However, he believed the odds of repeat performances are dwindling.
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Sony is far from the only company with repeat performances.
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I expect in the second half we will be very competitive and enjoying repeat performances.
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Even though Coachella added a second weekend in 2012, it has never live-streamed the repeat performances.
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Late last year, the news came that Mr. Hvorostovsky would withdraw from several repeat performances in "Il Trovatore" at the Met this month.
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This time around, the marathon will include some longer-than-usual sets and a few repeat performances, both driven by the need to cut costs, organizers say.
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Judge John Hodgman Eamon writes: My friend Zach frequently poaches my karaoke songs before I get a chance to sing them at bars that forbid repeat performances.
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But a program like the one at National Sawdust on Monday evening, which presented five works by youngish female composers that had premieres from 2006 to 2015, are hardly less important, since repeat performances are often harder to come by than first ones.
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Still, Trump will need weeks of repeat performances to convince skeptics that he can lead the Republican Party to victory in November "It won't hold," said Andrew Weinstein, a former spokesperson for Newt Gingrich and Bob Dole who is leading the effort to get the RNC to cut ties with Trump.
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It raised less than one million dollars at the time for UNICEF, although this figure did not include longer-term royalties from the songs and repeat performances.
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It's a mix of corn cockle, godetia, honeywort, and California poppies that came up on its own several years ago and has been self-sowing for repeat performances ever since.
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The film was based on the novel by Frank Slaughter, which was published in 1952.Repeat Performances By HARVEY BREIT. New York Times 6 Apr 1952: BR33. Slaughter was a doctor turned novelist who specialised in historical fiction.
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The Stone is attributed for hosting Burton's first concert appearance with Metallica,Tribute to Cliff Burton and would lead to repeat performances from other thrash acts, such as MegadethThe Realms of Deth – Megadeth Tour Itinerary – 1987 and Dark Angel.
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The work was premiered by the BBC Scottish Symphony Orchestra, under Jerzy Maksymiuk, who later recorded it. It has been performed and recorded many times since, including repeat performances by the BBC SSO, and the RSAMD Symphony Orchestra in the composer's 50th birthday celebrations.
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After approximately two weeks Malia apparently exhausted "normal" behaviors and began to repeat performances. This was not rewarded. According to Pryor, the dolphin became almost despondent. However, at the sixteenth session without novel behavior, the researchers were presented with a flip they had never seen before.
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The Steve Allen Theater currently serves as home base where they perform monthly. The group has appeared at numerous comedy clubs and festivals such as Festival Supreme over the years, as well as repeat performances at Lucha VaVOOM and the Brookledge Follies.Clowntown City Limits. Written & performed by 2 Headed Dog.
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Manooghi Hi Kismet. kexp.org. Retrieved March 18, 2013 Manooghi Hi has played concerts for Seattle City Hall and in prestigious Northwest rock clubs including repeat performances at "Triple Door", "Crocodile Cafe", "Neumo’s" & "Chop Suey". The band has also been featured in publications such as the "Times of India".Nicole Dastur (April 30, 2009).
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1988 was the inaugural season of the ACC Women's Soccer Tournament. The Cavaliers qualified, and fell in the first round. However, they made it all the way to the Sweet 16 in the NCAA Tournament. The decade closed with repeat performances in both the ACC and NCAA tournaments, but and improvement to 16 overall wins, from 14 in the previous season.
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When the local promoter notices that the crowd responds approvingly to Liliana, he interrupts the performance and directs the group to feature the newcomer. This leads to repeat performances over the next two days to increasingly larger crowds. After the third and final performance, a local wealthy man invites the group to his mansion for dinner. That night Checco realizes he desires Liliana.
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Under the title Les Troyens à Carthage, the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written.
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Audience participation was encouraged, and repeat performances also helped encourage sheet music sales. Della Fox was one of many performers whose singing and/or playing was part of illustrated songs. Several film stars began their careers as models who illustrated lyrics through a series of song slides. These stars included Roscoe Arbuckle, Fanny Brice, Eddie Cantor, George Jessel, Alice Joyce, Florence Lawrence, and Norma Talmadge.
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The Society occasionally favored a composer whose modern reputation has not matched his nineteenth-century popularity. In the 1830s, the Society presented David, an oratorio by Haydn's pupil Sigismund von Neukomm, 55 times.Johnson, Hallelujah, 52-4 By the 1850s, H+H had hundreds of members, but fewer than half participated as the Society presented repeat performances of a small number of classic oratorios varied only by a sampling of church anthems.
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Linx's success with "Intuition" was assisted by a BBC technician's strike, which resulted in only music videos and repeat performances being allowed to be used on Top Of The Pops for a period. This led to the video for "Intuition", first played when the song was in the 60's in the music charts, being shown several times. This helped the single reach the Top Ten. Linx split in early 1983.
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The great actor is thus guided by his intelligence, and not by his emotion. Once the great actor has studied and conceptualized his part through intelligence, he will be able to give repeat performances successfully irrespective of what is going on in his personal life. Occasionally, the character being played, as conceptualized by the great actor, transcends the character conceptualized by the author. Diderot gives the example of Mlle.
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The album was critically received well with positive reviews in numerous Folk magazines and websites including a 5-star review in R2. Shortly after the release of Tomorrow We'll Be Sober, Paul Young left the band and was replaced by Stuart Giddens. 2012 involved another prolific festival run for the band, with repeat performances at Sidmouth and Shrewsbury as well as a successful appearance at Cambridge Folk Festival and many others.
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Bach composed this cantata in Leipzig around 1727 for a wedding. The earliest version of the work is lost; an incomplete second version from 1742 and a complete revision from the late 1740s survive. These dates correspond with repeat performances of the work. The closing chorale is the first stanza of Paul Gerhardt's hymn "Nun danket all und bringet Ehr", with the melody of "Lobt Gott, ihr Christen alle gleich".
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Stroma is a mixed chamber ensemble based in Wellington, New Zealand. It is New Zealand’s largest chamber ensemble, able to draw on over 20 players, many of whom are principal players with the New Zealand Symphony Orchestra (NZSO). It focuses on music written in the last 100 years, and has been active since 2000. It has commissioned and/or premiered over 50 New Zealand works, and has given repeat performances to another 40.
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Later in 1998, there were further performances in Zurich and Moscow with the State Tchaikovsky Symphony Orchestra under conductor, Mischa Damev. As part of the European Union Youth Orchestra (EUYO) tour of 1998, Marine – à travers les arbres received repeat performances at concerts in Düsseldorf, Gävle (Sweden) and at EXPO' 98, Lisbon. The EUYO tour culminated in September 1998 with a televised performance at The Proms under the direction of internationally renowned conductor Vladimir Ashkenazy.
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She gave a Court concert, after which Queen Victoria broke her rule and attended this theatre to hear her on stage. In 1856 she sang in Weimar under Franz Liszt's direction, as Orfeo, Romeo, Lucrezia Borgia, in Gluck's Iphigénie en Tauride, and in concert. After a Romeo she was given a standing ovation by the orchestra and crowned with a laurel wreath, and she had to give repeat performances for the Grand Duke and Duchess. Liszt, whose interest was not only musical, presented her with his portrait.
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S.P.A.M. continued putting on Geekfests, usually about one per month during the summer months and occasionally during the winter, when they could find a suitable indoor location. The locations and the bands varied widely (though many bands had repeat performances), but the shows were always free and all-ages. This concept of inclusion was central to the Geekfest concept, and extended to the booking policy. As word spread about the festivals, bands began calling to ask for shows, and sending promotional packages to the label's P.O. box.
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Delorme developed an interest in music composition in the late 1920s, and pursued formal training in this area with Claude Champagne from 1929-1939. She later studied with Nadia Boulanger at the American Conservatory in Fontainebleau during the summers of 1955 and 1956. She wrote a modest body of symphonic works, piano works, and chamber music between 1940–1960, all of which remain unpublished. However, several of her pieces were played by the CBC Montreal Orchestra for broadcasts on Canadian radio, of which her Andante (1941) received several repeat performances.
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Mozart first heard Handel's Messiah in London in 1764 or 1765, and then in Mannheim in 1777. The first performance, in English, in Germany was in 1772 in Hamburg. Carl Philipp Emanuel Bach was the first to perform the oratorio in German: he presented it in 1775 in Hamburg, with a libretto translated by Friedrich Gottlieb Klopstock and Christoph Daniel Ebeling, followed by repeat performances in that city in 1777 and 1778. In 1885, Johann Adam Hiller's arrangement of Messiah was performed by 302 vocalists and instrumentalists in Berlin.
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Gillespie, pg. 128–129 Variety and Vaudeville continued to increase in popularity during the Jackson years with repeat performances by Humpty Dumpty companies, pantomime, and even magic shows.Gillespie, pg. 127–128 Shows also took an eerie turn with Anna Eva Fay's spiritualism performance, Mysterious Oneida's séance, and Hermann the Great's show on occult phenomena.Gillespie, Apendix I, 198, 202, 229 As technology improved, so also did the kinds of innovative performances Tibbits was able to put on stage. Such obscure technologies as cinematoscopes and luminere cinematographs offered the promise of displaying moving pictures.
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The Charm on ManxLiterature.com (accessed January 2017) Under Sophia Morrion's direction, they took on the name of The Peel Players ahead of their repeat performances.'Fixtures', Mona's Herald 13 November 1912 After a performance in Ramsey,(Untitled article) Peel City Guardian 7 December 1912 the plays were produced at the Gaiety Theatre in Douglas in January 1913 - a performance referred to as 'a complete success.'(Untitled article) Peel City Guardian 1 February 1913 This performance had the distinction of attracting the Lieutenant Governor of the Isle of Man, Lord Raglan, to attend.
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The essay consists of a dialogue between two speakers in which the first speaker espouses the views of Diderot on acting. The first speaker argues that the great actor is characterized by a complete absence of any feeling; and that the art of the great actor consists of displaying the illusion of feeling. The reason is that if the great actor were to become emotional he would not be able to play the same part in the theater in repeat performances with the same success. Also, those actors who depend on feeling when performing usually give unpredictable or uneven performances.
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Clairon, who once played a character in a play authored by Voltaire; Voltaire, who was in the audience, had cried out "Did I write that?" on seeing her magnificent performance. Diderot accepts that a great actor like Mlle. Clairon could experience emotion when portraying the character for the first time; but in repeat performances she would be in complete control of her emotions. Diderot also gives an example of the great actor's theatrical discipline: The essay is also of note for being where the term l'esprit de l'escalier (or l'esprit d'escalier) (, ,"esprit de l'escalier" (US) and ; ) comes from.
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Musica Angelica has also toured three times throughout South America and most recently presented three opera performances at the Palacio Bellas Artes in Mexico City. A visionary Music Director, Martin Haselböck often brings a new twist to performances by combining traditional Baroque music with avant-garde multimedia. One of his creations, “The Infernal Comedy,” starring John Malkovich, was premiered by Musica Angelica in Santa Monica and enjoyed 50 repeat performances throughout Europe. In fall of 2011, Musica Angelica toured the Americas with The Infernal Comedy, performing 16 concerts in ten cities to sold-out audiences totaling over 23,000.
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It was first performed on 8 December, along with his Seventh Symphony, Op. 92, at a charity concert for victims of the war, a concert whose success led to its repeat on 12 December. The orchestra included several leading and rising musicians who happened to be in Vienna at the time, including Giacomo Meyerbeer and Domenico Dragonetti. The work received repeat performances at concerts staged by Beethoven in January and February 1814. These concerts brought Beethoven more profit than any others in his career, and enabled him to buy the bank shares that were eventually to be the most valuable assets in his estate at his death.
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"He got a real kick out of that. He left the room to roll a cigarette and when he came back, he said, You tell Michael that I'll slow down so that he can catch up with me." Carter flew to Los Angeles to attend the Grammy Award ceremony and to Tennessee for the benefit concert held in Ryman Auditorium in Nashville, which featured repeat performances by the performers of other numbers on the soundtrack (although Carter himself did not perform). As the other prisoners have not been identified (and likely never will be), the official credit for the artist on the soundtrack is for "James Carter & the Prisoners".
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Jeffrey Ryan (born 1962) is a Canadian composer based in Vancouver, British Columbia. His compositional style ranges from opera, art song, and choral music to chamber ensemble and orchestral works. Ryan has been commissioned by the Cleveland Orchestra, the Windsor Symphony, Esprit Orchestra, Tapestry New Opera Works, the Arditti Quartet, and Elektra Women's Choir. Repeat performances have been presented by the Montreal Symphony Orchestra (Orchestre symphonique de Montréal), the Winnipeg Symphony Orchestra, the Thunder Bay Symphony Orchestra, the Victoria Symphony, the Canadian Chamber Choir, the Florida Orchestra, and the South Dakota Symphony Orchestra, as well as a number of art song teams and chamber ensembles.
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The film received a 91% rating on review aggregator website Rotten Tomatoes, with an average rating of 7.1/10 based on 23 critics. The website's critical consensus reads, "Sound of Noise is a raucous, irreverent comedy caper with good tunes and a romantic finish." On Metacritic, the film has an average score of 72 out of 100, based on 9 critics, indicating "generally favorable reviews". Eric Kohn of IndieWire called Sound of Noise "Bonnie and Clyde on drums", writing, "Loaded with ingeniously devised beats, it hammers out a unique rhythm deserved of many repeat performances," and "directors Ola Simonsson and Johannes Stjärne make the surrealist musical set pieces into the real stars".
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While the performances of the Faust and Dante symphonies were British premieres, the symphonic poems had previously been introduced at the Crystal Palace; nevertheless, Bache felt that offering repeat performances of the symphonic poems was important in making them familiar to audiences. Les préludes was performed three times at the Bache concerts, Mazeppa, Festklänge and Orpheus each twice and Tasso once. Part of this strategy of familiarity was the inclusion of the two-piano arrangements of the symphonic poems as a way to prepare audiences for the orchestral versions. Bache had begun this practice with his first concert in 1865, when he and Dannreuther presented the two-piano arrangement of Les préludes.
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After the end of World War I, he settled again in Vienna, where he taught private pupils. He also helped Schoenberg run his Society for Private Musical Performances, which sought to create the ideal environment for the exploration and appreciation of unfamiliar new music by means of open rehearsals, repeat performances, and the exclusion of professional critics. Berg had a particular interest in the number 23, using it to structure several works. Various suggestions have been made as to the reason for this interest: that he took it from the biorhythms theory of Wilhelm Fliess, in which a 23-day cycle is considered significant, or because he first suffered an asthma attack on the 23rd of the month.
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The Nine Ages of Nakedness is a 1969 British sex film, directed by Harrison Marks, and also starring Marks as himself and several of his (fictional) ancestors.Simon Sheridan, Keeping the British End Up: Four Decades of Saucy Cinema, Titan Books 2011 p 64-65 Originally entitled The Seven Ages of Nakedness, a title inspired by John Gielgud’s one man show The Seven Ages of Man, in order to increase the film’s running time two more stories/ages had to be added. The film's publicity materials claimed the film featured "150 topless international lovelies;" however, as several female cast members make repeat performances in several of the film's stories, that number might be an exaggeration. Not long after he completed the film, Marks declared bankruptcy and sold all rights to it.
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The Dolmen began rather informally in or about 1990, with their first public appearance at The Duke of Albany pub in Weymouth, Dorset, where they debuted as a mainly folk music oriented group. Since that time, they have become well known on the local and surrounding areas music scene, appearing over the years for repeat performances at many major UK music venues and festivals; among them the Glastonbury Festival in 1995 and 1997, the Farnham Jazz and Guilford Festivals, The Children of Artemis Witchfest, and The Pagan Federation festivals. They have also appeared frequently at Stonehenge in support of The Dolmen Grove, a United Paths Pagan organization based in the South of England. In 2007, members of The Dolmen were invited special guests at the first New Seven Wonders of the World ceremonies in Lisbon, Portugal, Jameson's original composition having been chosen as the official anthem of that year's "Wonders" contest.
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He is now primarily active as a noted multi-instrumentalist, specializing on Franklin glass armonica and the theremin, prominently performing in New York at the Metropolitan Opera, for Hollywood film scorings, and repeat performances at Lincoln Center's Mostly Mozart Festival (debuting in 1991 with Roger Norrington and the London Classical Players) plus performing at the Tanglewood Festival with the Boston Symphony Orchestra performing the intricate glass armonica complete part in the U.S. debut of George Benjamin's opera "Written On Skin.". James has also become active in the preservation and restoration of other historic instruments such as the French Cristal d’ Baschet and Ondes Martenot plus has begun performing early syncopated jazz and mid-century moderne styled period-piano repertoire within a multitude of other specialist musical activities generally considered of marginal cultural impact and predominantly subject to the periodic whims of amateurs and enthusiasts.
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A movie called Taking Woodstock was released in August 2009 based on the book of the same title by Elliot Tiber, whose parents owned the nearby El Monaco Motel in White Lake and played a pivotal role in bringing the Woodstock nation to Bethel. In 2006, Bethel Woods opened on the original Woodstock site as a state-of-the-art performing arts venue. In early 2008, a multi-media Woodstock "interpretive" museum opened near the old Yasgur's Farm to complement the concert space, which hosted the New York Philharmonic, Wynton Marsalis, Diane Reeves, Chris Botti, the Goo Goo Dolls, the Boston Pops Orchestra, and Crosby, Stills, Nash & Young in its inaugural season. Highlights of the Center's 2007 season were performances by Lynyrd Skynyrd/Marshall Tucker Band, Bob Dylan, Richie Havens/Arlo Guthrie, Earth, Wind & Fire, and repeat performances of the New York Philharmonic and the Boston Pops Orchestra.
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The ball could not touch the net on a serve, and games were to 15 (no rally scoring). In 1988 the franchise changed the rules so that game five would move to rally scoring. Dallas Belles' Roster: Lisa Franco (DS) Heather Hafner (OH) Ruth Lawanson (S/OH) Sheryl Joseph-Moore (OH) Laurel Brassey Kessel (S/OH) Patty Dowdell (MB) Penny Lucas Claudia Lee (DS) Ellen Crandall Orner (MB) Paula Rideau Kori Pulaski Head Coach, Ruth N. Nelson and former Head Coach at George Williams College (1970-1972); University of Houston (1973-1981); Louisiana State University (1981-1985) and the University of Iowa (1989-1991) The Dallas Belles were the only team in the league to utilize a 6-2 offense, with Ruth Lawanson and Laurel Brassey-Kessel setting the offense. Both Lawanson and Kessel would later go on to repeat performances with the U.S. National Team to play in the 1992 and 1996 Olympics respectively.
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Whether or not Wood had lost patience with Coates as a violist, he regarded him well enough as a composer to invite him to conduct the first performance of his suite Summer Days at a Queen's Hall Promenade concert in October 1919, and to engage him for repeat performances of the piece in 1920, 1924 and 1925,"Summer Days", BBC Proms performance archive. Retrieved 29 September 2018 and for more of his orchestral works including the suite Joyous Youth (1922) and the premiere of The Three Bears (1926)."Prom 43, 30 Sep 1922 Queen's Hall" and "Prom 47, 7 Oct 1926 Queen's Hall", BBC Proms performance archive. Retrieved 29 September 2018 The latter, one of three of Coates's most substantial works, labelled "Phantasies", was inspired by the children's stories that Phyllis Coates read to their son; the others were The Selfish Giant (1925) and Cinderella (1930).Kay, Brian (2002). Notes to Chandos CD 9869 Chiltern Court, Baker Street, Coates's London home 1930–1936.
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The other two are repeat performances of "Sit Down, You're Rockin' the Boat" from Guys and Dolls, first sung in the series' pilot by Colfer, Michele, Kevin McHale, Ushkowitz and Riley, and Beyoncé's "Single Ladies (Put a Ring on It)" from "Preggers", performed by O'Malley, Ushkowitz, and Morris; both numbers include flashbacks to the original performances, which for "Single Ladies" included Colfer rather than O'Malley. There is another flashback to the pilot episode showing Monteith's a cappella performance of "Can't Fight This Feeling" by REO Speedwagon. Although Gloria Estefan (pictured) was reported to have signed to play Santana's mother in early December 2011, her debut was in the season finale Gloria Estefan makes a special guest appearance as Maribel Lopez, the mother of Santana Lopez (Naya Rivera). Estefan was reported to be in talks to play Santana's mother as early as November 30, 2011, the morning after the episode "I Kissed a Girl" aired.
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