In May 2015, Glitter began an appeal against his convictions. On 17 November 2015, Glitter's appeal was denied by the Court of Appeal, which said there was nothing unsafe about the conviction. In November 2015 it was announced that his performances on the BBC's Top of the Pops would not be reshown.
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The film then shows their past selves moving at normal speed again, repeating the actions seen at the beginning of the film. The sequence of events of the entire movie is rapidly reshown, and repeats with ever briefer and fewer clips, leaving the viewer in a loop until it abruptly ends without further explanation.
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Ehrhardt was the subject of a feature by Heywood Hale Broun for a Saturday installment of the CBS Evening News in April 1969. The segment was reshown on ESPN Classic in 2003 as part of an episode of Woodie's World about Broun's coverage of the Miracle Mets. Ehrhardt stopped going to Met games after the 1981 season. By then, the Mets had several consecutive non- competitive seasons and were considered losers.
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Many towns have their own versions of the Senákulo, using traditional scripts that are decades or centuries old. A version is held at the Cultural Center of the Philippines, sponsored by the Department of Tourism. Popular film and televisions stars often join the cast of the play. In Taguig, they popularize the modern version of Jesus Christ Superstar reshown at the Fort Santiago Amphitheater for the benefit of Manileños.
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The serial had 20 episodes, the first being three reels (30 minutes), and the rest two reels (20 minutes) each. After the original run, it was reshown in theaters a number of times, sometimes in edited, shortened versions, through the 1920s. Today, The Perils of Pauline is known to exist only in a shortened 9-chapter version (approximately 214 minutes), released in Europe in 1916. In 2008, The Perils of Pauline was selected by the Library of Congress for the United States National Film Registry, as being "culturally, historically, or aesthetically significant".
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Exploitation short subjects (three to 15 minutes in length) with comedic plots and frequent nudity were also produced in the silent era. A few have survived to the present such as Forbidden Daughters (13 minutes, 1927), directed by prominent nude photographer Albert Arthur Allen, Hollywood Script Girl (three minutes, 1928), and Uncle Si and the Sirens (eight minutes, c. 1928). These were the forerunners of the "nudie" comedy feature films that emerged in the late 1950s. Years later, when the Hays Code came into force, these films were considered too obscene to be reshown.
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After Speedvision became Speed Channel in 2002, only about thirty of the episodes were repackaged, to remove the embedded old Speedvision logo, and also to replace the previously very stodgy introductions with something a bit more casual. The new introductions were done exclusively by David Hobbs. These thirty or so episodes continued to be reshown on Speed Channel, usually early every weekday morning, seeming like a sort of homage to the old image of Speedvision. While the BMW attribution was retained, the three episodes documenting their history were never repackaged.
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Both the BBC and ITV provided coverage throughout the following day, and the BBC programme was presented by David Dimbleby and David Butler. There were several programmes throughout the day. Part of the coverage was repeated to mark the 30th anniversary of the referendum in June 2005; it was also reshown to mark the 40th anniversary in June 2015 on the BBC Parliament channel, and was to be shown again to mark the 41st anniversary, ahead of the 2016 EU Referendum. 41 years after the 1975 referendum, David Dimbleby also hosted the BBC's coverage as the UK voted to leave the EU.
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Hamilton was the subject of a special season of films in March 2005 at the National Film Theatre in London, and continuing the strong revival of interest in his work the British TV channel BBC Two screened an adaptation of 20,000 Streets Under the Sky in September 2005, reshown on BBC Four in January 2006, alongside a documentary account of his life. The adaptation was released on DVD in 2007. A one-man show about Hamilton's life appeared in the Edinburgh Festival in 2014 and the Brighton Fringe Festival in 2015 and in London, written and performed by Mark Farrelly and called The Silence of Snow: the Life of Patrick Hamilton.
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On May 20, 2014, CBS aired a one-hour special called Judge Judy Primetime which aired at 8 p.m. ET/PT. The special was a combination of reshown clips from the 1993 60 Minutes Special on Sheindlin, as well as a few never-previously-seen cases. The special marked Judge Judys first airing in primetime, a landmark for court shows which are typically limited to daytime or late night hours. Although the special didn't rank nearly as high as Dancing with the Stars (14.86 million) and The Voice (11.57 million), it brought in 5.66 million viewers, enough to make it the night's top rated show on CBS.
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When Buzz Aldrin became the second man on the Moon nineteen minutes later, the picture quality had improved – after the Moon-rise in Australia the signal had moved from the smaller Goldstone in California to the stronger signal received on the main on-axis receiver of the Parkes radio- telescope in Australia, and then relayed via the Honeysuckle Creek station to Sydney for subsequent distribution uplink. The BBC later earned a Queen's Award For Industry for the electronic standards converter, which helped translate the pictures from California, via the Goonhilly Satellite Earth Station in Cornwall to the BBC in London. For several hours after the live event, pictures of the moonwalk were reshown as edited highlights. Patrick Moore considered it the most exciting event he ever reported on.
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Episode is missing The story was repeated in 1968 at the end of Season 5 (08/06/68 to 22/06/68 and 13/07/68 to 03/08/68 allowing for a two-week break for coverage of the 1968 Wimbledon tennis championships) at 5.15pm. At the end of The Wheel in Space, the Doctor used a telepathic display machine to show new companion Zoe Heriot the sort of monsters she would face if she joined the TARDIS crew, and shows a clip from the end of episode 1 of The Evil of the Daleks. Over the following weeks (bridging the gap between Seasons 5 and 6) the entire story was shown, narration over the opening scene of episode 1 reminding viewers of the reason for the repeat. This was the only time any Doctor Who episodes (other than the first episode) were reshown in the 1960s.
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