparatively costly to build (although most of the lumber could be salvaged and resold at the end of the meetings), and locals had to put up the money for them in advance. This change in Sunday's operation began to push the finances of the campaign to the fore.
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Revivalists also taught that receiving assurance of salvation was a normal expectation in the Christian life. While the Evangelical Revival united evangelicals across various denominations around shared beliefs, it also led to division in existing churches between those who supported the revivals and those who did not. Opponents accused the revivals of fostering disorder and fanaticism within the churches by enabling uneducated, itinerant preachers and encouraging religious enthusiasm. In England, evangelical Anglicans would grow into an important constituency within the Church of England, and Methodism would develop out of the ministries of Whitefield and Wesley.
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Philadelphia's Second Presbyterian Church, ministered by New Light Gilbert Tennent, was built between 1750 and 1753 after the split between Old and New Side Presbyterians. The Great Awakening aggravated existing conflicts within the Protestant churches, often leading to schisms between supporters of revival, known as "New Lights", and opponents of revival, known as "Old Lights". Old Lights saw the religious enthusiasm and itinerant preaching unleashed by the Awakening as disruptive to church order, preferring formal worship and a settled, university-educated ministry. They mocked revivalists as being ignorant, heterodox or con artists.
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True conversion meant that a person was among the elect, but even a person with saving faith might doubt his election and salvation. Revivalists taught that assurance of salvation was the product of Christian maturity and sanctification. Converts were encouraged to seek assurance through self-examination of their own spiritual progress. The treatise Religious Affections by Jonathan Edwards was written to help converts examine themselves for the presence of genuine "religious affections" or spiritual desires, such as selfless love of God, certitude in the divine inspiration of the gospel, and other Christian virtues.
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This is in line with early twentieth century beliefs that women were best suited for domestic projects due to their sex. Howe, Manning, and Almy were Revivalists and their designs often mimicked Tudor, Georgian, and American Colonial styles. When designing a project, they considered how the plan would affect the daily life of its inhabitants and were unafraid to break from stylistic conventions to make a plan more simple and comfortable. Their plans were logical and designed to blend in with the surrounding buildings and utilized traditional materials such as wood, brick, and stucco.
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After his conversion A.J. Tomlinson became active in the local Quaker church, the Chester Preparative Meeting of the Society of Friends, that had been founded by his grandfather Robert. The area was frequented by many prominent holiness Quaker evangelists (such as Seth Cook Rees) and biblical scholars (such as Dougan Clark, Jr.). The area also welcomed fiery revivalists (such as Charles Stalker), and Quakers in Chester Preparative openly associated with Methodists (such as Nathan and Esther Frame). As such, A.J. Tomlinson's earliest religious influences followed the evangelical Quaker holiness teachings of Joseph John Gurney.
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John Elias was born at Abererch near Pwllheli on 6 May 1774 as John Jones. For much of his early life he was brought up by his grandfather, and possessed the rare ability at the time to read both Welsh and English from an early age. He was able to read the Welsh Bible when between four and five years old. On Sundays they attended the parish church in the morning, and in the afternoon they would walk long distances together in order to hear some of the Methodist Revivalists.
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During the 1960s, a blend of mohair and wool suiting fabric known as Tonik or Tonic was developed in England. This had a shiny, color changing appearance and was popular among rude boys and the mod subculture.Gentlemans Gazette Similar suits were worn by mod revivalists, skinheads, and fans of ska punk and two tone music during the early to mid-1980s.Chanting down BabylonAmerican counterculture Today, South Africa is the largest mohair producer in the world, with the majority of South African mohair being produced in the Eastern Cape.
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Per Jimmy Drown's suggestion, the Id's rendition featured a Byrds-inspired raga guitar line, with lyrics on par with the Shadows of Knight's take on the tune. Released under the name Euphoria's Id on Eadit Records in 1966, "Deception's Ice" in more recent times is catalogued at number 221 on the G45 Central website's 1,000 rarest garage records. The group's rendition has swelled in popularity, especially among garage rock revivalists, as it appears on compilation albums such as Pebbles, Volume 22, New England Teen Scene, and I'm Losing Tonight! Volume 6.
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Dobrovský had intended his book to be descriptive, and did not think Czech had a realistic chance of returning as a major language. However, Josef Jungmann and other revivalists used Dobrovský's book to advocate for a Czech linguistic revival. Changes during this time included spelling reform (notably, í in place of the former j and j in place of g), the use of t (rather than ti) to end infinitive verbs and the non-capitalization of nouns (which had been a late borrowing from German). These changes differentiated Czech from Slovak.
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One of these leaflets ended up being published in a Baptist newspaper, and "Stand Up, Stand Up for Jesus" was published in The Church Psalmist in 1859. After first publication, the hymn was popular and was sung by both the Union and Confederate soldiers in the American Civil War. The hymn also became popular among British revivalists, and within public schools in England. As a result of the images of Christian militarism in the hymn, some people object to the hymn, and some people do not stand to sing it.
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In addition to the Goadecs, the singer Loeiz Ropars was largely responsible for maintaining kan ha diskan's vitality in the middle of the 20th century, and the 1960s and 1970s revivalists drew largely on his work. They also venerated performers like Ar breudeur Morvan and Les soeurs Goadec/Ar c'hoarezed Goadeg. During the folk revival, aspiring musicians sought out elder teachers from whom to learn kan ha diskan, generally being viewed as successful when the student can act as diskaner to their mentor. Teachers of this era included Marcel Guilloux and Yann-Fanch Kemener.
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His work was inspired both by...the French Beaux-Arts movement and the practicality of the Colonial Revivalists: homes with even proportions, shutters and a cottage style that evoked a feeling of rural England or the French countryside. Lundie’s trademark became taking basic elements of the home and turning them into discrete works of art.”Jackie Crosby, Streetscapes: Edwin Lundie filled his houses with hand-designed touches Minneapolis Star and Tribune, March 8, 2015 “Edwin Lundie designed houses that evoke a sense of the old way of building, elemental and beyond the whims of style.
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St. Enda's, now the Pearse Museum As a cultural nationalist educated by the Irish Christian Brothers, like his younger brother Willie, Pearse believed that language was intrinsic to the identity of a nation. The Irish school system, he believed, raised Ireland's youth to be good Englishmen or obedient Irishmen, and an alternative was needed. Thus for him and other language revivalists saving the Irish language from extinction was a cultural priority of the utmost importance. The key to saving the language, he felt, would be a sympathetic education system.
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One of the leading Islamist thinkers and Islamic revivalists, Abul A'la Maududi agreed with Islamic modernists that Islam contained nothing contrary to reason, and was superior in rational terms to all other religious systems. However he disagreed with them in their examination of the Quran and the Sunna using reason as the standard. Maududi, instead started from the proposition that "true reason is Islamic", and accepted the Book and the Sunna, not reason, as the final authority. Modernists erred in examining rather than simply obeying the Quran and the Sunna.
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During the British colonial period, approximately 60% of the civil service jobs were held by the minority Sri Lankan Tamils, who constituted approximately 15% of the population prior to 1948. This was partly due to the availability of Western- style education provided by the Protestant American Ceylon Mission, Hindu revivalists, and local Catholic missions in the Tamil-dominated Jaffna peninsula. After gaining independence from Britain in 1948, Sinhalese politicians made the over-representation a political issue. They initiated measures aimed at correcting the over-representation by establishing ethnic quotas for university entrants.
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The remainder of the building was brick, with stone dressings. The east end was gabled, with a small three-light window. The style combined motifs from different eras of Gothic architecture with those invented by more recent Gothic revivalists. The brick nave was lit by a double row of windows, those in the upper tier being in a kind of "Carpenter's Gothic" in which the tracery was of a simplified form, intersecting without cusps or foliations, while those in the lower tier were square-headed windows of a very late Gothic style.
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Other Presbyterians were concerned that revivalism presented a threat to church order. In particular, the practice of itinerant preaching across presbytery boundaries, and the tendency of revivalists to doubt the conversion experiences of other ministers, caused controversy between supporters of revivalism, known as the "New Side", and their conservative opponents, known as the "Old Side". While the Old Side and New Side disagreed over the possibility of immediate assurance of salvation, the controversy was not primarily theological. Both sides believed in justification by faith, predestination, and that regeneration occurred in stages.
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The band was scheduled to play at the 2014 Reggae In The Hills Festival in Northern California. Shrub has shared the stage with: The Dirty Heads, Collie Buddz, Rebelution, Yellowman, The Expendables, Kottonmouth Kings, Gov't Mule, Hed PE, Badfish, Scotty Don’t, Marlon Asher, Yonder Mountain String Band, Ballyhoo!, ekoostik hookah, Zach Deputy, Don Carlos, Mighty Diamonds, Tribal Seeds, The Young Dubliners, Passafire, Seedless, Micah Brown, The Revivalists, Fortunate Youth, Big B, Spiritual Rez, Tomorrow's Bad Seeds, Echo Movement, Best Coast, Dinosaur Jr, The Dirty Projectors, Grizzly Bear, Tennis, Jul Big Green, etc.
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However, by the 1960s many of the characteristic teachings were gaining acceptance among Christians within mainline Protestant denominations. The charismatic movement represented a reversal of this previous pattern as those influenced by Pentecostal spirituality chose to remain in their original denominations. The popularization and broader acceptance of charismatic teachings as well as ideas are linked to the healing revivals that occurred from 1946 to 1958. The revivalists of the time, including William Branham, Oral Roberts, and A. A. Allen, held large interdenominational meetings which emphasized the gifts of the spirit.
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Kan ha diskan can be songs about any subject, but must meet one of a number of a meters used in folk dances, mostly line or round. Vocables, or nonsense syllables (typically tra la la la leh no), are sometimes used to drag out lines. Usually a kan ha diskan lasts from 5 to 20 minutes. In addition to the Goadecs, the singer Loeiz Ropars largely responsible for maintaining kan ha diskan's vitality in the middle of the 20th century, and the 1960s and 1970s revivalists drew largely on his work.
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Arriving on campus, Fahey, ever the outsider, began to feel dissatisfied with the program's curriculum. He later suggested that studying philosophy had been a mistake and that what he had wanted to understand was really psychology. He was equally unimpressed with Berkeley's post-Beat Generation, proto-hippie music scene, loathing in particular the Pete Seeger–inspired folk-music revivalists he found himself classed with. Eventually, Fahey moved south to Los Angeles to join UCLA's folklore master's program at the invitation of department head D. K. Wilgus, and received an M.A. in folklore in 1966.
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Among Tibetans, drinking beer is common, though this is only slightly alcoholic. Medicinal use of alcohol is generally not frowned upon, and in some countries like Thailand and Laos, smoking is usually not regarded as a violation of the precept. Thai and Laotian monks have been known to smoke, though monks who have received more training are less likely to smoke. On a similar note, as of 2000, no Buddhist country prohibited the sale or consumption of alcohol, though in Sri Lanka Buddhist revivalists unsuccessfully attempted to get a full prohibition passed in 1956.
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Some of these revivalists recorded folk songs on wax cylinders, and many of the recordings, including Percy Grainger's collection, are available online courtesy of the Vaughan Williams Memorial Library. Martin Carthy performing with The Imagined Village at Camp Bestival - 20 July 2008 The second revival gained momentum after the Second World War, following on from the American folk music revival as new forms of media and American commercial music appeared to pose another threat to traditional music.J. Connell and C. Gibson, Sound Tracks: Popular Music, Identity, and Place (Routledge, 2003), pp. 34-6.
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By the late 1970s, Wood was appearing less in public; commercial success faded away, and his musical experiments did not always match popular taste, but he remained productive in the studio as musician, producer and songwriter. He was a fan of Elvis Presley, but never succeeded in getting him to adopt one of his compositions. However, he was untiring as a producer for other acts, most successfully doo-wop revivalists Darts. In 1976, Wood recorded the Beatles songs "Lovely Rita" and "Polythene Pam" for the ill- fated musical documentary All This and World War II.
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Kinnaird plays this composition on a replica early wire-strung clarsach harp. The Harlaw CD features key ceòl mór revivalists including pibroch bagpipers Allan MacDonald and Barnaby Brown, early Scottish luter Ron MacFarlane, flautist Chris Norman and early Gaelic and Welsh harper Bill Taylor. Bonnie Rideout's CD Scotland's Fiddle Piobaireachd Volume 2, produced by John Purser was released in 2012. It features Rideout on fiddle and viola, Allan MacDonald on Highland bagpipes, small pipes, and voice, Barnaby Brown on revived triple pipes, William Jackson on clarsach harp and Matthew Bell on bodhran.
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Green Day performing "King for a Day", a ska-inspired song featuring saxophones and trumpets Green Day's sound is often compared to first wave punk rock bands such as the Ramones, Sex Pistols, The Clash, The Dickies, and Buzzcocks. Stylistically, the group is characterized as punk rock, alternative rock, pop rock, skate punk, post-punk, and . Stephen Thomas Erlewine of AllMusic described Green Day as "punk revivalists who recharged the energy of speedy, catchy three-chord punk-pop songs." While Armstrong is the primary songwriter, he looks to the other band members for organizational help.
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However, according to linguist Ghil'ad Zuckermann, the members of this group in particular, and the Hebrew revival in general, did not succeed in uprooting Yiddish patterns (as well as the patterns of other European languages Jewish immigrants spoke) within what he calls "Israeli", i.e. Modern Hebrew. Zuckermann believes that "Israeli does include numerous Hebrew elements resulting from a conscious revival but also numerous pervasive linguistic features deriving from a subconscious survival of the revivalists’ mother tongues, e.g. Yiddish."Zuckermann, Ghil'ad (2009), Hybridity versus Revivability: Multiple Causation, Forms and Patterns.
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It is a misconception in some quarters of the Neopagan community, influenced by the writings of Robert Graves, that historical Celts had an overarching narrative for the entire cycle of the year. While the various Celtic calendars include some cyclical patterns, and a belief in the balance of light and dark, these beliefs vary between the different Celtic cultures. Modern preservationists and revivalists usually observe the four 'fire festivals' of the Gaelic Calendar, and some also observe local festivals that are held on dates of significance in the different Celtic nations.
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This was changed by individuals including Alan Lomax, Hamish Henderson and Peter Kennedy, through collecting, publications, recordings and radio programmes. Acts that were popularised included John Strachan, Jimmy MacBeath, Jeannie Robertson and Flora MacNeil. In the 1960s there was a flourishing folk club culture and Ewan MacColl emerged as a leading figure in the revival in Britain. They hosted traditional performers, including Donald Higgins and the Stewarts of Blairgowrie, beside English performers and new Scottish revivalists such as Robin Hall, Jimmie Macgregor, The Corries and the Ian Campbell Folk Group.
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Modern adzes are made from steel with wooden handles, and enjoy limited use: occasionally in semi- industrial areas, but particularly by "revivalists" such as those at the Colonial Williamsburg cultural center in Virginia, USA. However, the traditional adze has largely been replaced by the sawmill and the powered- plane, at least in industrialised cultures. It remains in use for some specialist crafts, for example by coopers. Adzes are also in current use by artists such as Northwest Coast American and Canadian Indian sculptors doing pole work, masks and bowls.
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Carnivale Electricos is the seventh studio album by the New Orleans-based jazz fusion/funk group Galactic. Carnivale Electricos is a concept album about the annual celebration of Mardi Gras; the culmination of Carnival season leading up to Ash Wednesday. The album features many notable guest collaborators such as Cyril Neville, Ivan Neville, Mystikal, Al "Carnival Time" Johnson, David Shaw (of The Revivalists), Shamarr Allen, Big Chief Juan Pardo, Maggie Koerner, and others. It was primarily produced by Ben Ellman and Robert Mercurio, as well as other members of the band.
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Talbot played with the late 1970s mod revivalists The Merton Parkas, Dexys Midnight Runners and The Bureau and can be seen in the latter's music video for their song "Only for Sheep". In 1982 he started working with Paul Weller to form The Style Council which released their first records early in 1983. Since the break-up of the Style Council in March 1990, Talbot has continued to play with Weller on his solo material. He is a member of the current line-up of Dexys (formerly Dexys Midnight Runners).
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Most of these players were originally Midwesterners, although there were a small number of New Orleans musicians involved. The second group of revivalists consisted of younger musicians, such as those in the Lu Watters band, Conrad Janis, and Ward Kimball and his Firehouse Five Plus Two Jazz Band. By the late 1940s, Louis Armstrong's Allstars band became a leading ensemble. Through the 1950s and 1960s, Dixieland was one of the most commercially popular jazz styles in the US, Europe, and Japan, although critics paid little attention to it.
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About five years later, The Blasters invited Los Lobos to open for them and also helped get the young men from East L.A. their first record deal. Steve Berlin made a transition to Los Lobos, with The Blasters' blessing. The Blasters toured almost continuously for much of their heyday. The notes for The Blasters Collection observed that in one particular month, they toured with a wide range of acts: the all-girl band The Go-Go's, psychobilly pioneers the Cramps, with western swing revivalists Asleep at the Wheel and on a leg of Queen's west coast tour.
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On November 29, 2018, the documentary Meow Wolf: Origin Story was released in movie theaters around the United States in a one-time only showing. On January 8, 2019, rock band The Revivalists shot a music video for their song Change at House of Eternal Return. The video was released on February 19, 2019. Ninja Sex Party have filmed music videos at House of Eternal Return for their cover of Africa by Toto and We Built This City by Starship In March 2019, rapper T-Pain filmed a music video for his song A Million Times at House of Eternal Return.
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In November, 2014 RWB hit the road with New Orleans band The Revivalists for a tour of the east coast and midwest. On Dec 4, 2014, Red Wanting Blue performed a special concert at Trinity Cathedral in Cleveland, Ohio. The performance consisted of both acoustic and electric sets and was recorded for the Cathedral Concert Series for PBS (rumored to air in March 2015). In January, 2015, the band set sail to perform on the floating music festival Cayamo that featured John Prine, Lyle Lovett, Lucinda Williams, Brandi Carlile, Kacey Musgraves, The Lone Bellow, and more.
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However, because they did not know any tones, they did not have any idea of the meaning of the words except for the simplest expressions. According to Terwiel, there are great differences between the old Ahom language of the manuscripts, which is easily recognizable as a Tai language, and what the revivalists call Ahom, which does not follow the rules of Tai grammar. It has also changed greatly regarding semantics, literally translating Assamese into Tai words, which leads to sentences which do not make sense to any Tai speaker. Terwiel therefore calls this revived language 'pseudo-Ahom'.
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The interior followed the auditorium plan advocated by contemporary Revivalists as ideal for worship. They emphasized the importance of individual conversion in the Christian experience and wanted a space, similar to those found at camp meetings of the era, in which every member of the congregation could make individual face contact with the preacher. The curved pews, radiating aisles and corner entrances maximized interior space, echoing the tents of the camp meeting. The platform brought the preacher down from his high pulpit to closer contact with the worshippers, and gave him space to move around and keep the audience focused.
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In many societies, especially preliterate ones, the cultural transmission of folk music requires learning by ear, although notation has evolved in some cultures. Different cultures may have different notions concerning a division between "folk" music on the one hand and of "art" and "court" music on the other. In the proliferation of popular music genres, some traditional folk music became also referred to as "World music" or "Roots music". The English term "folklore", to describe traditional folk music and dance, entered the vocabulary of many continental European nations, each of which had its folk- song collectors and revivalists.
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One striking example of it is the increase in attendance at the Hajj, the annual pilgrimage to Mecca, which grew from 90,000 in 1926 to 2 million in 1979. Among revivalist currents, neo-fundamentalism predominates, stressing obedience to Islamic law and ritual observance. There have also been Islamic liberal revivalists attempting to reconcile Islamic beliefs with contemporary values and neo-Sufism cultivates Muslim spirituality; Many revivalist movements have a community-building orientation, focusing on collective worship, education, charity or simple sociability. Many local movements are linked up with national or transnational organizations which sponsor charitable, educational and missionary activities.
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These early revivals, however, remained local affairs due to the lack of coverage in print media. The first revival to receive widespread publicity was that precipitated by an earthquake in 1727. As they began to be publicized more widely, revivals transformed from merely local to regional and transatlantic events. In the 1720s and 1730s, an evangelical party took shape in the Presbyterian churches of the Middle Colonies led by William Tennent, Sr. He established a seminary called the Log College where he trained nearly 20 Presbyterian revivalists for the ministry, including his three sons and Samuel Blair.
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As Calvinists, revivalists also preached the doctrines of original sin and unconditional election. Due to the fall of man, humans are naturally inclined to rebel against God and unable to initiate or merit salvation, according to the doctrine of original sin. Unconditional election relates to the doctrine of predestination—that before the creation of the world God determined who would be saved (the elect) on the basis of his own choosing. The preaching of these doctrines resulted in the convicted feeling both guilty and totally helpless, since God was in complete control over whether they would be saved or not.
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The conviction stage lasted so long because potential converts were waiting to find evidence of regeneration within their lives. The revivalists believed regeneration or the new birth was not simply an outward profession of faith or conformity to Christianity. They believed it was an instantaneous, supernatural work of the Holy Spirit providing someone with "a new awareness of the beauty of Christ, new desires to love God, and a firm commitment to follow God's holy law." The reality of regeneration was discerned through self-examination, and while it occurred instantaneously, a convert might only gradually realize it had occurred.
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New Divinity men such as Joseph Bellamy (1719–1790), Samuel Hopkins (1721–1803) and Timothy Dwight (1752–1817) were revivalists who tried to steer a moderate course between Old Lights who opposed revival and radical New Lights who separated from the established Congregational churches. By the end of the 18th century, most Congregational churches were Edwardsian in orientation. Edwards' distinction between natural ability and moral ability had implications for New Divinity preaching and evangelism that were departures from traditional Puritan beliefs. For the Puritans, conversion was a gradual process involving spiritual crises, humiliation, and sorrow for sin.
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Cummings traveled extensively in Europe, primarily Italy. Travel, and writing about Italian architecture informed his own work, and while a part of the larger Gothic Revival style, Cummings and his partner Sears were not rigorous academic revivalists. Two early projects of the firm, Brechin Hall built in 1861, and Stone Chapel built in 1867 both at Phillips Academy in Andover, Massachusetts brought positive notice, and increased commissions to the firm. The office designed the massive brick Boston Cyclorama built to exhibit a large cyclical mural The Battle of Gettysburg, today it houses the Boston Center for the Arts.
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For example, Mod revivalists The Purple Hearts named themselves after the amphetamine tablets popular with mods during the 1960s, as did the Australian band of the same name during the mid-1960s. The Amphetameanies, a ska-punk band, are also named after amphetamine, but hint at its effects in their musical style. Dexys Midnight Runners, of number-one hit "Come On Eileen", are named after "dexies", a slang term for the amphetamine Dexedrine. Motörhead derived their name from the song of the same name by Ian "Lemmy" Kilmister's earlier band, Hawkwind; the song is about a user of speed, a "motorhead".
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Information about SRA claims spread through conferences presented to religious groups, churches and professionals such as police forces and therapists as well as parents. These conferences and presentations served to organize agencies and foster communication between groups, maintaining and spreading disproven or exaggerated stories as fact. Members of local police forces organized into loose networks focused on cult crimes, some of whom billed themselves as "experts" and were paid to speak at conferences throughout the United States. Religious revivalists also took advantage of the rumors and preached about the dangers of Satanism to youth and presented themselves at paid engagements as secular experts.
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In 1683 the town became the seat of the Orava county and in 1776 also the seat of a processus district. In the 19th century Dolný Kubín was a centre of Slovak national life and the poet Pavol Országh Hviezdoslav and other Slovak national revivalists were active in the town. After World War I, Dolný Kubín remained the seat of the Orava County until 1923, when Orava became a part of Váh County and it became the seat of the district. During World War II, the local garrison actively participated in preparation of Slovak National Uprising.
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Mercer described the Shins as a "pop project" from the beginning. The group were inspired by any and all music that they discovered. "Everything we listen to [...] makes its way in somehow, but we've been inspired by a bunch of bands who basically just keep reinventing the same thing," said Mercer. The group received comparisons to the "pop revivalists" at the Elephant 6 Recording Collective early in their career, such as The Apples in Stereo, whilst Mercer's vivid, often surrealist lyrics and infectious melodies drew comparisons to the songwriting style of Robert Pollard from Guided by Voices.
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Underpinning much of Warfield's theology was his adherence to Calvinism as espoused by the Westminster Confession of Faith. It is sometimes forgotten that, in his battles against modernism on the one hand, and against revivalism on the other, he was simply expressing the Reformed faith when applied to certain situations. It was Warfield's belief that the 16th century Reformers, as well as the 17th century Confessional writers, were merely summarizing the content and application of scripture. New revelations, whether from the minds of celebrated scholars or popular revivalists, were therefore inconsistent with these confessional statements (and therefore inconsistent with Scripture).
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One of the prominent evangelical revivalists Billy Graham preaching in Duisburg, Germany, 1954. Billy Sunday at the White House, 1922 In the U.S. and elsewhere in the world, there has been a marked rise in the evangelical wing of Protestant denominations, especially those that are more exclusively evangelical, and a corresponding decline in the mainstream liberal churches. In the post–World War I era, Liberalism was the faster-growing sector of the American church. Liberal wings of denominations were on the rise, and a considerable number of seminaries held and taught from a liberal perspective as well.
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He frequently teamed with more capable musicians, such as Yank Rachell, Hammie Nixon, and the piano player Jab Jones. Estes sounded so much like an old man, even on his early records, that blues revivalists reportedly delayed looking for him because they assumed he would have to be long dead (and because the musician Big Bill Broonzy had written that he was dead). By the time he was tracked down by the blues historians Bob Koester and Samuel Charters in 1962, he was completely blind and living in poverty. He resumed touring with Nixon and recording for Delmark Records.
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While studying at Hawkesbury Agricultural College, Long's musical talent was recognised by Ron Wills of EMI Columbia and he was signed to the music label. Wills had previously produced the breakthrough Australian country hit "Pub With No Beer" by Slim Dusty and had also signed Frank Ifield to the label. Long's friend Gary Shearston also went on to fame, recording on the CBS records label. The 1950s and early 1960s saw folk music become popular in Australia with the success of American folk revivalists such as the Weavers and the Kingston Trio and, later, Bob Dylan, Joan Baez and Peter Paul and Mary.
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CBDB has built a strong presence through steady touring of the American Southeast, playing headlining shows in halls such as the Georgia Theatre, Druid City Music Hall, Zydeco, Bourbon Street, Terminal West, Proud Larry's, and Exit/In. They have shared the stage with acts including Umphreys McGee, Blues Traveler, The Wailers, The Revivalists, Col. Bruce Hampton (Ret.), and Perpetual Groove, among others. The band has played various music festivals, such as Hulaween, Okeechobee Music Festival, Backwoods Music Festival, Euphoria Music Festival, Summercamp Music Festival, Sweetwater 420 Fest, SlossFest, Electric Forest, and The Werk Out Music Festival.
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By the mid-1960s there were probably over 300 in Britain, providing an important circuit for acts that performed traditional songs and tunes acoustically, where some could sustain a living by playing to a small but committed audience.M. Brocken, The British Folk Revival 1944–2002 (Ashgate, Aldershot, 2003), p. 114. Scottish folk clubs were less dogmatic than their English counterparts and continued to encourage a mixture of Scottish, Irish, English and American material. Early on they hosted traditional performers, including Donald Higgins and the Stewarts of Blairgowrie, beside English performers and new Scottish revivalists such as Robin Hall (1936–98), Jimmie Macgregor (b.
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While Taylor himself was not an evangelist, his sympathy for revivalism during a time when revivals were breaking out ensured that he had a major influence upon the core beliefs of revivalists and the churches that were created from them. The Second Great Awakening, despite its scope and power, was opposed by the more established church, especially Episcopalians and "Old Calvinists", but also the growing Unitarian movement. After Taylor had been appointed Professor of Didactic Theology at Yale in 1822, he used his influence to publicly support the revivalist movement and defend its beliefs and practices against opponents.
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The outpouring was termed The Welsh Revival and lasted from 1904 through 1905.Enjoying God: Experiencing Intimacy with the Heavenly Father, S.J. Hill, Relevant Media Group At a similar time-frame, John G. Lake was reported to have held several healing crusades in Africa, and began a healing ministry in Spokane, Washington.John G. Lake: The Complete Collection of His Life Teachings, Roberts Liardon, Book Throughout the international community, several other revivals were reported to have occurred during the first decade of the 20th century. In the mid-20th century, several other revivalists became prominent in American culture.
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They have also recorded at Helm's studio in Woodstock. The inspiration for the classic rock-influenced band the Hold Steady came while members Craig Finn and Tad Kubler were watching The Last Waltz. Rick Danko and Robbie Robertson are name-checked in the lyrics of "The Swish" from the Hold Steady's 2004 debut album Almost Killed Me. Also that year, southern rock-revivalists Drive-By Truckers released the Jason Isbell penned track "Danko/Manuel" on the album The Dirty South. The Band also inspired Grace Potter, of Grace Potter and the Nocturnals, to form the band in 2002.
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Altar calls are a recent historic phenomenon beginning in the 1830s in America. During these, people approached the chancel rails, anxious seat, or mourner's bench to pray. One of the most famous 19th century revivalists, Charles Grandison Finney, "popularized the idea of the 'altar call' in order to sign up his converts for the abolition movement." In many Churches of the Wesleyan-Arminian theology, the altar call, in addition to being an invitation for people to experience the New Birth, is also often used to implore believers to experience the second work of grace, known as entire sanctification.
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New York-based rock band American Authors have released 3 studio albums, 7 EPs, and 16 singles, 8 of which were promotional singles, in their 13-year tenure as a band. Their discography also includes 19 music videos, 3 headlining tours, and three supporting tours for OneRepublic, The Fray, and The Revivalists respectively. The band's first EP and first two studio albums recorded under the name American Authors have been major label releases on Universal Music Group subsidiary, Island Records. However, much of the band's early material was released independently under the name The Blue Pages.
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Sheldon Pollock previously edited the Clay Sanskrit Library, whose funding had ended in 2008, and Pollock was searching for a new sponsor to continue the work in a wider format. Rohan Murty, as a PhD student in Computer Science at Harvard University, was taking courses in ancient Indian literature and philosophy from the Sanskrit Department and developed a deep interest in ancient Indian texts. The two were brought together by Gurcharan Das, leading to the establishment of the Murty Classical Library under the auspices of the Harvard University Press.Elizabeth Kuruvilla, The modern revivalists, LiveMint, Jan 24 2015.
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The result was a hodgepodge of multiple Tai languages, that was only linked to the Ahom language by the Ahom script in which the dictionary entries were written. The scholar Terwiel recommended in 1992 to base neo-Ahom on the grammar and tones of the very closely related Aiton language, which is still spoken in Assam. Summarizing, the revivalists use a language consisting of a mixture of Tai words from multiple Tai languages, overlayed on an Assamese grammatical base. In 1999, the scholar Morey reported that Ahom priests have resorted to compounding words to differentiate between words that are homophones in the revived language, since Ahom lost its tone system.
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Over the course of his career, Sunday probably preached to more than one hundred million people face-to-face—and, to the great majority, without electronic amplification. Vast numbers "hit the sawdust trail." Although the usual total given for those who came forward at invitations is an even million, one modern historian estimates the true figure to be closer to 1,250,000.Dorsett, 93; Firstenberger, 39, 120–123; Lyle W. Dorsett, "Billy Sunday", American National Biography, 21: 150–52; Bernard A. Weisberger, They Gathered at the River: The Story of the Great Revivalists and Their Impact upon Religion in America (Boston: Little, Brown and Company, 1958), 254.
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Manilal's beliefs were the basis of his ethics and of his approach to the social reform questions of the day. By the late nineteenth century, a social reform movement was well established in Bombay and Gujarat, including early Gujarati writers such as Narmad, Dalpatram, Karsandas Mulji, and Navalram Pandya. Many reformers – the "modernists" – wanted to abandon traditional customs and adopt Western practices, these were "outer reforms", in Thaker's words, directed at such things as equal rights for women and the elimination of caste restrictions. Manilal was associated with the orthodox reaction to this movement, known as revivalists, who believed in "reforms along national lines".
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José Tereso Vega Hernández, son of elder master-musician Andrés Vega, lives in the Municipality of Tlacotalpan, plays the jarana, sings, and plays harmonica on "Buscapies." Rubí Oseguera, who relocated to Mexico City from Minatitlán, is widely admired among jaranero revivalists as a model of traditional jarocho dance style; her footwork (zapateado) adds a percussive cadence to some of the band's performances. Los Angeles-based Mexican American Juan Pérez plays electric bass, adding a contemporary touch to the group’s sound. Several guest artists, all long-time associates of Son de Madera, add sounds and sensibilities of both the avant-garde and the "rear guard" of son jarocho performance.
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The traditional and conservative Muslims had the fear that English education may lead their children to Christianity, as they witnessed in Sinhalese and Tamil communities.[3] Hence, Siddi Lebbe wanted to establish separate schools for Muslims as did the Buddhist and Hindu revivalists. His dream was realised in November 1884 with the establishment of the first Muslim English school in this country - 'AL Madurasathul Khairiyyatul Islamiah' in Colombo. In 1901 Noordeen Hadjiar, trustee of the Grand Mosque, built a new building for the school using his own funds as a monument to the Silver Jubilee Celebrations of Abdul Hamid II, the Ottoman Sultan, and renamed the school Al Madrasathul Hameediah.
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"Hannah Whitall Smith, Higher Life Writer," in The Doctrine of Sanctification, Thomas Ross, Ph. D. Diss, Great Plains Baptist Divinity School The Smiths were highly influenced firstly by the Plymouth Brethren, and then by the Methodist revivalists. Out of influence from the Wesleyan doctrine of sanctification, and in accordance with Quaker teaching and influences from spiritualism, Mrs. Smith and her husband formulated and promulgated the Keswick theology. They were also influenced by William Boardman, who wrote The Higher Christian Life (1858). From 1864 to 1868 Robert and Hannah Smith lived in Millville, New Jersey. Robert managed Hannah’s father’s business, the Whitall, Tatum & Company glass factories.
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In the early 1960s, the winklepicker toe was popular with modernists, the forerunners of the mods. In the early 1960s, the point was effectively chopped off (they hung on for longer than that in the UK) and gave rise to the "chisel toe" on the footwear of both genders. However, winklepickers with traditional sharp-point styles made a comeback of sorts in the late 1970s and early 1980s (either as previously unworn old-stock, second-hand originals, or contemporary-production attempted copies) and worn by several subculture groups including mods, rockabillies, punks, rock'n'roll revivalists, and in the goth scene, where they are known as "pikes".Lejtenyi, Patrick (2000–06).
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During the 1730s and 1740s, the Presbyterian Church was divided over the impact of the First Great Awakening. Drawing from the Scotch-Irish revivalist tradition, evangelical ministers such as William and Gilbert Tennent emphasized the necessity of a conscious conversion experience and the need for higher moral standards among the clergy. Other Presbyterians were concerned that revivalism presented a threat to church order. In particular, the practice of itinerant preaching across presbytery boundaries and the tendency of revivalists to doubt the conversion experiences of other ministers caused controversy between supporters of revivalism, known as the "New Side", and their conservative opponents, known as the "Old Side".
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Blues revivalists found Shade and his old partners still playing together into the early 1960s and released several field recordings under the name of the Memphis Jug Band. The band during this period usually included Shade's long-time friend Charlie Burse, whom he had hired in 1928 as a vocalist and tenor guitarist, and sometimes included his old rival Gus Cannon. Shade also performed as an accompanist on Cannon's "comeback" album, Walk Right In, recorded by Stax Records in 1963. Shade's gravestone, Memphis, 2008 Shade died of pneumonia, at John Gaston Hospital, in Memphis, in 1966, aged 68, and was buried in Shelby County Cemetery.
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The psychedelic prog-rock similarities have led critics to describe the Orb as hippie revivalists; Paterson has strongly rejected the tag, claiming that even as a youth, he was "one of those punks who hated hippies". During production of Cydonia and Bicycles & Tricycles, Paterson's biggest influences were drum and bass and trip hop music, as seen on the tracks "Ghostdancing", "Thursday's Keeper", and "Aftermath". The Orb's more recent influences consist largely of German techno producers, such as Triola, who were inspired by the Orb's earlier work. Paterson cites the music of Kompakt as one of his primary modern influences and claims it to be among the best modern ambient music.
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Stone has stated that the importance of the English Mistery lay “in the fact that it had links, both personal and ideological, with much wider strands of thought in interwar Britain.” As with the British Union of Fascists, many of its members were “aristocratic revivalists and Diehard peers of the Edwardian period”. Their ideas, now regarded as extreme, spoke to acute and home-grown issues: Britain, one of the biggest imperial powers, was seeing rapid social and constitutional changes. English fascism had its roots in "diehards", who “made of illiberalism, extreme nationalism, militarism, and racism a base from which home-grown fascist ideas could develop in Britain”.
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He is known to have engaged in numerous public debates and dialogues with Christian missionaries, Muslim scholars and Hindu revivalists. Ghulam Ahmad was a prolific author and wrote more than ninety books on various religious, theological and moral subjects between the publication of the first volume of Barahin-i-Ahmadiyya (The Proofs of Ahmadiyya, his first major work) in 1880 and his death in May 1908.An Introduction to the Hidden Treasures of Islam Many of his writings bear a polemical and apologetic tone in favour of Islam, seeking to establish its superiority as a religion through rational argumentation, often by articulating his own interpretations of Islamic teachings.Adil Hussain Khan.
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He went to India at the time of the Indian rebellion of 1857 (Indian Mutiny). He decided to tour Europe, and after visiting Greece (Olympic Games) and Germany (gambling at Baden-Baden), arrived in Edinburgh, Scotland, where he was converted through street evangelism of "Revivalists" Meek and Mitchell. He preached in the open air and churches in Edinburgh, studied at Henry Grattan Guinness' Harley House missionary training college in London and went to Nigeria and Cameroon as a missionary with the Anglicans, sailing with Bishop Samuel Ajayi Crowther on 20 July 1876. There he worked among Igbo people and visited mission stations at Fernando Po, Old Calabar, and Victoria (Limbe, Cameroon).
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Then, on several occasions in the 1970s and 1980s, the Kremlin leadership called for renewed efforts to combat religion, including Islam. Typically, such campaigns included conversion of mosques to secular use; attempts to re-identify traditional Islamic-linked customs with nationalism rather than religion; and propaganda linking Islam to backwardness, superstition, and bigotry. Official hostility toward Islam grew in 1979 with Soviet military involvement in nearby Afghanistan and the increasing assertiveness of Islamic revivalists in several countries. From that time through the early post-Soviet era, some officials in Moscow and in Tajikistan warned of an extremist Islamic menace, often on the basis of limited or distorted evidence.
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Several types of architectural style are discerned in the fort complex and hence it is called a true depiction of composite culture. The earliest style is of Rajput architecture, defined by Gujarati and Mughal architectural influence reflecting the association with Mughal rulers, the second type is of semi-western architecture reflecting British influence, and finally the revivalists Rajput architecture that evolved particularly during the rule of Maharaja Ganga Singh. Only the most representative of all these architectural styles are on display for visitors. Thus, the unique monuments on display in the Junagarh Fort represent sixteen successive generations of the rulers of Bikaner, starting from the end of the 16th century.
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Bessie Griffin, 1977 Bessie Griffin (née Arlette B. Broil; July 6, 1922 - April 10, 1989) was an American gospel singer. From junior high into the late 1940s, she sang with the Southern Harps, who were better known later as the Southern Revivalists Of New Orleans, then performed with The Caravans for a year and toured with W. Herbert Brewster Jr. Mentored by Mahalia Jackson, she moved to Chicago in the early 1950s and then relocated to Los Angeles at the end of the decade. She performed in theaters and night clubs, and appeared on popular televisions shows like The Ed Sullivan Show and The Dinah Shore Show.
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Sinhala Buddhist Revivalists such as Anagarika Dharmapala started linking 'Protestant' Buddhism to Sinhalese-ness, creating a Sinhala-Buddhist consciousness, linked to the temperance movement. This cut across the old barriers of caste and was the beginning of a pan- Sinhala Buddhist identity. It appealed in particular to small businessmen and yeomen, who now began to take centre stage against the Mudaliyars, an anglicised class of new elites created by the British rulers. The collaborationist compradore elements of the elite, led by S. W. R. D. Bandaranaike, F.R. Senanayake and D.S. Senanayake succeeded the populists led by Dharmapala from the leadership of the temperance movement.
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Johann Adam Steinmetz Johann Adam Steinmetz (24 September 1689 in Großkniegnitz – 10 July 1762 in Prester, Magdeburg) was a German Lutheran pastor, Pietist, educator and one of the most significant revivalists in 18th century Europe. After studies he worked as a pastor in Töppliwoda and later (1720–1730) he served a congregation in Teschen. “Jesus Church” in Teschen was of unique importance – it was visited by crowds from the Upper Silesia and by many secret Protestants from northern Moravia; services were held in Polish, German and Czech. Remnants of the Bohemian Brethren visited Steinmetz and he mentored and counseled them, thus preparing the revival among them.
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They hosted traditional performers, including Donald Higgins and the Stewarts of Blairgowrie, beside English performers and new Scottish revivalists such as Robin Hall, Jimmie Macgregor, The Corries and the Ian Campbell Folk Group. There was also a strand of popular Scottish music that benefited from the arrival of radio and television, which relied on images of Scottishness derived from tartanry and stereotypes employed in music hall and variety. This was exemplified by the TV programme The White Heather Club which ran from 1958 to 1967, hosted by Andy Stewart and starring Moira Anderson and Kenneth McKellar.P. Simpson, The Rough Guide to Cult Pop (London: Rough Guides, 2003), , p. 140.
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The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. It won the first Mercury Music Prize in 1992, and has sold over three million copies worldwide. AllMusic states: "Aside from the early-'80s Paisley Underground movement and the Elephant 6 collective of the late 1990s, most subsequent neo-psychedelia came from isolated eccentrics and revivalists, not cohesive scenes." They go on to cite what they consider some of the more prominent artists: the Church, Nick Saloman's Bevis Frond, Spacemen 3, Robyn Hitchcock, Mercury Rev, the Flaming Lips, and Super Furry Animals.
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The rapid changing in American society was evident in temperance, women's rights, evangelical revivalists, and workers rights movements. Born out of a few debatable movements was the “Social Purity Movement” that has left a lasting legacy on sexual ethics and female bodily autonomy in the United States. Although this movement was mainly focused on the specific task of eliminating prostitution, its advocates had varying agendas and the results of this movement were skewed from the original task. Evangelism and a general moral panic around venereal diseases fueled the movement into gaining widespread support across the American public, including the support of some feminists and conservatives alike.
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However, at some point in Methuselah concerts, the duo would play an acoustic number together: they found that this went down well with the audiences and allowed them to bring out more of the subtlety of their singing and instrumental work. They left Methuselah in 1969 and began working on their own acoustic material. Initially their material was derived from folk music, in line with many of the other performers of the time. However, they began to develop their own musical idiom, influenced, at one extreme, by the early music revivalists such as David Munrow, and the other extreme, by their childhood memories of the Robin Hood TV series, with its pseudo-mediaeval soundtrack by Elton Hayes.
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The record for most recordings of "Sh-Boom" by a single group probably belongs to the Harvard Din & Tonics, an a cappella men's singing group that has featured the song on 12 of their 13 albums. Their 1979 Crew-Cuts-style arrangement was so popular that the group began performing "Sh-Boom" as their signature song at all their concerts, bringing all their alumni onstage to perform it across the United States and through 10 world tours. The British Doo-Wop revivalists, Darts, recorded "Sh-Boom" in the late 1970s, this time at a slower tempo. It was released as the B-side of the band's last charting single, reaching No. 48 in the UK charts in 1980.
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Eastman Johnson's 1863 painting "The Lord is My Shepherd" Prior to the American Revolution, masters and revivalists spread Christianity to slave communities, supported by the Society for the Propagation of the Gospel. In the First Great Awakening of the mid-18th century, Baptists and Methodists from New England preached a message against slavery, encouraged masters to free their slaves, converted both slaves and free blacks, and gave them active roles in new congregations. The first independent black congregations were started in the South before the Revolution, in South Carolina and Georgia. Over the decades and with the growth of slavery throughout the South, Baptist and Methodist ministers gradually changed their messages to accommodate the institution.
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Building on the foundations of older traditions—Puritanism, pietism and Presbyterianism—major leaders of the revival such as George Whitefield, John Wesley and Jonathan Edwards articulated a theology of revival and salvation that transcended denominational boundaries and helped forge a common evangelical identity. Revivalists added to the doctrinal imperatives of Reformation Protestantism an emphasis on providential outpourings of the Holy Spirit. Extemporaneous preaching gave listeners a sense of deep personal conviction of their need of salvation by Jesus Christ and fostered introspection and commitment to a new standard of personal morality. Revival theology stressed that religious conversion was not only intellectual assent to "correct" Christian doctrine but had to be a "new birth" experienced in the heart.
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13 came into contact with American jazz. During the initial years after the klezmer revival of the 1970s, the American sub- variety was what most people knew as klezmer, although in the 21st century musicians began paying more attention to the original pre-jazz traditions as revivalists including Josh Horowitz, Joel Rubin, Yale Strom and Bob Cohen have spent years doing field research in Eastern/Central Europe. Additionally, later immigrants from the Soviet Union, such as German Goldenshtayn, took their surviving repertoires to the United States and Israel in the 1980s. Compared with most other European folk-music styles, little is known about the history of klezmer music, and much of what is said about it remains uncertain.
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Along with recording and re-recordings of older Appalachian musicians and the discovery of newer musicians, the folk revivalists conducted extensive interviews with these musicians to determine their musical backgrounds and the roots of their styles and repertoires.Jeff Place, Notes to Classic Mountain Songs from Smithsonian Folkways [CD liner notes], 2002. Appalachian musicians became regulars at folk music festivals from the Newport Folk Festival to folk festivals at the University of Chicago and the University of California at Berkeley. Films such as Cohen's High Lonesome Sound-- the subject of which was Kentucky banjoist and ballad singer Roscoe Holcomb-- helped give enthusiasts a sense of what it was like to see Appalachian musicians perform.
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Liturgical ("high") churches (Roman Catholic, Episcopal, German Lutheran and others in the mainline tradition) opposed prohibition laws because they did not want the government to reduce the definition of morality to a narrow standard or to criminalize the common liturgical practice of using wine. Revivalism during the Second Great Awakening and the Third Great Awakening in the mid-to-late 19th century set the stage for the bond between pietistic Protestantism and prohibition in the United States: "The greater prevalence of revival religion within a population, the greater support for the Prohibition parties within that population." Historian Nancy Koester argued that Prohibition was a "victory for progressives and social gospel activists battling poverty". Prohibition also united progressives and revivalists.
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The 1910 ban triggered powerful protests against the stereotyping and dehumanization of temple dancers. The Tamil people were concerned that a historic and rich dance tradition was being victimized under the excuse of social reform. The classical art revivalists such as E. Krishna Iyer, a lawyer and someone who had learnt the Bharatanatyam dance, questioned the cultural discrimination and the assumed connection, asking why prostitution needs years of learning and training for performance arts such as the Bharatanatyam, and how can killing performance arts end any evils in a society? Iyer was arrested and sentenced to prison on charges of nationalism, who while serving out his prison term persuaded his fellow political prisoners to support Bharatanatyam.
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Katrina Woolverton (born Katrina Abrahemian on August 19, 1977) is an American singer/songwriter and recording artist from Los Angeles, California. . Most recently, she released an EP in 2017 titled Better Now (RED RED/SONY/RED/BDG), with the signature single from the EP, “Hold Me Down,” charting on the Billboard Adult Top 40 chart at #38. In 2017 she participated in multiple live tours and events, opening for Blues Traveler icon John Popper in spring and autumn tours. She also appeared with John Rzeznik of the Goo Goo Dolls, and with the Revivalists at various Breast Cancer Awareness events to lend her support in the fight to end breast cancer and toured with singer/songwriter Jon McLaughlin.
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Revivalists should be > realistic and abandon discouraging, counter-productive slogans such as "Give > us authenticity or give us death!" Nancy Dorian has pointed out that conservative attitudes toward loanwords and grammatical changes often hamper efforts to revitalize endangered languages (as with Tiwi in Australia), and that a division can exist between educated revitalizers, interested in historicity, and remaining speakers interested in locally authentic idiom (as has sometimes occurred with Irish). Some have argued that structural compromise may, in fact, enhance the prospects of survival, as may have been the case with English in the post-Norman period.Nancy C. Dorian, ‘Purism v. compromise in language revitalisation and language revival’ in Language in Society 23, pp. 479-494.
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Al-Ghazali's work The Prophetic Sunna, was "an immediate focus of attention and controversy" when it was published in 1989. It became a best seller, with five impressions made by the publisher in its first five months and a second enlarged edition within a year. Within two years "at least seven monographs were published in response to the book." al-Ahram newspaper compared it to Perestroika restructuring going on in the Soviet Union at that time. In addition to practical concerns of revivalists—sharia position on economics and taxation, criminal law, the veiling of women, and their place in society and the economy—Al-Ghazli wrote of how to "purify sunna of adulterations".
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Critical response to Modern was mostly positive. Stephen Thomas Erlewine of Allmusic was favourable and rated the album three stars out of five, saying that although "Diggle's songs sound a little weaker than Pete Shelley's" due to their electronic influence, Modern is a "minor triumph" that proves that "the Buzzcocks not only sound better than any of their punk peers on Modern, they sound better than most of the young punk revivalists. And at the very least, that's somewhat noteworthy." Antek Pistole of Ox Fanzine said the band "still write great songs" and said that although the album might not appeal to fans of 1977 punk rock, it would appeal to Buzzcocks fans.
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As the story went, they became a band when, on Bastille Day 1997, Meg went to the attic of their parents' home and began to play on Jack's drum kit. This claim was widely believed and repeated despite rumors that they were, or had been, husband and wife."The White Stripes – Brief Article" Johnathan Moskowitz, Interview'.' Retrieved April 25, 2008."The White Stripes: Raw Rock Revivalists" BBC News UK, August 10, 2001 Retrieved April 26, 2008 In 2001, proof of their 1996 marriage emerged,"White Stripes Marriage License" Glorious Noise Retrieved December 11, 2007 as well as evidence that the couple had divorced in March 2000, just before the band gained widespread attention.
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Zander's vocal style has influenced many other rock singers, from 1980s hard rockers (such as Joe Elliott of Def Leppard, Vince Neil of Mötley Crüe, Axl Rose of Guns N' Roses, Bret Michaels of Poison, and Sebastian Bach of Skid Row) to 1990s punk revivalists (such as Billie Joe Armstrong of Green Day) to alternative icons (such as Billy Corgan of The Smashing Pumpkins, Eddie Vedder of Pearl Jam, Kurt Cobain of Nirvana, and Scott Weiland of Stone Temple Pilots). The May 2009 issue of Classic Rock magazine published a list of the 50 Greatest Singers in Rock. Zander was voted #23 on the list by readers, Classic Rock critics and a number of singers.
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Doina was again standard reading for seventh-grade students, a matter which, according to journalist Sorin Șerb, contributes to their cultural isolation: "The Romanian schoolchild doesn't live on Earth, in a universe filled with wonder, but within the borders of a 'national, sovereign, independent, unitary and indivisible state'". Sorin Șerb, "Cine bântuie școlile?", in Revista 22, Issue 1111, June 2011 In the 1990s, Doina was featured on Romanian Orthodox icons, by a Comănești priest calling for Eminescu's canonization,Both, p. 46 and also reclaimed by Iron Guard revivalists. It was then controversially sourced by the Social Democratic politician, Nicolae Bacalbașa, during the presidential race of 2014, read as an attack on Klaus Iohannis (who is a Transylvanian Saxon).
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It was characterized by several prominent revivalists with differing denominational backgrounds and message focuses. Charles Finney is often cited as the most prominent preacher of the Second Great Awakening.Evangelicalism, Revivalism, and the Second Great Awakening, Donald Scott, National Humanities Center He was known for both genders being present in his meetings, his extemporaneous preaching style, the introduction of the “nervous seat” (where those considering salvation could contemplate), and the “altar call” (invitation at the end of a church service for an attendee to come forward for prayer). Charles Finney also introduced the concept that revivals were not necessarily sovereign acts of God, but could be initiated by believers following Biblical precedents and prescriptions.
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Literature from the Medieval and Tudor periods, and fragments, including grammars, from the 17th, 18th and 19th centuries survived, which allowed Cornish to be reconstructed by a small group of Celtic enthusiasts in the 20th century as part of the Celtic Revival. These Cornish language revivalists borrowed heavily from Welsh and Breton in order to aid in the creation of the modern Cornish language. The reconstruction of the language was known for disputes over orthography during the late 20th century, until a Standard Written Form was agreed upon in 2008. The number of Cornish speakers is difficult to estimate, but it is believed that some 500 individuals have a degree of fluency in the language.
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At Joure's festival, established in 1955, participants dress in 19th century-style clothes and perform traditional music and dance like the skotsploech ensembles. Dutch folk-rock group Matzko performing on an island in the river Vltava in Prague in the summer of 2005. Modern revivalists include the Groningen band Törf, Folkcorn, Pekel and Twee Violen en een Bas, Lirio, Dubius, Mus, Matzko, Wè-nun Henk. Moluccan-Dutch musicians like Tala Mena Siwa and the Moluccan Moods Orchestra have had some success with pop-based Moluccan music, while kaseko, a style from the former Dutch colony of Suriname, has also seen mainstream popularity, primarily due to musicians like William Souvenir and Carlo Jones.
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Previously to this, in 1859, a committee had been appointed to report on the internal condition and fittings of the chapel. Whether disrepair or the aversion of the Gothic Revivalists to the old Georgian fittings prompted this movement is not apparent, but Buckler's report would suggest that his leanings are certainly in the direction of reform, though he does not advise any very drastic change. The walls and roof were to be painted the same colour, the panels of the roof painted brilliant blue, the edges of the ribs to be gilded, and the sides coloured vermilion. One bay, over the altar, was to be coloured in this manner, as a trial.
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Spiesberger is well known as the single most important person to revive Germanic mysticism after the second world war, including the Armanen Runes and the Pendulum. Due to the Nazi suppression and imprisonment of "non-authorised" or "non- officially sanctioned" runic/Germanic mystics and revivalists and their respective organisations during the Third Reich (see Nazi mysticism) the runes were so closely associated with the Nazis that the use and discussion of them in academic as well as esoteric circles was hampered by adverse public opinion. Those of the old rune magicians and occultists who had survived the war in Germany, slowly began to make their way back to their work, and new voices were also heard. The best known of these new voices was Spiesberger.
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On the American frontier, evangelical denominations, especially Methodists and Baptists, sent missionary preachers and exhorters to meet the people in the backcountry in an effort to support the growth of church membership and the formation of new congregations. Another key component of the revivalists' techniques was the camp meeting. These outdoor religious gatherings originated from field meetings and the Scottish Presbyterians' "Holy Fairs", which were brought to America in the mid-eighteenth century from Ireland, Scotland, and Britain's border counties. Most of the Scots-Irish immigrants before the American Revolutionary War settled in the backcountry of Pennsylvania and down the spine of the Appalachian Mountains in present-day Maryland and Virginia, where Presbyterian emigrants and Baptists held large outdoor gatherings in the years prior to the war.
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Islam and Economic Justice: A 'Third Way' Between Capitalism and Socialism? How Do We Know Islam Will Solve the Problems of Poverty and Inequality? Among the claims made for an Islamic economic system by Islamic activists and revivalists are that the gap between the rich and the poor will be reduced and prosperity enhancedQuran 4:29International Business Success in a Strange Cultural Environment By Mamarinta P. Mababaya p. 203 by such means as the discouraging of the hoarding of wealth,Quran 9:35Al-Bukhari Vol 2 Hadith 514 taxing wealth (through zakat) but not trade, exposing lenders to risk through Profit sharing and venture capital,Ibn Majah Vol 3 Hadith 2289International Business Success in a Strange Cultural Environment By Mamarinta P. Mababaya p.
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This Is Not The World is an album by post-punk revivalists The Futureheads. It was released on 26 May 2008,The Futureheads Reveal This Is Not The World Album Details — News — AngryApe Pitchfork: Futureheads Start Their Own Label for New Album on their own label Nul Records. The reason for creating their own label has been in one part the sale performance of their previous album (News and Tributes) which led the band from being dropped from their previous label (679 Recordings) and the own decision of the band of having more independence.Pitchfork: Futureheads Start Their Own Label for New Album INTERVIEW: The Futureheads - Indie Music - Zimbio In advance, The Futureheads have released three singles of the forthcoming album.
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Albanian national revivalists in the 19th century such as Faik Konica, Jani Vreto and Zef Jubani were often anti-clerical in rhetoric (Konica said in 1897: "Every faith religion makes me puke", or ), but the first advocate of atheism in modern Albania is thought to have been Ismet Toto, a publicist and revolutionary whose 1934 anti-religious polemic, Grindje me klerin, was one of the first known works advocating against the practice of religion itself in the Albanian language. Under Communist rule in 1967, Enver Hoxha persecuted and outlawed public religious practice and adopted state atheism. Some well known Albanian contemporary atheists include Ismail Kadare, Dritëro Agolli, Ben Blushi, Fatos Lubonja, Mustafa Nano, Saimir Pirgu, Diana Çuli,Elton Deda Fatos Tarifa, , , Gilman Bakalli,Blendi Fevziu and .
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Inhabitants became dissatisfied with the name "Flat Rock" and held meetings on the topic of changing the name. On one such occasion in 1824, Greek revivalists wanted to call it Udoravia ("place by the water"), but this was later overturned in favor of the Lenape word for river mëneyung or manaiung ("where we go to drink"). For ease of spelling the "i" was changed to a "y" and the "g" to a "k". The first Manayunk census was taken by the Rev. C. Vancleaf, pastor of the German Reformed Church, in March 1827. His count indicated 147 families; 550 males, 548 females; of which 244 were men, 306 women, 282 boys, and 266 girls, for a total of 1,098 inhabitants.
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Dates: September 15, 2018 – September 16, 2018 (Artists listed from earliest to latest set times.) Salesforce Stage Saturday:The Aces, Twin Shadow, Rainbow Kitten Surprise, Thirty Seconds To Mars, Post Malone Sunday:Sir, Two Feet, Janelle Monáe, Gucci Mane, Kendrick Lamar Great Southeast Music Hall Stage Saturday:Arthur Buck, Billie Eilish, Kacey Musgraves Portugal. The Man Sunday:Black Pistol Fire, Arizona, Bazzi, Khalid Roxy Stage Saturday:Mattiel, Lovelytheband, Børns, The Revivalists, Fall Out Boy Sunday:Berklee College of Music, K.Flay, Butch Walker, Foster The People, Imagine Dragons Cotton Club Stage Saturday:Yuno, Saint Jhn, Chromeo, Awolnation Sunday:Robert Delong, Maggie Rogers, First Aid Kit, Sylvan Esso One 2-Day Regular General Admission Ticket cost $191.08 or $183.90, including $46.08 or $38.90 of service charges, respectively. The more expensive option includes a 3D Collectible Credential.
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With whatever ability the word of life may be dispensed no sinner will be truly awakened, no heart will become broken and contrite, no polluted conscience will be purged from dead works, no impure mind will be sanctified, no human soul will be effectively renewed and comforted, unless the Holy Spirit descend in the plenitude of his love and power." By the 1850 the newspaper was taking a position against the excesses of the early Canadian revivalists. It asked how often people had "been disgusted by the singularity and eccentricity of the preacher". It criticized preachers "who commence an out-pouring of vituperation against [the people] saying hard things of their supposed errors, and charging them with vice and wickedness.
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The focus for revival performers of English country music became the style of their informants as much as their repertoire. Rather than a folk club a venue might be a remote country pub where revival and traditional musicians or singers would make music together in the bar. These were sometimes organised by revivalists like Ken StubbsNuttal, David (2010) Obituary: Ken Stubbs (1923-2008) in Folk Music Journal Volume 9 Number 5 English Folk Dance and Song Society and Taffy Thomas who had developed real empathy with the older musicians. The polka dominated instrumental repertoire Howson, Katie (Ed.) (2007) "Before the night was out..." East Anglian Traditional Music Trust differed from the music that had been associated with English country dance up to this point.
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In all subsequent columns the name "Myles na gCopaleen" ("Myles of the Little Horses" or "Myles of the Ponies" - a name taken from The Collegians, a novel by Gerald Griffin) was used. Initially, the column was composed in Irish, but soon English was used primarily, with occasional smatterings of German, French or Latin. The sometimes intensely satirical column's targets included the Dublin literary elite, Irish language revivalists, the Irish government, and the "Plain People of Ireland." The following column excerpt, in which the author wistfully recalls a brief sojourn in Germany as a student, illustrates the biting humor and scorn that informed the "Cruiskeen Lawn" writings: Ó Nuallain/na gCopaleen wrote "Cruiskeen Lawn" for The Irish Times until the year of his death, 1966.
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Big Sandy & His Fly-Rite Boys is a western swing/country boogie musical band from California. The band is composed of Robert Williams, alias Big Sandy, Ashley Kingman, Ricky McCann and Kevin Stewart. They began as rockabilly revivalists in the late 1980s, then dug deeper into the music which rockabilly came from: western swing and particularly the country boogie style of the late 1940s and early 1950s, which served as a link of sorts between the western swing and rockabilly eras and was particularly associated with California country music in that era.from an interview on episode 160 of the Americana Music Show, published October 7, 2013 Former members include Joe Perez, Jeff West, Bobby Trimble, TK Smith, Carl Leyland, Lee Jeffriess, and Wally Hersom.
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By the end of the nineteenth century, Irish had been reversed from being the dominant language of Ireland to becoming a minority language, which reduced the literature being produced. The Gaelic Revival sought to reverse this decline. In the beginning, the revivalists preferred the style used in Early Modern (Classical) Irish, notably by Geoffrey Keating (Seathrún Céitinn) in Foras Feasa ar Éirinn (History of Ireland), a much-read 17th-century work. Céitinn's Irish, however, was soon ousted by the popular dialects actually being spoken in the Gaeltachtaí, especially as championed by a native speaker from the Coolea-Muskerry area, Father Peadar Ua Laoghaire, who in the 1890s published, in a serialised form, a folkloristic novel strongly influenced by the storytelling tradition of the Gaeltacht, called Séadna.
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Greater Bangladesh (translated variously as ;Col. Ved Prakash, Terrorism in India's north-east: a gathering storm (Volume 1),Kalpaz Publications, 2008, ;Mahendra Gaur, Indian affairs annual (Volume 2), 2007, ;James Warner Björkman, Fundamentalism, revivalists, and violence in South Asia, page 38, Riverdale Company, 1988, and Venkata Siddharthacharry, Jambudwipa, a blueprint for a South Asian community, page 256, Radiant Publishers, 1985, ) is a political theory circulated by a number of Indian politicians and writers that the People's Republic of Bangladesh has aspirations of territorial expansion, to include the Indian states of West Bengal, Tripura, Assam and Andaman Islands as part of its own territory. The theory is principally based on a widespread belief amongst Indian masses that a large number of illegal Bangladeshi immigrants reside in Indian territory.
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Out of this fertile environment came such folk-protest luminaries as Bob Dylan, Tom Paxton, Phil Ochs, and Peter, Paul and Mary, many of whom would transition into folk rock performers as the 1960s progressed. Bob Dylan was the most influential of all the urban folk-protest songwriters. The vast majority of the urban folk revivalists shared a disdain for the values of mainstream American mass culture and led many folk singers to begin composing their own "protest" material. The influence of this folk-protest movement would later manifest itself in the sociopolitical lyrics and mildly anti-establishment sentiments of many folk rock songs, including hit singles such as "Eve of Destruction", "Like a Rolling Stone", "For What It's Worth", and "Let's Live for Today".
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Some traditionalists recognize the children of mixed marriages as Zoroastrians, though usually only if the father is a born Zoroastrian. Reformists tend to advocate a "return" to the Gathas, the universal nature of the faith, a decrease in ritualization, and an emphasis on the faith as philosophy rather than religion. Not all Zoroastrians identify with either school and notable examples are getting traction including Neo- Zoroastrians/Para-Zoroastrians, which are usually radical reinterpretations of Zoroastrianism appealing towards Western concerns, and Revivalists, who center the idea of Zoroastrianism as a living religion and advocate the revival and maintenance of old rituals and prayers while supporting ethical and social progressive reforms. Both of these latter schools tend to center the Gathas without outright rejecting other texts except the Vendidad.
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In the 19th century antiquarians and Celtic revivalists undertook the collection of folk texts, songs and stories. The wave of interest in collecting oral traditions reached Brittany around 1815-1820 when educated members of the gentry such as Aymar de Blois de La Calande, Barbe-Émilie de Saint-Prix, Jean-Marie de Penguern, Jean-François de Kergariou, Ursule Feydeau de Vaugien, exchanged their findings informally. Writers such as Anatole Le Braz and Théodore Hersart de la Villemarqué (son of Ursule Feydeau de Vaugien) brought new readers to traditional Breton literature. Barzaz Breizh, the "Ballads of Brittany", (literally, Barzaz Breizh = bards of Brittany) is a collection of Breton popular songs collected by La Villemarqué and published in 1839 (revised and expanded edition 1845).
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From March to May 2020, during the COVID-19 pandemic, MAGIC GIANT presented and hosted a 4-weekend digital music festival fundraiser on Instagram Live called Live From Quarantine, featuring performances and appearances from The Lumineers, Woody Harrelson, Jason Mraz, Edward Norton, Walk the Moon, The Head and the Heart, David Blaine, Hamilton's Leslie Odom Jr., Edward Sharpe, LP, MAX, Chelsea Cutler, The Revivalists, Walk off the Earth, Local Natives, Ashe, Plain White T's, Allen Stone, Shakey Graves, Nahko Bear, Thievery Corporation, American Idol's Scarypoolparty, Shaed, Mondo Cozmo, Maggie Rose, and more. The festival raised over $100,000 for Frontline Responders Fund to get personal protective equipment to hospital workers and for MusiCares Coronavirus Relief Fund to offer grants to music industry professionals whose livelihood had been affected by the pandemic.
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"In the Greek Parliament a former minister of Religious Affairs and Education, Konstantinos Papamichalopoulos, likened the demonstrations to the national insurrection of 1821: the demonstrators, he asserted, driven by 'divine inspiration', had risen up in defence of the 'divine language', which was no less sacred than religion itself." This position — that the whole of the Ancient Greek language was uniquely sacred, and specially designed by the Christian God — was quite new. The Ancient Greek revival movement of the early 1800s had viewed it in a much more humanist spirit, as the language of Greek civilisation as a whole. In 1853 Soutsos, one of the most enthusiastic revivalists, had declared "that the hearts and minds of the modern Greeks will be elevated by writing Ancient Greek, and that they will thereby learn Truth and Freedom".
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Eli's Chosen Six was the ensemble that appeared in the influential 1958 concert film Jazz On A Summer's Day playing Dixieland as they drove around Newport in a convertible jalopy.Albany Jazz on Roswell Rudd It was a famous Yale University Dixieland band of the 1950s that played the boisterous trad- jazz style of the day.N Y Times The ensemble of white college-student jazz revivalists rose into popular prominence in the mid-1950s, when "college jazz" was a catchphrase. The sextet was founded and managed by Dick Voigt, and counted as members the later-legendary trombonist Roswell Rudd, bassists Buell Neidlinger (succeeded by Bob Morgan), cornetist and cartoonist Lee Lorenz, clarinetist Pete Williams (who was succeeded by Leroy Sam Parkins) and drummer Lyman "House" Drake (who was succeeded by Steve Little).
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Reform and the Reformers is an essay written by Henry David Thoreau. The essay was never published in his lifetime, and has been cobbled together from existing lecture notes that Thoreau himself picked over for his other writings, such as Walden and A Week on the Concord and Merrimack Rivers. The essay reflects Thoreau's frustration with the multitude of reformersprohibitionists, utopian communists, free love advocates, religious revivalists, and the likewho were roaming about New England at the time hawking their prescriptions for a better world. Thoreau's audience in Boston were of the open-minded liberal varietypeople who were typically the most interested in and the most vulnerable to the charms of these reformersand so Thoreau begins his lecture slyly with a fairly superficial but probably sympathetic attack on the Reformer's great enemy: the Conservative.
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Some of the influential people during the Great Awakening were George Whitfield, Jonathan Edwards, and Gilbert Tennent, and some of the influential groups during the Great Awakening were the New Lights and the Old Lights. Pulling away from ritual and ceremony, the Great Awakening made religion intensely personal to the average person by fostering a deep sense of spiritual conviction of personal sin and need for redemption, and by encouraging introspection and a commitment to a new standard of personal morality. It brought Christianity to enslaved African-Americans and was an apocalyptic event in New England that challenged established authority. It incited rancor and division between old traditionalists who insisted on the continuing importance of ritual and doctrine, and the new revivalists, who encouraged emotional involvement and personal commitment.
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Church of St. Clare, Horodkivka, Ukraine, built 1910–1913, blending elements of neo-Gothic and modern twentieth century architecture The Carson Mansion, Eureka, California in the American style called Queen Anne Revival architecture. Palácio das Indústrias, São Paulo, Brazil Indo-Saracenic Revival architecture: Kuala Lumpur Railway Station, Malaysia, by Arthur Benison Hubback, 1910 Eclecticism came into practice during the late 19th century, as architects sought after a style that would allow them to retain previous historic precedent, but create unseen designs. From a complete catalogue of past styles, the ability to mix and combine styles allowed for more expressive freedom and provided an endless source of inspiration. Whilst other design professionals (referred to as 'revivalists') aimed to meticulously imitate past styles, Eclecticism differed, as the main driving force was creation, not nostalgiaHamlin, T, 1952.
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Despite the bitter war between VOPRA and modernist groups (ASNOVA, the OSA Group) there was an attempt to unify the architects within one voluntary union (MOVANO). With support from older generation (Alexey Shchusev), MOVANO existed in 1930-1932, however, VOPRA tried to destroy it from within and launched their own magazine, RA (Revolutionary Architecture), co-edited by Mordvinov; soon, he co-edited another magazine, SA (Soviet Architecture, 1931-1934). Formation of Union of Soviet Architects in 1932 allowed Mordvinov to move from small-time criticism to an executive position; he acquired bureaucratic muscle and set up his own workshop, present in all architectural contests of the 1930s. Mordvinov's 1930s version of stalinist architecture - compared with old revivalists like Ivan Zholtovsky - was more rationalist, lacking classical order, a simplified development of Ivan Fomin's Red Doric style.
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Revivalist Lindy Hoppers such as The Rhythm Hot Shots in Sweden and Sylvia Sykes in the United States were able to offer classes in Lindy Hop and other swing dances to interested young people in the late 1980s and 1990s. As the fad died towards to end of the 1990s, the numbers of dancers dwindled and Lindy Hop was taught again as a jazz dance, and dancers had turned back to jazz music and continued to develop their dance. The neo-swing era, with all its problems, had one important contribution to Lindy Hop - popularizing the dance revivalists were researching and learning, and bringing it once again to the general public and creating a popular basis that has been a firm foundation for the continuation of the art form into the 21st century.
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Arthy purchased a cache of original musical arrangements dating from the 1920s stored in the attic of a lady in Manchester, and the strength of this find reinvigorated the flagging fortunes of the earlier band. The new name of the band was inspired by Harry Warren's "Home in Pasadena". There had been a strong revival movement for music of the 1920s in the late 1950s and early 1960s (known as the Trad movement – bands included The Temperance Seven); however, Arthy continued to move this band in a different direction to most of the revivalists, away from humour and towards more serious, dedicated renditions of the music. The orchestra's first vocalist was John "Pazz" Parry, an old friend of Arthy's (the two had both been members of the Creole Dance Orchestra from 1965).
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The term National Bolshevism has sometimes been applied to Aleksandr Solzhenitsyn and his brand of anti-communism.G. Hosking, A History of the Soviet Union, London: Fontana, 1990, pp. 421–2 However, Geoffrey Hosking argues in his History of the Soviet Union that Solzhenitsyn cannot be labelled a National Bolshevik since he was thoroughly anti-Marxist and anti-Stalinist and wished a revival of Russian culture that would see a greater role for the Russian Orthodox Church, a withdrawal of Russia from its role overseas and a state of international isolationism. Solzhenitsyn and his followers, known as vozrozhdentsy (revivalists), differed from the National Bolsheviks, who were not religious in tone (although not completely hostile to religion) and who felt that involvement overseas was important for the prestige and power of Russia.
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Since the opportunities for large scale composition and public performance were limited, music under the Protectorate became a largely private matter and flourished in domestic settings, particularly in the larger private houses. The consort of viols enjoyed a resurgence in popularity and leading composers of new pieces were John Jenkins and Matthew Locke.D. D. Boyden, The History of Violin Playing from Its Origins to 1761: and its Relationship to the Violin and Violin Music (Oxford: Oxford University Press, 1990), p. 233. Christopher Simpson's work, The Division Violist, first published in 1659, was for many years the leading manual on playing the viol and on the art of extemporising "divisions to a ground", in Britain and continental Europe and is still used as a reference by early music revivalists.
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The "Lee Highway Blues" is a standard of southern string band music, widely attributed to G. B. Grayson of the popular Grayson and Whitter string band of the late 1920s, who recorded it under the title "Going Down The Lee Highway" but almost certainly composed by fiddler James ("Uncle Jimmy" or "Fiddlin' Jim") McCarroll of the Roane County Ramblers.Bob Fulcher, liner notes to Roane County Ramblers, Complete Recordings 1928-1929, 2004 P. 7 The tune has been used as a fiddler's showpiece especially in the Virginia area by well-known fiddlers, notably Scotty Stoneman (who referred to it as Talkin' Fiddle Blues), and by string band revivalists such as the Highwoods String Band. For an outstanding rendition of Lee Highway Blues see CMH Records, Inc., CD9037, artist: Chubby Wise.
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The Blackstone River powered the machinery of those textile mills that brought the Industrial Revolution to America. One such mill owned by Samuel Mann (or Man), who gave his name to the village of Manville in which his mill was located. Here, as in the other new mill villages that spread upriver from Samuel Slater’s original mill in Pawtucket, itinerant revivalists rather than settled churches provided only sporadic religious services for the workers in these early factories. Mann, himself a Quaker, found these “enthusiasts” distasteful and sought to replace them with a “sober religion.” He was clearly concerned not only for the souls of his workers but also for the discipline of his workforce when he wrote in 1835 to the Episcopal Bishop of Rhode Island to request a missionary.
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Van Ronk took this pianistic approach and added a harmonic sophistication adapted from the band voicings of Jelly Roll Morton and Duke Ellington. He ranks high in bringing blues style to Greenwich Village during the 1960s, as well as introducing the folk world to the complex harmonies of Kurt Weill in his many Brecht-Weill interpretations, and was one of a very few hardcore traditional revivalists to move with the times, bringing old blues and ballads together with the new sounds of Dylan, Mitchell and Leonard Cohen. During this crucial period, he performed with Dylan and similar artists and spent many years teaching guitar in Greenwich Village, including to Christine Lavin, David Massengill, Terre Roche and Suzzy Roche. He influenced his protégé Danny Kalb and the Blues Project.
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Some of this wave had emerged from family singing and playing traditions, and some had not. These singers frequently prided themselves on performing traditional material in imitations of the style of the source singers whom they had discovered, frequently by listening to Harry Smith's celebrated LP compilation of forgotten or obscure commercial 78rpm "race" and "hillbilly" recordings of the 1920s and 30s, the Folkways Anthology of American Folk Music (1951). A number of the artists who had made these old recordings were still very much alive and had been "rediscovered" and brought to the 1963 and 64 Newport Folk Festivals. One of these, Clarence Ashley, for example, introduced folk revivalists to the music of friends of his who still actively played traditional music, such as Doc Watson and The Stanley Brothers.
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By the early 1990s, the success of grunge music, American punk veterans and revivalists, as well as local bands like the Hybernators, the Speed Demons, the Meanies, Frenzal Rhomb, and Screamfeeder led to the formation of punk-influenced bands such as the Living End, Jebediah, Bodyjar, 28 Days, Dreamkillers, Four Zero One Four, Align, and Guttersnipes. Punk revival scenes began in various cities around Australia. In one of these cities (Melbourne) punk has seen a resurgence in recent years. Along with straight up punk bands like Dixon Cider, Scrayfish, the Half Pints, Let's Jump Ship and the Flying Rats forming, there have also been the emergence of folk punk bands like Gentleman's Riot, Mutiny and Catgut Mary and skate punk bands such as Bombs Are Falling and Postscript .
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His next album, Frisco Mabel Joy, includes his most famous song, "An American Trilogy," later made famous by Elvis Presley. The song is actually a medley of three 19th century songs: "Dixie", a blackface minstrel song composed by Daniel Decatur Emmett that became the unofficial anthem of the Confederacy since the Civil War; "All My Trials", originally a Bahamian lullaby, but closely related to African American spirituals and well known through folk music revivalists; and "The Battle Hymn of the Republic," the marching song of the Union Army during the Civil War.Ponce de Leon, Charles L. Fortunate Son, Farrar, Straus & Giroux, 2007, p. 172, According to Joe Ziemer's Newbury memoir Crystal & Stone, Newbury was moved to perform the song--which had been banned by some southern radio stations--as a protest against censorship.
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Her non-fiction book Swing Low: A Life is set in Steinbach, while her bestselling novels A Complicated Kindness and All My Puny Sorrows are set in the fictional East Village, widely regarded to be based on her hometown. Scholar Magdalene Redekop cites the Christian revival meetings held in Steinbach during the 50s and 60s as an early impetus for the secular Mennonite literary boom of the 1980s. It is not insignificant, according to Redekop, that both Friesen and Toews, were of Kleine Gemeinde background, a group that was particularly impacted by evangelical revivalists. In 2016, Steinbach writer Andrew Unger started The Daily Bonnet, a website that publishes satirical Russian Mennonite news stories, and published the novel Once Removed in 2020, which draws on fictional elements of Steinbach.
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823 Among immigrants in non-Muslim countries, it includes a feeling of a "growing universalistic Islamic identity" or transnational Islam,described by the French Islam researchers Gilles Kepel and Olivier Roy brought on by easier communications, media and travel. The revival has also been accompanied by an increased influence of fundamentalist preachers and terrorist attacks carried out by some radical Islamist groups on a global scale. Preachers and scholars who have been described as revivalists (Mujaddids) or mujaddideen, by differing sects and groups, in the history of Islam include Ahmad ibn Hanbal, Ibn Taymiyyah, Shah Waliullah, Ahmad Sirhindi, Muhammad ibn Abd-al-Wahhab, and Muhammad Ahmad. In the 20th century, figures such as Hassan al-Banna, Abul Ala Maududi, Malcolm X, and Ruhollah Khomeini, have been described as such, and academics often use the terms "Islamist" and "Islamic revivalist" interchangeably.
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Many other versions have been recorded as well, starting in 1971 with Drummer Buddy Miles on his "A Message to the People" LP on Mercury Record.- when jazz guitarist Maynard Parker released a 1973 version on an album named for the song. Since that time, the song has gone on to be The Allman Brothers Band's most covered song, performed by artists ranging from country legend Waylon Jennings to punk rock legend Patti Smith; from bluegrass fiddler/singer Alison Krauss to ska revivalists Bad Manners to doo-wop vocalists The Drifters. O.A.R. also covers Midnight Rider frequently at live shows, as well as Bon Jovi guitarist Richie Sambora, who sometimes uses it as an intro to Wanted Dead or Alive; during his solo shows but also with his main band, he had also sung "Midnight Rider" before the mentioned.
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The agitations stopped the compulsory teaching of Hindi in the state. The agitations also reshaped the Dravidian Movement and broadened its political base, when it shifted from its earlier pro-Tamil stance to a more inclusive one, which was both anti-Hindi and pro-English. In the words of Sumathi Ramaswamy (Professor of History at Duke University), > [The anti-Hindi agitations knit] together diverse, even incompatible, social > and political interests... Their common cause against Hindi had thrown > together religious revivalists like Maraimalai Atikal (1876-1950) with > avowed atheists like Ramasami and Bharathidasan (1891-1964); men who > supported the Indian cause like T.V. Kalyanasundaram (1883-1953) and M. P. > Sivagnanam with dravidian movement supporters like Annadurai; university > professors like Somasundara Bharati (1879-1959) and M.S. Purnalingam Pillai > (1866 -1947) with uneducated street poets, populist pamphleteers and college > students.
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St Andrew the Apostle (in full, the Church of St Andrew the Apostle) is an Anglican church in Worthing, West Sussex, England. Built between 1885 and 1886 in the Early English Gothic style by Sir Arthur Blomfield, "one of the last great Gothic revivalists", the church was embroiled in controversy as soon as it was founded. During a period of religious unrest in the town, theological tensions within Anglicanism between High church Anglo-Catholics and Low church Anglicans were inflamed by what the latter group saw as the church's "idolatrous" Roman Catholic-style fittings—in particular, a statue of the Virgin Mary which was seized upon by opponents as an example of a reversion to Catholic-style worship in the Church of England. The "Worthing Madonna" dispute delayed the consecration of the church by several years.
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There was, however, a revival of Palladian ideas amongst the colonial revivalists of the early 20th century, and the strain has been unbroken, even through the modernist period. In the mid-20th century, the originality of the approach of the architectural historian Colin Rowe had the effect of re-situating the assessment of modern architecture within history and acknowledged the Palladian architecture as an active influence. In the later 20th century, when Rowe's influence had spread worldwide, this approach had become a key element in the process of architectural and urban design. If "the presence of the past" was evident in the work of many architects in the late 20th century, from James Stirling to Aldo Rossi, Robert Venturi, Oswald Matthias Ungers, Peter Eisenman, Michael Graves and others, this was largely due to the influence of Rowe.
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110 Another question is the extent to which hadith should be relied upon as a source for Islamic law. Muslim critics of hadith and classical hadith studies include Islamic revivalists who strongly believe hadith are part of Islam but wish to reexamine hadith by their matn (content) in preparation for revising Islamic law to make it more practical so that it may be enforced in Muslim society;D.W. Brown, Rethinking tradition in modern Islamic thought, 1996: p.109 those who believe only the small number of mutawatir hadith are reliable enough to be followed; and “deniers” of hadith who contend that Muslims should follow the Quran alone as Muslims still can not be certain of the authenticity of even the most highly rated (sahih or "sound") hadith notwithstanding the great efforts by scholars of the science of hadith studies to validate hadith.
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In the wake of grunge and gangsta rap came a fusion of soul and hip hop, called neo soul, some popularity for British Britpop and the rise of bands like Sublime and No Doubt, playing a form of pop punk influenced by Jamaican ska and British two tone ska/punk fusionists from the early 1980s. Techno also became popular, though nowhere's near as much so as in most of the rest of the world. At the turn of the millennium, bubblegum pop groups like Backstreet Boys and Britney Spears were dominating the charts, many of them with a Latin beat (Shakira, Ricky Martin), and rappers like Jay-Z and Eminem were huge stars. Some garage rock revivalists like The White Stripes and The Hives became highly hyped bands in the indie rock field, and achieved substantial mainstream success.
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Priest performing ritual. Greek religion and philosophy have experienced a number of revivals, firstly in the arts, humanities and spirituality of Renaissance Neoplatonism, which was certainly believed by many to have effects in the real world. During the period of time (14th–17th centuries) when the literature and philosophy of the ancient Greeks gained widespread appreciation in Europe, this new popularity did not extend to ancient Greek religion, especially the original theist forms, and most new examinations of Greek philosophy were written within a solidly Christian context.Open University, Looking at the Renaissance: Religious Context in the Renaissance (Retrieved May 10, 2007) Early revivalists, with varying degrees of commitment, were the Englishmen John Fransham (1730–1810), interested in Neoplatonism, and Thomas Taylor (1758–1835), who produced the first English translations of many Neoplatonic philosophical and religious texts.
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The 2016 festival was held on October 28 through November 30 and had an 1980s stringier things theme. The bands featured were The String Cheese Incident (three nights), My Morning Jacket, Disclosure (DJ set), Logic, Umphrey's McGee, STS9, Big Gigantic (featuring The Motet), Rebelution, The Claypool Lennon Delirium, Gramatik, Greensky Bluegrass, Lettuce, Boys Noizem, Anderson .Paak & The Free National, Snarky Puppy, RÜFÜS DU SOL, Bob Moses, Slow Magic, The Revivalists, Karl Denson's Tiny Universe, Future Rock, Manic Focus, ILLENIUM, The Motet, Washed Out, Unlike Pluto, Come Back Alice, Savi Fernandez Band, El Dub, Ajeva, Post Pluto, and Savants of Soul. The Thursday night pre-party featured the bands Umphrey's Mcgee, Greensky Bluegrass, EOTO & Friends, Kyle Hollingsworth Band, Marco Benevento, Fruition, The Werks, Ganja White Night, Late Night Radio, The Heavy Pets, Con Brio, Flamingosis, Imagined Herbal Flows, Grant Farm, Broccoli Samurai, Trae Pierce & The T-Stones, Unlimited Aspect, and Future Vintage.
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Strawberry Hill, an English villa in the "Gothic Revival" style, built by Gothic writer Horace Walpole Gothic literature is intimately associated with the Gothic Revival architecture of the same era. In a way similar to the Gothic revivalists' rejection of the clarity and rationalism of the neoclassical style of the Enlightened Establishment, the literary Gothic embodies an appreciation of the joys of extreme emotion, the thrills of fearfulness and awe inherent in the sublime, and a quest for atmosphere. The ruins of Gothic buildings gave rise to multiple linked emotions by representing the inevitable decay and collapse of human creations—thus the urge to add fake ruins as eyecatchers in English landscape parks. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, characterized by harsh laws enforced by torture, and with mysterious, fantastic, and superstitious rituals.
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Some of these folks are descendants of early revivalists although Wesleyan Grove is no longer a revivalist camp. Sunday services are still held in the summer, but the Grove has been non- denominational since the 1930s.Architectural Ambler: Wesleyan Grove Historic District Nonetheless, a Grand Illumination takes place on a Wednesday evening in summer (Illumination Night), with illuminated paper or silk lanterns, continuing a 150 year tradition.THE MAGIC OF THE GRAND ILLUMINATION: A TIME- HONORED MARTHA’S VINEYARD TRADITION (The 2020 event was canceled due to the COVID-19 pandemic in the United States.)151st Grand Illumination canceled A National Geographic report in 2019 described the Illumination as follows:This summer’s best island festivals in the U.S. > During this spectacle, now celebrating its sesquicentennial, residents and > guests gather in the Oak Bluffs Tabernacle for a twilight sing-along, > followed by the ceremonial candle lighting of one of the lanterns.
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These folk songs, such as "The Carpenter," [sic] recall British folk revivalists Kevin Coyne and Burt Jansch in some ways, and they may sound unusual when considering that the rest of the album is made up of avant-rock chaos and political diatribe that is far from subdued." Trouser Press reviewed the album positively, calling Buhrs "practically a vocal twin for Captain Beefheart [...] he's got the range for it, and provides a useful counterpart to Sok's one-note bellow (they duet on a few tracks)." Despite writing that the track "Embarrassment" "has a great lyric and a great riff that don't really belong together [...] the album is [otherwise] superb, abrasive, daring and full of unexpected kicks, including a slow, bulbous cover of the traditional "House Carpenter."" Andrea Moed of CMJ New Music Monthly also compared Buhrs to Captain Beefheart and praised the band's "rhythmically intense arrangements.
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Their first project together was the song "Protection" (for which she wrote the lyrics and melody) from the album by Massive Attack of the same name. She also co-wrote and sings on the track "Better Things". She also sang "The Tree Knows Everything" on Adam F's debut album, Colours. Just prior to her return to recording in 2007, Thorn contributed vocals to the song "Damage" by the band Tiefschwarz on the album Eat Books. In March 2007, Tracey Thorn released her second solo album Out of the Woods on Virgin Records (Worldwide) and on Astralwerks (USA). Thorn cited her post-punk peers and idols Terry Hall (from 2-Tone Records ska-revivalists The Specials, and New Pop trio Fun Boy Three), Edwyn Collins (of Postcard Records' jingle-jangling Scots Orange Juice) and scene-queen Siouxsie Sioux in the song "Hands Up to the Ceiling".
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In the English-speaking world, where there is little or no tradition of using tarots as playing cards, tarot decks only became known through the efforts of occultists influenced by French tarotists such as Etteilla, and later, Eliphas Lévi. These occultists later produced esoteric decks that reflected their own ideas, and these decks were widely circulated in the anglophone world. Various esoteric decks such as the Rider-Waite-Smith deck (conceived by A. E. Waite and rendered by Pamela Colman Smith), and the Thoth Tarot deck (conceived by Aleister Crowley and rendered by Lady Frieda Harris)—and tarot decks inspired by those two decks—are most typically used. Waite, Colman Smith, Crowley and Harris were all former members of the influential, Victorian-era Hermetic Order of the Golden Dawn at different respective points in time; and the Golden Dawn, in turn, was influenced by Lévi and other French occult revivalists.
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Postmillennialists also diverge on the means of the gospel's conquest. Revivalist postmillennialism is a form of the doctrine held by the Puritans and some today that teaches that the millennium will come about not from Christians changing society from the top down (that is, through its political and legal institutions) but from the bottom up at the grass roots level (that is, through changing people's hearts and minds). Reconstructionist postmillennialism, on the other hand, sees that along with grass roots preaching of the Gospel and explicitly Christian education, Christians should also set about changing society's legal and political institutions in accordance with Biblical, and also sometimes Theonomic, ethics (see Dominion theology). The revivalists deny that the same legal and political rules which applied to theocratic state of Ancient Israel should apply directly to modern societies which are no longer directly ruled by Israel's prophets, priests, and kings.
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" Heather Phares of AllMusic opined that "La Roux's dedication to their aesthetic makes this an album where the songs are variations on a theme, and on the rare occasion where the songwriting isn't razor-sharp, the style threatens to overtake the substance. However, that devotion also makes La Roux a standout, not just among the many other '80s revivalists, but the entire late-2000s pop landscape." Rolling Stones Rob Sheffield commented, "Along with co-writer and fellow synth dude Ben Langmaid, [Elly Jackson is] ruling U.K. radio with splashy dance hits about sex and betrayal", highlighting "Bulletproof" as the album's "definitive gem". Talia Kraines of BBC Music wrote, "That shrill vocal might mean the [...] album is not something you're likely to listen to all in one go in a high pressure situation, but it's one jam-packed with killer pop song after killer pop song.
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The band is also noted for inviting guest musicians from New Orleans to perform onstage with them. These include: the Soul Rebels Brass Band, The Neville Brothers, Brian Seeger, Corey "Boe Money" Henry, George Porter of The Meters, Dirty Dozen Brass Band and Skerik (a saxophone player who is actually based in Seattle, Washington, but is part of Stanton Moore's side project Garage A Trois). The band is often on tour, and have shared the stage with acts including Live, Counting Crows, the Allman Brothers Band, The Roots, Fusebox Funk, Widespread Panic, B.B. King, Mike Doughty (formerly of Soul Coughing), Gift of Gab (of Blackalicious), Jurassic 5, Jack Johnson, Gov’t Mule, The Revivalists, The Record Company, Trombone Shorty and Orleans Ave, Toots and the Maytals, and Steel Pulse. Galactic performed "I Got It (What You Need)" on Jimmy Kimmel Live in 2007. They also performed "Back That Ass Up" and "Rodeo" as Juvenile’s band on Jimmy Kimmel Live in 2006.
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A national university is generally a university created or run by a national state but at the same time represents a state autonomic institution which functions as a completely independent body inside of the same state. Some national universities are closely associated with national cultural, religious or political aspirations, for instance the National University of Ireland, which formed partly from the Catholic University of Ireland which was created almost immediately and specifically in answer to the non-denominational universities which had been set up in Ireland in 1850. In the years leading up to the Easter Rising, and in no small part a result of the Gaelic Romantic revivalists, the NUI collected a large amount of information on the Irish language and Irish culture. Reforms in Argentina were the result of the University Revolution of 1918 and its posterior reforms by incorporating values that sought for a more equal and laic higher education system.
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It rejected many Calvinist doctrines and discontinued exclusivity measures in the observance of communion, while continuing to affirm the practice of circuit riding and camp meetings. Not surprisingly, Presbyterian membership suffered from the loss of many of its members to other denominations. Its numbers stagnated in the years between 1800 and 1820, while Baptist and Methodist membership soared to as much as tenfold from the time of the inception of the Logan County revivals, outpacing the rate of population generally. By the end of 1801 alone, the Baptists were already boasting a tripling of their members But as some groups and traditions grew, others diminished; by 1830, Presbyterian Scots-Irish sacrament observances had largely become a thing of the past, even as Baptist association meetings and Methodist camp meetings proliferated through the nineteenth century. Shaker dwelling at South Union, Logan County, 2014 In Logan County, the revival peaked in 1801, but waned by degrees thereafter as each of McGready’s three original congregations faced challenges by anti- revivalists.
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Finally, the current two-language education policy followed in Tamil Nadu is also a direct result of the agitations. In the words of Sumathi Ramaswamy (Professor of History at Duke University), > [The anti-Hindi imposition agitations knit] together diverse, even > incompatible, social and political interests... Their common cause against > Hindi had thrown together religious revivalists like Maraimalai Atikal > (1876–1950) with avowed atheists like Ramasami and Bharathidasan > (1891–1964); men who supported the Indian cause like T.V. Kalyanasundaram > (1883–1953) and M. P. Sivagnanam with those who wanted to secede from India > like Annadurai and M. Karunanidhi (b. 1924); university professors like > Somasundara Bharati (1879–1959) and M.S. Purnalingam Pillai (1866 -1947) > with uneducated street poets, populist pamphleteers and college students. The anti-Hindi imposition agitations ensured the passage of the Official Languages Act of 1963 and its amendment in 1967, thus ensuring the continued use of English as an official language of India.
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At that time, it was absolutely necessary for anyone who wanted to become a successful scientist in the Kingdom of Hungary (which included today's Slovakia) to have a good command of Latin, German, and Hungarian. Since the school in Rožňava specialized in Hungarian and the school in Dobšiná in German, and Šafárik was an excellent student and both schools had a good reputation, all prerequisites for a successful career were fulfilled as early as at the age of 15. In 1810–1814 he studied at the Evangelical lyceum of Kežmarok (Késmárk), where he got to know many Polish, Serbian and Ukrainian students and his most important friend Ján Blahoslav Benedikti, with whom they together read texts of Slovak and Czech national revivalists, especially those of Josef Jungmann. He was also familiarized with classical literature and German esthetics (also thanks to the excellent library of the lyceum), and started to show interest in Serbian culture.
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In 1968, the power trio Manal was formed in Argentina, and were the first group that composed blues music in Spanish.Javier Martínez sube al escenario del teatro Colón con lo mejor del bluesLas 10 bandas más revolucionarias del Rock Nacional The Police After the 1970s, the phrase "power trio" was applied to the new wave group the Police, grunge band Nirvana, alternative rock band Hüsker Dü, mod revivalists the Jam, hard rock/progressive metal band King's X, progressive rock band Rush, post-grunge band Silverchair, alternative bands the Presidents of the United States of America, Goo Goo Dolls, Primus, Everclear, Muse, and Eve 6, pop punk bands such as Green Day, Blink-182, Alkaline Trio and MxPx, and Argentine rock bands like Soda Stereo, Divididos and From Power Project. Also, by the 1990s, rock trios began to form around different instrumentation, from the band Morphine, featuring a baritone saxophone instead of an electric guitar, to Ben Folds Five's replacing the guitar with various keyboards, principally the piano.
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Andy Frasco & The U.N., Khruangbin, Gary Clark Jr., Joe Russo's Almost Dead (Bob Weir came out on stage, sat on a couch and read a newspaper), Circles Around The Sun (days before guitarist Neal Casal committed suicide), Greg Humphreys, Moonalice with Lester Chambers of The Chambers Brothers, Melvin Seals and Jerry Garcia Band with John Kadlecik, Edie Brickell & New Bohemians, Pigeons Playing Ping Pong with Cory Wong, Old Crow Medicine Show, The Revivalists, Trey Anastasio Band with Derek Trucks, Galactic, Liz Cooper & The Stampede, Cory Henry and The Funk Apostles, Preservation Hall Jazz Band, Twiddle (band) with John Popper, Oteil + Friends featuring Bob Weir, Vulfpeck, Tedeschi Trucks Band with Trey Anastasio, Keller Williams' Grateful Gospel, Soulive, Cory Henry, Deva Mahal, The Soul Rebels, Nahko and Medicine for the People, Steel Pulse with Bob Weir, St. Paul and The Broken Bones, Moe (band), Jason Isbell and the 400 Unit, Marcus King, and Bob Weir and Wolf Bros with Don Was, Jay Lane and Susan Tedeschi.
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Becker, Seymour (2004), Russia's Protectorates in Central Asia: Bukhara and Khiva, 1865-1924, p. 340. Routledge, , Khan, Sarfraz (2003), Muslim Reformist Political Thought: Revivalists, Modernists and Free Will, p. 26. Routledge, , In 1910, Jijikhia, already a captain, was transferred in Congress Poland to serve in the staff of the 6th Infantry Division and then of the 15th Army Corps in which he served during World War I. He took part in the Russian invasion of East Prussia (1914) and was captured by the Germans in the Battle of Tannenberg (1914). Once released, he joined the army of the newly established and initially German-friendly independent Georgian republic in 1918 and was promoted to major general in 1919. During the Soviet Russian offensive against the Georgian capital of Tiflis in 1921, he commanded an attack force of 5 People’s Guard battalions and a cavalry brigade which successfully defended the approaches to the capital, but the battle was ultimately lost and Georgia became a Soviet republic.
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For example, for Chubby Parker's rendition of "King Kong Kitchie Kitchie Ki-Me-O" ("Frog Went A-Courting"), a ballad that has been traced to 1548, Smith wrote: "Zoologic Miscegeny Achieved Mouse Frog Nuptuals , Relatives Approve." Smith was also unique in associating folk music with the occult: the design he chose to be printed on the box covers, for example, was taken from an engraving by Theodore de Bry of a great hand tuning the Celestial Monochord (the one- stringed instrument symbolizing the music of the spheres), that had illustrated a sixteenth-century treatise on music by the Elizabethan magus Robert Fludd.So successful was Smith's mediation strategy in presenting these 1920s country artists as uncanny voices from the beyond – "the old, weird America", in Greil Marcus's memorable phrase – that the 1960s folk revivalists were astonished to find that many of these artists from forty years earlier were still very much alive. "What was then called "old timey" music ... at the time was about as far in the past as the Beatles are today," Peter Stampfel has observed.
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"The great question is," Thomas Leverton Donaldson asked in 1847, "are we to have an architecture of our period, a distinct, individual, palpable style of the 19th century?".quoted by Summerson In 1849, when Matthew Digby Wyatt viewed the French Industrial Exposition set up on the Champs-Elysées in Paris, he disapproved in recognizably modern terms of the plaster ornaments in faux-bronze and faux woodgrain:Second Republic Exposition > Both internally and externally there is a good deal of tasteless and > unprofitable ornament... If each simple material had been allowed to tell > its own tale, and the lines of the construction so arranged as to conduce to > a sentiment of grandeur, the qualities of "power" and "truth," which its > enormous extent must have necessarily ensured, could have scarcely fail to > excite admiration, and that at a very considerable saving of expense. Contacts with other cultures through colonialism and the new discoveries of archaeology expanded the repertory of ornament available to revivalists. After about 1880, photography made details of ornament even more widely available than prints had done.
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Andy Beta, of The Village Voice described Fahey's liner notes in a 2006 article: "Doctoring loquacious, ludicrous liner notes for his self-released work that tempered his arrogant self-mythologizing with hilarious self-effacement, he mocked the academic bluster of scholars and revivalists. He renames his Fonotone patron "Joseph Buzzard," records as Blind Joe Death, or else espouses his work as "expert" Elijah P. Lovejoy." and noise guitarist and writer Alan Licht noted that Fahey "did as much to take folk out of the hands of squares as his music did," and he suffered lightly those that pined for the past." The notes on The Dance of Death included an extensive discography and the basic theme of the notes is the search for John Fahey and his musical legacy: :"Prior to his discovery in 1958 by a Takoma research team Fahey had played as a guitarist for a bluegrass band; often appearing with Bill Hancock and Greg Eldridge, but no recordings are known from this period. Sometime in 1956 he was smote to the ground by a bolt of lightning.
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Traditional Islam emphasized man's relation with God and living by Sharia, but not the state "which meant almost nothing to them but trouble ... taxes, conscription, corvée labor." Islamists and revivalists embrace the state, in statements like: Islam "is rich with instructions for ruling a state, running an economy, establishing social links and relationships among the people and instructions for running a family,"IRI Supreme Leader Khamene'i on Iran Voice of the Islamic Republic of Iran, 7 June 1995 and "Islam is not precepts or worship, but a system of government."Usama al-Baz, The Washington Times National Weekly Edition, 24–30 April 1995 Rather than comparing their movement against other religions, Islamists are prone to say "We are not socialist, we are not capitalist, we are Islamic."Anwar Ibrahim of Malaysia in The New York Times, 28 March 1980 In his famous 1988 appeal to Gorbachev to replace Communism with Islam, Imam Khomeini talked about the need for a "real belief in God" and the danger of materialism, but said nothing about the five pillars, did not mention Muhammad or monotheism.
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Howard-Browne kept his church open during the COVID-19 pandemic and on March 15 told his congregants to continue shaking hands because they were “revivalists, not pansies”. He dedicated most of the sermon to mocking fears about the spread of the coronavirus and calling it a “phantom plague” designed to shut down churches and terrify people into receiving a vaccine that would cause mass deaths as a population control scheme, which he claimed was part of a plan laid out in a 2010 document “Scenarios for the Future of Technology and International Development” produced by The Rockefeller Foundation and Global Business Network. Several weeks prior, Howard-Browne claimed in a video that he would cure Florida of coronavirus, and in a 2019 video he had falsely claimed that he and other worshipers at his church had cleansed Florida of Zika virus. On March 29, 2020, Howard-Browne's congregation received a visit from the Hillsborough County Sheriff's Office warning about his violations of the county's safer-at- home order, which limited public gatherings to 10 people.
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Losurdo included his works in the history of ideas and concerned the investigation of questions of contemporary history and politics, with a constant critical attention to historical revisionism and the controversy against the interpretations of Hannah Arendt, François Furet, Karl Popper and Ernst Nolte. In particular, Losurdo has criticised a reactionary tendency among contemporary revisionist historians such as Nolte (who traced the impetus behind the Holocaust to the excesses of the Russian Revolution) and Furet (who linked the Stalinist purges to a "disease" originating from the French Revolution). According to Losurdo, the intention of these revisionists is to eradicate the revolutionary tradition as their true motivations have little to do with the search for a greater understanding of the past, but rather he claims it lies in both the climate and ideological needs of the political classes and is most evident in the work of the English-speaking imperial revivalists such as Niall Ferguson and Paul Johnson. His 2015 book War and Revolution provided a new perspective on the English, American, French, Russian and anti-colonial revolutions, among others.
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According to AllMusic post-punk revival, the movement was really more analogous to a continuum, one that could be traced back as early as the mid-'80s; scattered bands like Big Flame, World Domination Enterprises, and Minimal Compact, all of whom seemed like natural extensions of post-punk. Some of the more notable bands that recalled the original era during the early and mid-'90s included Six Finger Satellite, Brainiac, and Elastica. At the turn of the century, the term "post-punk" began to appear in the music press again, with a number of critics reviving the label to describe a new set of bands that shared some of the aesthetics of the original post-punk era.. During this time several post- punk and new wave inspired bands emerged, including Interpol, Franz Ferdinand, the Strokes, and the Rapture, establishing the post-punk revival movement. As with the post-punk and new wave bands of the late '70s and early '80s, there was a lot of diversity in the approaches of the post-punk/new wave revivalists, ranging from atonal scrap heaps (Liars) to hyper-melodic pop songs (the Sounds).
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The seductive gestures and facial expressions during Kathak performances in Temples and family occasions were caricatured in The Wrongs of Indian Womanhood, published at the start of the 20th century, as evidence of "harlots, debased erotic culture, slavery to idols and priests" tradition, and Christian missionaries demanded that this must be stopped, launching the "anti-dance movement" or "anti-nautch movement" in 1892. Officials and newspapers dehumanized the Kathak dancers and the sources of patronage were pressured to stop supporting the Kathak performing "nautch girls" (also termed as devadasis and tawa'ifs in mid 20th century literature). Many accused the dance form as a front for prostitution, while revivalists questioned the constructed histories by the colonial writers. Not only did missionaries and colonial officials ridicule the Kathak dancers, Indian men who had been educated in colonial Britain and had adapted to Victorian prudery joined the criticism, states Margaret Walker, possibly because they had lost their cultural connection, no longer understood the underlying spiritual themes behind the dance, and assumed this was one of the "social ills, immoral and backward elements" in their heritage that they must stamp out.
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Its main aims an objectives where to arrange for the religious and general education of Muslim boys and girls to propagate and defined Islam against the Christian missionaries and Hindu revivalists and to counteract the propaganda against Islam through speeches and publications Under this funding scheme, a handful of each family's flour was collected on a weekly basis and used to fund projects such as the constructions of the (Jamia Mosque) and the Darul Allum Madrassa at Pallandri which was serving as a school of religious education in the region.M. Sadiq Khan & Ghulam Hussain Azhar, Yagana-e-Kashmir, p . 36 After the successful completion of the Jamia Masjid and the Darul Alum he extended the educational campaign Soon Khan Sahib succeed in forming the committee of notables to work for the promotion of education in the region, In order to promote the educational trends amongst the new generation, the members of the committee visited the different villages, Khan's record reflects that the serving soldiers and junior officers of the Poonch jagir region the British- Indian Army had also financially supported his educational campaign.M. Sadiq Khan & Ghulam Hussain Azhar, Yagana-e-Kashmir, p .
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Old Ghazni City in the Ghazni province of Afghanistan Abdullah Ghaznavi was born in 1811 in the Afghan city of Ghazni. He was given the name Muhammad A'zam at birth but later changed it to Abdullah. After studying with local scholars, he moved to Qandahar to study under the eminent scholar Allamah Habibullah Qandahari and returned to Ghazni after completing his studies."The Ghaznawi family", Umm-Ul-Qura Publications In his youth, Ghaznavi was particularly inspired by the teachings of the Indian Muslim revivalists Sayyid Ahmad Barailwi and his companion Shah Isma'il Dehlawi, having read Shah Ismail's theological work Taqwīyyat al-īmān (Strengthening of Faith).Christine Noelle (1995) ‘The Anti-Wahhabī Reaction in Nineteenth-Century Afghanistan’ The Muslim World, 85 (1‐2): 46 During this period in Afghanistan, Sayyid Ahmad's Ahl-i Hadith followers in neighbouring India were widely, often polemically, associated with the Arabian Wahhabi movement on account of their doctrines and in the context of the Wahhabis' potential for political subversion, something which led Ghaznavi to become a persona non grata in his native country.Christine Noelle (1995) ‘The Anti- Wahhabī Reaction in Nineteenth-Century Afghanistan’ The Muslim World, 85 (1‐2): 46 Ghaznavi subsequently traveled to Delhi with two companions to study Hadith under the distinguished scholar Sayyid Nazir Husain Dehlawi.
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By the early 19th century, the Irish harp and its music were for all intents and purposes dead. Tunes from the harping tradition survived only as unharmonised melodies which had been picked up by the folkloric tradition, or were preserved as notated in collections such as Edward Bunting's, (he attended the Belfast Harp Festival in 1792) in which the tunes were most often modified to make them fit for the drawing room pianofortes of the Anglicised middle and upper classes. The first generations of 20th century revivalists, mostly playing the gut-strung (frequently replaced with nylon after the Second World War) neo-Celtic harp with the pads of their fingers rather than the old brass-strung harp plucked with long fingernails, tended to take the dance tunes and song airs of Irish traditional music, along with such old harp tunes as they could find, and applied to them techniques derived from the orchestral (pedal) harp and an approach to rhythm, arrangement, and tempo that often had more in common with mainstream classical music than with either the old harping tradition or the living tradition of Irish music. A separate Belfast tradition of harp-accompanied folk-singing was preserved by the McPeake Family.
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119 Gilles Kepel describes the MB and Saudis as sharing "the imperative of returning to Islam's `fundamentals` and the strict implementation of all its injunctions and prohibitions in the legal, moral, and private spheres"; and David Commins, as their both having a "strong revulsion" against western influences and an "unwavering confidence" that Islam is both the true religion and a "sufficient foundation for conducting worldly affairs", The "significant doctrinal differences" between the MBs/Islamists/Islamic revivalists include the Brotherhood's focus on "Muslim unity to ward off western imperialism"; on the importance of "eliminating backwardness" in the Muslim world through "mass public education, health care, minimum wages and constitutional government" (Commins); and its toleration of revolutionary as well as conservative social groups, contrasted with Wahhabism exclusively socially conservative orientation (Kepel). Wahhabi alliances with, or assistance to, other conservative Sunni groups have not necessarily been permanent or without tension. A major rupture came after the August 1990 Invasion of Kuwait by Saddam Hussein's Iraq, which was opposed by the Saudi kingdom and supported by most if not all Islamic Revivalist groups, including many who had been funded by the Saudis. Saudi government and foundations had spent many millions on transportation, training, etc.
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In Pakistan the "country's medical profession collectively refused to supervise amputations throughout the 1980s", and "more than three decades of official Islamization have so far failed to produce a single actual stoning or amputation." (Saudi Arabia is the exception with four stonings and 45 amputations during the 1980s.) Among two of the leading Islamist movements, the Muslim Brotherhood has taken "a distinctly ambivalent approach" toward hudud penalties with "practical plans to put them into effect ... given a very low priority;" and in Pakistan, Munawar Hasan, then Ameer (leader) of the Jamaat-e-Islami, has stated that "unless and until we get a just society, the question of punishment is just a footnote." Supporting hudud punishments are Islamic revivalists such as Abul A'la Maududi who writes that in a number of places the Quran "declares that sodomy is such a heinous sin ... that it is the duty of the Islamic State to eradicate this crime and ... punish those who are guilty of it." According to Richard Terrill, hudud punishments are considered claims of God, revealed through Muhammad, and as such immutable, unable to be altered or abolished by people, jurists or parliament.Richard Terrill (2012), World Criminal Justice Systems: A Comparative Survey, Routledge, , pp.
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