Revisiting the nominees, it's impossible not to remark upon how homogenous they are.
|
|
She looked to me once, to remark upon the quality of a local Chinese restaurant ("pas mal").
|
|
I know this because lovers would later remark upon my forceful insistence, even though I was completely plastered.
|
|
Many have already noticed that Mike Huckabee's Twitter is bad enough to remark upon, and subsequently remarked upon it.
|
|
When I wear them, not only do people want to remark upon them, but they also want to touch me.
|
|
With that very sense of adventure in mind, one had to remark upon the range exhibited by many actors during the year.
|
|
Frank is hardly the first critic to remark upon a disconnect between the lives of wealthy liberals and the grittier constituencies they supposedly serve.
|
|
To observe: here Ish is, notching a career high against the Raptors: I'm not totally sure there's anything at all to remark upon here.
|
|
Both in production and persona, the masked Detroit music Moodymann is so unpredictable and obtuse that to even remark upon it is basically a cliche.
|
|
The whistleblowers who have dared to come forward and remark upon it haven't enjoyed the Trump whistleblower's warm welcome among "respectable" voices in politics and the media.
|
|
We have a clear idea, for example, of who is being maligned when social critics remark upon the tastelessness of seven-inch Louboutin platforms, or expensive rims on Cadillacs.
|
|
Police sources told KDKA that the suspected shooter made an anti-Semitic remark upon beginning the attack, shouting "all Jews must die" as he entered the building and opened fire.
|
|
It means not just that he remembers the sentence that just came out of his mouth—this itself is rare enough to remark upon it—but that he also already knows what the next sentence will be.
|
|
It bothers you when things don't feel fair and you're often compelled to remark upon or change things that feel uneven in your life, but only because you have a very strong sense of what's right and what's deserved.
|
|
So he did not move from the table when the chiseller left the room, nor did he make any remark upon the hour.
|
|
Upon seeing a display model of an old Zaku II, some characters remark upon how outdated it is, while others point out its historical significance as an early example of widely mass-produced Mobile Suits.
|
|
The Devil, in the guise of a human, meets a young couple who remark upon looking at a Renaissance painting of a martyr that Evil could never triumph over Good. The Devil, taking this as a challenge, decides to bring about the couple's downfall.
|
|
Gert rarely interacts with Karolina. The two have been noted to remark upon each other's appearance or family, but are rarely seen conversing like the other characters. Gert is one to often babysit Molly, though Molly has more brotherly relationships with Chase and Victor.Runaways Vol.
|
|
Kennedy (1987), pp 239–240. A concert in March 1924, inspired the Times critic to remark upon the second movement: "one wondered whether any nobler or more beautiful funeral music has been written than this, which unrolls like some vast tapestry richly woven of purple and crimson threads.""British Broadcast Company's Concert: Elgar's Second Symphony". The Times, 8 March 1924, p. 8.
|
|
Paulinus a S. Bartholomaeo, Paolino da San Bartolomeo; known as Paulinus Paathiri; secular name Johann Philipp Wesdin. He is credited with being the author of the first Sanskrit grammar to be published in Europe, and for being one of the first Orientalists to remark upon the close relationship between Indian and European languages, followed by others such as William Jones and Gaston-Laurent Coeurdoux.
|
|
Hunting can take days of tracking, attacking, and following a wounded animal. The Juǀʼhoansi have rituals to prevent arrogance amongst male hunters. When a man kills an animal, he does not take it directly into the settlement, but leaves the body and returns as if he was unsuccessful. An older man will inquire about his hunt and remark upon his failure, to which the hunter must avoid credit and accept humility.
|
|
The Devil, in the guise of a human named Dr. Muller (Arliss), meets a young couple (Marie and her fiance Georges) who remark upon looking at a Renaissance painting of a martyr that Evil could never triumph over Good. The Devil, taking this as a challenge, decides to bring about the couple's downfall. In the end, Marie resorts to the power of prayer and a shining crucifix appears that causes the Devil to disappear in a burst of flames.
|
|
As a great lover of Scottish poetry, Maxwell memorised poems and wrote his own. The best known is Rigid Body Sings, closely based on "Comin' Through the Rye" by Robert Burns, which he apparently used to sing while accompanying himself on a guitar. It has the opening lines A collection of his poems was published by his friend Lewis Campbell in 1882. Descriptions of Maxwell remark upon his remarkable intellectual qualities being matched by social awkwardness.
|
|
Paul also had relationships with two other important characters, Mitchell and Richard (Dick). Paul is highly intelligent and passionate, but is not above obscuring these facts in the course of seduction. Several characters in the book remark upon his physical attractiveness, brought out by Roman features and soft blond hair. Paul's relationship with his mother, Eve, is complex; she yearns to reach out to him but is led towards iciness by Paul's flippancy, which in turn feeds their animosity.
|
|
Slang terms for alprazolam vary from place to place. Some of the more common terms are modified versions of the trade name "Xanax", such as Xannies (or Xanies) and the phonetic equivalent of Zannies; references to their drug classes, such as benzos or downers; or remark upon their shape or color (most commonly a straight, perforated tablet or an oval-shaped pill): bars, ladders, Xanbars, Xans, Z-bars, handle bars, beans, footballs, planks, poles, blues, or blue footballs.
|
|
It is unlikely that the saga writers had accurate information on details of the battle beyond the sparse accounts in the surviving poems. Nevertheless, starting with Oddr Snorrason, they present an elaborate literary account, depicting the main participants through their words and deeds. Olaf Tryggvason's ships pass the anchorage of his allied enemies in a long column without order, as no attack is expected. Conveniently placed to observe the fleet, Jarl Eirik and the two kings remark upon the passing vessels.
|
|
The 1959–60 season marked Watford's first promotion since joining the Football League in 1920, taking them from the Fourth Division to the Third Division. Although Watford's success was largely attributed to the partnership of Cliff Holton and Dennis Uphill, who between them scored 72 league goals, Catleugh was later to remark upon the strong team spirit that season, stating that he felt like part of "one, big, happy family". As a result of the promotion, Catleugh spent the remainder of his Watford career as a Third Division player.
|
|
The panelists will frequently remark upon the connection between the Star Trek universe with the film being reviewed, in the manner of Six Degrees of Kevin Bacon. These connections are normally an actor that has appeared in any of the Star Trek series (from the Original Series to Enterprise) or any of the eleven films. Crew members of the films that have worked behind the scenes on both the film and in the Star Trek universe have also been mentioned. The hosts will occasionally read submissions from the podcast audience listing such connections.
|
|
A group of Loeb Fellows (alumni of Harvard University's one year Loeb program) led by Miriam Gusevich and Glenn Smith came to Annapolis in June 2008. They held a workshop session to discuss and remark upon the work of the charrette and offer suggestions for next steps Annapolitans might take in moving this effort forward. Some local groups are continuing in pursuing some of the concepts proposed during this design effort, via feasibility studies and community activism. This effort was made possible with a grant from the Loeb Fellowship.
|
|
The system had become better organized and on July 25, the NHC continued to remark upon the potential for the weak low pressure area--accompanied by disorganized convective activity-- to develop. On July 26, the system became better-organized, and under favorable conditions it was upgraded to a tropical depression at 1200 UTC, while located about to the south-southwest of Cabo San Lucas, Mexico. Under the steering currents of a subtropical ridge of high pressure, the depression continued moving westward. Upon becoming a tropical cyclone, the depression contained a somewhat well-defined low-level center of circulation, as well as convective banding.
|
|
After these seven rounds, the top three solvers in the top three divisions progress to the final round, which consists of solving a very difficult crossword of 15 × 15 size on an oversize grid on a stage at the front of the tournament room. The competitors in this round wear noise-blocking headphones so that a team of commentators can remark upon the action for the spectators. The solvers hold a sheet of clues and write their answers on the grid with a dry-erase marker for all to see. Accuracy and speed are important as the competitors are ranked by fewest mistakes, then time.
|
|
During the Civil War Confederate Army officers and Southern journalists visited frequently and never failed to remark upon the view, which included much of Washington, D.C. and Northern Virginia. One war correspondent of the Charleston Mercury newspaper visited in September 1861 and offered the following description: > Standing on the crest of the hill, the panorama unrolled before you, is one > of exquisite beauty. The river sweeps around the base of the hills beyond, > hidden from view, but easily traced by the blue line of mist which marks its > course. Beyond the unseen boundary of our contending countries an infinite > plain stretches south to the horizon, relieved here and there by a solitary > farmstead nestled down in the deep foliage.
|
|
Seventeen people board a Hong Kong minibus going from Mong Kok to Tai Po: driver Suet; Yau Tsi-chi and Yuki, who are visiting their respective dates; Fat, an aging gangster; Mook Sau-ying, a fortune-telling insurance salesperson; Shun, a computer technician; Pat and Bobby, a married couple; Blind Fai, a drug addict; Auyeung Wai, a music store salesperson; Lavina, a quiet, buck-toothed woman; Airplane and Glu-Stick, rowdy boys; and university students Tsing, Peter, Dawg, and Hung. As the minibus enters a tunnel, Fat notices the traffic seemingly disappear, and several other passengers remark upon how quiet the streets have become. The university students leave on the first stop, and one immediately becomes ill. By the second stop, the passengers come to believe they are the only people remaining in Hong Kong.
|
|
Charles Farrar Forster (29 February 1848 – 28 August 1894) was curate of the parish of Lockwood near Huddersfield, vicar of St Andrew's Church in Huddersfield, and the first vicar of the Church of St Michael and All Angels, Beckwithshaw.Huddersfield Chronicle, 18 September 1894: The late Rev. C.F. Forster In spite of suffering severe pain due to heart disease during his working years, he was known for his dedication to parochial work and for the large congregations who came to hear his sermons. For all his bodily fragility he was notable for his personal charisma, causing various newspapers to remark upon the numerous friends among his past and recent parishioners and among his fellow clergymen who formed part of his life and who attended his funeral and memorial services.
|
|
Since London was created by man, and man is a part of nature, London is thus too a part of nature. It is this reason that gives the speaker the opportunity to remark upon the beauty of London as he would a natural phenomenon, and, as Brooks points out, can call the houses "sleeping" rather than "dead" because they too are vivified with the natural spark of life, granted to them by the men that built them. Brooks ends his essay with a reading of John Donne's poem The Canonization, which uses a paradox as its underlying metaphor. Using a charged religious term to describe the speaker's physical love as saintly, Donne effectively argues that in rejecting the material world and withdrawing to a world of each other, the two lovers are appropriate candidates for canonization.
|
|
The writer John O'Keeffe saw her perform as a small child and described her appearing on stage: "She always appeared in the orchestra in a yellow silk gown, and was heard by the applauding company with great delight, without remark upon her sables." Her final Dublin performance was in July 1756, singing in honour of General William Blakeney as part of Niccolo Pasquali's masque Hibernia's triumph. From 1757 to 1767, Baptist herself stated she was in England, performing in London and Bath, however there is no mention of her in the playbills of reference works for the London stage at that time. It is possible it was Baptist who plated Polly Peachum in The beggar's opera and later Juliet in Shakespeare's Romeo and Juliet in Lancashire during this time. In the spring and summer of 1758, she performed in the Ranelagh Gardens, Liverpool with local papers stating that "Miss Baptist, the celebrated singer from the gardens of Dublin".
|
|
They remark upon how illogical human speech seems to them and act in what could be said to be an unemotional manner, though they do show emotions at times. The characters occasionally display knowledge of elements that would normally be considered on the other side of the fourth wall–Drossel makes reference to what happened "in the last episode", and at another time points out that she has heard something already in an anime; Gedächtnis stops a laughter track (and indeed, the episode) by punching the screen, causing it to fracture in the accustomed glass-splinter visual code and then to fall sideways to the floor. The series sometimes makes serious points in otherwise complete nonsense–the city in which Tempest Tower is built (shown during the opening title sequence) appears to be stereotypically dystopian in appearance; in the episode "Butterfly", Gedächtnis discusses the nature of rules, and what it is to be 'real' in an almost philosophical fashion, and the last episode features some distinctive "last stand" elements (it is this episode in which Drossel recites her entire name and title and then walks to face the human forces just as the series ends).
|
|
Despatched to the boys' wing of Wormwood Scrubs, he slashed his wrists; placed in the prison hospital, he was declared a 'potential psychopath'. After his release, his father resigned his job as dustman with Wembley council to start a window cleaning business with his son in a futile attempt to keep him away from crime. On 3 July 1957, aged 20, only five months after his release from Wormwood Scrubs, Hanratty was sentenced at Brighton Magistrates' Court to six months' imprisonment (he served four) for a variety of motoring offences, including theft of a motor vehicle and driving without a licence. He was sent to Walton Prison, Liverpool, where he was again identified as a psychopath. In March 1958, aged 21, at the County of London Sessions, Hanratty was again convicted of car theft, and of driving while disqualified, and sentenced to three years' corrective training at Wandsworth Prison thence to Maidstone Prison, where conditions were considered among the best in the UK. While at Maidstone, Hanratty came to the attention of a researcher, a 'participant observer' who lived and worked alongside the inmates; he was later to remark upon Hanratty’s 'gross social and emotional immaturity'.
|
|