106 Sentences With "resistible" | Random Sentence Generator

"The Resistible Rise of Arturo Ui" is purposefully, often painfully, didactic.

" As with Brecht's Arturo Ui, so for Fritzsche: The rise of Hitler is eminently "resistible.

Hillary is better only in the sense she is more constrainable, more predictable, and more resistible.

The play, "The Resistible Rise of Arturo Ui," was the playwright Bertolt Brecht's cautionary tale about the rise of Hitler.

She was also in the National Actors Theater production of "The Resistible Rise of Arturo Ui" (with Al Pacino) in 2002.

At one level, Neill Lochery, the author of a new biography with the tantalizing title "The Resistible Rise of Benjamin Netanyahu," understands this.

One counterintuitive finding you cited in your book is that imagining indulging in your craving can actually "mentally fatigue" it, to make it less acute and more resistible.

"Home Again," on the other hand, is wholly resistible, partly because it can't fulfill the promise of that aspirational fantasy either on a craft level or in terms of its emotional and psychological portraiture.

John Doyle's sober revival of Bertolt Brecht's "The Resistible Rise of Arturo Ui" (at the Classic Stage Company) couldn't be more timely, though whether that timeliness enhances or diminishes its message I can't quite decide.

Bertolt Brecht, "The Resistible Rise of Arturo Ui" (1941)Country of origin: GermanyReason for leaving: Fled Nazi Germany for Denmark in 19793, and then came to the United States in 1941 when war broke out.

MELISSA ORTUNO "The Resistible Rise of Arturo Ui" really made an impression on me — incredibly relevant to our current times (couldn't believe how some of the dialogue written in the '40s is exactly what Trump says now) and the standout performances, especially Raúl Esparza.

Quincy Tyler Bernstine ("Marys Seacole") as Olga, the eldest sister; Emily Davis ("Is This A Room") as Natasha, the sister-in-law; and as Chebutykin, the doctor, Steve Buscemi — who hasn't done a play since "The Resistible Rise of Arturo Ui" with Al Pacino in 2002.

Bertolt Brecht's "Resistible Rise of Arturo Ui," at the Donmar Warehouse in a new version from the Tony and Pulitzer Prize-winning playwright Bruce Norris ("Clybourne Park"), looks and sounds in Simon Evans's lively if self-defeating production as if it were set in a Chicago speakeasy in the 1930s.

Advertise on Hyperallergic with Nectar Ads LOS ANGELES — Creature, a thematic exhibition at The Broad, is one of those shows, like the recently opened Raymond Pettibon: A Pen of All Work at the New Museum in New York, whose meanings and context have been jolted, scrambled, and reloaded by the resistible rise of Donald J. Trump.

In Bertolt Brecht's 1941 play The Resistible Rise of Arturo Ui, Dollfuss is represented by the character "Dullfeet".

Randall's last appearances on stage as an actor were in The Resistible Rise of Arturo Ui (2002) and Right You Are (2003).

O'Brien Entertains and Brown Danube. Other Broadway productions in which Ballantyne appeared include The Unconquered, Love's Labour's Lost, Saint Joan, and The Resistible Rise of Arturo Ui. In 1963, he joined the Minnesota Theatre Company and performed with them through 1970.

"The Resistible Rise of Arturo Ui". Variety. In 2014, he starred as Hero in Suzan-Lori Parks' Odyssey-inspired play Father Comes Home From the Wars at New York's Public Theater.Green, Jesse (October 28, 2014). "Theater Review: Father Comes Home From the Wars".

He toured for two years from 1994–1996 with the highly successful nationally touring musical production of The Buddy Holly Story playing Norman Petty and Jack Daw, he also played parts in The Resistible Rise of Arturo Ui, Rhinoceros! and Hard Times.

He also directed The Caucasian Chalk Circle, and with Erich Engel, Life of Galileo. After Brecht's death, 3 plays, The Resistible Rise of Arturo Ui, Schweik in the Second World War, and The Visions of Simone Machard, had their premieres with the Ensemble.

Dear, Michael J (2002). "The Resistible Rise of the L.A. School" pp3-16 in Dear, Michael J. (ed.)From Chicago to L.A.: Making Sense of Urban Theory. Sage Publications. Much of the work published by L.A. School members during the 1980s and early 1990s garnered considerable attention.

At Birmingham, he directed the first revival of the David Hare Trilogy (Absence of War, Murmuring Judges and Racing Demon).Modern Classics The Guardian, 23 April 2003 Productions he has directed at Chichester include The Life and Adventures of Nicholas Nickleby,Return of a stage legend The Evening Standard, 24 July 2006 the first major revival since its RSC premiere in 1980, and The Resistible Rise of Arturo Ui.The resistible rise of Arturo Ui The Guardian, 12 July 2012The resistible rise of Arturo Ui, Minerva Studio, Chichester, review The Telegraph, 12 July 2012 The Telegraph has credited Church with reviving the fortunes of both the Salisbury Playhouse and the Birmingham Repertory Theatre.Charles Spencer: Lady Macbeth at Chichester The Telegraph, 23 February 2009 In 2006, Church moved to Chichester, and was praised for saving the Chichester Festival Theatre from closure by almost doubling the audience numbers and overseeing a £22m redevelopment to the theatre. A number of Chichester productions during his tenure, including Sweeney Todd and South Downs, have subsequently gone on to the West End.

Ear-Resistible is a 2000 album by The Temptations for the Motown label. Featuring the Top 20 Urban Adult Contemporary singles "I'm Here", which peaked at #3, and "Selfish Reasons", which peaked at #18, the album won the 2001 Grammy Award for Best Traditional R&B; Vocal Performance.

Luan Qerimi (15 October 1929 – 2 December 2018) was an Albanian actor. He was known for his work in theater, and has performed in plays by William Shakespeare (Othello, Hamlet) and Bertold Brecht (The Resistible Rise of Arturo Ui) in addition to works by Albanian dramatists such as Kolë Jakova and Ekrem Kryeziu.

O.J. Simpson Star Sterling K. Brown Chokes Up While Dedicating Emmy to His Late Father. People. Retrieved September 19, 2016. In the theater, Brown was cast in the 2002 production of Bertolt Brecht's The Resistible Rise of Arturo Ui starring Al Pacino, Paul Giamatti, Steve Buscemi, John Goodman and Jacqueline McKenzie.Isherwood, Charles (October 21, 2002).

Kozul-Wright, Richard and Rayment, Paul. The Resistible Rise of Market Fundamentalism: Rethinking Development Policy in an Unbalanced World. London: Zed Books Ltd, 2007 p. 14 and Chapter 6 The sociologists Fred L. Block and Margaret Somers use the label "because the term conveys the quasi-religious certainty expressed by contemporary advocates of market self-regulation".

CHAC was acknowledged as producing some of the most exciting theatre in Seattle:Brendan Kiley, What's CHAC Got to Do With It?, The Stranger, Mar 30 - Apr 5, 2006. Accessed 8 April 2006. from Bertolt Brecht's The Resistible Rise of Arturo Ui and Clifford Odets' Waiting for Lefty to the Pacific Northwest premiere of Dario Fo's Archangels Don't Play Pinball.

Gary Arnold of The Washington Post wrote, "I found this one of the most thoroughly resistible sentimental movies I've ever seen. There is scarcely a character or situation or line in the story that rings true, that suggests real simplicity or generosity of feeling, a sentiment or emotion honestly experienced and expressed."Arnold, Gary (December 26, 1970). "Love Story".

While there, c. 1934, he worked on the antecedent to The Resistible Rise of Arturo Ui, a satire on Hitler called Ui, written in the style of a Renaissance historian. The result was a story about "Giacomo Ui", a machine politician in Padua, a work which Brecht never completed. It was later published with his collected short stories.

Coercion is the penal equivalent of force majeure. It is an irresistible force. As in civil law, a debate exists concerning unforeseeability—is this a condition for the implementation of the idea or is it a corollary of irresistibility, foreseeable events being by nature resistible? The criminal chamber has required that the constraint be unforeseeable and irresistible.

Naidu's most recent theatre credits include The Master and Margarita with Complicite, a world tour of Shakespeare's Measure for Measure with Complicite, The Resistible Rise of Arturo Ui alongside Al Pacino, directed by Simon McBurney and The Little Flower of East Orange alongside Ellyn Burstyn at New York's Public Theater directed by Philip Seymour Hoffman.Past Winner Database. "The Envelope". Los Angeles Times.

In 2017, after completing the second season of Janet King for the ABC, Hegh worked for the Sydney Theatre Company in Cloud Nine and also The Father (touring Melbourne Theatre Company) in 2017. She won the 2018 Helpmann Award for Best Female Actor in a Supporting Role in a Play for her role in The Resistible Rise of Arturo Ui.

The theatre was sold in 1969, and returned to presenting theatrical productions and under the new management it presented the London première of The Resistible Rise of Arturo Ui, a production that brought Leonard Rossiter to public attention. The last play to be performed at the theatre was Enemy by Robert Maugham, opening for a short run in December 1969.

Both Calvinism and Arminianism agree that the question of the resistibility of grace is inexorably bound up with the theological system's view of the sovereignty of God. The fundamental question is whether God can allow individuals to accept or reject His grace and yet remain sovereign. If so, then grace can be resistible. If not, then grace must be irresistible.

The music department holds termly concerts and the King Eddie's Revival Big Band are frequently featured. The band has played at the 100 Club, Oxford Street, London. The school puts on an annual play; in 2005 the production was Unman, Wittering and Zigo, in 2006 Shakespeare's The Winter's Tale, in 2007 an adaption of Simon Armitage's The Odyssey, and in 2008 The Resistible Rise of Arturo Ui.

12 Others note that there has been a transition from anti-Asian and anti-Arab racism to anti- Muslim racism,The resistible rise of Islamophobia – Anti-Muslim racism in the UK and Australia before 11 September 2001, Journal of Sociology March 2007 vol. 43 no. 1 61–86 while some note a racialization of religion.Contemporary racism and Islamaphobia in Australia – Racializing religion, Ethnicities December 2007 vol.

In London's West End Bones has appeared in You Never Can Tell, Communicating Doors, Becket, The Resistible Rise of Arturo Ui and Antony and Cleopatra; and for other theatres Design for Living, Relative Values, As You Like It, A Midsummer Night's Dream Doctor Faustus with Ben Kingsley, and Sir Thomas More. Most recently he played Reverend Brown in Inherit the Wind with Kevin Spacey at the Old Vic.

Jerricho attended Oswestry School in Shropshire. He trained at the Drama Centre London. He made his West End theatre debut in The Resistible Rise of Arturo Ui, starring Leonard Rossiter. Other theatre work includes The Biko Inquest at the Riverside Studios with Albert Finney; Manningham in Gaslight at Salisbury Playhouse; Dionysus in The Bacchae at Bristol Old Vic; Banquo in Macbeth and Hortensio in The Taming of the Shrew.

The Resistible Rise of Arturo Ui (), subtitled "A parable play", is a 1941 play by the German playwright Bertolt Brecht. It chronicles the rise of Arturo Ui, a fictional 1930s Chicago mobster, and his attempts to control the cauliflower racket by ruthlessly disposing of the opposition. The play is a satirical allegory of the rise of Adolf Hitler and the Nazi Party in Germany prior to World War II.

Barrie Kosky was born in Melbourne, the grandson of Jewish emigrants from Europe. He attended Melbourne Grammar School where he performed in Brecht's play The Resistible Rise of Arturo Ui in 1981, Shakespeare's Othello in 1982, and later directed his first play. Among many other later famous Australian artists, he also worked at the St Martins Youth Arts Centre. In 1985, he then began studies in Piano and Music History at the University of Melbourne.

In February 2009, McBurney directed the Complicite production Shun-kin, based on two texts by Jun'ichiro Tanizaki. It was produced in London and Tokyo in 2010. On a freelance basis, McBurney directed the following: The Resistible Rise of Arturo Ui and All My Sons (2008) (both in New York City), and live comedy shows, including Lenny Henry's So Much Things To Say and French and Saunders' Live in 2000. McBurney is an established screen actor.

Reid trained in acting, physical theatre and musical theatre at Miskin Theatre in Dartford from 2008 until 2010. He performed in several stage shows including Wind in the Willows, The Resistible Rise of Arturo Ui and Agamemnon. Reid then underwent a three year BA (Hons) Acting degree at The Arts University Bournemouth between 2010 and 2013. In early 2014, Reid appeared as Tom in a short film called The Last Waltz for Canterbury Christ Church.

33, No. 2, 183-218 (2003)The resistible rise of Benito Mussolini and Italy's fascists, Socialist Worker, 16 November 2002 The PCd'I organized by themselves some militant groups (the Squadre comuniste d'azione), but their actions were relatively minor and the party kept a non-violent, legalist strategy. The Bordigan tendency was opposed by the Marxist philosopher Antonio Gramsci,Article in favour of the Arditi del Popolo by Antonio Gramsci in L'Ordine Nuovo, 15 July 1921 . Archived 2009-10-25.

Beliefs and practices of the Evangelical Mennonite Conference are presented in its "Statement of Faith" and "Church Practices," most recently revised in 1994. They reveal evangelical Christian teachings such as the Trinity, humanity's need, salvation through the substitutionary atonement of Jesus Christ, and the expected return of Christ. Underlying these beliefs are the final authority and infallibility of Scripture. The EMC is Arminian in theology: holding to total depravity, conditional election, unlimited atonement, resistible grace, and conditional security.

Paterson made his professional acting debut in 1967, appearing alongside Leonard Rossiter in Bertolt Brecht's The Resistible Rise of Arturo Ui at the Glasgow Citizens Theatre. In 1970, Paterson joined the Citizens' Theatre for Youth. He remained there as an actor and assistant director until 1972, when he left to appear with Billy Connolly in The Great Northern Welly Boot Show at the Edinburgh Festival. Paterson would work with Connolly again, some years later, when he performed in Connolly's play '.

Mantra moved to Delhi in 2003 and joined Radio City, where he hosted Route 91 and simultaneously started taking acting lessons from noted theatre personality Barry John at IMAGO. He appeared in theatre productions such as Infinite Theatre's "The Resistible Rise of Arturo Ui", Divya Arora's "Melody of Love", Sohaila Kapur's "Ouch" and many more. After a brief stint in Delhi, Mantra moved to Mumbai in 2006 and soon became popular for his deep voice and tongue in cheek humour.

Corduner has worked extensively in theatre in London's West End and on Broadway, television as well as in film. He has also appeared in several BBC Radio plays including The Resistible Rise of Arturo Ui, Insignificance, and Fanny and Alexander. His voice is familiar to listeners of audio books including The Book Thief. TV appearances include Exile, ITV's Midsomer Murders, Stephen Poliakoff's Dancing on the Edge, and as Andrea Verrocchio in seasons 1 and 2 of the Starz original series Da Vinci's Demons.

Of the means of grace , Lutheran Church–Missouri Synod Confession and absolution is called a sacrament in the Apology of the Augsburg Confession and so is also considered by many Lutherans to be a sacrament, because it was instituted by Christ and has His promise of grace, even though it is not tied to a physical element. Unlike Calvinists, Lutherans agree that the means of grace are resistible; this belief is based on numerous biblical references as discussed in the Book of Concord.

After eight years as an actress, which included appearances in The Professionals and The Sweeney, Trevis began directing in 1981. She was the first woman to run a company at Britain's Royal National Theatre. Between 1986 and 1993, she directed Happy Birthday Brecht, The Mother, The School for Wives, Yerma, The Resistible Rise of Arturo Ui and Inadmissible Evidence for the National. In 2000 she adapted for the stage, with Harold Pinter, Pinter's unfilmed cinema adaptation of Proust's Remembrance of Things Past.

Since 1949 he was also a professor at the Warsaw-based Theatrical Academy. After 1962 Axer regularly directed plays abroad. Among the countries he visited were Germany, Switzerland, USSR, USA and the Netherlands. He was invited by Georgy Tovstonogov to direct three performances at Bolshoy Drama Theatre in Leningrad; the first of them, "The Resistible Rise of Arturo Ui" by Bertolt Brecht in 1963, was recognised as one of the best shows of the decade and had a profound influence on the next generation of Russian directors.

Robert "Benny" Young is a Scottish film, television and stage actor. In 2009, Young toured with the National Theatre of Scotland production Be Near Me. In 2013 Young appeared in the West End production of The Resistible Rise of Arturo Ui at the Duchess Theatre. Young appeared in the Edinburgh International Festival 2018 in the production of David Greig's Midsummer. In 2018 Young played Sir Simon Fraser in the Netflix original film Outlaw King, which premiered at the Toronto International Film Festival on 6 September 2018.

Alwine Dollfuß (née Glienke) (12 February 1897 – 25 February 1973)Profile of Alwine Dollfuß was the wife of former Austrian chancellor Engelbert Dollfuß. At the time of his murder, she was in Italy with Benito Mussolini, who allowed her the use of his private plane to hurry back to Austria. She is buried in Hietzinger Cemetery next to her husband, and two of her children; Hannerl and Eva. She was also satirized in Brecht's The Resistible Rise of Arturo Ui 1941 as the character 'Betty Dullfeet'.

Broadway roles include Loot by Joe Orton (1986), for which he was nominated for a Tony Award for Best Featured Actor in a Play, The Resistible Rise of Arturo Ui (1968) and The House of Atreus (1968), which comprised three classics: Agamemnon, Choephori, and Eumenides. In 2001, he played the role of Carney/Oscar Wilde in the Lincoln Center performance of A Man of No Importance. In 2007, he played the role of Clement O'Donnell in the Guthrie Theater production of Brian Friel's The Home Place.

According to Alder, the scientist's answer to the paradox "What happens when an irresistible force is exerted on an immovable object" is that the premise of the question is flawed; either the object is moved (and thus the object is movable), or it is not (thus the force is resistible): > Eventually I concluded that language was bigger than the universe, that it > was possible to talk about things in the same sentence which could not both > be found in the real world. The real world might conceivably contain some > object which had never so far been moved, and it might contain a force that > had never successfully been resisted, but the question of whether the object > was really immovable could only be known if all possible forces had been > tried on it and left it unmoved. So the matter could be resolved by trying > out the hitherto irresistible force on the hitherto immovable object to see > what happened. Either the object would move or it wouldn't, which would tell > us only that either the hitherto immovable object was not in fact immovable, > or that the hitherto irresistible force was in fact resistible.

He researched and wrote both one-man stage shows together with his wife, Laya Gelff Metzger. Metzger studied with Lee Strasberg at the Actors Studio in New York, and had minor roles in a number of movies: Reflections in a Golden Eye, Dog Day Afternoon and Car Wash, and had a role in the movie Pups. He also appeared on stage in Bertolt Brecht's gangster play, The Resistible Rise of Arturo Ui, at Joe Papp's New York Shakespeare Festival. On television, he had roles in Chris Rock's comedy series, Everybody Hates Chris and Kojak.

Simon Evans is an English theatre and television director, writer, and actor. Evans was raised in Oxford while his parents ran a dental practice in nearby Kidlington. He was educated at The Dragon School and Abingdon School, where his fellow students included Tom Hollander, Toby Jones and members of Radiohead. As a theatre director, his productions include The Dazzle (starring Andrew Scott), Bug (James Norton), The Resistible Rise of Arturo Ui (Lenny Henry), Killer Joe (Orlando Bloom) and A Day in the Death of Joe Egg (Toby Stephens and Claire Skinner).

He started his acting career at the Amin Tarokh FIlm Acting School in 1998 and played in some theaters such as The Resistible Rise of Arturo Ui at City Theater of Tehran. He continued his training at the Karnameh Institute of Arts & Culture where he took acting class with Parviz Parastui and Habib Rezaei in 2005. In 2006, he was featured on the cover of 40cheragh magazine and his photographs were exhibited at Mahe Mehr Art & Cultural Institute in Tehran. In 2009, Sotoodeh left Iran during the government crackdown and moved to the UAE.

The production was nominated for nine Sydney Theatre Awards, including Best Production and Best Director for Williams. It was also nominated for two Helpmann Awards, Best Director for Williams, and Best Supporting Actor for Harry Greenwood. Later in 2017 he directed an adaptation by Andrew Upton of Chekhov's Three Sisters for the STC."Three Sisters is a sometimes riotous look at life coming to nought" by John McCallum, The Australian, 13 November 2017 In 2018, Williams directed Bertolt Brecht's The Resistible Rise of Arturo Ui, starring Hugo Weaving in the titular role.

The acts of the Synod were tied to political intrigues that arose during the Twelve Years' Truce, a pause in the Dutch war with Spain. After the death of Jacob Arminius his followers presented objections to the Belgic Confession and the teaching of John Calvin, Theodore Beza, and their followers. These objections were published in a document called The Remonstrance of 1610, and the Arminians were therefore also known as Remonstrants. They taught conditional election on the basis of foreseen faith, unlimited atonement, resistible grace, and the possibility of lapse from grace.

Tennant made his professional acting debut while still in secondary school. When he was 16, he acted in an anti- smoking film made by the Glasgow Health Board which aired on television and was also screened in schools. The following year, he played a role in an episode of Dramarama. Tennant's first professional role upon graduating from drama school was in a staging of The Resistible Rise of Arturo Ui costarring Ashley Jensen, one of a few plays in which he performed as part of the agitprop 7:84 Theatre Company.

Behan, See Naples and Die, pp. 135-36 Cirillo was, therefore, a natural target for the Neapolitan column of the Red Brigades led by .Allum & Allum, The resistible rise of the new Neapolitan Camorra, p. 240 After two and a half months, the Red Brigades threatened to execute Cirillo unless the Naples city government accepted demands it refused in the past.Red Brigades Threaten Captive’s Life, The New York Times, July 10, 1981 The Red Brigades demanded that the authorities requisitioned housing for thousands of Naples families left homeless by the earthquake.

Coulson was born in Manchester. He attended Arnold House Preparatory School in London, before attending Westminster School on an academic scholarship. He was a member of the UK's National Youth Music Theatre from 1990–1997, and went on to the University of Cambridge, where he received a degree in English from Clare College in 2000. While at university, he played the M.C. (Master of Ceremonies) in Cabaret, Arturo Ui in The Resistible Rise of Arturo Ui and Claire in The Maids, as well as appearing in film and television.

The Cat! (1965), Pousse-Café (1966), The Happy Time (1968), Indians (1969), That Championship Season (1972), In the Boom Boom Room (1973), The au Pair Man (1973), Knock Knock (1976), Cat on a Hot Tin Roof (1990), Inherit the Wind (1996), The Gin Game (1997), and The Best Man (2000). In 2002, he performed in Bertolt Brecht's The Resistible Rise of Arturo Ui with Al Pacino, produced by Tony Randall. He played the role of Jack Jameson in Wendy Wasserstein's final play, Third (2005), with Dianne Wiest at Lincoln Center's Mitzi E. Newhouse Theatre.

The Greene Shoots Theatre is an amateur theatre company formed in 2002. Greene Shoots Theatre specialise in performing classic texts and adapting them for large ensemble casts. The company's acting style often uses physical theatre, mime and chorus work. A number of productions have been performed at the Edinburgh Festival Fringe including Bertolt Brecht's The Resistible Rise of Arturo Ui, at The Garage Theatre in 2003, Nikolai Gogol's The Government Inspector adapted by Steph Gunary at C Venues on Chambers Street in 2006 and a new adaptation of Molière's Tartuffe by Rob Messik in 2008.

The following year, he performed an Soviet- inspired Porfiriy Petrovich in Crime and Punishment, starring alongside Franjo Dijak as Raskolnikov and Živko Anočić as Razumikhin. In 2014, he performed Andrei Sergeyevich Prozorov in Three Sisters under the direction of Slobodan Unkovski. For his role as Arturo Ui in The Resistible Rise of Arturo Ui, he was awarded a Veljko Maričić Award for Outstanding Lead Actor at the Mala Scena Festival in Rijeka. In 2016, he starred as Daniel Daréus in As It Is in Heaven, directed by Rene Medvešek.

According to economist John Quiggin, the standard features of economic fundamentalist rhetoric are dogmatic assertions combined with the claim that anyone who holds contrary views is not a real economist.Quiggin, John. Rationalism and Rationality in Economics, 1999, On Line Opinion,www.onlineopinion.com.au However, Kozul-Wright states in his book The Resistible Rise of Market Fundamentalism that the "ineluctability of market forces" neoliberals and conservative politicians tend to stress and their confidence on a chosen policy rest on a "mixture of implicit and hidden assumptions, myths about the history of their own countries' economic development, and special interests camouflaged in their rhetoric of general good".

Cook continued to appear on stage during the remainder the 1930s; and although his acting career after that focused increasingly on films and then on television roles, he periodically returned to Broadway, where as late as 1963 he performed as Giuseppe Givola in Bertolt Brecht's play The Resistible Rise of Arturo Ui. Cook enlisted in the United States Army in Los Angeles, California, on August 15, 1942."United States World War II Army Enlistment Records, 1938-1946: Cook Jr, Elisha V., enlistment date 15 August 1942, Los Angeles, California, United States; merged database with "Electronic Army Serial Number Merged File, ca.

The quarrels, however, did not affect the artistic development of the ensemble: Young directors, including B.K. Tragelehn and Einar Schleef, and the stage designer Andreas Reinhardt, questioned the traditions of Brechtian theatre and introduced more contemporary theatre styles. Müller's production of Brecht's The Resistible Rise of Arturo Ui, with Martin Wuttke playing the title role, became one of the most successful in the history of the Berliner Ensemble. His program Brecht - Müller - Shakespeare remains their guiding legacy. The American director Robert Wilson premiered Brecht's The Flight across the Ocean in 1998 to honour the hundredth anniversary of Brecht's birth.

Another early example of a cryptic depiction is in Bertolt Brecht's 1941 play, The Resistible Rise of Arturo Ui, in which Hitler, in the persona of the principal character Arturo Ui, a Chicago racketeer in the cauliflower trade, is ruthlessly satirised. Brecht, who was German but left when the Nazis came to power, also expressed his opposition to the National Socialist and Fascist movements in other plays such as Mother Courage and Fear and Misery of the Third Reich. Outside Germany, Hitler was made fun of or depicted as a maniac. There are many notable examples in contemporary Hollywood films.

59 Furthermore, they both see the preaching of the gospel as a means of grace by which God offers salvation. Calvinists distinguish between a resistible, outward call to salvation given to all who hear the free offer of the gospel, and an efficacious, inward work by the Holy Spirit. Every person is unwilling to follow the outward call to salvation until, as the Westminster Confession puts it, "being quickened and renewed by the Holy Spirit, he is thereby enabled to answer this call, and to embrace the grace offered and conveyed by it."Westminster Confession of Faith, X.1,2.

In 1969 he appeared in his most famous films, the Colonel Wolodyjowski and The Deluge by Jerzy Hoffman, the latter being nominated for the Best Foreign Film Oscar in 1974. He also won the award for Best Actor at the 6th Moscow International Film Festival. Tadeusz Łomnicki in 1966 He continued to play in Teatr Współczesny until 1974, and gained much fame for his lead roles in Iphigenia in Paris, Bertold Brecht's The Resistible Rise of Arturo Ui, Aleksander Fredro's Life Imprisonment, the role of Edgar in Friedrich Dürrenmatt's Play Strindberg and the role of Nikita in Lev Tolstoy's The Power of Darkness.

Corduner's voice is familiar to listeners of BBC radio plays such as Insignificance, The Resistible Rise of Arturo Ui and Fanny and Alexander. He was also the subject of BBC Radio 3 Private Passions. Corduner has provided voices for various video game characters, notably the first, second, third and fifth Harry Potter video games (namely as, among others, Severus Snape, Lucius Malfoy, Fillius Flitwick and Argus Filch). He also voiced Apus, the pet parrot belonging to Queen Cassiopeia, the primary antagonist, for the English version of Ni no Kuni: Wrath of the White White which released in February 2013.

Finished in 1962, it was screened at the Moscow Kremlin and greatly angered Nikita Khrushchev who compared it to an ideological diversion and criticized it for "ideas and norms of public and private life that are entirely unacceptable and alien to Soviet people".Josephine Woll. Being 20, 40 years later The final cut was released only in 1965, when Gubenko had already graduated. He played Adolf Hitler in his diploma play based on Bertolt Brecht's The Resistible Rise of Arturo Ui. As Gubenko later recalled, he invested all his hate towards the man responsible for the deaths of his parents into the role.

Trav S.D.'s original plays have been produced at Joe's Pub, La Mama, Theater for the New City, Dixon Place, Metropolitan Playhouse, , The Brick Theater, and HERE Arts Center. As a stage actor he appeared in numerous productions with Untitled Theatre Company #61, including the 2006 American premiere of Vaclav Havel's Guardian Angel, Edward Einhorn's 2010 adaptation of Philip K. Dick's Do Androids Dream of Electric Sheep?, and the titular role in 2018's The Resistible Rise of J.R. Brinkley. In 2014, Trav S.D. directed and produced the first-ever revival of the Marx Brothers' musical I'll Say She Is, in the New York International Fringe Festival.

The Gabriel Sundukyan State Academic Theatre (), founded on February 25, 1922 in Yerevan, is the oldest modern theatre in Armenia. Well-known actors and directors such as Vardan Ajemian, , Vahram Papazian, Hrachia Ghaplanyan, Hrachia Nersisyan, Hasmik, Avet Avetisian, Varduhi Varderesyan, Arus Voskanian, and Edgar Elbakyan were the stars of the theater's group. They performed both national and foreign plays, such as Sundukyan's Testament, Muratsan's Rouzan, Shant's Ancient Gods, Camus's Caligula, Brecht's Resistible Rise of Arturo Ui, Chekhov's Cherry Orchard, O'Neill's Desire Under the Elms, Werfel's Forty Days of Musa Dagh, etc. People's Artist of Armenia Armen Elbakyan is the Artistic Director of Sundukyan Theatre.

The school GCSE and A Level groups have staged productions such as Grease, The Resistible Rise of Arturo Ui, West Side Story, The Royal Hunt of the Sun, Animal Farm, The Madness of King George, Grimm Tales, The Crucible, The Little Shop of Horrors and The Threepenny Opera. New productions have been staged, including some written by student and teachers such as The Letter of Marque (pronounced "Mark"), directed by Carrie Lee-Grey (SMOOSH) and written by Ashley Tomlin (Old Gravesendian and former Head of Middle School). There are a number of musical organisations at the school, including guitar and recorder clubs, a chamber orchestra and a choir.

Ginsberg has been active in the theater community since performing in both The American Clock and The Resistible Rise of Arturo Ui. He spent three seasons at the Williamstown Theatre Festival where he met friend and mentor Olympia Dukakis. The two have worked together on a number of plays over the last twenty years including Mother Courage and The Cherry Orchard. In 2015, an "excellent Maury Ginsburg" appeared in the Off Broadway Cherry Lane Theater's "Laugh it Up, Stare it Down", playing a series of different characters that impact the protagonists' lives. In 2016, he appeared in the Pulitzer Prize winning play, Disgraced, at The Cincinnati Playhouse.

While achieving success in film, Cazale's commitment to the stage continued. In addition to his work with the Long Wharf Theatre, he appeared in a number of plays by Israel Horovitz. In May 1975, he returned to the Charles Playhouse to support Pacino in The Resistible Rise of Arturo Ui. Ross Wetzston of The Village Voice, reporting on the production, said Cazale "may be the finest actor in America today."Life On the Wire: The Life and Art of Al Pacino, Andrew Yule, 1992 In 1976, ten years after their first collaboration, Cazale and Pacino appeared together for the final time in the Public Theatre's production of The Local Stigmatic.

This way is one which eschews the pathological and perverse, which conceives of South Africa not as a place that is irresistible and unlovable but, all the more profoundly, as a place that is resistible and lovable. For Rose this resistance assumes a reflexive turn: it shows the object of critique, then approaches it at a glance. This glance, like the playful hooded eyes of the woman in The Kiss, is loaded in its seeming frivolity. That the work possesses a populist appeal, and, at the same time, is able to assist us in rethinking the pathology of our history, makes it all the more significant and durable.

Baima vocabulary also exhibits two features which are not present in all other dialects: first, voicing of voiceless aspirated stops and affricates after nasal prefixes; second, the treatment of written Tibetan orthography. Further more, Baima has some words that are of unclear etymology, even in its basic vocabulary. The proportion of these words has never been estimated, nor has basic vocabulary ever been the topic of detailed investigation. In Ekaterina Chirkova's article, "On the Position of Baima within Tibetan: A Look from Basic Vocabulary", she examined the 100-word Swadesh list for Baima, as the layer of lexicon which is arguably least resistible to change and which therefore can shed light on the genetic affiliation of this language.

Subsequently, Fisher was a visiting fellow and a lecturer on Aural and Visual Cultures at Goldsmiths College, a commissioning editor at Zero books, an editorial board member of Interference: A Journal of Audio Culture and Edinburgh University Press's Speculative Realism series, and an acting deputy editor at The Wire. In 2009, Fisher edited The Resistible Demise of Michael Jackson, a collection of critical essays on the career and death of Michael Jackson, and published Capitalist Realism: Is There No Alternative?, an analysis of the ideological effects of neoliberalism on contemporary culture. He was an early critic of call-out culture and in 2013 published a controversial essay entitled "Exiting the Vampire Castle".

The resistible rise of the new Neapolitan Camorra, by Percy Allum & Felia Allum, in: Gundle & Parker, The new Italian Republic, pp. 238-39 The members of the NCO were often referred to by rival Camorristi and Italian law enforcement as "Cutoliani". According to the Italian Justice Department, by 1981 the NCO had become the strongest Camorra clan and one of the most powerful criminal organizations in the nation, providing a living for at least 200,000 people in the Neapolitan area alone. It was distinctly hostile to the Sicilian Mafia, but had an alliance with numerous Calabrian 'Ndrangheta clans, in addition to the Nuova Grande Camorra Pugliese, which was the precursor to the Sacra Corona Unita in Apulia.

"Singing the songs of a doomed love affair in 'Love Story'" The Evening Standard (London), 8 June 2010 The reviewer of the West End production at the Duchess Theatre for Whatsonstage.com wrote: "Goodall’s music...is always interesting, often beautiful.... The framing epitaph is lovely writing, too.... Rachel Kavanaugh’s austere production on an all-white design by Peter McKintosh – whose three Corinthian pillars somehow conjure Pearl and Dean as readily as pearly gates – transfers well from the Minerva in Chichester.... This is a high-calibre chamber musical, all right, with a top skill factor in both writing and onstage musicianship (piano, guitar and string quintet); then just when it’s nearly enough, it plummets into bathos and easily resistible, tear-jerking manipulation."Coveney, Michael. " Love Story ". Whatsonstage.

He has played Bottom five times, at Bristol Old Vic, Regents Park Radio 3, the RSC (including a tour of Australia and New Zealand) and finally at Glyndebourne in The Fairy Queen, before retiring from the stage in 2012. His West End performances include How The Other Loves at the Duke of Yorks, Voyage Round my Father at Wyndhams, The Clandestine Marriage at the Queens Theatre, and The Resistible Rise of Arturo Ui at the Saville (with Leonard Rossiter). He has also appeared in several plays at the Donmar, the Kings Head, Mermaid, etc. He has played Falstaff in rep at Salisbury, at Regents Park, and at the Globe in 2008 and after touring the USA and UK in 2010.

Benjamin Benitez (born November 14, 1974) is a Mexican / French-Moroccan American actor, who played Harry "Pombo" Villegas in the film Che, Gardez in the TV series Tru Calling, Tommy Rodriguez in the TV series Wanted, Gonzalez #1 in True Detective Season 2 and recent guest appearances on Castle and Ray Donovan. Benjamin studied at the Actors Studio, it was there that he honed his craft in off Broadway plays at the Joseph Papps Public Theatre. His theatre work includes Short Eyes, Cuba and His Teddy Bear, The School of the America and The Resistible Rise of Arturo Ui. Benjamin received critical acclaim for his performances in both his ABC and CBS showcases. Despite this, he maintains only a 55% rating on Rotten Tomatoes.

Harry McGilberry (January 19, 1950 - April 3, 2006) was an American R&B; and soul singer and latter-day bass singer for The Temptations between 1995 and 2003. Born Harry McGilberry Jr. in Philadelphia, Pennsylvania, McGilberry was a member of the R&B; group The Futures and later the Temptations, replacing ailing bassist and former P-Funk member Ray Davis to join the quintet in 1995 and recorded the albums Phoenix Rising, Ear-Resistible and Awesome with them. McGilberry was fired from the group in 2003 by Temptations leader Otis Williams for a reported drug habit (he was replaced by Joe Herndon of The Spaniels). He later joined a Temptations splinter group, 'The Temptations Experience', replacing the then recently departed Ray Davis.

He staged the world premiere of Brecht's Der aufhaltsame Aufstieg des Arturo Ui (The Resistible Rise of Arturo Ui at the Staatstheater Stuttgart in November 1958, with Wolfgang Kieling in the title role. The play was shown in Berlin in 1959, with Ekkehard Schall in the title role, and in Paris and London in 1960, where it marked Palitzsch's international recognition. In Paris, the production was awarded the Preis des Theaters der Nationen. In 1960/61, Wekwerth and Palitzsch produced with the DEFA a film Mutter Courage und ihre Kinder, starring Helene Weigel, Angelika Hurwicz, , Ernst Busch, Wolf Kaiser, Ekkehard Schall and Heinz Schubert. The film received a special award (Prize of the Jury or Anerkennungspreis) at the Locarno Film Festival in 1961.

Askwith's extensive work on stage, includes numerous farces such as Run For Your Wife, Casanova's Last Stand, One For The Road plus the stage Confessions sequel The Further Confessions of a Window Cleaner and Terry Johnson's Dead Funny. From 11 December 2012 – 27 January 2013, he appeared at the Mill at Sonning, Reading, Berkshire in Ray Cooney's farce Caught in the Net. In pantomimes, Askwith has appeared with the Chuckle Brothers in Dick Whittington, with Frank Bruno and Sooty in a Wolverhampton production of Goldilocks and the 3 Bears and in various productions of Aladdin as Abanazar. More unusual stage roles include the title role in a production of Brecht's The Resistible Rise of Arturo Ui, and the Child Catcher in a 2006 touring production of Chitty Chitty Bang Bang.

" Josh Abraham produced the album instead, and was praised by Blabbermouth's Don Kaye "for capturing much more of the spark than has been apparent on the last few records." Despite missing an opportunity to produce Christ Illusion, Rubin contributed in an "executive production" capacity. King was critical of his involvement, and said he cannot recall Rubin's presence in the studio during the recording, and that Rubin's main contribution was in providing suggestions during the final mix. Jamie Thomson of UK's The Guardian newspaper was scornful of Rubin's contribution, and observed Slayer "seem unwilling to ditch the nu-metal tendencies that have made much of their recent output so resistible, which suggests Rubin's involvement was considerably less hands-on than in his remarkable redemptions of Johnny Cash and Neil Diamond.

Brecht wrote six short poems on hearing of her death, eventually published together as Nach dem Tod meiner Mitarbeiterin M. S. The second reads: My general is fallen My soldier is fallen My pupil has left My teacher has left My nurse is gone My nursling is gone. Brecht's 1955 Collected Works names Steffin as the collaborator on Roundheads and Peakheads, Señora Carrar's Rifles and The Horatians and the Curiatians. In addition Brecht acknowledged her role in Fear and Misery in the Third Reich, Life of Galileo and Mother Courage.letter to Erwin Piscator, 27 May 1940 She is also thought to have had a large hand in Mr Puntila and his Man Matti, The Good Person of Szechwan, The Resistible Rise of Arturo Ui, and The Caucasian Chalk Circle.

In closing out the decade, Marriott had a significant role in The Miracle Worker, which opened in October 1959, and ran for over 700 performances at the Playhouse Theatre. In the early 1960s Marriott had several guest performances on television shows including The Defenders, Route 66, and The Patty Duke Show. In 1963 he was cast in a primary role in Robert Thom's Bicycle Ride to Nevada, which opened the season at the Shubert Theatre in New Haven, Connecticut in September, prior to premiering on Broadway at the Cort Theatre on September 24. The play was not well received by the critics, and closed after a single performance. His next project was a prominent role in The Resistible Rise of Arturo Ui, which opened on November 11, 1963 at the Lunt-Fontanne Theatre, after a week of previews.

He made his professional debut as Edgar Linton in Wuthering Heights directed by Andrea Arnold. His theatre work includes appearing in the Trevor Nunn production of Rosencratz and Guildenstern are Dead by Tom Stoppard and The Resistible rise of Arturo Ui by Bertolt Brecht at Chichester Festival. Recent stage roles are as Alan Bennett in The Lady in the Van at the Theatre Royal Bath, Caleb in the UK premier of The Whipping Man under the direction of Tom Attenborough at the Theatre Royal Plymouth and as Mr Darcy in the Crucible Theatre Sheffield production of Pride and Prejudice, Millais in Lizzie Siddal at the Arcola and Yolland in the highly successful production of Translations by Brian Friel with the English Touring Theatre. James appears in Lars von Trier controversial film Nymphomaniac and as Mr Vaughan in Belle.

Gaunt also has extensive stage experience, both as an actor and a theatre director, including a notable success in playing the Micheál Mac Liammóir character in Gates of Gold by Frank McGuinness at the Finborough Theatre, London, and in the West End. He appeared in the Royal Shakespeare Company production of The Seagull, sharing the role of Sorin with Ian McKellen; and appeared in King Lear as Gloucester at the New London Theatre in Drury Lane, London, opposite McKellen in the title role following a United Kingdom tour. He revived his performance as Gloucester in the TV film of the same name released in late 2008. He appeared in the role of Dogsborough, a parody of Paul von Hindenburg in Bertold Brecht's The Resistible Rise of Arturo Ui, and in The Crucible at the Old Vic.

According to some scholars, a particular trend of anti-Muslim prejudice has developed in Australia since the late 1980s.Poynting, Scott, and Victoria Mason. "The resistible rise of Islamophobia Anti-Muslim racism in the UK and Australia before 11 September 2001." Journal of Sociology 43, no. 1 (2007): 61-86. Since the 2001 World Trade Center attacks in New York, and the 2005 Bali bombings, Islam and its place in Australian society has been the subject of much public debate. A report published in 2004 by the Human Rights and Equal Opportunity Commission pointed to many Muslim Australians who felt the Australian media was unfairly critical of, and often vilified their community due to generalisations of terrorism and the emphasis on crime. The use of ethnic or religious labels in news reports about crime was thought to stir up racial tensions.

Howard began his career at the American Conservatory Theater in San Francisco in 1971. While a member of ACT's repertory company, he appeared in the roles of Glendenning in David Storey's The Contractor, The Archangel Gabriel in Nagle Jackson's The Mystery Cycle, James in Harold Pinter's The Collection, and Gratiano in The Merchant of Venice, along with roles in both Antony and Cleopatra and Caesar and Cleopatra. He appeared as Archie in Tom Stoppard's Jumpers in the premiere season of Chicago's Northlight Theatre Company. While a member of the resident company at the Actors Theatre of Louisville for three seasons during the mid-70s, he played the role of Lucius in Jon Jory's Andronicus: A Space Musical, and had roles in The Runner Stumbles, The Front Page, The Resistible Rise of Arturo Ui, and the European tour of Marsha Norman's Getting Out.

He was Arturo UI in The Resistible Rise of Arturo Ui, directed by David Gilmore at the Nuffield Theatre, Southampton and went on to lead roles in repertory for much his early career, having five children in the process with his wife, whom he met at the Victoria Theatre, Stoke in his first job out of Rose Bruford College. He was 23 and she was in the sixth form at a local school and worked as a volunteer usherette. He has also had sculpture exhibited at the Whitechapel Gallery in East London, where he has lived for most of his life. He has a long connection with the Theatre Royal, Stratford, E15, where with Jeff Teare and Patrick Prior he pioneered a series of political dramas, developing and performing leading roles in satirical attacks on Margaret Thatchers government.

A Very Merry Unauthorized Children's Scientology Pageant received positive reviews from the press. A review in The New York Times described the musical as having a "crude, faux-naïf sensibility", and stated that it "provides a cult-hit blueprint for a young generation that prefers its irony delivered with not a wink but a blank stare." A 2003 review in New York City's The Village Voice compared the show to The Resistible Rise of Arturo Ui, stating: "Just as Ui doesn't explain the complex phenomenon of the Third Reich, Scientology Pageant doesn't probe the psychology of cults; instead, both demystify subjects whose appeal stems in no small part from the mystique their acolytes have attributed to them." Though most of the media reception of the musical was positive, New York Church of Scientology President John Carmichael did not have kind words for the production.

John Jansson has conducted several productions at the Royal National Theatre, among them Sondheim's Sunday in the Park with George (Olivier Award) and Brecht's The Resistible Rise of Arturo Ui (with Antony Sher). At the Royal Opera House's Linbury Studio Theatre he conducted the London premiere of John Adams's I Was Looking at the Ceiling and Then I Saw the Sky (also at the Huddersfield Contemporary Music Festival), and he was the conductor for Bernstein's Trouble in Tahiti and Barber's A Hand of Bridge (Southwark Playhouse), Marc Blitzstein's The Cradle Will Rock (Battersea Arts Centre) and Mel Smith's The Gambler (Jermyn Street Theatre). As composer, he composed the scores for the York Mystery Plays, productions at the Donmar Warehouse and King's Head Theatre, and community projects in Banbury, Kilburn and Bridlington. He also collaborated with Stephen Sondheim on a presentation of Sondheim's unpublished songs at the National's Lyttelton Theatre.

Born in Toronto, Ontario, Canada, Godin has been acting in theatre, television and film for the past thirty years. He received four years of classical conservatory training at Ryerson Theatre School in Toronto after which he completed an apprenticeship at the Shaw Festival in Canada. He continued his actor training with international teachers and coaches at the Stratford Shakespearean Festival. His theatre career has taken him from coast to coast across Canada where he has starred in the major theaters of almost every province, including the Shaw Festival and the Stratford Shakespearean Festival, where he garnered critical acclaim for his portrayal of Arturo Ui in Bertolt Brecht's The Resistible Rise of Arturo Ui. Some of his numerous theatre credits include Mercutio in Romeo and Juliet, d'Artagnan in The Three Musketeers, Constantin in The Seagull, Puck in A Midsummer Night's Dream and Rochester in Jane Eyre.

Wuttke began his actor training at the college theater in Bochum and then changed to the Westfälische Schauspielschule Bochum (now Schauspielschule Bochum). He played on numerous German-speaking stages: Volksbühne am Rosa-Luxemburg-Platz Berlin, Berliner Ensemble, Schaubühne am Lehniner Platz, Schiller Theater in Berlin, Deutsches Theater Berlin, Deutsches Schauspielhaus Hamburg, Theater of West Berlin, the Thalia Theater of Hamburg, Stuttgart State Theater, Freie Volksbühne Berlin, Schauspielhaus Frankfurt am Main, Schauspielhaus Zürich (CH) and at the Burgtheater in Vienna (AT), where he has been a director and a member of the ensemble since 2009. When the Berliner Ensemble performed at Berkeley in 1999, his portrayal of Hitler as a petty Chicago gangster in Heiner Müller's adaptation of Brecht's The Resistible Rise of Arturo Ui was described as an "astonishing grotesque... comically loathsome and rivetingly outrageous."Hurwitt, Robert A Brecht of fresh air SFGate, July 2, 1999 Wuttke lives with actress Margarita Broich and their two children.

Later that same year, he appeared in his first Broadway hit, opposite Julie Harris (who won a Tony Award) in Jean Anouilh's The Lark. After appearing in Night of the Auk, which was not a success, Plummer appeared in Elia Kazan's successful Broadway production of Archibald MacLeish's Pulitzer Prize-winning play J.B.; Plummer was nominated for his first Tony as Best Actor in Play. (J.B. also won Tonys as Best Play and for Kazan's direction.) Plummer appeared less frequently on Broadway in the 1960s as he moved from New York to London. He appeared in the title role in a 1963 production of Bertolt Brecht's The Resistible Rise of Arturo Ui, which did not succeed, but he had a great success in Peter Shaffer's The Royal Hunt of the Sun, playing conquistador Francisco Pizarro to David Carradine's Atahuallpa; both performances were "stunning," as Plummer did wonders "of extraordinary beauty and deep pain" in playing his complex character.

Guest performances brought her to the Residenz Theater Munich, to the Ernst-Deutsch-Theater in Hamburg, to the Theater in der Josefstadt and to the Theater in der Drachengasse. Maux was a member of the Vienna Volkstheater, where she played the role of Betty Dullfeet in The Resistible Rise of Arturo Ui in the seasons 2010/11 to 2013/14, in Harvey the role of Veta Louise Simmons, in Mr Puntila and his Man Matti Laina and in Felix Mitterers play Du bleibst bei mir the role of Miss Krottensteiner. In the summer of 2015 she played the White Queen in Alice in Wonderland at the summer games in Melk, in 2016 she appeared in front of the camera for the ORF Landkrimi Höhenstraße and for an episode of the fifth season of Schnell ermittelt. In the TV series Braunschlag she played the role of Herta Tschach's mother, in Paradise: Love by Ulrich Seidl she played Teresa's girlfriend, in Jack by Elisabeth Scharang she was seen as Jack's mother.

Brown in Lennox Robinson's The Big House directed by Conall Morrison and as Clark in The Resistible Rise of Arturo Ui by Berthold Brecht, directed by Jimmy Fay. In 2004 he was engaged by Ouroboros Theatre Company as Baron van Sweeten in Amadeus, which subsequently led on to him playing Peter Lombard in Geoff Gould's production of Brian Friel's Making History (2006/7) under Artistic Director Denis Conway. This was a record breaking production that opened in The Samuel Beckett Theatre Dublin and then played all over Ireland in various site-specific venues that were made available by The Office of Public Works (OPW) and in 2007, the 400th anniversary year of The Flight of The Earls, the production also toured to several cities in France and Switzerland following the route of O'Neill's trek across Europe and finally to Rome, where O'Neill had died in exile. Ouroboros were subsequently invited to perform the play for Brian Friel at the celebrations for his eightieth birthday at the Magill Summer School, Glenties Co. Donegal in July 2009.

Winkleman's numerous roles while at Cambridge University included the Bride in García Lorca's Blood Wedding, which toured the amphitheatres of Greece, Elizabeth in Six Degrees of Separation, which played at the Edinburgh Festival, Abigail in Arthur Miller's The Crucible, Dockdaisy in Bertolt Brecht's The Resistible Rise of Arturo Ui, Kate in Alan Ayckbourn's Confusions, Madame de Merteuil in Christopher Hampton's Les Liaisons Dangereuses and Fraulein Kost in Kander and Ebb's Cabaret all at the ADC. Winkleman's stage career after Cambridge includes a season at the Royal Shakespeare Company, where she played Veronique in Laurence Boswell's adaptation of Beauty and the Beast and a summer in Bath with the Peter Hall Company playing a variety of roles including Archangela in Galileo's Daughter directed by Peter Hall, a new play by Timberlake Wertenbaker, Violet in George Bernard Shaw's Man and Superman directed by Peter Hall, and Charlotte in Molière's Don Juan, directed by Thea Sharrock. In 2012 she played Helena in Eric Idle's musical What About Dick at the Orpheum Theatre in downtown Los Angeles, alongside Eddie Izzard, Russell Brand and Billy Connolly.

After that, Stander's acting career went into a free fall. He worked as a stockbroker on Wall Street, a journeyman stage actor, a corporate spokesman—even a New Orleans Mardi Gras king. He didn't return to Broadway until 1961 (and then only briefly in a flop) and to film in 1963, in the low-budget The Moving Finger (although he did provide, uncredited, the voice-over narration for the 1961 film noir Blast of Silence.) Life improved for Stander when he moved to London in 1964 to act in Bertolt Brecht's Saint Joan of the Stockyards, directed by Tony Richardson, for whom he'd acted on Broadway, along with Christopher Plummer, in a 1963 production of Brecht's The Resistible Rise of Arturo Ui. In 1965, he was featured in the film Promise Her Anything. That same year Richardson cast him in the black comedy about the funeral industry, The Loved One, based on the novel by Evelyn Waugh, with an all-star cast including Jonathan Winters, Robert Morse, Liberace, Rod Steiger, Paul Williams and many others.

She has appeared on Broadway in Betrayal directed by Sir Peter Hall, Lend Me a Tenor directed by Jerry Zaks (Outer Critics Circle Award), A Small Family Business directed by Lynne Meadow, The Real Thing directed by Mike Nichols, Otherwise Engaged directed by Harold Pinter, The Constant Wife with Ingrid Bergman directed by John Gielgud (Drama Desk nomination), The Philanthropist, The Jockey Club Stakes directed by Cyril Ritchard, and Four on a Garden directed by Abe Burrows. She has appeared extensively Off-Broadway in Notes on My Mother's Decline, Nathan the Wise, King Liz, Indian Ink, The Prime of Miss Jean Brodie, Guantanamo: Honor Bound to Defend Freedom, Moonlight, Hamlet, Phaedra Brittanica, The Creditors, Close of Play, Other Places, Cloud Nine, Quartermaine's Terms directed by Harold Pinter, receiving an Obie Award for her work. Regional and international credits include Marina Abramovic: An Artist's Life Manifesto, Elektra, Greta Garbo Came to Donegal, The Injured Party, Mary Stuart, The Misanthrope, The Physicists, The Resistible Rise of Arturo Ui, Les Liasons Dangereuses, A Midsummer Night's Dream and To Grandmother's House We Go with Eva Le Galliene. She has two sons and resides in Santa Monica and New York.