The installation was later restaged at the 1976 Venice Biennale.
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For the exhibition, currently on view at Gagosian Gallery in Chelsea, Simon restaged
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Versions were later restaged at Paris's Palais de Tokyo — and, starting tomorrow, at Sprüth Magers, Berlin.
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In the ensuing decades, "Giselle" was restaged—and changed—by French ballet masters working in Russia.
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Near the end of his life, Abdoh insisted that he didn't want his plays to be restaged.
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In the app version, the hideout has been convincingly restaged (with Anne's glasses, her father's Dickens novel).
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So in 1920 — the year the Salzburg Festival began — it was restaged in the city, to greater acclaim.
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Leckey restaged the pioneering event in his studio, together with lights, a camera, and a flickering daisy wheel.
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The performance will be restaged this week, to coincide with the opening of the artist's exhibition at Hauser & Wirth.
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A throat-shredding scream of a play, it has been staged and restaged since its posthumous premiere in 2000.
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The first 20 minutes or so of Sunday's premiere rolls out almost like a restaged, miniature version of Livingston's documentary.
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This wonderful production premiered in Aix-en-Provence and has been restaged many times in Britain and in other countries.
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The featured works — "La Naissance d'Osiris" and "Daphnis et Églé" — showcase fleet-footed choreography by Françoise Denieau, restaged by Gilles Poirier.
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And five to seven years after a work is first choreographed it will be restaged in the studio and additional notes added.
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While maintaining the core elements of the source material, such as anthropomorphic animal protagonists, he restaged the stories within the contemporary framework.
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Even the "storming" of the Winter Palace — restaged in a 1920 propaganda spectacular as a people's triumph — was no storming at all.
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Originally choreographed by Françoise Denieau, who died in 2015, the dances are being restaged for this run by her assistant, Gilles Poirier.
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But the program's high point was an older work made new: Ms. Lopez Ochoa's "Sombrerísimo," originally for six men, restaged with six women.
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A few years ago, Lucas, with Lisa Kraus, one of Brown's early dancers, restaged Brown's "Glacial Decoy" (1979) for the Paris Opera Ballet.
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"Divisor" ("Divider") became one of Pape's most significant artworks; she restaged it several times in 1968 in much more glamorous parts of Rio.
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After the artist's death in 1998, Mr. Roth's son Bjorn Roth and grandsons Oddur and Einar Roth, restaged it on West 18th Street.
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A century later, the opera house in Vienna restaged the work, brilliantly conducted by the most celebrated German conductor of the moment, Christian Thielemann.
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But the Tisch School of the Arts Shop Theater at New York University, where the play has been restaged, is suitably small and confining.
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Still, the show wasn't finished yet — each day, video was being reshot, numbers were being restaged, new meaning was being discovered in the text.
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The turntable that rotates the Act I set of Richard Eyre's production was broken, so it needed to be essentially restaged on the fly.
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Also in 2015, "Terminator: Genisys" restaged several sequences from "The Terminator", and, like "Creed", it had a lovably creaky incarnation of its once-godlike central character.
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"The Tate Modern here in London has already exhibited some of his later work with Black Mask, and restaged an earlier mixed-media performance," he said.
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In the most vivid nightmare, restaged in the film, he is in a supermarket aisle as a torrential wave rounds a corner and rushes toward him.
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Different from all these is "The Winter in Lisbon" (1992), choreographed by Billy Wilson (1935-1994) as a tribute to Dizzy Gillespie, and restaged this season by Masazumi Chaya.
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Along with videos of the dances, restaged between 2009 and 2013, the archive includes letters, essays, photographs and Ms. Childs's scores, which are works of art in themselves. (danceworkbook.pcah.us/asteadypulse)
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The prints are time-lapse images that capture a piece of their wider project The Lebanese Rocket Society: Restaged, which investigates the story of the Lebanese space program formed in 1960.
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The meal being prepared and fretted over is restaged, but the dialogue in the repeated version has been replaced by the voices of white actors having an increasingly specific conversation about race.
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The work, first shown at A.I.R. Gallery, has been restaged 46 years later (which speaks to the pitiful economy for women's art, even when it's this important, but that's a different topic).
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Though only two years older than Mr. Cooper, he reads much older; the director, Sam Gold, has restaged the action to keep him stolidly seated much of the time, like a monument.
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By mixing documentary footage and interviews with the story's real-life subjects with restaged scenes using actors, The Infiltrators reveals how the facility imprisons undocumented immigrants, sometimes for years, without a trial.
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New and restaged works by Gina Gibney, the founder and artistic director of Gibney Dance, are planned for the company's 25th anniversary celebration, along with a 10,000-square-foot expansion of its home.
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There are now 20 new worlds centered around St. Gloopy Loops, the floating space hospital where series creators Justin Roiland and Dan Harmon restaged the wildly popular "interdimensional cable" commercials from Season 1.
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The explosion-in-a-Necco-factory sets and costumes (by Santo Loquasto) and the eccentric Gower Champion choreography, restaged by Warren Carlyle, continue to astonish; you actually gasp at the hats and postures.
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The most controversial of Ai's explorations of the crisis has been his 2016 photograph, which restaged a widely circulated picture of three-year-old Syrian boy Alan Kurdi washed ashore on a Turkish beach.
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Mr. Sheader, whose "Into the Woods" in the same space (later restaged for Shakespeare in the Park in New York) was overstuffed with gimmickry, here takes an au naturel approach, and it works beautifully.
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The 1860 edition of "Leaves of Grass" had the image of a butterfly alighted on a man's finger under the table of contents, an image he restaged in a famous 1877 photograph of himself.
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His only other work at the Met was a 1984 production (borrowed from the Lyric Opera of Chicago and restaged for the Met) of Verdi's "Simon Boccanegra," featuring Mr. Milnes in the title role.
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And eventually, six, seven, eight years later, productions are restaged or on tour again and suddenly technology has caught up and it makes things easier, lighter, less noisy, and eventually things come to fruition.
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In the decade since she departed — she left to start a family and get a degree in dance education — she has regularly restaged Mr. Naharin's work and teaches his popular movement method, known as Gaga.
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The play got very strong reviews, won the Pulitzer, was restaged in New York and London and was named by The New York Times as among the best American plays of the last quarter century.
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When "Ariodante" is restaged at the Salzburg Whitsun Festival in Austria later this week, it will have a female lead in the male role: the Italian mezzo-soprano Cecilia Bartoli, who is the festival's artistic director.
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For instance, Timothy Morton, one of the great philosophical writers of our age, points to the "obvious visual gag" of Eliasson's "Ice Watch" (2014), which was restaged in London last year in anticipation of this exhibition.
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"My responsibility is to do exactly what Jerry Robbins put on the stage of the Winter Garden back in 1957," he told The Los Angeles Times in 1997, when he had restaged about 25 "West Side" productions.
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During just three weeks of rehearsal and four previews, Ms. Chavkin restaged the show several times over, with new cast members, including Reeve Carney ("Spider-Man: Turn Off the Dark"), in three of the five main roles.
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This performance, "Pink Trash," originally commissioned by the organization Art Across the Park, is being restaged in Prospect Park this Sunday as part of the Brooklyn Museum's exhibition We Wanted a Revolution: Black Radical Women 1965–85.
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No protestors turned up yesterday afternoon (though that would have made for a fun spectacle), when the city restaged the sculpture's dedication to celebrate the 50th anniversary of an oddity that's gradually grown into a beloved Chicago icon.
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Some of the elements, which include an adaptation of "The Mikado" set on Mars and what a news release calls "the queerest Civil War re-enactment in history," will be restaged, depending on the design of each venue.
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This tendency of hers is best represented in "The Probable Trust Registry: The Rules of the Game #1-3," perhaps her most famous late work, which won a Golden Lion at the Venice Biennale and is restaged at MoMA.
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Beyoncé has restaged well-known works: "Hold Up" paid tribute (or just cribbed) the light-footed feminism of the Swiss video artist Pipilotti Rist, while "Countdown" channeled the precise dance moves of another Belgian choreographer, Anne Teresa De Keersmaeker.
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Singled out at the time by Roberta Smith as "one of the show's few truly mesmerizing moments," the installation was restaged at Frieze London recently and it's represented here, behind the counter, in the large C-print "Pink Project: Table" (2016).
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Mr. Tobiessen had a success in 2007 at the McGinn/Cazale Theater with "Election Day," a production that was fast-paced, unpredictable and full of actors with great comic timing (and really ought to be restaged in this politics-heavy year).
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"Small Mouth Sounds," a quiet gem of a play by Bess Wohl that was first seen Off Broadway at Ars Nova last year, has been restaged at the Pershing Square Signature Center with all its wit, compassion and sparkle fully intact.
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In the 2016 Language of the Birds: Occult and Art at NYU's 80WSE Gallery, Bransford restaged Swiss artist Kurt Seligmann's magic circle, which in 1948 he drew in chalk in his Manhattan apartment as a ritual to summon the dead.
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It all began when he recreated the 13 masterpieces stolen from the Isabella Stewart Gardner Museum in the unsolved 1990 theft (worth $500 million in artworks) and restaged the surveillance footage of the two men disguised as Boston police officers.
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Rhoda and the Fossil Hunt continues at AMNH through October 15 on Fridays at 11:30am and Saturdays and Sundays at 12:00pm and 2:30pm, after which it will be restaged at museums in Chicago and Pittsburgh that also contain Knight's art.
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That is, at least, the theme proposed by Eduardo Vilaro, the troupe's artistic director, in a program note introducing new and restaged dances by the Taiwanese-American choreographer Edwaard Liang, the Belgian-Colombian choreographer Annabelle Lopez Ochoa and the Filipino-American choreographer Bennyroyce Royon.
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He is a member of the Royal Academy of Arts, the British institution whose past members have included Joshua Reynolds and J. M. W. Turner, and, in his work, he has restaged classic 18th-century paintings with headless mannequins wearing brightly colored, African prints.
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The performance has been restaged by the artist over the years, most recently in Tomaso Binga: A Silenced History, a solo show at Mimosa House in London, which follows another major international endeavor, Binga's set design for Dior's Autumn/Winter 2019 runway show last February.
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First presented in 1979 at the Aero Theatre in Santa Monica, California, it has been restaged only a few other times since — once at New York's long-defunct Bleecker Street Cinema in 73 and in Amsterdam in 2012 — and always features a new film selected by Lawler.
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And what's fun about it is the way that its own conception — restaged history masquerading as a documentary — parallels the film's central theme of how impossible it can be to know the truth of any other human being, even if they're telling you who they are.
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Usually that means holding up a sheet of paper with your name and the date on it, but Gates went for something far more interesting this time: he restaged an extremely chill photo of himself in high school, laying back on a desk while taking a call.
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Where Bohemian Rhapsody takes its story beats from Mercury's life — albeit with some dismaying alterations — to paint a straightforward portrait of the artist, Rocketman does away with the cinematic conventions of a more typical biopic, forgoing restaged, famous performances to instead reimagine and recontextualize John's catalog.
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"A Soldier's Play," running through Sunday at Theater 80, has been faithfully restaged for the 50th anniversary of the Negro Ensemble Company, an incubator and sanctuary for ambitious black actors and playwrights since its founding by Douglas Turner Ward, Robert Hooks and Gerald S. Krone in 1967.
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Mad About The Boy includes photographs from youth centric magazines like i-D Magazine and Dazed, and Nick Knight's 1982 Skinhead portrait series, films like Larry Clark's 1995 iconic Kids, a partially restaged SS13 fashion presentation entitled (Br)Other By Proxy by Meadham Kirchoff, and garments from past seasons.
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In the new book "Looking for the Masters in Ricardo's Golden Shoes," debuting at Photo London today, the photographer Catherine Balet and her collaborator Ricardo Martinez Paz have restaged iconic photographs to explore authorship and context, with Balet behind the camera and Martinez Paz stepping in as the subject.
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While Appel underwent a revival during the 24s with Junge Wilde, Neo-Expressionism, and the Neo-Fauves (favorites of the art market for how they restaged historical engagements with a crude, macho consciousness), there's a constant somatic demand in his drawings, urging us to rewire our bodies and nervous systems.
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The works are, in some way, a twist on Felix Gonzalez-Torres's melancholic, often restaged "Untitled (Portrait of Ross in L.A.)" from 1991, in which gallery-goers are encouraged to take a piece of wrapped candy from a giant pile, enacting the wasting away of the artist's partner from complications due to AIDS.
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No art in "Aging Pride" speaks more eloquently to our collective power to reimagine old age than a clip from the German choreographer Pina Bausch's "Kontakthof" — her 1978 masterpiece of lonely-hearts on the dance floor, which she created for her company of dancers in Wuppertal, Germany, but later restaged with volunteers over 65.
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In the early 1980s, that spellbound interregnum of American life, when high interest rates were turning the screws on the American working class, just before the lurid depredations of the Reagan era took hold, Tseng and Wong dramatized the "permanent outsider" status that afflicts Asian-Americans to this day, and restaged it to their advantage.
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For the longest time, from the mid-60s well through the '70s and beyond, in order to focus his argument Mr. Irwin had pretty much limited his palette to white and black and scrim-gray (as, for example, with "Scrim veil—Black rectangle—Natural light," his 1977 intervention, restaged in 2013, across the entire emptied fourth floor of the old Breuer Whitney).
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In addition to Ms. Lovette's solo, called "Red Spotted Purple" after a species of butterfly, the Joyce program includes a new pas de deux by Ms. Ochoa; Ms. Gerring's "Duet," created last year for two women and restaged this year with two men; a premiere by Mr. Latif, which he calls "an ode to the power of the feminine divine"; and "In Pursuit of …," Ms. Bouder's own 2017 ensemble work.
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This skit is also restaged in 2013 (February/March and July/August 2013). The company was also commissioned by Hospice Care Association to create a production entitled Don't Know, Don't Care, promoting caregiving amongst the young. This production toured schools in July 2012, and was restaged in May and July 2013, with a film adaptation that was recently completed. It will be restaged once again in July 2014.
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The musical was then restaged as Selena: A Musical Celebration of Life in Los Angeles.
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"Utopia, Limited", Educational Theatre Journal, Vol. 28, No. 1, March 1976, accessed 6 September 2013 In 1977, he restaged Iolanthe,Bradley, p. 40 which later toured Australia and New Zealand. He also restaged the Act 2 finale of Ruddigore and the opening chorus of Patience.
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Desire Caught by the Tail was restaged in 1984 (with David Hockney acting) by the Guggenheim Museum. It has been rarely produced since.
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Like Army Daze, it has been restaged a number of times, including a made-for-television version in 1998. It will be restaged in November 2015 at the Victoria Theatre, with Lee directing the musical. As the editorial director of Mediacorp Publishing, Chiang popularised the trend of putting celebrities on magazine covers. At the height of his publishing career, Chiang was running more than 20 magazine titles.
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Michael Pink restaged the work for the Milwaukee Ballet (USA) in 2005 with additional changes to the Prologue and Act Three. This production was presented again in 2014.
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Jean-Paul Sartre, Valentine Hugo and Simone de Beauvoir starred alongside Picasso, while Albert Camus directed. It was restaged in 1984 (with David Hockney acting) by the Guggenheim Museum.
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BDW at Bach Digital website Tue Rechnung! Donnerwort, BWV 168, a 1725 cantata for the same occasion, was possibly restaged after 1745.BDW at Bach Digital website For the tenth to thirteenth Sundays after Trinity it is not known which cantatas may have been performed in Leipzig after 1729. The chorale cantata for the 14th Sunday after Trinity Jesu, der du meine Seele, BWV 78, first performed in 1724, was restaged after 1735.
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His children's opera La Cenicienta was composed in 1966. It was restaged in 2004 by Fondazione Teatro La Fenice, and in 2005 by University of Chile's Theatre in Santiago Chile.
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On April 20, 2014, This Is Not A Theatre Company restaged two of Allen Kaprow's Happenings as part of the exhibit "Allen Kaprow. Other Ways" at the Fundacio Antoni Tapies in Barcelona.
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Warwick, Graham. "Boeing Wins Restaged U.S. Air Force KC-X Tanker". Aviation Week, 25 February 2011. In late June 2011, it was reported that development costs were projected to overrun by about $300 million.
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In December 2019–February 2020 Ellams's reworking of Chekhov's play Three Sisters was performed at the Royal National Theatre, London. The play restaged the story in the 1960s in the midst of the Biafran war in Nigeria.
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"Listing" publictheater.org, retrieved September 12, 2017Straight White Men lortel.org, retrieved September 12, 2017 The play was produced by the Steppenwolf Theatre Company, Chicago, in February 2017 to March 26, 2017 in a revised and restaged version.Jones, Chris.
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The show was restaged by Jerome Whyte. The cast featured Valerie Hobson, in her last role, as Anna;Vallance, Tom. "Obituary: Valerie Hobson", The Independent, November 16, 1998. Retrieved February 20, 2011 Herbert Lom as the King; and Muriel Smith as Lady Thiang.
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Originally devised for MaggioDanza, it was never performed after the theatre was closed on opening night due to building structural issues. The restaged production, designed by Gianluca Falaschi, toured New Zealand and was seen by over 38,000 people in its first season.
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A selection of over 30 pieces Leane created with McQueen were featured in the Alexander McQueen: Savage Beauty exhibition at the Metropolitan Museum of Art in New York in 2011, later restaged at the Victoria and Albert Museum in London in 2015.
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The show was restaged in February 2012. Balaban filmed the independent comedy, Finding Joy, in Fort Lauderdale, Florida in mid-2011. She signed on to a recurring role in the CW drama, Supernatural in 2012, playing Amelia, a young doctor with tragedy in her past.
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Around 1732–33 he restaged it in a modified version.D-LEb Thomana 93, Faszikel 1 and BDW at Bach Digital website Es ist das Heil uns kommen her, BWV 9 is a chorale cantata for the sixth Sunday after Trinity, first presented on and added to the chorale cantata cycle.BDW at Bach Digital website It is not known which cantatas Bach may have performed after 1729 on the seventh and eighth Sundays after Trinity. Was frag ich nach der Welt, BWV 94, a chorale cantata for the ninth Sunday after Trinity, first performed in Bach's second year in Leipzig, was probably restaged around 1732–35.
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Troy () is an opera in two acts by Bujor Hoinic set to a Turkish-language libretto by Artun Hoinic, based on the ancient Greek epic poem Iliad by Homer. It premiered at Ankara, Turkey, in 2018 and was restaged at Bolshoi Theatre in Moscow, Russia, in 2019.
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The book was adapted into a play by Christopher Sergel, John G. Neihardt's Black Elk Speaks, in the 1970s where it was staged by the Folger Theatre in Washington, D.C. and then taken on a national tour in 1978, and later restaged in 1992 with a revised version.
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Gilbert rewrote and restaged the piece three weeks later and renamed it The Vagabond. Although these changes brought a better reception, the play was not a success and closed within a month. Soon afterwards, however, Gilbert and Sullivan's H.M.S. Pinafore opened, followed by a decade of extraordinarily successful Savoy operas.
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Videos destroy aura: Osama rehearsing lines, dyeing beard - The Times of India. Published May 9, 2011. Retrieved 09 May 2012. In 2001 he restaged a recitation of a poem intended for Arab television when he wasn't satisfied with the original video results done before an audience at his son's wedding dinner.
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131–32, 136. The first successful European dramatic talkie was the all-British Blackmail. Directed by twenty-nine-year-old Alfred Hitchcock, the movie had its London debut June 21, 1929. Originally shot as a silent, Blackmail was restaged to include dialogue sequences, along with a score and sound effects, before its premiere.
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After working with Newton on Sal Capone, Roberts and Newton co-founded Boldskool Productions, a hip hop theatre company. She is Boldskool Productions' artistic director. In 2018, Boldskool restaged Sal Capone once again under Roberts' direction presented with the NAC English Theatre. Roberts has taught theatre at York University and Concordia University.
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Many of Cook's plays include dialogue written in the Newfoundland dialect;Post-Colonial Drama: Theory, Practice, Politics. Routledge; 11 September 2002. . p. 179–. in spite of this, The Head, Guts and Soundbone Dance was restaged as far away as Regina, Saskatchewan in 1980.Contemporary Canadian theatre, new world visions: a collection of essays.
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After the conclusion of the touring show, the pieces were acquired by the Friends of Te Papa for the Museum of New Zealand Te Papa Tongarewa. In 2013/14 Te Papa restaged the works from Bone Stone Shell alongside more recent pieces of contemporary jewellery and pieces from its Maori and Pacific collections.
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Staged productions of the Passion include Lindy Hume's 2005 production for the Perth International Arts Festival, restaged in 2013 for Opera Queensland with , Sara Macliver, Tobias Cole; and Peter Sellars' 2010 production with the Berlin Philharmonic under Simon Rattle with Mark Padmore, Camilla Tilling, Magdalena Kožená, Topi Lehtipuu, Christian Gerhaher and Thomas Quasthoff.
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Deep Song was restaged in 1988. Graham alone had danced the solo role, but did not remember all the choreography. Former company members helped her recreate the work from their recollections and Barbara Morgan's photographs of the piece. Since the original score was lost at the time, Cowell's Sinister Resonance was used in its place.
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He also restaged the 1954 Mary Martin Peter Pan for television in 1960, the third telecast of the Broadway stage musical. His film credits include Lonelyhearts (1958) with Montgomery Clift, Robert Ryan and Myrna Loy and Sunrise at Campobello (1960) which won Greer Garson the Golden Globe for Best Actress and several Academy Award nominations.
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"French Producer for Farce", The Times, 21 January 1966; and "M. Charon on the Feydeau Behind the Farces", The Times, 3 February 1966, p. 18 Mortimer's translation has twice been restaged at the same theatre, first in an unsuccessful production by Richard Jones, starring Jim Broadbent, in 1989,Billington, Michael. "Designer farce", The Guardian, 10 August 1989, p.
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Malanga then shoots Woronov with a banana, causing Ondine to exclaim that he was "a little late". Ondine then reads a speech to the American people. The assassination is then restaged, with Malanga shooting Woronov, and the camera zooming in on the red paper blood. Ingrid Superstar asks "Who got shot?" before playing with Richard Rheem's hair.
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They are told to do it again as it wasn't a traumatic situation, and wouldn't "shock the world for four days". Cutrone then portrays Lee Harvey Oswald, and Malanga, playing Jack Ruby, shoots him with a banana. The shooting is then restaged, Cutrone falls to his knees with reporters trying to interview him. Ruby is taken away.
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Silent Show is a 1957 American half-hour television comedy special created by and starring Ernie Kovacs. It was broadcast on NBC, and was selected by the United States as the only television program screened at the 1958 World's Fair in Brussels. In 1961 Kovacs restaged and expanded the Silent Shows "Eugene" sketch for the ABC network.
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There have been Tagalog translations. In 1969, Krip Yuson and Franklin Osorio wrote a translation that was staged by Philippine Educational Theater Association and later on by UP Repertory. In 1989, Bienvenido Lumbera wrote a translation titled "Larawan" that was staged by Tanghalang Pilipino (TP). It was restaged in 1992 (featuring Celeste Legaspi and Noemi Manikan-Gomez) and 2000.
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His multi-award-winning debut play The Man Who Ate The World premiered on 17 December 2009. Since then the play has been restaged at numerous theaters – among others at the Residenztheater München and the Theater Basel. His plays have been performed at the Deutsches Theater Berlin, Schauspiel Frankfurt, Staatstheater Stuttgart, Residenztheater München, Staatstheater Hannover and Badisches Staatstheater Karlsruhe.
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Thereby, the pictures of this strict beginning of the formalism debate are taken up and restaged photographically. In 1994, Leupold succeeded to exhibit his visual criticism in the Military Historical Museum in Dresden, where he first began his career. His work hung in the same house in which this far-reaching demonstration of power took place in 1953.
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The musical premiered in the West End, London, at the Theatre Royal, Drury Lane on June 7, 1950. The production was restaged by Jerome Whyte, with a cast that included Stephen Douglass (Billy), Iva Withers (Julie) and Margot Moser (Carrie). Carousel ran in London for 566 performances, remaining there for over a year and a half.Green, Stanley.
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It was based on scripts from Hancock's Half Hour. The show became trilingual, as it usually starred both Swedish and Norwegian actors, and was broadcast in Sweden and Norway as well as Denmark. In 2016, "The New Neighbour" was restaged as part of the BBC's Landmark Sitcom Season commemorating the 60th anniversary of the television sitcom.
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After touring Japan and the Philippines, the company folded due to management and financial problems. He returned to the Ballet Russe shortly afterwards and restaged the repertory that had been lost when Ballet Russe de Monte Carlo folded. Through his work with The George Balanchine Foundation, he became the artistic advisor of the Dance Theatre of Harlem.
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Arlington, Virginia's Signature TheatreSignature Theatre restaged sigtheatre.org, accessed December 2, 2016 presented Titanic from December 13, 2016 to January 29, 2017. “I've always loved the musical Titanic and I have felt that Signature should reinvent this musical for our audiences in an exciting new way,” said the company's artistic director Eric Schaeffer in an article about the production.Gans, Andrew.
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With the rediscovery and redistribution of classical materials during the English Renaissance, Latin and Greek plays began to be restaged. These plays were often accompanied by feasts. Queen Elizabeth I viewed dramas during her visits to Oxford and Cambridge. A well-known play cycle which was written and performed in the universities was the Parnassus Plays.
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Bernard was the most successful female dramatist of the seventeenth century. Her 1689 tragedy Laodamie had a long and profitable run of twenty-three performances with three more in 1690 and 1691. Her 1690 tragedy Brutus was performed twenty-seven times between December 1690 and August 1691 and was restaged eight times before 1700. It was revived by the Comédie-Française in 1973.
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In his photographic series Secret Shadows (2002) Li created 'portraits' of illegal migrants working in London's Chinese restaurant trade, through images of their possessions and living quarters. In We Write Our Own History (2017) he collaborated with political activists unable to safely reveal their identities, who restaged their unofficial, alternative memories of the 2014 Umbrella protests by arranging everyday items on table tops.
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Field Marshal Lord Wolseley Though Isandlwana was a disaster for the British, the Zulu victory did not end the war. With the defeat of Chelmsford's central column, the invasion of Zululand collapsed and would have to be restaged. Not only were there heavy manpower casualties to the Main Column, but most of the supplies, ammunition and draught animals were lost.Knight (2002), p.
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Originally presented at Hopkinson Mossman in Auckland, ' has no physical manifestation. Instead, participants were collected by taxi from the gallery, taken to a suburban home (later revealed to be the artist's own family home), where they were invited to move through the house but not enter the bedrooms, and then returned to the gallery. The work was restaged for the Walters Prize exhibition.
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The original cast featured Peggy Sager as the Spirit of Australia, Martin Rubinstein as the Explorer and Vassilie Trunoff as the Aborigine. The ballet was restaged in 1947 with Kathleen Gorham as the new lead. Borovansky's next ballet, The Black Swan, also had an Australian theme. It was based on a historical incident in 1697 when Captain Vlaming from the Dutch East India Company was exploring Australia.
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Before being able to survive as an artist, he worked for Maison Blanche, a New Orleans department store, as a display designer/window dresser. For the vast majority of his life, he lived in the French Quarter, where he was well known for his eccentricity and hospitality. His friend and student, Robert Mapplethorpe restaged many of his earlier black and white photographs. Dureau died of Alzheimer's disease.
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The musical was a success and was later restaged as a full scale professional production in 2014 at Upstairs at The Gatehouse and The Mumford Theatre, Cambridge. He also wrote, with Martin Coslett, The Perfect City, which was performed at the Etcetera Theatre in March 2013. In 2015, the musical Shot at Dawn was renamed The White Feather and performed at the Union Theatre in Southwark.
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Charles Lamoureux conducting from the podium. In fact Lamoureux's advocacy of Wagner's music was untiring. When he gave the first French performance of Wagner's Lohengrin at the Eden-Théâtre in 1887, the Chauvinists held street demonstrations outside denouncing the performance as an unpatriotic act. Despite this setback, two years later the work was restaged at the Opéra, which now made Lamoureux its musical director.
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In a departure from the traditional Giselle, Frederic Franklin restaged the ballet in 1984 as Creole Giselle for the Dance Theatre of Harlem. This adaptation set the ballet among the Creoles and African Americans in 1840s Louisiana. A 2012 novel by author Guy Mankowski entitled Letters from Yelena follows the journey of a principal dancer as she performs the role of Giselle in Saint Petersburg.
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The work was initially commissioned by The South Bank, London, and premiered at the Queen Elizabeth Hall on April 3, 1998 as part of the four-day festival David Thomas: Disastodrome!. Since that time it has been restaged at various festivals, and briefly toured the UK in 2001. The most recent staging was at a second Disastodrome! Festival in Los Angeles, in February 2003.
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In 1944, largely owing to the success of Romeo and Juliet, Lavrovsky was made the head ballet master for the Bolshoi Theater in Moscow. In 1946, he restaged Romeo and Juliet for the Bolshoi. For this production, which also starred Ulanova, he was awarded the Stalin Prize, first class. In 1955, Romeo and Juliet was made into a full-length film, starring Galina Ulanova and Yuri Zhdanov.
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In 1984, Hoban collaborated with the Impact Theatre Co-operative on a performance entitled The Carrier Frequency. Hoban supplied the text for the piece, which was staged and performed by Impact. In 1999, The Carrier Frequency was restaged by the theater company Stan's Cafe. In February 1986, a theatrical version of Hoban's novel Riddley Walker (adapted by Hoban himself) premiered at the Royal Exchange Theatre, Manchester.
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He produced The Women of Aetna during one of these trips (in honor of the city founded by Hieron), and restaged his Persians. By 473 BC, after the death of Phrynichus, one of his chief rivals, Aeschylus was the yearly favorite in the Dionysia, winning first prize in nearly every competition. In 472 BC, Aeschylus staged the production that included the Persians, with Pericles serving as choregos.
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The Country Wife was also restaged as a musical Lust. Written by the Heather Brothers, it was first performed at the Queens Theatre in Hornchurch in the London Borough of Havering in 1992. It later transferred to the Theatre Royal Haymarket in London's West End, starring Denis Lawson as Horner. The production & Lawson then moved to the John Houseman Theatre in New York in 1995.
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The play was restaged four more times on Broadway. The 1969–70 revival was the most successful of these. It was produced at the Ethel Barrymore Theatre and starred Robert Ryan and Bert Convy as Burns and Johnson, running for a total of 222 performances." The Front Page, 1969" Internet Broadway Database, accessed June 9, 2016 The 1946 revival was directed by Charles MacArthur and ran for 79 performances.
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One of the accused robbers, Tony Dellernia, surrendered in Chicago. Upon his extradition to New York, he was perp-walked. Some photographers complained to the police at the Brooklyn precinct house where he was being held that they had missed it. Albert Seedman, a high-ranking detective, not only restaged it for reporters three hours after the original walk, he held up Dellernia's head so it would be visible.
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With Oppenheim's permission, Andre Breton restaged the performance later that year at the opening of the Exposition inteRnatiOnale du Surrealisme (EROS), at the Galerie Cordier in Paris. Outside its original intimate setting, the performance was overly provocative and Oppenheim felt her original intention for the work was lost.Meret Oppenheim Museum of Modern Art, New York. Oppenheim felt surrealism changed after World War II and she never exhibited with the Surrealists again.
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536 pp. Toland was commissioned as a lieutenant in the Navy's camera department, which led to his only work as a director, December 7th: The Movie (1943); this documentary of the attack on Pearl Harbor, which Toland co-directed with John Ford, is so realistic in its restaged footage that many today mistake it for actual attack footage. This 82-minute film took the Academy Award for Best Documentary (Short Subject).
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In 1991, Donovan accepted the lead role in the restaged London Palladium version of Joseph and the Amazing Technicolor Dreamcoat, directed by Steven Pimlott. Donovan had his third solo UK No. 1 single with one of its songs, "Any Dream Will Do". Donovan left the production in early 1992. In 1992, Donovan launched a libel action against The Face magazine which had published allegations that he was homosexual.
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George Farquhar's The Recruiting Officer was produced on Saturday, 20 January 1733 to celebrate the birthday of Frederick, Prince of Wales. When he was a Lieutenant-Governor of Nova Scotia, Paul Mascarene translated Molière's French play The Misanthrope in to English and produced several plays in 1743 and 1744. An unknown play was also staged on 20 January 1748 for the Prince's birthday, and it was restaged on 2 February 1748.
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Another black and white picture series is inspired by the ideological content of the German magazine Die Gartenlaube (Editor: Ernst Keil) and restaged with effortful characteristics, backgrounds and current clothes.Review Die Gartenlaube Aside from his series, Leupold photographs numerous frames. Actors, models and laymen made chances for his camera productions. Personal and socially relevant topics like solitude, homecoming, protection, neediness, abundance and waste, as well as current events are reflected.
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Baryshnikov staged, restaged, and refurbished numerous classical ballets and, according to the company, strengthened their classical tradition. Baryshnikov was replaced in 1989 by Jane Hermann and Oliver Smith, who remained as Artistic Directors until 1992, when Kevin McKenzie received the appointment. McKenzie satisfied the demands of the traditional ballet audience by prioritizing full-length narrative ballets. He also succeeded in keeping the company afloat during financially unstable times.
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She was elected as a member of the Swedish Society of Composers in 1990 and was awarded the honorary academic title of Professors namn in 2001. In 2006, she received the Gunn Wållgren Award. She set several works by August Strindberg to music, beginning with a chamber opera based on Fröken Julie (Miss Julie) in 1990. Miss Julie was staged at the Confidence Theatre in 1990, and restaged in 1994.
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Steve Rodgers adaptation of the novella Jesus Wants Me For A Sunbeam won the inaugural Lysicrates Prize in 2015, and premiered at the national Theatre of Parramatta in 2018, directed by Darren Yap. The play will be restaged by Belvoir in February 2020. The short story The Kiss was adapted for stage at Belvoir St Theatre, along with short stories of the same name by Chekhov, Maupassant and Kate Chopin.
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Mariya Dmitriyenko (; , born 24 March 1988) is a Kazakh sports shooter. She competed in the women's trap event at the 2016 Summer Olympics. In March 2012, she won the Amir of Kuwait International Shooting Grand Prix, but at the award ceremony, the parody national anthem from the film Borat was mistakenly played instead of the real Kazakh national anthem. The team complained, and the award ceremony was restaged.
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Festival. The production featured Michael-Alan Read as Leslie Bright, Lynnette Holmes as Girl, and Martin McBride as Boy. The show was co-produced by Glasgow's Cardboard Fox Theatre Company and was praised by reviewers. It was directed by Phil Bartlett and restaged by Helen Cuinn. The production was notable for its simple set design, using only a mattress and sheets on which the names of Leslie's lovers were scrawled.
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The Straits Times, p. 4. Retrieved from NewspaperSG Theatre company Action Theatre subsequently restaged Selena Exposed! for its comedy festival in 1999 and reinterpreted her piece as Broadway Baby Kailan. Dr Low Guat Tin, then a teacher-trainer director with the National Institute of Education (NIE), was so impressed with Selena's performance in Broadway Baby Kailan that she invited Selena to stage a show for Teachers' Day – The Other Side of the Teacher's Table.
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While waiting on the platform, Honey Boy daydreams about life, dating, baseball, and rock and roll in the 1950s. Dance With Me was a renamed, restaged version of Dance Wi’ Me, a production by the same team which opened at the Public Theater in June 1971. It also appeared at La MaMa Experimental Theatre Club in the early 1970s. The show received three 1975 Tony Award nominations and two 1975 Drama Desk Award nominations.
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The images were made in the course of crime investigations by the Ministry for State Security (MfS), commonly known as the Stasi, the official state security service of the German Democratic Republic (East Germany). Re- enactments were "often restaged with participation by the actual escapee after they were caught". Messmer provides new contexts for the photographs and removes their captions. The book also includes Messmer's "Revisited Places" series of photographs that he made in 2014.
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The user can get the latest version by simply clicking a button while online, the devices do not need to be brought back into the home office to be restaged. Successful mobile applications must be able to run when disconnected from the network, due to coverage dead spots or restrictions on use of wireless devices in certain areas (e.g. medical facilities). This results in the need to store data locally on the mobile device.
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Salva Sanchis also participated as a dancer in these two productions. A Love Supreme was restaged by Salva Sanchis and Rosas in 2017 in a revised version. While he was associated with Rosas, he also produced some of his own choreographies: Double Trio Live (2005), Variations in G (2006) and Still Live (2007). In the period that Salva Sanchis was associated with Rosas, his work was determined by research guided by musical sources.
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Roy, p. 756–757. Despite the adulation of the court and Parisians, Molière's satires attracted criticism from churchmen. For Tartuffe's impiety, the Catholic Church denounced this study of religious hypocrisy followed by the Parliament's ban, while Don Juan was withdrawn and never restaged by Molière. His hard work in so many theatrical capacities took its toll on his health and, by 1667, he was forced to take a break from the stage.
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The most famous and enduring ballet adaptation was created by the choreographer Marius Petipa, unrivalled Maître de Ballet of the Tsar's Imperial Ballet of St. Petersburg, and the composer Ludwig Minkus. By special commission, Petipa mounted the work for the Ballet of the Imperial Bolshoi Theatre in Moscow. The production premiered on to great success. Petipa then restaged the ballet in a far more opulent and grandiose production for the St. Petersburg Imperial Ballet on .
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Although first performed in 1982, the play is contemporary and can be understood in a current context. The play continues to be restaged by a range of companies, particularly companies with an indigenous focus. The play maintains an elegiac tone throughout for a tribal past, for a people one physically and spiritually in harmony with their world. Jack Davis wrote this play to influence public opinion and bring about improvement in the Aboriginal situation.
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According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title Symphony in C, and this version was featured in New York City Ballet's first ever program. Choreographer Jerome Robbins was in the audience, and decided to join the company after seeing the ballet. The ballet has four movements, each featuring a principal couple, two demi-soloist couples and the corps de ballet.
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He played baseball, football and participated in student theater productions. After his undergraduate work at the University of Wisconsin–Madison and Marquette University, he attended Princeton University, where in 1966 he directed his first play, a production of Waiting for Godot. He joined the Negro Ensemble Company in 1968, which brought him to Broadway in 1969. His breakthrough was directing Lorraine Hansberry's To Be Young, Gifted and Black, which he restaged for television in 1972.
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Sacchini had completed some of the score of Arvire by 1786, when he played excerpts to his patron Marie Antoinette, Queen of France. He then became embroiled in intrigues surrounding his attempt to have his previous opera, Œdipe à Colone, restaged. Failure to guarantee future performances of Œdipe was partly blamed for the composer's early death on 7 October 1786 at the age of 56.See Gazzette musicale de Paris, 1833, number 12.
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Schmitz is also an award-winning playwright. After a solid grounding in writing revue and stand-up comedy at university in Perth, Schmitz wrote his first play, ', while studying acting at NIDA. It was presented as a director's project there in 1998 and was later restaged at Belvoir St Theatre. In 2002, Schmitz won Sydney Theatre Company's Patrick White Playwrights' Award with his play Lucky, which was later produced by the Australian Theatre for Young People.
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The Times said, "Mr Kenneth Sandford's lean, melancholy, decidedly sympathetic Shadbolt steals the show."The Times, 10 July 1962, p. 13 By this time, the copyrights on Gilbert and Sullivan had expired and, to Sandford's delight, Besch's production was completely restaged, allowing Sandford to develop a new interpretation of the role. For the National School of Opera in 1963, Sandford took part along with Janet Baker, Jennifer Vyvyan, Marie Collier and others, in a gala at Sadler's Wells Theatre.
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Yuresha joined the company in 1959 and became a principal dancer. Upon Dolin’s death, the couple inherited the rights to his choreography of Giselle, Pas de Quatre, and his acclaimed original ballet, Variations for Four. Yuresha and Wright danced—and later staged—productions of these ballets with dance companies around the world, designing original costumes and sets for those performances. Yuresha restaged Variations for Four in 1999 for American Ballet Theatre at the Metropolitan Opera House in New York.
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In March 2012, the parody national anthem from the film's soundtrack, which acclaims Kazakhstan for its high-quality potassium exports and having the second-cleanest prostitutes in the region, was mistakenly played at the Amir of Kuwait International Shooting Grand Prix. The gold medalist, Mariya Dmitriyenko, stood on the dais while the entire parody was played. The team complained, and the award ceremony was restaged. The incident apparently resulted from the wrong song being downloaded from the Internet.
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"Katipunera" also won in the Free Press Poetry Contest in 1996. However, Coscolluela is best known in the field of drama having won sixteen Palancas in that genre. Her best known play "In My Father's House" was first produced onstage in 1988, and submitted as an entry in the ASEAN Drama Festival in Singapore, 1989. The play popularity is not only in the Philippines, it has been restaged in San Francisco, New York City, and Kyoto.
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The first episode of the subsequent story, The Space Museum, begins with a brief clip of the finale of Episode 4, "The Warlords", where the time-travellers stand in period costume round the TARDIS console, literally frozen in time (it is confirmed as a clip rather than a restaged scene by an off-camera cough on the soundtracks to both "The Warlords" and The Space Museum). This is the only known surviving footage from the final episode.
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In 1960, Costigan adapted the work for Broadway with Harris reprising her role and John Justin playing part of the English officer and Robert Redford playing the part of her fiance. The program was restaged in March 1964 with Harris reprising her role and Dirk Bogarde in the role of the English officer. Ruth White played Shelagh Mangan in the 1964 version and won an Emmy award for outstanding performance in a supporting role by an actress.
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Under Yu's leadership, the Chamber Ballet Taipei's performances regularly featured live orchestral music, often by the Evergreen Symphony Orchestra. At the time, the playing of live music alongside ballet performances was considered a rarity in Taiwan. Yu has frequently featured the music of Pyotr Ilyich Tchaikovsky in his own work, and, in 2013, restaged Tchaikovsky's Swan Lake at Metropolitan Hall in Taipei. In 2015, Yu left Oper Graz to focus on Chamber Ballet Taipei, which he renamed Formosa Ballet.
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This work informed The Battle of the Birds, a play which debuted at the Lytton River Festival in 2015, and which was restaged in Ottawa in 2019. It also spurred The Boy Who Was Abandoned, a second production which debuted in Lytton in September 2016. On June 15, 2017, Loring was announced as the first artistic director for Indigenous Theatre at the National Arts Centre in Ottawa (NAC)."Kevin Loring named NAC's 1st head of Indigenous theatre".
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Torikaebaya Ibun was then adapted as a Takarazuka Revue play staged in 1987, starring , , and . It was restaged in February 2010 starring and .. Torikaebaya briefly appears in the "Onnagata" story in Death in Midsummer and other stories by Yukio Mishima. The characters of Maria-sama ga Miteru by Oyuki Konno perform a bowdlerised version of Torikaebaya in the 19th book of the series, published in 2004. Chihou Saito's latest manga (2012–) is also inspired by the tale.
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The evening was a success and an additional performance was organized. Mary Heaton Vorse donated the use of the fish house on Lewis Wharf, where a makeshift stage was assembled. The two one- acts which had been presented at the Hapgood home were restaged in August, and a second bill of two new plays was presented in September: Change Your Style by George Cram Cook and Contemporaries by Wilbur Daniel Steele. They were excited about their "creative collective".
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A 1951 revival produced by the Theatre Guild opened at The Broadway Theatre on May 9, 1951, and ran for 100 performances. Ridge Bond played Curly, Patricia Northrop played Laurey, Henry Clarke was Jud, and Jacqueline Sundt played Ado Annie. Mamoulian and de Mille returned to direct and choreograph, and the production was restaged by Jerome Whyte.Suskin, pp. 499–503. In 1953, a 10th anniversary revival opened on August 31 at the New York City Center Theatre.
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The broadcast drew the highest ratings for a television program for that period. It was so successful that NBC restaged it as a live broadcast a mere ten months later; in 1960, long after Producers' Showcase had ended its run, Peter Pan, with most of the 1955 cast, was restaged again, this time as a standalone special, and was videotaped so that it would no longer have to be performed live on television. In 1956, NBC started a subsidiary, California National Productions (CNP), for merchandising, syndication and NBC opera company operations with the production of Silent Services. By 1957, NBC planned to remove the opera company from CNP and CNP was in discussion with MGM Television about handling syndication distribution for MGM series. During a National Association of Broadcasters meeting in Chicago in 1956, NBC announced that its owned-and- operated station in that market, WNBQ (now WMAQ-TV), had become the first television station in the country to broadcast its programming in color (airing at least six hours of color broadcasts each day).
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The hotel originally was open for six weeks and acted as a site for happenings, parties, performances and a place to sleep. Al’s Grand Hotel was restaged as a fully functioning hotel installed within the fair, with two rooms, and a lobby. Visitors could become guests of the hotel and were allowed to book rooms to spend the night. Public Fiction was included in the 2014 Made in LA Biennial at the Hammer Museum, curated by Michael Ned Holte and Cornelia Butler.
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It was restaged in 1960 with Edward Villella in the title role (Villella recounts his work in recreating the role in his autobiography of the same name). Mikhail Baryshnikov danced it with City Ballet in 1979 and Damian Woetzel danced it at his farewell performance on Wednesday, 18 June 2008.NYCB 2008 Spring Repertory Prokofiev used the music from the ballet to form the basis of the two versions of his Symphony No. 4 composed in 1929 and 1947, respectively.
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Merced's performance in Pregones's play El bolero fue mi ruina [The Bolero Was My Downfall] (1997–2002, restaged 2005) has received significant critical reception. In this one-man show (with live musical accompaniment), Merced portrays two Puerto Rican characters: Loca, an incarcerated transvestite bolero singer, and Nene Lindo [Pretty Boy], her boyfriend, whom she murdered. This Spanish-language play was directed by Rosalba Rolón. It is an adaptation of a short story by the deceased Puerto Rican gay author Manuel Ramos Otero.
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Another notable play of Gunawardana is Madhura Javanika (Joyous Scenes). This drama picks up the period of war between kings Rama and Ravana, noteworthy events in the country's history and the influence of the western invaders on Sri Lankan culture with the dramatized chronicle of the Hingala (Sinhala) people. It continues into modern times where women seek employment in Dubai as housemaids. In 2007 some of his plays were restaged in an attempt to raise funds for reviving public interest about his works.
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Quickly utilizing the limits of the cutting-edge technology of the new opera house, the mammoth production was not without problems. A technical error during early rehearsals broke the house's new turntable, causing the entire production to be restaged with movable scenery units. A large hydraulic pyramid of steel, brass and aluminium dominated the stage with fold up sides that famously trapped Price during the dress rehearsal. The opera was poorly received by the press, and not enthusiastically received by the public (; ).
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Sherman's work is often credited as a major influence for contemporary portrait photographers. One such photographer is Ryan Trecartin, who manipulates themes of identity in his videos and photography. Her influence stretches to other mediums of art including painter, Lisa Yuskavage, visual artist, Jillian Mayer, and performance artist, Tracy Ullman. In April 2014, actor and artist James Franco exhibited a series of photographs at the Pace Gallery called New Film Stills, in which Franco restaged twenty-nine images from Sherman's Untitled Film Stills.
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Easter began working as a professional photographer in 2008, and his photographs have since been featured in Icon, Glamaholic, Yoga Iowa, and DSM Magazine. An exhibit of his at the Polk County Jail in Des Moines, Iowa, titled "Confliction", was later restaged in Paris by UNESCO. He has worked for Wilhelmina Models and NEXT Model Management, and was one of the photographers for the 2012 Obama presidential campaign. In addition to his photography, Easter also works as a yoga instructor.
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SRT caters to different audience segments, ensuring that a variety of performances are available with each season showcasing eight to ten plays and musicals. Forbidden City: Portrait of An Empress is one of the most iconic and successful original musicals staged by SRT in 2002 at the Esplanade - Theatres on the Bay as part of its opening festival. It was restaged in 2003, 2006 and is slated for another restaging in 2017. Other original musicals by SRT include A Twist of Fate (1998).
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In 1993, Abisheganaden sang the lead role of Grizabella in Cats when the hit musical opened in Singapore. In the same year, she hosted the cooking show, Mum's Not Cooking. In 1997, Abisheganaden starred in Dick Lee's musical Hotpants, which was restaged in 2014. In the mid-nineties, actor Lim Kay Tong introduced Abisheganaden to Ying Tan, who signed her to his Groove Note label. Her first jazz album was released in 1998: Here's To Ben – A Vocal Tribute To Ben Webster.
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Trio A with Flags continues to be performed today. On April 22nd and 23rd, 1999, seven dancers performed Trio A with Flags at Judson Memorial Church as part of a benefit to help raise money for the church. Trio A with Flags has also been restaged at the Museum of Modern Art, at the Joyce Theater with the Stephen Petronio Company, and at galas and other benefits to both celebrate and help raise money for institutions such as Printed Matter and Performa.
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He presented his final show on the station on 14 January 2018. Yapp wrote and voiced the new British reality motoring entertainment show Ronnie's Redneck Roadtrip, which was broadcast on Dave in the UK, and Kodi in the US in April 2017. Yapp's newest live show 'One in a Million', from Edinburgh Festival 2016, was restaged at the Soho Theatre in London in June 2017. Starting in November 2017 Yapp narrated the comedy clip show The Hurting broadcast on Dave.
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Her performance was a success, and in the following year she left Paris for London, to become a freelance performer and one of the Royal Ballet's principal guest artists. Her desire to work independently from a company gained her the nickname "Mademoiselle Non". In 1995 Guillem created the dance television program, Evidentia, which won several international awards. In 1998 she staged her own version of Giselle for the Finnish National Ballet, and in 2001 restaged the ballet for La Scala Ballet in Milan.
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A number of works from previous festivals were restaged as a retrospective programme within the festival. Although "131313" was not possible, the tenth birthday of UpStage was celebrated 13 months after 121212, with a mini- festival of three performances and a meeting to discuss the future of UpStage. At this point, UpStage was unfunded and sustained by volunteers and the (also voluntary) work of the AUT student team. The meeting took place physically in Wellington, New Zealand, and online participants joined via UpStage.
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He was also named a Steinway Artist and became Creative Director of the revamped Rediffusion Singapore radio station. In 2014, Lee held a concert, Dick Lee: Celebrating 40 Years In Music, at the Drama Centre. In the same year, a revamped version of his 1997 musical Hotpants was restaged. After his third stint as National Day Parade's Creative Director, Lee will return to helm 2015's golden jubilee show; and he has been tasked to write the next big National Day song.
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For centuries classical ballet has been seen as an elitist art form and has rarely been identified as a form of dance ordinarily performed by African Americans or other minorities. In 1984, Frederic Franklin restaged the traditional European Giselle for the Dance Theatre of Harlem. To many, this restaging was seen as inappropriate and inferior to those based on the 1841 original choreographers, Jean Coralli and Jules Perrot.Gaiser, “Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre if Harlem’s Creole “Giselle,” 269.
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His last composition was for the company's work Nyapanyapa, which premiered in June 2016. Page performed a one-man show of his life story, directed by his brother Stephen, called Page 8, at the Belvoir St Theatre in 1994 and then toured it in Edinburgh and London. He restaged it in 2014 for Bangarra's 25th anniversary. He performed in the Queensland Theatre Company's production of Mother Courage and her children in 2013, and the QTC and Sydney Festival production Black Diggers in 2014.
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Alexander Gorsky choreographed, restaged, and revived many ballets. He created many of his own ballets but it was his restaging of Marius Petipa's ballets that have become more well known. Some say he paved the way for Michel Fokine’s work Scholl, Tim. From Petipa to Balanchine. New York: Taylor & Francis, 1994. 56 Some of Gorsky’s ballets were Gudule’s Daughter (ru: Дочь Гудулы) (a revision of the La Esmeralda), Salammbo, Etudes, Dances of the Nations, Eunice and Petronius, and Love is Quick.
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As a dancer, Bokaer has worked with Merce Cunningham (2000–2007), John Jasperse (2004–2005), David Gordon (2005–2006), Deborah Hay (2005), Tino Sehgal (2008), and many others. He has also interpreted the choreography of George Balanchine as restaged by Melissa Hayden. Bokaer is also a frequent choreographer for Robert Wilson (2007–Present). Bokaer is the author of 30 original choreographies, produced in Belgium, Canada, Cuba, Denmark, France, Germany, Greece, Holland, India, Spain, Switzerland, Thailand, the United Kingdom, and the United States.
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BWV 166 # Rogate, : Wahrlich, wahrlich, ich sage euch, BWV BWV 86 # Ascension, : Wer da gläubet und getauft wird, BWV 37 # Exaudi, : Sie werden euch in den Bann tun, BWV 44 # Pentecost, : Wer mich liebet, der wird mein Wort halten, BWV 59 and Weimar cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 restaged in its first Leipzig version (D major) # Pentecost Monday, : no extant cantataTatiana Shabalina "Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach’s Cantatas" pp.
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Forsyth and Pollard met and began working collaboratively while studying Fine Art and Art Theory at Goldsmiths College, graduating together in 1995. They initially focused on live performance events, but since 2003 their work has been predominantly film and video based. They returned to Goldsmiths in 2002, receiving an MA degree in Fine Art in 2004. They have restaged David Bowie's farewell performance as Ziggy Stardust, a 1973 video work by Vito Acconci (working with rap artist Plan B) and a 1968 work by Bruce Nauman.
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McShine's 1966 exhibition, Primary Structures: Younger American and British Sculptors, at the Jewish Museum was the first museum survey of minimalist art. It included work by artists such as Tony Smith, Gerald Laing, Carl Andre, Donald Judd, Robert Morris, and Sol LeWitt before the term "Minimalism" was used to describe their work. The groundbreaking show was restaged by the Jewish Museum in their 2014 exhibition Other Primary Structures. The show posited for the first time that artist may master design rather than a craft.
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The film was written by the same team who had done Will They Never Come?. Co-writer Phil Gell allegedly wanted to enlist but was asked not to until he had written this film. Some commentators believe Australasian Films were partly motivated to make the movie to ensure government protection of the film industry during the war.Paul Byrnes, 'The Hero of the Dardanelles' at Australian Screen Online The landing at Gallipoli was restaged with one thousand real troops from Liverpool Camp at Tamarama Beach in Sydney.
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Some early works of the company were those choreographed by Nilla Cram Cook for the Revival of the Iranian Ancient Arts Ensemble which were restaged by Cram Cook's former dancers, Nejad and Haideh Ahmadzadeh. Prominent and world-famous ballet dancers from renowned ballet companies of the world were often invited to dance the principal roles of all great classical ballets. In order to keep the high standard of the productions the company relied on guest artists from abroad to perform the leading roles in most work premieres.
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The assistant conductor for this production was also Donato Cabrera. The HD video of the production was later televised nationally on PBS as well, in the Great Performances at the Met series in December 2008. On January 17, 2009, the Met production of the opera was heard on NPR as part of the Saturday afternoon Metropolitan Opera radio broadcasts. Penny Woolcock's production was restaged by the English National Opera in London, February 25 to March 20, 2009 with Gerald Finley reprising his portrayal of the lead.
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A Marriage During the Regency (, ) is a ballet in 2 acts, with libretto and choreography by Marius Petipa and music by Cesare Pugni. The ballet was first presented by the Imperial Ballet on December 18/30 (Julian/Gregorian calendar dates), 1858, at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Principal dancers: Mariia Surovshchikova-Petipa (as the Countess Matilda) and Christian Johansson (as the Count), Timofei Stukolkin, Marfa Muravyova, Anna Prikhunova, and Lev Ivanov. In 1870 Marius Petipa restaged this ballet at the Mariinsky Theatre.
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In 2017, Tewksbury was chosen as a Grand Marshal for the Fierté Canada Pride Montreal. In May 2019, Tewksbury performed an autobiographical one-man show called Belong, which was produced by Wordfest and staged at the DJD Dance Centre in Calgary. The performance was a spin-off of his 2018 staged reading called 50 & Counting at Buddies in Bad Times theatre in Toronto. Belong was then restaged in January 2020 as part of One Yellow Rabbit theatre’s 34th annual High Performance Rodeo in Calgary.
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When Vinogradov became artistic director of the Kirov Ballet in 1977, he fired over half the dancers at the company, and hired younger dancers. Also in 1977, Vinogradov restaged Adams Giselle. He said he tried to "return to Petipas original conception, and to remove the numerous superfluous elements and distortions that have crept in". He worked on this ballet with Soviet historian Yuri Slonimsky who, according to Vinogradov, had access to Petipas original scores which he says made it possible to "rectify many mistakes".
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The group performed her specially commissioned ballet, Environmental Phases, which won acclaim for its originality in the 5th ASEAN Festival of Performing Arts in 1985. Goh collaborated with Anthony Then to produce At The Ballet and Ballet Premiere for the Singapore Festival of Arts in 1984 and 1986. Her first choreography for the Singapore Dance Theatre was Brahm’s Sentiments, which premiered in the company’s second season. In 1990, she restaged Environmental Phases for Singapore Dance Theatre in a celebratory concert for Singapore’s 25th Anniversary.
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Linda Balgord is an American Broadway actress and singer, most notable for playing Norma Desmond in the 1996 United States tour of Andrew Lloyd Webber's musical Sunset Boulevard, being the last actress to portray Grizabella in the original Broadway run of Cats and originating the role of Queen Elizabeth I in The Pirate Queen on Broadway. She has also played the role of Madame Giry in Andrew Lloyd Webber's The Phantom of the Opera, previously in the restaged North American tour, and then on Broadway.
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The play was first tried out in March 1950 at the Bristol Old Vic, where Cannan was acting at the time. A few months later, Laurence Olivier boldly restaged the play – billed as a "traditional comedy" – at the St James's theatre in London, with James Donald in the lead role, opposite Diana Wynyard. It was a great success, although Cannan preferred the Bristol production. "His play shimmers with ideas wittily juxtaposed, and it is funnier than the Crazy Gang", wrote the critic Harold Hobson.
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A Quebec-based company that focuses on women's stories and plays, the Imago Theatre's production of Pig Girl in February 2016 was the first Canadian staging of the play since the Edmonton Theatre Network's staging. In response to the play's previous criticisms, director Micheline Chevrier restaged the violent scenes in an attempt to focus on the characters rather than the violence itself. Talkbacks were held after each performance, and audiences paid for their tickets after the show on a “pay-what-you-decide” basis.
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In 2008, J wrote and directed a play, Silver for Gold (The Odyssey of Edie Sedgwick), which was restaged at REDCAT in Los Angeles in 2011. In 2008 J also released Go Away White with his Bauhaus bandmates and reformed Love and Rockets, who played at Coachella Music & Arts Festival as well as Lollapalooza that same year. 2008 also saw David J contributing lyrics and vocals on a track entitled "Sleaze" for the Dutch band Strange Attractor. This appeared on their album Mettle (2011).
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Gedenke, Herr, wie es uns gehet, BWV 217, a cantata for the first Sunday after Epiphany was probably not composed by Bach. Johann Christoph Altnickol has been named as its possible composer. Herr, wie du willt, so schicks mit mir, BWV 73, the cantata for the third Sunday after Epiphany of the first cycle, was restaged at least two times between 1731 and 1750. Wär Gott nicht mit uns diese Zeit, BWV 14, first performed on the fourth Sunday after Epiphany , latest of Bach's extant chorale cantatas, was added to the chorale cantata cycle.
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" Bob Graham of the San Francisco Chronicle gave the film high marks for the acting as well as the special effects. Stephen Holden from The New York Times wrote, "This version of The Mummy has no pretenses to be anything other than a gaudy comic video game splashed onto the screen. Think Raiders of the Lost Ark with cartoon characters, no coherent story line and lavish but cheesy special effects. Think Night of the Living Dead stripped of genuine horror and restaged as an Egyptian-theme Halloween pageant.
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For that company he staged new works, Wild Boy and Requiem (this time to Andrew Lloyd Webber's music rather than Fauré's), restaged his Romeo and Juliet, and created a new production of The Sleeping Beauty. Despite a serious heart attack in 1988 MacMillan continued to work intensely. In 1989 he made his first new ballet for Covent Garden for five years, a new version of Britten's The Prince of the Pagodas. The company had never found the original 1956 Cranko version satisfactory, and it was neglected during the composer's lifetime.
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Behind her are ONCE composers Mumma, Robert Ashley, Scavarda and Cacioppo, dressed in dark suits and looking like gangsters. The reverse side of the sheet of paper was printed with the program for the festival. According to Robert Ashley the poster was a “tribute to the Judson Dance Theater, which had recently restaged Manet’s Olympia to great critical dislike in The New York Times.” Between 1964 and 1968 Mary Ashley performed occasionally with what would become the Sonic Arts Union, a touring group comprising musicians and composers associated with the ONCE festivals.
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In 1988, Cubitt got his start as a playwright where his play, Winter Darkness, won a Thames Television bursary award that funded a year long writer-in-residence program at the Guildhall School of Music and Drama. During that year, Cubitt wrote and directed The Pool of Bethesda in a production that starred the then Guildhall students Fay Ripley, Naveen Andrews and Peter Wingfield. That production of The Pool of Bethesda won the Thames Television Best New Play and Best Production Awards. It was subsequently restaged at the Orange Tree Theatre with a different cast.
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Ninety-four people died on the day; another person died in hospital days later and the final victim, who had been put into a persistent vegetative state by the crush and had never regained consciousness, died in 1993. The match was abandoned but was restaged at Old Trafford in Manchester on 7 May 1989 with Liverpool winning and going on to win the FA Cup. In the following days and weeks police fed the press false stories suggesting that hooliganism and drunkenness by Liverpool supporters had caused the disaster.
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In October 2016, Rhizome launched Net Art Anthology, a two-year online exhibition devoted to restaging 100 key artworks from the history of net art. One project per week will be restaged and conceptualized through an online exhibition page. Devised in tandem with Rhizome's digital conservation department, Net Art Anthology makes use of the tools Rhizome has developed for preserving dynamic web-based artworks. The project was launched with an artists' panel at the New Museum on October 27, 2016, featuring Olia Lialina, Martha Wilson, Mark Tribe, and Ricardo Dominguez.
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The portrait inspired the famous 1965 novel I, Juan de Pareja by Elizabeth Borton de Treviño. The novel was awarded the children's literary prize the Newbery Medal in 1966. Velazquez's painting reinterpreted by surrealist painter Salvador Dalí in his 1960 work Portrait of Juan de Pareja, the Assistant to Velázquez which is in the collection of the Minneapolis Institute of Art. French-Senegalese artist Iba N'Diaye restaged the Velazquez portrait in his 1985–86 painting Juan de Pareja agresse par les chiens (Juan de Pareja menaced by dogs) .
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Abbey won the Green Room Award, Mo Award and Variety Heart awards for her performance as the lead in Sweet Charity. She also won a Mo Award for playing the lead in Fame the Musical which she also choreographed. She won the Green Room Award for her choreography in Fame and later restaged this show in Asia and South Africa. Abbey played Sheila in the 2003 Australian cast of Hair and Rizzo in an arena production of Grease, and later choreographed an arena stadium tour of Grease – the Arena Spectacular.
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Choreographer Bob Fosse was eager to showcase the talents of star Gwen Verdon, for whom the show had been fashioned, but the material didn't lend itself to big song-and-dance routines. During rehearsals he devised a second act dream sequence that depicted life in a brothel through seductive and suggestive movement, and during its tryout run in New Haven, Connecticut, local police closed the show. Fosse restaged the number at director Abbott's request, but restored the original version soon after the New York City opening.Information from PBS.
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Although somewhat well received, the Nyack production had a rough start. Just a week before opening the show was quickly re-imagined and restaged, having replaced a key member of the creative team.Klein, Alvin. "THEATER; Hit Musical From London Staged in Rockland County" New York Times', February 27, 2000 ;North Shore Music Theatre A slightly re-written production with a script more oriented to Americans opened at the North Shore Music Theatre in the same year as the Nyack production and had the same male lead, Gavin Creel, as Ugly.
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Mayer also protested the erotic flavor of Kelly's "The Pirate Ballet". Garland's rendition of "Love of My Life" was excised, leaving only her reprise of the number near the end of the film. Her show-stopping performance of "Mack The Black" was restaged in a more straightforward musical comedy style. The dancing Nicholas Brothers joined Kelly for the incredible first version of "Be A Clown", but theater owners in the South removed the number from their prints because white audiences wouldn't watch two African-American dancers performing with a white dancer as equals.
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This is one of the rare teleplays from television's Golden Age to be restaged on TV decades later, a Great Performances production on October 24, 1994, with Anne Bancroft and Joan Cusack. The seventh season began September 19, 1954, with E. G. Marshall and Eva Marie Saint in Chayefsky's Middle of the Night, a play which moved to Broadway 15 months later and was filmed under the same title by Columbia Pictures in 1959. A single source suggests that Philco Television Playhouse continued into 1956,Terrace, Vincent (2011). Encyclopedia of Television Shows, 1925 through 2010.
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Sruth na Maoile ("The Sea of Moyle") was first performed in July 1923 and restaged by the O'Mara Opera Company in the cultural by-programme of the Tailteann Games in August 1924. Its story is based on the legend of the Children of Lir, while the music relies on numerous references to Irish traditional music, including the song Silent O Moyle from Thomas Moore's Irish Melodies. A third work, Grania Goes (1924), conceived as a light, comic opera, could not be performed in the years following Irish independence.
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New Moon", Playbill, November 28, 2004, accessed December 1, 2012 it then disappeared for a few decades. One commentator wrote, "What has kept The New Moon from being as familiar as Naughty Marietta or The Student Prince is perhaps its chronological place at the end of operetta's reign over the musical stage. The operetta was restaged faithfully in 1986 by the New York City OperaHughes, Allen. "Operetta: Romberg's New Moon by City Opera", The New York Times, August 28, 1986, accessed December 1, 2012 and was telecast by PBS in 1989.
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Sixty-five million viewers watched the first presentation of Peter Pan,Shales, Tom, "The Timeless Magic of 'Peter Pan'"; The Washington Post, March 16, 1989 garnering a 68.3 audience share that made it the highest-rated episode in the series. The restaged Peter Pan earned a 54.9 share; and The Petrified Forest earned a 50.6 share. The series had this level of success even though its last third aired opposite I Love Lucy, the highest or second-highest rated series on television during the three seasons Producers' Showcase was broadcast.
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Compilations of sketches from these presentations were taken on tour to college venues, and based on audience responses, the best-received sketches were restaged on film with most of the original actors reprising their roles. The news desk satire, including the signature line "Good night, and have a pleasant tomorrow," was later used by Chase for his signature Weekend Update piece on Saturday Night Live, although in the film he does not appear in that segment. Randa Haines, who later directed Children of a Lesser God, was script supervisor.
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Following the original staging by The Royal Ballet, the Ashton/Henze production was later restaged in New York in 1960, and then again at the Teatro alla Scala, Milan on 21 April 2000, a performance conducted by Patrick Fournillier. Other choreographers have used Henze's music, including Youri Vámos for the ballet of the Deutsche Oper Berlin (1987) and Torsten Händler in Chemnitz and the Semperoper Ballett in Dresden, Germany has staged it regularly from 1989 as part of its repertoire using modern design. It was performed at the Volkstheater in Rostock in March 2009.
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DTH would make its European debut at the Spoleto Festival in 1971. The company produced its first full season in 1974. That same year, the company debuted at Sadler's Wells Theatre. In 1984, Dance Theatre of Harlem premiered its most famous work, Creole Giselle (restaged by Frederic Franklin), which was set in the 1840s Louisiana Bayou. In 1988 DTH embarked on a five-week tour of the USSR, playing sold-out performances in Moscow, Tbilisi, and Leningrad, where the company received a standing ovation at the famed Kirov Theatre.
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In 2010, The Necessary Stage published a new anthology of Haresh's plays entitled Trilogy, including the scripts and production notes of three award-winning works, Fundamentally Happy, Good People and Gemuk Girls. The script of Those Who Can't, Teach, which was restaged as part of the 2010 Singapore Arts Festival, was published by Epigram Books. In 2011, a collection of early short plays by Haresh Sharma entitled Shorts I was published by The Necessary Stage. In 2012, two collections of Sharma's scripts were published, one entitled Shorts 2, and the other entitled Plays for Schools.
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The dance is performed in pairs with animated footwork reflecting the rhythm of the guitar and percussion, yet restrained upper body movement. One technique characteristic of the dance is known as bien parado, wherein the dancers stop motion at the end of a section of the music or stanza of text while the instruments continue playing into the next section. Usually the woman dancer also holds castanets. Act I of ballet Don Quixote (classical version choreographed by Marius Petipa and restaged by Alexander Gorsky) includes a Seguidilla dance performed by corps de ballet.
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Classical Polynesia featured emerging Pacific voices in opera and classical music, at the time, including Jonathan Lemalu (bass), Ben Makisi (tenor), Daphne Collins (soprano), Aivale Cole (soprano), violinist Sam Konise and a chorus made up of Pacific youth. The narrative of the work was based on 'One day in the life of a Samoan village.' The music for the work was inspired by the 1960s recordings of Samoan songs made by the Samoan Teachers College and the Samoan composer Tuala Falenaoti Tiresa Malietoa. In 1999, Classical Polynesia was restaged at the Auckland Town Hall.
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This episode contains flashbacks to the events of "Rose", "Aliens of London", and "The Christmas Invasion"; some footage was reused, but most was restaged to be from Elton's point of view. Rose remarks on the Abzorbaloff as being a little bit Slitheen- ish in appearance; the Abzorbaloff states that he comes from Clom, the sister planet of the Slitheen homeworld Raxacoricofallapatorius. Victor Kennedy mentions that Rose's Torchwood files are missing because they were corrupted by a "Bad Wolf virus", referencing both the recurring phrases of the first and second series.
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In 2006, WordTheatre expanded to New York. In the U.K., WordTheatre cast and directed the actors reading the six shortlisted stories for the Sunday Times EFG Private Bank Short Story Award, also known as "the world’s richest short story prize." WordTheatre also headlined the Literary Arena at the Latitude Festival for seven consecutive years and, in 2013, debuted "In the Cosmos" at the Wilderness Festival, featuring a 44-piece orchestra and the "Most Dynamic And Extravagant Act" according to MTV. In 2017, WordTheatre restaged "In the Cosmos" at the Ford Amphitheatre in Los Angeles.
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Its first version, in E major, had been premiered in 1724.BDW and at Bach Digital website No performances of a cantata for the 17th Sunday after Trinity have been identified in Bach's last 20 years in Leipzig. The chorale cantata Herr Gott, dich loben alle wir, BWV 130, for Michaelmas, premiered in 1724, was restaged in a modified version around 1732–35.CH-CObodmer Ms.11625 and BDW / at Bach Digital website (also indicated as BWV 248a) is a fragment of a nameless (Michaelmas cantata), likely first performed in 1734, shortly before its music was almost entirely adopted in the last part of the Christmas Oratorio ()D-B Mus.ms. Bach St 112 VI, Fascicle 1 at Bach Digital website Michaelmas has also been suggested for (the cantata fragment?) Nun ist das Heil und die Kraft, BWV 50, which has however an unclear origin.BDW at Bach Digital website Herr Christ, der einge Gottessohn, BWV 96, a chorale cantata for the 18th Sunday after Trinity, first performed in 1724, was given a repeat performance with a modified orchestration on . The cantata was further restaged around 1746–47.BDW at Bach Digital website Bach's final version of the Reformation Day cantata Ein feste Burg ist unser Gott, BWV 80 may have originated around 1735.
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For her court trial, Moorman and Paik restaged and filmed the first two movements of Opera Sextronique with the filmmaker Jud Yalkut, though the film was not permitted to be shown in court. For the 9th Annual New York Avant Garde Festival in 1972, Moorman performed Jim McWilliam’s A Water Cello for Charlotte Moorman at South Street Seaport, New York City. Other collaborations with Paik focused more on humanizing technology and less on sexualizing music. For example, works like TV Bra for Living Sculpture (1969), in which two small television sets were attached to Moorman's naked breasts while she played cello.
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In 1992, the Royal Exchange, Manchester staged a production directed by Greg Hersov with Jonathan Hackett, Michael Sheen and Kate Byers. After Ivo van Hove's production closed on Broadway, it was restaged by the Centre Theatre Group of Los Angeles with a new cast that included Frederick Weller (Eddie), Andrus Nichols (Beatrice), Catherine Combs (Catherine), Alex Esola (Marco), and David Register (Rodolfo); this cast then toured to the Kennedy Center in Washington. In 2017, van Hove directed the play at the Goodman Theatre in Chicago. Combs and Nichols reprised their roles, joined by Ian Bedford as Eddie.
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The moral of the tale is that success in battle and love are short-lived gifts whereas the cheerful disposition will, as Bournonville himself wrote, always triumph and endure. There is indeed much cheerfulness in this Danish classic which also contains one of Bournonville's most beautiful dance compositions, the pas de deux in Act I, Carelis' declaration of love to Eleonore. This pas de deux received its definitive form when Bournonville restaged the ballet in 1865. Later important productions are Harald Lander's and Valborg Borchesnius' version from 1943, where some scenes were omitted in an attempt to tighten the structure.
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The telecast drew the largest ratings for a single television program up to that time, and was restaged in 1956 and 1960. On January 28, 1956, Elvis Presley made his first televised appearance on Stage Show, while, the same year, musical film The Wizard of Oz starring Judy Garland saw its first telecast on November 3 on CBS. Rodgers and Hammerstein's Cinderella was written for a live television broadcast in 1957 and starred Julie Andrews. In 1957, American Bandstand hosted by Dick Clark debuts, highlighting most of the popular rock and roll acts of the 1950s.
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Forty years after the original broadcasts, Stop Messing About was rewritten for the stage, making an initial appearance at the Rose Theatre, Kingston in January 2009. The production was restaged in the West End at the Leicester Square Theatre in April, running for six weeks. The stage show, penned by Brian Cooke and directed by Michael Kingsbury, was based on selected material from the original radio show alongside a majority of material written by Mortimer and Cooke for other shows. It starred Robin Sebastian as Kenneth Williams, Nigel Harrison as Hugh Paddick, Charles Armstrong as Douglas Smith and Emma Atkins as Joan Sims.
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Directed by P. William Pinto, this darker version of the piece utilized a combination of the original score, unused songs from the concept album, and newer compositions by Jones. In the summer of 2017, The Charlottetown Festival produced a concert version of a completely reworked "Kronborg: 1582" at The Indian River Festival. With new orchestrations by Craig Fair, and starring Aaron Hastelow as Hamlet, Kristen Pottle as Ophelia, Cam MacDuffee as Claudius, Alanna Hibbert as Gertrude, and Connor Lucas as Laertes. The concert was restaged on the Mainstage of The Charlottetown Festival a month later with Adam Brazier as Laertes.
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Jenkins began her early training in dance in her hometown of San Francisco with Judy and Lenore Job, Welland Lathrop, and Gloria Unti. She continued her dance studies at the Juilliard School and the University of California at Los Angeles. During the 1960s she returned to New York and danced with Jack Moore, Viola Farber, Judy Dunn, James Cunningham, Gus Solomons, Jr. and Twyla Tharp’s original company with Sara Rudner. Additionally, In addition, Jenkins was a member of the faculty of the Merce Cunningham Studio for 12 years and in that time restaged his works throughout the United States and Europe.
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Charian and Peace, the two youngest of their Cambodian collaborators, performed a restaged version Grain and collaborated with Eiko & Koma in Quartet, both seen at the American Dance Festival in 2007. Their recent work, Hunger, was co-commissioned by the Walker Art Center and the Joyce Theater for the Joyce’s 25th anniversary and premiered in the fall of 2008. The Walker Art Center also commissioned their 2010 work Naked. In addition to performing in theaters, during the past decade Eiko & Koma have created and presented site-adaptable performance installations at dozens of sites for more than 35,000 audience members.
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In 2003, Singaporean composer Mark Chan, in a co-commissioned project by the Hong Kong Arts Festival and Singapore Arts Festival, did the score for the silent film and productions were staged in each country, featuring live music accompanying the screening of Little Toys. The production was again restaged in Copenhagen in 2005 and in the Shanghai International Arts Festival in 2007. The score by Chan combines both Western instruments, like the piano or cello, and traditional Chinese instruments like the erhu and the gaohu. The production in 2007 was staged in the Shanghai Concert Hall on November 2, 2007.
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Self's work reflects in different ways the themes of community, kinship, and caring. Self co-wrote the experimental opera The Fool with artist Raul de Nieves, which premiered at ISSUE Project Room in 2014 and restaged at The Kitchen in 2017 with a chorus of 22 voices. The project grew out of a community choir Self had been hosting in his home which invited anyone to come sing, motivated by the idea that the voice can be a tool to incite social transformation. He often frames his work as a form of activism, responding to social crises and systems of control.
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The production was restaged with a new cast in Los Angeles in 1990. A few of the artists Hudson performed with in 2006 are Ronnie Hawkins, the Sadies, Neko Case, Heavy Trash, John Hiatt, the North Mississippi All-Stars, Blackie and the Rodeo Kings, and Chris Zaloom, some of which were recorded. Hudson and his talent on piano are prominently featured in the 2007 Daniel Lanois DVD documentary Here Is What Is. In 2010, Hudson released Garth Hudson Presents: A Canadian Celebration of the Band. The album features Canadian artists covering songs that were recorded by the Band.
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Many live television specials were telecast during the pre-videotape era. Among the most successful were the 1955 and 1956 telecasts of Peter Pan, a 1954 musical adaptation of J. M. Barrie's 1904 play, starring Mary Martin, and Cyril Ritchard. This was such a hit that the show was restaged and rebroadcast (this time on videotape) with the same two stars and most of the rest of the cast in 1960, and rerun several times after that. The Peter Pan telecasts marked the first-ever telecasts of a complete Broadway musical with most of its original cast.
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The ballet was restaged by George Balanchine and Jerome Robbins in 1970 for the New York City Ballet with elaborated scenery by Chagall, and with new costumes by Karinska based on Chagall's for the 1972 Stravinsky Festival that introduced Gelsey Kirkland as the Firebird.The 1970 restaging uses only the 1945 suite as accompaniment, as indicated by a program note whenever the work is performed. In 1970 Maurice Béjart staged his own version in which the ballet's protagonist was a young man who rose from the ranks of the revolutionists and became their leader. The lead role was danced by Michel Denard.
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Aellen's Square One (1985), a one-act comedy, was performed at a festival of one-act comedies in the Intar Theater in New York City as part of the Manhattan Punch Line Festival but did not generate much excitement. More successful was his Farmers of Men, which won the 2006 Stanley Drama Award. NOBODY premiered in 2008 at the Southern Writers' Project Festival of New Plays, presented by the Alabama Shakespeare Festival, to critical acclaim. Revised after comments by audience and critics, a reading of the play with the addition of music was restaged in 2009.
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The play examined the oppression of Aboriginal Australians and highlighted the effects of government policy on the forced removal of children from their parents and culture. Tjindarella was also performed at the Adelaide Fringe Festival in 1984. Johnson was writer/director of the First National Black Playwrights' Conference in Canberra, 1987, from which the Aboriginal National Theatre Trust was developed. In 1989 Johnson's play Mimini's Voices was produced by the Magpie Theatre Company in Adelaide and later restaged in 1990 as part of the Hiroshima Arts festival in Japan where it won the Festival Peace Prize awarded by the Lord Mayor of Hiroshima.
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Producer Louis de Rochemont was originally to have worked on the film under contract with Metro-Goldwyn-Mayer. Because they could not agree on how to treat the story, with de Rochemont insisting on working "in the style of a restaged newsreel", he mortgaged his home and developed other sources of financing so he could work independently. Its status as an independent production led some theaters and audiences to view it as an art film, and art houses proved significant in the film's distribution. De Rochement recruited local townspeople and found a local pastor to play the role of the minister.
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The next year, 1947, he was invited to join the Sadler's Wells Ballet, as male dancers were in short supply in postwar London. In 1949, he was promoted to soloist and was encouraged to pursue his choreographic interests, whereupon he restaged L'Île des Sirènes for a tour by Margot Fonteyn and Robert Helpmann, the stars of the company. As a dancer, he toured the United States and Canada with the company but made no mark as a performer. As a choreographer and producer, however, he was more successful, making several ballets for the Sadler's Wells Theatre Ballet that were well received.
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1900 Summer Olympics cricket match The one and only appearance for cricket at the Olympic Games took place in 1900, with the French team losing the only match played, and thus remaining the reigning silver medal holders to this day. The French team however, consisted solely of British residents in Paris, members of the Standard Athletic Club. The Standard Athletic Club restaged the 1900 Olympic Cricket match in 1987, and France played the MCC in Meudon in 1989. In 1910, France took part in an exhibition tournament in Brussels, also involving the MCC, the Netherlands and Belgium.
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TFS was also commissioned to stage a successful production entities Old Flames as part of the 2013 My Queenstown Festival. In January 2014, TFS was featured at the M1 Singapore Fringe Festival 2014: Art & the People, in Singapore's first seniors forum theatre production entitled Take Me or Leave Me!. One of the two plays in the production, Void Deck, is to be restaged as part of Passion Arts Festival 2014. The Necessary Stage has also worked with various non-governmental organisations, statutory boards and government ministries to present works dealing with specific issues to the public.
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Bonesteel, Michael. "Medium Cool: New Chicago Abstraction," Art in America, December 1987, p.138–47. Maureen Sherlock suggested that Ledgerwood's canvasses restaged domestic, "demure and private gestures" in powerful, public form through their highly charged synthetic colors (pinks, roses, reds), which evoked female domains (cosmetics, the body, interior design), and intimate markmaking (dabs, finger-painting), which deflated the mythic power and profundity of Abstract-Expressionist gesture. David Pagel described the work as orchestrating a "double-sided viewing" that "surreptitiously traced the power of American abstraction back to nature" and played havoc with simplistic oppositions such as abstract/representational, pure paint/illusionism, culture/nature.
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In 2017 it gone to auction again. It is said that the necklace in the painting, with 365 pearls, one for each day of the year, was a present from the husband, begging forgiveness for his many affairs. Franca Florio, regina di Palermo is the title of a full-length narrative ballet in two acts, with music by Lorenzo Ferrero and scenario, choreography and staging by Luciano Cannito. A commission by the Teatro Massimo in Palermo, the work premiered there on 22 November 2007 with Carla Fracci in the title role, and was restaged in June 2010.
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" The "kiddie camp" connoisseurs at KiddieMatinee.com described the film writing, "The Princess and the Magic Frog (1965), produced and released originally as At the End of the Rainbow, is a fascinating (albeit threadbare) U.S. fantasy film, very much in the spirit of similar mid-1960s Kiddie Matinee indie product such as Santa Claus Conquers the Martians, The Magic Christmas Tree and Jimmy, the Boy Wonder. [...] (O)ne wonders if 60's tots would have found this odd fairy tale engaging or excruciating. It looks more than anything like a children's theatre production restaged out in the dull woods.
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The duo parted company for a short time, and Šlitr put on a new play Ďábel z Vinohrad (The Devil from Vinohrady). Meanwhile he exhibited his drawings in Wiesbaden, Dortmund, and New York City. In 1967 he attended Expo 67 in Montreal, where he presented the show "Stars of Prague", and during his stay in America he exhibited drawings in Hollywood and Houston. In 1968 he reunited with Suchý and after the events of the Prague Spring he restaged his earlier work The Devil from Vinohrady as a pointed response to the Soviet invasion of Czechoslovakia.
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Ice Theatre commissioned two original works from her and she restaged Jean Pierre Bonnefoux's work Ice Moves for the Company. She has also appeared in shows such as An Evening with Champions, the Equal Challenge of Champions and the Vail Figure Skating Festival. She taught on the faculty of the Valentina Kozlova Dance Conservatory of New York (New York City) until June, 2008. In January 2008, she won the Outstanding Choreography Award at the Dance Educators of America Semi-Final Competition in New York City for the ensemble piece "Por Una Cabeza" she choreographed for the advanced students at VKDCNY.
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Bidlo worked from 1989 to 1990 on a NOT Giorgio de Chirico series of oil paintings that were exhibited in Paris at the Daniel Templon Gallery. Also in 1989 Bidlo restaged, “NOT Andy Warhol, Bonwitt Teller Windows” at the Grey Art Gallery, New York University in the “Success is a Job in New York” exhibition. In 1991 Mike Bidlo, Manuel O’Campo and Andres Seranno were shown together at the Saatchi Collection, in London, and Bidlo created his first version of the Warhol “Pasadena Brillo Boxes,” as an artist in residence at the University of California, Fullerton.
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Directed by Jean Negulesco, it departs considerably from the original scenario of the ballet. The unit set, which was designed to conform to Hollywood's idea of elegant architecture, including a typical "stairway to nowhere," bears no resemblance to a room in a Parisian nightclub or café of the Second Empire. Many costumes were redesigned to be somewhat more modest than those seen on the ballet stage, but they were realized in startlingly garish colors to take advantage of the Technicolor process. Further, Massine cut much of his choreography to achieve the desired twenty-minute length and restaged what was left for the movie camera.
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In 1948, Vollmar was invited by George Balanchine to dance as a principal with New York City Ballet during its inaugural year. After the New York City Ballet, Vollmar also danced with the American Ballet Theatre and Grand Ballet du Marquis de Cuevas (the precursor of the Grand Ballet de Monte Carlo). Vollmar was invited by Edouard Borovansky, the former Ballets Russes dancer, to dance with the Borovansky Ballet, the precursor of the Australian Ballet, in 1954, where she stayed for two years. While in Australia, Vollmar danced leading roles in Giselle, Les Sylphides, The Nutcracker and several ballets restaged from the Ballets Russes repertoire, including Petrushka.
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A statue by Ivan Schwartz, Stuart Williamson and Jiwoong Cheh depicting Lincoln with a horse modeled on Old Bob was installed in 2008 at President Lincoln's Cottage at the Soldiers' Home in Washington, D.C. The sculptors studied a photograph of Old Bob in designing the statue, which depicts an American Standardbred saddled for riding. During the 2015 sesquicentennial observances of Lincoln's death, the cortège was restaged in Springfield. Glory, a horse used by Daniel Day-Lewis in the 2012 film Lincoln, was used to represent Old Bob. The same year, Bunker Hill Publishing published a children's book by Trudy Krisher, An Affectionate Farewell: The Story of Old Abe and Old Bob.
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Klein, Alvin. "Theater Review:The Good News: 'Big' Is Back" The New York Times, August 20, 2000 The show had a US National tour, directed by Eric D. Schaeffer starring Jim Newman and Jacquelyn Piro Donovan, which began in September 1997 in Wilmington, DE. It was "restaged and largely rewritten for the road".Hughes, David-Edward."Big Changes For Seattle's Big Premiere Tonight at the Paramount" playbill.com, February 17, 1998 Reviews were sharply divided on the musical, but not on the 1998 US National tour, which was a hit after much rewriting from authors, John Weidman (book), Richard Maltby, Jr. (lyrics), and David Shire (music).
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For his 25th anniversary in 2008, STAR RECORDS, the music arm of ABSCBN, released GV 25, a compilation of songs he composed and recorded sung by music stars of the Philippines like Sharon Cuneta, Rachel Ann Go, Martin Nievera, Piolo Pascual, Jed Madela, Erik Santos, and Christian Bautista. For his 30th anniversary in 2013, his concert ARISE, which was originally staged at the Araneta Coliseum for two nights and restaged at the MOA ARENA to a jam-packed audience, won as PMPC's Best Concert of the Year. His album With You won the Best Inspirational Album for the same year at the Catholic Mass Media Awards.
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They danced together numerous times - The Sleeping Beauty and the Black Swan Pas de deux - in France, Italy, and Israel (Ballet Today April 1964). She also danced with the Grand Ballet Classique de France and the London Festival Ballet (1963–64) before moving to New York where she performed at Radio City Music Hall and on Broadway. In 1969, the ballet choreographer Antony Tudor suggested Ms. Melikova join the dance faculty at The Juilliard School. She was a gifted teacher and taught there for 26 years where she choreographed and directed Vivaldiana (March 1985) and restaged the Pas de trois from George Balanchine's Paquita.
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In the earliest years, the program was hosted by "The Man in Black" (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr. One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number", about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960)—each time with Moorehead. The popularity of the episode led to a film adaptation in 1948.
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In 1949 he choreographed for the experimental Ballets des Champs-Élysées. Taras staged the Spring Symphony for the San Francisco Ballet and Designs with Strings to music of Tchaikovsky for the Metropolitan Ballet in Edinburgh in 1948, from which time until 1959 he was choreographer and balletmaster for the Grand Ballet du Marquis de Cuevas. Among the ballets he made for that company was Piège de Lumière from 1952 (which he restaged for New York City Ballet in 1964). He choreographed Fanfare for a Prince as a pièce d'occasion at the Monte-Carlo Opera for the 1956 marriage of Prince Rainier and Grace Kelly.
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It became a grade II listed building as of 2011 and was placed on the heritage at risk register in 2015. A campaign is currently underway to restore the control tower which has received local and national press coverage. This is being led by Tangmere Tower Community Interest Company, who restaged 'The Eisenhower Dinner' at the Chichester Harbour Hotel in 2019 to mark the 75th anniversary of General Eisenhower's original meal in 1944. The CIC are working with the local Aviation Museum, the University of Chichester and Sussex Police and with their architect have submitted a planning application for phase one of the project.
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Ko received a master’s in Musical Theatre Writing at New York University's Tisch School of the Arts. His musical Heading East, with book and lyrics by Robert Lee, won the 2001 Richard Rodgers Development AwardThe Cambridge Companion to the Musical (Cambridge Companions to Music) (Cambridge University Press, 2008), p290 American Academy of Arts and Letters and was restaged in New York in 2010 in the form of a concert presentation.Playbill.com - News , Andrew Gans, 4 May 2010, accessed 27 Aug 2013 His works have been performed at Carnegie Hall, as well as on Public Broadcasting Service (PBS), where he wrote songs for the children series The Puzzle Place.
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David John Haskins (born 24 April 1957, Northampton, Northamptonshire, England), better known as David J, is a British alternative rock musician, producer, and writer. He was the bassist for the gothic rock band Bauhaus and for Love and Rockets. He has composed the scores for a number of plays and films, and also wrote and directed his own plays, Silver for Gold (The Odyssey of Edie Sedgwick), in 2008, which was restaged at REDCAT in Los Angeles in 2011, and The Chanteuse and The Devil's Muse in 2011. His artwork has been shown in galleries internationally, and he has been a resident DJ at venues such as the Knitting Factory.
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King wrote the first act in 1942 under the title Moon Madness, with the final act completed in 1943. His play was first staged by Henry Kendall at the Peterborough Rep in 1944 prior to a British tour as an entertainment for the troops, under the auspices of ENSA.Richmond Theatre programme CV, February 2006 Henry Kendall's production, re-cast and restaged, was then presented by producer Jack de Leon at his Q Theatre, close to Kew Bridge, as Christmas entertainment opening on 21 December 1944. It then transferred – with one change of cast – to the Comedy Theatre, opening to rave reviews on 4 January 1945.
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The performance was recorded and issued on CD. The production was called the most important new work of the year 1998 ("zum wichtigsten neuen Werk des Jahres 1998") by German opera critics. Amagatsu's staging of Tri sestry was restaged in the 2001–2002 season at the Théâtre du Châtelet in Paris, Théâtre Royal de la Monnaie in Brussels, Opéra National de Lyon, and the Wiener Festwochen in Austria in 2002. It became an opera played at several European opera houses including the Vienna State Opera in 2016 and the Oper Frankfurt, where it opened the 2018/19 season. It was conducted in Frankfurt by Dennis Russell Davies and Nikolai Petersen.
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Reginald Gray, 2010 Baz Luhrmann produced the opera for Opera Australia in 1990 with modernized supertitle translations, and a budget of only A$60,000. A DVD was issued of the stage show. According to Luhrmann, this version was set in 1957 (rather than the original period of 1830) because "...[they] discovered that 1957 was a very, very accurate match for the social and economic realities of Paris in the 1840s." In 2002, Luhrmann restaged his version on Broadway, the production won two Tony Awards out of six nominations; for Best Scenic Design and Best Lighting Design as well as a special award, the Tony Honor for Excellence in Theatre.
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Much of Apollo's TV footage was restaged using special effects sculptures that Sachs made himself, including ones that reproduced the Saturn V takeoff, the moon landing, and the reentry of Apollo's capsule in Earth's atmosphere.Sachs 2008: 15 Sachs continues to work on developing the Space Program, noting after the exhibition in 2008, "The Space Program continues in full force... Such is the nature of improvised construction technique.".Sachs 2008: 18 After collecting twelve pounds of "moon rock", he named each significant piece and encased them in carefully constructed display boxes, like with Florida. In addition, Sachs allows followers to download an up-to-date "Moon Rock Report" that includes detailed information on each collected sample.
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Page about in pieces (Fumiyo Ikeda and Tim Etchells, 2010), on the website of the KaaitheaterPage about in pieces (Fumiyo Ikeda and Tim Etchells, 2010), on the website of Monty Together with the Japanese dancer Un Yamada, she created in 2014 the dance duet amness, with organ music by Johann Sebastian Bach being played by the saxophonists of the Bl!ndman ensemble.Page about amness (Fumiyo Ikeda and Un Yamada, 2014), on the website of STUK In the same year she also created the production Cross Grip with the Japanese dancers Llon Kawai, Ayaka Azechi, Kota Kihara and the percussionist Kuniko Kato.My words, a blog by Fumiyo Ikeda Nine Finger (2007) was restaged in 2016; Stijn Opstaele replaced Benjamin Verdonck.
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It was first staged on 10 February 1871 at the Theater an der Wien in Vienna, Austria. It was initially granted a warm reception by Vienna's theatre-going public, but the press was more divided in opinion. Typical published reactions were: "It consists of dance music on which Strauss has overlaid text and characters ... A man of Strauss' reputation should never have allowed his name to be associated with such a venture ... It is an interesting production and is a foretaste of great things to come." The work was successfully restaged in Paris in 1875 under the title Queen Indigo, then, rechristened A Night on the Bosphorus, it was presented in London in 1876.
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Ballets Russes de Monte-Carlo in Sydney, 1936–1937 The Firebird has been restaged by many choreographers, including George Balanchine and Jerome Robbins (co-choreographers), Graeme Murphy, Alexei Ratmansky, and Yuri Possokhov. The ballet was revived in 1934 by Colonel Wassily de Basil's company, the Ballets Russes de Monte-Carlo, in a production staged in London, using the original decor and costumes from Diaghilev's company. The company subsequently performed the ballet in Australia, during the 1936–37 tour. The work was staged by George Balanchine for the New York City Ballet in 1949 with Maria Tallchief as the Firebird, with scenery and costumes by Marc Chagall, and was kept in the repertory until 1965.
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With Jason Donovan in the lead, the expanded show was restaged in 1991 at the London Palladium with Steven Pimlott as director and Anthony Van Laast as choreographer, winning the 1992 Laurence Olivier Award for set design. The cast album of this production was the #1 UK album for two weeks in September 1991, and the single "Any Dream Will Do" from it was also the #1 UK single for two weeks in June–July 1991. When Donovan left, former children's TV presenter Phillip Schofield portrayed Joseph. The musical opened in Toronto at the Elgin Theatre in June, 1992 until September that same year, with Donny Osmond as Joseph and Janet Metz as the Narrator.
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After a 1979 trip to Fiji Preston began to incorporate forms and materials from Pacific adornment, including the use of shell, coconut shell and fibre, into his work. In 1983, Preston and fellow jeweller Warwick Freeman were asked by James Mack, then director of The Dowse Art Museum, to select items from the Auckland Museum's collection for a 1984 exhibition at The Dowse titled Pacific Adornment. Preston was one of twelve jewellers selected for the landmark 1988 Bone Stone Shell exhibition, developed by New Zealand's Craft Council for the Ministry of Foreign Affairs and shown in Asia, Australia and New Zealand. The exhibition was restaged at the Museum of New Zealand Te Papa Tongarewa in 2013.
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In a recent (2002) restaging of the Rainhill Trials using replica engines, neither Sans Pareil (11 out of 20 runs) nor Novelty (10 out of 20 runs) completed the course. In calculating the speeds and fuel efficiencies, it was found that Rocket would still have won, as its relatively modern technology made it a much more reliable locomotive than the others. Novelty almost matched it in terms of efficiency, but its firebox design caused it to gradually slow to a halt due to a buildup of molten ash (called "clinker") cutting off the air supply. The restaged trials were run over the Llangollen Railway, Wales, and were the subject of a 2003 BBC Timewatch documentary.
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Hudson contributed an original electronic score to an off-Broadway production of Dragon Slayers, written by Stanley Keyes and directed by Brad Mays in 1986 at the Union Square Theatre in New York, which was restaged with a new cast in Los Angeles in 1990. In 2010, Hudson released Garth Hudson Presents: A Canadian Celebration of the Band, featuring Canadian artists covering songs that were recorded by the Band. In 2012, Jim Weider launched the Weight Band, performing covers of the Band's music, alongside former members of the Levon Helm Band and Rick Danko Group. Recently, the Weight Band performed in a nationally broadcast PBS special, Infinity Hall Live, featuring new music.
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Franca Florio, regina di Palermo is a full-length narrative ballet in two acts, with music by Lorenzo Ferrero and scenario, choreography and staging by Luciano Cannito. A commission by the Teatro Massimo in Palermo, the work premiered there on 22 November 2007 with Carla Fracci in the title role, and was restaged in June 2010. Set in Sicily, the story is based on the life of Franca Jacona Notarbartolo di San Giuliano (1873-1950), a famous Sicilian aristocrat whose beauty inspired many artists, musicians, and poets during the Belle Époque, who retraces the highlights of her life from her retreat on the island of Favignana. Her past is explored chronologically, by means of extensive flashbacks of events.
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The work offers "a memorial combining privacy with a sense of loss and entrapment." In 2015—twenty years after its first exhibition—, the work was restaged in the basement of a historic building in New York, organized by Protocinema, a nonprofit arts organization based in Istanbul and New York. The Closet (1997) is a three-room installation where the artist recreates a domestic setting against a background of the 1980s Turkey under a military dictatorship. Darkened with thick curtains, a dining room features a radio that narrates a football match and a news broadcast; a bedroom hosts a desk and schoolbooks of the period; and a closet presents a stack of vintage clothing.
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In 1984 Bidlo took a studio in a former blood bank building in Times Square where the other artists were Jiri George Dokoupil, Donald Baechlor, Philip Taffe, James Brown and Christian Marclay. It was there that he created a series after Franz Kline's seminal black and white abstractions, to scale. Between 1984 and 1985 he also painted Margritte's icon “Ceci n’est pas une pipe” and he recreated Man Ray's masterpiece, “A l'Heure de l'observatoire: Les amoureux,” (to scale). Years later in 1989 Bidlo restaged a photograph of Man Ray's black and white photograph, showing the naked back of a beautiful woman stretched out on a couch in front of the painting hanging on the wall.
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That same year, her father revived and restaged La Fille du Danube for Marie's benefit performance on the 20 December 1837 and the revival was a tremendous success. One critic wrote: Marie Taglioni performed in La Fille du Danube for the final time in St Petersburg in 1842, a week before her final performance in Russia. La Fille du Danube was to be one of the two ballets by Filippo Taglioni to survive in Russia following the departures of both the balletmaster and his daughter from the country, the other being La Sylphide. In 1880, at the request of Tsar Alexander II, who had seen Marie Taglioni in the ballet, La Fille du Danube was revived by Marius Petipa for the Prima Ballerina, Ekaterina Vazem.
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Velasquez at an event for Jollibee in 2015 Following "Silver"'s cancellation, Velasquez restaged the concert on January 5, 2013. The concert received generally favorable reviews; Manila Bulletin Jojo Panaligan called it a "redemption of reputation", while Dolly Anne Carvajal of the Philippine Daily Inquirer said Velasquez did not fail to make up for the initial cancellation of the show. The following month, she co-headlined in "Foursome" alongside Alcasid, Fernandez, and Nievera. For both of these shows, Velasquez received four nominations at the 5th Star Awards for Music, winning Best Female Major Concert Act for "Silver" and Concert of the Year for "Foursome". In November 2013, Velasquez's album Hulog Ka Ng Langit was released; it received a platinum certification for two-week sales of 15,000 copies.
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By the 1970s the combination of Helpmann and Ashton in comic drag as the Ugly Sisters in Ashton's Cinderella had become a much-loved institution at Covent Garden in various revivals since its 1948 premiere.Anderson, p. 99; Salter, pp. 217 and 222; and Sorley Walker (1998c), p. 422"Cinderella" , Royal Opera House performance archive. Retrieved 29 May 2019 In 1972 Helpmann succeeded in getting Ashton to join him for a production by the Australian Ballet, but despite Helpmann's urging, Ashton never created a new work for the company, although he restaged his La fille mal gardée for them.Sorley Walker (1998c), pp. 429–430 Helpmann's biographer Elizabeth Salter comments that 1974 was "a year of disaster" for both directors of the Australian Ballet.
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Burl Ives and Eddie Dowling later took over the role of Ben Rumson.Cullen, Frank; Hackman, Florence; McNeilly, Donald. "James Barton" Vaudeville, old and new, Psychology Press, 2007, , p.77 De Mille later restaged the dances as a stand-alone ballet, Gold Rush."Music: Testing a Hunch" Time Magazine, October 26, 1953 The West End production opened on February 11, 1953 at Her Majesty's Theatre and ran for 477 performances."Chronology, 1953". Guidetomusicaltheatre.com, accessed January 19, 2011 It starred real life father and daughter Bobby Howes and Sally Ann Howes.Green, Stanley. "Howes, Sally Anne" Encyclopedia of the Musical Theatre, Da Capo Press, 1980, , p. 200 The Australian production opened on November 27, 1954 at Her Majesty's Theatre in Melbourne, with Alec Kellaway as Ben.
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Abstract; full article requires fee. This 1956 broadcast was shown as CBS's response to the successful color telecast of the Broadway musical Peter Pan with Mary Martin, which had been restaged especially for TV at NBC Studios as part of the anthology series Producers' Showcase. Peter Pan had first been shown live on TV by NBC in 1955, and been repeated (again live) by public demand in 1956. Its enormous success on television ushered in a temporary "fad" of mostly live family-oriented specials based on fantasy tales, such as Aladdin (1958), Alice in Wonderland (1955) (a live-action version), Rodgers and Hammerstein's Cinderella (1957), The Pied Piper of Hamelin (1957), and Pinocchio (1957, no relation to the Disney film).
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After attending Swansea University, he taught in the East End of London during the 1960s, at South Bristol College and the Castle School, Thornbury (1969 to 1971), before taking up music full-time in the 1970s. Wedlock was a regular performer at the Bristol Troubadour Club and he played the folk circuit, both prior to, and in the wake of, his single chart success, with performances at clubs and festivals all over the world. He also presented many programmes on West Country TV. In 1997 Wedlock took a leading role in Bristol Old Vic's production of Up the Feeder, Down the Mouth, a theatrical history of Bristol Docks, written by A. C. H. Smith. In 2001 the production was restaged on the waterfront.
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At the time, he was in the process of divorcing his Jewish wife, Hettie Jones, and embracing Black Nationalism. Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it.Davidson, Jiton Sharmayne, "Sometimes funny, but most times deadly serious: Amiri Baraka as political satirist", African American Review, 37.2-3, Gale Group, Summer-Fall 2003, accessed April 19, 2011. The play was revived in 2007 at the Cherry Lane Theatre starring Dulé Hill, and in 2013 was restaged by Rashid Johnson at the Russian and Turkish Baths in the East Village.Randy Kennedy, "A Play That’s Sure to Make You Sweat - Baraka’s ‘Dutchman’ to Be Staged in a Bathhouse", The New York Times, October 31, 2013, accessed October 31,2013.
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In October 1992, Tan sent in a letter of appeal to the licensing unit and the play was passed clean, a beneficiary of the revised guidelines proposed by the Censorship Review Committee. First staged by TheatreWorks from January to February 1993, directed by Ong Keng Sen and starring actors Lut Ali, Lim Kay Tong and Jacintha Abisheganaden. Reviewing the play for The Straits Times, theatre critic Hannah Pandian called it "a watershed in Singapore theatre: it is arguably the first English play to present the country critically and artistically, without hiding behind coy allegory". The Lady of Soul and Her Ultimate 'S' Machine will be restaged in 2015 as part of the Esplanade – Theatres on the Bay' celebrations of Singapore's Golden Jubilee.
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Colonel Frank Capra (right) confers with Captain Roy Boulting of the British Army Film Unit on the editing of the film in February 1944 The film was intended as a follow-up to the successful British documentary film Desert Victory (1943). Frederic Krome's article "Tunisian Victory" and Anglo-American Film Propaganda in World War II from The Historian details the acrimony between the British and US film makers on the project. Most of the actual American combat footage taken during Operation Torch was destroyed when the ship carrying it was sunk, requiring many "battle scenes" to be reshot in the U.S. by director John Huston. Huston restaged several battles and liberations to achieve high quality footage, even going so far as to film some air battle scenes (in the Mohave Desert) and in Orlando, Florida.
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The Opéra-Comique staged the first performances of such important French works as Berlioz's The Damnation of Faust (1846), Thomas' Mignon (1866), and Bizet's Carmen (1875). In the latter part of the century the theatre revived works it had made its own, restaged works from the repertoire of the Théâtre Lyrique (which had closed in 1872) and premiered new pieces, such as Offenbach's Les Contes d'Hoffmann (1881); Delibes' Lakmé (1883); Massenet's Manon (1884), Esclarmonde (1889), and Werther (French premiere in 1893); and Charpentier's Louise (1900). A fire at the Salle Favart on 25 May 1887 resulted in the death of 84 people by asphyxiation. The building was destroyed and the director Léon Carvalho was forced to resign, although later he was acquitted of blame and resumed the helm at the company from 1891 to 1897.
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Organizers choreographed ethnographic displays, having customs which marked special occasions restaged day after day. Some of the people to be exhibited died en route or at the fair; bodies were immediately removed, and funeral rites had to be conducted without the bodies, in front of an oblivious public audience of fair attendees. It has been argued that the "overriding purpose of the fair really centered on an effort to promote America's new role as an overseas imperial power", and that "While the juxtaposition of "modern" and "primitive" buttressed assumptions of racial superiority, representations of Native American and Filipino life created an impression of continuity between westward expansion across the continent and the new overseas empire." Racializing concepts and epithets used domestically were extended to the people of the overseas territories.
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There she met Johnny Otis and Little Esther Phillips who created her stage name, Linda Hopkins. In 1952, Hopkins toured Hawaii and Japan for two years which included a stint with Louis Armstrong at The Brown Derby in Honolulu. She recorded for the Crystalette, Forecast, Federal and Atco labels and often appeared at the Apollo Theatre in Harlem. In 1960, Hopkins first toured Europe in the Broadway Express, the restaged production of Jazz Train. She recorded "Shake a Hand" with Jackie Wilson on the Brunswick label, which is her sole hit single reaching #21 on the US Billboard R&B; chart. She also recorded "I Found :Love" and "There's Nothing Like Love" with him on Brunswick in early 1962. She attended Stella Adler's Acting School in New York City.
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Although Potter only produced one play exclusively for theatrical performance (Sufficient Carbohydrate, 1983 – later filmed for television as Visitors in 1987), he adapted several of his television works for the stage. Vote, Vote, Vote for Nigel Barton, which featured material from its sister-play Stand Up, Nigel Barton, was premiered in 1966, while Only Make Believe (1973), which incorporated scenes from Angels Are So Few (1970), made the transition to the stage in 1974. Son of Man appeared in 1969 with Frank Finlay in the title role (Finlay would also play Casanova in Potter's 1971 serial) and was restaged by Northern Stage in 2006.Mark Fisher "Son of Man", Variety, 24 September 2006 Brimstone and Treacle was adapted for the stage in 1977 after the BBC refused to screen the original television version.
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Poster for Infecting the City 2008 ITC 2009 was held from 26 February until 2 March 2008. The theme for 2008: TIME The Spier Performing Arts Festival – Infecting the City – launched in Cape Town in February 2008 with the intention to "infect the city with performance that captures the complexities of our daily lives... The underlying intention is to feature works that bravely take on new ways of expression, of collaboration disciplines, and of integrating the classical and the contemporary".Brett Bailey and Jay Pather, Curators The programme included commissioned new works (Dreamtime, I am Cinnamon), existing works relocated and restaged (Not with My Gun, Isivuno sama Phupha (Harvest of Dreams), Transport Exceptionnels, Misterios Da Actualidade) collaborative projects (An Order of Passage, 22 mins 37 sec, Waking Time), Talking Heads, and a workshop series.
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In 2010, The Necessary Stage published a new anthology of Haresh's plays entitled Trilogy, including the scripts and production notes of its three award-winning works, Fundamentally Happy, Good People and Gemuk Girls. In 2011, two collections of short plays by Haresh Sharma entitled Shorts 1 and Shorts 2 were published by The Necessary Stage. The script of Those Who Can't, Teach, which was restaged as part of the 2010 Singapore Arts Festival, as well as Model Citizens, have also been published by Epigram Books. A collection of plays entitled Plays for Schools with plays targeted at educators and students was published in late 2012. The Necessary Stage's recent collection of plays is entitled Don’t Forget to Remember Me, dealing with medical issues and launched at the Singapore Writers Festival in November 2013.
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Brandon Joseph noted, "the Orchard 'project' treaded a fine—and perhaps ultimately impossible—line between self- reflexivity and (to use a barbaric neologism) self-complicity, which could veer at times into self-promotion." Orchard's program focused on, "thematically, conceptually and politically driven group exhibitions and projects," according to the space's website. Orchard restaged or produced unrealized projects by Michael Asher, Andrea Fraser with Allan McCollum, Dan Graham, and Lawrence Weiner. Orchard has also presented historical works by Daniel Buren, Luis Camnitzer, Juan Downey, Hans Haacke, Roberto Jacoby, Adrian Piper, Anthony McCall and Martha Rosler, as well as new works by Martin Beck, Merlin Carpenter, Nicolás Guagnini, Jutta Noether, Josiah McElheny, Lucy McKenzie, Blake Rayne, Stephan Pascher, Jeff Preiss, R. H. Quaytman, Karin Schneider, and Jason Simon, among others.
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In 1989, Michael Shannon was the first American ballet dancer to graduate from the Bolshoi Ballet Academy and join the Bolshoi Ballet company."American Michael Shannon Joins the Bolshoi Ballet"- LATimes Article, November 18, 1989; Despite staging many famous ballets, it struggled to compete with the reputation of the Imperial Russian Ballet, today's Mariinsky Ballet of St. Petersburg. It was not until the appointment of Alexander Gorsky as Ballet Master in 1900 that the company began to develop its own unique identity, with acclaimed productions of new or restaged ballets including, Don Quixote (1900), Coppélia (1901), Swan Lake (1901), La fille mal gardée (1903), Giselle (1911), Le Corsaire (1912) and La Bayadère (1917).Ballet Bag , August 12, 2010 The Soviet leadership's preference for uncomplicated moral themes in the arts was demonstrated in Yuri Grigorovich's appointment as director in 1964.
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Subsequent works more provocatively focused on the vagina as an object and, by implication, examined the taboos that surround this body part and its functions within Jamaican culture. This also led to 3-dimensional constructions made from intimate female articles such as sanitary napkins and tampons and more abstracted and surreal hybrid organic forms that appeared in her large paper collages of 2007. This early body of work has a sober and at times even majestic visual beauty which as she puts it, references "beauty through the use of the grotesque but visceral, confrontational and deconstructed." Patterson's 2016 solo show at the Museum of Arts and Design, Dead Treez, incorporated several appliquéd commercially-woven Jacquard weavings in which Patterson used restaged images of photographs that had been taken of murder victims in Jamaica and then circulated on social media.
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He furthered his balletic career at the Pennsylvania Ballet in Philadelphia, the Scottish Ballet in Glasgow, and the London Festival Ballet in London. He also later guested in La Scala's production of John Cranko's Romeo and Juliet and Roland Petit's Proust, and has worked at the Bayerisches Staatsballett in Munich as a principal dancer from 1986-1991 (and as a choreographer from 1991–1998). In Munich, Bombana's first choreographic world premières took place and included: Sonata, Parabel, Quatour pour la fin du temps, Okanagon, Woyzeck Fragmente inspired by Büchner, Schönberg opus 4 and the two full length ballets Luigi Nono Project and Ein Traumspiel inspired by Strindberg. In 1998, Bombana was appointed director of the company Maggio Danza in Florence where he restaged Woyzeck Fragmente and Schönberg opus 4 and created the full length ballet Teorema inspired by Pasolini.
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Bombana has worked with various ballet companies as a guest choreographer and has either choreographed or restaged Aus der Ferne (Ballet du Rhin France, Queensland Ballet, Australia), the full length Penthesilea (Maggio Danza Florence), Woyzeck Fragmente (Ballet du Rhin France, Zaragoza Ballet Spain, in Florence and Basel), Beyond Skin (Ballet du Rhin, France, Zaragoza Ballet, Spain), Petite Suite En Noir (Paris Conservatory, John Cranko School, Stuttgart), the full length ballet Lolita (Grand Ballet de Génève), La septième lune (Paris Opera Ballet), Kunst der Fuge (Ballet du Rhin Moulhouse), Tenebrae (Badisches Staatstheater Karlsruhe), the full length Cinderella (Aalto Ballett Theater Essen), Carmen (Ballet du Capitole Toulouse), Century Rolls (Bayerisches Staatsballett München) and "Harpsichord Concerto" (New York Choreographic Institute - New York City Ballet), New York, U.S.A). He has also been a member of the jury for the International Prix Benois de la Danse.
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One of the most memorable productions of the first season was telecast on March 7, 1955. Peter Pan, a recreation of the 1954 Broadway musical with all its original cast members, including Mary Martin as Peter Pan and Cyril Ritchard as Captain Hook, was so highly acclaimed by critics and well received by viewers, drawing the largest ratings for a single television program up to that time, that the program was restaged live with nearly the same cast in January 1956. A 1960 NBC revival of the production, first broadcast as a Christmas season special, was videotaped in color and later released on home video. By the time the 1960 version was made, the children had outgrown their roles and had to be replaced, but nearly all of the adult cast remained the same as those of the two earlier productions.
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Bach P 124 at Bach Digital website Also Mit Fried und Freud ich fahr dahin, BWV 125, the chorale cantata from 1725, was probably restaged after 1735.BDW at Bach Digital website Ich lasse dich nicht, du segnest mich denn, BWV 157 was a funeral cantata in 1727: later it was transformed into a cantata for Purification, a feast that always fell between Epiphany and Lent.BDW at Bach Digital website For Septuagesima (third Sunday before Lent) 1727 Bach had composed Ich bin vergnügt mit meinem Glücke, BWV 84, a cantata on a libretto that two years later appeared in a very different form in a libretto cycle published by Picander. The 1727 cantata is however rather associated with Bach's third cantata cycle than with his fourth cantata cycle, which were settings of the librettos Picander had published for church services in 1728–29. pp.
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10 This uncompromising declaration was modified in a later interview in which he said, "the plays are all being restaged. ... Gilbert's words will be unaltered, though there will be some freshness in the method of rendering them. Artists must have scope for their individuality, and new singers cannot be tied down to imitate slavishly those who made successes in the old days." Souvenir programme cover, 1919–20 season The main company made a triumphant return to London for the 1919–20 season at the Prince's Theatre, playing most of the Gilbert and Sullivan operas in repertory and showing off the new sets and costumes.Information about the 1919–20 D'Oyly Carte season at The Gilbert and Sullivan Archive, accessed 20 November 2009 The success of this season led to additional London seasons in 1919–20, 1921–22, 1924, and 1926; the company toured the rest of the year.
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This film started with a shot from a "phantom ride" at the point at which the train goes into a tunnel, and continued with the action on a set representing the interior of a railway carriage, where a man steals a kiss from a woman, and then cuts back to the phantom ride shot when the train comes out of the tunnel. A month later, the Bamforth company in Yorkshire made a restaged version of this film under the same title, and in this case they filmed shots of a train entering and leaving a tunnel from beside the tracks, which they joined before and after their version of the kiss inside the train compartment. The first two shots of As Seen Through a Telescope (1900), with the telescope POV simulated by the circular mask. In 1900, continuity of action across successive shots was definitively established by George Albert Smith and James Williamson, who also worked in Brighton.
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Records suggest that the beacon near Cape Hirakubo on Ishigaki was at one point manned by a team of four, who also slept on the site. A different signal may have been given depending upon the origin of the ships. A restaged beacon relay in November 2007 saw an attempt to pass signals along two routes: (1) Hateruma-Aragukusu (Shimoji)-Aragusuku (Kamiji)-Kuroshima- Taketomi-Ishigaki; and (2) Hatoma-Kohamajima-Taketomi-Ishigaki. Along both routes the initial signal could not be seen from the next observation platform, due to rain; after restarting from the second station, both signals were successfully relayed to Ishigaki; in some instances it took up to ten minutes from the signal being observed for a fire to be lit sufficient for the smoke to be seen at the next station; the exercise highlighted the difficulty in transmitting signals by such a method in times of inclement weather and poor visibility.
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Program notes for the ballet stated: "Based on the true story of the burning of Kyoto’s Golden Pavilion in 1950, RAkU is set in a much earlier time and in a style similar to Noh theater, which presents the essence of a story rather than a literal depiction... Despite its Japanese story and setting, RAkU contains no traditional Japanese dance or music; Possokhov is more interested in tone, aesthetics, and visual inventiveness than in reenacting history. Combining folk-based steps and Butoh (a post–World War II Japanese dance form utilizing extremely slow movements) with classically based movement, he makes every emotion in this ballet visual and vivid." The world premiere cast of RAkU consisted of Yuan Yuan Tan as the Princess, Damian Smith as her warrior husband, Pascal Molat as the evil monk and four warriors (Gaetano Amico, Sean Orza, Jeremy Rucker and Quinn Wharton). San Francisco Ballet restaged it in 2012 and 2015.
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Conversely, in a high-profile case, the police may accommodate the media by extending the perp walk into a "perp parade" beyond the necessary distance, such as around the block, or delaying the court proceeding until the media can be present, as was the case at the 1999 arraignment of former Wu- tang Clan rapper Russell Jones on charges that were later dropped. Perp walks were restaged for the benefit of the media until a 2000 court ruling restricted them to those necessary for law enforcement purposes. Defendants who can anticipate their arrest often dress with the perp walk in mind. Two former federal prosecutors turned defense attorneys advise that a white-collar defendant "should be prepared to look as professional as possible under the circumstances," as the fictional character Sherman McCoy does after he surrenders to face a charge stemming from a hit-and-run accident in Tom Wolfe's 1987 novel The Bonfire of the Vanities.
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The production received excellent reviews, both in its original Hong Kong incarnation, and when restaged at the Globe.Yong Li Lan, "Tang Shu-wing's titus and the acting of violence", in Susan Bennett and Christie Carson (editors), Shakespeare Beyond English: A Global Experiment (Cambridge: Cambridge University Press, 2013), 115–120 In 2014, Noelle Fair and Lisa LaGrande adapted the play into Interpreting her Martyr'd Signs, the title of which is taken from Titus' claim to be able to understand the mute Lavinia. Focusing on the backstories of Tamora and Lavinia, the play is set in Purgatory shortly after their deaths, where they find themselves in a waiting area with Aaron as their salvation or damnation is decided upon. As they try to come to terms with their unresolved conflict, Aaron serves as a master of ceremonies, initiating a dialogue between them, leading to a series of flashbacks to their lives prior to the beginning of the play.
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In 2013 Celeste won the Liberty Human Rights Award in recognition for her work. Candoco’s former Artistic Co-Directors Stine Nilsen and Pedro Machado were appointed as Celeste’s successors in 2007. Having danced with the company for seven and nine years respectively, they brought a natural understanding of the company’s ethos to the role and continued to push the boundaries of the definition of dance with bold and diverse commissions. They commissioned work from leading choreographers Emanuel Gat, Rachid Ouramdane, Wendy Houstoun and Javier de Frutos, restaged Trisha Brown’s seminal Set and Reset to include disabled dancers for the first time, and commissioned the UK’s leading disabled choreographers; Marc Brew and Claire Cunningham for Unlimited – part of the London 2012 Cultural Festival. Under their directorship they took Candoco from the Bird’s Nest in Beijing to the Olympic Stadium in London; performing at the handover ceremonies in 2008 and returning, alongside Coldplay, at the Paralympic Closing in 2012.
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The sale, held in MoMA's atrium was inspired by Rosler's interest in garage sales, a social form of small-scale, local—small town and suburban—commerce largely organized and frequented by women, which she first experienced when she moved from New York, where such phenomena were then completely unknown, to Southern California. At the request of museum curators, she restaged such sales in several European art locales and in New York City starting in 1999, culminating in the Fair Trade Garage Sale at the Museum of Cultural History in Basel, in conjunction with the 2010 Basel Art Fair, and then at MoMA in 2012. The 2012 “Meta-Monumental Garage Sale” at MoMA offered over 14,000 items, including Rosler's accumulated holdings—many of which were rolled over from previous iterations of this work—and items solicited from museum employees and the public. There were also two issues of a newspaper and two public discussions, one of which included a psychic, assessing questions of value and meaning.
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In 2016, the exhibition of Zaha Hadid's early paintings and drawings first presented at the Serpentine Galleries was then presented at ArtisTree in Hong Kong and Simon Denny's 2015 show for the Serpentine was restaged as a group exhibition, co-curated with Hans Ulrich Obrist, and presented at the K11 Art Foundation in both Hong Kong and Shanghai. Alongside working on exhibitions of modern and contemporary art, Gad was the curator working on the public commission by Lee Ufan installed in Kensington Gardens in 2018[16], as well as part of the selection committee that appointed Japanese architect Junya Ishigami for the 2019 Serpentine Pavilion and the curator on Serpentine 2016 architecture programme that presented Bjarke Ingels Group (BIG), Asif Khan, Kunlé Adeyemi (NLE), Yona Friedman, and Barkow Leibinger. She served on the selection committee for Serpentine Galleries's Augmented Architecture programme that launched in 2019 and nominated a project by artist Jakob Kudsk Steensen which was realised in collaboration with Google Arts & Culture and Sir David Adjaye.
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No episodes of Adventure Island were produced in colour, since Australian TV was at that time broadcast in black- and-white, and there was evidently no plan to sell the program overseas. A popular belief by many viewers that the show was in colour could be attributed in large part to the brilliant sets which, for most of the show's run, were designed by Paul Cleveland. Howson has said that in 1971 an American network expressed strong interest in the show and were only reluctant to make an offer due to its monochrome format. Howson proposed a solution to the ABC in which the entire five shows would be restaged on Tuesdays but this time filmed in colour—the cast and crew now totally familiar with the scripts, having performed them for the videotaped version on Sunday and Monday—but his proposal was met with total disinterest by the ABC and was never considered.
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The year saw the publication of three books by Cooper: The Marbled Swarm (Harper Perennial, November), Jerk/Through Their Tears (DisVoir, March), a book/CD collaboration with Gisèle Vienne and Peter Rehberg, and the reissue of his and the artist Keith Mayerson's 1997 graphic novel Horror Hospital Unplugged (Harper Perennial). Them, a performance art work Cooper originally created in 1984 with choreographer/director Ishmael Houston-Jones and composer/ musician Chris Cochrane, was restaged very successfully in New York and Utrecht. Them won a 2011 Bessie Award for best performance of the year, and it will be touring Europe and the United States in 2012. In 2012, Cooper and his frequent theater collaborator Gisèle Vienne co-curated a section of the annual Un Nouveau Festival at the Centre Pompidou in Paris entitled TEENAGE HALLUCINATION, featuring art exhibitions, films, lectures, live performances, concerts, an installation of the visual components of Cooper/Vienne's works to date, and performances of their theater pieces Last Spring, a Prequel (2011), Jerk (2008), and Cooper/Cochrane/Houston-Jones' Them.
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With the aid of the notations, Sergeyev made what is perhaps his most substantial contribution to the art of ballet: at the invitation of Ninette de Valois, he restaged Petipa's The Sleeping Beauty, Giselle, the Petipa/Cecchetti Coppélia and The Nutcracker for the Vic-Wells Ballet of London, the precursor of the Royal Ballet, who still perform these ballets, if in edited form. In 1942 Sergeyev began staging classics for the International Ballet, a British touring company founded in 1941 by the ballerina Mona Inglesby, who offered to stage the productions as close as possible to Petipa's imperial stagings. When in 1946 the Sadler's Wells Ballet staged a new edited Sleeping Beauty to reopen the Royal Opera House, Sergeyev left to join Inglesby, remaining balletmaster with International Ballet until his death in 1951. His stagings for both British companies formed the nucleus of what is now known loosely as the "classical ballet repertory", and as a result these works went on to be staged all over the world in versions largely derived from the Vic-Wells Ballet's own productions.
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The musical "Orchard of Hide & Seek", book, music, and lyrics by Richard O'Donnell was restaged and presented at the multimillion-dollar all-digital George Hall Auditorium – OFA Theater in Ogdensburg, NY. It played two weeks beginning June 16 through the 23, 2017. With additional songs and characters, Orchard of Hide & Seek was executive produced and directed by O'Donnell, musical direction and choreography by Angela Conzone Dwyer, production coordinator and technical direction by Christopher Dwyer, digital orchestrations by Ryan C. McNally, costume and makeup designer Karen Fischbeck with additional costumes by Heron Hetzler, and production design by Stephen Chambers. Orchard of Hide & Seek - George Hall Auditorium The fairies were played by Tessa Harper as Onagh Queen of the Fairies, Hailey Weber as Princess Auria, Carina Cook as Princess Lilywink, Analyse Bullock as Shaylee, Grace Brunet as Lorilia and Ava Rutherford as Forsythia. The Pixies were played by Myah Myers as Princess Nyssa, Macy Murdock as Nightshade, Meghan Gardner as Clover, Madison Miller as Silkfoot, Mia LaBella as Bitterbreeze and Emma Seeley as Jinglebug.
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A major focus of their work is on researching East European art since 1945 and contemporary East European art. They are co-directors of the Getty Foundation Connecting Art Histories funded international programme Confrontations: Sessions in East European Art History based at the Post- socialist Art Centre (PACT, UCL. They are co-authors of the Thames & Hudson World of Art series book on Central and Eastern European Art Since 1950, the first of its kind to survey the art of the region from the Second World War till today. Maja Fowkes is the author of The Green Bloc: Neo-avant-garde Art and Ecology under Socialism (2015). Their publications on East European art include two special issues of Third Text, the first on 'Socialist Eastern Europe' (2009), the second on ‘Actually Existing Artworlds under Socialism’ (2018). Their performative lecture Points East: An Artworld, a City and a Continent in Transformation, held at the Centre for Contemporary Art (CCA) Glasgow in November 2019 restaged a seminal meeting of critics, artists and art historians at Glasgow’s Third Eye Centre in December 1990.
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Further he acts as a manuscript reviewer for publishing firms (such as Oxford UP; Yale UP; U. of Toronto P.; Palgrave Macmillan; Pluto Press). His works have awarded numerous literary distinctions in Canada and France, including the Robert-Cliche Award, The Adrienne-Choquette Award, The France-Quebec Award, The Odyssée Award, The CBC Radio Drama Award, The Lyon Playwrights' Award, and in 2015 the Gerald- Godin Literary Award. As a widely anthologized Francophone creative writer, he has published five collections of short stories including Le surveillant (translated as The Secret Voice), Ce qui nous tient (What Holds Us), Epreuves (Testing), La vie de biais (Life Sideways), La contagion du réel (Contagious Reality), a novel L'emprise (Double Exposure) and a play Le client (Music Maker), which received a major grant from the French Ministry of Culture and was premiered at the Avignon Drama Festival in France in 2001, before being restaged afterwards. Some of his fiction works are available in mass paperback series and were adapted for cinema, television, stage and radio, as well as translated into several languages, including English, Italian, Spanish, German, Serbian, Tamil (India), Romanian, and Hungarian.
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Producing and inhabiting these shifting personae, has allowed them the conceptual space to explore aspects of contemporary culture – such as consumerism, political disenfranchisement, and the cult of celebrity - without the restrictions of a singular, authoritative voice. 'Trilogy' (2000) has the two artists appearing as geriatric versions of themselves trapped in a series of domestic interiors whilst voicing the lyrics to well known songs by Madonna and Prince. This video has been shown in numerous venues including 'Videodrome II' at the New Museum, New York. In the ‘Glitter Desert Island’ series (Tramway, Glasgow 2005, and MOT International, London 2007) they assumed the pose and gaze of the rarefied dandy, reclining on a gold glitter desert island complete with fake palm trees, while ‘We Are The People – Suck On This’ (ICA, London 2000) featured a restaged, downbeat version of Martin Scorsese’s Taxi Driver. Ramsay was dressed and styled to appear like the Taxi Driver character Travis Bickle and handed a petition into the British Prime Minister Tony Blair at 10 Downing Street. Their 2003 solo show, ‘Dead of Night' at Gasworks Gallery, London featured an ambitious theatrical installation containing a pair of hand crafted ventriloquist dummy doppelgangers.
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