If it was merely about reproduction, you wouldn't need these elaborate repertoires and mating dances.
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Play investigates the repertoires of mid-20th-century composers, usually in a briskly swinging style.
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The traces of lost song repertoires survive, but not the aural memory that once supported them.
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By calling on culturally available repertoires that frame violence as the morally right thing to do.
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They will be performing songs from the repertoires of all these groups, as well as original tracks.
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If their repertoires crossed paths, as they did in Haydn and Bruckner, the results were wholly unalike.
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They've also tried to encourage male samba musicians to leave those sexist songs out of their repertoires.
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The researchers recorded 615 male swamp sparrows' entire musical repertoires for a year in the northeastern United States.
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Two months after measles infection, between 11 and 73 percent of individuals' antibody repertoires remained wiped out by the virus.
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Communities that lynch tend to develop specific "repertoires" of violence, Professor Bateson said, with individuals learning how and when to attack.
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In the process, the game evolved, turning inside-out, all while players of different sizes added unprecedented skills to their repertoires.
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Although each sister has her own personal style tastes, the girls occasionally will dip into each other's closets to expand their sartorial repertoires.
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The two will perform songs from their respective repertoires, accompanied by a 93-piece orchestra and a guest vocalist, the actress Katrina Lenk.
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The internet being the remix-happy crucible that it is, trickers were quick to incorporate elements of gymnastics, breakdancing, parkour, and capoeira into their repertoires.
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Will the competitors at the upcoming barista competition get the 411 in time to revise their technique and incorporate cold coffee beans into their repertoires?
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The group plays mostly big-band classics from the repertoires of Count Basie, Duke Ellington and others, arranged for the band by Mr. Pritsker, 69.
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With one of the largest repertoires of any opera house, the Vienna State Opera caters to an audience of whom about a third are tourists.
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Mr. Wiseman was a harbinger of a crossover sensibility in bluegrass, as later heard in the repertoires of artists like the Dillards and Alison Krauss.
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By their 12th birthdays, there was no task Brick and Wax couldn't perform: Coding, software design, and rudimentary hacking all had a place in their repertoires.
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After all, it's not as if the Bernstein-Sondheim standards have ever strayed into obscurity, with pop vocalists across the spectrum incorporating them into their repertoires.
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Historically, two primary settings of "In the Bleak Midwinter" have rotated through the repertoires of cathedral choirs, though both use the spartan 1870s verses of Christina Rossetti.
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It's a way of expanding their repertoires, and exploring the tastes and specialties of their most valuable singers and conductors, without expending the resources required by full productions.
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Her encores are almost as celebrated as her repertoires, encouraging Deutsche Grammophon to release an album this month of extra performances from her recent North American and European tour.
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The smart home market gets a bit more saturated every day, with new devices popping up all the time — and loads of new skills being added to their repertoires.
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The first signs of their partnership will be heard next year, when the orchestras will present "Freaky Friday"-like programs trading the repertoires they are most closely associated with.
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Ms Saariaho aims to avoid operatic clichés and create female characters "more rich and real" than the courtesans, consumptives and madwomen prominent in many 19th and early 20th-century repertoires.
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Female musicians today credit that generation for putting women in the center of samba, and the groups exalt them by including the sambas those women composed in their regular repertoires.
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Verlander will oppose Nationals right-hander Stephen Strasburg (4-0, 1.93 ERA), with the two combatants from Game 2 striving to gain an edge against lineups familiar with their repertoires.
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And throwing the shuuto is not specific to Japanese players; Boddy has worked with Trevor Bauer of the Indians and others to enhance their repertoires: Bauer's pitch scored 11.9 and 4.8!
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"Zaha Hadid's most radical expansion of design repertoires for architecture and urbanism is inspired by an explosion of possibilities through early abstract art movements at the beginning of the century," he explains.
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For fast-food restaurants, in which the cooking is something akin to an assembly-line, robotic kitchens with limited repertoires (burgers, pizzas, grain bowls, Hunan dishes and so on) look like a promising innovation.
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Google is making its Maps API play nice with video game designers, giving them access to the real world's geography and geometry, throwing 100 million 3D buildings, landmarks and more into developer's design repertoires.
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In his book Regimes and Repertoires, Tilly defined "contention" as the consequential claims one group makes upon another group or regime, and "repertoire" as the claim-making routines groups use to achieve their objectives.
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Nor is there reference to some of the most exquisite religious poems in praise of Hindu gods that were composed by Muslim poets, and that continue to be sung in repertoires of classical music.
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In the US, publisher information is generally available by searching the repertoires of American Society of Composers, Authors, and Publishers (ASCAP); The Society of European Stage Authors and Composers (SESAC); or Broadcast Music Inc. (BMI).
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His new album, "For Better, or Worse," dips into the repertoires of Hank Williams, Ernest Tubb, George Jones and Waylon Jennings, among others, with folky, parlor-scale arrangements that hint at honky-tonk and rockabilly.
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Ryman is a finer, more sensitively exploratory artist than Fontana; but he is apt to provoke a similar impatience with pursuits that squeeze what drama is possible from tweaking the established formal repertoires of painting.
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The American Symphony Orchestra, led by conductor and scholar Leon Botstein, stakes its claim on re-examining neglected historical moments and repertoires, from the unknown symphonies of Bohuslav Martinu to the overlooked oratorios of Edward Elgar.
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In a recent interview, Justin Vivian Bond, the gender-fluid singer known for one of the cabaret stage's most unusual and compelling repertoires, recalled being introduced to Ono's music through her 1981 album Season of Glass.
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Where his first concerts had been devoted entirely to 220th-century works, he began, in the early 22005s, to explore earlier repertoires — Haydn, Bach, Schubert, Mozart, Beethoven — with the Concertgebouw and the Southwest German Radio Symphony Orchestra.
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Aaron Neville had a Top 10 pop hit in 1966 with "Tell It Like It Is." The brothers brought their old repertoires and a growing new one to their concerts, gaining nationwide and worldwide followings on tour.
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For instance, the military-inspired coats and jackets that are in our present-day repertoires like the pea, trench or parka, for example, were born out of World War II. Coco Chanel created her own version of female trousers as a subtle protest.
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Elegance and beauty are the dominant leitmotifs of this edition of "La Traviata," an opera based on "La Dame aux Camélias" by Alexandre Dumas, fils, that is a constant in theater repertoires everywhere, reinvented in countless enactments, from minimalist to modern to full-on mid-19th-century period pieces.
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To be a good citizen of the Nashville music community requires consistently showing up to pay homage to its luminaries, and to tradition itself, at such ceremonial affairs, but Ms. Krauss, 45, is an especially coveted presence: She can be counted on to interpret other artists' repertoires with reverential grace.
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For performing rights, obtaining one license from ASCAP and one license from BMI gives the licensor the right to all music in the ASCAP and BMI repertoires, which make up 90 percent of all the music controlled in the U.S. Langer's analysis of the effect of fractional licensing could not be farther from the truth.
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His mechanistic imagery (machine parts rendered to vaguely erotic or sinister effect) and typography still dazzle, and his caprices, such as, from 1919, a picture frame that holds only a few strands of yarn, attached to slips of paper bearing droll words—can seem to exhaust, before the letter, the repertoires of nineteen-seventies Conceptual artists.
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The PB theory is that child development, besides its physical growth, consists of the learning of repertoires some of which are basic in the sense they provide the behaviors for many life situations and also they determine what and how well the individual can learn. That theory states that humans are unique in having a building type of learning, cumulative learning, in which basic repertoires enable the child to learn other repertoires that enable the learning of other repertoires. Learning language, for example, enables the child to learn various other repertoires, like reading, number concepts, and grammar. Those repertoires provide the bases for learning other repertoires.
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A behavioral cusp is an important behavior change that alters the probability of the learner's future repertoires and interactions with stakeholders' repertoires.
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Recorded repertoires for the piano have been written by hundreds of pianists worldwide, from the 18th century, when the piano was invented up until today, where pianists are still working hard to complete their repertoires. Pianists and composers come from all across the world when it comes to creating their repertoires.
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Small kanteles and concert kanteles have different, though related, repertoires.
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She danced classical and modern repertoires until her retirement in 2001.
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Psychological behaviorism's theory of abnormal personality rejects the concept of mental illness. Rather behavior disorders are composed of learned repertoires of abnormal behavior. Behavior disorders also involve not having learned basic repertoires that are needed in adjusting to life's demands. Severe autism can involve not having learned a language repertoire as well as having learned tantrums and other abnormal repertoires.
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Cumulative learning is a unique human characteristic. It has taken humans from chipping hand axes to flying to the moon, learned repertoires that enable the learning of new repertoires that enable the learning of new repertoires in an endless fashion of achievement. That theory development enables psychological behaviorism to deal with types of human behavior. Out of the reach of radical behaviorism, for example, personality.
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A number of theatrical companies exist, with repertoires including absurdist, realist, and humorous plays.
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See Hankeln (2007). Gregoriana has also paid special attention to the contemporaneous repertoires that were mostly eliminated by the standardization of Gregorian chant.See Hiley (1993) 524-562 and McKinnon (2000). Some of these repertoires, however, may be much older and at the base of Gregorian chant.
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Leikola, Kirsi. 2014. Talking Manjo: Linguistic repertoires as means of negotiating marginalization. University of Helsinki: PhD dissertation.
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The Queen's Gambit is still frequently played and it remains an important part of many grandmasters' opening repertoires.
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Repertoires are often shared between social actors; as one group (organization, movement, etc.) finds a certain tool or action successful, in time, it is likely to spread to others. However, in addition to providing options, repertoires can be seen as limiting, as people tend to focus on familiar tools and actions, and innovation outside their scope is uncommon (see diffusion of innovations). Actions and tools that belong to common repertoires of contention include, but are not limited to: creation of special-purpose associations and coalitions, public meetings, solemn processions, vigils, rallies, demonstrations, sit-ins, petition drives, statements to and in public media, boycotts, strikes and pamphleteering. Repertoires change over time, and can vary from place to place.
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The relative salience of identity, standing, and program claims varies significantly among social movements, among claimants within movements, and among phases of movements. Tilly locates the origin of social movement repertoires in the national regime within which they operate. Defining regimes as the degree of governmental capacity and democracy within a given polity, Tilly argues that contentious repertoires are shaped by regimes in three ways: regimes control claim-making repertoires—determining zones of prescribed, tolerated, and forbidden repertoires; regimes constitute potential claimants and potential objects of claims; and regimes produce streams of issues, events, and governmental actions around which social movements rise and fall. Tilly also argues that there exists a complex relationship between social movements and democratization.
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This fusion and exploration of arts and ideas later became a part of northern and southern Indian architectural repertoires.
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A large HVC would indicate developmental success. In song sparrows, males with large repertoires had larger HVCs, better body condition and lower heterophil-to-lymphocyte ratios indicating better immune health. This supports the idea that song sparrows with large song repertoires have better lifetime fitness and that song repertoires are honest indicators of the male's "quality". Possible explanations for this adaptation include direct benefits to the female, such as superior parental care or territory defense, and indirect benefits, such as good genes for their offspring.
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Violinists Jascha Heifetz and Max Rosen, as well as pianist Percy Grainger, included various works of his in their repertoires.
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Gregory Kunde (February 24, 1954, Kankakee, Illinois) is an American operatic tenor particularly associated with the French and Italian repertoires.
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His position is that children are the young of the human species that has a body that can make an infinity of different behaviors. The human species also has a nervous system and brain of 100 billion neurons that can learn in marvelous complexity. The child's development consists of the learning of repertoires, extraordinarily complex, like a language-cognitive repertoire, an emotional-motivational repertoire, and a sensory-motor repertoire, each including sub-repertoires of various kinds. The child's behavior, in the various life situations encountered, depend upon the repertoires that have been learned.
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Unlike the other behaviorisms, Staats’ considers human learning principles. He states that humans learn complex repertoires of behavior like language, values, and athletic skills –– that is cognitive, emotional, and sensory motor repertoires. When such a repertoire has been learned, they change the individual's learning ability. A child who has learned language, a basic repertoire, can learn to read.
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However, some repertoires (e.g. concert piano) have become particularly static, giving rise to a divide between "standard-repertoire performers" and contemporary music advocates.
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Giacinto Prandelli Giacinto Prandelli (February 8, 1914 - June 14, 2010) was an Italian operatic tenor, particularly associated with the Italian and French repertoires.
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They are determined both by what the actors know how to do, and what is expected from them. Early repertoires, from the time before the rise of the modern social movement, included food riots and banditry. The changing nature of repertoires of contention can be seen in a sample element of the mid-18th century British repertoire of contention, the rough music: a humiliating and loud public punishment inflicted upon one or more people who have violated the standards of the rest of the community. For yet another example, consider that in the recent years, Internet-focused repertoires have been developed (see hacktivism).
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Mate choice in female songbirds is a significant realm of study as song abilities are continuously evolving. Currently there have been numerous studies involving songbird repertoires, unfortunately, there has yet been concrete evidence to confirm that every songbird species prefers larger repertoires. A conclusion can be made that it can vary between specific species on whether a larger repertoire is connected to better fitness. With this conclusion, it can be inferred that evolution via natural selection, or sexual selection, favors the ability to retain larger repertoires for these certain species as it leads to higher reproductive success.
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Joseph A. Rouleau, (February 28, 1929 – July 12, 2019) was a French Canadian bass opera singer, particularly associated with the Italian and French repertoires.
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The orchestra and the choir distinguished themselves in many repertoires. They also perform abroad, such as at the Balbeeck International Festival and the Santander Festival.
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One hypothesis for this is that song repertoire is positively correlated with the size of the brain's song control nucleus (HVC). A large HVC would indicate developmental success. In song sparrows, males with large repertoires had larger HVCs, better body condition and lower heterophil-to- lymphocyte ratios indicating better immune health. This supports the idea that song sparrows with large song repertoires have better lifetime fitness and that song repertoires are honest indicators of the males “quality.” Possible explanations for this adaptation include direct benefits to the female, such as superior parental care or territory defense, and indirect benefits, such as good genes for their offspring.
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Anne Adams, in her comparison of the two authors' repertoires in "Literary Pan-Africanism", identifies this as a position also strongly expressed by Guadeloupean Maryse Condé.
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Nightingale Song: Because nightingales sing both day and night, it is believed night songs are courtship related and dawn songs are territorial in nature. Song repertoire can be attributed to male songbirds as it is one of the main mechanisms of courtship. Song repertoires differ from male individual to male individual and species to species. Some species may typically have large repertoires while others may have significantly smaller ones.
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Unlike Schwa, which is not represented in many Cyrillic character repertoires such as Windows-1251, both and are readily available as letters of the basic modern Russian alphabet.
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Børdahl, Vibeke. The Oral Traditions of Yangzhou Storytelling. Richmond, Surrey: Curzon Press, 1996 ()Børdahl, Vibeke. Four Masters Of Chinese Storytelling: Full- length Repertoires Of Yangzhou Storytelling On Video.
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At the end of the 1990s, a number of players among the world elite included the Queen's Gambit Accepted in their repertoires, and the line is currently considered sound.
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Camerata Mediterranea is especially concerned with early and traditional musical repertoires of southern Europe, Spanish and Iberic, and also Arabic, Arabo-Andalusian, Jewish, Ottoman, and other related repertoires of the Mediterranean basin and the Middle East. Joel Cohen, one of the foremost authorities in the research and performance of medieval and early music, will direct the institute's programs. Much of his recent work has involved the music of early Iberia and its three religions.
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There have been several studies carried out in which results have contradicted the anti-exhaustion hypothesis. Recent studies have shown that there is no evidence that the anti-exhaustion hypothesis is the cause of large repertoires in birds. Since the proposal of the anti-exhaustion hypothesis, several hypotheses have been proposed to explain the existence of repertoires and song switching behaviour in birds, including the motivation hypothesis and the warm-up hypothesis.
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La Habana.Fernandez Robaina, Tomas 1983. Recuerdos secretos de los mujeres publicas. La Habana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands.
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Esma and Vlatko performed songs from their respective repertoires and 2012 representative Kaliopi returned to reprise "Crno i belo". The program concluded with the presentation of the music video for "Imperija".
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Tamil Nadu also has a well developed stage theatre tradition, which has been influenced by western theatre. A number of theatrical companies exist, with repertoires including absurdist, realist, and humorous plays.
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A sit-in is one of many tools in the modern movement's repertoires of contention. Repertoires can be transitory; consider the disappearance of rough music, popular in the 18th century Great Britain. railway lines leading to a coal mine to limit climate change (Ende Gelände 2016). Repertoire of contention refers, in social movement theory, to the set of various protest- related tools and actions available to a movement or related organization in a given time frame.
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1\. Dittus, W. P. J. and Lemon, R. E. 1969. Effects of song tutoring and acoustic isolation on song repertoires of cardinals. Animal Behaviour 17, 523-533. 2\. Dittus, W. P. J., 1974.
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A person who has learned a value system, such as a system of beliefs in human freedom, can learn to value different forms of government. An individual who has learned to be a track athlete, can learn to move more quickly as a football player. This introduces a basic principle of psychological behaviorism, that human behavior is learned cumulatively. Learning one repertoire enables the individual to learn other repertoires that enable the individual to learn additional repertoires, and on and on.
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Behavior competition is the ability of cusp behaviors to displace previously established behaviors on a continuum of intensity and rate, across repertoires, and environments. Competing archaic behaviors occur on a corresponding continuum of severity.
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Cockrell 75. However, Thomas Blakeley had also performed the song in 1829 at the Park Theatre.Cockrell 25. "Coal Black Rose" entered the repertoires of other performers, who sung it both in and out of blackface.
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Featuring intense rustic traits, repertoires of Flower-drum Opera mainly reflect laboring activities, love, family conflicts and other contents in folk life. Performing forms of Flower- drum Opera were fixed in the Qing Dynasty to be cored with three roles: Dan (the female character type), Sheng (the young male character type) and Chou (clown). Flower-drum Opera at the initial stage was a life-oriented playlet cored with folk chansons. In later period, repertoires focusing on folk legends with strong narrative nature came into existence.
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He became a part of the Commission together with Charles Moses as the General Manager, William James as the Federal Controller of Music and W.J, Cleary as the Chairman of the Commission. The role of the commission was to give inputs and plans related to the Philharmonics' practices, repertoires, customs and hiring. The chorus master of the choir, Dan Hardy, was replaced by George English. New repertoires were added to the Philharmonic's concerts program, including Bach's mass in B minor, Walton's Belshazzars Feast and Verdi's Requiem.
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Los Angelese Times. December 03, 2004 and danced most of the leading roles in the company's classical and modern repertoires,"National Ballet to Stage 'Coppelia' here April 5'". Buffalo Courier-Express, 12 February 1961."Barbara Allen".
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The song was first performed at the first concert of the Aberystwyth and University Musical Society on 28 May 1875, with Parry as the conductor. It remains a standard in repertoires of Welsh male choirs today.
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López-Otin, C., Overall, C.M. Protease degradomics: a new challenge for proteomics. Nat. Rev. Mol. Cell Biol. 3, 509–519 (2002). This includes the analysis of the protease and protease-substrate repertoires, also called "protease degradomes".
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Joel Cohen (born 1942) is an American musician specializing in early music repertoires. Cohen graduated from Classical High School in Providence, Rhode Island. in 1959, and Brown University in 1963. He continued graduate education at Harvard University.
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Recent scholarship has introduced a notion that in addition to the "traditional" and "modern" repertoires, a new, "digital", repertoire may be emerging. In the wake of the Covid-19 pandemic modes of contention at the intersection of physical and digital evolved, described by Yunus Berndt as peopleless protests. While the term is used most often in the social movement theory context, it can be applied to any political actors. Repertoires of contention also existed before the birth of the modern social movement (a period most scholars identify as the late 18th to early 19th century).
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He has also written extensively on musical topices. In recent years Cohen's research and performance activities have centered on early American repertoires (including Shaker song), as well as southern European repertoires of the Middle Ages. Many of his projects in this latter category involve collaboration with Middle Eastern musicians (see below). He has collaborated very frequently with his wife, French soprano Anne Azéma, the Artistic Director (since 2008) of the Boston Camerata, and has also worked with numerous choirs, including the Schola Cantorum and student choruses at Brown, Brandeis, Harvard and other universities.
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He is also working on a project with colleague Patrice Beddor, which focuses on the hypothesis that a language user's perception and production repertoires or grammars are complexly related in ways that are mediated by wide-ranging factors.
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Education and Training of Children.Smith, G.J.; McDougall, D.; Edelen-Smith, P. (2006). Behavioral cusps: a person-centered concept for establishing pivotal individual, family, and community: behaviors and repertoires. Focus on Autism and Other Developmental Disabilities, 21, 223-229.
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Currently, Paskayev writes music, and was assisted by the late Said Dimayev. His works are included in the repertoires of orchestras in Dagestan, Kabardino-Balkaria, and North Ossetia, and is regarded as one of the best musicians of Chechnya.
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Here, Foote satirized the boorish behaviour of English gentlemen abroad. The play garnered wide acclaim and became a part of the repertoires of the Drury Lane and Covent Garden theatres where it remained for a few decades.Howard, p. 135.
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Matrosova, V. A., Schneiderová, I., Volodin, I. A., & Volodina, E. V. (2012). Species- specific and shared features in vocal repertoires of three Eurasian ground squirrels (genus Spermophilus). Acta Theriologica, 57(1), 65–78.Makomaska- Juchiewicz, M., & Baran, P. (2012).
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The Dutch Nederlands Dans Theater (NDT1), the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbekian, the Israeli Batsheva Dance Company, the Swedish Gothenburg opera Ballet, the Finnish National Ballet, and others have featured Saarinen's works in their repertoires.
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This reform period was preceded by three others during the Edo period: the Kyōhō reforms (1716–1736), the Kansei reforms of the 1790s and the Tenpō reforms (1830–1844).Traugott, Mark. (1995). Repertoires and Cycles of Collective Action, p. 147.
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Oktober 2018. and worked with directors like Frank Castorf, Jürgen Gosch, and many times with Thomas Langhoff. Krumbiegel played many roles in the classical theatre repertoires. In the 1989-90 season, she starred as Natascha in Nachtasyl (Director: Friedo Solter).
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The number of whistles made increases with the number of subgroups and the distance in which the whales are spread apart. Volunteers attempt to keep body temperatures of beached pilot whales from rising at Farewell Spit, New Zealand. A study of short-finned pilot whales off the southwest coast of Tenerife in the Canary Islands has found the members of a pod maintained contact with each other through call repertoires unique to their pod.Scheer, M., Hofmann, B., Behr, I.P. (1998) "Discrete pod-specific call repertoires among short-finned pilot whales (Globicephala macrorhynchus) off the SW coast of Tenerife, Canary Islands".
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The Dutch Nederlands Dans Theater (NDT1), the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbekian, the Israeli Batsheva Dance Company, the Swedish Gothenburg opera Ballet, and the Finnish National Ballet, and others, have featured Saarinen's works in their repertoires.
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Other recent work suggests, however, that tropical population (Ecuador) do not show this pattern: instead, individuals show repertoires (from 1–7 trill-types; mean = c. 4) and local populations can show nearly as much trill variation as is known from all Argentina.
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These include the troupes of Johann Friedrich Schönemann (1704–1782), Abel Seyler (1730–1800) with the Seyler Theatre Company (founded 1769) and Emanuel Schikaneder (1751–1812). These theatrical ensembles had both musical and spoken theatre in their repertoires. Wilhelm Pfannkuch: Organisationen der Musik.
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This reform movement was followed by three others during the Edo period: the Kansei reforms of the 1790s, the Tenpō reforms of the 1830s, and the Keiō reforms of 1866–1867.Traugott, Mark. (1995). Repertoires and Cycles of Collective Action, p. 147.
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Mbira dzeNharira is an ancient style of music. It consists of Shona musical repertoires, folk tales and Spirit composed music. It is spiritual and can be played at traditional ceremonies, it has preserved the Shona culture and traditions through its art work.
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Its triumphant reception secured for Puccini's operas a permanent place in the repertoires of Germany's opera houses. Waghalter also conducted the German debut performances of Tosca and La Bohème and also of Ralph Vaughan Williams' second symphony in 1923.Musical Times, March 1, 1923.
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The child's ability to learn in the variety of situations encountered also depends on the repertoires that have been learned. This conception makes parenting central in the child's development, supported by many studies in behavior analysis, and offers knowledge to parents in raising their children.
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He does sometimes the show 'Il Suonatore Jones' of which most repertoires are from the first New Trolls album 'Senza Orario, Senza Bandiera'. He remembers Fabrizio De André in the show. Fabrizio helped New Trolls to release the first album. Set list of 2009.9.
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The anti-exhaustion hypothesis is a possible explanation for the existence of large repertoires and the song switching behaviour exhibited in birds. This hypothesis states that muscle exhaustion occurring due to repeating song bouts can be avoided by switching to a different song in the bird's repertoire. The anti-exhaustion hypothesis therefore predicts that birds with larger repertoires are less susceptible to exhaustion because they can readily change the song that they are producing. The anti-exhaustion hypothesis was first proposed by Marcel Lambrechts and André Dhondt in 1988 after they carried out a study using recordings from great tits, Parus major, during the dawn chorus.
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These differences are explained by the reduced reliance of smell in humans in comparison to rodents.Stoddart, D. M. (Ed.). (1980). Olfaction in mammals. Academic P. It is still unclear whether the extensive OR repertoires of mice enable them to detect a larger range of odorants than humans.
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However, the emerging trend is that the large gene repertoires of potent pollutant degraders such as LB400 and RHA1 have evolved principally through more ancient processes. That this is true in such phylogenetically diverse species is remarkable and further suggests the ancient origin of this catabolic capacity.
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Through the 1980s, 1990s and the first decade of the millennium, Sastry had performed mostly to traditional repertoires of Bharatanatyam. She produced and choreographed a few full length presentations such as Krishna: The Supreme Mystic and Purushartha during this phase.About Savitha, savithasastry.com; accessed 28 June 2017.
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Janina Fialkowska, (born May 7, 1951) is a Canadian classical pianist. A specialist of the Classic and Romantic repertoires, for more than thirty years she has appeared regularly with professional orchestras around the world, often performing the music of contemporary Polish composers including Lutosławski and Panufnik.
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The positive psychology concept of Broaden and Build posits that cognitive functioning expands when an individual is in a good-feeling emotional state and contracts as emotional state declines.Fredrickson, B.L. (2005). Positive Emotions broaden the scope of attention and though-action repertoires. Cognition and Emotion, 19: 313–332.
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A number of British singers have spent periods in Australia and have included Australian material in their repertoires, e.g. A. L. Lloyd, Martin Wyndham-Read, Eric Bogle. In adapted forms Indigenous Australian music influenced the development of Australian country music and particularly after the folk revival, Australian folk music.
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She recorded extensively for Victor Records and Columbia Records in the early decades of the 20th century. She was married to composer Sidney Homer for 52 years. The composer Samuel Barber was her nephew. Homer sang a broad repertoire which encompassed works from the French, German, and Italian repertoires.
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Some works of such composers as Tchaikovski or Stravinski contain themes based on «Vdol po Petersky». The song was popularized by Feodor Chaliapin and by the Alexandrov Ensemble. It also appeared in the repertoires of Yuri Gulyayev, Leonid Kharitonov, Dmitri Hvorostovsky, Sergei Lemeshev, Vladimir Matorin, and Muslim Magomayev.
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Christophe Kenner (December 25, 1929 – January 25, 1976) was an American, New Orleans-based R&B; singer and songwriter, best known for two hit singles in the early 1960s, "I Like It Like That" and "Land of 1000 Dances", which became staples in the repertoires of many other musicians.
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He completed his doctorate in 2017. His doctoral advisors were Scott D. Boyd and Mark M. Davis. Glanville's dissertation was titled Reading the adaptive receptor repertoires. Microbiologist Sarah Ives is his research co-lead at Distributed Bio on the influenza project featured in Pandemic: How to Prevent an Outbreak.
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His works are often included in orchestral repertoires, including the Nagoya Philharmonic, Osaka Philharmonic, Sinfonia Toronto, Croatian Radio Television Symphony, Luxembourg Philharmonic, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Orchestra of Italian Switzerland, Camerata de Bourgogne, Bochum Symphoniker, Württemberg Chamber Orchestra Heilbronn, Orchestre d'Auvergne, Cannes, Nice, and Pau.
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The Beau Geste hypothesis in animal behaviour is the hypothesis which tries to explain why some avian species have such elaborate song repertoires, for the purpose of territorial defence. The hypothesis' name comes from the 1924 book Beau Geste, and was first coined by John Krebs in 1977.
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Having studied mridangam (percussion) in addition to his pursuit of Bharatha Natyam, Shri Muralidharan compositions explore the nuances of rhythm theory. He plans to have composed full margams (repertoires) in all 35 thalams of the Carnatic Sooladhi Saptha thalam system by 2020, with margams in 20 unique thalams completed to date. Since 2006, Shri Muralidaran has composed several entire margams (traditional repertoires) in rare thalams, including Ashta Dasa Margam, composed in misra jati ata thalam, Akhanda Margam, composed in kanda jati ata thalam, and Nava Dhruvam, composed in sakeerna jati dhruva thalam, the longest thalam cycle with 29 aksharas. In 2018, Shri Muralidaran highlighted his exploration of rhythm with a pair of dance festivals.
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The dances performed by members of The Morris Ring are not confined to the recognised traditional dances. Occasionally teams will supplement their repertoires by inventing a dance. The steps might be modelled on an existing dance, but danced in the style of their own locality. Sometimes they are given whimsical names.
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Olfactory receptor gene repertoires in mammals. Mutation Research/Fundamental and Molecular Mechanisms of Mutagenesis, 616(1), 95-102. Quantitative research has suggested that the relative size of the main olfactory bulb is highly correlated with ecological adaptations, while the relative size of the accessory olfactory bulb is related to sociosexual factors.
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It became so famous in Britain that for many years it rivalled Handel's Messiah and Mendelssohn's Elijah in the public's affections. Nothing else he ever wrote equalled the fame of Hiawatha's Wedding Feast. The tenor aria, "Onaway! Awake, beloved!", was part of most tenors' repertoires for the next 50 years.
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While performances and competitions only occur during the summer, preparation for the next season starts as soon as the last one ends. Corps activity of some sort goes on year-round. Months in advance of next season's first camp, corps begin assembling their staffs, choosing their musical repertoires, writing drill, etc.
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Bournonville created a repertoire of more than 50 ballets, a school and its own style. The characteristic of his repertoires is that he was able to maintain real characters, that the dancers are as they are (they did not exaggerate the gestures), and looking for exotic places for his works.
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Bendfeldt, Manola. Personal Interview. March 6, 2014. On September 26, 1926, Sandoval made his debut as a U.S. concert artist in an appearance with Carmen Ponselle at City Hall in Meriden, Connecticut. After that performance, he became an accompanist and virtuoso pianist, and his compositions were added to many musicians’ repertoires.
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Brandon (1997, 72), Richmond (1998, 516), and Richmond, Swann, and Zarrilli (1993, 12). The history of theatre beginning this period coincided with- and often mirrored the political developments in Pakistan. Theater groups, for instance, performed repertoires that depicted and challenged extremism as well as biased notions of nationalism, religion, and gender.
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Every day a lot of street musicians play here. They play in different musical styles and repertoires. Some days musicians give especially large-scale street concerts with the use of professional equipment, gathering around a large number of people. Such events are often agreed in advance with the city administration.
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Australian popular groups such as My Friend The Chocolate Cake use the mandolin extensively. The McClymonts also use the mandolin, as do Mic Conway's National Junk Band and the Blue Tongue Lizards. Nevertheless, in folk and traditional styles, the mandolin remains more popular in Irish Music and other traditional repertoires.
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Rogoff, B., Moore, L., Najafi, B., Dexter, A., Correa-Chávez, M., & Solís, J. (2007). Children's development of cultural repertoires through participation in everyday routines and practices Chapter 19. Assessment can also be non-verbal through hands-on correction or by performing visual cues to the learner to guide them.Pewewardy, C. (2002).
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Jill Feldman (born 21 April 1952 in Los Angeles)AllMusic is an American soprano who has acquired an international reputation for her interpretation of medieval, baroque and classical repertoires. Her highly expressive singing art combines great vocal agility with a profound dramatic sense of drama, in constant respect for the text.
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Foods such as clam chowder, baked beans, succotash and corn on the cob are part of the traditional repertoires of contemporary Native and non-Native households in the region.Stavely, K. & Fitzgerald, K. (2011). Northern Hospitality: Cooking by the Book in New England. (pp. 103-125.) Amherst, MA: University of Massachusetts Press.
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Representing an evolutionarily older class of vertebrates, fish carry several ancestral OR genes on their chromosome, yet they express wide variation in these genes among individuals and species.Shi, P., & Zhang, J. (2009). Extraordinary diversity of chemosensory receptor gene repertoires among vertebrates. In Chemosensory Systems in Mammals, Fishes, and Insects (pp. 57-75).
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He perfected his skills with the tenor Howard Crook and collaborated with the principal French formations specialized in the repertoires of the 17th and 18th centuries: Il Seminario Musicale, Les Arts Florissants, les Talens Lyriques, Le Concert Spirituel, Le Poème Harmonique, the Éléments, the Ensemble Jacques Moderne,Ensemble Jacques Moderne Les Paladins etc.
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Børdahl, Vibeke. Four Masters Of Chinese Storytelling: Full-length Repertoires Of Yangzhou Storytelling On Video. Nordic Institute of Asian Studies; Bilingual edition, 2004 (), p. 166. This tale was chapter two of Wang's "Ten chapters on Wu Song" storytelling repertoire, which was later transcribed and published in the book Wu Sung in 1959.
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Though the salad's name comes from the region called Shopluk, in fact, it was invented around 1955 in a Black Sea resort near Varna, called Druzhba. It can be found in one of the first state-approved repertoires from 1956 (Sbornik recepti 1956, vol. 1, p. 50).Klaus Roth, Ulf Brunnbauer as ed.
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However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as Charley Patton and Skip James, included religious songs or spirituals. Reverend Gary Davis and Blind Willie Johnson are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals.
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In the new century was the subject of a TG4 series Sé Mo Laoch. His family songs appeared in the repertoires of countless traditional singers, including such commercial artists as The Chieftains, Planxty, Steeleye Span, Paul Brady, Dolores Keane, Andy Irvine, Dick Gaughan, Altan, The Voice Squad, Dervish, Cara Dillon and others.
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87 For instance, if we were to take a courtroom as an activity system, a genre set could be defined as only those genres used by the judge. Studying the "context of genres," "genre repertoires," "genre systems," and "genre sets" enables researchers to study the relationships and power structures of activity systems.
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Fulani music is as varied as its people. The numerous sub-groups all maintain unique repertoires of music and dance. Songs and dances reflect traditional life and are specifically designed for each individual occasion. Music is played at any occasion: when herding cattle, working in the fields, preparing food, or at the temple.
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Gabriele Sima (25 February 1955 – 27 April 2016) was an Austrian opera singer who had an active international performance career since 1979. Particularly known for her appearances at the Salzburg Festival, the Vienna State Opera, and the Zurich Opera, she has performed in roles associated with both the soprano and mezzo-soprano repertoires.
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Troika is a Russian folk dance, where a man dances with two women. The Russian word troika means three-horse team/gear. In the Russian dance the dancers imitate the prancing of horses pulling a sled or a carriage. This dance is included into repertoires of virtually all Russian ethnographic dance ensembles.
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In this 2016 project, Bram De Looze played on a collection of Pleyel, Erard, and Anton Walter pianofortes from Belgian piano builder Chris Maene. The project explored the textures, tunings, and temperaments of historical 19th century pianos by combining both contemporary improvised influences and the historical classical repertoires associated with these pianos.
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Kento Masuda began playing keyboards at the age of 5. While preferring to compose his own music instead of playing standard repertoires, Masuda took part in a variety of contests for talented young musicians. By the age of 10, he began winning competitions including the Junior Original Competition of Yamaha Music Foundation.
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Shi, P., & Zhang, J. (2007). Comparative genomic analysis identifies an evolutionary shift of vomeronasal receptor gene repertoires in the vertebrate transition from water to land. Genome research, 17(2), 166-174. However, with the exception of the archosaur clade, the accessory olfactory system is at least primitively possessed (vestigially) in all higher taxa of tetrapods.
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The early focus was on the baroque and early classical repertoires, but Steinbauer soon found himself asked to include modern music in the orchestra's programmes. Steinbauer set about getting hold of published works, turning to the Vienna-based Universal Edition company which published music both for the "Schoenberg circle" and for Josef Matthias Hauer.
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Before 1792, Vasily Pashkevich created for his third opera a theme based on the song. In the following two centuries, many composers (such as P. I. Tchaikovsky, Nikolai Rimsky‑Korsakov, Anatoly Lyadov, Alexander Ivanov‑Kramskoi) arranged "Utushka lugovaya". The song appeared in the repertoires of Lidia Ruslanova , Lyudmila Zykina, Alexandra Strelchenko (see sn. 1, sn.
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Norman A. Vilsack Frauenheim, (October 29, 1897 - November 18, 1989), was an American pianist and music teacher. For many decades he was acclaimed for his performances in America and Europe. He is also remembered by his many students for imparting the style of his own famous teachers and for outstanding guidance with their repertoires.
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Although many animals exhibit this behavior, it is a rare trait among primates. Latrine behavior can represent territorial marking and aid in interspecies signaling. Compared to other mammals, primates in general are very vocal, and lemurs are no exception. Some lemur species have extensive vocal repertoires, including the ring-tailed lemur and ruffed lemurs.
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Baksey Cham Krong exerted a wide influence on the Cambodian rock and pop scene, and their popularity inspired older singers like Sinn Sisamouth to add rock songs to their repertoires. Many later Cambodian rock musicians cited the band as a formative influence. Sinn Sisamouth, often called "The King of Cambodian Music", c. late 1960s.
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Vyacheslav Michailovich Polozov (; January 1, 1950) nicknamed "Slava", is a Soviet-born opera singer, professor of voice, entrepreneur. He sang at many opera houses around the world, appearing in a variety of leading roles from lyric to dramatic repertoires in French, Italian, German and Russian. Laureate International Competitions. Meritorious Artist of the Byelorussian SSR.
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JACAP collects license fees from music users and distributes the money as royalties to writers and publishers of music. Royalties are only paid on active repertoires, i.e. works that are actually used by the licensees (music users), and only to registered members of the society. Royalties are paid twice per year for the preceding year.
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Of Heretics and Martyrs in Meiji Japan: Buddhism and Its Persecution, pp. 52–53. This reform movement was accompanied by three others during the Edo period, the Kyōhō reforms (1716–1736), the Kansei reforms of the 1790s and the Keiō Reforms, 1866–1867.Traugott, Mark. (1995). Repertoires and Cycles of Collective Action, p. 147.
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Papal Count John Francis McCormack, KSG, KSS, KHS (14 June 188416 September 1945), was an Irish tenor celebrated for his performances of the operatic and popular song repertoires, and renowned for his diction and breath control. He was also a Papal Count. He became a naturalised American citizen before returning to live in Ireland.
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When Rollins eventually established his own record label, he named it Doxy Records. The chords are from Bob Carleton's 16-bar song "Ja-Da". "Doxy" has become a jazz standard, a frequently performed and recorded part of many musicians' repertoires. "Doxy" was written by Sonny Rollins during his stopover in England on a European tour.
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The dancer breaks mostly On1. A major difference between Cali Style and Miami-style is the latter is exclusively danced on the downbeat (On1) and has elements of shines and show-style added to it, following repertoires of North American styles. Miami-style has many adherents, particularly Cuban-Americans and other Latinos based in South Florida.
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Throughout his teens, Howe played in various groups in North London. His first gigs were at King Alfred School (1981) and University College School (1982). The groups' repertoires mainly consisted of covers of The Clash, David Bowie, Bauhaus and U2 songs, supplemented with original material. Dylan left King Alfred School with three O-level passes in 1986.
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Bernard, Swamp Pop, pp. 18–19. Swamp pop duo Dale & Grace, c. 1963 By the late 1950s, swamp pop musicians had developed their own distinct sound and repertoires. They performed to receptive crowds in local dancehalls like the Southern Club in Opelousas, Landry's Palladium in Lafayette, the OST Club in Rayne, and the Green Lantern in Lawtell.
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Measuring functional spectral discrimination in non-human animals is challenging due to the difficulty in performing psychophysical experiments on creatures with limited behavioral repertoires who cannot respond using language. Limitations in the discriminative ability of shrimp having twelve distinct color photoreceptors have demonstrated that having more cell types in itself need not always correlate with better functional color vision.
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Globalization can trigger a state of emergency for the preservation of musical heritage. Archivists may attempt to collect, record, or transcribe repertoires before melodies are assimilated or modified, while local musicians may struggle for authenticity and to preserve local musical traditions. Globalization can lead performers to discard traditional instruments. Fusion genres can become interesting fields of analysis.
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While not a sophisticated actor or a flawless musician, his huge voice and volcanic renditions of the most forceful tenor roles in the Italian and French repertoires had a tremendous impact on audiences, enabling him to build a worldwide reputation, and to charge promoters on both sides of the Atlantic top-tier fees for his services.
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Ostrovsky, A.N. A Note on the Dramatist's Rights. About Theatre compilation, 1947, p.49. According to The Society of Russian Dramatists, in 1874-1886 the play was missing from the two major cities theatres' respective repertoires but enjoyed more than 30 productions in the province. In 1887-1917 it was produced all in all 196 times.
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In addition, Canadian ballerina Evelyn Hart won a gold medal in Varna, Bulgaria for her performance of Belong with David Peregrine in 1980. Hart rose to international stardom, and Vesak's "Belong" became a signature piece for her. Belong Pas de Deux remains one of Vesak's most enduring works, and is in the repertoires of ballet companies worldwide.
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Unlike germline mutation, SHM affects only an organism's individual immune cells, and the mutations are not transmitted to the organism's offspring.Oprea, M. (1999) Antibody Repertoires and Pathogen Recognition: The Role of Germline Diversity and Somatic Hypermutation (Thesis) University of Leeds. Mistargeted somatic hypermutation is a likely mechanism in the development of B-cell lymphomas and many other cancers.
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They are predated upon primarily by raptors and probably small cats, especially the margay, though snakes have been known to attack them. They are polygamous primates and live in fairly large groups of 15 to 35 individuals. Reproductive females give birth to a single young at biennial intervals. They maintain home ranges of and have complex vocal repertoires.
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When film director John Ford heard the song, he loved it so much that he chose it as the principal theme of his film The Quiet Man. The composition received no mention in the screen credits. "The Isle of Innisfree" became a worldwide hit for Bing Crosby in 1952 and continues to feature in the repertoires of many artists.
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The breeding behaviour of the flufftails has not been observed for many species. Many species breed in the wet season. All species are highly vocal during the breeding season, with repertoires including duets. In the Madagascar flufftail the courtship behaviour consists of duetting, nest building (which is undertaken by the male), nest visits by the female, and copulation.
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Players battle in arenas of varying sizes and levels of complexity, controlling characters with a variety of play styles. They can attack one another with their own repertoires of special moves, or with a basic attack. Attacks can be avoided by jumping or using a short-lived shield move. Unlike most traditional fighting games, the Super Smash Bros.
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His talents and expertness in playing stringed musical Instruments is clear to anyone who listen to his performances. He plays on a "Pietro Antonio dalla Costa" violin from Treviso made in 1763. His deep lyrical feeling and captivating virtuosity, bring out each facet of the pieces into the most beautiful, stirring, exciting and difficult words in the repertoires.
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85 Amy Devitt's research has further complicated the RGS landscape. In Writing Genres, Devitt distinguishes between the "context of genres," "genre repertoires," "genre systems," and "genre sets." The "context of genres" is the overall set of genres available in a culture. A "genre repertoire" refers to the set of genres that a specific group uses to achieve its purposes.
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A 2015 study on Prevotella bacteria isolated from humans, compared the gene repertoires of its species derived from different body sites of human. It also reported an open pan-genome showing vast diversity of gene pool.. Open pan- genome has been observed in environmental isolates such as Alcaligenes sp. and Serratia sp. , showing a sympatric lifestyle.
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Dodi Protero (March 13, 1931 – April 22, 2007) was a Canadian operatic soprano who had a prolific international career from 1955 through 1980. A singer with a great deal of technical finesse, she excelled in the coloratura soprano and soubrette repertoires. She later had a successful second career as a voice teacher.Protero, Dodi Biography at operissimo.
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The theatre usually held their plays in the new hall of mercantilist youth every Tuesday, Thursday, Saturday and Sunday. Those days two cinema "Šuhart" and "Kruna", with its repertoires, within daily and evening shows, showed various movies. They also had scientific lectures in Public University which all together made a cultural scene of Požarevac in the 1830s.
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It was not until his last years in high school that Manukyan showed interest in composing music. In 1997, he won state scholarship to study languages and psychology at the Yerevan State Linguistic University. During his student years, he committed himself to studying music and immediately began concentrating on composition. He became a member of local chamber orchestras, writing material for their repertoires.
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Edoardo Ferrari-Fontana and Margaret Matzenauer in 1915 at the Metropolitan Opera Margaret Matzenauer (sometimes spelled Margarete Matzenauer or Margarethe Matzenaur) (1 June 1881 - 19 May 1963) was a mezzo-soprano singer with an opulent timbre and a wide range to her voice. She performed key works from both the Italian and German operatic repertoires in Europe and the United States.
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Barbara Newman (2nd Ed.; Ithaca, NY: Cornell University Press, 1988, 1998). This is one of the largest repertoires among medieval composers. One of her better-known works, Ordo Virtutum (Play of the Virtues), is a morality play. It is uncertain when some of Hildegard's compositions were composed, though the Ordo Virtutum is thought to have been composed as early as 1151.
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Research aimed at engineered resistance follows multiple strategies. One is to transfer useful PRRs into species that lack them. Identification of functional PRRs and their transfer to a recipient species that lacks an orthologous receptor could provide a general pathway to additional broadened PRR repertoires. For example, the Arabidopsis PRR EF-Tu receptor (EFR) recognizes the bacterial translation elongation factor EF-Tu.
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The ghaṭam ( ghata, ghaṭah, ghatam, ghatam, , ghatam) is a percussion instrument used in various repertoires across India. A variant played in Punjab and known as gharha as is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa ("water jug"). The ghatam is one of the most ancient percussion instruments of India.
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Adult mockingbirds have solid pale grey or buff breasts, juveniles mottled Northern mockingbirds are famous for their song repertoires. Studies have shown that males sing songs at the beginning of breeding season to attract females. Unmated males sing songs in more directions and sing more bouts than mated males. In addition, unmated males perform more flight displays than mated males.
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Gazeta Praca (classified job advertisements, salary lists, Mondays), Gazeta Sport (Mondays), Komunikaty (properties classifieds, Tuesdays), Gazeta Dom (building and furnishing, Wednesdays), Duży Format (reportages, Thursdays), Gazeta Telewizyjna (TV programmes, Fridays), Gazeta Co Jest Grane (cinema and theatre repertoires, film and book reviews, music events, Fridays), Gazeta Turystyka (travelling extra, Saturdays) and Wysokie Obcasy, Wysokie Obcasy Extra (women's extra, Saturdays, since April 1999).
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Resonators are usually made with holes covered by thin cellophane (similar to the balafon) to achieve the characteristic buzzing sound. The repertoires of U.S. bands tends to have a great overlap, due to the common source of the Zimbabwean musician Dumisani Maraire, who was the key person who first brought Zimbawean music to the West, coming to the University of Washington in 1968.
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The book was republished not only in Russia, but abroad as well. The collection included such songs as Der Alef-Beis (commonly known as Oyfn Pripetshik), A Brif fun Amerike, and Der Zeide mit der Babe. The songs described the everyday life of Jews in the Russian Empire. Together Sholem Aleichem and Warshawsky started to tour Russia performing their own repertoires.
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A Repertory Commission was established under the Ministry of Culture to direct theatres, control their repertoires, grant permissions to perform or ban performances. Socialist realism was the only recognized direction. After the restoration of independence of Lithuania, theatre changed cardinally and sought to recreate a broken dialogue with spectators. Vilnius City Opera, an independent opera theatre in Vilnius, blends classical with contemporary art.
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The Arts House Dance Company is one of the council's most prominent groups. Founded in 1985, the Company is known for its strong technique, innovative student choreography and vivid stage presence. The A Cappella Council (ACK) is composed of 14 a cappella groups. Penn's a cappella groups entertain audiences with repertoires including pop, rock, R&B;, jazz, Hindi, and Chinese songs.
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Venlo: Stichting Cultuur-Historische Publicaties voor het Stadsgewest Venlo He was commissioned in 1938 by Van Meegeren, the chairman of the 'RK Bond voor Groote Families' (Catholic Association for Large Families) founded in 1917 by Mathijs Janssen, to make the film Levensgang ('The Journey of Life'.)Aasman, S. (2007). "Gladly Breaking Bread": Religious Repertoires and Family Film. Film History, 19(4), 361-371.
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"Hubert Lenoir, un électron libre et assumé qui ne laisse personne indifférent". Le Journal de Montréal, May 12, 2018. The Polaris nomination, in turn, resulted in media attention in both English Canada and the United States, markets where francophone artists from Quebec rarely break through without adding English material to their repertoires."Quebec’s Hubert Lenoir breaks through with genre-bending album Darlène".
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Born in Naples, the daughter of tenor Giovanni Moretti and operetta singer Anna Scarano, she started performing as a child actress at 9 years old and as a singer aged 10 years old. At fifteen years old, Scarano was already well known in Naples as a café-chantant singer and actress, specialized in the repertoires of and .Gianfranco Baldazzi. "Scarano, Tecla".
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Piano repertoires play a major role in nearly all music and a lead role in Western music collections: classical music, jazz, and many other forms of Western music styles. Having knowledge of piano skills and being able to incorporate them with other types of music is an essential literacy of music.Chin, Huei Li. "Repertoire and Technical Exercises." The American Music Teacher.
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The Cuban bolero has traveled to Mexico and the rest of Latin America after its conception, where it became part of their repertoires. Some of the bolero's leading composers have come from nearby countries, most especially the prolific Puerto Rican composer Rafael Hernández; another example is Mexico's Agustín Lara. Some Cuban composers of the bolero are listed under Trova.Loyola Fernandez, Jose 1996.
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This film also shows a graduate assistant working with a culturally deprived four-year-old learning reading and writing numbers and counting, participating voluntarily. The Staats YouTube video number 3 has additional cases of these usually delayed children voluntarily learning much ahead of time these cognitive repertoires that prepare them for school. This group of 11 children gained an average of 11 points in IQ and advanced significantly on a child development measure as they also learned to like the learning situation. Staats published the first study in this series in 1962 and describes his later studies and his more general conception in his 1963 book. This research, that included work with his own children from birth on, was the basis for Staats’ books specifying the importance of the parents' early training of the child in language and other cognitive repertoires.
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The evolution of animal chemosensory receptor gene repertoires: roles of chance and necessity. Nature Reviews Genetics, 9(12), 951-963. OR genes are located on error-prone regions of the chromosome, and consequently, the DNA of the OR gene is periodically duplicated during crossover. After this duplication event, one of the two genes may mutate and disable its function, rendering it as a pseudogene.
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"Oh! Mr Porter" is an old British music hall song about a girl "going too far". It was famously part of the repertoires of the artistes Norah Blaney and It was written in 1892 by George Le Brunn and his brother Thomas, and taken on an extended provincial tour that same year by Marie Lloyd. The lyrics include this chorus: Birmingham is the second city of England.
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George Le Brunn (20 June 186318 December 1905) was an English song writer active during the heyday of the Victorian music hall. He was born George Frederick Brunn in Brighton, Sussex. Among the more well-known songs he wrote is "Oh! Mr Porter", co-written with his brother Thomas (18641936), and included in the repertoires of the popular singers Marie Lloyd and Norah Blaney.
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The 1987 Intellectual Property Law established the Comisión Mediadora y Arbitral de la Propiedad Intelectual ("Intellectual Property Mediation and Arbitration Commission") under the auspices of the Ministry of Culture (art. 153, renumbered as art. 158 by Ley 5/1998). Its role is to mediate between cable distributors (widespread and numerous in Spain) and rightsholders; and to arbitrate between copyright management societies and those who use their repertoires.
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In the best-studied populations, in north-west Argentina, songs appear highly stereotyped, with the great majority of individuals showing a single song. There is good evidence that this song does not change among years, at least after first breeding. However, there is evidence from Ecuador that tropical populations show individual repertoires of up to seven diverse song types. Seasonal variation is very little studied.
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1-4 Adelaide Road Glasthule Dun Laoghaire, Co Dublin, IrelandHotpress, Vol 23, No 3, page 18, 27 February 2002, "Deep down and blue", by Sara Colohan. Published by Osnovina Ltd, 13 Trinity St.Dublin 2 Ireland McCafferty now played a more sophisticated music based on New Jazz, Epic and Music concrete. This new concept allowed the DJ's to expand their repertoires into more contemporary Avant-Garde music.
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That means also that tests can be used to identify important human behaviors, and the learning that produces those behaviors can be studied. Gaining that knowledge will make it possible to develop environmental experiences that produce or prevent types of personality from developing. A study has shown, for example, that in learning to write letters of the alphabet children learn repertoires that make them more intelligent.
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Erich Jarvis is an American professor at The Rockefeller University. He leads a team of researchers who study the neurobiology of vocal learning, a critical behavioral substrate for spoken language. The animal models he studies include songbirds, parrots, and hummingbirds. Like humans, these bird groups have the ability to learn new sounds and pass on their vocal repertoires culturally, from one generation to the next.
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Schoolgirls and boys playing khrueang sai in front of a temple The Music of Thailand includes classical and folk music traditions, e.g., Piphat and Mor lam, respectively, as well as Thai pop music, e.g., "String". Thai classical music is synonymous with those stylized court ensembles and repertoires that emerged in its present form within the royal centers of Central Thailand some 800 years ago.
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Pitchers have different repertoires of pitches they are skillful at throwing. Conventionally, before each pitch, the catcher signals the pitcher what type of pitch to throw, as well as its general vertical and/or horizontal location.Stallings and Bennett (2003), p. 192. If there is disagreement on the selection, the pitcher may shake off the sign and the catcher will call for a different pitch.
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Onegin is a ballet created by John Cranko for the Stuttgart Ballet, premiered on 13 April 1965 at Staatstheater Stuttgart. The ballet was based on Alexander Pushkin's 1825-1832 novel Eugene Onegin, to music by Pyotr Ilyich Tchaikovsky and arrangements by Kurt-Heinz Stolze. The ballet had since been in the repertoires of National Ballet of Canada, American Ballet Theatre and The Royal Ballet.
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He discovered the serenade Germanico, attributed to Händel, that he recorded with Il Rossignolo in 2011 for Sony Classical. The critical acclaim won by this recording launched further collaboration between Tenerani (with Il Rossignolo) and Sony Classical with the recording of the complete solo sonatas by Georg Friedrich Händel (released in August 2019) and other music from the unedited sacred and secular Italian repertoires.
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His plays (Hoja Nasreddin, Zifa, Briefcase, Musa Cälil, Fugitives) always were in the repertoires of the Tatar theatres. Näqi İsänbät wrote for children, including folk-lore genre. A unique edition of Tatar national proverbs in three volumes has been awarded the Ğabdulla Tuqay State Prize. Näqi İsänbät introduced into cultural turn a heroic epos of the Tatar people - (dastan) İdegäy, first published in 1940.
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Kramer's (2000a, 2000b, 2000c, 2003, 2009, 2011) theory of Cultural Fusion, which is based on systems theory and hermeneutics, argues that it is impossible for a person to unlearn themselves and that by definition, "growth" is not a zero- sum process that requires the disillusion of one form for another to come into being but rather a process of learning new languages and cultural repertoires (ways of thinking, cooking, playing, working worshiping, and so forth). In other words, Kramer argues that one need not unlearn a language to learn a new one, nor does one have to unlearn who one is to learn new ways of dancing, cooking, talking, and so forth. Unlike Gudykunst and Kim (2003), Kramer argues that this blending of language and culture results in cognitive complexity, or the ability to switch between cultural repertoires. To put Kramer's ideas simply, learning is growth rather than unlearning.
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Bhaba Pagla composed thousands of charming folk songs, which are mostly performed by Bauls, but also by Shyamasangit singers. Bhaba Pagla's songs are referred to by his devotees as spiritual songs for self-realization (sadhana sangit). The themes and the styles covered by his songs are numerous, drawing from various popular and religious repertoires of his time. His lyrics are profound and metaphorical, but also witty and humorous.
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These large-scale adaptive immune receptor repertoire sequencing (AIRR-seq) data require specialized bioinformatics pipelines to be analyzed effectively. Many computational tools are being developed for this purpose. The Immcantation framework provide a start-to-finish analytical ecosystem for high-throughput AIRR-seq data analysis. The AIRR Community is community-driven organization that is organizing and coordinating stakeholders in the use of next-generation sequencing technologies to study immune repertoires.
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The group released the mixtape The Most Official Mixtape, which included the track "Next Block". Bleek (2006). The Most Offical [sic] – Mixtape, Hiphop in je Smoel, 18 February 2006. During interviews, members of The Most Official criticized the majority of the Dutch rappers at the time, who would present a light-hearted version of hip-hop to the general public with their hit repertoires in the Dutch Top 40.
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Many of the WCTU veterans graduated into the woman's suffrage movement. Moving relentlessly from West to East, became the vote for women in state after state, and finally nationwide in 1920.Ruth Bordin, Woman and Temperance: The quest for power and liberty, 1873-1900 (1981)Elisabeth S. Clemens, "Organizational repertoires and institutional change: Women's groups and the transformation of US politics, 1890-1920." American journal of sociology (1993): 755-798.
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Spurred by her mother's encouragement, however, she began to study Korean classical music focused on Kayageum and dance at the age of 6. When she was 8, she became a winner of the National Music Competition of Korea in 1989. During her early years, Han had mastery of major all repertoires of her instrument, as well as her mastery of the newly improved modern kayageum during the 1990s.
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Some of her repertoires are Door Deepobasini, Hou Jodi Oi Neel Akash, "Hridoye Likhechi Tomari Naam" and Amar Majhe Nei Ekhon Ami. Her non- playback career includes adhunik song and Rabindra Sangeet. Some of her modern songs are Oi Jhinuk Phota Sagorbelai Amar Icche Kore, Kobita Porar Prohor Eseche Rater Nirjoney, Somoy Jeno Kate Na, Phool Phote Phool Jhore etc. She also released a Rabindra Sangeet album in 2009.
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Geo BILONGO is a Congolese guitarist specializing in Rumba Soukous rhythm. He started playing guitar at the age of 11 in Kinshasa. His references are then Django Reinhardt, Jimi Hendrix, Wes Montgomery. He plays in several Kinshasa groups such as "Mokako", "Bisengo" by Gérard MADIATA, "Orchestre KARA" and "Kossa-Kossa" by Master Torro, (famous Kinshasa group of the 70s and 80s who performed all Congolese and international repertoires).
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In 1979, the Concert was recovered and from 1994, it has been held every two years. As a part of 2006 Harbin Summer Music Concert's opening ceremony, a 1,001-piano concert was held in Harbin's Flood memorial square located at the north end of Central Street () on 6 August 2006. Repertoires of the ensemble consisted of Triumphal March, Military March, Radetzky March and famous traditional local song On The Sun Island.
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Maharlika Dance Artists is the official dance group of the university, performing myriad repertoires. The group aims to promote the significance of cultural performing arts from traditional to modern era. PUP ICONS, formerly known as PUP Ramp Artists, is the official cultural promotions management group of the university. PUP Bagong Himig-Serenata is the official chorale group of the university under the University Center for Culture and the Arts.
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It focuses on the transformation of militant repertoires and sociography in contemporary Europe, conducting annual workshops, invitations of foreign and French researchers, symposia, conferences, student tutoring, research activities and publications. In September 2002, Fillieule created the Research Center on Political Action of the University of Lausanne (CRAPUL). The group's aim is to assist PhD students and young researchers through frequent workshops, symposia and conferences. It also has a focus on research.
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The American-French Genealogical Society (AFGS) was established in 1978 as a genealogical and historical organization for French-Canadian research. It was founded by members of the Le Foyer Club in Pawtucket, Rhode Island, United States. Its headquarters are in nearby Woonsocket, Rhode Island. Its vast resources include more than 10,000 volumes of repertoires (marriage records), genealogies, biographies, histories, genealogical journals, and publications of regional, national, and international scope.
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Organ and Walsh went on to establish their own companies in Houston, and McIntyre's choreography was added to the repertoires of several major companies. He formed his own company in Idaho in 2005, after serving eight years as Houston Ballet's Choreographic Associate. In 1995, Cecil C. Conner, Jr., was appointed as Managing Director bringing to Houston Ballet a professional background in law and several years managing Joffrey Ballet.
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The role of leaders (or managers) is always highlighted towards building an ambidextrous organization. Several recommendations have been made to organizations on how to achieve contextual ambidexterity, including using of meta-routines and job-enrichment schemes, building trust with supervisees, being supportive, using complex behavioral repertoires,Denison, D., Hooijberg, R., & Quinn, R. E. (1995). Paradox and performance: Toward a theory of behavioral complexity in managerial leadership. Organization Science, 6, 524-540.
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Because they were excluded from playing the traditional village ritual performance pieces, they were also free to create entirely new repertoires that explored a more "feminine" performance style with fluid dances and heavy makeup. As the traditional labor performances became more rare and the minjung movement allowed pungmul to be played in less traditional contexts, women were able to use pungmul to emerge into the professional music world.
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Flower-drum Opera has undergone flourishing development after the founding of People's Republic of China. The most typical Hunan Flower-drum Opera has been developed for over 200 years and now is provided with more than 300 types of melodies. Moreover, a large number of traditional repertoires have been coordinated and adapted. At the same time, numerous modern dramas such as the popular play Tinker Pans were created.
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Heyboer began his musical apprenticeship at the age of eleven when he began practicing singing in the choirs of Terrasson-Lavilledieu and the Camerata Vocal of Brive. He approaches the Renaissance, French, Italian and German Baroque repertoires in the festivals of la Vézère, La Chaise-Dieu and the . He is also a recipient of the Jeunesses musicales de France. At the same time he studied classical guitar for eight years.
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A study of 54 DiGeorge syndrome infants resulted in all tested subjects having developed polyclonal T-cell repertoires and proliferative responses to mitogens. The procedure was well tolerated and resulted in stable immunoreconstitution in these infants. It had a survival rate of 75%, having a follow-up as long as 13 years. Complications include an increased susceptibility to infections while the T cells have not yet developed, rashes and erythema.
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Namdev's work is known for abhangas, a genre of hymn poetry in India. His poems were transmitted from one generation to the next within singing families, and memory was the only recording method in the centuries that followed Namdev's death. The repertoires grew, because the artists added new songs to their repertoire. The earliest surviving manuscripts of songs attributed to Namdev, from these singing families, are traceable to the 17th century.
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Positive affectivity is an integral part of everyday life. PA helps individuals to process emotional information accurately and efficiently, to solve problems, to make plans, and to earn achievements. The broaden-and-build theory of PA suggests that PA broadens people's momentary thought-action repertoires and builds their enduring personal resources. Research shows that PA relates to different classes of variables, such as social activity and the frequency of pleasant events.
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Often the subject matter consists of naiskos scenes (scenes showing the statue of a deceased person in a naos, a miniature temple or shrine). Most often the naiskos scene occupies one side of the vase, while a mythological scene occupies the other. Images depicting many of the Greek myths are only known from South Italian vases, since Athenian ones seem to have had more limited repertoires of depiction.
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The hire of volunteers for the projects was conducted in a framework of the state system of organizational mobilization, but more often through Komsomol mobilization by Komsomol travel tickets. One of active participants of the 1950s-80s construction projects were student construction brigades under a patronage of Komsomol.Siegelbaum, L.H., Moch, L.P. Broad Is My Native Land: Repertoires and Regimes of Migration in Russia’s Twentieth Century. Cornell University Press. 2014.
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On the other side, there are birds that sing with immediate variety and have larger repertoires, meaning that they switch song types continuously. The great tit, in particular, sings with eventual variety and has a small repertoire, usually consisting of two to seven different song types. Songs can be broken down into several simpler components. Songs are made up of bouts which last from about 30 seconds-600 seconds.
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He later worked as a presenter of the morning Musikstunde at the SWDR. In 1979 his monograph on Krzysztof Penderecki was published (second edition in 1994). 1975 wurde Schwinger in Stuttgart Operndirektor der Staatstheater Stuttgart, 1985 zudem stellvertretender Generalintendant. Er trieb die Erneuerung des Repertoires mit den Standardwerken voran, initiierte aber andererseits Aufführungen der Moderne mit Werken von Mauricio Kagel, György Ligeti, Bruno Maderna, Aribert Reimann und Wolfgang Rihm.
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The countless couplets of Our culture had a particularly big success. Many actors included them into their repertoires with the author’s consent and also repeatedly “stole” them. The reproachful chorus of this song (“Here’s the fruits of education, here’s our culture!”) was used by different authors to create renewed versions of the late 1920s. During 1915–1917, many of Savoyarov’s topical songs were notable for satirical and political jokes.
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Reggae in Australia originated in the 1980s. Australian reggae groups include Sticky Fingers, Blue King Brown, Astronomy Class and The Red Eyes. Others such as The Fraud Millionaires combine reggae with rock, while many more artists include some reggae songs in their repertoires, but don't identify as reggae bands. Desert Reggae is a developing contemporary style possibly originating in Central Australia and featuring lyrics often sung in Australian Aboriginal languages.
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Lillian Nordica (December 12, 1857 – May 10, 1914) was an American opera singer who had a major stage career in Europe and her native country. Nordica established herself as one of the foremost dramatic sopranos of the late 19th and early 20th centuries. She had a powerful yet flexible voice and the ability to perform an unusually wide range of roles in the German, French and Italian operatic repertoires.
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Song sparrow Japanese bush warbler Purple-crowned fairywren One of the most prominent forms of avian communication is by means of acoustic signals. These signals are widespread in avian species and are often used to attract mates. Different aspects and features of bird song such as structure, amplitude and frequency have evolved as a result of sexual selection. Large song repertoires are preferred by females of many avian species.
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Théophile Gautier, Histoire de l'Art dramatique en France depuis vingt-cinq ans, Série 3, p.305 (facsimile edition Elibron Classics, Adamant Media Corporation) . and if he was not ready for all the roles from the repertoires of Adolphe Nourrit and Gilbert Duprez, still (they thought) some Meyerbeer would have suited him well, not least Raoul in Les Huguenots.A. H. Blaze in Revue des Deux Mondes, 15 December 1844, Vol.
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Symplex Technology is a process used to discover antibodies that are customized from plasma cells for a particular therapeutic application, and it involves direct isolation of the antibody genes from the immune system.Meijer PJ, Andersen PS, Haahr Hansen M, et al. (2006). "Isolation of human antibody repertoires with preservation of the natural heavy and light chain pairing" Journal of Molecular Biology. 358 (3) 764-72 Retrieved 17 November 2010.
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The repertoires of Theodore Bikel, Marais and Miranda, and Martha Schlamme also included Hebrew and Jewish material, as well as Afrikaans. The Weavers' first big hit, the flipside of Lead Belly's "Good Night Irene", and a top seller in its own right, was in Hebrew ("Tzena, Tzena, Tzena") and they, and later Joan Baez, who was of Spanish descent, occasionally included Spanish-language material in their repertoires, as well as songs from Africa, India, and elsewhere. The commercially oriented folk-music revival as it existed in coffee houses, concert halls, radio, and TV was predominantly an English-language phenomenon, though many of the major pop-folk groups, such as the Kingston Trio, Peter, Paul and Mary, The Chad Mitchell Trio, The Limeliters, The Brothers Four, The Highwaymen, and others, featured songs in Spanish (often from Mexico), Polynesian languages, Russian, French, and other languages in their recordings and performances. These groups also sang many English-language songs of foreign origin.
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With the romanticism of songs like Brigantine by Pavel Kogan, pirate songs are still popular at author song concerts today. Almost every bard has at least one song of this type. Tourist song was generally tolerated by the government, and it existed under the moniker author song (avtorskaya pesnya), i.e., songs sung primarily by the authors themselves, as opposed to those sung by professional singers (although professionals often "borrowed" successful author songs for their repertoires).
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Through the album's popularity and the group's concert performances, they brought "Stormy Monday" to the attention of rock audiences. Similarly, R&B; singer Latimore's 1973 hit recording made it popular with a later R&B; audience. "Stormy Monday" is one of the most popular blues standards, with numerous renditions. As well as being necessary for blues musicians, it is also found in the repertoires of many jazz, soul, pop, and rock performers.
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It was at the Met, in 1910, that he created the role of Dick Johnson in Giacomo Puccini's La fanciulla del West. Caruso's voice extended up to high D-flat in its prime and grew in power and weight as he grew older. At times, his voice took on a dark, almost baritonal coloration. He sang a broad spectrum of roles, ranging from lyric, to spinto, to dramatic parts, in the Italian and French repertoires.
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Besides folk-rock, recent groups have included, as well as Alan Stivell, world music influences into their repertoires – especially younger groups such as Wig-a-Wag. Hip hop with a Celtic flavour has been espoused by groups such as Manau from Paris. The band Merzhin uses traditional Celtic instruments along with electric guitars and bass. Their melodies and harmonies are inspired by Celtic music as well as by modern rock and roll.
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148 The final three sonatas are for woodwind and piano: for flute (1956–57), clarinet (1962), and oboe (1962). They have, according to Grove, become fixtures in their repertoires because of "their technical expertise and of their profound beauty". The Elégie for horn and piano (1957) was composed in memory of the horn player Dennis Brain. It contains one of Poulenc's rare excursions into dodecaphony, with the brief employment of a twelve-note tone row.
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Throughout his career, he has been invited as dancer, Maitre, ballet master or choreographer in various dance companies worldwide. Maitre of Classic Technique, Duo technique, Repertoire, de Cardenas has worked as consultant in different European and Latin American Academies, as well as delivered different lectures and courses, participated in numerous Stages and Workshops. His creations make part of several companies' repertoires worldwide, i.e. Ballet of Monterrey, Ballet of Cali, Contemporary Dance of Cuba.
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They also sometimes appear as late night events during contra dance weekends. In response to the demand for tecno contra, a number of contra dance callers have developed repertoires of recorded songs to play that go well with particular contra dances; these callers are known as DJs A kind of techno/traditional contra fusion has arisen, with at least one band, Buddy System, playing live music melded with synth sounds for techno contra dances.
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Positive emotional feelings such as moods, and sentiments such as happiness, carry more personal and psychological benefits than just a pleasant, personal subjective experience. Flourishing widens attention, broaden behavioral repertoires, which means to broaden one's skills or regularly performed actions, increase intuition, and increase creativity. Secondly, good feelings can have physiological manifestations, such as significant and positive cardiovascular effects, such as a reduction in blood pressure. Third, good feelings predict healthy mental and physical outcomes.
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For nearly half a century, whether with the Tréteaux, in festivals, in private theatres and later in her Carrés, Monfort explored the ancient and modern theatrical repertoires. She acted in no less than five versions of Phèdre in different theatres as well as on television. She interpreted numerous works of Racine and Corneille. She performed Sophocles' Electra in the most incongruous of places, such as the "trou des Halles" in Paris in 1970.
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That meant the new generations had to learn those ever more complex repertoires. It was cumulative learning that consistently created the selection device for the members of those generations that had the larger brains and were the better learners. That theory makes learning ability central in human origin, selecting who would survive and reproduce, until the advent of Homo sapiens where all individuals (except if damaged) have full brains and full learning ability.
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The International Association of Multilingualism (IAM) is an academic, scientific professional association whose members undertake research in all areas of linguistics dealing with all facets of multilingualism. Research has focused on tri- and quadruple language acquisition by children, as well as on societal instances of multilingualism or on cases of individual multilingual repertoires, for example. IAM members work in various linguistic fields, including psycholinguistics, sociolinguistics, educational linguistics, language acquisition and applied linguistics.
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Lev Steinberg Lev Petrovich Steinberg (ru: Штейнберг, Лев Петрович) (Yekaterinoslav 3 September 1870 – Moscow 16 January 1945), was a Russian conductor and composer.Gregor Tassie Kirill Kondrashin: His Life in Music Page 6 2010 "The Bolshoi Theatre possessed several astonishingly fine conductors; Yuri Fayer and Lev Steinberg both originated from the provinces and possessed sophisticated repertoires." In 1914 Diaghilev invited him to Paris and London. He founded the Moscow State Symphony Orchestra in 1943.
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Elisa Orlandi (1811–1834) was an Italian opera singer who was active at major opera houses in Italy from 1829 until her sudden death in 1834. Possessing a wide vocal range with a significant amount of coloratura facility, she tackled roles from both the mezzo-soprano and soprano repertoires. She is best remembered today for portraying the role of Giovanna Seymour (Jane Seymour) in the world premiere of Gaetano Donizetti's Anna Bolena in 1830.
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The most common sources of transcriptions for euphonium are the cornet, vocal, cello, bassoon and trombone repertoires. In each case, one can see the common threads of ease of reading and performance: cello and bassoon both customarily read in bass clef, making them easily adaptable; vocal solos are naturally suited to the singing quality of the euphonium; and in playing cornet solos the euphonist may use the same fingerings that a cornettist would.
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Her compositions are in the performance and recorded repertoires of other musicians. "Many of her tunes have become modern standards," according to The Scotsman. Carroll "has composed more than a dozen tunes that have become beloved standards among her peers," according to the San Diego Union-Tribune. She composed the music for The Mai, a play by Irish playwright Marina Carr that opened at the Irish Repertory Theatre in New York in 1994.
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In 2001, he founded Les Paladins, with whom he explores the repertoires of the 17th and 18th centuries. His work focuses on the theatricality of the voice and the expressiveness of the instruments, as he is passionate about theatre and the stage. He gradually gave up his singing career to keep only recital and recordings before going into opera with Les Paladins. He is also a professor of baroque vocal style at the .
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He was born Louis or Leib Morgenstein in San Francisco. After becoming proficient in the art of magic, he toured America, Europe and Australia, which he had first visited in 1892. He was one of several famous magicians who added films to their repertoires during the early years of cinematography. He sailed from England on 28 March 1896 aboard the Royal Mail Ship and on the voyage exhibited Robert W. Paul's Theatrograph to the passengers.
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Both ram muay and wai khru take place before all traditional muay Thai matches. The wai is also an annual ceremony performed by Thai classical dance groups to honor their artistic ancestors. Thai classical music is synonymous with those stylized court ensembles and repertoires that emerged in their present form within the royal centers of Central Thailand some 800 years ago. These ensembles, while being influenced by older practices are today uniquely Thai expressions.
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The UK Chinese Ensemble is an internationally recognised UK Chinese music ensemble that was founded in 1994 by Chinese virtuosi resident in Britain. The ensemble seeks to promote a wide variety of traditional repertoires as well as exploring contemporary styles. In addition to regular concerts, the ensemble presents workshops and other out-reach activities to a wide range of groups within the community. Since its founding, the ensemble has performed throughout Europe.
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Corey's cookbooks have been described as participating in culinary diplomacy, the practice of promoting cultural links between people in different countries or communities through sharing foods and drinks - respective culinary repertoires – whether through published recipes, via film, or in restaurants or home kitchens, in ways that facilitate dialogue and mutual understanding. Historian Jennifer Dueck has noted that cookbooks like Corey's were appreciated by the American mainstream as evidenced by their multiple editions and major publishers.
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These females also tend to gain direct benefits through the increased production of fledglings and offspring that become adults. In addition, male song repertoire length is positively correlated to annual harem size and overall lifetime production of offspring that survive. Song repertoire size alone is able to predict male lifetime number of surviving offspring. Females tend to be attracted to males with longer song repertoires since they tend to sire offspring with improved viability.
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Armando Manzanero widely considered the premier Mexican romantic composer of the postwar era. The Cuban bolero has traveled to Mexico and the rest of Latin America after its conception, where it became part of their repertoires. Some of the bolero's leading composers have come from nearby countries, most especially the prolific Puerto Rican composer Rafael Hernández; another example is Mexico's Agustín Lara. Some Cuban composers of the bolero are listed under Trova.
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Although there is some evidence that females assess male cognitive ability when choosing a mate, the effect that cognitive ability has on survival and mating preference remain unclear. Many questions need to be answered to be able to better appreciate the implications that cognitive traits may have in mate choice. Some discrepancies also need to be resolved. For example, in 1996, Catchpole suggested that in songbirds, females preferred males with larger song repertoires.
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"Gloria" is a song that was written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964 and released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. It is particularly memorable for its "Gloria!" chorus. It is easy to play, as a simple three-chord song, and thus is popular with those learning to play guitar.
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Paul Posnak is an American pianist and music academic. He is noted for playing repertoires mixing twentieth-century American music with European romantic classics, ranging from George Gershwin to Frédéric Chopin, from classical to jazz. His transcriptions and performances of the original improvisations of Gershwin, Fats Waller and Jelly Roll Morton have gained him international attention. Posnak is Professor of Keyboard Performance, and Director of the Accompanying/Chamber Music Program at the University of Miami's Frost School of Music.
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Gene duplication and genetic drift expanded these small repertoires in gene number over evolutionary time, supporting the notion that the lamprey OR sequence represents an ancient OR family.Mezler, M. A. R. I. O., Konzelmann, S. I. D. O. N. I. E., Freitag, J. O. A. C. H. I. M., Rossler, P., & Breer, H. E. I. N. Z. (1999). Expression of olfactory receptors during development in Xenopus laevis. The Journal of Experimental Biology, 202(4), 365-376.
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Comparisons between human and mouse OR gene repertoires have been well documented in genomic and phylogenetic analysis. Identifying the orthologous relationship between their genes provides key translating data from mouse studies in understanding human olfaction. Approximately 63% of the human OR repertoire has degenerated to pseudogenes, whereas mice only exhibit 20% of pseudogenization. In addition, human OR genes lack motifs that are highly conserved in mouse OR genomes, implicating that not all human OR genes encode functional OR proteins.
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Looking at that diagram we can see the frequency of specific effort qualities used by a mover. People have their own unique movement quality preferences. So, although a punch often involves direct, strong, and accelerated qualities, but one could punch using an indirect quality of movement. The KMP study group discovered that as infants mature, their movement repertoires expand and certain qualities become more or less frequent based on their developmental phase and individual personality and experiences.
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He possessed a broad knowledge of the full range of the Jewish liturgical, classical and secular musical repertoires, as well as Jewish history and philosophy. He was the cantor of the only synagogue in Queens which had a professional choir at all services. The choir performed behind an ornate grate above the pink marbled Ark. During the first 47 years, the synagogue did not have a cantor with the rabbi conducting services and the congregation singing the responses.
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Now in the beginning of the 21st century, because of those efforts, the repertoires of orchestras, string quartets, opera houses, ballet troupes and solo instrumentalists are far more likely to contain a wide variety of music from all periods, including 19th century works by composers other than Beethoven, Schubert and Brahms, that had been previously excluded before the revival. This late 20th century movement is to be distinguished from the late 18th century movement known as Romanticism.
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The Rake's Progress is a short 1935 ballet based on the drawings of William Hogarth, with music by Gavin Gordon (1901-1970), choreography by Ninette de Valois, and set design by Rex Whistler. Gavin Gordon had written some earlier ballets that were not successful. By contrast, The Rake's Progress was an instant hit and has remained in the repertoires of a number of ballet companies. It is the only work of Gavin Gordon's that is remembered today.
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Mukamlar (singular: mukam) is a term for bodies of musical repertoire for the Turkmen dutar (two-stringed lute) or tüÿdük (an end-blown flute). Mukumlar represents the most important repertoires in the Turkmen classical tradition after the baksy songs. There are several mukamlar for each instrument; instrumentalists may disagree on the number. There are, however, five dutar pieces acknowledged to form the core of this repertoire: Goñurbaş mukamy, Gökdepe mukamy, Erkeklik mukamy, Aÿralyk mukamy and Mukamlarbaşy.
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Retrotransposons are transposable elements which proliferate within eukaryotic genomes through a process involving reverse transcription. RNA-Seq can provide information about the transcription of endogenous retrotransposons that may influence the transcription of neighboring genes by various epigenetic mechanisms that lead to disease. Similarly, the potential for using RNA-Seq to understand immune- related disease is expanding rapidly due to the ability to dissect immune cell populations and to sequence T cell and B cell receptor repertoires from patients.
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The nomenclature system developed for P. syringae effectors has been adopted by researchers characterizing effector repertoires in other bacteria, and methods used for bioinformatic effector identification have been adapted for other organisms. In addition, researchers working with P. syringae have played an integral role in the Plant-Associated Microbe Gene Ontology working group, aimed at developing gene ontology terms that capture biological processes occurring during the interactions between organisms, and using the terms for annotation of gene products.
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Two karyotypic forms of Rhabdomys (2n = 28 and 2n = 46) have been detected. Based on this finding and on the analysis of mitochondrial DNA, as well as evidence of divergent behavioural repertoires among populations (e.g. courtship behaviours). It has initially been suggested that R. pumilio be reclassified as two species: R. pumilio (the social form that occurs in xeric habitats; 2n = 48) and R. dilectus (the solitary form, found in mesic areas, that comprises two subspecies R. d.
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Keyes mentions children as well as adults. He says that children are directly affected by maternal depression, and points out that the flourishing or languishing of teachers and the effect on students have not been studied. Keyes also speculates that teacher retention may be associated with the students' frames of mind. Furthermore, if students can be made to flourish, the benefits to the education process are greater, as flourishing can increase attention and thought-action repertoires.
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In addition to pursuing his career as a solo artist, David Grimal has been keen to explore more personal projects. The liberty afforded by his collaboration with Les Dissonances has enabled him to develop his inner universe by venturing into repertoires not available to soloists. With Les Dissonances, he has founded “L’Autre Saison”, a series of concerts performed to the benefit of and with homeless people in the Église Saint-Leu, in the very heart of Paris.
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One single species isolate P. copri CB7 has been used for different studies that showed it can be beneficial or detrimental, depending on the context. Prevotella is a large genus with high species diversity and high genetic diversity between strains. A recent study on Prevotella derived from humans compared the gene repertoires of its species derived from different body sites of human. It also reported an open pan- genome showing a vast diversity of the gene pool.
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Those with higher ratios were claimed to have broader behavioral repertoires, greater flexibility and resilience to adversity, more social resources, and more optimal functioning in many areas of their life. The model also predicted the existence of an upper limit to happiness, reached at a positivity ratio of 11.5. Fredrickson and Losada claimed that at this limit, flourishing begins to disintegrate and productivity and creativity decrease. They suggested as positivity increased, so to "appropriate negativity" needs to increase.
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Stadium anthems are characterized by a catchy uptempo rhythm and a repeated vocal call-response catchphrase, often a statement of pride or arrogance (such as "We Will Rock You", "We Are the Champions" and "Another One Bites the Dust" by Queen).We Are the Champions Allmusic. Retrieved July 17, 2011 Most stadium anthems are drawn from popular rock and roll, dance or rap hits. At college football games, the schools' marching bands often add stadium anthems to their repertoires.
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Both incorporated a large number of bachata-merengues in their repertoires. Santos, Vargas and the many new style bachateros who would follow achieved a level of stardom which was unimaginable to the bachateros who preceded them. They were the first generation of pop bachata artists and received all the hype and image branding typical of commercial pop music elsewhere. It was also at this time that bachata began to emerge internationally as a music of Hispanic dance-halls.
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Charles William Clark (15 October 1865 - 4 August 1925) was an American baritone singer and vocalist teacher. He is generally regarded as the first American baritone singer to be famous in Europe, and as one of the greatest baritone singers of all time. He sang to great acclaim at the major opera houses of Europe and America, appearing in a wide variety of roles from the Italian, French and German repertoires that ranged from the lyric to the dramatic.
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Longitudinal intervention studies show that positive emotions play a role in the development of long-term resources such as psychological resilience and flourishing. Not only are positive emotions a sign of flourishing, or thriving and expanding in life rather than simply surviving life, they can also help create flourishing in the present and in the future. Because positive emotions positively broaden and build one's thought-action repertoires they lead to increased resources and more satisfied lives.
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Philip Balsiger points out that political consumption (e.g., boycotts) tends to follow dual-purpose action repertoires, or scripts, which are used publicly to pressure boycott targets and to educate and recruit consumers. Balsiger finds one example in Switzerland, documenting activities of the Clean Clothes Campaign, a public NGO-backed campaign, that highlighted and disseminated information about local companies' ethical practices. Dixon, Martin, and Nau analyzed 31 collective behavior campaigns against corporations that took place during the 1990s and 2000s.
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In accordance to this limitation, the human T cells when engrafted in the mice, failed to recognize human antigen-presenting cells, which consequated in defective immunoglobulin class- switching and improper organization of the secondary lymphoid tissue. To circumvent this limitation, the next development came with the introduction of transgenes encoding for HLA I and HLA II in the NSG RAGnull model that enabled buildout of human T-lymphocyte repertoires as well as the respective immune responses.
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Song sparrow Mating call of Japanese bush warbler, Horornis diphoneThe use of vocalizations is widespread in avian species and are often used to attract mates. Different aspects and features of bird song such as structure, amplitude and frequency have evolved as a result of sexual selection. Large song repertoires are preferred by females of many avian species. One hypothesis for this is that song repertoire is positively correlated with the size of the brain's song control nucleus (HVC).
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Different tree species have different tolerances to drought and cold. Mountain ranges isolated by oceans or deserts may have restricted repertoires of tree species with gaps that are above the alpine tree line for some species yet below the desert tree line for others. For example, several mountain ranges in the Great Basin of North America have lower belts of pinyon pines and junipers separated by intermediate brushy but treeless zones from upper belts of limber and bristlecone pines.
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Jonathan Battishill (May 1738 – 10 December 1801) was an English composer, keyboard player, and concert tenor. He began his career as a composer writing theatre music but later devoted himself to working as an organist and composer for the Church of England. He is considered one of the outstanding 18th century English composers of church music and is best remembered today for his seven-part anthem Call to Remembrance, which has long survived in the repertoires of cathedral choirs.
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In the presence of a female, a male sometimes flies to his nest and sings from the entrance, apparently attempting to entice the female in. Older birds tend to have a wider repertoire than younger ones. Those males that engage in longer bouts of singing and that have wider repertoires attract mates earlier and have greater reproductive success than others. Females appear to prefer mates with more complex songs, perhaps because this indicates greater experience or longevity.
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Thomas Fulton (September 18, 1949 - August 4, 1994), was an American conductor. Noted primarily for his work in opera, Fulton debuted at the Metropolitan Opera of New York City in 1979 and remained with the company until his death. He conducted 192 performances at the Met of over 20 operas in the Italian, French and German repertoires. A 1982 performance he conducted of Humperdinck's Hansel and Gretel was telecast on PBS and remains available on video as a DVD.
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Maternal Growing and Shrinking Movements in Mother-Infant Interaction Correspondent to Maternal Self Criticism and Dependency: Application and Utilization of the Kestenberg Movement Profile (KMP) in a Microanalysis (3483895 Psy.D.). Pace University, Ann Arbor. Available from ProQuest Dissertations & Theses Small infants have wide repertoires of movement qualities, each in theory, coming to greater maturity and prominence as each developmental phase unfolds. However, the general developmental pattern described in the KMP, is expressed in each individual in varied forms reflecting individual differences.
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Corps prepare a new show each year, approximately 8–12 minutes in length, and refine it throughout the summer tour. Shows are performed on football fields and are judged in various musical and visual categories, or "captions". Musical repertoires vary widely among corps and include symphonic, jazz, big band, contemporary, rock, wind band, vocal, rap, Broadway, and Latin music, among other genres. Competitive junior corps usually spend between 10 and 15 weeks on tour over the summer, practicing and performing full-time.
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To make ends meet he turned to translations and writing librettos. Things changed when Nekrasov became the head of Otechestvennye Zapiski. Ostrovsky was warmly welcomed in and debuted there in November 1868 with Enough Stupidity in Every Wise Man (На всякого мудреца довольно простоты). Taking cues from his 'worst enemy' operetta which came from France to conquer Petersburg and drive Ostrovsky's plays from theatre repertoires, he wrote "Ivan-tsarevich", an ironic fairytale, its Russian folklore plot mixed with modern parody and farce.
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In the United States, broadcasters can pay for their use of music in one of two ways: they can obtain permission/license directly from the music's copyright owner (usually the publisher), or they can obtain a license from ASCAP, BMI, SESAC to use all of the music in their repertoires. ASCAP, BMI and SESAC are the three performing rights societies in the U.S. and once they receive payment from the broadcasters they are responsible for compensating the music authors and publisher.
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Enrico Caruso (, also , ; 25 February 1873 – 2 August 1921) was an Italian operatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star.
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Kiki's passion for magic began while in school. While working as a part-time supervisor in a fast food restaurant, Kiki would spend most of his income on magic props and books, building his stage repertoires and working on his career at a very young age. In his early years, Kiki performed for his school functions and charity shows. Kiki began his career as a professional magician in 1995 after he was discovered by Vivien Goh, owner of the Zephyhdom talent management company.
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Davis performing in 1986 Davis soon decided to pursue a career of his own in country music; he was signed to Columbia Records in 1970. After several years of enriching the repertoires of other artists, his big success came two years after signing with Columbia. He topped the Country and Pop charts with the song "Baby Don't Get Hooked on Me". It sold over one million copies and was awarded a gold disc by the Recording Industry Association of America in September 1972.
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The 13 date tour ran from 28 April to 14 May 2013. The three-piece band performed nine songs from both Foxx's solo and The Maths repertoires and were generally positively received by Orchestral Manoeuvres in the Dark fans. In a further collaboration with OMD, a John Foxx and the Maths remix of the OMD track "Dresden" was issued as part of the single release package. The release of Rhapsody was delayed due to production problems and was not available on the tour.
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He knew all the repertoires and could imitate any singer. Despite all his health issues, he had a very lively personality and, motivated by his friends, he signed up to several tango singing contests in the neighborhoods of Chacarita, La Paternal and Villa Urquiza, but even though he was always very applauded, he never won. He had a handful of jobs, from taking bets -which he did during more than ten years- to salesman, while in parallel he continued to sing tango.
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The orchestra concerts were popular events among Toronto's social elite. The TSO attempted to reach a different audience by establishing extra concerts of popular music in 1909 with ticket prices at just 25 cents. During its history, the TSO mainly performed works from the standard German Classical and Romantic period repertoires, such as symphonies by Ludwig van Beethoven, Joseph Haydn, Felix Mendelssohn, Wolfgang Amadeus Mozart, and Franz Schubert. In 1911 the ensemble gave a program entirely devoted to the works of Richard Wagner.
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Fascinated by Baroque and classical literature, he was nevertheless interested in all the repertoires, up to contemporary creation. Thus it was at his request that André Jolivet wrote in 1956 the oratorio La Vérité de Jeanne.La Vérité de Jeanne on Ircam Always eager to share his discoveries with the general public, he demonstrated remarkable pedagogical qualities and knew how to exploit them in multiple fields. He was the source of many concerts and festivals, including that of Epinal in the early 1950s.
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"Jazz bands" began forming in Cuba as early as the 1920s. These bands often included both Cuban popular music and popular North American jazz, and show tunes in their repertoires. Despite this musical versatility, the movement of blending Afro-Cuban rhythms with jazz was not strong in Cuba itself for decades. As Leonardo Acosta observes: "Afro-Cuban jazz developed simultaneously in New York and Havana, with the difference that in Cuba it was a silent and almost natural process, practically imperceptible".
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In 1976, Dame Margot Fonteyn performed the rôle of Hanna as a guest dancer at The Australian Ballet and continued with the rôle, alternating with Marilyn Jones when the company took their production to England. Like the operetta, the ballet has also become very popular and has been adopted into the repertoires of many companies, including the National Ballet of Canada, the Royal Danish Ballet, the American Ballet Theatre, the Houston Ballet, the Vienna State Ballet, and Pacific Northwest Ballet.
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Code page 855 (CCSID 855) (also known as CP 855, IBM 00855, OEM 855, MS-DOS Cyrillic) is a code page used under DOS to write Cyrillic script. Code page 872 (CCSID 872) is the euro currency update of code page/CCSID 855. Byte CF replaces ¤ with € in that code page. It supports the repertoires of ISO-8859-5 and ISO-IR-111 (in a different arrangement), in addition to preserving the semigraphic and box-drawing characters and guillemets from code page 850.
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Psychological behaviorism's works project new basic and applied science at its various theory levels. The basic principles level, as one example, needs to study systematically the relationship of the classical conditioning of emotional responses and the operant conditioning of motor responses. As another projection, the field of child development should focus on the study of the learning of the basic repertoires. One essential is the systematic detailed study of the learning experiences of children in the home from birth on.
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During the 19th century, British musical taste was dominating the RMP's opinion in making musical decisions, including selecting performance repertoires, outlining the list of the programmes as well as employing the concert pitch. George Peake, the appointed conductor of the Philharmonic in 1889 to 1911, decided the high Philharmonic pitch to be employed for the orchestra instead of using the normal pitch or the French pitch, as the high pitch was still being used by the orchestras in the UK (ibid.).
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Gavin Gordon composed a 1935 ballet titled The Rake's Progress, based directly on Hogarth's paintings. It was choreographed by Ninette de Valois, designed by Rex Whistler, has been recorded several times, and remains in the repertoires of various ballet companies. The 1945 British comedy-drama film The Rake's Progress, released in the US as Notorious Gentleman, is loosely based on the paintings. The 1946 RKO film Bedlam, produced by Val Lewton and directed by Mark Robson, was inspired by A Rake's Progress.
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Furthermore, most odors activate more than one type of odor receptor. Since the number of combinations and permutations of olfactory receptors is very large, the olfactory receptor system is capable of detecting and distinguishing between a very large number of odorant molecules. Deorphanization of odor receptors can be completed using electrophysiological and imaging techniques to analyze the response profiles of single sensory neurons to odor repertoires. Such data open the way to the deciphering of the combinatorial code of the perception of smells.
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1^), composed ... Tiểu nhạc (literally :small music) or // true Tiểu nhạc (UYrB%:) : small group of silk or stringed instruments and bamboo flute. Ty khanh: ... Traditional Vietnamese Music 67." Court Music "He with the profound knowledge about Vietnamese Court Music not only taught the performance skill of such repertoires as Liên hoàn, Bình bán, Tây mai, Kim tiền, Xuân phong, Long hổ, Tẩu mã extracted from Ten bản ngự (Small music); Mã vũ, Man (Great music) but introduced their origin and performance environment.
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Selma Ek Selma Ek (3 September 1856 – 3 May 1941) was a Swedish operatic soprano who had an active international career from the 1870s through the 1890s. Like Lilli Lehmann and Lillian Nordica, she was one of those universally talented singers of the late 19th century who was able to master roles from the coloratura, lyric, and dramatic soprano repertoires. The leading Swedish soprano of her day, she was particularly admired for her portrayals of Mozart, Wagner, and Verdi heroines.Ek Biography at operissimo.
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She performs with Barry, a musician known for his fusion of musical styles and repertoires, on the stages of the Gnaoua World Music Festival in Essaouira, the Tanjazz in Tangier and the Barcelona Acció Musical in Barcelona. Oum, who grew up in Marrakech, is a soul singer. Yet, her style remains unique since it is highly inspired by influences such as the Hassani poetry (Moroccan desert culture) and African rhythms. Her first album Lik 'Oum appeared in Casablanca in May 2009.
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Pipe bands have long been part of military tradition, most notably in the United Kingdom and its former colonies. Many of the same standard tunes are found in both the military and civilian pipe band repertoires, and many similarities exist in terms of musical style, historical and musical influences, and dress and deportment. A military Remembrance Day parade in Ottawa, Ontario. Musicians in British Army bands are normally required to take on a secondary role in the battlefield as medics.
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A book playing a large Gavioli fairground organ. Book music is a medium for storing the music played on mechanical organs, mainly of European manufacture. Book music is made from thick cardboard, containing perforated holes specifying the musical notes to be played, with the book folded zig-zag style. Unlike the heavy pinned barrels, which could only contain a few tunes of fixed length, that had been used on earlier instruments, book music enabled large repertoires to be built up.
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In 1930, he was invited to the opera theater in Kharkov (the capital of Ukraine at that time) where he sang in the Ukrainian, Russian and Italian repertoires. In 1934 both the capital and the opera theatre's leading soloists, including Azrikan, moved to Kiev. In 1939, Azrikan first sang the title role in Giuseppe Verdi's Otello which later became his signature role. He was awarded the title of Honored Artist of Ukraine in 1940,Entsyklopediia sychasnoi Ukrainy [Contemporary Ukrainian encyclopedia], Kiev: NAU, 2001. T.1. 229.
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Coquerel's sifaka lemursRed-winged blackbird Female choice, the act in which a female chooses her mate based on the attractiveness of his qualities, is very common in polygynous systems. In these cases, females will choose males based on secondary sexual characteristics, which may indicate access to better and more resources. For example, female great reed warblers (Acrocephalus arundinaceus) have a preference to mate with males with larger song repertoires, because this indicates that they are older and may have better nesting territories.Hasselquist, D. (1998).
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The San Lorenzo march is an Argentine military march, whose lyrics celebrate the role played by the Regiment of Mounted Grenadiers commanded by José de San Martín at the Battle of San Lorenzo during the Argentine War of Independence. Special mention receives the heroic sergeant Juan Bautista Cabral. The music was composed in 1901 by Uruguayan musician Cayetano Alberto Silva, and the lyrics in 1908 by Carlos Javier Benielli. It was later incorporated into the musical repertoires of other military bands around the world.
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Besides her occupation with historical violins and violas, she likes to work on new repertoires for the viola d'amore. Since 2002 she also teaches at summer courses and workshops, e.g. at the Academy for ancient music in Bruneck, at the International Summer Course in the Michaelstein Abbey in Blankenburg (Harz) and at Musica viva Musikferien in Tuscany. She also works with many ensembles in projects including , Chursächsische Capelle Leipzig, English Baroque Soloists, Orchestre Révolutionaire et Romantique, Les Amis de Philippe, , La Cesta, Musicalische Schlemmerey and Fürsten-Musik.
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Reciprocal representation principles are the basis of the international network of authors' societies. They make it possible for one society to represent the worldwide creative repertoire in their home territory. For example, if a Spanish society and an Australian society have signed a "reciprocal representation" agreement, the Spanish society can represent the Australian society's repertoire in Spain and the Australian society can represent the Spanish society's repertoire in Australia. They grant licenses for uses of each other's repertoires and collect royalties for these uses.
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The term flourishing, in positive psychology, refers to optimal human functioning. It comprises four parts: goodness, generativity, growth, and resilience (Fredrickson, 2005). According to Fredrickson (2005), goodness is made up of: happiness, contentment, and effective performance; generativity is about making life better for future generations, and is defined by “broadened thought-action repertoires and behavioral flexibility”; growth involves the use of personal and social assets; and resilience reflects survival and growth after enduring a hardship. A flourishing life stems from mastering all four of these parts.
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In modern societies, these various elements became de-fused (as per Weber's sphere differentiation) and for this reason actors who wish to appear authentic must draw upon various repertoires. "Fusion", in Alexander's terms, is the moment in a performance when the various elements click together, generate an effective performance, and ultimately move the audience to psychological identification with the actors. A failed performance will be one that the audience will perceive as inauthentic, and will not develop the sense of identification the actors desired.See also .
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In 2011 Tagg started working for the reform of music theory terminology on two fronts. His views are: [1] that conventional music theory terminology, based mainly on the euroclassical and jazz repertoires, is often both inaccurate and ethnocentric – he cites the widespread use of “tonality” to denote just one type of tonality and its simultaneous conceptual opposition to both “atonality” and “modality” as one example of the problem; [2] that the denotation of non-notated musical structures, rarely covered in conventional music theory, needs urgent attention.
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New York: Westview Press. However, while Darwin gathered imposing evidence showing the evolution of physical characteristics of species his view that behavioral characteristics (such as human intelligence) also evolved was pure assumption with no evidentiary support PB presents a different theory, that the cumulative learning of pre-human hominins drove human evolution. That explains the consistent increase in brain size over the course of human evolution. That occurred because the members of the evolving hominin species were continually learning new language, emotion- motivation, and sensory-motor repertoires.
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The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941. Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoires.
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In 1962, her collection of song melodies for piano, Mes Plus Belles Chansons, was published through a grant by the Canada Council. Her other works include Poème pastorale for the piano (published 1948) and the songs "Ceux qui s'aiment sont toujours malheureux" (published 1947) and "Soir d'hiver" (published 1948). During her lifetime, Her works were included in the concert repertoires of Canadian musicians Maureen Forrester, Raoul Jobin, Marthe Létourneau, Nicholas Massue and Albert Viau. In 1972, Caron-Legris died in Montreal at the age of 66.
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The Royal Melbourne Philharmonic began to have a contractual agreement with the Australian Broadcasting Commission (ABC) on 17 August 1936, wherein the ABC took over the choir. As the Philharmonic entered a contract with the ABC, the burden of orchestral members fees and promotional costs were reduced. Based on the agreement with ABC, the RMP had given permission for ABC to do an audition and replacement of choir members. The ABC also gained the authorization to nominate the conductors, soloists, choirmaster and the repertoires to be performed.
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He has invented many original tricks including: "Linking playing cards", "Bizarre twist", "A Solid Deck" and many others. Magic magazine (August 1999) states that "the feats of astonishments that Paul creates and teaches are in the repertoires of a multitude of working pros". Harris has performed at the Dunes Hotel and at other locations on the Las Vegas Strip and was a technical advisor for David Blaine's Magic Man and Street Magic TV shows. He also contributed writing to the 1987 film Nice Girls Don't Explode.
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The cost of maintenance has meant higher booking fees for fledgling repertoires, eventually reserving itself for a corporate clientele. The Kenya National Theatre has also been a subject of scholarly criticism and a basis for formulating a cultural policy. In 2004, Kenya Cultural Centre Ltd contracted Millicon's Ltd to undertake a three phase renovation of the facility. In October 2007, Kenya National Theatre was handed over and renamed "National Theatre" with a notable interior design of the first floor's "Wasanii Restaurant" by Terry Tabor.
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At least 4 baqashot are shared between the Moroccan and Syrian repertoires, namely יודוך רעיוני, אליו מי הקשה ארץ ורום, שחר אבקשך The Moroccan collection is known as "Shir Yedidot" (Marrakesh 1921): unlike in the Aleppo tradition, where the baqashot service is the same every shabbat, the Moroccan tradition has a different set of baqashot for each week. The Amsterdam collection is set out in the first part of Joseph Gallego's Imre No'am: the contents of this were probably derived from the Salonica tradition.
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He is a co-founder of two start-up companies, Orbit Discovery and of Quadrucept Bio. His research has focussed on antibody and T cell receptor gene diversity, gene rearrangement and aberrant rearrangement of chromosomes (chromosomal translocations) in cancer. He pioneered the method of cDNA cloning, an approach universally used in bioscience and biotechnology, and elucidated the organization, diversity and rearrangement of human antibody genes, which defined the building blocks for construction of therapeutic antibody repertoires. He also pioneered chimaeric antibodies (with the late Michael Neuberger).
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Fig. 1: Great tit (Parus major) The great tit, Parus major, is a passerine bird belonging to the family Paridae. Passerines are commonly referred to as songbirds, with most passerines singing multiple species-specific songs making a repertoire. Birds can be ranked depending on how they perform the songs in their repertoire. On one side, there are birds that sing with eventual variety and have small repertoires, meaning that each song type in their repertoire is repeated before they switch to a different song type.
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Biologically, having a large repertoire is advantageous in territorial defence and larger repertoires are also correlated with higher reproductive success. Marcel Lambrechts and André Dhondt proved that average strophe length and repertoire size can be used as proxies for male quality. Male quality refers to the fitness of the bird, measuring how well it survives and its reproductive success. Lambrechts and Dhondt set out to find the answers to four questions also pertaining to percentage performance time and male quality in the great tit.
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The old ballads collected by Sharp from Sands and others over a century ago have not been forgotten. A number of present-day traditional ballad singers have included Sands's songs in their repertoires for live concerts as well as in sound recordings. Sheila Kay Adams, award-winning singer, musician, story teller, and author, has recorded an album entitled My Dearest Dear,Sheila Kay Adams, My Dearest Dear, Granny Dell Records 1220, 2000, compact disc. which includes six songs that are part of Sharp's collection from Sands.
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Rosalie La Grange (May Whitty) is a grandmotherly woman with a lower-class accent.When this movie was made, Received Pronunciation was, in Britain, the hallmark of an educated person and a strong indicator of origin and social class. People who did not acquire the “Kings English” (or “Queen's English”) at home or at school often went to great lengths to do so as adults. Actors were especially motivated to add it to their repertoires, even if they continued to use their original dialects in daily life.
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In Vilnius and the Vilnius Region, the performances by the Vilnius Lithuanian Stage Amateur Company (), established in 1930 (later it was renamed to Vilnius's Lithuanian Theatre; professional theatre Vaidila), were shown. In 1945, it was merged to the Lithuanian National Drama Theatre. After the USSR occupation of Lithuania in 1940, theatre became one of the means of disseminating the Soviet ideology and censorship of repertoires was introduced. The performances incorporated the principles of socialist realism and a number of revolutionary plays were staged by the Russian authors.
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Over the years, the Devils have often made use of jazz and Latin music repertoires, notably Bill Reddie's Channel One Suite (made famous by Buddy Rich) and charts from the music of Chick Corea and Chuck Mangione and that written for Stan Kenton's big band. Because of their musical style choices, the Devils are one of the corps most associated with jazz.Drum Corps World, June 17, 1988Drum Corps World, January 2003Drum Corps World, August 6, 2004A History of Drum & Bugle Corps, Vol. 2; Steve Vickers, ed.
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Transcription factors are proteins that bind to specific DNA sequences in order to regulate the expression of a given gene. There are approximately 1,400 transcription factors in the human genome and they constitute about 6% of all human protein coding genes. The power of transcription factors resides in their ability to activate and/or repress wide repertoires of downstream target genes. The fact that these transcription factors work in a combinatorial fashion means that only a small subset of an organism's genome encodes transcription factors.
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The magazine was first published in 1973 as "Informationsmagazin rund um die Oper" and celebrated its 45th anniversary in 2018. Later it was extended by the special section Orpheus International with contributions on competitions, profiles and international repertoires of theatres and opera houses. Over the years it has been revised several times and updated continuously both in terms of content and structure. After a break from January 2013 to April 2015, the magazine was published by the Munich MuP from May 2015 to March 2018.
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As part of the WFIMC statutes, the competition is available to all nationalities. Months before the event, there is a preliminary stage where the applicants submit a written application, and audio/video material showing his or her performance of a piece from a selected list of artists. A preliminary jury, one of which is a South Korea representative from the regular jury, reviews the applications, and selects "approximately 25 or more" people to participate in the event. The participants then submit their repertoires by mid-September.
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On the discussion of this position, see: Hansen, Magnus Paulsen, 2016, "Non-normative Critique: Foucault and Pragmatic Sociology as Tactical Re-politicization", European Journal of Social Theory, 19(1). This framework led to numerous articles and has also been developed and tested in collaborative and comparative research on the political and moral grammars used in differing and making things and issues common. Comparative projects included United States (Comparing Cultures and Polities: Repertoires of Evaluation in France and the United States, ed. with Michèle Lamont, 2000) and Russia.
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OR gene repertoires have also evolved in relation to other senses, as higher primates with well-developed vision systems tend to have a smaller number of OR genes. As such, investigating the evolutionary changes of OR genes can provide useful information on how genomes respond to environmental changes. Differences in smell sensitivity are also dependent on the anatomy of the olfactory apparatus, such as the size of the olfactory bulb and epithelium. Nonetheless, the general features of the olfactory system are highly conserved among vertebrates,Eisthen, H. L. (1997).
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Bismuth studied the violin with Roland Charmy at the Conservatoire de Paris. From 1993 to 1998, Bismuth was teacher of baroque violin at the Conservatoire de Paris and is currently teacher at the Versailles, Boulogne Billancourt, Paris and Reims conservatories. Learning the baroque violin allows him to interpret differently classical, romantic and contemporary repertoires. He has performed in numerous concerts with his ensemble "La Tempesta" and the Atlantis Quartet,Atlantis Quartet of which he is co-founder and also with the organist Louis Thiry, who opened up the horizon of early music to him.
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In 2015, he decided to end his collaboration with Jérémie Rhorer to found a new orchestra, the Concert de la Loge Olympique, specialized in the interpretation of baroque, classical and romantic repertoires on ancient instruments. Since 2008, he has also been working at the INSEAD, alongside Professor Ian Woodward, in training seminars for business leaders. His discography includes eight discs recorded with the Cercle de l'Harmonie and the conductor Jérémie Rhorer for Virgin Classics, Eloquentia and Ambroisie-Naïve labels and five discs with the Cambini-Paris Quartet for the Timpani, MBF and Ambroisie-Naïve labels.
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In 1957, he toured Europe with the Ukrainian Bandurist Chorus as co-conductor with Hryhory Kytasty. The tour was not a financial success and the following year he moved back to Rochester to work in a tool and die shop. In 1960, he moved to Los Angeles where he became the choral director for the local Ukrainian Catholic Church and also directed a Ukrainian community choir known as "Kobzar". Bozhyk's arrangements, particularly of Ukrainian Christmas Carols and Insurgent Army songs have been included in the repertoires of most Ukrainian diaspora choirs and Ukraine.
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The song was covered by Austrian popular singer and composer, Udo Jürgens, who released his cover of the song many times and in many formats from 1963 on, by Japanese rock band, Sheena & The Rokkets, on the band's 1980 album Channel Good. Terry Stafford recorded the song in 1964 on the Crusader label. "Kiss Me Quick" was also in the repertoires of German tenor, Peter Hofmann, who had a successful performance career within the fields of opera, rock, pop, and musical theatre,Hofmann, Peter (1990). CD Germany: Columbia 471327 2.
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Celtic, English, German and Scandinavian folk traditions predominated in this first wave of European immigrant music. The Australian tradition is, in this sense, related to the traditions of other countries with similar ethnic, historical and political origins, such as New Zealand, Canada, and the United States. The Australian indigenous tradition brought to this mix of novel elements, including new instruments, some of which are now internationally familiar, such as the didgeridoo of Northern Australia. A number of British singers have spent periods in Australia and have included Australian material in their repertoires, e.g.
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It ramifies towards aesthetics, acoustics, hermeneutics, symbolism, metaphysics, sociology, music therapy, pedagogy, psycho - pedagogy, and rhetoric, and includes research on the interpretation (Aufführungspraxis) allowing to execute the old repertoires according to their authenticity. It revalues the orality as a living vehicle of traditional practices and knowledge, bearing precious values: vital, human, spiritual (cf. Marcel Jousse). This broad, open, spiritualist conception of musical science confers their originality to the works that Jacques Viret has published since 2004 at , about gregorian chant, Medieval music, Richard Wagner, musicothérapy, Baroque music, and opera.
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His American debut at the Library of Congress in Washington, D.C. was certainly auspicious: "Not for many years has so competent a master of the viola been heard in American concert halls", commented the Washington Post. From then on, he appeared widely as recitalist, soloist with orchestras and as a chamber musician. Paul Doktor was equally at home with the baroque, classical and modern repertoires. With Yaltah Menuhin, he introduced to American audiences a concerto by J.C.F. Bach for viola, pianoforte and orchestra, which he had discovered in Paris.
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In positive emotional states an individual is able to consider more possible solutions to problems, but in lower emotional states fewer solutions can be ascertained. The narrowed thought-action repertoires can result in the only paths perceptible to an individual being ones they would never use if they saw an alternative, but if they can't conceive of the alternatives that carry less risk they will choose one that they can see. Criminals who commit even the most horrendous of crimes, such as mass murders, did not see another solution.Baumeister, R.F. (2012).
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Alessio De Paolis (9 March 1893 - 5 March 1964) was an Italian operatic tenor who specialized in character roles. He was a prominent member of the Metropolitan Opera in New York City where he sang from 1938 to 1964. At the Met De Paolis performed 51 different roles, primarily in the Italian and French repertoires, in a remarkable 1555 performances. In 1931, De Paolis created the role of Monsieur Le Beau in Ermanno Wolf-Ferrari's opera La vedova scaltra and that of Christian in Franco Alfano's Cyrano de Bergerac in 1936.
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His passion for twentieth century Italian music led him to rediscover and record rare repertoires. He recorded world premieres of unpublished compositions by Mario Castelnuovo-Tedesco, collected in two albums: Exotica (2018) and Dedications (2019), published by Digression Music label. The two albums achieved enthusiastic reviews (American Record Guide, Musicweb International, MusicVoice). He also dedicated himself to the study of rare pages by Giorgio Federico Ghedini, of whom he performed the Fantasy and the Concerto for two pianos and orchestra in 2018 at the Kursal in Kislovodsk (Russia).
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During 1974, Carson portrayed Donna Anna in Don Giovanni, Cio-Cio San in Madama Butterfly and Alice Ford in Falstaff. For the 1975–1976 season, she rejoined the Metropolitan Opera to portray Fiordiligi in Cosi fan tutte. In 1977, Carson returned to the COC and was cast as Elisabeth of Valois in Don Carlos, and débuted with the Manitoba Opera for a second appearance in Don Giovanni. Operatic bass player Paul Plishka invited her to partake in a concert of selections from his most popular repertoires in high school auditoriums in 1978.
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Orchester Wiener Akademie was founded in 1985 by the organist and director Martin Haselböck. This association is internationally known because of its vast repertoire, including pieces from the Baroque until the end of Romanticism. The orchestra has been recognized because of its work in the exploration of classical and romantic repertoires, as well as techniques and styles of those times. The Wiener Akademie interprets the works of famous composers in their original styles and sounds, using the instruments on which the works were supposed to have been originally played.
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In late 1971, with a deal for a solo album in hand and only two songs completed, Weir and Barlow began to write together for the first time. They co-wrote such songs such as "Cassidy", "Mexicali Blues" and "Black-Throated Wind", all three of which would remain in the repertoires of the Grateful Dead and of Weir's varied solo projects. Barlow subsequently collaborated with Grateful Dead keyboardist Brent Mydland, a partnership that culminated in four songs on 1989's Built to Last. He also wrote one song ("The Devil I Know") with Vince Welnick.
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In the Celtic repertoires it is common to change keys with each tune. A set might start with a tune in G, switch to a tune in D, and end with a tune in Bm. Here, D is related to G as its dominant (5th), while D and Bm share a key signature of two sharps. In the old-time tradition the musicians will either play the same tune for the whole dance, or switch to tunes in the same key. This is because the tunings of the five-string banjo are key-specific.
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Willey and Stubbs added accordion and trombone respectively to their repertoires. In 1996 Willey (on bass guitar), and Perry (singing) joined Thinking Plague, a Denver-based avant-rock group, and Mike Johnson (guitar) and Mark Harris (reeds) of Thinking Plague joined Hamster Theatre. In 1998, a new version of Hamster Theatre, Willey (accordion), Stubbs (trombone), Johnson (guitar), Harris (reeds), Mike Fitzmaurice (bass guitar) and Raoul Rossiter (drums), recorded their first album, Siege on Hamburger City live at Mercury Café in Denver. Hamster Theatre's next album, Carnival Detournement was released in 2001.
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The Upper Austrian Brass Band Association chose the incidental music from the operetta "Roulette der Herzen" (Arrangement for wind orchestra by Josef Hartl) in the 1995/96 season in the series of compulsory pieces level C. The main part of his work was in the field of operetta, the upscale entertainment music and brass bands. His operettas "Roulette der Herzen", "Alles spricht von Charpillon" and "Schach dem Boss" were translated in several foreign languages and were in various theatres for several years in the repertoires. He was, inter alia, a Member of Innviertler Künstlergilde.
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He performs contemporary music as well as the classical and Romantic repertoires that he often associates into his programs. He collaborates regularly with the Ictus Ensemble. Ginsburgh has performed and premiered pieces by Newton Armstrong, Vykintas Baltakas, Guy Barash, Philippe Boesmans, Renaud De Putter, Jean-Luc Fafchamps, Fabian Fiorini, Panayiotis Kokoras, Pierre Kolp, György Kurtág, Philipp Maintz, Benoît Mernier, Stefan Prins, André Ristic, Frederic Rzewski, François Sarhan, Sabrina Schroeder, Matthew Shlomowitz, and Juan Carlos Tolosa. He has been awarded the Belgian composers' union prize for his achievements in performing Belgian contemporary music.
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It is based on repetition of periods of equal length that each singer divides using different rhythmic figures specific to different repertoires and songs. This creates a detailed surface and endless variations not only of the same period repeated but of various performances of the same piece of music. As in some Balinese gamelan music these patterns are based on a super-pattern which is never heard. The Pygmies themselves do not learn or think of their music in this theoretical framework, but learn the music growing up.
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Fredrickson notes two characteristics of positive emotions that differ from negative emotions: # Positive emotions do not seem to elicit specific action tendencies the same way that negative emotions do. Instead, they seem to cause some general, non- direction oriented activation. # Positive emotions do not necessarily facilitate physical action, but do spark significant cognitive action. For this reason, Fredrickson conceptualizes two new concepts: thought-action tendencies, or what a person normally does in a particular situation, and thought-action repertoires, rather an inventory of skills of what a person is able to do.
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Positive emotions often cause people to discard time-tested or automatic action tendencies and pursue novel, creative, and often unscripted courses of thought and action. These positive emotions and thought-action repertoires can be seen as applicable to the concept of flourishing because flourishing children and adults have a much wider array of cognitive, physical, and social possibilities, which results in the empirical and actual successes of a flourishing life. The concept has also been used by Martin Seligmann, the founder of positive psychology, in his 2011 publication Flourish.
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Sacchi was born in Milan and studied for her PhD at the University of Milan in 1972, investigating the genetics of yeast. She remained within the fields of genetics for her postdoctoral training at the same University and Erasmus University Rotterdam. Sacchi worked on the generation of antibody repertoires by the TdT DNA polymerase in the lab of Georges Köhler at the Basel Institute for Immunology. She moved to the US in 1982 and switched to cancer research, focussing on the analysis of the genetics of patient samples at National Cancer Institute.
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1 containing 16 songs appeared on Spotify, iTunes, Deezer, Amazon Music, Google Play Music, Tidal, YouTube Music and Apple Music. Gabriella's first original songs, "Last Time" and "Remember", were released at the end of 2019. They were recorded at Mono Music studio in Stockholm, established by former ABBA member Benny Andersson. Quevedo cites her main influences as Tommy Emmanuel, Sungha Jung, Kotaro Oshio and Andy McKee, whose music she has included in her recordings and performance repertoires, and with whom she has appeared in concerts in Sweden and on the international stage.
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In honor of his grandchildren, Grigoryants designed a special tree area and named each tree after his every grandchild. Aside from gardening, Grigoryants loved listening to classical music, operettas (he knew most repertoires lyrics by heart), and reading scientific journals and books from his vast home library. His daughter, Seda, remembers how "dad would just take his favorite Chekhov book and read for hours". In the summer of 1978, G.S. Grigoryants, who lived with the inborn heart defect, suffered two episodes of stroke that left him paralyzed and immovable.
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Very often the bagpipe was used for playing dance music; other instruments served this purpose only in the absence of the bagpipe. Some old ceremonial dances, such as the Round Dance (Voortants) and the Tail Dance (Sabatants) were performed together with a bagpiper who walked at the head of the column. Ceremonial music took an important place in the bagpipers' repertoires in the 17th century, as seen from the literary sources of that time. For instance, the presence of a bagpiper was considered essential during weddings, where he had to take part in certain ceremonies.
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In 1927, German composer Ernst Toch published an opera based on "The Princess and the Pea", with a libretto by Benno Elkan. Reportedly this opera was very popular in the American student repertoires; the music as well as the English translation (by Marion Farquhar) were praised in a review in Notes. The story was adapted to the musical stage in 1959 as Once Upon a Mattress, with comedian Carol Burnett playing the play's heroine, Princess Winnifred the Woebegone. The musical was revived in 1997 with Sarah Jessica Parker in the role.
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As of October 2010, the theatre was all set to reopen, with the premiere of Mei Lanfang Classics, providing a view of Peking Opera in its heyday. The play includes six classics from the 160 repertoires of Mei Lanfang, including Battle with Invaders, Drunken Princess, Goddess of Luo River, Taking Command of Troops, Sylph Scattering Flowers, and Farewell to Princess Yu. On June 10, 2012, the theatre played host to American comedian Louis CK, who taped an episode of his show Louie there to an invitation-only audience.
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Druze man in Peki'in Israel is home to about 143,000 Druze who follow their own gnostic religion. Self described as "Ahl al- Tawhid", and "al-Muwaḥḥidūn" (meaning "People of Oneness", and "Unitarians", respectively), the Druze live mainly in the Northern District, southern Haifa District, and northern occupied Golan Heights.Identity Repertoires among Arabs in Israel, Muhammad Amara and Izhak Schnell; Journal of Ethnic and Migration Studies, Vol. 30, 2004 Since 1957, the Israeli government has also designated the Druze a distinct ethnic community, at the request of the community's leaders.
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"Swinging" music of the era is also considered "lounge" and consisted of a schmaltzy continuation of the swing jazz era of the 1930s and 1940s, but with more of an emphasis on the vocalist. Soft and gentle vocalists such as Dooley Wilson, Pat Boone, Bobby Darin, Jackie Gleason, Wayne Newton, Louis Prima, Sam Butera and Bobby Vinton are notable examples of lounge music. The music of Burt Bacharach was soon featured as part of many lounge singers' repertoires. Such artists performed mainly at featured lounges in Las Vegas casinos.
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In 1949, he made his debut at both the Opéra-Comique and the Palais Garnier, where he established himself as a lead tenor in the French repertoire. Libero De Luca was fluent in German, French and Italian, and excelled in all three repertoires in lyric roles. He retired from the stage in 1961, and became a full-time voice teacher in Horn, Switzerland, near Lake Constance, where he died in 1998. De Luca made several recordings, notably Mignon and Manon, opposite Janine Micheau, Lakmé, opposite Mado Robin, and Carmen, opposite Suzanne Juyol.
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Effect on others comes from the learner's behavior affecting the stakeholders who control reinforcers and punishers in a specific environment. It is important to identify these stakeholders' motivations and reinforcers in selecting potential cusps. Effect refers to the changes in values and behaviors of the stakeholder resulting from a cusp in the learner. The initial and gradually more complex behaviors that constituted the entry point for an important behavior change that, once initiated, so profoundly alters, displaces, or transforms one's behavioral repertoire that it renders preexisting behavioral repertoires obsolete.
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Some instances long-term sociability has been observed among individuals off the coast of Queensland, Australia. Grouping associations seem to be strongest among male individuals implying some potential correlation to reproductive strategy. Additionally, there was an observation of snubfin dolphins displaying mating courtship between Australian humpback dolphins.Annalisa Berta, 2015, Whales, Dolphins, and Porpoises - A Natural History and Species Guide, Both the Australian snubfin dolphin and the Australian humpback dolphin co-occur throughout much of the tropical Northern waters of Australia, and have similar vocal repertoires consisting of click trains, burst pulses, and whistles.
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While rufous-capped warblers are generally birds of tropical shrubby highlands, North American sightings tend to be in oak woodland canyon bottoms, near running water, while the birds stay low in dense vegetation. The courtship song of the rufous-capped warbler is a rapid, accelerating series of chipping notes ('), somewhat reminiscent of the rufous-crowned sparrow, while the call notes is a hard ' or ', often repeated. Like other New World warblers, this species does not actually warble. Male rufous‐capped warblers have complex songs with many syllable types shared both within and between males’ repertoires.
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The authors analyze clients' Personal Position Repertoires by creating a bi-plot of the factors underlying their internal and external positions. A bi-plot provides a clear and comprehensible visual map of the relations between all the meaningful internal and external positions within the self in such a way that both types of positions are simultaneously visible. Through this procedure clusters of internal and external positions and dominant patterns can be easily observed and analyzed. The method allows researchers or practitioners to study the general deep structures of the self.
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According to Ostrovsky's notes, the play was conceived on 8 March 1871, started on 10 March and finished on 9 April of that year. "This is more an etude than a proper play, got nothing visually effective in it and written for pundits. It centers around the Moscovites' way of life, and merchants' language is being reproduced here with perfect accuracy," Ostrovsky explained in a letter to his friend, actor Fyodor Burdin on April 17. On 21 August 1871 the Theatre and Literary Committee declared the comedy eligible for the Imperial Theatres repertoires.
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Euler diagram comparing repertoires of JIS X 0208, JIS X 0212, JIS X 0213, Windows-31J, the Microsoft standard repertoire and Unicode Relationship between Shift_JIS variants on the PC and related encodings, including intersections and other subsets. Names given are descriptive. Many different versions of Shift JIS exist. There are two areas for expansion: Firstly, JIS X 0208 does not fill the whole 94×94 space encoded for it in Shift JIS, therefore there is room for more characters here — these are really extensions to JIS X 0208 rather than to Shift JIS itself.
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Actresses including Demoiselle Hartmann, the Weinhold sisters and Luise Wagner, sister of Richard Wagner, used the theatre to make the transition to professional careers. The years around 1800 also saw a generational shift from the founders to their successors, who chose the stage as their profession while retaining close ties to the Societaetstheater, where they had begun their association with the theatre.Gruber (1998), p. 162. The bourgeois drawing-room dramas which dominated the repertoires of theatres of all sizes at the beginning of the 19th century made few demands in casting, time, settings or props.
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He developed some advanced ideas in the concept of the military band and added such instruments as alto and bass clarinets, oboes, French horns and flugelhorns to his band.Influential Musicians Many of the military band arrangements were designed for brass bands with extra reed parts. As a result of his work in combing and balancing the instrumentation of the military band Safranek became the chief band arranger for the Carl Fischer publishing house. He made an enormous contribution to the band repertoires including marches, overtures and novelty numbers.
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The Charro outfit was also used in the national Orquestra Típica Mexicana (Mexican Typical Orchestra), organized in 1884 by Carlo Curti, and touring the United States and Mexico as part of a presentation of nationalism for the Mexican president Porfirio Diaz. Curti's Orquestra Típica Mexicana has been called the "predecessor of the Mariachi bands." After the Mexican Revolution, many haciendas had to let workers go, including mariachis. Groups began to wander and play for a fee, which obliged them to incorporate other music into their repertoires, including waltzes and polkas.
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Gendang silat tunes are categorised into three separate repertoires depending on their performance context. The first being the martial art pieces (lagu silat, paluan silat), which accompany combat demonstrations of silat, and muay thai (tomoi) for wedding receptions, competitions, and other public events. They are usually named based on their origins; for example Lagu Silat Kedah ('Kedah martial arts piece') and paluan Kelantan ('Kelantan drumming'). Next are the processional tunes (lagu berarak) which are pieces played for short parades heralding the arrival of dignitaries such as newlyweds or government officials.
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These ensembles, while being slightly influenced by older practices and repertoires from India, are today uniquely Thai expressions. While the three primary classical ensembles, the Piphat, Khrueang sai and Mahori differ in significant ways, they all share a basic instrumentation and theoretical approach. Each employ the small ching hand cymbals and the krap wooden sticks to mark the primary beat reference. Several kinds of small drums (klong) are employed in these ensembles to outline the basic rhythmic structure (natab) that is punctuated at the end by the striking of a suspended gong (mong).
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The success of Vrh had secured him his first commission to write a play about the 1941 anti-fascist insurgence in the Romanija region near Sarajevo. Though one of his best plays, Iza šutnje's (Beyond Silence) attempt to demystify the legend of Slaviša Vajner Čiča, a Partisan leader at the heart of the events, displeased Bosnian political censors. As a result, the play was swiftly taken off the repertoires of the four out of five leading Bosnian theatres. The fifth one, in Banja Luka, never attempted to stage it.
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During the spring of 1962, in Wecoma Beach (now Lincoln City) they appeared in an International Music Recital where they presented their varied repertoires of dances and songs in numerous languages and instruments. Their stage appearances became very minimal for many years afterwards, except for the annual appearances in Mexico during the spring and winter. After 1965, they also began appearing annually at the Salishan Bar & Grill. Paquita watched as cars went faster and faster by their home, and it troubled her to think that people were in such a hurry.
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Singing is extremely important to the Baatonu and they have repertoires covering all aspects of daily life in the Empire. Wuru songs retrace the life of hunters and daily scenes, but can sometimes branch out into more erotic subject matter. Teke songs celebrate the typical values of Baatonu humanism and often use opposites to illustrate their messages – generosity and rapacity, bravery and cowardice, fidelity and infidelity, etc. – to encourage virtuous behaviour; thus, some of the songs are aimed at in- stilling a responsible attitude towards sexuality in young people, especially girls.
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Since 2008, the company's artistic director has been French-born singer and scholar Anne Azéma.Worlds of Music: The Boston Camerata Series , Continuing Education, New England Conservatory Azéma and the Camerata produce many new programs, featuring early repertoires which span eight centuries of music history. The Camerata has a regular subscription series for Boston-area residents, as well as tours in the United States and abroad. In 2011, Camerata was in residence in Reims, France, contributing five programs of medieval French music to the 800th anniversary celebration of the Reims Cathedral.
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The Unicode character set can be encoded into bytes for storage or transmission in a variety of different ways, called "encodings". Unicode itself defines encodings that cover the entire repertoire; well-known ones include UTF-8 and UTF-16. There are many other text encodings that predate Unicode, such as ASCII and ISO/IEC 8859; their character repertoires in almost every case are subsets of the Unicode character set. XML allows the use of any of the Unicode-defined encodings, and any other encodings whose characters also appear in Unicode.
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When interpreting the zinc finger repertoires presented by investigations using ZFP phage display, it is important to appreciate the effects that the rest of the zinc finger framework may have had in these selections. Since the problem only appears to occur in a limited number of cases, the issue is nullified in most situations in which there are a variety of suitable targets to choose from and only becomes a real issue if binding to a specific DNA sequence is required (e.g. blocking binding by endogenous DNA- binding proteins).
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Thévenot is a professor at the Ecole des Hautes Etudes en Sciences Sociales (Paris) who co-initiated in France two trends which rejuvenated the critical social sciences, and reached a certain international audience. With Luc Boltanski, he co-authored On Justification 2006 [1991] which analyzes the most legitimate repertoires of evaluation governing political, economic and social relationships. It originated the French ‘Pragmatic sociology’ of critique. Thévenot is also one of the founders of the 'Convention School' which has developed analysis of economical, social and political conventions that regulate uncertain coordination.
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The story was already well known in Batavia (now Jakarta), in part because it was a popular part of stage performers' repertoires. To ensure the quality of the story, Effendi worked with a scenario and, later, shooting script – two items which had, until then, never been used for a domestic production. This was the first sound film released by Tan's, but far from the first in the Indies. The earliest sound films released in the Indies, Fox Movietone Follies of 1929 and The Rainbow Man, were both shown in 1929.
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Charles gained interest in music as a child, observing her uncle and aunt experiment on the production software Fruity Loops. In 2016, she enrolled in the Clive Davis Institute of Recorded Music at New York University where she practiced her production and songwriting skills. During the second semester of her sophomore year, Charles met her current manager, Christian McCurdy. He introduced her to RCA A&R; J Grand, and he flew her to Los Angeles to work with producers and other artists and repertoires in the recording industry.
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39 Moravian folk bands are mainly centered on a string section and a large cimbalom, which are often complemented by other instruments. Moravian traditional music influenced Czech classical composers, such as Antonín Dvořák, Bedřich Smetana and Leoš Janáček, who was at the forefront of the Moravian folklore movement. Towards the end of the 20th century, Moravian folk music had a noticeable influence on the Czech jazz scene, and folk songs have been adapted into rock bands' repertoires. Today, there are many festivals still held throughout Moravia with performances from traditional bands and dance ensembles.
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As the "most folk-rooted member" of Quicksilver, he also reworked a number of songs from the folk revival and singer-songwriter repertoires (most notably Hamilton Camp's "Pride of Man") for the group. He would play on all six Quicksilver albums. Though not as commercially successful as contemporaries like Jefferson Airplane, Big Brother and the Holding Company and the Grateful Dead, Quicksilver was integral to the development of the San Francisco sound. In addition to earning three Billboard Top 100 hits, several of their albums ranked in the Top 30 of the magazine's album chart.
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The rapid global proliferation of information technology (IT) often leaves libraries at a disadvantage in terms of keeping their services current. However, libraries are always striving to understand their user demographics in order to provide the best possible services. Therefore, libraries continue to take notes from current cyberculture and are continually incorporating a diversified range of interactive technologies in their service repertoires. Virtual reference represents only one small part of a larger library mission to meet the needs of a new generation, sometimes referred to as the "Google Generation", of users who have grown up with the internet.
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There are currently 80 members in the company, including regular members, associate members, and trainees. Equipped with the nation's top dancers and diverse repertoires, the Korea National Ballet has taken the lead in developing the field of performance. Welcoming artistic director Tae-ji Choi who was reappointed in 2011, the Korea National Ballet reflects on its past achievements done under the slogan of Globalization, Refinement and Popularization of ballet for the past half century. Overseas tours have included performances in Egypt and Israel in 1997, China in 2000 and 2001, Japan in 2002, and more recent trips to Russia.
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It is separate and distinct from traditions which it has influenced or which may in part have evolved from it, such as bluegrass, country blues, variants of western swing and country rock. Starting in the 1920 some fiddlers, particularly younger ones like Aurtur Smith, were swept up in the new music, their style and repertoires reflected influences from blues, ragtime, and Tin Pan Alley. Anyone who wanted to make a career in music had to keep up with the times. But many, like John Salyer and Hiram Stamper cared little for the new music, and stayed with the old-time tunes.
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Richard Reti went so far as to pronounce e4 "a decisive mistake" and argued that d4 was the only rational way to open a game, while the Sicilian and French Defense were the only rational responses to 1. e4. Players such as Frank Marshall and Jose Raul Capablanca (who took the world championship from Lasker in 1921), formerly known as tactical players and users of e4 openings, began switching their repertoires to queen side pawn openings and a more positional style of play in the 1920s. In 1927, Alexander Alekhine challenged Capablanca for the world championship.
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Hotspots diversify by rapid gene turnover; their chromosomal distribution depends on local contexts (neighboring core genes), and content in mobile genetic elements. Hotspots concentrate most changes in gene repertoires, reduce the trade-off between genome diversification and organization, and should be treasure troves of strain-specific adaptive genes. Most mobile genetic elements and antibiotic resistance genes are in hotspots, but many hotspots lack recognizable mobile genetic elements and exhibit frequent homologous recombination at flanking core genes. Overrepresentation of hotspots with fewer mobile genetic elements in naturally transformable bacteria suggests that homologous recombination and horizontal gene transfer are tightly linked in genome evolution.
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Born in Evanston, Illinois, Bagby was educated at Oberlin College, Ohio, and the Schola Cantorum in Basel, Bagby founded the ensemble Sequentia with Barbara Thornton in 1977. This group takes an innovative approach to medieval repertoires, especially with respect to their treatment of mode: they rely on the harmonic qualities of their voices to guide them through the different modes. Sequentia has released many fine recordings, most of them on Deutsche Harmonia Mundi. During the 1980s and 1990s, the group specialized in the music of Hildegard of Bingen; many of their most famous recordings are from this period.
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Han recorded Korean all royalty's music repertoires of kayageum solo version as the first kayageum soloist. The recording collection is composed of 5 series of full version, published by separately Korean Broad Casting FM, Poly Music and distributed by Recording Industry Association of Korea. The music collection includes Yeo Min Lak (People of the joy composed by King Sejonog), Chuita, Ut-dodeuri, Mit-dodeuri, Bo Heo Sa, Young San Hue Sang, Kagok, etc.. TeRra Han trained Korean royalty's music, all pieces under Jeongja Kim at Seoul National University and National Gugak middle and high school in Korea.
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However, there were several times in history where this transmission broke down, including mass emigration, but especially the Holocaust, which destroyed most of Jewish life and culture in Europe. Few scions of klezmer dynasties remained in Europe, one notable exception being Leopold Kozlowski of Poland. Undoubtedly, much has been lost of the repertoires played in various locations and social contexts—especially wedding repertoire, since although Jewish weddings could last several days, early recording technology could only capture a few minutes at a time. Also, recordings specific to one area may not have represented klezmer repertoire from other parts of the region.
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Rewritten and with a new actor, Clinch, in the role of O'Trigger, the play reopened on 28 January to significant acclaim. Indeed, it became a favourite of the royal family, receiving five command performances in ten years, and also in the Colonies (it was George Washington's favourite play). It became a standard show in the repertoires of 19th-century companies in England and the US. The play is now considered to be one of Sheridan's masterpieces, and the term malapropism was coined in reference to one of the characters in the play. She was first played by Jane Green.
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Autobiography, Noose of Light, 2015, His songs are also in the repertoires of Ralph McTell, John Renbourn, Maggie Holland and others. McTell was inspired by Tunbridge's lyrics of the evocative "National Seven" to tread the road which bears this name down to the south of France. The title of Bert Jansch's biography Dazzling Stranger originated from the title of a Tunbridge song. Tunbridge spent a number of years studying the teachings of the mystic G. I. Gurdjieff (the Fourth Way) with John G. Bennett at Coombe Springs, and later spent time with the Sufi teacher Idries Shah.
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Zhang, Tianlin 张天林: Nuoxi: mysterious Chinese Opera and Its Masks (神秘的傩文化——傩戏与傩面具). Page 49, Women in China (01/2007) There is a considerable repertoire in Nuo opera and this varies from area to area. Nuo operas are usually based on well-known Chinese historical events or folk stories such as Romance of the Three Kingdoms, Journey to the West, Water Margin and the story of the Dragon Kings. Some famous repertoires of Nuo opera include Lady Mengjiang, Seizing the Yellow Devil, and Story of Mount Liang.
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Catherine Bégin's parents were Quebec sound engineer Lucien Bégin (1895–1964) and Belgian accountant Marie-Louise Vanhavre (or Van Havre) (1906–1967), who married in 1935. They were in Paris when World War II was declared and fled to Périgueux, then Lisbon, arriving in Montreal in August 1941. Bégin graduated from the Montreal Conservatory of Dramatic Art in 1959. She portrayed more than a hundred roles on the stage, frequently including the classical (Euripides, Corneille, Racine, Molière, Musset, Marivaux, Beaumarchais, Chekhov), contemporary (Cocteau, Arrabal, Bernhardt), and Québécoise repertoires (Marcel Dubé, Réjean Ducharme, Jovette Marchessault, , Évelyne de la Chenelière).
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All of the songs that appear on Five Live Yardbirds were written by American blues and rhythm and blues artists and several of the original recordings appeared on the American record charts. The band's early material reflects the repertoires of the early British rhythm and blues groups, such as the Rolling Stones and the Animals. Clapton biographer David Bowling described the album as "a lot of straight electric blues, but at times they come close to a rock sound." Their version of Chuck Berry's "Too Much Monkey Business", which is the album opener, is the most rock-oriented song on the album.
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Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of texture in the same piece of music. A simultaneity is more than one complete musical texture occurring at the same time, rather than in succession. A more recent type of texture first used by György Ligeti is micropolyphony. Other textures include polythematic, polyrhythmic, onomatopoeic, compound, and mixed or composite textures .
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Their style has been recently emulated by contemporary musician Tim Eriksen. The Southern states (particularly coastal states such as Virginia and North Carolina) also have one of the oldest traditions of old-time music in the United States. States of the Deep South such as Alabama, Mississippi, Georgia, and Louisiana also have their own regional old-time music traditions and repertoires, as does the Ozark Mountains region of Arkansas and Missouri. Premier old time banjoist Bob Carlin has authored String Bands in the North Carolina Piedmont with a focus on non-Appalachian styles in that state.
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By this point Korngold had reached the zenith of his fame as a composer of opera and concert music. Composers such as Richard Strauss and Giacomo Puccini heaped praise upon him, and many famous conductors, soloists and singers added his works to their repertoires. He began collaborating with Reinhardt on many productions, including a collection of little-known Strauss pieces that they arranged, Waltzes From Vienna. It was retitled The Great Waltz and became the basis for a 1934 British film directed by Alfred Hitchcock and a film by the same name in the US, starring Luise Rainer.
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His most well- known original songs are "Joe Pitre a Deux Femmes", "Les Barres de la Prison", and "Bonsoir Moreau", which have become standards in the Cajun and Zydeco music repertoires. Fontenot was never a professional musician; he was a rice farmer for many years, and also worked as a labourer in a feed store in the town of Welsh. Fontenot and Ardoin made their debut outside of Louisiana in 1966, performing at the Newport Folk Festival. At the time, Fontenot had not performed in public for several years, but was persuaded to do so by folklorist Ralph Rinzler.
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His expertise lies in the interpretation of contemporary Asian music, leading to the discovery of more than 100 different pizzicato techniques. Livingston has performed both classical and contemporary repertoires as a solo artist, collecting awards and mentions as a concertizing cellist and innovator. He additionally performed as a member of three ensembles including Mapa Mundi, The Orbis Factor, and The Seven Saties, and serves as director of both ARTSHIP Recordings and Strings and Machines, organizing concerts and educational activities. Livingston has premiered works by composers Jonathan Harvey, Morton Subotnick, and Roger Reynolds and collaborated with Japanese instrumentalists Philip Gelb and Shoko Hikage.
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Andrews recalled having to constantly walk up and down the set's main staircase while struggling to remain regal and composed in appearance. Additionally, Marshall resided in the same house that Andrews herself had rented while filming Mary Poppins, having lived in the building since 1974. Marshall joked that he and the actress had "amazing" karma due to sharing several similarities and coincidences. The Washington Post contributor Kristal Brent Zook remarked that Marshall and Andrews have also "proved themselves masters of the modern fairy tale" due to both of their repertoires consisting largely of romantic, Cinderella-themed material.
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None of his songs was transcribed or recorded in his lifetime, but three were published by Sam Henry in the Northern Constitution in the 1920s. These and several other songs survived in the repertoires of later local singers, such as John Fleming and Eddie Butcher, and were recorded on tape between 1954 and 1975 by Hugh Shields. These recordings are now held by the Ulster Folk and Transport Museum and in the Hugh Shield Collection at the Irish Traditional Music Archive. There is clear element of satire in his songs, aimed at people whom his audience would have known.
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The Highwaymen had a significant impact on the folk scene of the early 1960s. Aside from two major hit singles and several appearances on The Ed Sullivan Show and The Tonight Show Starring Johnny Carson, the group contributed two future standards to the folk repertoire, "All My Trials", "Big Rock Candy Mountain", and played the central role in uncovering "Cotton Fields", a long-overlooked song by Lead Belly, which subsequently became a major addition to the repertoires of both the Beach Boys and Creedence Clearwater Revival. The Highwaymen also made the first recording of "Universal Soldier", by Buffy Sainte-Marie.
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When he was seven years old, he started to learn how to play the trumpet from his father, a former student of French trumpeter Maurice André at the Conservatoire de Paris. He learned classical, baroque, modern, and contemporary repertoires, as well as classical Arabic music and improvisation. His father invented the microtonal trumpet or "quarter tone trumpet", which makes it possible to play Arabic maqams on the trumpet. As a teenager Maalouf accompanied his father in a duo throughout Europe and the Middle East, playing a baroque repertoire by Tomaso Giovanni Albinoni, Henry Purcell, and Antonio Vivaldi.
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He made a career in the 1950s and 1960s during which he explored all repertoires, from medieval musics and troubador and trouvères songs to contemporary creation, through Baroque musicThe "baroque phenomenon" promoted in the 1970s stems from the research of Antoine Geoffroy-Dechaume, organist and musicologist, who published in 1955 "Secrets of Early Music": research on interpretation, 16th-17th-18th centuries. With this organist, Rondeleux gave a concert recorded on 23 June 1962 at Saint-Sulpice-de-Favières, and broadcast on 1 October 1962. On the program: Pérotin -Lully and mélodies. From 1970 to 1989 he was a singing teacher.
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Various studies have shown that adult birds that underwent stress during critical developmental periods produce less complex songs and have smaller HVC brain regions. These has led some researchers to hypothesize that sexual selection for more complex songs indirectly selects for stronger cognitive ability in males. Further investigation showed that male song sparrows with larger vocal repertoires required less time to solve detour-reaching cognitive tasks. Some have proposed that bird song (among other sexually selected traits such as flashy coloring, body symmetry, and elaborate courtship) allow female songbirds to quickly assess the cognitive skills and development of multiple males.
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Lead Belly's recordings would be a major part of British R&B; repertoires, although he never performed in the UK Until the mid-1950s in Britain the blues was seen as a form of folk music. When Broonzy toured England he played a folk blues set to fit British expectations of American blues, rather than his current electric Chicago blues.H. S. Macpherson, Britain and the Americas: Culture, Politics, and History (Santa Barbara, CA: ABC-CLIO, 2005), , p. 154. Skiffle clubs included the ‘Ballad and Blues’ club in a pub in Soho, co-founded by Ewan MacColl.
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Work on expert systems (computer software designed to provide an answer to a problem, or clarify uncertainties where normally one or more human experts would need to be consulted) typically is grounded on the premise that expertise is based on acquired repertoires of rules and frameworks for decision making which can be elicited as the basis for computer supported judgment and decision-making. However, there is increasing evidence that expertise does not work in this fashion. Rather, experts recognize situations based on experience of many prior situations. They are in consequence able to make rapid decisions in complex and dynamic situations.
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She studied tourism after high- school, without stopping to dream about a musical career.MBC.net – دنيا بطمة In 2010, at the age of 18, inspired by her already-famous older cousin Khansa Batma (Mohamed Batma's daughter), she took part in a Moroccan musical competition, called Studio 2M, broadcast on 2M TV, in the Oriental category. She sang various songs of both Moroccan and Middle-Eastern repertoires, and reached the semi-finals. Even if she didn't reach the final, she managed to release a single "Aalash Tgheeb" (Why are you hiding?) in Moroccan Arabic which didn't become very successful.
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Gabriel Bacquier (; 17 May 1924 – 13 May 2020) was a French operatic baritone. One of the leading baritones of the 20th century and particularly associated with the French and Italian repertoires, he was considered a fine singing actor equally at home in dramatic or comic roles and gave regular song recitals. He was a long-term member of the Opéra-Comique and the Paris Opera, but forged a long career internationally at leading opera houses in Europe and the U.S. His large discography spans five decades, and he was considered as “the ambassador of French song”.Alain Pâris.
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Chapter 2 "A history of Donegal Fiddle Music" pp. 22–35 Donegal fiddlers participated in the development of the Irish music tradition in the 18th century during which jigs and slipjigs and later reels and hornpipes became the dominant musical forms. However, Donegal musicians, many of them being fishermen, also frequently travelled to Scotland, where they acquired tune types from the Scottish repertoire such as the Strathspey which was integrated into the Donegal tradition as "Highland" tunes. The Donegal tradition derives much of its unique character from the synthesis of Irish and Scottish stylistic features and repertoires.
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217 - New York: Sphinx Press, 1985 It was first staged, with choreography by Leonid Yakobson, in Leningrad 1956, but only with qualified success since Yakobson abandoned conventional pointe in his choreography.Yuzefovich, p.218 The ballet received its first staging at the Bolshoi Theatre, Moscow in 1958, choreographed by Igor Moiseyev; however it was the 1968 production, choreographed by Yury Grigorovich, which achieved the greatest acclaim for the ballet. It remains one of Khachaturian's best known works and is prominent within the repertoires of the Bolshoi Theatre and other ballet companies in Russia and the former Soviet Union.
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Individual members afterwards pursued separate musical ideas. The quartet have produced an extensive list of recordings, including a highly acclaimed Beethoven cycle, and substantial parts of the Haydn, Mozart, Schubert and Dvorak repertoires. In 2019, a book titled A Quintessential Quartet: The Story of the Lindsay String Quartet was written by Bernard Gregor-Smith, one of the founding members of the Lindsay String Quartet. Leader Peter Cropper (19 November 1945 – 29 May 2015) was the founding Artistic Director of Music in the Round, a charitable organisation he founded in the 1980s, that promotes chamber music concerts in Sheffield and nationally.
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The P-Funk Earth Tour was a series of concerts performed by Parliament- Funkadelic in the mid-1970s, featuring absurd costumes, lavish staging and special effects, and music from both the Parliament and Funkadelic repertoires. The P-Funk Earth Tour was ambitious from the start. Casablanca Records executive Neil Bogart gave George Clinton a $275,000 budget for production, the largest amount ever allocated for a black music act to tour. p. 245. Clinton hired Jules Fischer as set designer, who had previously worked on tours for The Rolling Stones, KISS, and other rock bands. p. 90.
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Most of Carolan's compositions were not published or even written down in his lifetime. They survived in the repertoires of fiddlers, pipers, and the last of the old Irish harper/singers. They were collected and published during the late 18th century and beyond, largely beginning with the work of Edward Bunting and his assistants in 1792.Bunting, Edward The Ancient Music of Ireland / Bunting's Collections (Waltons' Piano and Musical Instrument Galleries, Dublin, 1969) A small sampling of Carolan's music was published during his lifetime. One of the first such publications was in Neale's A Collection of the Most Celebrated Irish Tunes ..., Dublin, 1724.
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Yellowhammer males learn their songs from their fathers, and over time, regional dialects have developed, with minor differences to the conclusion of the basic song; all are mutually recognised by birds from different areas. Each male has an individual repertoire of song variants within its regional dialect; females tend to mate with males that share their dialect, and prefer those with the largest repertoires. The pine bunting and yellowhammer are so closely related that each responds to the other's song. The male yellowhammer's song is more attractive to females, and is one reason for the dominance of that species where the ranges overlap.
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This type of gesture is typically absent in autistic children's gesture repertoires. # Epistemic – this type of deictic gesture also develops after imperative gestures and may develop at the same time as declarative gestures. These type of gestures serve as an epistemic request wherein infants may point to an object in order for an adult to provide new information, like a name, to an object (the speech equivalent would be saying "what is that"). The existence of deictic gestures that are declarative and epistemic in nature reflects another important part of children's development, the development of joint visual attention.
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More recent dramatic roles include that of the doomed Dr. Feldman in the 2004 cable mystery series, Epitafios, and as Macías Moll, an elderly clock repairman longing for lost youth in Marcos Rodríguez's Los chicos desaparecen (2008). The noted actor continues to work extensively in television, cinema and the theatre, and established the Caliban Theatre in 1987. Set in a belle époque building in the bohemian Montserrat section of Buenos Aires, the institution hosts one of the country's most active repertoires of William Shakespeare's works - which he considers "so challenging that we could never be past them."Clarín, November 30, 2008.
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She replaced the ageing star Adelina Patti as the most celebrated of his various stage partners, and she speaks admiringly of him in her memoirs. Jean de Reszke in the title role of Wagner's Siegfried (photo by Nadar). Reszke was closely associated with the French and Wagnerian operatic repertoires during the peak of his career at Covent Garden and the Met. His French signature parts were considered to be Meyerbeer's three big tenor heroes (Vasco, Jean, and Raoul), Gounod's Faust and Romeo, and the title role in Massenet's Le Cid, which was written expressly for him.
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He has worked closely with composers such as Karlheinz Stockhausen, John Cage, Steve Reich, Christian Wolff and Stephen Montague, and has appeared in festivals throughout Europe, including two BBC Promenade concerts with Singcircle. He has recorded for many international television and radio stations, and has made recordings for Chandos, Hyperion, Wergo, Continuum and October Music. As a composer, Rose's works mainly cover the orchestral, choral and chamber repertoires and his works have been published by Boosey & Hawkes, Oxford University Press, Novello and Colla Voce. His orchestral works include Tapiola Sunrise, Birthday Ode for Aaron Copland, Cristalflood and Thambapani.
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Some of the songs were commissioned and recorded specifically for the album, while others were from the bands' pre-existing repertoires. Since the last Fat Music album has been released, the Fat Wreck Chords compilations have been explicitly for charitable causes. Liberation: Songs to Benefit PETA is a benefit album for the animal rights organization PETA, and PROTECT: A Benefit for the National Association to Protect Children is a benefit album for the children's rights group PROTECT. Between Liberation and PROTECT, two other compilation albums were released in protest of President George W. Bush and his administration: Rock Against Bush, Vol.
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However, Edouard became incapacitated through illness, and in 1901 Francis took over running the company at the age of 16. In 1908 he moved the business to rue Chauchat, and began expanding it to include the repertoires of composers and writers of light music, including Henri Christiné, Reynaldo Hahn, Aristide Bruant, Maurice Yvain, Vincent Scotto, Georges Van Parys, and, later, Charles Trenet. For Christiné's successful operetta Phi-Phi in 1919, Salabert devised a system for displaying the song's words above the theatre stage, so that the audience could sing along. He also started the practice of signing songwriters to exclusive contracts.
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After an acoustic set, they were joined on stage by bassist Søren Balsner of Carpark North and drummer Birk Nevel. In addition to the songs from Side Effects, they played songs from the repertoires of both Christensen and Langer. Langer and Christensen wrote four new songs for the EP, and added a mashup of Langer's 2008 song "Fact-Fiction" and the 1993 hit "Silverflame" by Christensen's band Dizzy Mizz Lizzy, which was first played in the DR3 show DR3 Popper Op on February 16, 2013. "Bringing Back Tomorrow" was released as a single on June 2, followed by "Fact-Fiction / Silverflame".
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Formally Pygmy music consists of at most only four parts, and can be described as an, "ostinato with variations," or similar to a passacaglia, in that it is cyclical. In fact it is based on repetition of periods of equal length, which each singer divides using different rhythmic figures specific to different repertoires and songs. This interesting case of ethnomusicology and ethnomathematics creates a detailed surface and endless variations of not only the same period repeated, but the same piece of music. As in some Balinese gamelan these patterns are based on a super-pattern which is never heard.
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Racing language uses race theory to understand how sociolinguistic variation relates to social and political processes. This includes the development of African-American Vernacular English (AAVE) in the United States, the generational linguistic shifts of Punjabi communities in London, and the significance of pharyngeal versus depharyngealized Hebrew in Israel. Association with a racial group may be related to the use of ethnolects or ethnolinguistic repertoires, influencing the language used among a racial group and/or an individual seeking to identify with the group. This area explores the historic and systematic reasons linguistic features are associated with certain racial groups.
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Classical Burmese singers perform at a state luncheon reception in Naypyidaw. Translated as "great music" in Pali, the Mahāgīta is an extensive collection of Burmese classical songs called thachin gyi. The collection is divided into several different types of songs including the following: kyo, bwe, thachin gan, the oldest repertoires; pat pyo, royal court music; lwan chin, songs of longing; lay dway than gat; myin gin, music that makes horses dance; nat chin, songs used to worship the nat, Burmese spirits; yodaya, music introduced from Ayutthaya, Talaing than, music adapted from the Mon people and bole, songs of sorrow.
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Pottery of the Chalcolithic period can, for the present, be divided into two major chronological groups, Early and Late Chalcolithic. The more distinctive is the later group, known from some extensively excavated sites which have yielded large ceramic repertoires. There appear to be regional differences, especially between the northern and southern spheres of the southern Levant and at sites to the east. Some of these differences may also be chronological; new 14C (radiocarbon) dates suggest one type site, Teleilat el Ghassul in the northern Aravah Valley in Jordan, is somewhat earlier in date than a group of sites in the Beersheva Basin.
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Smoky Mountain Ballads became a staple in the repertoires of 1940s and early '50s folk music revival singers such as Pete Seeger, who was meticulous in crediting his sources and urged that people copy them and not him.Neil V. Rosenberg notes that folklorists had been aware since the 1930s that folk songs were being issued commercially on hillbilly records. He states that "hillbilly reissues were learned and performed by revival performers such as Pete Seeger, who credited his sources and suggested that people should copy them, not him." See Neil V. Rosenberg, Bluegrass: A History (University of Illinois Press, 2005) p. 172.
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Moreover, with his ability to see, Setters was shocked by the appearance of the civilized world. Setters recorded ten sides for RCA Records in New York City, including "The Wild Wagoner", which has become a standard in traditional folk repertoires. In February 1930, Thomas published a heavily fictionalized article in American Magazine, entitled "Blind Jilson: Singin' Fiddler of Lost Hope Hollow", detailing Thomas first encountering Setters, their arrangement of his operation, and radio station work in New York City. In 1931, Setters traveled to London to perform at Royal Albert Hall, and for King George V and Mary of Teck.
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Prosper Mérimée, whose novella Carmen of 1845 inspired the opera In the Paris of the 1860s, despite being a Prix de Rome laureate, Bizet struggled to get his stage works performed. The capital's two main state- funded opera houses—the Opéra and the Opéra-Comique—followed conservative repertoires that restricted opportunities for young native talent.Steen, p. 586 Bizet's professional relationship with Léon Carvalho, manager of the independent Théâtre Lyrique company, enabled him to bring to the stage two full-scale operas, Les pêcheurs de perles (1863) and La jolie fille de Perth (1867), but neither enjoyed much public success.
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The Nederlands Dans Theater (NDT1), the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbenkian, the Israeli Batsheva Dance Company, the Swedish Gothenburg Opera Ballet, Finnish National Ballet and others have featured Saarinen's works in their repertoires. In addition to choreographing, Saarinen has continued his career as an international soloist. Among his most praised performances is HUNT,Hunt Tero Saarinen Company a solo that Saarinen had performed 174 times and in 32 countries by the end of 2013. Hunt press Tero Saarinen Company Another of his solo career highlights has been Carolyn Carlson’s decision to pass on her famous full length piece Blue Lady to Saarinen.
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Males who arrive earlier increase the likelihood that they will obtain good nesting sites, improving their odds for attracting more females. Additionally, a greater song repertoire is correlated with an increase in harem size and increased male fitness because females prefer to mate with males that have a more extensive song repertoire. It is also possible that broad song repertoires are a supplementary cue for a good mate, in conjunction with male territory size and quality. A wide-ranging song repertoire develops with age, and older males are more likely to dominate better territories, giving a plausible reason as to why females prefer older males.
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Blum received a bachelor's degree from Oberlin College in 1964,and then a PhD in music at the University of Illinois at Urbana–Champaign. As a PhD student, Blum worked with music scholars including Alexander Ringer, Charles Hamm, and Bruno Nettl. His first publications were co-authored with Nettl, a pioneering historical musicologist and ethnomusicologist,, Retrieved February 11, 2014 and supervising his dissertation, Musics in Contact: The Cultivation of Oral Repertoires in Meshed Iran, University of Illinois at Urbana–Champaign, 1972. Blum was to later co- edit the 1991 festschrift for Nettl, Ethnomusicology and Modern Music History, along with former Nettl students Philip Bohlman and Daniel M. Neuman.
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Grainger in the uniform of a US Army bandsman, 1917 In April 1914 Grainger gave his first performance of Delius's piano concerto, at a music festival in Torquay. Thomas Beecham, who was one of the festival's guest conductors, reported to Delius that "Percy was good in the forte passages, but made far too much noise in the quieter bits".Bird, pp. 150–51 Grainger was receiving increasing recognition as a composer; leading musicians and orchestras were adding his works to their repertoires. His decision to leave England for America in early September 1914, after the outbreak of the First World War, damaged his reputation among his patriotically minded British friends.
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Since the second half of the nineteenth century, Russian folk and pop songs have appeared in repertoires of Bulbuljan, Muslim Magomayev, Rashid Behbudov Polad Bülbüloğlu, Zeynab Khanlarova, Flora Karimova, the Qaya group and many others. Even after independence from the Soviet Union Azerbaijani singers such as Brilliant Dadashova and Aygun Kazimova have continued to write and perform songs in Russian. During the Soviet era, Azerbaijanfilm produced dozens of feature-length and documentary films in Russian, including famous films like The Telephone, Don't Worry, I'm With You, Asif, Vasif, Aghasif and Exam. Films in Russian continue to be produced in Azerbaijan in the post-Soviet era.
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Additionally, as a result of the increasing popularity of big band music and in an effort to increase revenues, the recording industry focused on producing newer types of music and essentially removing son from their music repertoires. These developments were a big blow to the prospects of son and its popularity amongst even Cubans. With the arrival of cha-cha-chá and mambo in the United States, son also became extremely popular. After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York.
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Schenker intended his theory to apply only to music of the common practice period, and there to a select class of mostly Austro-German composers in a line from J.S. Bach to Johannes Brahms. Developments in more recent music theory have sought to clarify the conditions under which prolongation may obtain, so that other repertoires may either be opened up or more justifiably be precluded. Schenker pupil Felix Salzer, for example, detects the rudiments of prolongational horizontalization in music as early as 12th-century plainchant and argues that it is a musical principle that persists through post-tonal music as well, such as Paul Hindemith and Igor Stravinsky.Salzer, Felix (1962).
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Meddahs were generally traveling artists whose route took them from one large city to another, such along the towns of the spice road; the tradition supposedly goes back to Homer's time. The methods of meddahs were the same as the methods of the itinerant storytellers who related Greek epics such as the Iliad and Odyssey, even though the main stories were now Ferhat ile Şirin or Layla and Majnun. The repertoires of the meddahs also included true stories, modified depending on the audience, artist and political situation. The Istanbul meddahs were known to integrate musical instruments into their stories: this was a main difference between them and the East Anatolian Dengbejin.
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Previous theories of emotion stated that all emotions are associated with urges to act in particular ways, called action-tendencies. According to Fredrickson, most positive emotions do not follow this model of action-tendencies, since they do not usually occur in life-threatening circumstances and thus do not generally elicit specific urges. Fredrickson proposes that instead of one general theory of emotions, psychologists should develop theories for each emotion or for subsets of emotions. The broaden-and- build theory of positive emotions proposed by Fredrickson states that while negative emotions narrow thought-action tendencies to time tested strategies as handed down by evolution, positive emotions broaden thought-action repertoires.
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Hermann Prey Hermann Prey ( Berlin, 11 July 1929 - Krailling, 22 July 1998) was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles Die schöne Müllerin and Die Winterreise and the collection of songs Schwanengesang, as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's Passions and Brahms' A German Requiem.
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Meddahs were generally traveling artists whose route took them from one large city to another, such along the towns of the spice road; the tradition supposedly goes back to Homer's time. The methods of meddahs were the same as the methods of the itinerant storytellers who related Greek epics such as the Iliad and Odyssey, even though the main stories were now Ferhat ile Şirin or Layla and Majnun. The repertoires of the meddahs also included true stories, modified depending on the audience, artist and political situation. The Istanbul meddahs were known to integrate musical instruments into their stories: this was a main difference between them and the East Anatolian Dengbejin.
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Northern Portugal, specially above the Douro river, is a very mountainous region, where the sound of bagpipes can be heard miles away due to the resonance effect created by the oppressive humidity and altitude. The gaita transmontana has a peculiarly grave tone, which resulted in an awkwardly low pitch. In fact, numerous written records of French commanders during the Peninsular War noted the intimidating effect the sound had on foot soldiers, specially at night, unfamiliar with such sound. Only recently this type of bagpipe has been recovered through the gathering of repertoires, aided by the promotion of the instrument from several bagpipe associations from Portugal and Galicia in Spain.
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Absenteeism of teachers is a reason generally considered to contribute to the poor level of education in the country."Lessons learned: primary education in Cameroon and South Africa", Transparency International, op. cit. Teachers from both English and French sub-systems, for cultural and historical reasons, still operate as separate in the educational system, and this prevents "teachers from developing a joint pedagogical repertoire about professional matters and to engage in productive debates around new discourses and repertoires such as ICTs in support of teaching," even if as private individuals, they "appear to be open to the challenges of modern Cameroon and multilingual communication in large urban centres."Edith Esch, op. cit.
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In captivity, the tufted capuchin has been seen to manufacture stone tools that produced simple flakes and cores. Some of the capuchins even used these sharpened stones to cut (in a back-and-forth motion) barriers in order to reach food. The importance of this behavior is that it serves as evidence of mechanical proclivity to modify stones by using behaviors already in the monkeys' repertoires, and this behavior is seen as a precursor to stone-knapping. This early and limited tool use behavior has been hypothesized as similar to pre-Homo habilis and that artifacts of that time would probably resemble those of capuchins.
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As China's premier Peking opera organization, the CNPOC comprises celebrated performers, playwrights, directors, composers and stage designers and has accumulated some of the finest repertoire of productions ranging over the wide diversity of Peking Opera performance styles as well as innovative pioneering works.The China National Peking Opera Company For decades, the National Peking Opera Company has devoted tremendous resources in restoring and preserving existing operatic repertoires, as well as creating new works of the highest artistic quality. The CNPOC consists of three troupes. First troupeCNPOC 1st Troupe (chinese) was previously led by current vice-president of the company, the celebrated laosheng-performer Yu Kuizhi.
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He soon came to the attention of composer and pianist Alfredo Casella, who included the young Castelnuovo-Tedesco's work in his repertoire. Casella also ensured that Castelnuovo's works would be included in the repertoires of the Societa Nazionale di Musica (later the Corporazione delle Nuove Musiche), granting him exposure throughout Europe as one of Italy's up-and-coming young composers. Works by him were included in the first festival of the International Society of Contemporary Music, held in Salzburg, Austria, in 1922.A. Compagno: "Gli anni fiorentini di Mario Castelnuovo-Tedesco", Carrara, 2000. In 1926, Castelnuovo-Tedesco premiered his first opera La Mandragola, based on a play by Niccolò Machiavelli.
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Pugliese's first recordings were not too different from those of other dance orchestras, but he developed a complex, rich, and sometimes discordant sound, which is heard in his signature pieces, "Gallo ciego", "Emancipación", and "La yumba". Pugliese's later music was played for an audience and not intended for dancing, although it is often used for stage choreography for its dramatic potential, and sometimes played late at night at milongas. Eventually tango transcended its Latin boundaries, as European bands adopted it into their dance repertoires[23–27]. Non-traditional instruments were often added, such as accordion (in place of bandoneon), saxophone, clarinet, ukulele, mandolin, electric organ, etc.
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The legacy left behind included not only her repertory of orient-inspired dances, but also students of Denishawn who later became pivotal figures in the world of modern dance. Many companies currently include a collection of her signature solos in their repertoires, including the programme, "The Art of the Solo", a showcase of famous solos of modern dance pioneers. Several early St. Denis solos (including "Incense" and "The Legend of the Peacock") were presented on September 29, 2006, at the Baltimore Museum of Art. A centennial salute was scheduled with the revival premiere of St. Denis' "Radha", commissioned by Countess Anastasia Thamakis of Greece.
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His sacred composition Amami, a suite of 6 anthems based on the Lord’s Prayer, is well- known among international choirs, and so are liturgical music such as O Magnum Mysterium, Agtalnaca, Denggem, Apo, Isalacannacam, and Umawit Kayo Sa Panginoon. Philippine Choirs competing internationally sing his contemporary choral compositions and arrangements of folktunes Bongbongtit, Kaisaisa Niyan, Pakawanem Ti Basbasolmi, Duayya Ni Ayat, Ateneo College Glee Club Repertoire Pakiusap, Malinac Lay Labi,Himig Singers Repertoire and Oalay Manoc Con Taraz.Manila Chamber Singers His popular church choir works Make My Life a Prayer, Glory, Splendor and Majesty, and Come Live in Me are regular parts of church choir repertoires.
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He accepted engagements with the Washington National, San Francisco, Chicago and Philadelphia opera companies, and in 1934, to satisfy a public demand, he was signed by the Metropolitan Opera in New York City. He would remain at the Met until 1943, performing opposite such stars as the soprano Rosa Ponselle. In the tough Great Depression years of the 1930s, he established himself as one of the most sought-after singers in America, with both a classical-music following and a considerable popular audience. His concerts normally offered selections from both repertoires: classical and operatic to begin, and American art songs and humorous "character" songs to close.
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The court and folk dance music of the Muslim-Filipino groups have somewhat preserved ancient Southeast Asian musical instruments, modes and repertoires lost to Hispanicised islands further north. It is important to note that stricter interpretations of Islam do not condone musical entertainment, and thus the musical genres among the Muslimised Filipinos cannot be considered "Islamic".Kulintang ensemble of the Mindanao people.Genres shares characteristics with other Southeast-Asian court and folk music: Indonesian Gamelan, Thai Piphat, Malay Caklempong, Okinawan Min'yō and to a lesser extent, through cultural transference through the rest of Southeast Asia, is comparable even to the music of the remote Indian Sub- Continent.
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Natalya Kasperskaya has enjoyed participating in social activities ever since being at school, where she remembers singing in a children's choir, taking part in school performances and concerts, and even leading a pioneer's team of agitators. In addition, she formed her own school placard newspaper, for which she wrote poetry, and was also interested in sports like basketball, skiing and swimming, as well as phaleristics, collecting stamps and Soviet coins. As a student, Natalya was fascinated with Moscow theatre life and knew the repertoires of the main youth theatres of that time, such as Mossovet Theatre, Taganka Theatre, Sovremennik, etc., and sometimes queued overnight to buy tickets to popular performances.
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In order to overcome that problem, Erasmus drew upon his knowledge of the sound repertoires of contemporary living languages, for instance likening his reconstructed to Scots a (), his reconstructed to Dutch ' (), and his reconstructed to French ' (at that time pronounced ). Erasmus assigned to the Greek consonant letters , , the sounds of voiced plosives , , , while for the consonant letters , , and he advocated the use of fricatives , , as in Modern Greek (arguing, however, that this type of must have been different from that denoted by Latin ). The reception of Erasmus' idea among his contemporaries was mixed. Most prominent among those scholars who resisted his move was Philipp Melanchthon, a student of Reuchlin's.
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It was constructed from a fully human monoclonal antibody, while infliximab is a mouse-human chimeric antibody and etanercept is a TNF receptor-IgG fusion protein. The drug candidate was discovered initially using CAT's phage display technology and named D2E7. The key components of the drug were found by guiding the selection of human antibodies from phage display repertoires to a single epitope of an antigen TNF alpha. The ultimate clinical candidate, D2E7, was created and manufactured at BASF Bioresearch Corporation and taken through most of the drug development process by BASF Knoll, then further development, manufacturing and marketing by Abbott Laboratories, after Abbott acquired the pharmaceutical arm of BASF Knoll.
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Barlow has a recording studio, The Doghouse, on his property in Shiplake, Oxfordshire, England. He is currently managing a band from Henley on Thames called The Repertoires, and has also been linked with other local bands which echo his own folk-influenced musical history, such as Reading's Smokey Bastard. Barlow played percussion on "Artrocker," the opening track of the 2006 album Get Your Mood On by London indie punk band, Dustin's Bar Mitzvah. On 28 May 2008 Barlow guested with Jethro Tull at Royal Festival Hall in London, performing "Heavy Horses", "Thick as a Brick" and a concert-closing "Locomotive Breath" where he drummed alongside Tull's then- current drummer Doane Perry.
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Ljubljana City Theatre (Mestno gledališče ljubljansko - MGL) is the second theatre building and company of Ljubljana after the Ljubljana branch of the Slovene National Theatre.Lesley Anne Wade Slovene Theatre and Drama Post Independence 2007 "Commercial theatres such as the popular Ljubljana City Theatre (Mestno gledalisce Ljubljansko) have introduced a simpler content into their repertoires." Founded in 1949, Ljubljana City Theatre is the second largest drama theatre in Slovenia. Operating initially on a small, modest stage with a group of enthusiastic actors, over the years the theatre has expanded into a modern theatre company with 37 permanent actors, staging 9 of its own productions and at least 2 co-productions per year.
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He was born in 1935 on Chicago's South Side. Hunt and his younger sister Marian grew up in South Side Chicago, but moved to Galesburg, Illinois at eleven years old where he spent majority of his time in the city of Chicago. From an early age he was interested in the arts, as his mother, an artist and librarian, would bring him to performances by local opera companies that sang classical repertoires of Mozart, Rossini, Verdi, and Handel. As a young boy, Hunt began to show enthusiasm and talent in artistic disciplines such as drawing and painting, and also sculpture, an interest that grew more and more as he got older.
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An amateur group called Bataviasche Philharmonic Orchestra was established in Dutch colonial times. It became the NIROM orchestra when the radio broadcasting station Nederlandsch-Indische Radio Omroep Maatschappij was born in 1912. Today it is known as Jakarta Symphony Orchestra that has existed in the country's musical world for almost a century through its changing formats to suit prevailing trends and needs. In 1950, a merger of the Cosmopolitan Orchestra under Joel Cleber and the Jakarta Studio Orchestra under Sutedjo and Iskandar appeared as the Djakarta Radio Orchestra under Henkie Strake for classical repertoires, and the Jakarta Studio Orchestra led by Syaiful Bachri specialised in Indonesian pieces.
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Vaccines should include repertoires of B cell and T cell epitopes to evoke an ample immune response. The broad response should minimize selection of escape mutants that may be present as minority components in mutant spectra, as repeatedly documented experimentally. With the current types of available vaccines, those that best comply with the multiple epitope requirement are, in the order of expected efficacy to confer protection against highly variable viruses: attenuated > inactivated whole virus > several expressed proteins > one expressed protein > multiple synthetic peptide antigens > single peptide antigen. The scarcity of effective synthetic vaccines for RNA viral pathogens despite huge scientific and economic efforts is a reflection of the underlying problems.
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"DIXIE'S LAND", 1904 postcard "Dixie" slowly re- entered Northern repertoires, mostly in private performances.Spitzer and Walters 9. New Yorkers resurrected stories about "Dixie" being a part of Manhattan, thus reclaiming the song for themselves. The New York Weekly wrote, "... no one ever heard of Dixie's land being other than Manhattan Island until recently, when it has been erroneously supposed to refer to the South, from its connection with pathetic negro allegory."1871 edition of the New York Weekly, quoted in Abel 43. In 1888 the publishers of a Boston songbook included "Dixie" as a "patriotic song," and in 1895 the Confederate Veterans' Association suggested a celebration in honor of "Dixie" and Emmett in Washington as a bipartisan tribute.
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Nederlands Dans Theater, the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbenkian, the Israeli Batsheva Dance Company, the Swedish Gothenburg Opera ballet, the Finnish National Ballet, and others, have featured Saarinen's works in their repertoires. Tero Saarinen Company Saarinen has received numerous acknowledgements for his work as an artist. In 2001 he was awarded the Finland Prize, and in 2005 the Pro Finlandia medal. In 2008 The Finnish Cultural Foundation gave him an award for his achievements as an artist. International recognition includes the international Movimientos Dance Prize for Best Male Performer, and the title of Chevalier de l’Ordre des Arts et des Lettres, granted by the French government, both in 2004.
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He began doing visual work with AKA of the I.V League for the South African Hype Magazine Hip Hop Awards. He also worked with Dreamteam on the Blow Up Mixtape, dance crew - The Repertoires, Chez Ntemba, LiquidChefs SA with Very Special Saturday hosted by Fifi Costello and DJ Sliqe, visual artworks for the SAMA Award Winning DJ Sliqe, Kwesta, and Da King of African Rap album art for DaKAR II in 2016. He has also worked in advertising and marketing visuals for South African music events including GoodSundae for Benny Maverick & DJ Feel and Groove Afrika events. Besides being a visual artist, he has been laying the foundation for the South African electronic music.
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13 came into contact with American jazz. During the initial years after the klezmer revival of the 1970s, the American sub- variety was what most people knew as klezmer, although in the 21st century musicians began paying more attention to the original pre-jazz traditions as revivalists including Josh Horowitz, Joel Rubin, Yale Strom and Bob Cohen have spent years doing field research in Eastern/Central Europe. Additionally, later immigrants from the Soviet Union, such as German Goldenshtayn, took their surviving repertoires to the United States and Israel in the 1980s. Compared with most other European folk-music styles, little is known about the history of klezmer music, and much of what is said about it remains uncertain.
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He had trouble convincing the musicians who frequented the cafés of Calle Corrientes to perform his songs until he became friends with the French pianist Paul Misraki, who had immigrated to Argentina in 1942, suggested he "become French". At that point, Moisés Smolarchik became Ben Molar, who supposedly came from Paris began composing boleros, which were very popular at the time. Quickly, some of the most important names among the bolero singers—Juan Arvizu, Gregory Barrios, Elvira Rios and Pedro Vargas—began to include his works in their repertoires. Molar was an ambitious talent scout, a shrewd businessman, who had a good ear for what the general public and young people were interested in hearing.
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The jota first came to Alta California during the Spanish period and was an important part of dance repertoires among Californios. Later, the renowned guitarist Manuel Y. Ferrer, who was born in Baja California to Spanish parents and learned guitar from a Franciscan friar in Santa Barbara but made his career in the San Francisco Bay Area, arranged jotas for the guitar. During the early 20th century, the jota became part of the repertoire of Italian American musicians in San Francisco playing in the ballo liscio style. Two jotas collected by Sidney Robertson Cowell for the WPA California Folk Music Project in 1939 were played by bands of different national origins: one was Mexican American, the other Portuguese American.
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Björn Ulvaeus elected as the next President of CISAC His predecessor was French electronic music composer Jean Michel Jarre, who served as President since June 2013. In 2013, the organisation expanded its Vice Presidency to four new positions, allowing for the representation of more territories and a broader range of creative repertoires. The four new Vice Presidents included: Angélique Kidjo, a Grammy award-winning performing artist and activist from Benin, Javed Akhtar, a celebrated scriptwriter, poet, lyricist from India, Marcelo Piñeyro, an Academy Award-winning producer and film director from Argentina, and Ousmane Sow, a revered sculptor from Senegal. The current CISAC Vice Presidents are: Jia Zhang-ke, Angélique Kidjo, Marcelo Piñeyro, and Miquel Barceló.
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This edition's pleasant surprises were offered by the Oslo Philharmonic Orchestra conducted by Jukka-Pekka Saraste, Murray Perahia, Martha Argerich, Trio Beaux Arts and the violinist Joshua Bell who replaced Maxim Vegherov (unavailable). The absence of the masterpiece "Oedipe" on the festival banners was criticized. Similar to the precedent edition, the variety of the repertoire can be noticed, great symphony hits or concerts were accompanied by other names, some of them quasi- famous to the large audience, coming from either the areas of old music, or from the most innovative areas of the contemporary music. This change is due to the type of ensembles invited, some of them being specialized in interpreting historical repertoires and others in contemporary ones.
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The studied benefits of positive affect are increased responsiveness, "broadened behavioral repertoires", increased instinct, and increased perception and imagination. In addition, the good feelings associated with flourishing result in improvements to immune system functioning, cardiovascular recovery, lessened effects of negative affect, and frontal brain asymmetry. Other benefits to those of moderate mental health or moderate levels of flourishing were: stronger psychological and social performance, high resiliency, greater cardiovascular health, and an overall healthier lifestyle (Keyes, 2007). The encountered benefits of flourishing suggest a definition: "[flourishing] people experience high levels of emotional, psychological and social well being due to vigor and vitality, self-determination, continuous self- growth, close relationships and a meaningful and purposeful life" (Siang-Yang, 2006, p. 70).
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Paris Laxmi has been trained in various dance styles: Ballet, Jazz, Contemporary, Flamenco and Hip-hop from the age of five; and Bharatanatyam from the age of nine. Laxmi is an active and well-known dancer who has performed throughout India and abroad as a Bharatanatyam soloist and with her husband Pallippuram Sunil. Sunil and Laxmi created the duet 'Sangamam' in 2012 and in 2015 their first creation, Krishna Mayam, a classical dance fusion of Kathakali and Bharatanatyam showcasing stories and manifestations of Lord Krishna with compositions from the Kathakali and Bharatanatyam repertoires. 'Sangamam - Krishna Mayam' has toured all over India, Gulf countries and Europe since 2015 for various temples, theatres, associations and festivals like Soorya Festival.
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Geographic barriers affect song repertoire size from male wrens, as one study indicated that distances separated as close as by water barriers can have the same effect as that of a distance of in the mainland with no barriers. Female Carolina wrens possess song control regions that would appear to make them capable of singing with repertoires like the male. Due to vocalizations that they occasionally make with the male, it has been suggested that song perception plays a role and is of behavioral relevance. Carolina wren on Rutland Township Forest Preserve Different subspecies have variations in songs and calls, such as miamensis having a more rapid song that contains more notes than the races that are further north.
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Psychological behaviorism—while bolstering Watson's rejection of inferring the existence of internal entities such as mind, personality, maturation stages, and free will—considers important knowledge produced by non-behavioral psychology that can be objectified by analysis in learning- behavioral terms. As one example, the concept of intelligence is inferred, not observed, and thus intelligence and intelligence tests are not considered systematically in behaviorism. However, PB considers IQ tests measure important behaviors that predict later school performance and intelligence is composed of learned repertoires of such behaviors. Joining the knowledge of behaviorism and intelligence testing yields concepts and research concerning what intelligence is behaviorally, what causes intelligence, as well as how intelligence can be increased.
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Kirsopp Lake (7 April 187210 November 1946) was an English New Testament scholar, Church historian, and Winn Professor of Ecclesiastical History at Harvard Divinity School. He had an uncommon breadth of interests, publishing definitive monographs in textual criticism of the New Testament, Greek palaeography, theology, and archaeology. He is probably best known for the massive five-volume work The Beginnings of Christianity—an edition, translation, commentary, and study of the Acts of Apostles—that he conceived and edited with F. J. Foakes-Jackson and, among palaeographers, for the 10-volumes series of Dated Greek Manuscripts to the year 1200—edited with his second wife, Silva New—, one of the leading repertoires of facsimiles of Greek manuscripts.
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In the early 1960s, Howlin' Wolf recorded several songs that became his most famous, despite receiving no radio play: "Wang Dang Doodle", "Back Door Man", "Spoonful", "The Red Rooster" (later known as "Little Red Rooster"), "I Ain't Superstitious", "Goin' Down Slow", and "Killing Floor", many of which were written by Willie Dixon. Several became part of the repertoires of British and American rock groups, who further popularized them. Howlin' Wolf's second compilation album, Howlin' Wolf (often called "the rocking chair album", from its cover illustration), was released in 1962. During the blues revival in the 1950s and 1960s, black blues musicians found a new audience among white youths, and Howlin' Wolf was among the first to capitalize on it.
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First broadcast in 1986, it developed out of The Colour Supplement, a Sunday morning programme which had featured early Loose Ends contributors such as Stephen Fry, Robert Elms and Victor Lewis-Smith. The latter's contributions to Loose Ends were pre-recorded packages, being a mischievous and disruptive element of the programme. Originally commissioned comedy had, by 2006, been phased out almost entirely, with comic performers tending to deliver existing material from their repertoires although, in June/July 2006, the Scots comedian and writer Janey Godley scripted a weekly series of satiric fictional extracts from Nancy Dell'Olio's Diary to coincide with the FIFA World Cup. Dell' Olio was the girlfriend of England national football team coach Sven-Göran Eriksson.
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This aspect, as with the layout, the elevations, and the decorative and symbolic repertoires, makes this cathedral an authentic trans- Pyrenee building, removed from Hispanic fashion and belonging to the purest school of French Champagne. This has earned it the epithets of being "the most French of Spanish cathedrals" or the Pulchra Leonina (the Beauty of Leon), since its formal features are related to the Gothic style of Champagne. In addition to its layout, the Cathedral of Leon is also inspired by that of Rheims in its structure, the form of the chapels of its ambulatory (in this case polygonal), and the development of its transept. The influence of Chartres Cathedral can be seen in the western porch.
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Many of the songs he published were revived in the Folk music revival, for example "The Riddle Song" ("I gave my love a Cherry"), which he connects with Child No. 1, "Riddles Wisely Expounded". Joan Baez sang ten Child ballads distributed among her first five albums, the liner notes of which identified them as such.Baez's first, second, third and fifth albums (released in 1960–64) included these ten Child ballads, in this order: 173, 250, 54, 84, 113, 81, 209, 243, 78, 170. British folk rock groups such as Fairport Convention, Pentangle and Steeleye Span drew heavily on the Child Ballads in their repertoires, and many other recording artists have recorded individual ballads.
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While the body mass of both sexes fluctuates over the year as a function of food availability, being highest in the rainy season, the differing behavioral repertoires of the sexes lead to sex-specific patterns in this fluctuation. For example, male body mass increases prior to the mating season due to a substantial increase in testes volume that likely enhances the males' success in sperm competition. The females are receptive for 45 to 55 days between September and October, with estrus lasting 1 to 5 days. Females advertise estrus by distinctive high-frequency calls and scent- marking. Gestation lasts 54 to 68 days, averaging 60 days, typically resulting in 2 or 3 offspring weighing each.
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She took a part in opera music festivals: Festival Arena di Verona, Sferisterio Macerata, Martina Franca, Benevento, Malalatestiana Fano, RAI Roma, Paris Musique, Festival Budapest, Schwetzingen Festival, Menotti Festival dei Due Mondi: Spoleto-Charleston, Festival Internazionale Musica Sacra Virgo Lauretana. She has in her repertoire 60 major operatic main soprano parts, a. o. Bellini's Norma and La Straniera, Donizetti's Tudor Queens – Maria Stuarda, Anna Bolena, Roberto Devereux (Elisabeth I), Parisina, many Verdi's parts: Traviata, Aida, Attila (Odabella), Il Trovatore (Leonora), Macbeth (Lady Macbeth), Falstaff (Alice), Rigoletto (Gilda), Simon Boccanegra (Amelia), Ballo in maschera (Amelia), Stiffelio, Luisa Miller, Nabucco (Abigaille). She created Rossinian repertoires: Il barbiere di Siviglia, Semiramide, La gazza ladra, Tancredi, Il turco in Italia.
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During these times, Welk experienced the German Revolution in Brunswick. His experiences later built the background for the novel Im Morgennebel, that describes true Brunswick events and people of these times in a not much encrypted way. This novel's manuscript, that employed Welk for a long time, was already finished in 1940 but not published until 1953 in East Germany In 1922 Welk traveled to the United States and Latin America. One year later, he went back to Weimar Germany and worked as a writer and journalist, mainly in Berlin and neighbourhood. Two revolutionary dramas, Gewitter über Gotland (1926) and Kreuzabnahme (1927), caused scandals and had to be taken out of the theatres' repertoires – despite their popular success.
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Although there are no professional choirs in Malaysia, there are a handful of state-backed semi-professional choirs and many active amateur choral groups throughout the country. Many choirs in Malaysia are linked to schools, tertiary educational institutions, churches and other religious institutions, performing arts groups or registered musical societies. Many choirs normally share common singers, a phenomenon born out of the small pool of choral singers available to choirs in Malaysia. Many of the choirs with younger singers also have a tendency to focus only on choral competitions resulting in their repertoires becoming limited and very stale, with too much emphasis on costumes and choreography and neglecting choral programming, vocal quality and enunciation.
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Renata Scotto in Milan in 1967 Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation, specializing in the bel canto repertoire with excursions into the verismo and Verdi repertoires. Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York. She lives in Armonk, New York with her husband Lorenzo Anselmi.
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Other Hong Kong English Pop artists include Judi Jim (詹小屏), D'Topnotes- 3 of their members include lead singer and bass player Christine Samson, drummer Michael Samson, singer Vikki Samson (the children of bandleader Lobing Samson), Michael Remedios and The Mystics, Danny Diaz & The Checkmates. Based in hotels and ballrooms, Hong Kong nightclubs featured both Filipino and Chinese dance bands often fronted by local female singers. At the upper end of the market, Rebecca Pan, Mona Fong (方逸華) and Kiang Ling (江玲) became well known for their mixed Mandarin and English repertoires. Diamond Records also became an independent HK label established in 1960, issuing albums in Mandarin and English originals.
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"Arthur MacBride" has been recorded by numerous performers, including Planxty (on their 1973 self-titled debut album, Planxty); Andy Irvine; Dave Swarbrick; Martin Carthy; Paul Brady; and by Bob Dylan on his 1992 album Good as I Been to You. Most contemporary performers who have "Arthur McBride" in their repertoires were inspired by and acquired it via Irish and UK sources. While Planxty's 1973 release may be thought of as the vector renewing the song's present-day familiarity, Paul Brady's 1977 rendition is of special interest due to significant lyrical variations from the "usual" versions of the tune, including several additional verses. Brady is from Strabane in County Tyrone but, ironically, he hadn't heard the song while living in Ireland.
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The Théâtre Historique in Paris, one of the homes of the Théâtre Lyrique company, pictured in 1862 Back in Paris with two years of his grant remaining, Bizet was temporarily secure financially and could ignore for the moment the difficulties that other young composers faced in the city.Dean (1965), pp. 41–42 The two state-subsidised opera houses, the Opéra and the Opéra-Comique, each presented traditional repertoires that tended to stifle and frustrate new homegrown talent; only eight of the 54 Prix de Rome laureates between 1830 and 1860 had had works staged at the Opéra.Steen, p. 586 Although French composers were better represented at the Opéra-Comique, the style and character of productions had remained largely unchanged since the 1830s.
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Fred Stone (sometimes given as Freddie Stone) (9 September 1935 – 10 December 1986) was a Canadian flugelhornist, trumpeter, pianist, composer, writer, and music educator. He worked as a soloist within both the classical and jazz repertoires from the 1950s through the early 1970s, notably appearing in concerts with the Duke Ellington Orchestra, the Toronto Symphony Orchestra, the Winnipeg Symphony Orchestra, the Detroit Symphony Orchestra, the Cleveland Orchestra, the Buffalo Philharmonic Orchestra, the Ottawa Symphony Orchestra, and the San Diego Symphony. Between 1971 and 1983 he mainly focused on his work as a composer and teacher, making only periodic public performances. In 1984 he resumed actively performing when he formed "Freddie's Band", a jazz ensemble in residence at The Music Gallery in Toronto.
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His unique compositions include a dance depicting daily life to the soundtrack of a heartbeat, a varnam on the Sun God (Surya), a shabdam on Jesus, a depiction of Krishna's dance upon the five-headed snake Kalinga, kauthuvams on Mother and Father, a keerthanam on the Indian Independence movement and pieces on women's empowerment. His compositions are used frequently by Bharatha Natyam dancers of different styles and from diverse regions.. He has written a number of new compositions in the kauthuvam style, including ones in praise of the Hindu deities Nandi, Ayyappan and Venkateswara. Sri Muralidharan's thematic repertoires include Sri Anjeneyam, which centers on the stories of Lord Hanuman and Nayaka, which explores the different roles in life for males from boyhood through adult.
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Other writing systems, such as Arabic and Hebrew, are represented with more complex character repertoires due to the need to accommodate things like bidirectional text and glyphs that are joined together in different ways for different situations. A coded character set (CCS) is a function that maps characters to code points (each code point represents one character). For example, in a given repertoire, the capital letter "A" in the Latin alphabet might be represented by the code point 65, the character "B" to 66, and so on. Multiple coded character sets may share the same repertoire; for example ISO/IEC 8859-1 and IBM code pages 037 and 500 all cover the same repertoire but map them to different code points.
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Gagaku consists of three primary repertoires: #Native Shinto religious music and imperial songs and dance, called Kuniburi no utamai (国風歌舞) #Vocal music based on native folk poetry, called Utaimono (謡物) #Songs and dance based on foreign-style music ##A Chinese, Vietnamese and Indian form (specifically Tang Dynasty), called Tōgaku (唐楽) ##A Korean and Manchurian form, called komagaku (高麗楽) Gagaku, like shōmyō, employ the yo scale, a pentatonic scale with ascending intervals of two, three, two, two, and three semitones between the five scale tones.Japanese Music, Cross-Cultural Communication: World Music, University of Wisconsin – Green Bay Artistically it differs from the music of the corresponding Chinese form yayue (雅楽) which is a term reserved for ceremonial music.
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Many offer repertoires which are rarely heard in Italy today, ranging from works by one of the earliest known Florentine composers, Paolo da Firenze (fl. 1390–1425) (Early Music at I Tatti, VII), to music written for the Habsburg court at Vienna in the mid seventeenth century by Italian composers favored by the Austrian emperors (Early Music at I Tatti, IX). Contemporary music is sometimes an integral part of the programs: Early Music at I Tatti, IV juxtaposed Petrarch settings by Renaissance composers with settings by the English composer Gavin Bryars, while Early Music at I Tatti, VIII focused on the fruitful relationship which has developed between contemporary composers and performers of early music. Both concerts featured world premieres of new works written for the occasion.
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The world glyph sets are character repertoires comprising a subset of Unicode characters. Their purpose is to provide an implementation guideline for producers of fonts for the representation of natural languages. Unlike Windows Glyph List 4 (WGL) it is specified by font foundries and not by operating system manufacturers. It is, however, very similar in glyph coverage to WGL4, but neither contains all the characters of the other. Digital fonts for the European and American market have traditionally often been sold in a standard (“Std“) package for western languages and additional separate files to cover central (“CE”), eastern (“Baltic”) and southern (“Turk”) European languages in the Roman script and sometimes also packages to support for the Greek (monotonic) and Cyrillic scripts.
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However, the skirt that became known specifically as the romantic tutu made its first appearance in 1832 at the Paris Opera, where Marie Taglioni wore a gauzy white skirt cut to reveal her ankles, designed by Eugene Lami in La Sylphide.Ivor Guest, The Romantic Ballet in Paris (Alton, Hampshire: Dance Books, 2008), From the late 19th century onwards, the tutu was steadily shortened, for ease of movement and to show off the dancer's legs. Romantic tutus were effective in portraying the ethereal creatures that exist in many ballet repertoires, but as ballet became more modernized, the flouncy but stiff tutus would be replaced by softer more relaxed skirts. The traditional tutu is a symbol of historical dance and its past.
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The Chacarera recordings and compositions of Manuel Gómez Carrillo and Andrés Chazarreta have provided a foundation for recording artists throughout the twentieth century, including Atahualpa Yupanqui, Los Hermanos Abalos, and more recent musical ensembles like the Dúo Coplanacu, Peteco Carabajal and La Chacarerata Santiagueña. The distribution of these recordings via record and radio has led to the establishment of local, national, and international audiences for the genre. In Santiago del Estero, Mendoza, and Buenos Aires alike, musicians gather in Peñas, or small folkloric clubs, to sing and dance their favorite Chacareras, often with specific regional flare. In neighboring nation-states including Uruguay, Perú, Brazil, Bolivia and Chile, Chacarera recordings of artists like Yupanqui are well-known, and often incorporated into local repertoires.
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Euler diagram comparing repertoires of JIS X 0208, JIS X 0212, JIS X 0213, Windows-31J, the Microsoft standard repertoire and Unicode. JIS X 0213 (extension kanji) defines a kanji set that expands upon the kanji set of JIS X 0208. According to this standard, it is "designed with the goal being to offer a sufficient character set for the purposes of encoding the modern Japanese language that JIS X 0208 intended to be from the start." The kanji set of JIS X 0213 incorporates all characters that can be represented in the kanji set of JIS X 0208, with many additions. In total, JIS X 0213 defines 1183 non-kanji and 10,050 kanji (for a total of 11,233 characters), within two 94-by-94 .
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Ashton also created pieces for the December performance at the Arts Theatre Club; Job, A Masque of Poetry and Music, of which the critics did not know what to make, and a series of tableaux illustrating Shakespeare's narrative poem A Lover's Complaint in which Lopokova herself took a part. In total the Camargo Society produced 16 new one-act ballets. Façade, also by Ashton to William Walton's existing score of the same name, is the one that lived longest and is still remembered today. It later went into the repertoires of both the Ballet Club and the Vic-Wells, but the Vic-Wells lost their Façade sets and costumes when they fled Holland in May 1940 hours ahead of the German occupation.
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B. Fisk, Op. 85) and the Wegscheider organs at the Allstedt Schloßkapelle (Op. 1) and Dresden- Wilschdorf (Op. 21). While the two temperaments of the Stanford Fisk are made possible by five extra pipes per octave, and the smaller Wegscheider organs boast six extra pipes per octave, 29 stops of Pasi Op. 14, contain eight extra notes per octave, tipping the scale of the concept from a single organ with extra pipes to the equivalent of two organs which share a third of their pipes. The abundance of extra pipes allows the circulating temperament to accommodate much of the Romantic and modern repertoires, while retaining enough key color to bring Baroque music alive and to lock into tune the mixtures and reeds in the best keys.
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The finding that drove their hypothesis was that the males were able to recover a high percentage performance by switching song types. If the male was producing shorter strophes and having longer inter- strophe pauses (low percentage performance), then by switching to a different song type the bird would once again be able to produce longer strophes and have shorter inter-strophe pauses. Lambrechts and Dhondt proposed the anti- exhaustion hypothesis, which provided both a functional and casual explanation for the song switching behaviour in birds along with having song repertoires. The anti-exhaustion hypothesis stated that when it is necessary for a bird to sing for a prolonged period of time at a high rate, it must continuously switch song types.
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A campaign always links at least three parties: a group of claimants, some object(s) of claims, and a public of some kind. Social movement repertoires are the context-specific, standard operating procedures of social movements, such as: public meetings, solemn processions, vigils, rallies, special-purpose associations and coalitions, demonstrations, petition drives, and pamphleteering. As for WUNC displays, Tilly writes, "The term WUNC sounds odd, but it represents something quite familiar." Social movements' displays of worthiness may include sober demeanor and the presence of clergy and mothers with children; unity is signaled by matching banners, singing and chanting; numbers are broadcast via signatures on petitions and filling streets; and commitment is advertised by braving bad weather, ostentatious sacrifice, and/or visible participation by the old and handicapped.
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According to writer Ryan Whirty, "Harpo and his band needed to tour constantly and play as much as possible; times were frequently lean financially, and the men had to scrape up whatever they could get." But, by 1964, several of his songs had been released on albums and singles in the UK, and British rock bands began to include versions of his songs in their early repertoires. The Moody Blues reportedly took their name from an instrumental track of Slim's called "Moody Blues". Critic Cub Koda wrote of his appeal: He had his biggest commercial success in 1966, when the predominantly instrumental "Baby Scratch My Back" reached number one on the R&B; chart and number 16 on the broader chart.
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Wolff grew up in Gubbängen in Farsta and moved to Karlstad at the age of ten. He started to study acting at Skara skolscen in 1978 and then began his professional career in the theatre group Vågspel in Södertälje. From 1980 to 1982 he worked at Teater Aurora, where he played the lead role in Friedrich Schiller's play Don Carlos. He toured with several successful song repertoires performing French chanson, with his inspirations Édith Piaf, Jacques Brel and Barbara. Between 1984 and 1987, he studied at the Swedish National Academy of Mime and Acting in Malmö, where he came into contact with and started a co-operation with director Rickard Günther, which led to a role in the play Mefisto.
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Seanchaithe were servants to the heads of the lineages and kept track of important information for them: laws, genealogies, annals, literature, etc. After the destruction of Gaelic civilization in the 1600s as a result of the English conquests, these more formal roles ceased to exist and the term seanchaí came to be associated instead with traditional storytellers from the lower classes. The seanchaithe made use of a range of storytelling conventions, styles of speech and gestures that were peculiar to the Irish folk tradition and characterized them as practitioners of their art. Although tales from literary sources found their way into the repertoires of the seanchaithe, a traditional characteristic of their art was the way in which a large corpus of tales was passed from one practitioner to another without ever being written down.
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Statman, Andrew, Teach Yourself Bluegrass Mandolin, Amsco Music Publishing Company, New York, 1978 At the end of the 1930s, a new musical genre which combined Scottish and Irish fiddle tunes, blues and African American banjo with traditional American songs began to develop. Bill Monroe, a Kentucky fiddler and mandolin player, was the first to bring all of the elements of this new genre together. Monroe developed a distinctive style of mandolin playing which emphasized strong syncopation and chording, and played in keys, such as E and B, seldom used by old-time and country musicians. He and his band, the Blue Grass Boys, played at the Grand Old Opry in late 1939 to popular acclaim, and other bands began to incorporate the new "bluegrass" music into their repertoires.
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An old-time band might play a set of tunes in D, then use the time between dances to retune for a set of tunes in A. (Fiddlers also may take this opportunity to retune; tune- or key-specific fiddle tunings are uncommon in American Anglo-Celtic traditions other than old-time.) In the Celtic repertoires it is most common for bands to play sets of reels and sets of jigs. However, since the underlying beat structure of jigs and reels is the same (two "counts" per bar) bands will occasionally mix jigs and reels in a set. Some of the most popular contra dance bands in recent years are Great Bear, Perpetual E-Motion, Buddy System, Crowfoot, Elixir, the Mean Lids, Nor'easter, Nova, Pete's Posse, the Stringrays, the Syncopaths, and Wild Asparagus.
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"Last Night I Had the Strangest Dream" (also known as "The Strangest Dream") is a song written by American Folk Singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000's.
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Compared to the first one, the second edition paid much more attention to repertoires from the lyrical theatre and vocal art. This initiative was supported by several renowned soloists such as Dimitr Uzunov, Ivan Petrov and Anton Dermota. Five lyrical spectacles were presented by the Bucharest Theatre of Opera and Ballet: « Oedipe » by George Enescu, «Boris Godunov » by Modest Mussorgski, « Fidelio » by Ludwig van Beethoven, « Othello » by Giuseppe Verdi and « O Noapte Furtunoasă » by Paul Constantinescu, alongside two ballet acts in the forms of « La Piata » by Mihai Jora and « Priculiciul » by Zeno Vancea. For the first time, there were opened three new concert halls: the Grand Hall of the Palace, the Small Hall of the Palace (now the Auditorium Hall) and the Concert Studio of the Romanian Radiotelevision (now the Mihail Jora Concert Studio).
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Morishige Takei (1890–1949), a member of the court of Emperor Hirohito, established a mandolin orchestra in the Italian style before World War II. He was able to maintain his mandolin-guitar orchestra until 1943, in spite of the National Mobilization Law of 1938 that allowed the government to assert control of music, and ban western music and instruments, including the electric guitar, banjo and ukulele. He was also a major composer, with 114 compositions for mandolin. Another composer, Jiro Nakano (1902–2000), arranged many of the Italian works for regular orchestras or winds composed before World War II as new repertoires for Japanese mandolin orchestras. Original compositions for mandolin orchestras were composed increasingly after World War II. Seiichi Suzuki (1901–1980) composed music for early Kurosawa films.
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Cohen's initial projects in the early music field were in the area of the French and English Renaissance. His enthusiasm for medieval and Renaissance music continues to be reflected in recent projects, including a series of commissioned programs (2001–2008) for the Gardner Museum, Boston, around Italian repertoires of the fifteenth and sixteenth centuries. His forays into baroque repertoire have been more episodic but have attracted widespread comment and attention: the first early-instruments recording of Purcell's "Dido and Aeneas"(Harmonia Mundi, 1980), and a well-received recording of Jean Gilles' "Requiem" (Erato, 1990), among others. From 1986 forward, many of his new Eurocentric projects dealt with music of the Middle Ages, including a medieval retelling of the "Tristan and Iseult" legend (Erato, Grand Prix du Disque, 1987).
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Lateral dominance of the hypoglossal nerve conveying messages from the brain to the syrinx was first observed in the 1970s. This lateral dominance was determined in a breed of canary, the waterschlager canary, bred for its long and complex song, by lesioning the ipsilateral tracheosyringeal branch of the hypoglossal nerve, disabling either the left or right syrinx. The numbers of song elements in the birds’ repertoires were greatly attenuated when the left side was cut, but only modestly attenuated when the right side was disabled, indicating left syringeal dominance of song production in these canaries. Similar lateralized effects have been observed in other species such as the white-crowned sparrow (Zonotrichia leucophrys), the Java sparrow (Lonchura oryzivora) and the zebra finch (Taeniopygia guttata), which is right-side dominant.
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A sound archivist holds a cylinder from a 1901 performance of Les Huguenots The Mapleson Cylinders are a group of more than 100 phonograph cylinders recorded live at the Metropolitan Opera House, primarily in the years 1901–1903, by the Met librarian Lionel Mapleson (a nephew of impresario James Henry Mapleson). The cylinders contain short fragments of actual operatic performances from the Italian, German and French repertoires. Despite their variable quality of sound (some are quite good while others are nearly inaudible), the cylinders have great historical value thanks to the unique aural picture they document of pre-World War I singers in performance at an opera house with a full orchestra. Other contemporary recordings only capture singers as recorded with piano or a severely truncated orchestra in a boxy commercial recording studio.
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Belly dance is one of the most commonly improvised dance forms, since the often live music does not support the structured nature of choreography. Professional belly dancers may dance publicly 6 nights a week, up to three times a night, and simply do not have the time to choreograph for the 15–60 minutes a night that such performing requires. Even dancers with substantial choreography repertoires often choose to improvise when performing to live music because they value the exchange of energy between the dancer, the musicians, and the audience, which is heightened by working "in the moment". American Tribal Style belly dance and Improvisational Tribal Style are built entirely upon group improvisation, although the group will typically plan and rehearse individual combinations and their cues in advance.
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Since there was a break in the continuous playing tradition of the smallpipes, and Border pipes, no absolute, definitive playing style can be ascribed to them. However, according to the evidence provided by surviving sheet music written for these pipes (Dixon, Peacock, Riddell,) their style depended more on variations, runs, and arpeggios, as opposed to the surviving Highland music which is dominated by stylised gracenote techniques. Smallpipes are extremely popular with Highland pipers, many of whom keep them, or a set of Border pipes, as a second instrument and play them according to the Highland tradition. Though it has somewhat supplanted the musically unsatisfactory Highland practice chanter as a relatively quiet rehearsal instrument for Highland pipers, it has gained wide currency as a session instrument, for both the Highland and Border pipe repertoires.
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It has been cited more than three thousand times in more than a hundred different journals. One of its central achievements was to develop the analytic notion of 'interpretative repertoires' from Gilbert and Mulkay's work on scientific discourse and show how it could be more generally applied to social psychological topics. A joint grant led by Margaret Wetherell resulted in the volume Mapping the Language of Racism in 1992 that focused on the way racism is displayed and legitimated in conversations, newspaper articles and parliamentary debates. At the start of the 1990s, in the book Discursive Psychology, he and Derek Edwards built a specific style of work that is now commonplace in journals across the social sciences as well as indirectly fostering a swathe of non-experimental approaches to social psychology.
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This took on core notions in cognitive psychology and in particular memory and attribution. Its aim was to show that existing cognitive conceptions of these notions failed to encompass the situated and flexible nature of actual language use and to consider how peoples' accounts of cognitive processes and events are themselves parts of actions. For example, they reanalysed Ulric Neisser's classic work on the Watergate testimony showing the way John Dean's accounts of his excellent memory were used by counsel as parts of building the case against Richard Nixon. It was distinctive from the earlier discourse analytic approach to social psychology in its use of records of natural interaction rather than open ended interviews and its focus on sequential interaction rather than on the identification of interpretative repertoires.
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The Paul Whiteman Orchestra was the most popular and highest paid dance band of the day. In spite of Whiteman's appellation "The King of Jazz", his band was not a jazz ensemble as such, but a popular music outfit that drew from both jazz and classical music repertoires, according to the demands of its record-buying and concert-going audience. Whiteman was perhaps best known for having premiered George Gershwin's Rhapsody in Blue in New York in 1924, and the orchestrator of that piece, Ferde Grofé, continued to be an important part of the band throughout the 1920s. Whiteman was large physically and important culturally —"a man flabby, virile, quick, coarse, untidy and sleek, with a hard core of shrewdness in an envelope of sentimentalism", according to a 1926 New Yorker profile.
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His discography already includes thirty recordings including twenty CDs, especially with Syrius, Bnl and Naxos labels in addition to several DVDs of concertos for French television and other foreign radio and television networks. Very comfortable in all repertoires, including those for the left hand alone, he is one of the few pianists in the world able to play Ligeti's piano concerto and to give in a single recital the "Vingts Regards sur l’Enfant Jésus "of Messiaen. He likes to associate other arts with music (painting, sculpture, cinema, literature) and give themed recitals (bells, birds, love, dance, water and gardens ...). His interpretation of the Turangalîlâ was the best show of the year in 2000 in Riga and that of Liszt's 2nd Hungarian Rhapsody won in 2002 the fastest replay in the history of Radio Chicago (WFMT station).
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The colonial era provides evidence of the pleasure most people took not only in consuming the familiar comfort foods of their childhoods but in adopting new foods and incorporating new ingredients and techniques into their traditions. In California, mestizo settlers from Mexico brought corn, beans, chiles, and irrigation, introducing them to the migratory natives. In the Middle Atlantic region, English Quakers adopted Indian corn and other native ingredients, along with some home remedies (especially the use of sassafras); they borrowed apple butter, bacon dumplings, bologna sausage, sauerkraut, and liver sausage from their German neighbors in Pennsylvania. The Dutch settlers of New York, like the German settlers in Pennsylvania, also gained a reputation for the pleasure they took in bounteous meals, and they too contributed a number of distinctive dishes—cookies and coleslaw—to regional food repertoires.
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Myers is renowned for his unique sound, musical interpretations, and virtuosic abilities on the French Horn. He is capable of varying his sound from soft "dulcet" tones that can mirror qualities of the human voice to "controlled" powerful tones that can command an orchestra, such as The New York Philharmonic, with incredible ease. In addition, Myers prepares each piece of music that he performs by first studying the musical score in order to better understand how his part fits into the whole and any intentions the composer may have had for the piece. As a result, Myers' performances provide an intellectual approach to works ranging across symphonic, chamber, and solo repertoires, which, along with his vast dynamic range and sound palette, provide him with a legacy that is—as of yet—unparalleled amongst American horn players.
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The Spartan Marching Band now recognizes a specific one of his many arrangements as "Falcone Fight". (However, it also plays another variation, "Pregame Fight" arranged by former SMB assistant director, William Moffit, for pregame performance and as an in- game celebration.) Falcone published many articles, solo literature repertoires, and even a beginning baritone method in two volumes co-authored with Birmingham Michigan teacher Arnold Berndt and published by Belwin. His most enduring publication, however, has been the recordings which live on today in CD and mp3 formats in many places both with and without the permission of Michigan State University. His legacy to future musicians at Michigan State University will continue, including the Leonard Falcone Scholarship, established by the alumni in 1967 and funded by many contributions as well as the proceeds from the legitimate sale of Falcone recordings.
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Alongside other players in the SCO, Robert McFall (violin), Brian Schiele (viola) and Scottish Ballet's principal bass player Rick Standley, Lee was a founding member of the group Mr McFall's Chamber which was formed to present classical music in new and inventive ways. Mr McFall's Chamber began as a string quartet playing avant-garde classical music in late-night club venues. The group has expanded to include a wide range of performers playing diverse repertoires from cartoon classics, through to progressive rock, jazz and tango nuevo. In 2010, they performed the works of the late Celtic fusion pioneer Martyn Bennett (Lee is also an Associate Member of the Marty Bennett Trust.) with the album Birds and Beasts, collaborated with Norwegian electronic jazz percussionist Thomas Strønen and worked with the idiosyncratic Dundee poet Michael Marra on the album Michael Marra.
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Beyond the mid-60s buzz around Tanega's sole hit single and the number of songs she contributed to Dusty Springfield's repertoire, many other musicians have continued to record their own versions of Tanega's early work. Garage rock group Thee Oh Sees covered "What Are We Craving?" on their 2011 album Castlemania. Her one chart hit, "Walkin' My Cat Named Dog", has continued the rounds in other musicians' repertoires: Dr. Hook included it in a 1996 three-disc collection; Yo La Tengo performed it in 2010; and They Might Be Giants recorded it in 2013 for release on their 2015 children's album Why?. In 2014, Tanega's song "You're Dead" was used in the opening credits of the New Zealand vampire comedy film What We Do In The Shadows and was remixed to become a running theme for its characters.
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The Battles of Coxinga (1715), however, ran for seventeen months and became the classical model for later history plays. It remains in the repertoires of both the bunraku and kabuki traditions, and Donald Keene referred to it as the only jidaimono “with real literary value”. Keisei hotoke no hara (1699) and Keisei mibu dainembutsu (1702) are among the most renowned kabuki plays, though Keene argued that even they are “inferior in every respect” to the jōruri works written around the same period. Nichols listed The Courtesan’s Frankincense, The Tethered Steed, and Fair Ladies at a Game of Poem-Cards as the best histories. “Devil’s Island”, the second scene of the second act of Heike and the Island of Women (1719), became part of the kabuki repertory in the 19th century and today is usually performed in jōruri and kabuki as a single play.
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This includes embodied, situated, behavior-based, and nouvelle AI. Researchers from the related field of robotics, such as Rodney Brooks, rejected symbolic AI and focused on the basic engineering problems that would allow robots to move and survive. Their work revived the non- symbolic point of view of the early cybernetics researchers of the 1950s and reintroduced the use of control theory in AI. This coincided with the development of the embodied mind thesis in the related field of cognitive science: the idea that aspects of the body (such as movement, perception and visualization) are required for higher intelligence. Within developmental robotics, developmental learning approaches are elaborated upon to allow robots to accumulate repertoires of novel skills through autonomous self- exploration, social interaction with human teachers, and the use of guidance mechanisms (active learning, maturation, motor synergies, etc.).
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Rather than vestiges of a backward time that should be purged from black repertoires and isolated from what Alain Locke called the "modernization of the negro" (coincident, for Locke, with urbanization), negro spirituals are—for Du Bois—where the souls of black folk past and present are found. Du Bois passionately advocated for the preservation of the spiritual, along with Antonín Dvořák and contemporary black aestheticians, including Harry Burleigh, Robert Nathaniel Dett, Alain Locke and Zora Neale Hurston. It is in the retrieval of black cultural folkways—particularly "The Sorrow Songs"—that one of the major complications of Du Bois's project and, later, the Harlem Renaissance (where Hurston and Locke debut their own retrievals) surfaces. For Du Bois's contention that the sorrow songs contain a notative excess, and untranscribable element Yolanda Pierce identifies as the "soul" of the sorrow songs.
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Like many of Johnson's songs, "Kind Hearted Woman Blues" is a staple in the repertoires of many blues musicians and has been recorded by dozens of traditional and contemporary blues figures, including Muddy Waters, Robert Lockwood, Jr., Johnny Winter, David Bromberg, George Thorogood, and Keb' Mo'. It was included on Eric Clapton's 2004 album, Me and Mr. Johnson, along with many other Johnson classics. The Youngbloods recorded a version of the song and it was released as a B-side on two singles: "Dreamboat" in 1972The Youngbloods, "Dreamboat" single release Retrieved May 18, 2015 and "Running Bear" in 1972.The Youngbloods, "Running Bear" single release Retrieved May 18, 2015 On Led Zeppelin's cover of Johnson's "Traveling Riverside Blues", singer Robert Plant quotes this song with the line: "Got a kind-hearted woman/she studies evil all the time".
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After Petrarca, in the Renaissance age, the most famous singers at the lute certainly were Bartolomeo Tromboncino, Ippolito Tromboncino and Marchetto Cara, whose gift as interpreters are highlighted in The Book of the Courtier by Baldassarre Castiglione. Later on, in the early 1600s we find Bartolomeo Barbarino called "the pesarino". The expressive characteristics of this particular figure of musician, of whom today we have almost lost memory, are currently revisited by Simone Sorini, tenor and multi-instrumentalist that over the years has gained and refined a deep knowledge of the Medieval and Renaissance plectrum instruments; a versatile interpreter of lute repertoires from the Middle Ages to the early Renaissance, he plays professionally his numerous instruments – each one made according to the ancient iconography – accompanying himself while singing, bringing back to light the ancient profession of the "cantore al liuto".
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Alberto Portugheis is co- Founder and vice-chairman of the Beethoven Piano Society of Europe, vice- chairman of the International Society for the Study of Tension in Performance, vice-president of the European Piano Teachers' Association, co-founder of the Asociación Latinoamericana de Pianistas y Pedagogos and founder and director of Opus Musica and Opus Musica's sister organisation, Opus Books. In 1997, Alberto Portugheis co-founded the Iberian & Latin American Music Society (ILAMS) and was its chairman for ten years, though he has now stepped down from the chair and is no longer directly associated with ILAMS. ILAMS was established in London in 1998 with the aim to promote the music of Spain, Portugal and the whole of Latin America. The Society's aim is to raise awareness of the cultures involved, in particular, their classical repertoires with a variety of activities every year.
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Clara Perra Naples Teatro di San-Carlo 1983 Clara Perra (Naples November 1954 - Roseto degli Abruzzi - August 2015) was an Italian solo percussionist , music educator, pianist and composer. She was the first Italian woman to hold concerts of percussion instruments and to teach them in State conservatories. Author of compositions and educational works, Clara Perra won several national auditions and an international competition, at the Orchestra of the Teatro di San Carlo in Naples. She played at the Italy on Stage festival in New York and in several concert tours she performed in repertoires ranging from classics transcribed for vibraphone, like Schumann, Bach and Mozart to the "classics" of contemporary music such as Varese and Cage (which, among other things, included the percussion part and the prepared piano of "Amores" performed for the first time ever in Naples).
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Endowed with a natural voice developed in her early years, she sings "nawbas" which are usually reserved for male singers. She sings equally with the flamenco guitarist Juan Carmona or medieval European repertoire with the Ensemble Gilles Binchois or with the Boston Camerata . Welcomed with equal enthusiasm in Morocco (Fes, Rabat, Casablanca in 1994), in Switzerland (Montreux, Yverdon-les-Bains in 1993) and in France (Abbaye du Thoronet in 1993 for the Chants Sacrés de la Méditerranée, and in Arsenal de Metz for the Festival Transméditerranéen in 1994), and receiving warm applauses in Belgrade, Tokyo and Kyoto, she took part in the recording of the album Borboréo by the guitarist Juan Carmona. She also achieved success in the USA, Japan, Spain, Portugal, Italy, Great Britain, Morocco, Tunisia, ex-Yugoslavia, Israel, and continued her research on Mediterranean repertoires.
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Euler diagram comparing repertoires of JIS X 0208, JIS X 0212, JIS X 0213, Windows-31J, the Microsoft standard repertoire and Unicode In addition to the standard JIS X 0201:1997 and JIS X 0208:1997 characters, Windows-31J includes several JIS X 0208 extensions, namely "NEC special characters (Row 13), NEC selection of IBM extensions (Rows 89 to 92), and IBM extensions (Rows 115 to 119)", in addition to setting some encoding space aside for end user definition. This also differs from IBM-932, which does not include the NEC extensions or NEC selection. Some of these representations were subsequently used for different characters by JIS X 0213 and Shift JIS-2004. For example, compare row 89 in JIS X 0213 (beginning 硃, 硎, 硏…) to row 89 as used by JIS X 0208 with IBM/NEC extensions (beginning 纊, 褜, 鍈…).
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In 1975, Wood (then known as Anna Chairetakis) began to work as a public folklore activist with first- and second-generation Italian-Americans in the United States. Along with Carla BiancoCarla Bianco is the author of the highly regarded ethnography, The Two Rosetos (University of Indiana, 1974). and Roberto Leydi, Wood was one of the first researchers to explore the folk repertoires of these communities. She also produced several short films, including, L'Italia Vive Anche in America (Italy Also Lives in America), (New York: RAI-TV, 1975) and In the Footsteps of Columbus (NBC-TV, 1976), nominated for an Emmy Award. In 1979, Wood produced and annotated two LP albums of Calabrian, Sicilian, and other regional Italian music recorded in New York State's Niagara region, New Jersey, and Rhode Island: In Mezz'una Strada Trovai una Pianta di Rosa.
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Beginning in February 2001, Kotulski and her formerly "unlawfully wedded" wife, Molly McKay, began going to City Halls in the San Francisco Bay Area asking for marriage licenses and organizing annual "Marriage License Counter" protests to draw attention to the hundreds of rights same-sex couples are denied.2009 Press Release describing marriage counter actions since 2001 Kotulski and McKay joined Marriage Equality USA and with L.J. Carusone and others, Kotulski and McKay, founded Marriage Equality California (MECA). They began organizing events such as annual Tax Day Protests held on April 15 to point out the inequities same-sex couples face with regard to taxation and representation, and launched an effort to legalize same-sex marriage in California.American Sociological Review, Culture and Mobilization: Tactical Repertoires, Same-Sex Weddings, and the Impact on Gay Activism, Pg. 870, Kotulski served on the California Freedom to Marry's Outreach Committee.
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Through the Middle Ages and into the 19th century there are reports of "chain dances", processions and ceremonial dances accompanied by pipes, drums and singing. In the 17th and 18th centuries, throughout Denmark the practice of music was under the monopoly of the appointed city musicians (stadsmusikant), who with their journeymen and apprentices were the only musicians allowed to play for a salary within an assigned territory. Since the city musician was trained in the cities, this meant that courtly repertoires made their way into the countryside, and that most areas did not maintain local musical traditions during this time. Only a few areas, such as Bornholm and Amager, never had the stadsmusikant monopoly, and a few others such as Fanø maintained a local tradition by an arrangement whereby local musicians leased the right to perform on the island from the city musician of Ribe.
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The band's self-titled first album was released on May 8, 2012. It debuted at number five on the Billboard Blues chart, and number thirty on the Heatseekers album chart, which includes all music genres. In reviewing the album for The Boston Globe, critic Scott McLennan said: "Royal Southern Brotherhood is neither brilliant turn nor crazy risk for the five musicians involved - it’s both" and the band '"is creating music that is simultaneously progressive and traditional - rock, blues, and funk flow freely - yet sounds distinct from their individual repertoires, so all involved are taking a chance." The Blues Rock Review gave the album an eight out of ten, stating the band ...crowns a new age of southern rock, forming quite the super group of blues‐infused artists.. and the band come straight out of the gate and hit the ground running with their debut.
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Countries in East Asia, due to using large repertoires of Chinese characters, introduced standardised double- byte encodings (DBCS) for their writing systems, since the number of characters representable in a single-byte code was not sufficient. In an ISO 2022 compliant DBCS, every character can be represented with two ASCII printing character bytes; the location of a character can be referenced by these byte values, or by two numbers from 1 to 94 (a kuten), equal to the respective bytes minus 32. The first registered ISO 2022 compliant DBCS, and the first East Asian DBCS to be established as a national standard, was the first edition of JIS X 0208 (Japan), published in 1978. This was followed by GB 2312 (Mainland China) in 1980, and by Wansung code (South Korea; first designated KS C 5601-1987) in 1987. Big5 (Taiwan), defined in 1984, did not follow the ISO 2022 structure.
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Associated for almost 30 years with the Metropolitan Opera, where he made his debut in 1976, he has conducted more than 250 performances there, leading a wide range of works from the Italian, German, French, Russian and Czech repertoires. Conlon has held several major European posts, including Principal Conductor of the Rotterdam Philharmonic (1983–1991), General Music Director of the City of Cologne, Germany (1989–2002), where he was simultaneously Music Director of the Gürzenich Orchestra and the Cologne Opera, and Principal Conductor of the Paris National Opera (1995–2004), where his Paris tenure was the longest of any conductor there since 1939. His leadership is associated with an increase in artistic standards, overall productivity and attendance, which, in an era of diminishing audiences, has increased exponentially in the past decade. In 2015, he was named Principal Conductor of the Italian RAI National Symphony Orchestra.
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In Europe he formed different groups to perform his compositions and arrangements in various styles: contemporary, world, folk music, jazz and classical. Attempting to expand the chamber music and classical guitar repertoires, Gui Mallon has written extensively for a trio formed by his guitar, a bass instrument (usually violoncello or bass) and a solo instrument (flute, violin, sax, oboe, etc.). His Gui Mallon Ensemble, a band formed of a string quintet, 3 percussionists, sax, flute and guitar, performed two concerts at Montreux Jazz Festival. These concerts were recorded live and released in the US and Canada by the American record company Adventure Music (Live at Montreux - 2004) receiving expressive reviews from the specialized American press In 2004 he wrote the music for the exhibition and poetry concerts during Timmarna & Tingen, a celebration of the centenary of Rainer Maria Rilke's journey to Jonsered in Sweden. .
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In the 1970s and 1980s, the New Orleans brass band tradition experienced a renaissance, with bands breaking away from traditional stylings and adding elements of funk, hip hop, and bop to their repertoires. Some notable exponents of this style of brass band include the band Def Generation, members of the next generation of Nevilles who created hip hop over live brass bands influencing, Soul Rebels Brass Band, Rebirth Brass Band, the Stooges Brass Band, the Hot 8 Brass Band, the Lil Rascals Brass Band, Youngblood Brass Band, The Original Pinettes Brass Band, the Dirty Dozen Brass Band and The Big 6 Brass Band. Also, a number of groups outside the United States have begun playing this style of music. The style of the music is often characterized by the use of the sousaphone in place of a Double bass to play the bass-line.
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The stile Umbertino can be best described as the Italian declination of the Eclecticism, a style of architecture and decorative arts which swept across Europe in the second half of the 19th century, and that combines in one building features from different artistic periods and repertoires. While Italian buildings and other artistic expressions in this style follow in many ways the path followed elsewhere in Europe, it also differs insofar it strives to formulate a truly national Italian style. This happened largely in the decades immediately following the Italian unification, as one of the many attempts to build a national sense of unity. In view of this, the style came to be applied often on buildings housing governmental bodies, such as ministries and law courts, as well as on palaces and villas for the establishment, especially in Rome, which became in 1870 the new capital of the Kingdom.
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Dalla-De Gregori in 2010 2010 opens with the news (given on 2 January) of a new set of concerts with De Gregori and Lucio Dalla, over thirty years since the splendor of Banana Republic, at the Vox Club Nonantola, with the name "Work in progress". The concert, which becomes sold out in advance, opens another series of concerts that are announced on the occasion of the date of Nonantola, and that will be held in May in Milan and Rome; during the evening the two presented, in addition to known songs, a new song called "Non basta saper cantare" and announce also the release of their new album called "Work in Progress". On 22 March 2010, Dalla and De Gregori lead the new TV show on Rai 2, entitled Due, during which they perform individually and in duets, covers and songs from their repertoires. On 1 May 2011 the duo played at the May Day Concert in Rome.
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After a year touring with his trio, he realized he wanted a still larger group. At the time, folk music was very popular and choral groups like the Norman Luboff Choir had begun incorporating folk classics in their repertoires, but—in Sparks' opinion—they sang too perfectly, lacking the rustic, earthy character of folk performance. Throughout the latter months of 1961 and into early 1962, Sparks created a 14-voice ensemble – The New Christy Minstrels—by combining his trio with a quartet he met in the Pacific Northwest called the Fairmount Singers (Dave Ellingson, Terry Tillman, Hal Ayotte and Robbie Mills), another trio called The Inn Group (John Forsha, Karol Dugan and Jerry Yester), banjo player Billy Cudmore, folk-blues singer Terry Wadsworth, folk singer Dolan Ellis and singer/guitarist Art Podell. Large commercial folk groups did not exist in those days, and The New Christy Minstrels delivered a robust new sound.
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Proske was never to leave this post at Regensburg, and, in addition to his duties as a cleric, devoted all his energies and spent his entire private income on the restoration of what he called "vere musica ecclesiae," the "true music of the Church." This he considered to be the ancient Gregorian chant and especially the polyphonic works of the Renaissance masters (such as Palestrina, Nanini, Marenzio, Lassus, etc.). He searched all throughout Germany and Italy, making many trips to Rome, in order to collect ancient manuscripts for his library, which grew to contain thousands of samples (Karl Weinmann, a late 19th-century music researcher, claimed there were over 30,000 pages of manuscripts before Proske died). Proske was a pioneer in the field, and the fact that his editions reflected only the German, Flemish, and Italian repertoires - excluding Spaniards for the most part, though he did include Victoria - does not diminish his amazing contributions to Sacred music.
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He translated into the Kazakh language the novels by Guy de Maupassant "Pierre et Jean", "Une vie ou L'Humble Vérité," Chingiz Aitmatov's story "Cranes Fly Early" and participated in the translation of Leo Tolstoy's novel "War and Peace" and I.Bunin's works. "King Lear", "Romeo and Juliet" by Shakespeare, "Princess Turandot" by Carlo Gozzi, "On the Night of the Lunar Eclipse" by Mustai Karim, "Don Juan oder Die Liebe zur Geometrie" by Max Frisch and "Ghosst" by Henrik Ibsen were also translated by Kekilbayev and were included in the repertoires of Kazakhstani theatres. Abish Kekilbayev is the author of a collection of poems "Golden Rays" (1963) and a collection of stories "A Flock of Cloud" (1966), "Steppe Ballades" (1968), articles "Face to Face with Time", essays "Cranes", "Steppe Ballades", "Snow in March", "The Ballades of the Forgotten Years", "The End of a Legend" and "Pleiades - Constellations of Hopes." Ballad of Forgotten Years is translated into English and published by Stacey International (London, UK).
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Stravinsky, p. 129 two years later he brought it to the Salle Pleyel in Paris for two performances under his baton. Of these occasions he later wrote that "thanks to the experience I had gained with all kinds of orchestras ... I had reached a point where I could obtain exactly what I wanted, as I wanted it".Stravinsky, p. 137 Commentators have broadly agreed that the work has had a greater impact in the concert hall than it has on the stage; many of Stravinsky's revisions to the music were made with the concert hall rather than the theatre in mind. The work has become a staple in the repertoires of all the leading orchestras, and has been cited by Leonard Bernstein as "the most important piece of music of the 20th century". In 1963, 50 years after the premiere, Monteux (then aged 88) agreed to conduct a commemorative performance at London's Royal Albert Hall.
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Mann composed more than 30 works for narrator with various instruments that he performed with his wife, the actress Lucy Rowan; several have been recorded on the Musical Heritage label. He also composed a Fantasy for Orchestra performed by Dimitri Mitropoulos with the New York Philharmonic, the Vienna Philharmonic, and at the Salzburg Festival; a Duo for Violin and Piano premiered at Carnegie Hall by Itzhak Perlman and Samuel Sanders; and a string quartet included in the repertoires of both the La Salle and the Concord string quartets. Other works include a Duo for Cello and Piano written for Joel Krosnick and Gilbert Kalish, a Concerto for Orchestra, and "Lament" for two solo violas and orchestra. Robert Mann's solo discography includes Béla Bartók's Solo Violin Sonata, the Sonata No. 1 for violin and piano, and Contrasts; Beethoven's complete violin sonatas (with pianist Stephen Hough); many of Mozart's violin sonatas, with pianist Yefim Bronfman; and Elliott Carter's Duo for Violin and Piano, with Christopher Oldfather.
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During this repeated process, which she also used in her next books, she began to select melodies to be included in the book manuscript. She based this selection on criteria, which ensured that the various kvæði texts and melodies were comprehensively represented, as regards persons, geography and time (recordings from as many islands and villages as possible, with special focus on renowned singers with large repertoires, and new recordings as well as old, sometimes rather indistinguishable phonograph recordings, in some cases dating back to 1902). In 2003, Marianne Clausen's work with the kvæði recordings resulted in the eighth and conclusive volume, Føroya kvæði VIII, Løgini / MelodiesMarianne Clausen (2003): Føroya Kvæði VIII, Løgini/Melodies (FK VIII), 735 pp., Universitets-Jubilæets Danske Samfund, No. 559, Stiðin, of the magnum opus Føroya kvæði, the first seven volumes of which were published 1941-54, 1963–72 and 1996, containing the lyrics of 236 Faroese kvæði, with indexes.
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Le Barbier de Séville at the Opéra de Nice, Christian Jarniat, La Tribune de Nice, 6 March 2009. See also press articles written by Jacques Doucelin in Le Figaro and on concertclassic.com. Mainly known for the roles of Lescaut in the operas Manon by Massenet alongside Renée Fleming, Marcello in La Bohème by Puccini alongside Roberto Alagna, and Escamillo in Carmen by Bizet directed by Franco Zeffirelli, he sings in a repertoire that includes operas by Mozart, Verdi, Donizetti, Puccini and Bizet, in major theatres such as the Metropolitan Opera of New York, the Paris Opera, the Vienna State Opera, La Scala of Milan, the Grand theatre of Liceu of Barcelona, Carnegie Hall in New York, the Royal Albert Hall London, the Bavarian State Opera of Munich and the Peking opera. Over the course of more than thirty years of his international career, Chaignaud has performed a wide variety of repertoires and styles throughout the world: The Italian repertoire of Bel canto but also the Baroque, lieder, oratorio and contemporary Music such as Ça Ira by Roger Waters.
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Repertoires #Répertoire des baptêmes de Saint-Narcisse 1954-1986, 1987, 285 pages, published by "La Société d'histoire de Saint-Narcisse", collection Souvenance. #Saint-Narcisse - Répertoire des mariages de Saint-Narcisse 1854-1985, published by "La Société d'histoire de Saint-Narcisse", 1986, 131 pages, collection Souvenance. #Répertoire des sépultures de Saint-Narcisse 1854-1985, 1986, 155 pages, published by "La Société d'histoire de Saint- Narcisse", collection Souvenance. #Saint-Narcisse: Baptêmes 1987-1991, mariages 1986-1991, sépultures 1986-1991, 1992, 55 pages, published by "Société d'histoire de Saint-Narcisse". #Saint-Narcisse: baptêmes, 1992-2002, mariages, 1992-2002, sépultures, 1992-2002, 2003, published by "La Société d'histoire de Saint-Narcisse" (Historical committee of Saint-Narcisse). #Saint-Narcisse - Répertoire des mariages de Saint-Narcisse 1854-1985, published by "La Société d'histoire de Saint-Narcisse", 1986, 131 pages. #Recensement de la paroisse de Saint-Narcisse en 1886 (Census of Saint- Narcisse in 1886), archives of Évêché de Trois-Rivières, written by Brigitte Hamel, 1988, 108 pages. Monographies #Saint-Narcisse 1804-1979, written by Jean Gagnon, Éditions du Bien public, 2001, 325 pages.
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It would seem that he would revert then to either traditional repertoires of contention (Tarrow 2011), boomerang throwing (Keck & Sikkink 1998), or some combination of both. It would appear that both sides are caught in a vicious cycle, and until either the regime or state changes, collapses, or gives in, they are stuck. So in that way, when the state actually controls the ICTs, can governance truly be brought to areas of limited statehood, or effective in holding states accountable and transparent? Maybe leaving it up to James Scott to sum up is best: “The legibility of society provides the capacity for large-scale social engineering, high- modernist ideology provides the desire, the authoritarian state provides the determination to act on that desire, and an incapacitated civil society provides the leveled social terrain on which to build (5).” One thing that seems pertinent in Scott's discussion of “High Modernism” as it relates to ICTs and advocacy efforts is the focus on scientific progress and the idea that measurement represents improvement, and that society should consistently pursue that highest version of progress.
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A twofold classification of data activism has been proposed by Stefania Milan and Miren Gutiérrez, later explored more in-depth by Stefania Milan, according to the type of activists' engagement with data politics. 'Re-active data activism' can be characterized as motivated by the perception of massive data collection as a threat, for instance when activists seek to resist corporate and government snooping, whereas 'pro-active data activism' sees the increasing availability of data as an opportunity to foster social change. These differentiated approaches to datafication result in different repertoires of action, which are not at odds with each other, since they share a crucial feature: they take information as a constitutive force capable of shaping social reality and contribute to generate new alternative ways of interpreting it. Examples of re-active data activism include the development and usage of encryption and anonymity networks to resist corporate or state surveillance, while instances of pro-active data activism include projects in which data is mobilized to advocate for change and contest established social narrative.
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Nearing retirement, Whall recalled the sea songs of his youth, combining them perhaps with songs from sailors he had met in the Liverpool and Bristol areas in his latter years. At first he published a selection of songs in the Nautical Magazine and in Yachting Monthly but then resolved to compile them all in a single book, writing: "I set myself a plain task, namely to write down these songs, music and words, as I heard them sung at sea by sailors." He enrolled the help of his younger brother Roughton Henry Whall (1862–1933), an organist and music teacher (Mus. Bac., FRCO) living in Stroud, Glos as well as his niece Veronica Whall (b1885), the young daughter of another brother Christopher Whall, a stained glass artist in Dorking. Roughton Whall supplied the musical settings and Veronica Whall the illustrations for the book, which came out in 1910 and quickly went through several editions. It contained 50 songs, half of which would find their way into most modern shanty books or repertoires.
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The popularity of US rock on the two Canadian charts led to many existing groups, especially those devoted to country music, to change styles or to incorporate some rock style hits in their repertoires. alt=Black-and-white photo of a man playing the piano, there is a drink on the piano. Country rock and folk rock singers such as Gordon Lightfoot, Joni Mitchell, Leonard Cohen, Denny Doherty (of The Mamas & the Papas), David Clayton-Thomas (of Blood, Sweat & Tears), Andy Kim, Zal Yanovsky (of The Lovin' Spoonful), John Kay (of Steppenwolf), and Ian & Sylvia found international audiences. One important example was a Winnipeg band called Chad Allan & the Expressions, which had a 1965 hit with a version of Johnny Kidd and the Pirates' "Shakin' All Over".1995 American Woman - The Story of The Guess Who by John Einarson - Quarry Press, Ontario, () They would eventually evolve into The Guess Who, the first Canadian rock group to have a No.1 hit that reached the top on the Canadian Singles Chart and the Billboard Hot 100 at the same time, with "American Woman" in 1970.
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Lamont’s major works compare how people's shared concepts of worth influence and sustain a variety of social hierarchies and inequality. She is concerned with the role of various cultural processes in the creation and reproduction of inequality. Some of her most recent publications include: the Erasmus Prize-winning essay, Prisms of Inequality: Moral Boundaries, Exclusion, and Academic Evaluation; her latest book, Getting Respect: Responding to Stigma and Discrimination in the United States, Brazil, and Israel; and her presidential address to the ASA (ASR June 2018). She currently serves on various scientific boards including: American Council of Learned Societies (ACLS), The Graduate Institute of International and Development Studies (IHEID), Max Planck Institute for the Study of Religious and Ethnic Diversity, Princeton Institute for International and Regional Studies (PIIRS) and Nordic Centre for Research on Gender Equality in Research and Innovation (NORDICORE). Lamont’s early writing formulated influential criticisms of the work of Pierre Bourdieu, a leading sociologist with whom she studied in Paris. Her first book, Money, Morals, Manners, showed that Bourdieu’s theories of cultural capital and habitus ignore moral status signals and national repertoires that explain differences in American and French class cultures.
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