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53 Sentences With "reskin"

How to use reskin in a sentence? Find typical usage patterns (collocations)/phrases/context for "reskin" and check conjugation/comparative form for "reskin". Mastering all the usages of "reskin" from sentence examples published by news publications.

" There was the measured: "It's a halloween themed reskin of an existing map!
But perhaps a more accurate label would be to call it a reskin.
MIUI is certainly a radical reskin of Android, and it probably won't appeal to Pixel or OnePlus purists.
One is to install a launcher app and apply a dedicated theme to reskin app icons to give them a uniform look.
But otherwise it's a pretty major reskin of the device: The symbology, or symbolism if you prefer, of this luxurious upgrade is elucidated on the Caviar website.
There are no launchers to reskin the OS with, for example, though customization is a different issue really, and we'll get on to apps in the next section.
We mentioned launcher apps in the last section: Admittedly not many people want to reskin the look of their smartphone interface, pixel by pixel, but those that do have to choose Android.
But it nonetheless feels… fraught to reskin more characters traditionally associated with "the good guys" into cartoonish send-ups of police forces, especially in a game designed by an American studio such as Blizzard.
One drawback to the iOS implementation of FreeTime Unlimited is that, unlike on Amazon's own tablets, you can't configure FreeTime Unlimited to completely reskin the device's user interface to keep kids locked into the experience.
But Minecraft: Education Edition is more than a reskin of the popular game with a few extra tools, it is one part of a powerful change in the way we are thinking about learning and growing in the classroom.
I often asked if anyone had any suggestions or requests, and for the most part the requests were all anime related too with a few exceptions being someone requesting a Killer Instinct reskin for one of the arcade machines.
This was no high-def reskin of Team Ico's (uh, I hate the word, but it earned it) seminal adventure of the PS2 era; no simple polishing up of the 2011 PS43 remaster that already possessed some pleasingly sharpened edges.
It's a fairly blatant reskin of the Great British Baking Show: Hosted in a tent in an idyllic setting, supportive rather than combative, but honestly much less stressful as the crafting challenges don't hold a candle to the technical aspects of expert-level baking.
Finally, it's also worth flagging Android launchers, which reskin the whole operating system—you can find all kinds of launchers for all kinds of purposes, but some are built with simplicity and ease-of-use in mind, and that makes them perfect for someone looking for a more straightforward smartphone experience.
Drawing an explicit connection to Nazi violence was of course the point of the flag, allowing white supremacists to reskin the classic symbols of Nazism in a way that would fly under many people's radars, providing a bit of camouflage to their efforts to reassert themselves into public spaces and modern political discourse.
I tried to learn the basics, but back then, the modding scene was still young and it was hard, so for a while I enjoyed the fruits of all the talented modders out there, I think my first mods were messing around trying to learn how to reskin for GTA 4 and I managed to create a few basic mods for that.
The Theatre School began officially performing in the Blackstone on March 21, 1989, with a production of The Misanthrope by Molière. In 1992, Harold and Merle Reskin made a sizable donation to the Theatre School, and on November 20, the theatre was renamed the Merle Reskin Theatre. Merle Reskin had spent five years as a professional actress, portraying Ensign Janet MacGregor in South Pacific on Broadway and appearing with Etta Moten. She gave up her career upon marrying Reskin in 1955; however, she spent thirty years as the Midwest Regional Auditioner for the American Academy of Dramatic Arts.
Barbara Reskin (born 1946) is a professor of sociology. As the S. Frank Miyamoto Professor of Sociology at the University of Washington, Reskin studies labor market stratification, examining job queues, nonstandard work, sex segregation, and affirmative action policies in employment and university admissions, mechanisms of work-place discrimination, and the role of credit markets in income poverty and inequality. Reskin has spent many years teaching, holding previous faculty positions at University of California- Davis, Indiana University, University of Michigan, University of Illinois at Urbana-Champaign, Harvard, and Ohio State University. Reskin has written six books and many articles on gender and racial inequality in the workplace.
The Merle Reskin Theatre is a performing arts venue located in the Loop community area of Chicago, Illinois. Originally named the Blackstone Theatre and now named after Merle Reskin, it was founded in 1910. The Merle Reskin Theatre is now part of DePaul University, and is also used for events and performances of other groups. It serves as the home of the Chicago Playworks for Families and Young Audiences series produced by The Theatre School of DePaul.
Blackstone Hotel and adjacent Blackstone Theatre (now the Merle Reskin Theatre) would also be named after Timothy Blackstone, whose mansion had stood on their site.
By 1967, The Dog House was in good standing, was upgraded to a larger trailer, and was renamed "Portillo's". In 1970, he partnered with Harold Reskin and opened up his second location in a shopping mall that Reskin owned. Between 1972 and 1989, he opened up a second restaurant under the name "Barney's" that specialized in BBQ meals. In 1983 Portillo's opened up its first drive thru in Downers Grove.
Reskin served on the Board of Overseers of the General Social Survey and on several National Academy of Sciences/National Research Council committees. A past fellow at the Center for Advanced Study in the Behavioral Sciences, Reskin is a fellow of the American Association of Arts and Sciences. She served as the 93rd President of the American Sociological Association in 2002 and was awarded a Distinguished Scholar Award of the ASA Section on Sex and Gender. Other honors include the Cheryl Miller- Sociologists for Women in Society Lecturership and the SWS Mentorship Award.
Like its predecessor, the Mk6 Golf is based on the Volkswagen Group A5 (PQ35) platform. Effectively it is a reskin of the Mk5 rather than an all-new design, it was developed with engineering improvements to shorten the previous model's assembly time to save costs, and answered criticisms of that model's cheapened interior quality compared to that of the Mk4 Golf.
A Game Boy Color tie-in to the game, Telefoot Soccer 2000, was developed by Aqua Pacific, published by Ubi Soft, and released in Europe on 1 March 2000. Like the Nintendo 64 game, the North American release of Telefoot Soccer 2000 had a Mia Hamm reskin developed; titled Mia Hamm Soccer Shootout, it was released by SouthPeak Interactive on 27 October 2000.
The Curtiss JN-4D "Jenny" was returned to the restoration shop to reskin the wings. Access to the Edwin D. McKeller Pavilion of Flight is from this portion of the museum. This is also where the Education Center is which hosts monthly Family Day activities. Guests will also locate the restrooms for the museum in this section of the building.
District 16 students are split between Glenbard North and Glenbard West for high school. Marquardt District 15 District 15 has four elementary schools, G. Stanley Hall School, Winnebago School, Blackhawk School, and Charles G. Reskin School. The middle school, Marquardt, is the district's school. Marquardt has a separate building for the sixth grade students, and another for 7th and 8th grade students.
Red Light Winter is a two-act play by American playwright Adam Rapp. The Steppenwolf Theatre Company premiered the play on May 30, 2005 at their Merle Reskin Garage Theatre in Chicago. Rapp directed the production, which continued until July 10, 2005. The company took the play to New York to run Off-Broadway at the Barrow Street Theatre, where it opened for previews from January 20, 2006.
Glendale Heights was a small farming area served by the Glen Ellyn post office up until the 1950s, with a population of just 104 in 1959. Midland Enterprises ran by Charles and Harold Reskin started building houses in Glendale Heights in 1958. The Reskins bought two farms on Glen Ellyn Road north of North Avenue. Houses were first built on Glen Ellyn Road and Larry Lane near Fullerton Avenue.
In addition to The Theatre School, the building is also used by other arts organizations. The theatre serves as The Theatre School's main performance space. Each year The Theatre School presents the Chicago Playworks series as well as The Theatre School Showcase, which both run throughout the academic year at the Merle Reskin Theatre. Chicago Playworks presents works intended for families and young audiences, while the Showcase series offers contemporary plays and classics.
It was designed to be smaller and more compact for arcades and other street locations, and used mirror effects combined with projection systems. Allied Leisure released the game in North America in June 1979. In the same year, Allied released a video version titled Clay Shoot. Namco released CosmoSwat in 1984, which was a reskin of Shoot Away that featured a science fiction-motif and a video display on the gun holster stand.
Pepsi Invaders (erroneously identified as Coke Wins and Coke Invaders) is a 1983 fixed shooter video game developed Atari, Inc. for the Atari 2600. A reskin of the system's version of Space Invaders, the player is tasked with shoot down a formation of enemies at the top of the screen, consisting of the letters used to spell Pepsi, under a three-minute timer with an unlimited number of lives. It is cited as an early example of an advertisement-themed video game.
The renovation replaced the 1980s-era food court and movie theater with an alfresco Dining Terrace and a flagship 15-screen AMC cinema. The renovation also brought a new two-level retail building housing a Borders bookstore and a Container Store on the top level and numerous retailers on the bottom, a reskin of the existing Bloomingdale's store, the addition of a restaurant row facing Santa Monica Boulevard, and a general remodeling of the center. Borders went out of business in 2011.
Kid Klown in Night Mayor World is a platform video game for the Nintendo Entertainment System released by Kemco on April 1, 1993. It is the first game in the Kid Klown series. Kid Klown in Night Mayor World was a reskin of , a licensed game starring Mickey Mouse that was only released in Japan. Released as part of the Crazy Castle series, Mickey Mouse III was released on September 30, 1992 by Kemco in Japan for the Family Computer.
Barbara Reskin is known for her expansion and use of queuing theory to explain the persistence sex segregation in the workplace despite the movement of many women into new occupational fields. While occupational segregation has declined since 1970, most workers remain in sex- segregated jobs. Through the queuing approach we are able to see how and why sex segregation remains a prominent feature of the workplace. A variety of social and economic forces enable segregation as well as to diminish it.
The Volvo 940 is among the last in the long-running line of large rear-wheel drive cars from Volvo. Introduced in September 1990, the 940 was essentially a cosmetic reskin of the 740. All drivetrains, and most options available in the 940 had been available in the 740, with the exception of the 780 Coupé. The 940 was more closely related to the 740 than the 760, sharing the same dashboard, drivetrain choices, and sheet metal from the A-pillar forward.
The Ford EF Falcon and Holden VR Commodore were both homologated for competition. The changes were largely cosmetic, allowing teams to reskin their existing EB Falcons and VP Commodores. With no material gain in performance expected, many of the privateer teams elected to retain their cars in EB and VP trim. In January 1995 Dunlop, who supplied tyres to Dick Johnson Racing, Perkins Engineering and Wayne Gardner Racing as well as all of the privateer teams, had their factory in Kobe destroyed in the Great Hanshin earthquake.
Sociologist Barbara Reskin has done extensive research to try to explain why and how ascriptive inequality occurs. Most commonly, it is thought to occur because of a person's motives, such as personal taste for example. When examining ascriptive inequality using the conflict theory, it appears as though dominant groups use their control over resources to uphold their privileges and therefore exemplify motive-based explanations. "Theories that attempt to explain why inequality occurs often say it is the result of separate individuals acting to advance their own interests".
The Woods Theatre was built by theatrical producer Albert H. Woods. He had opened the Eltinge Theatre in New York City to host his Broadway productions, and wanted a similar venue in Chicago for his road companies. The Woods opened on March 11, 1918, with a production of Friendly Enemies. It was designed in a Neo-Gothic style by the firm Marshall and Fox, which also designed such still-extant Chicago structures as the Blackstone Theatre (later renamed the Merle Reskin Theatre) and the Drake Hotel.
The Midwest Clinic International Band and Orchestra Conference is the world's largest instrumental music education conference, annually drawing approximately 17,000 attendees to Chicago from all 50 states and as many as forty countries. It is held every December in downtown Chicago. For the past several years, Midwest has used the following venues simultaneously: Hilton Chicago, Palmer House Hilton, Congress Plaza Hotel, and the Merle Reskin Theatre in downtown Chicago. In 2009, The Midwest Clinic moved to a new venue after spending the last 30 years at the Hilton.
Described by Pocket Gamer as "effectively a reskin of the developer's previously successful 4X strategy games", the new title offered a military-themed interface depicting armies from World War I to the modern era. The game, which was reportedly "stealthily launched" sometime before the end of August 2018, was identified as a product of Mobile War LLC rather than MZ. While Dumont confirmed MZ's ownership of the game during a tech conference in November 2018, World War Rising did not appear on MZ's website until at least May 2019.
There are four notable reasons that there has been a change in occupations' sex composition. The first is job deterioration which is attributed to the changing of the ordering of job queues. Most of the jobs Reskin studied feminized after the rewards changed, therefore making them less appealing than other possibilities. The second factor is job growth which shows that there was a change in the shape of the job queues. There was a time when you wouldn’t need to hire women because you had enough men to do the job.
Fradkin was also featured in performances with Beatlemania at the Lunt-Fontanne Theatre, Palace Theatre, New York; the Shubert Theatre in Century City, Los Angeles, California and the Pantages Theater (Hollywood) in Los Angeles, California; and the Blackstone Theater (now the Merle Reskin Theatre) in Chicago, Illinois. Fradkin performed with the show until its close on October 17, 1979. In a Weekend Update segment of Saturday Night Live, Dan Aykroyd announced the debut of a new musical called "Beatlemaniamania", which he described as "not Beatlemania but an incredible simulation".
A study done by Reskin and Ross (1982) showed that when tenure and productivity-related measurements were controlled, women had less authority and earned less than men of equal standing in their occupation.Jacobs 1995, p. 11. Exclusionary practices provide the most valuable job openings and career opportunities for members of groups of higher status which, in the United States, mostly means Caucasian males. Therefore, males are afforded more advantages than females and perpetuate this cycle while they still hold more social power, allocating lower-skilled and lower-paying jobs to females and minorities.
Eurogamer's Kristan Reed labelled the game as a "fairly unapologetic reskin" of Puyo Puyo and thought that Sega decided to "shoehorn" the Sonic the Hedgehog franchise in order to enhance their sales, although Reed admitted the gameplay was solid and addictive. A reviewer from Jeuxvideo.com questioned the game's originality, saying that "stacking beans to make them disappear is not a new concept" but would still satisfy fans of the genre. Amanda Tipping from Computer and Video Games thought that the game was as addictive and as puzzling as the Tetris series, and also preferred the game's colourful visuals as opposed to Tetris.
The 1965 model year Classics underwent a major redesign of the new platform that was introduced in 1963; essentially the 1963–1964 design with a rectilinear reskin similar to that of concurrent Ambassadors. Fresh sheet metal design was applied to the original wheelbase and long integral body-frame with only the roof, doors, and windshield as carryovers. Unchanged was the suspension system including a torque tube with coil springs with a Panhard rod. The Rambler Classic was now shorter than – as well as visually distinctive from – the Ambassador line, while still sharing the basic body structure from the windshield back.
Luebke suggested that DOE enclose the open space beneath the North Building to add new occupiable space, reskin the entire structure, and reconfigure the mechanical system (which would have to be done at some point anyway, he said). An additional push to remove the center span came from the National Capital Planning Commission. In 2009, the NCPC released its Monumental Core Framework Plan, a comprehensive plan for the National Mall to increase the availability of space for new museums and memorials while adding residences and retail features that would make the city a more attractive place to live and work.
This was acceptable to BL, however, which according to Jeff Daniels' book British Leyland, The Truth About The Cars, published in 1980, wanted to follow the Citroën approach of combining advanced technology with styling that eschewed mainstream trends in order to create long-lasting "timeless" models. Its unfashionable shape was thus not a problem to them. The final car bore little resemblance to Mann's original concept that had originally been conceived as an 1100/1300 reskin. This, as well as British Leyland's faith in it as a model that would help turn the company around, led to it earning the early nickname of the "flying pig".
According to review aggregator Metacritic, the game received mixed reviews from critics upon release, with most criticisms focused on the game's weak gameplay and technical problems. The game is a commercial failure for publisher Starbreeze. Metro praised the smooth, competent gunplay and well-polished post-apocalyptic world, but disliked the outdated design, severe repetition, infuriating difficulty spikes, and an overall lack of originality. Slant Magazine was even more critical, stating that the game "feels less like its own entry into the existing Walking Dead universe than a reskin of Payday 2" while criticizing the unreasonable load times, the technical issues and the long missions without checkpoints.
In a December 2000 interview, Patti Miller of Children Now stated that the game was one of the "positive examples of games for girls". In a 2012 interview, psychologist Fernanda Schabarum retrospectively noted that the game was a "good example of the wrong timing and the wrong approach" in the matter of women in sports-oriented video games, and David Rutter, producer for the game, stated that the game being a reskin "made it appear more of cynical marketing tactic than a game really interested in women's sports". In the United States, Mia Hamm Soccer 64 sold a "relatively high" 42,886 copies. Gameplay features 18 football teams in the hypothetical U.S. Women's League, 32 national teams, and Mia Hamm's All-Star Team.
The Rover 600 Series is a large family car range that was produced by the British manufacturer Rover from 1993 to 1999. The exterior of the Rover 600 was designed by Rover, a reskin of the European Honda Accord, also built in the United Kingdom by Honda in Swindon. The core structure and vast majority of the engineering content was sourced from Honda but the vehicles were designed at the same time, with a small Rover team on site in Japan. Colour and trim derivatives were also used to help separate the Rover from the Honda in the marketplace. The 1.8, 2.0 and 2.3 litre straight-4 petrol engines were all provided by Honda. However, the 2.0 litre turbodiesel Rover L-Series engine and turbocharged T-Series engines were developed by Rover itself, evolutions of units already available elsewhere in the Rover model range.
Following the release of a new trailer for the game, they advised that the long period of silence stemmed from a complete revision of the goals of what they wanted the game to achieve, as a great deal of early speculation drove potential players to think that Necromunda: Underhive Wars nothing more than a reskin of their earlier success with "Mordheim: City of the Damned". Additionally, Rogue Factor advised that gameplay would allow players to build a gang of up to 5 gangers (whereas the tabletop would allow players to have anywhere between 1-15, depending on the gang they were using), and featured a new campaign written by Games Workshop Alumni Andy Chambers. In mid June, Steam advised that they had begun taking preorders for Necromunda: Underhive Wars with a release date of 8 September 2020. Upon the game's release, players will be able to choose from the Goliath, Escher and Orlock gangs, and the five-character gang limitation per player has been confirmed.
The square and straight- lined Granada Mark II was released in August 1977 and was produced until early 1985 following a mild facelift and attention to drivetrain noise, vibration, and harshness in 1981. The Mark II was essentially a reskin of the 1972 car, with new external panelwork that brought the Granada into line with Ford's new design language initiated by stylist Uwe Bahnsen, taking styling cues also used on the recently launched Cortina/Taunus Mk IV and Mk I Fiesta. The rear panelwork of the estate version was virtually unchanged from the Mk I Granada apart from details. The engineering was very similar, the main differences being the "Cologne" V6 engine in 2.0, 2.3, and 2.8 L forms replacing the older "Essex" unit (which had never been offered in the Cologne-built Granadas), and the introduction of features such as air conditioning and, for the top-priced 2.8-litre versions, fuel-injection. In mainland Europe, a 1.7 L V4 was originally available.
The Rover 75 started life as part of a group of three new designs for the company under the guidance of Richard Woolley; a large saloon codenamed Flagship, a smaller vehicle (with the codename of Eric), and the 75. Of these only the 75 concept progressed. The initial aim was to reskin the Rover 600 (launched in April 1993) but following the BMW takeover in 1994, it was quickly decided that this platform would not be reused but replaced by an entirely new model, scheduled for launch in the late 1990s. Work on the new model, codenamed R40, progressed well with little operational interference from BMW; the styling received an enthusiastic response from the management and both companies believed the classical look would be the ideal direction for Rover. Revolutionary new design processes were adopted, including the 3D virtual reality assembly simulation "ebuild" techniques, ensuring the car would achieve class leading build quality when series production started.

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