The Renegado River is a river in Ñuble Region in the southern portion of Central Chile.
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This was a Blackfoot renegado, named Kosato, a fiery hot-blooded youth who, with a beautiful girl of the same tribe, had taken refuge among the Nez Perces.
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Gurr, The Shakespeare Company, pp. 128, 159. The company reappeared in London in 1622. The actors worked for Christopher Beeston; in April 1624, they performed Philip Massinger's The Renegado.
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Espinosa trained for his professional wrestling debut under Benny Castello and made his professional wrestling debut in 1994 under the ring name Paris, a masked wrestling persona. In 1995 he changed his ring persona and mask becoming known as Renegado ("The Renegade"). As Renegado he lost a Luchas de Apuestas, or bet match to Zumbido. Following the match he was forced to unmask, state his birth name and age per Lucha Libre traditions.
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By the 17th century, when it caught on outside Spain, most people were playing a three-player variation called "Renegado" first described in 1663 in Madrid. The terms used were those in English, which were anglicized versions of French versions of the original Spanish words.
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The supposition that Massinger was a Roman Catholic rests upon three of his plays, The Virgin Martyr (licensed 1620), The Renegado (licensed 1624) and The Maid of Honour (c. 1621). The Virgin Martyr, in which Dekker probably had a large share, is really a miracle play, dealing with the martyrdom of Dorothea in the time of Diocletian, and the supernatural element is freely used. Caution must be used in interpreting this play as an elucidation of Massinger's views; it is not entirely his work. In The Renegado, however, the action is dominated by the beneficent influence of a Jesuit priest, Francisco, and the doctrine of baptismal regeneration is enforced.
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The younger Bird started out as a boy player acting female roles, as was customary at the time; he played Paulina in Massinger's The Renegado for Queen Henrietta's Men in 1625. He played Tota, the Queen of Fez, in Thomas Heywood's The Fair Maid of the West, Part 2 around 1630, when he was 21 years old.J. B. Street, "The Durability of Boy Actors," Notes and Queries 218 (1973), pp. 461-5.
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Nineteenth-century critics tended to interpret the play's positive portrayal of a Jesuit confessor as a sign of Massinger's own supposed Roman Catholicism. The play's inclusion of a eunuch character has also drawn comment. Jowitt, in the early 21st century, reads The Renegado as a political allegory on the Prince of Wales and the Duke of Buckingham's failed trip to woo the Infanta Maria in the Spanish. Donusa and Vitelli are viewed as personifying Maria and the Prince.
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The Gentleman of Venice is a Caroline era stage play, a tragicomedy written by James Shirley, and first published in 1655.The Gentleman of Venice also served as the subtitle of The Renegado (1624) by Philip Massinger. The play was licensed for performance in London by Sir Henry Herbert, the Master of the Revels, on 30 October 1639. It was acted by Queen Henrietta's Men at the Cockpit Theatre in that year,Forsythe, pp. 174-5.
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Although Pélico began performing music in the 1990s, and even recorded an album titled Melodrama (Dicionário Cravo Albin da Música Popular Brasileira) in 2003 (calls early album "renegado"), his musical career began in 2006. Pélico's first album ' was released by Monga Records / Tratore in 2008. Pélico's album ' was released by YB Music on 16 July 2011. All sixteen tracks on the album were written by Pélico; two songs, "" and "", have additional writing credit to Cristiane Lisbôa and Estêvão Bertoni, respectively.
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After serving a term in US prison he announced his withdrawal from the reggae scene to become a Christian preacher.Chicho Man, the missionary of God In the 1990s, the genre had grown in Panama. In 1996, came artists such as Aldo Ranks, El Renegado, Jam & Suppose who sang the hit "Camión Lleno de Gun".Jam & Suppose – Camion lleno de Gun Jr. Ranks and Tony Bull already had good records with late singer Danger Man and they formed the musical group called The Killamanjaros.
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The Renegado, or The Gentleman of VeniceThe play's subtitle also serves as the title of a later play by James Shirley; see The Gentleman of Venice. is a late Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630. The play has attracted critical attention for its treatment of cultural conflict between Christian Europe and Muslim North Africa. Massinger based the plot of his play on a novel by Miguel de Cervantes titled Los Baños de Argel, which had been printed in 1615.
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These included Robert Burton, who dedicated The Anatomy of Melancholy to Berkeley upon its publication in 1621. Berkeley was a notable patron of English Renaissance drama: Philip Massinger dedicated his play The Renegado to Berkeley on its 1630 publication, as James Shirley did his The Young Admiral in 1637. John Webster dedicated The Duchess of Malfi to Berkeley in 1623. The wording of Webster's dedication suggests that Webster was seeking Berkeley's patronage rather than acknowledging support already given; it is not known to what degree the supplication was effective.
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After Philip Henslowe's death in 1616 Massinger and Fletcher began to write for the King's Men. Between 1623 and 1626 Massinger produced unaided for the Lady Elizabeth's Men, then playing at the Cockpit Theatre, three pieces, The Parliament of Love, The Bondman and The Renegado. With the exception of these plays and The Great Duke of Florence, produced in 1627 by Queen Henrietta's Men, Massinger continued to write regularly for the King's Men until his death. The tone of the dedications of his later plays affords evidence of his continued poverty.
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The children's settlements where the Niños had been transferred to began to suffer the rigours of war. Although the Niños were still, at least nominally, under the protection of the Communist Party of Spain (PCE), the Red Cross and other Soviet institutions and unions, the then leader of the PCE Jesús Hernández, himself exiled in the Soviet Union, often had to pressure the authorities to provide the most basic items for the Niños's survival: food, medicine, heating.Hernández Sánchez, Fernando (1950). Pistolero, ministro, espía y renegado, citando desde Vanni, E: Yo, comunista en Rusia.
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Shirley dedicated the play to George Harding, 8th Baron Berkeley, a prominent literary patron of the day.Berkeley was the dedicatee of Burton's The Anatomy of Melancholy (1621), Webster's The Duchess of Malfi (1623), and Massinger's The Renegado (1630), among other works. Shirley's source for the plot of his play was Don Lope de Cardona, by Lope de Vega. Shirley tightens the Aristotelian unities of the plot, and simplifies the story by eliminating some of the more fantastic elements of Lope's story – Vittori doesn't go mad, Cassandra doesn't dress as a man; she also doesn't apparently die and isn't apparently resurrected.
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Javier Espinosa Romero (born December 30, 1973) is a Mexican luchador, or masked professional wrestler best known under the ring name Tony Rivera. As Rivera he is currently working on the Mexican professional wrestling independent circuit portraying a tecnico ("Good guy") wrestling character. Rivera worked for Consejo Mundial de Lucha Libre (CMLL) for over 10 years, followed by him working on the Mexican independent circuit, particularly for International Wrestling Revolution Group (IWRG) and International Wrestling League (IWL). He originally worked as an Enmascarado or masked wrestler under the ring names Paris and Renegado ("The Renegade") but has used the name Tony Rivera since 1996.
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The Renegado was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 17 April 1624. It was acted at the Cockpit Theatre by the Lady Elizabeth's Men; when that troupe was merged or re-organized into Queen Henrietta's Men in the following year, 1625, the play remained in their repertory. The 1630 quarto was printed by Augustine Matthews for the bookseller John Waterson; it bears commendatory verses, including one by James Shirley. Massinger dedicated his drama to George Harding, 8th Baron Berkeley, a prominent literary patron of the day who was the dedicatee of Burton's The Anatomy of Melancholy (1621) and Webster's The Duchess of Malfi (1623), among other works.
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His role as Rawbone in their production of James Shirley's The Wedding shows that he was a thin-man clown, what his own era called a "lean fool," like John Sinklo or John Shank. Robbins also played Carazie the eunuch in Philip Massinger's The Renegado, Clem in Thomas Heywood's The Fair Maid of the West, and the title character, the "changeling" Antonio, in Middleton and Rowley's The Changeling. The Queen Henrietta's company was disrupted by a long theatre closure due to bubonic plague in 1636-37\. Robbins may have been one of the members of the troupe who travelled to Ireland with James Shirley to work at the Werburgh Street Theatre in Dublin in the later 1630s.
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The play is set in Tunis, in what is modern-day Tunisia; the title character, the "renegado" or renegade, is Antonio Grimaldi, who has converted to Islam and become a pirate. The true protagonist of the play, however, is Vitelli, a Venetian gentleman; he has come to Tunis disguised as a merchant, in order to search for his sister Paulina, who has been captured by Grimaldi's pirates and sold into the harem of the city's Viceroy, Asambeg. Even in the harem, however, Paulina's virtue is protected by an amulet she wears around her neck; Asambeg is infatuated with her and treats her with respect. A Turkish princess named Donusa falls in love with Vitelli; when this is discovered, they are both imprisoned in the Black Tower.
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Researches into the History of Playing Cards, Samuel Weller Singer, p. 264, London, 1816 Cotton's Compleat Gamester says that "there were several sorts of this game, but that which the chief was called "Renegado", at which three only could play, and to whom were dealt nine cards apiece so that by discarding the eights, nines and tens, there would remain thirteen cards in the stock". Seymour's The Compleat Gamester (1722) contains a frontispiece representing a party of rank playing it and describes it as a game so much in fashion that at its peak by the turn of the eighteenth century it inspired a unique form of furniture: a three-sided card table. According to Jean-Baptiste Bullet, writer and professor of divinity at the University of Besançon,Recherches Historiques sur les Cartes à Jouer, Lyon 1757, pg.
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The Vision of Judgment (1822) is a satirical poem in ottava rima by Lord Byron, which depicts a dispute in Heaven over the fate of George III's soul. It was written in response to the Poet Laureate Robert Southey's A Vision of Judgement (1821), which had imagined the soul of king George triumphantly entering Heaven to receive his due. Byron was provoked by the High Tory point of view from which the poem was written, and he took personally Southey's preface which had attacked those "Men of diseased hearts and depraved imaginations" who had set up a "Satanic school" of poetry, "characterized by a Satanic spirit of pride and audacious impiety". He responded in the preface to his own Vision of Judgment with an attack on "The gross flattery, the dull impudence, the renegado intolerance, and impious cant, of the poem", and mischievously referred to Southey as "the author of Wat Tyler", an anti- royalist work from Southey's firebrand revolutionary youth.
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